House Vinyl New Releases - News

Operating from the depths of London’s musical underground since the late ‘90s, Infinity Plus One has been quietly toiling away, letting his music do the talking for the past two and a half decades. Cyphon Recordings draft in the veteran producer for a rare four-track EP of Detroit-infused, future-facing house and techno laced with the compelling lyricism of JaronX.

The Rebellion EP sees Infinity Plus One in some of his finest form to date. Leading the charge, ‘Context is Broken’ opens with JaronX’s poignant and passionate lyric on the state of global media, where sensationalism sells more copies than facts. From there, you dive headfirst into a hit of heavy-duty, contorted house. Crisp hats, punchy kicks and echoing stabs are interspersed with twisted electronics and JaronX’s arresting vocals. A sub-rattling bassline hits you square in the chest taking this neural club cut to the next level.

‘Say The Truth’ follows. A glitching, syncopated roller, woven with an entrancing monologue that is modulated and layered into tripped-out harmonies that echo around your brain.

On the flip side, ‘Identity Keeps Changing’ is a morphing techno weapon, where voices and synthesisers oscillate through different forms with every new turn. Rave-infused synth lines, breakbeats and a warped bassline channel that ‘90s warehouse flavour for a kinetic dose of dancefloor bedlam.

Rounding off the EP, the surging chords of ‘Utopia’ ping between your ears. A pulse that rides the kick drum, as dizzying arps and heavenly strings are layered into the mix to form a transfixing, gravity-defying techno immersion.

Fusing lyricism with the depth and dynamism of house and techno’s roots, Infinity Plus One hardwires meaning within his music. Visceral and thought-provoking, it’s a welcome respite in a sea of conformity.

Archeo Recordings is a record label. Old, lost, obscure and forgotten gems and a boundless focus on the new Balearic scene for a wider audience of collectors, DJs and music lovers. All releases are limited edition.


This release is 350 copies limited edition: 12"" with 4 new special Remixes by Hear & Now, Manu Archeo, Mushrooms Project and Ocean Moon + CD with 6 previously unreleased Original songs + Insert.

For the latest essential offering from Archeo Recordings, Infradisco harness the power of the Po, serving a six-part suite inspired by the life giving power and natural beauty of water. An immersive journey through balmy downbeat, Balearic melancholy, smooth jazz and subtle house, the ‘Aqua Cheta’ CD comes accompanied by a diverse 12" of remixes from Hear & Now, label head Manu Archeo, Mushrooms Project and Ocean Moon. Album opener “Caduca” evokes the energy of an Umbrian waterfall, its spheric bassline growing ever more acidic before falling away as focus shifts onto the misty pads and plangent guitar.

The gentle bossa rhythm of “Dulcis” transports us to the confluence of the Rio Negro and the Amazon, where a snaking bassline underpins beguiling horns and subtle Sade-sque chords progressions. On “Fluminea”, the trio return to the heart of Reggio Emilia, following the fluctuation of the river Po, which runs past their studio, in an exquisite example of tension and release. Awash with emotion, both via the piano and redolent woodwind, this heady track intersects melodic house and Balearic trance, prompting horizontal dancing and skyward gazes. The tone shifts through the pensive and propulsive “Marina”, a sax led masterpiece accented with gorgeous acoustic guitar, before the tabla beat and emotive sitar of “Pluvia” add intensity to a slow-flowing piece of progressive house.

The CD closes with the cinematic splendour of “Surgiva”, an expansive ambient composition which sees delay-drenched fretwork tug at our heartstrings.

Jaden Thompson returns to Crosstown Rebels with ‘Downtown’, with remixes from HoneyLuv and Ghoulish. Marking his first solo outing on the label following ‘Talking Walls’ alongside Seth Troxler, the fabric resident impresses once more following recent material on Classic Music Company, PIV and his own Midnight Parade imprint.

A new school talent whose sound takes cues from Chicago while pointing to the future with forward-thinking allure and energy, Jaden Thompson’s ascent is well-documented, having been tipped by an endless list of industry heavyweights and global media outlets from an early age. Releasing on labels such as Cuttin’ Headz and Classic Music Company, amongst others, plus his own Midnight Parade imprint, Thompson’s sound and dynamic sets have seen the UK talent become a favourite for many while also hosting his ongoing Rinse FM show and curating mixes for the likes of Circoloco and Keinemusik through to Nike for it’s annual Air Max Day. Having made his label debut on Crosstown Rebels in 2022 with his standout collaboration ‘Talking Walls’ with Seth Troxler, Thompson now returns to Damian Lazarus’ legendary imprint as he serves up his first solo record on the label ‘Downtown’ - backed by remixes from surging US DJ/producer HoneyLuv and emerging UK talent Ghoulish, who makes his debut on the imprint.

Merging various shades and sounds from across the electronic sphere, ‘Downtown’ brings vibrant vocals, energy-charged synths, and sharp metallic percussion, all balanced perfectly, to the fore. HoneyLuv’s remix brings jacking drums while warping the original’s vocals todeliver a peak-time interpretation before Ghoulish flips the script, utilising off-kilter drums and spiralling lasers amongst heavy low-ends.

Metti un po' di Musica fottutta, perché ho voglia di niente… anzi Fottutissima!

Nathan Katz releases four track “Parallax" EP on All Day I Dream.

Octave One continues to visit some classic Never On Sunday tracks with a second installment of their Messages From The Mothership series. This latest 12" finds the pair release two different Mothership mixes of 'The Bearer' and 'Contemplate'.

The pioneering Detroit brothers have shown a different side to their sound with the Never On Sunday project, both back when it was devised in the early nineties, and more recently when they have looked back over some of the project's key tracks and added a contemporary spin to them. Already this year the Burden Brothers have offered up new takes on 'Price We Pay' and 'A Better Tomorrow' as well as dropping brand new cut 'Mirror Image' and now their fine form continues on this latest release on their own 430 West label.

The A-side features a new Mothership Remix of 'Contemplate' from 2022 that unfolds over an epic 11 minutes of enthralling deep techno. The synths bring classic Detroit soul and the impassioned vocals layer in emotion to the sleek, compelling drums. The Instruments Version strips out the vocals and places more focus on the sublime rhythm and drums.

On the B-side, ' The Bearer' from the 2023 album Never On Sunday gets a fresh Mothership Dub. It is another masterful and almost 12-minute journey that rides on compelling drums and is lit up with a majestic vocal that soars up high while the warm, dubby undercurrents keep things moving in dynamic fashion and smeared cosmic synths bring a great sense of scale. A Mothership Instrumentals version closes out the package.
These are for more fresh perspectives on timeless house and techno fusions from the ever-innovative Octave One.

Parallelle & Nicolas Masseyeff return to Crosstown Rebels to deliver the excellent ‘Surrender’, backed by a remix from Axel Boman. Returning to the iconic imprint following the trio’s stand-out ‘Renegade’ EP in 2023, the new collaborative release, set for release on 10th May 2024, welcomes two hypnotic cuts alongside a slick rework from the Studio Barnhus co-founder.

Three talents with a long-standing and innate musical connection stretching back years, Dutch brother duo Parallelle and French DJ/producer Nicolas Masseyef have been connecting and collaborating to shape a series of lauded projects released via renowned imprints such as DGTL, Systematic, and Masseyef’s own Diversions Music. Reuniting for a second outing on Damian Lazarus’ Crosstown
Rebels imprint, following the success of their 2023 debut with the heavily championed ‘Renegade’, the trio return in style with two fresh, original productions backed by an ever-stylish remix from Studio Barnhus co-founder Axel Boman, who returns to deliver his second remix on the label following his debut remixing Dinky in 2016.

The EP’s title track ‘Surrender’ is a rumbling and impactful percussive journey through the darker territories of the night, with skittering synths and echoed vocal interjections adding glimpses of brightness to the otherwise murky sound. Meanwhile, ‘She Says’ keeps the playful vocal elements front and centre, introducing warping melodies and dub-tinged textures. Providing his flip on the latter, Boman’s take on ‘She Says’ is classy and engaging from the off, stripping the track back to expose a raw yet polished interpretation while drawing on hazy pads, eerie tones and sweeping atmospherics for a wonky and trippy excursion.

Burnin Music bossman Pegasvs returns with his first new material in several years, and it's a classy collection that's been worth waiting for. '(No) Peace' begins the journey: a languid slice of ambient / downtempo beauty with hypnotic spoken word vocals from MA.MOYO which eases you into the EP in meditative fashion. 'Take It' ushers us more towards the dancefloor with some mellow synth-funk stylings and punchy raps from The S.O.S. weaving in and out of Twyla's effortlessly yearning vocals. 'Traffic Jam' is a sumptuous patchwork of deep house motifs, where Rhodes chords, funky guitar flecks and plump bass tones interplay beautifully, and 'La Nuit' rounds off in stripped-back Detroit house style—all murky chord stabs, throbbing low end and classic drum beats.

Craft Recordings and Soulwax are pleased to celebrate Pride by producing a fresh and joyful remix of Sylvester's 1978 disco classic, 'You Make Me Feel (Mighty Real)’.

"You Make Me Feel (Mighty Real) - Soulwax For Despacio Remix” is available across digital platforms from June 25th, while a 12-inch release with a vinyl exclusive instrumental version on the B-side is available to pre-order now. It was made to play on the Despacio sound system, a 50,000 watt, state-of- the-art, vinyl only sound system which Soulwax created with James Murphy (LCD Soundsystem, DFA Records) & powered by McIntosh & Jordan Acoustics.

“Unlike other remixes where we usually replace most of the elements and make something radically different based around the vocal, we made this remix using only the parts we found on the original multitrack that we were so kindly given by the Sylvester estate. Even though we have played this song a million times, we discovered a few elements that we had never heard before, like a crazy Patrick Cowley synth solo and somewhere hidden before the start of the multitrack, the ending of what sounds like a gospel version of 'Mighty Real’. It was a huge privilege to be asked to remix this seminal track and we hope that Sylvester will dance to it, wherever he is” Soulwax

Repress!

Technasia have been one of the bests musical projects of the last decade. He is not afraid to innovate or create new sounds as he has been doing it since 1996. Charles Siegling, the name behind Technasia, is on Suara for the first time and it's an honour for us to have him on board. He release an EP full of groove and beats, three tracks carrying Technasia's soul and passion for music. "I Am Somebody EP" reminds us that he is on fire and he is with Suara.

Supported by Richie Hawtin, Laurent Garnier, Dubfire, Loco Dice, Maceo Plex, Adam Beyer, Joris Voorn, John Digweed, Josh Wink, Claude VonStroke, Paco Osuna, Nick Curly, Shlomi Aber, Kenny Larkin, Slam, Mark Knight, Christian Smith, Pleasurekraft, Nicole Moudaber, Gregor Tresher, Riva Starr, Monika Kruse, Popof, Butch, Stacey Pullen, Hot Since 82, Michel Cleis, Noir, Karotte, Carlo Lio, Tube & Berger, Yousef, Ramon Tapia, Uto Karem, DJ T, Kaiserdisco, Joseph Capriati, Stephan Bodzin, Pig&Dan, Edu Imbernon, Funk D'Void, Alan Fitzpatrick, Phonique, Dosem, Anton Pieete, Mauro Picotto, Mendo, Jerome Sydenham, D-Nox & Beckers, Kabale Und Liebe, Nice7, Gel Abril, Julien Chaptal, Secret Cinema, Marco Bailey, Kiki, Okain, Mihai Popoviciu, Reset Robot, John Selway, Sian, Leon, Sante, Psycatron, Ken Ishii, Wehbba, Hermanez, and many more!

Verrazzano continues with the second issue in our summer EP series! This time Type-303 is really ”Lost In Paradise” with this four-track EP to suit all sophisticated tastes.

The first track hitting your nerves is ”Acid Disco Time”. Have you ever wondered how it feels to go to a disco with a slight ”acidy” taste in your mouth and realize that something is familiar, but at the same time, somehow… out of place? You hear a Seinfeld bass slapping a classic groove, then a bubbling energy starts rising under the surface and now your armpits sweat in your blazer! Add some glitter dust shimmering in smoke, and the whole thing goes off to a spacey gallop! Is this now so-called ”Cosmic-Business” dance music?

The story continues with ”Lost In Paradise”, and takes us to the deep end of turquoise-colored waters. If you found a seashell from the beach and listened to its stories carefully, could you handle the tempting whispers of mermaids, and resist the melodies from those happy days of ancient Minoan Paradise? To get a taste of such delights, this track delivers a glimpse!

How do our ancestors teach us lessons long after their earthly existence? By roaming the Earth in cosmic fashion, of course!

”Spirit Dance”, with its ethereal flute and otherworldly harmonies puts the listener in a place where one is the question mark and the answer too… Deep? It should be.

When the spirits have done their hypnotic dance and the dizziness has vanished, it is time to wander on a field and look at some beautiful ”Wild Horses”. Basking in the evening dawn, you appreciate that some energies are not fully tamed, but are glorious as wild beings and should be kept as such. It’s the same with music, nurture the wild sides of sounds and energies!

Subsdance welcomes Unisson for its debut release, featuring a remix by one of our favourite artists, Vincentiulian!

Four tracks from '20 Years Of Phonica' on limited 12" vinyl!

Shop regular and ever-rising star Nyra comes through with the pumping club banger ‘Broken Needs’, channelling early 90’s Hacienda sounds and hazy Ibiza memories.

Shanti Celeste offers her take on the Chilean producer Niños Indigo’s track ‘Luna’ which featured on her album ‘Vuduwave’, a 2017 release on Phonica Records Special Editions. Shanti’s mix takes the delicate organic atmospherics of the original track adding her bass-heavy rhythm and combining the intricate melodies to create a hypnotic effect.

Next up, the Amsterdam-based duo Dam Swindle bring the party with the epic ‘Allright (Just a Tribute)’ a no nonsense feel good slice of club magic. One of the duo’s most effective productions: DJ bag-ready, perfectly balanced house music.

Finally, Italian synth queen System Olympia delivers us ‘A Mezzanotte’, hitting the perfect note between early Italo pop, and US R’n’b.

Milking the cow...

The next phase of Cardiff-based label Haŵs’ metamorphosis emerges via four proggy, psychedelic cuts on their latest V/A offering, with three previous alumni making their returns and newcomer Maara landing her debut appearance on the imprint.

Kicking off the A-side is Adam Pits with the flickering ‘Swings & Roundabouts’, an opener akin to rolling headfirst down a rabbit hole and somehow finding yourself sailing above the clouds. Maara adds another dimension to the trip with ‘You’re So Delicious’, dimming the lights with dreamy synth-lines amidst brilliantly flashing melodies.

On the B-side, Guy Contact steps up to the wheel with ‘Initiate Sequence’ - an oozing, toe-tapping track that settles into romantic, purring manipulations and surrealist loops. Solar Suite rounds up the synaesthesia with ‘Greens Pool’, sliding through an internal soundscape of tension and release owed to the spectral guidance of horns, flutes, piano chords, against a soothing, steadfast bassline.

Close your eyes and step inside: the only journey is the one within.

VICK LAVENDER consistently gives the people what they want dropping two sought-after masterful moments entitled, GALAXY TRAVELS and SLOW BURN featuring guest instrumentalists D.MILLZ and W. JACKSON. Incredible sounding heavy weight vinyl pressed in random colors.

The Funky French League is a collective of intergenerational DJ’s / producers / musicians, composed
of Young Pulse, Arthur Chaps, Woody Braun, Monsieur Willy, DJ Asko and Uncle T.
Coming from diverse backgrounds, from hip hop to electronic music, the love of groove brought them
together. Their goal is to promote funk and its derivatives through parties, mixes, remixes, radio
broadcasts...
Much more than a musical style above all, they defend a state of mind:
celebration, diversity, inclusivity, good vibrations and the spirit of the party.
They have release compilations through Universal and Warner Music and have their own label Funky
French League records.

We are back with a VA for our 8th release.

The title ‘Hood Classic’ by Lavan is exactly what it is, shuffle, chords and an extremely deep bassline.

‘Work It’ by Aezron has a speed garage theme with a touch of house and a vocal which may sound familiar.

The B-side flip delivers ‘Raw Uncut’ by L&F sampling Mobb Deep over some breaks and bass. Finally ‘Lock’em’ by Xantrax, giving a modern day grime meets UKG vibe.

Introducing Alberto Castellana and his electrifying nine-track debut album. Hailing from Italy, Castellana brings the classic Italian signature Nu-Jazz sound to the table.

Accompanied by a trio of exceptionally talented musicians on the piano, guitar, and Rhodes piano, Castellana's debut album promises an in-depth journey through various electronic genres, including House, Break Beat, Drum & Bass, as well as the realms of Jazz.

We do believe that music connects people, we are glad to present this new format called "Cooperation ONE".

Some of our favourite artists are here collaborating with label head Alex Font.

More "Cooperations" will be added in the future, now let's enjoy this first release full of expression and wide range of minimal sounds.
Thanks for your support!

PhonicHouse1 presents the fourth pressing in its catalog, this time with Anas M. & Farid Odilbekov at the command center.

Vern & Mikhu complete both sides with a remix in their characteristic style

Repress

Vinyl Only.

DJ Support: Claptone, Sasha, Gina Breeze, Tom Findlay (Groove Armada), DJ EZ, Horse Meat Disco, Richard, Gear, Gina Breeze, Mirco Violi, Moody Boyz, DJ Caspa, Ruff Stuff, Dom Rimini, Don Diablo

Bristol born ARLO begins a special series of releases with Food Music. Party Response does exactly what it says on the tin - Hi NRG Dance music across the board - including a collab with Shadow Child (set to be released on vinyl only), and a huge remix from J.O.S.H.U.A too. Expect more in the Party Response series, and enjoy vol 1!

Four years ago, Francesco Strippoli debuted on Bordello A Parigi with Universal Oneness followed by the analogue rich Prison Planet EP. Once again, donning his Armonics alias, the Bari based producer returns with four tracks for Future Echoes. The synthesizer warmth that has characterised past releases is immediately present. At the heart of “Floating High” is Strippoli’s keyboard work. Beats are crisp and understated as waves of melodic murmuration bob and weave to perfectly complement each other. A steady kick introduces the textured title work. Warbling notes give way to bolder chords, chords that are blurred by shimmering arpeggios as layers of harmony expand and unfold. Nostalgia meets the needle on the flip. “Retrospectiva” blends subtle shades with brassy extravagance, the sun and romance of southern Italy radiating in tempered brilliance. The energy of “Music and Lights” closes. Throbbing keys are further fortified by swirling synth stabs, the intensity being ratchetted up to boiling point in this dancefloor delight. Quality through and through.

Great music is often about chance meetings and impromptu creative sessions and so it is that Hell Yeah proudly serves up Sensory Blending, a new collaborative album from Italian collective Aura Safari and Finnish musician Jimi Tenor. The nine-track record is a lush and luxurious fusion of jazz-funk styles.

This glorious record came about after Tenor was playing a Hell Yeah party at Tangram in Perugia. Aura Safari were local and, in some free time the day before the gig, everyone jumped in the studio together. They had never met before but soon found plenty of free-flowing common ground and the result of that one-off session is now served up on this vibrant new album that brims with musicality, indelible melodies and subtly uplifting vibrations.

Tenor has toured the world and previously collaborated with the likes of Japanese master Calm. He is a psychedelic space-jazz-funk king, skilled musician, composer and producer who, since the mid-nineties, has released more than 25 albums and 45 EPs. Aura Safari is made up of bass, synth, guitar and keys players Lorenzo Francioli, Ruggero Bonucci, Nicola Pitassio Andrea Moretti, Lorenzo Lavoratori, Daniele Melloni and Nicholas Iammatteo, and they are label regulars who served up their sublime Island Dreams album here last year.

Says Jimi, who enjoyed his time in Perugia and adds that 'the studio session was 100% efficient. I showed up and we started to play. Almost all that was made was material that we could use for the album. I love to work fast. Quick brushstrokes. Finish! I was amazed at how intuitively the Aura Safari guys could come up with new parts for songs. I mentioned some feeling or approach and they seemed to find it just like that.'

'Bodily Synesthesia' is the seductive opener with steamy sax notes and gentle grooves that are topped by aloof vocal whispers. 'Lunar Wind' is another slow and steamy mix of jazzy keys and soulful vocal hooks, 'Bewitched By The Sea' is a more tropical and percussive number with majestic melodies and 'My Bluebell' picks up the pace with jazz-funk grooves and hustling chords. 'Last Waltz In Perugia' has freeform sax lines soaring over meticulous drums that ebb and flow and 'Gimlet' brings a playful, samba-tinged rhythm and sunny flute leads straight from South America. There's a laidback, carefree mood to 'It's Too Easy To Love You' while 'Your Magic Touch' is a dancey number that exudes melodic joy, and 'Indigo' closes in dramatic fashion with a conversational sax that sticks long in the memory.

Sensory Blending is a seamless fusion of collaborative minds from Aura Safari and Jimi Tenor and it could well be performed live at some special select shows later in the year.

Extensively Tested on dancefloors, ready to be shared.

3 variations - Club Edit, Guitar Edit & Instrumental on WAX.

Sadar Bahar & Ben 'Cosmic Force' team up and come correct with these two direct disco jams ... Artwork by Cosmo Knex.. TIPP!
The two tracker arose after Sadar Bahar discovered Ben's Utrecht based studio (housing 60 synths!). Electro fiend Ben was charmed by the electronic elements in Sadar's funk and Sadar loved Ben's ideas. Nuff said, a new NL based project was born. Nothing sampled for these tracks... only stabbing guitar, bass, sax and pounding drum programming for dance floor heat!

South London producer/musician, Ben Hauke, is se tto release his highly anticipated debut album,"Club Cute," under forward-thinking London-based label Touching Bass, run by Errol and Alex Rita. The dynamic genre-blending artist known for his electrifying music production, has been forging a path of his own over the last decade, and now it"s time for him to unleash his debut full length project, "ClubCute". Hauke collaborates with acclaimed artists and local peers such as Goya Gumbani, Katy B, ShyOne, Brother Portrait, Jadadsea, and more, showcasing his remarkable ability to seamlessly blend diverse influences into a cohesive musical tapestry.

Label boss Ben Jones steps up to curate the third outing on Before. It finds him working with Benjamin Joseph on opener 'Soothe', a stripped-back and warm house roller with crisp hits. Robert James then remixes with a more broken vibe and old-school baselines. On the flip, James then steps up with 'Dmode' with its a punchy cut with drilling bass and tripped-out effects. Ben Jones & Benjamin Joseph then return the remix favour with their own take on 'Dmode'. It's darker and more heads down, with silky synths and plenty of late-night intrigue keeping you locked.

The first release in a new catalog series dedicated to the 7" . Here are two reworks produced between Italy and the United States, inspired by Italian cosmic atmospheres of the late 70s: “Cascades” by Stephen Schlacks (1978) and “Pulsazioni” by Filippo Trecca (1979).

“Cascate Emozionali Volume One” is a tribute to these two composers, and to all others that, just like them, have created immortal melodies and atmospheres. This project is also a work of sound archeology, of careful research of the synthesizers and the sounds that have given life to the original versions, here reproduced with a contemporary luster, honoring their original essence.
This music is a container full of emotions, of nostalgia for an era that no longer exists, of faded memories that are suspended in the cosmos, of moments that we miss. All of them connected to our childhood, our family, to our loved ones, and to the objects that were there all along, like the “Selene” chair of Vico Magistretti, redesigned for the cover by French illustrator Alexis Jamet.

Music to remember.

It might sound far fetched but here goes: Circadian Rhythms aka Dj Deg brought techno to Belgium before anyone was ready for it. The 1990s collective “Bad Woofers Posse” formed with lifelong friend Mike DMA and their “PK” warehouse parties served as fertile ground for the young producer.
Steeped in this new atmosphere, Deg locked himself up in his bedroom studio at his parents’ place and started developing his interpretation of the freshly imported techno/house sound. In the Belgian way. Combining emotional synth play with neck-breaking drum patterns, sequenced like dreams forever chasing the climax.

BM11 collects six unreleased takes from this almost forgotten period (1989 – 1994).

Next Polyamore Recs release comes from Costariva, a really interesting project from Bologna (ITA).

‘Pantera’ intended to transport the listener into the midst of the vibrant paths of a dancing journey to the sound of Italo-disco rhythms, bringing body and soul back to the belle époque of Italian disco music.

“Miscela originale” is a blend of Catchy bass lines and shimmering melodies, amalgamated by the colours of strings and synths, the track is the result of the artistic blend between the music produced and arranged by Federico Franciosi and the words skilfully framed with an ironic and boisterous vein by Giorgio Michele Longo (aka Giargo) and Francesco Zaniboni (aka Dj Rou).

“Rivisitazione adriatica” has a catchy, sexy groove and a horns part that let you go on summer nights.

“Sam Ruffillo Rework” is a dancefloor ready track for your best peak-time in the next summer season festival.

‘Pantera’ is also intended as a veiled homage to one of the greatest and most underrated innovators on the Italian and international music scene, Pino D’Angiò.

With its infectious rhythm and playful spirit, ‘Pantera’ promises to make listeners dance and smile, instilling a little healthy and amused nostalgia in all travellers of the night.

Special Love is a future classic – bringing back thudding '90s flute house, paired with shuffling snare patter, swung hats and a killer female vocal. From the moment the chords and vocal hit you’ll know what special love is.

The flip takes you further back with funky basslines and tight 80s electro drums, started in 2013 Breakout was one of the duo’s first tracks, channelling Paul Hardcastle here to great effect. Gritty kicks and a huge SH-101 bassline introduce Theme, building with soaring melodies before dropping into a set closing anthem.

Equipment used: Boss Dr-110, Korg Minilogue, Korg Z1, MFB Tanzmaus, Roland SH-101, Roland Alpha Juno, Roland D-50, Roland Juno 106, Roland Jupiter 6, Roland TR-08, Yamaha DX21, Yamaha DX7.

Back In Stock!

A1 lures you into the dance carpet with an indiscernible chopped-up vocal sample surrounded by a slinkily jumping synth. A2 may end up on a textbook for UK peak time bangers and needs to be consumed with extra care as you may end up humming that highly addictive synth line all day. On the flip side, the focus shifts towards complex drum rhythms. They can be proven a real challenge for your toes to tap to but you will likely get on to it instinctively as the sunny vibes wash you over with bliss, while spending Springtime indoors.

Dervisis is a London-based producer. His debut release came out in 2018 followed by the clubbier effort Laundry Room / Yelde in 2019 via Trial&Error Records, featuring remixes by BFTT (Whities), Gramrcy (Peach Discs, FTD).

Hybrid sounds are offered up by Sunderland born producer Dharma on his Lone Romantic debut. His ‘Clear Glass’ EP lands on Maceo Plex’s left of centre imprint, offering up four tracks of futuristic garage and electro-tinged sounds.

Having previously released on esteemed labels such as R&S Records, Man Power’s Me Me Me imprint and Permanent Vacation, Dharma readies a bustling EP for Lone Romantic that showcases the young producer’s deft capabilities at working through various shades and rhythms with ease.

From the shuffling beats and choppy vox of EP opener ‘Clear Glass’, to the low-slung hip hop meets IDM influences of ‘Work Over’, Dharma serves up a highly accomplished release that effortlessly traverses genres.

‘Clear Glass’ EP by Dharma is available on Lone Romantic from 26th April 2024.

In 2021, we welcomed Endrik Schroeder to the Bordello family with his Second Breath 12”. The memorable hooks and attention to detail that characterised his first appearance run deep in his latest. The Hope sees the French producer accompanied by a true legend of electronics, Caroline Hervé aka Kittin. Hervé’s penchant for combining brighter tones with darker shades is evident from the needle. Industrial hiss pierces swirling vocals. Clean claps, warm bass and crystalline chords give way to woe-streaked lyrics, lyrics that ascend into an arc of pulsating synthwave pain. Schroeder takes the reins on the flip. A beam of light is cast over throbbing arpeggios and a slicing snare, notes drifting ever higher as “The Dogs” takes hold. Strings swim as a spread of sounds grow, a palpable energy building under Schroeder’s watchful ear and hand in this seven minute plus odyssey into his