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Chief ZK Bucket is back on the his very own Zaun Records...
Hammered already to death by his biggest fans :) a must have!!!

Warehouse Find! - Test Pressing!

Time to welcome back Ben Sun to DOG following his 2012 debut with us, the Love Momentum EP which had the likes of Gerd, Soul Clap and Red Rackem salivating nicely. The London based , Australian born producer is one of a handful of talented and exciting young antipodeans creating a buzz right now alongside the likes of Tornado Wallace, Frank Booker and Fantastic Man to name a few. With just a handful of releases and remixes appearing on esteemed labels such as Royal Oak, Quintessentials and his own Voyeurhythm labels its clear that Bens happy to put the groundwork in and focus on quality over quantity.

Kicking off the EP we have the title track Your Footprints setting the scene with Bens trademark raw hihats, bass and 909 kick. Were talking unashamedly old school Nu Groove-era house here but with a deep sense of knowledge and skill which pushes things way beyond the pastiche. Chiming melodies join the gentle string line while the soft vocal repeats hypnotically. Layers of percussion build to the breakdown where things get a little more frenetic with the introduction of timbales and extra vocals, but all the while a laid back, subdued feeling remains making this such an easy track to fall in love with as you would some long-lost classic inadvertantly rediscovered.

Next up Ben drops the BPMs a little for a lovely, loose, lo-slung number known as Affirmation. A snaking analogue bass line provides the hook and sets the scene whilst a layer of moody chords build around it underpinned by bens carefully crafted MPC beats and vocal FX. This one is very simple but will kill it on a big system.

Finally we have the Chicago don Tevo Howard getting busy on his remix of Your Footprints. Never one to spit n polish things to the point of sterilization, Tevo keeps things dirty and raw in the extreme which only adds to the sleazy, almost disturbing vibe of the original. Working up a brilliantly catchy new synth bass line and simple drum groove we venture deep into the world of Mr Howard as he does his inimitable thing so perfectly.

Bristol's modular wizard and fellow gardener extraordinaire Boulderhead has prepared us a set of three high end club tools, but most notably a certified summer anthem / shopping list tune. Bread, butter, noodles, spice.

Repress!

‘Little Orphan Boy’ is the second single taken from album ‘This Is Brian Jackson’, presented with remixes by Two Soul Fusion, a.k.a. Louie Vega and Josh Milan.

The veteran artist’s first true solo LP in over 20 years, ‘This Is Brian Jackson’ is produced by Phenomenal Handclap Band founder Daniel Collás. Collás lovingly re-frames and updates ideas and demos that Jackson first laid down back in 1976, right around the time he recorded ‘Bridges’ with Gil Scott-Heron, for a solo project that never saw the light of day… until now.

Alongside his ‘Two Soul Fusion’ partner Josh Milan, Louie Vega gives the album’s closing track ‘Little Orphan Boy’ two truly vintage remix treatments, taking the song on an eclectic, soul-stirring, timeless journey. The extended ‘Two Soul Fusion’ mix calls to mind the golden era of Masters at Work productions, featuring a Latin-infused percussion groove, shimmering organs and in-the-cut funky guitar lines. The ‘Downtempo’ remix lets Brian Jackson’s vocals ride over a head-nodding, stripped back, yet equally soulful arrangement.

“A dream to work with Brian Jackson” says Louie Vega. “I mean, he’s a big part of our musical landscape and has been a huge inspiration in our lives. From way back to my early years in the Bronx, through to my DJing and producing career, into productions like Nuyorican Soul, Elements of Life, Kenlou, Brian and Gil have always been with us! Now to work on such an amazing song with Brian’s keyboard work and lead vocal, it made it so much easier for Two Soul Fusion (Josh and I) to find that pocket and groove. We had to create an epic piece and take you on a trip through several styles, it was calling for it. That’s due to the original work of Brian Jackson, a true Master at Work & Two Soul Fusion hero!!! I’m looking forward to seeing what’s next on the horizon with us and the one & only Brian Jackson.

Brian Jackson: “I have always loved the musicality and the rhythmic power that surges through the artistry of Louie Vega since I first heard him in Masters at Work. I made a silent wish that one day I would hear one of my songs given that special treatment. Imagine my elation to know that it would finally happen – with a song I wrote and recorded 45 years ago for a solo project that might have never happened if not for producer Daniel Collás and BBE chief Peter Adarkwah! Louie, along with Two Soul Fusion partner Josh Milan and I are alike in so many ways, I knew that if we ever got together, magic would happen and well… here’s to magic! My love and gratitude to Louie, Josh, Daniel, Peter and the beautiful BBE family.”

To a degree, all musicians are a product of their environment, the places they record and the venues they play. For proof, check out the alumni of the n-wave era CBGBs venue in New York, Cabaret Voltaire’s Western Works studio in Sheffield or more recently London’s Total Refreshment Centre.

We can now add to that list the Constellations Workshop in Colwick, Nottingham, a project that provides employment through making studio furniture, for out-of-work musicians. It was here, after-hours, that the music on Brown Fang’s impressive and ear-catching debut album took shape.

Both members of Brown Fang, bassist John Thompson and guitarist Henry Scott AKA Henry Claude, have a long association with the Constellations Workshop. Though their musical projects are manifold – Thompson having toured with the likes of The Nectarine No9 and The Selecter, with Scott being both a mainstay of Nottingham jazz circuit and recording ambient music as Fang Jr – the work provided by the community-minded project has kept their heads above water and allowed them a space to record in when the shutters go down and the bandsaws get switched off.

Yet the music showcased on Sherwood Pines is more morning-fresh and sun-kissed than industrial and sawdust-sprinkled. Combining the pair’s brilliant musicianship – think languid bass guitars and Pat Martino-esque jazz guitar licks – with saucer-eyed electronics, occasional downtempo drum machine rhythms and plenty of glistening special effects, the set’s eight tracks are as blissful and becalmed as an early morning saunter through Sherwood Forest on a misty autumn morning.

For proof, check epic opener ‘Tracing Paper’, a slow-build ambient soundscape in which bubbly electronic lead lines and colourful chords sashay around Scott’s sparkling, laidback guitars, and the beguiling ‘That’s All You Can Think’, a subtle tribute to Steve Reich masterpiece ‘Electric Counterpoint’ in which slow-burn, stretched out synthesizer sounds wave in and out of a gradually evolving cycle of delay-laden electric guitar motifs.

The band’s love of classic American minimalism – as well as a shared love of the Duratti Column and Robert Fripp – comes to the fore on ‘HDMI I Love You’, which boasts a deliciously dubby bassline, Tangerine Dream style synths and the deepest of ambient chords, while ‘I Nearly Married a Human’ and ‘Fridgewords’ balance bespoke electronics – languid, dewy eyed and comforting – with Scott’s gorgeously laidback, slow-release guitars.

Every great album needs a triumphant conclusion, and Sherwood Pines is no different. You can hear everything that makes Brown Fang great on ‘Goodbye Donkey Jacket’, from the pin sharp, effects laden jazziness of Scott’s guitars and the fluid dexterity of Thompson’s bass, to the pleasingly spacey pulse of the synths and the gentle rhythms of the soft-focus machine drums. It’s a confident, ear-catching conclusion to a debut album that’s been years in the making.

Conoley Ospovat returns on his Continental Drift imprint with a warm and cozy 4-tracker of deep house gems. Opening track shows shades of a balmy Trans-Europe-Express on Dreams Of Summer, followed on by the ebullient title track with inspiring vocals.

The B-side is a little murkier, with spirited live drumming on Break The Groove and roughly-chopped vocal cuts On The Right Track. All 4 songs are primed & ready for the transition from the lounge to the dancefloor.

Summer is coming, and it's coming hot ! As if Happiness Therapy's year wasn't shiny enough - with banging releases from Harrison BDP, Jesse Bru, Matthieu Faubourg, Black Loops, Vitess and Popka - label head Crowd Control brings out 4 disco house weapons to the dancefloors. Get ready to spend some funky holidays !

City life isn’t always easy or pleasant, but whether you call it home or you're just out for a visit, there’s an undeniable energy that envelopes you. Danger becomes excitement, speed becomes the regular pace, and exhaustion morphs into an urge to rally, to not miss a beat of what these myriad concrete jungles have to offer. And after a while, you learn to settle into it. You relax, you walk with a little more ease, and, eventually, you become yourself at your most slick. Hiatt dB’s
City Slick celebrates that carnality of the city, while simultaneously asking the one question burning in every city dweller’s mind - why am I even here?? Rat races, dumpster res, endless injustice, outrageous prices, conquered green spaces... an innite array of inhumanity hurled in your face on a daily basis; Is it really worth it? But we all know why
we're here, and it’s not something you can verbalize. It’s the feeling you get when the hellscape precipitates that which life is all about: real, serendipitous, life-arming experience.

Still, even on its best days, the City can be unkind. So if you need some tunes to help you push on, Hiatt’s cooked up the perfect soundtrack for your pavement-pounding steps

Indeep was the brainchild of New Jersey native Mike Cleveland, who with vocalists Rose Marie Ramsey and Réjane (Reggi) Magloire recorded the original “Last Night a DJ Saved My Life” for the struggling Sound of New York Records in 1982.

For the song Cleveland reunited with producer Reggie Thompson (with whom he had worked with on Glass’s “Let Me Feel Your Heartbeat” that same year for West End Records, a track co-produced by legendary DJ Larry Levan.)

Becket Records first distributed “Last Night” but within a year was releasing all Indeep’s music under their own imprint, where the group fit in perfectly with that label’s roster of funky New York electro and early hip hop artists. This Unidisc release sees two new remixes by British house DJ George Smeddles, who departs from his trademark ‘90s sound, and the original track’s 808 slow groove, for an intense, faster house beat that puts the Chic-influenced guitar/bass riffs front and center.

Also here, from the 1982 12” single, are the original “Acapella” mix with vocals including Cleveland’s rap and the “Sure Shot” vocal mix by house DJ Tony Humphries, who had built a reputation in New York for his KISS FM radio show but broke into the mainstream with this mix, the first of many club hits for this iconic DJ.

Going into an Ivan The Tolerable album it's best to expect the unexpected. His music swings and swerves from psychedelic flights of fancy to free jazz explorations to cosmic drone swirls, sometimes all in the same song. An Ivan The Tolerable album is a journey that is visceral, expressionistic, and full of heady intentions.

Time Is A Grave, the latest from Ivan The Tolerable(aka Oli Heffernan), owes as much a debt to Bobby Hutcherson and Joel Ross as it does to Boris and William Basinski. This is an album that's as exploratory, dense, and ethereal as anything he's done before. From the symphonic opening notes of "Felt" to the Krautrock via Blue Note headiness of "Cedars" to the vibes-heavy "Down The Valley", Ivan The Tolerable sets about creating a sound experience. Time Is A Grave is as eloquent as it is dizzying.

he Club Culture Foundation in Collaboration with Sacred Rhythm Music presents the much-anticipated Joaquin Joe Claussell Progressive Roots a Song for Healing Remix 12inch taken from the successful-highly sought-after Joaquin Joe Claussell Progressive Roots a Song for Healing LP Cat#: SRMLP-1011 with dope art work by Akemi Shimada. This new 12inch features Remixes by Joaquin Claussell and includes a collaborative remix with Ahmee Lim (The Executive Producer of the Progressive Roots Project released on Sacred Rhythm Music. 50 copies of this limited record produced was firstly to commemorate the Progressive Roots a Time for Healing Event hosted at Cosmic Arts Brooklyn New York and has been in heavy demand ever since. Now for limited time finally it will become available.?

Joaquin Joe Claussell Progressive Roots Evolution A song for Healing. Special Twelve Inch Remix Limited Color
Vinyl with Full Color Jacket Sleeve

John Barera (Allergy Season, Dolly, Sorry Records) joins the roster of Will Buck’s Off Track Recordings this September with his four-track ‘Message In The Air’ EP. New York based producer, DJ and Cross Street Music label boss John Barera has long been a highly acclaimed artist in the world of underground House and Techno. In 2022, he scored his rst lm as well, Marc17 in the House. His material has graced many taste making labels, while his DJ sets have taken him
to hotspots like Panorama Bar, Fabric, Smart Bar, Razzmatazz, Floyd, Video Club, Tangent Gallery and many more. Here we see Barera, a prolic collaborator who drops solo albums as well, delivering his rst solo ep in six years via the edgling Off Track Recordings. On this record, Barera steps up with his trademark raw house, now infused with live instruments or even a vocal across four soul drenched house
cuts.

Down the long driveway at the end of Second Avenue is a single story abode perched on a cliff overlooking the water. The timber constructed house built in the 1950s, is surrounded by native pohutukawa trees whose bright red coloured flowers are mimic'ed by the window frames and detailing of the exterior. As you walk down the narrow path along the side of the property, you can peer into the studio and catch a glance of an older man working away at his desk. Surrounded by books, records and CDs he will be drafting plans by hand for his next project. Continue along the path and reach the edge of the cliff — watch your step as you go down the decaying staircase and arrive at a small landing lapping in the waves of the harbour.

Minimal don Kepler strikes a balance between dancefloor utility and introspection on his latest record, and debut for X-Kalay. Big house and techno incursions straight out of Yorkshire – Leeds, to be precise. It’s a strong testament to the region’s long standing reputation as a hotbed for late-night minimalism.

Subtle flourishes and details stand out across all four tracks. Uncovering relics from ancient futures, ‘Lowlife’ stimulates the pineal gland with a mescaline-strength take on classic ‘90s tech house. While it dials the trippier elements down just a tad, ‘Control’, like its predecessor, recalls golden era Wiggle or Asad Rizvi under his Silverlining moniker.

No half measures on the next one. Bringing heft in spades, ‘Stranded’ comes hurtling in with swinging, jacking 4 AM NRG. It’s some serious gear, which makes the EP closer such an unexpected left-turn. ‘Need’ offers proper heads-down introspection, complete with widescreen, nebulous chords that ripple out into the vastness of space.

Midland returns after 4 years with his first solo record “Drift Into The Algorithm” taken from his forthcoming EP “You Never Take Me Dancing.” Following on from 2019’s “Alchemy of Circumstance” the EP consists of four tracks that represent the next chapter in his studio process.

Mon Goose is multi-instrumentalists Yegang Yoo and Robert Lombardo (both ex-Alex Delivery Jagjaguwar). Flowing seamlessly between dance grooves to experimental soundscapes, their songs twist and turn melodically through dense layers, animated by inventive live percussion and a creative melding of electronic and acoustic sounds. A Seoul-native trained in classical piano and composition at an early age, Yegang transplanted to New York City in 2000, where she and Robert began playing music together. Robert's history spans from playing guitar and drums in garages and basements, to the rabbit-holes of experimental and dance musics, to the present where he pulls from all of those influences in the music of Mon Goose and as a sound designer and composer for films.

Very Still Right Now lives in the intersection of music to listen to and music to dance to. Showing influences from space disco (stand-out track “I Feel Goose” is gloriously remixed by Lindstrøm) to Krautrock to techno ... to soundtrack records ... to classical ... it shifts and turns, sweeping you unaware from the disco dance floor to the melancholic high seas with a unique ability to contain, expand, and gradually distort moods without sacrificing a sense of lightheartedness. The album is the culmination of several years’ work from the duo, tangled in the wires of an arsenal of analog gear in their basement studio in Greenpoint, Brooklyn, and is the first offering of much to come.

Far Out Recordings is proud to announce the release of the first solo project of Nina Miranda. 'Futebol/ Beautiful Dub', available on 7' vinyl, sees Nina's talent from the very first horn blast. The record encapsulates the global frenzy surrounding this year's Brazil World Cup, but Nina's musical inventiveness and the track's ­catchy melodies, ensure the record's relevance long after this year's tournament. With Nina's focus decidedly on her favorite game, this single 'the beautiful game' is a small sample of years of experimentation and unbounded creativity. 'Futebol' tells the story of how the British brought football to Brazil, explaining how the Brazilians ran away with both the terminology and the ball. But while the lyrics clearly demonstrate Nina's love for the sport, they also hint towards the somewhat malign aspects of football's assimilation into Brazilian culture and the way it has obscured the world's view towards the country's pressing social issues. 'Is it a beautiful game.'... The song reflects both the excitement and desolation resulting from hosting a World cup in a nation that so desperately needs to divide its wealth more equally, and ultimately listen to the needs of its citizens.

L-A based producer Ole Mic Odd delivers 6 tracks designed for the dancefloor on Spanish label Another Perspective. Raw acid & electro sounds with a lot of strength and elegance.

An official re-issue of the 1996 album, Beyond the Circle, from Dr. Osamu Kitajima presented by Forest Jams on vinyl for the first time.

As the title suggests, Japanese music explorer Osamu Kitajima takes the listener beyond the known on a musical voyage into new territory where his compositions are a synthesis of Western electronics and ambient dance rhythms, tempered by the wisdom of ancient Japanese traditions. "Beyond the Circle" is music that is as energizing as it is spiritual and melodic.

repressed !

Russian producer Rambal Cochet aka Volta Cab, an artist very much influenced by Goa Trance brings three new tracks with a sound that captivates us to that time, adding New Beat and EBM waves close to ‘Valencia Sound’ and its legendary ‘Ruta Destroy’. The record includes an absolute banger: a Kris Baha remix to burn the dancefloor, as usual.

2024 Repress

'The Inevitable End', is Röyksopp's second album release in the space of 6 months, following the critically acclaimed mini album 'Do It Again'

with fellow Scandinavian legend Robyn . 'The Inevitable End' is their most personal album to date and features Jamie McDermott (The

Irrepressibles), Ryan James (Man Without Country), Norwegian singer songwriter Susanne Sundfør and Robyn.

Having now created five complete bodies of work, the pair feel like the future is open to being more experimental with how they share their music.

'We feel like this is a goodbye to the traditional album format,' explains Svein. 'In our consecutive run of albums, we have been able to say

what we want to say and do what we want to do with the LP. We're not going to stop making music, but the album format as such, this is the last thing from us.'

Opening track 'Skulls' feels like classic Röyksopp - all squelchy bass lines, filtered synths and vocodered, yet soulful vocals - the album

also takes in sophisticated, delicate heartbreak on the Man Without Country collaboration 'Sordid Affair'; odd, shape-shifting ambience on

the Robyn-featuring 'Rong'; bouncing electro pop on the deceptively upbeat 'Save Me' and the deliriously sad, cry-on-the-dance floor classic, 'I Had This Thing'.

New imprint Distant Waters, from Nantes, France is an ode to high seas, far away oceanic lands and unknown marine wildlife. Co-founder of the label, Sans Sucre, who released previously on Antam records and Planet Tapes offer this first EP from Distant Waters.

The A1 of this four-track EP, Tetrodoxin, is the starting point of the aquatic story, with whales samples and aquatic groove, it fit perfectly to warm up a wet dancefloor.

A2, Aqualung is inspired by asian groove, with some tastes of Yellow Magic Orchestra matching with 303 elements.

The B-side follows up with Sequential Hermaphrodism, A downbeat track with an heavy hip hop inspired bassline. Then it finish with Ampullae Of Lorenzini, the most dancefloor oriented track of the EP, with a mysterious sweet voice.

Sticking to the galactic theme of his ‘Apollo’ series, ‘Neptune’ sees Shadow Child deliver a Techno-touched cut steeped in nostalgia. With classic-sounding synths wreaking havoc over a rumbling bassline, this track is a peak-time floor-thriller of planetary proportions.

Reimagining the 1997 offering of Belgian pair Hand’s Burn, Shadow Child turns ‘Good Shot’ into a track that resonates with his theme of worlds beyond. Helmed by an authentic bassline that synergizes perfectly with the perpetual arpeggios and cosmic chords, ‘Good Shot (Mercury)’ has fans throwing their hands to the stars from start to finish.

Naarm alchemists Sleep D's revelatory new synthetic 'Electronic Arts' is ready for circulation.

Having released 4 EPs of mind-altering club tackle since 2019's 'Rebel Force', the duo overcome second album syndrome, boiling down their chaos with a more developed sense of songwriting. Never banging one drum, 'Electronic Arts' mirrors the anything goes mania of their DJ sets, tactfully shifting through different sounds and styles. Tempos intensify and decelerate, at times pushing the threshold to 150 bpm from docile canine dreamscapes to full tilt Space Invaders in AR mind games.

Largely built on road tested material from their live performances, the album is a tangible Butter Sessions gathering, busting out the gate with Martian rave initiation Planet Waves, Outdoor System's polyrhythmic beatdown and the Orb-like hero dose affirmations of Sunrise In The Crater (I Exist). While 'Electronic Arts' is otherwise a self-dependent effort, Punch Drunk is brewed ever more potent by the hypnagogic vocals and lucid trumpet cycles of former futsal team member YL Hooi. Their unified energy incidentally manifests a profound matrix of ambient techno, motorik, Don Cherry and Everything But the Girl.

Also touching on apocalyptic doof and minimal, the album is not exclusively peak time with Maryos Syawish and Corey Kikos' specialty curveballs also playing their part. From Village To Empire finds the duo rooting down in Syawish's heritage with a tapestry of purposefully deployed Iraqi and Syrian ethnographic samples and field recordings, dubbed within range of Muslimgauze and On-U Sound. As minimal techno finale Textile trails off into footsteps wandering back to base camp with a satisfied exhale, one wonders where Sleep D's existential pathfinding could possibly take us next?

Repress.

Talented Australian producer Tim Jackiw has been making music and spreading his unique melodic techno sound since the early 90s, releasing numerous records by himself, on his own Offworld Records label or on iconic labels such as Slow Life or Furthur Electronix.

Physical Education proudly presents the Algorhythms EP as their fifth release: 4 killer signature cuts made by Tim at the beginning of the year in his new studio!

Frappé is set for a powerful finish of the year, welcoming the great S3A as a very special guest on its 6th Various Artist EP « The Godbanger », to be released on December 10th. Alastair Lane, one of the hottest young talents to emerge from Paris in recent years co-stars the EP with the French funky House music don, pursuing Frappé’s tradition to bring together well-established producers and futur stars of the French scene. For the party to be complete, the two guests are joined by the label co-founders Ten Fingerz and Basile the Suresnes, with the 4 artists placing « The Godbanger » under the sign of funk and disco, for a 5 track EP that will have you booty-shaking all night.

The Danzha magicians open up this glorious 4-tracker, with an unnerving and unyielding composition by the mastermind Denis Kaznacheev - "The Banach Tarski Paradox" - just like the paradox in its name, it unfolds and reconstructs the sonic journey the same way a sphere can be deconstructed into pieces. Like the Ouroborus snake, these crafted textures maintain a perfect cycle with in uttermost synchronicity.

The sophomore part of the ritual, Matt Star's "Elephant Chair", unravels this complex knitting of frequencies, into a stable continuity, the intensity of the frequencies to always be there for when the dancefloor's energy needs intensifying.

As with the rotations of the planets, if we wander on to the other dark side of this record, we meet a new story, Root's "Palomino", an Alice in Wonderland translation of the story into sound, with an eerie construction, an ancient reproduction of powerful frequencies.

Just when the light at the end of the tunnel seems brighter, Amin Ravelle, with "Vaila" turns off the lights of the dancefloor. With the introduction of organic vocals it enables the listeners to reach the apex of the sensorial realms.

The mind is a glorious place, made throughout time, more alive and real by the creative contributions of those that have translated their Maieutics, into these eternal manuscripts of sound.

Written & Produced by Denis Kaznacheev, Matt Star, Root & Amin Ravelle
Mastering by Ruy Mariné at Dubplates & Mastering
Artwork by Daniel Alvarez

Compiling the follow-up to a very successful first album is always a tricky task, but just 12 months since the release of volume one in the 'With Love' series, miche has excelled himself once again with another glorious, deep dive into the world of rare soul. 15 tracks of independently released music, created by magnificent artists with stories to tell and primed for rediscovery.

The ambition to celebrate under-the-radar artists has remained, but instead of a facsimile of volume one, what we have here is a selection shaped by life changes. Volume two is for the dancers; still soulful, still ultra-rare and slept-on records from the USA, Chile, Brazil and beyond, but the dynamics of the collection have shifted slightly. It represents a move from being immersed in a week in week out environment of beautiful, soulful music in a cosy, dimly lit hi-fi bar to playing livelier, more energetic, dancefloor-focused music in nightclubs. This volume will get you on your feet, make you move and unleash whatever it is that makes you get down.

One of the jewels in the crown of this compilation is a joyous, anthemic gospel version of Stevie Wonder's 'As' by The Family Tree (a project produced by the fantastic Julius Brockington). We are also treated to a rare and sought-after Pennsylvanian funk / AOR bomb by Maxwell, a stunning modern soul tune 'High On You' by Freedom, and self-released Brazilian 45s by Banda 22 and Zé Da Lata. P.J. City's 'Straight Forward (Non-Stop)' is gospel-disco perfection, and we also have 'Dame Solamente Amor’, a sublime, soul beauty from Chile by Rogers Mitchell. Many of these artists featured in this compilation aren't household names, but they deserve their moment to shine, to be heard, loved and appreciated for their artistry.

As Miche says it, “I hope this compilation helps in some way to keep this glorious music alive and play a part in connecting generations of music lovers from the worldwide soul family. As always, it has been made ‘With Love’.”

Following 3 successful split EP's with the great Popka, Crowd Control, Jesse Bru, Harrison BDP, Matthieu Faubourg and Black Loops, Happiness Therapy is glad to welcome Vitess to the label ! This new release includes 3 original tracks from the rising french house producer, a remix from Armless Kid.

Warehouse Find!

Warehouse Find!

Zepp001 returns to Delusions for our first release of 2011 and what a way to start the new year! The Seattle based disco obsessive has been holed up in his recently completed studio in Delphia (a city located on Antarctica's southern shore) and its easy to hear the influence this strange and otherworldly place has had on the two original tracks here on this release.

Mannequin Records boss Alessandro Adriani returns on his own label with four tracks that were previously available exclusively as digital releases.

Known for his unique blend of electro and synth wave sounds, Adriani has made a significant impact on the underground music landscape. With this new vinyl release, Adriani brings his distinctive musical vision to a vinyl audience, offering a tangible experience that digital formats cannot replicate. Each track is a testament to his ability to merge pulsating electronic beats with atmospheric synth melodies, creating a soundscape that is both nostalgic and innovative.

2024 Repress

Electronic duo Atelier excel at riding chillwave to a cooler, moodier sound. Atelier was conceptualized by childhood friends Alexander Inggs and Jaś Miszewski whose love of analog synths, drum machines and effects pedals is revealed in a hardware-heavy live show. The project is a platform for combining their differing musical backgrounds – a blend of house, indie, folk and techno – and has an underlying maturity that emerges in their frank performances and honest productions.

Mancunian DJ and producer Black Hawks of Panama delivers a club-ready scorcher featuring a collaboration with singer-songwriter Bisi and a remix from long-running affiliate of the Hot Creations crew, Sidney Charles. The storied artist stitches an old-skool feel across the release, with Sidney leaving a modern take on his remix.

Nobody But You presents itself with an eighties style, robust kickdrums and a vintage-sounding synthline. An instant groover featuringBisi exquisite vocals courtesy if Bisi. The listener can hear these influences on Sidney Charles’ remix of the track, who retains the old-skool vibe whilst adding his own contemporary twist with pitched-down vocals, snappy percussion and an infectious melody. Closing track We Will Not offers a peak-time mood, packed with punchy drums, ascending keys and the phattest of basslines. I

Danny Whitehead aka Black Hawks of Panama has released on King Street Sounds, Nite Grooves, Future Disco and more. Bisi weaves her stage and life experience into both her performance and songwriting, leaving an air of mystery and depth to her musical style. A DJ, producer and label boss at the top of his game, Sidney Charles’ rich catalogue boasts recent releases via the likes of No Art, Locus, PIV, Do Not Sleep, Eastenderz, with his own Heavy House Society imprint welcoming material via the likes of Djebali, Okain, Sakro, Tripmastaz and Locklead to name just a few.

Cultured deep house label Pulp welcomes back regular artist DaRand Land for another of his atmospheric EPs. The Vermillion Room features four sublime cuts that deal in candle-lit backroom sounds.

Hailing from Buffalo, New York, Land has been a low-key but high-class house innovator ever since the 90s. His smoky and subtle style is all about creating warm grooves detailed with musical synths and delicate percussion that sink you into a meditative state. He has been releasing on this label for a decade as well as the likes of Deep4Life and Urban Imagery and is in fine form again on this latest outing.

After five years from "Cash On The Line" Admiral returns with some hot served distillate of his sweet psychedelic bliss. Admiral takes us on an acid soaked journey through the many realms ofconsciousness offering a unique and alluring soundscape that defies traditional boundaries.

"Do You Want To Sit On The Green" sounds like library music coming from a parallel universe where the familiar and the surreal seamlessly blend to create a musical tapestry that is both nostalgic and avant-garde.