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A juicy 4-track EP from Eine Welt. 700WET is an art pop project by queer opera singer Marja Christians (award-winning dancer) and Cid Hohner (Moonwalk X Records, OTTO, Aufgang B). Luring outsider synth-pop with touching and honest opera vocals. It reminds of Grace Jones doing minimal wave in a Chicago house.

They call it “Lovers-Dance”. While you may melt on the slow and extended dubbed out title jam “Gimme Love”, the sassy “Cannoli Amore” is a catchy, fun dancer at 120 bpm. Recorded during the pandemic primarily with nothing but cheap 1989 Yamaha keyboards.The project also reflected what they wanted to hear when there was a big void.

Bring back my Bass Butches! They’re bossy & they mean business. Rag-tag rhythm riders Maara and Roza Terenzi come together for a freaky friday sound swap; trading auditory secrets only a mixologist would know to conjure up a 2 track tek-trailblazer. Not for the faint hearted deejay, the record flaunts their distinct signature sounds as they reincarnate the status quo of experimental club music one snare at a time.

Percussively penetrating the core ethics of composition, the A side flirts and squirts all over a rhythm so raucous, the bass battens down the hatches. Stir the pot, rock the boat, roll the dice and ride the bass, surrender to the unruly structure as the groove gets full custody.

The bareback B side breaks rules and regulations; leading you to high-tech temptation, fast and furious with an explosive temper that can’t be tamed.

Tickling the rim of electro and bass yet ditching the doctrine, Loose Lips Sink Ships is a take-no-prisoners secret source of dancefloor dopamine, the sleek modern rendition of a ritualistic beatdown destined to weave motifs together and breed atmosphere.

It takes 2 to techno, but these are the number 1 drum degenerates of the future wave party starters.

2024 Repress

Mysterious Call Edan project on the slightly less mysterious Sounds Better Records label (at least we can say it's from Bristol) . 'Frome' that we got here, as you could hear if you pressed 'play' already is a take on Liz Torres' masterpiece that lived a great life in the 90s and got the resurrection after D'Julz re-released it on his Bass Culture Records. This one, it seems, balances between the original groove and all those 'Deep' and 'Get Down' editions perfectly. Not overloaded with stuff, it squeezes everything from its 126 BPM - almost impossible to listen to the end without moving. I tried. Both A and B-side openers here are slightly similar and could be described as the step on Cosmic Rhythm territory. Both of them got more or less the same pipey vibe, but 'La Riviera' has much more energetic beat structure inside (built around kick) while 'Protos' keeps pumping us with hats. The last one here - 'Gum' , with the most annoying moment on the preview cut (cuts just before the drop), probably will get even more people screaming and shouting, than any other track on this EP. Drop is working perfectly, be sure.

After a relocation to the Pacific Northwest,
Continental Drift's Conoley Ospovat turns in a laid-back EP befitting his verdant environs. Even the most energetic of the selections, Last Month in Lincoln from the B side, is anchored by an understated groove bopping along far below the floating chimes & rolling bass-line at its forefront. The pace across this record is often reminiscent of Melbourne's Analogue Attic showcases. Harwood Summer Nights dispenses with percussion altogether, while Dreamin' (Daydream Mix) reimagines the titular downtempo breakbeat tune as heard through a struggling FM radio receiver a little further up the beach.

Featuring vocals by the one Lindsey Flowers.

Cementing themselves as a key player within the UK circuit and beyond, Midlands based discotech look to release the fifth slice of wax on their vinyl imprint. Heading up the release is golden era tech house tastemaker, Jay Tripwire with three original cuts, whilst Alex Arnout features with an unreal remix. The world of two legends meet as this one looks to quickly become an essential record for your bag this summer.

Kicking things off with a killer wonked out groove is “Jaybee Loves Old Shit”, a nostalgic nod to the early noughties, punchy drum patterns combining with a cruising bass line, perfect party starting sounds from one of the finest do it. “For Nathan” sees Tripwire assert his animated vibe once more, liquid-like emotions pouring out the seams but still maintaining a distinct drive.

As we hit the B side the title track begins to lean into more tripped out territory, sub heavy wobbling bass lines conversing with the crisp broken minimalistic drums. Intelligently arranged as each and every detail is placed intricately to create a hypnotic tension. Rounding off the EP is Alex Arnout’s remix of “The Omen”. Dropping it on its head as he crafts a more direct version of the track, utilising the transcending vocals and allowing them to converse with the elasticated groove.

Discotech continues on their upward trajectory with this versatile EP, simultaneously with their highly anticipated events going hand in hand with the extensive catalogue of the label, whether that be vinyl or their digital offshoot.

Supported by:

Ricardo Villalobos, Archie Hamilton, Marco Carola, Gene On Earth, Danny Tenaglia, Steve Lawler, Laidlaw
Annie Erez, Samuel Deep, David Gtronic, Clara Da Costa, Jane Fitz, Nima Gorji, Tania Vulcano and many more

Floors Records is set to release a new vinyl project titled ‘Trinity Various’ at the end of May. The release will bring together an original track composed by a member of the Floors Records collective, a rework by Gin Tonic Orchestra, and a remix by an international DJ. This project is the first of a series of recurring releases by Floors Records that will follow the same format.

The French producer Kaffe Crème, known for the highly sought-Kaffe Crème EP in 2016, has contributed an original track to the project called ‘Nuits Sonores’. The track pays homage to the festival of the same name in Lyon, France, in a classic old-school House style.

In addition, Chicago legend Ron Trent, widely considered one of the most talented and accomplished deep house producers of all time, has remixed the Gin Tonic Orchestra’s rework, adding his own unique touch as the Godfather of the genre.

After an outpouring of online support, Australian producer LUUDE officially releases his iconic drum & bass rework of the cultural anthem ‘Down Under (feat. Colin Hay) LUUDE presents a whole new dynamic to the 1980 anthem, which went to #1 in Australia, New Zealand, United States, United Kingdom, and Canada.

This release also features Luude's masive track 'Wanna Stay' Featuring Dear Sunday plus a tasty remix by Fred V.

(ft Ruf Dug remix)

Proto-house flavours straight to your ears by way of Sheffield for the newest offering on Feelings Worldwide.

Part of soundsystem collective Apricot Ballroom - DJ, producer and dab hand on the keys - Nonna Fab steps up for the eighth release on the London based imprint.

Taking you on a cosmic trip reminiscent of heady Paradise Garage-era NYC with four original tracks brimming with piano stabs and epic groove.

Fellow Northern dance music devotee and top producer Ruf Dug completes the release with a remix of title track Rough Culture.

This release is pure fire!

PNAU is the multi-platinum-selling, ARIA award-winning electronic act of Nick Littlemore (Empire of the Sun), Peter Mayes and Sam Littlemore, famed for their extensive career born out of the underground clubs and festival dancefloors of Australia.

With a catalogue of their own hits and multiple albums behind them, PNAU have enjoyed a powerful renaissance over the past few years, with multi-platinum hits ‘Go Bang’ and ‘Chameleon’ becoming inescapable on the airwaves in their home country of Australia and climbing the Billboard Dance charts in the US. 2019 singles ‘Solid Gold’ and ‘All Of Us’, embedded PNAU as the most cutting edge electronic act to watch on a global scale, finding a loyal fan base amongst the most influential decision makers at BBC Radio 1, triple j and streaming services across the globe.

‘Lucky’ here is remixed by disco re-edits don Late Nite Tuff Guy. Since exploding onto the scene a few years ago, Late Nite Tuff Guy has forged a position as one of the most in-demand and best-loved DJ/producers on the planet, with Greg Wilson rightly referring to him as “a leading light of the global re-edits movement.” A superhero of soul, a destroyer of dance floors and a purveyor of the smoothest sounds this side of 1977, LNTG is synonymous with the most credible of disco edits, and has amassed legions of devoted fans from Berlin, London, Melbourne, Glasgow, Paris, Dublin and online with Mixmag amnd Glitterbox live streams.

Australian via LA duo, Bag Raiders forge an italo house vibe with their remix of ‘Lucky’. Citing remixes for Cut Copy, T.E.E.D., Banks, The Ting Tings, Headman you’ll also find Bag Raiders recordings occupying catalogue on the shelves of Modular Recordings, Fool’s Gold and Bang Gang 12 Inches.

Previous PNAU packages have enjoyed support from Annie Mac, Diplo, Claptone, Tiesto, David Guetta, Anna Lunoe, Danny Howard, Melé.

Polo & Pan's debut album Caravelle reached the heights of professional recognition by being certified platinum in the international market, gold in France, with three singles exceeding the threshold of gold certification outside of France, consecrating Polo & Pan as the new French Touch ambassadors. Now, our two explorers invite us with Cyclorama to a journey through time, along the steps of human existence. After a year of lockdown introspection, the duo decided to create music that weaves themselves into the backgrounds of our lives. From birth to death and transcendence, Cyclorama offers a colorful score to the "comedy of life" as Celentano sang, this existential theatre that is played-out by every human being.’’ Out everywhere on 6/25.

No Frills unearth another fine tune, getting all kinds of good people to put their hands on it. Repress from sought after italo-disco gem, totally under the radar dreamy tune. Includes the original, instrumental and two remakes ! Etra Bonus is balearic bombo by DJ Gigola.

Norwegian Demi-god, Rulefinn is back. On his semi-annual trips to Florida, he snagged a number of gems while digging with WD label honcho, Sleazy McQueen. Three of these songs have been distilled to pure boogie essence for the Fedora Files.

Once again Dungeon Meat provides the heat for discerning dancefloors with this latest EP from their new signing Scott Diaz. Bringing the finest tracky business straight from his beefy bunker to your turntables, there's no messing with these meaty beats.

After hearing some short demos versions on Instagram, Brawther and Tristan da Cunha quickly got in touch with Scott to snap up the tracks and cherry pick a smoking hot selection resulting in these four killer cuts designed for DJ (ab)Use only. Scott is an extremely talented producer who is behind the high grade NITELIFE sample packs and we are very happy to have him join our band of beat bandits.

A tribute to Andreas Gehm (1972 - 2016), German producer, king of acid and inspiration to many including the artists in this compilation. All proceeds will go towards funding Andreas Gehm's post-mortem affairs, managed by his best friend, Joe Kurta. Long live the king. Vital Sales Points: - Tribute album to acid king, Andreas Gehm, who took his own life in 2016 - Andreas released one of his last few EPs with Midnight Shift - All artists in this compilation have been influenced by and are deeply saddened by his passing - All proceeds will go towards funding Andreas Gehm's post-mortem affairs, managed by his best friend Joe Kurta

Let yourself be carried away by these four deep, melodic and minimal tracks by four renowned artists of the electronic scene.

It has been over 2 years since Kellon (Spillway) ceased trading. He makes his return as Viewfinder, with a new label and a new approach. ‘The Second Phase’ is the first release on Rescan Records – it features 4 club-ready tunes, littered with analogue synths.

Time Won't Wait is the track that marks the return on the scenes of Alex Farolfi.

A pillar of "Deejay Chiama Italia", one of the most famous italian radio programs, Alex is also an established producer and remixer best known for being among the producers of "Feel It" by The Tamperer feat. Maya, an iconic track that topped the charts halfway around the world.

The idea for the production of Time Won't Wait came to Alex during a relaxing moment on vacation. The song contains elements of the song Deep fear by Sidekick and features American singer Aaron Pfeiffer as a featured artist. Time Won't Wait is a track that can win you over from the first listen.

Initially released as “Never Dull feat Crystal Waters "In My Mind (Disco Rave Edit)", mashing-up The Bucketheads’ classic “The Bomb” and Crystal Waters’ “Gypsy Woman”, this is the record that started it all and stormed the charts and radio waves!

The demand by dj’s and audience was overwhelming since day one. Clearly the cat was out of the box!

When Brazilian superstar-DJ Alok took the project on board, hired Ella Eyre for the vocals and asked legendary Kenny Dope to add his magic, it became known as Alok’s ‘Deep Down’, resulting in one of the biggest worldwide dance hits of 2022, exceeding the 75 million streams.

Now, the initial version “In My Mind” by Never Dull finally returns, as “Deep Down (Never Dull’s In My Mind remix)” and finally it's available on vinyl!

The B-side contains a unique extended version of the original “Deep Down” single version, created by Dutch veteran Ben Liebrand, resulting in the “Deep Down Extended remix”.
A pure dj-delight, which will a vinyl exclusive, only available on this unique 12” release.

Making this all together a not-to-be-missed package!

Bare Bones Wax presents release number two on their vinyl only label, this time enlisting an artist who is making waves on the scene, Carlo Gambino. Some of Carlo’s previous vinyl outings have been on established labels such as Cinthie’s We R House, Okain’s Ball Park, Frank Roger’s Real Tone and Ewax Editions while gaining support from heavyweight DJ’s such as Raresh, Silverlining and Matt Tolfrey, amongst many others. With future wax releases slated for labels One of 4, Discotech, 3AM, Echoes of Glory and Audio Analysts over the coming year, you could say he is a man in demand! Here he supplies two original tracks with a remix of each from Goshawk and David Moran respectively.



Kicking off the EP is the first original track from Carlo titled “You and Me”. A modern deep feel and catchy vocal make this track a real killer. Goshawk (Half of deep house legends Rhythm Plate) serves up a tough underground remix of “You and Me” with an American influence for the A2 track. Over on the flip Carlo’s second original composition is “Get Back”. Sitting firmly in the deep house camp but with minimal elements and cut up vocals it purveys a killer groove. Finishing off the EP is the David Moran remix which is a full on dancefloor destroyer. Jacking beats, vocal snippets and a heavy bassline work a treat to finish off the EP.

My Own Jupiter is run by Uruguayan expats Nicolas and Edurne Lutz, the former a respected DJ on the Berlin circuit affiliated with Sleepers, Toi Toi Musik and Club Der Visionaere. He here presents a four-disc vinyl package from homeboy Franco Digregorius, which follows up Australian producer Little Nobody's prior release. Said to be compiled from productions spanning the last decade, the album covers several variations on the electro sound but often delivered in rather inventive formats and with some funny titles. There's some aquatic electro funk stylings on "Ladyes & Gentelman From Montevideo Underground", the hilariously dark George W. Bush sampling "Mind Traveller" and the very hypnotic 13 minute long epic "Brain Washing".

For DSD031, Dansu Discs welcome one of their firm favourites from recent years. Sometimes known as DJ Chupacabra, sometimes known as Davide Piras.

For this EP, he's known as both.

Forest Law's debut album, "Zero," is a vibrant journey blending Balearic funk with urban Tropicalia, showcasing his adept guitar playing, old-school sampling, and UK- styled beats alongside his mellow yet sombre vocals. Recorded across eclectic locations from Icelandic fish net factories to a garden shed in Romford, this innovative release marks a new chapter for the multi-instrumentalist producer.

Released in collaboration with the UK home for jazz and electronic sounds, Total Refreshment Centre, Zero is Forest Law’s first release since his debut EP on Brownswood Recordings four years ago, marking a new and exciting chapter for the up-and-coming talent.

Crafted over seven years, "Zero" is deeply influenced by Law's experiences, from immersive stays in Porto where he delved into Portuguese music to an artist residency in a remote Icelandic fishing village. The album was finished, and recorded in his garden shed in Romford, East London. It’s a beautiful juxtaposition about a boy from Essex, who fell in love with international music, discovered the world, and then produced a musical treatise about his adventures from his shed.

Belarusian producer Four Walls is back after a seven-year hiatus. The first time around he made some standout cuts for the likes of Traxx Underground and Kolour LTD but this time around he finds himself on the new Ultraworld Records imprint from DJ Craft. This one kicks off with the lush prog house and silky synth arps of 'Mind Charger' which soon takes you to the stars. 'Metamorphosis' is a more raw-edged and acid-laced techno stomper for peak time action and 'Summer Nights' is a bubbling, elastic tapestry of new age overtones, thudding kicks, and trance-tinged pads. A remix by Toronto-based Pletnev adds another dimension to this club-ready EP.

REPRESS

"Less Is More is the debut studio album by DJ and record producer Lost Frequencies. The Belgian youngster shook the world with debut single ""Are You With Me"" and soon found himself on top of the world, following up on his worldwide smash with global sensation ""Reality"" and ""Beautiful Life"". Now, he shows the full extent of his potential through his debut album. Harboring a plethora of ridiculously catchy singles alongside the before-mentioned hits, Less Is More shows exactly why Lost Frequencies' signature sound is so widely acclaimed. Easy on the ear, increasingly addictive, and filled with gorgeous, laid-back vibes, the songs on the album allow minds to drift and emotions to flow freely, all made possible through the delicate arrangements and a strong choice of sounds. Lost Frequencies describes the album himself as being ""all about the simplicity of good feelings blending together, bringing a chill, but still energetic vibe."" Less Is More is available as a limited edition of 1000 individually numbered copies on gold coloured vinyl. The vinyl package includes an insert with lyrics. "

Less Is More by Lost Frequencies, released 22 March 2024, includes the following tracks: "Beautiful Life", "Reality", "In Too Deep" and more.

This version of Less Is More comes as a 2xLP. This release comes with (a) Insert(s).

The vinyl is pressed as a gold disc. Another vinyl is pressed as a gold disc.

Ozel AB's inaugural self release highlights a new and refined sound. With 4 deep excursions into UK techno, distorted textures, rolling sub bass and his trade mark dubbed out atmospherics.

"Heat Up", another wonderful uptempo soul classic by Peven Everett repressed officially on Groovin Recordings. On the flip "Fantasy Eyes", a soulful gem by the super talented singer and musician from Chicago, never released on vinyl.

Finally re-released on 12” via New York’s Atmosphere Records, this 1990 House-Breaks Classic is back on vinyl.

Featuring in demand Original Versions of “First Power” and “Synth It” plus new Remix from Atmosphere founder Tommy Musto.

Produced by “Mentasm” co-creator Mundo Muzique with “Phenix” Estrada.

This release is first in a series of Lost New York Classics repressed on their original labels and powered by Missile Vintage and Prime Direct Distribution in London.

CLASSIC EARLY 90'S ITALO HOUSE EP PRODUCED BY THE ICONIC ETHOS MAMA PRODUCTIONS TEAM.
THE GOLDEN ERA OF THE ITALO HOUSE SOUND !

Back In Stock!

(180 gr vinyl) Musique Pour La Danse presents another collaboration with SF-based Jonah Sharp following the first ever vinyl release of his Reagenz LP with Move D in 2021. This time, the iconic Flurescence EP by his Spacetime Continuum solo project gets the reissue treatment, after being released on the Scotsman's own Reflective Records back in 1993 with an unforgettable holographic center label.

Musique Pour La Danse presents another collaboration with SF-based Jonah Sharp following the first ever vinyl release of his Reagenz LP with Move D in 2021.

This time, the iconic Flurescence EP by his Spacetime Continuum solo project gets the reissue treatment, after being released on the Scotsman's own Reflective Records back in 1993 with an unforgettable holographic center label.

There is a good reason why this EP, actually Sharp's debut release, was so hard to find at reasonable prices and why it has appeared in countless compilations and top lists in the last 3 decades with no sign of slowing down.

Truly timeless, this masterclass in forward thinking electronic music focuses on deeply textured, masterfully arranged, and skillfully morphing tracks with a cosmic tinge that feels warm instead of cold, and rewards repeat listens.

Prepare to bend the very fabric of spacetime during the 28 minutes of heavenly chill out and celestial techno/trance contained in this 12" black hole, remastered and repackaged for the 21st century. Title track Flurescence is one of the very few that actually captures the ambience of those magical floating years and a trip to the edges of outer space that never ceases to amaze, while Transmitter is a deep dive to the bottom of an ethereal ocean of fur suspended in time, with mysterious samples from the producer's answering machine to boot. Drift is a bona fide gem of rhythmic psychedelic electronic music, breaking down and projecting early trance, IDM and electronica ideas like a prism turning revealing a colorful spectrum of colours after being hit by light. Finally, the fast-paced dancefloor weapon Drug#6 is up there with Choice's Acid Eiffel, Resistance D's Cosmic Love, and Red Planet's Cosmic Movement in the intergalactic pantheon of narcotic, acid techno cuts.

Needless to say, zero gravity listening is strongly encouraged.

2024 reissue

'Storage Media AKA Hugo Jay AKA DJ Kush Boogie.. (still with us) ... drops 4 sublime tape crushed emo house jams on E-BEAMZ'

Opak records alkyle series is a indépendant music label owned by Seq9 & Eeror303.

The music selected on the label is a melting pot between Techno, House, Minimal, Chicago, Détroit, Electro, Pop, Uk funky and Abstrakt Hiphop.

Since 1988, Todd Sines has released experimental house, techno, electro and post punk on Carl Craig's Planet E, Daniel Bell's 7th City, Andy Vaz's YORE + Background Records, Titonton Duvanté's Residual, Archetyp's 21/22 Corp, Dego's Reflective UK, in addition to Frankie, Circus company, Philpot, Morris Audio, Rawax, Moto Music and many more. In addition to music, he's also an accomplished director, photographer and designer, working with Sisley, V Magazine, GE, Nokia, Express, DVF, HBO, and The Weinstein Co.

On this Ep we have three cuts of modular goodness that each bring a different flavor to the party or the after hour .

For home & club listeners

32A003 is a tribute to the six years Idle Hands spent on City Road in Bristol. The artists all have close ties to the city and reflect some of the UK centric that was pushed in the shop. This one is for all the record shops out there, as such this is a vinyl only release.

After the release of DISSIDÆNCE Episode 1, warmly met with both critical and popular success, Vitalic keeps his promise and returns with a second instalment, darker and more techno than the first, and this time with a marked industrial aesthetic - cold and minimal. The composition and production style have a post-cold wave heritage, something that has always been part of the artist's DNA but is now brandished with renewed pride.

DISSIDÆNCE Episode 2 opens with Sirens, a towering tornado of synths and sweat, followed by Dancing in the Street, The Void and Light is a Train, sparse techno boiled down to its essence - mechanical, cold and alarming. Tempering this hostility are moments of grace and poetry like Marching, Friends & Foes and Winter is Coming, both melodic and melancholic.

A two-pronged project masterfully orchestrated by Vitalic, a strange cosmic voyage of implacable energy.