Somatic Rituals co-founder Kombé embraces flux and uncertainty on his debut EP, ‘Foreign Exchange’. He tools up five tracks built for adventurous DJs, constructed from an assemblage of liquid polyrhythms - inspired by the constant movement of foreign exchange markets and the plurality of Kombe’s own cultural and sonic references that give rise to his distinct sound.
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Leftism is the debut studio album by English electronic music duo (now solo project) Leftfield, originally released in 1995 on Columbia Records. It contained a mixture of new tracks along with reworked versions of previous Leftfield singles. The album contains guest spots from musicians not associated with dance music at the time such as John Lydon from Public Image Ltd. (and formerly of Sex Pistols) and Toni Halliday from Curve.
The album was described as progressive house, although some journalists found that label too limiting, suggesting the album incorporated many genres.
On its release, the album was well received from the British press with positive reviews from the NME and Q. The album was nominated for the Mercury Prize in 1995. Critics have praised the album as one of the major album-length works of dance music, with Q referring to it as "the first truly complete album experience to be created by house musicians and the first quintessentially British one".
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United States Of Islam is the second part in a series of 4 outstanding double vinyl albums with bonus songs, previously released on CD between 1990 and 1994 on the Australian cult label Extreme Music. Armed with a cleverly provocative title, USoI showcases a moodier side of Muslimgauze. While the trademark blend of driving percussions and minimalism reigns supreme as always, the general feel is much more dreamy and mysterious than on some of Bryn Jones’ more forthright pieces.
The original tracks were perfectly remastered for this first time ever vinyl release and the new masters received high praise from the Extreme Music owner Roger Richards.
New sleeve designs were created by Oleg Galay, who is famous for his artworks for many Muslimgauze reissues. All 4 album covers are made from extra heavy cardboard with deluxe spot UV finish and inside print.
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One of the most exciting up-and-coming electronic artists, Nils Hoffmann returns to Anjunadeep with the release of his sophomore album ‘A Radiant Sign’. Drawing inspiration from artists including Rüfüs du Sol, Olafur Arnalds and Stephan Bodzin, the Berlin-based producer showcases his delectable melodic house productions over the 13 tracks of ‘A Radiant Sign’. From the intertwining synths in ‘Let Me Go’, to the hard hitting drums in ‘Tiderays’, and the ambient textures in ‘A Radiant Sign’, Nils blends meticulously crafted electronic elements, with vocals and organic sounds throughout. ‘A Radiant Sign’ features collaborations with talented vocalist and songwriters including electronic duo TENDER, South-African vocalist Julia Church, singer-songwriter Panama, songstress Gordi, London artist Bailey, ‘Breathing’ vocalist Malou, UK duo Hi Frisco, and composer and producer Niklas Paschburg.
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Seoul duo Salamanda arrive on Wisdom Teeth with their latest and most focused LP yet: 'In Parallel' - a vividly textural and immersive record that brings a new level of clarity to their typically psychedelic, expansive approach. Since arriving in 2019, the pair - comprised of friends Uman Therma (aka Sala) and Yetsuby (aka Manda) - have been fast at work mapping out their elaborate, dream-state sonic world - prolifically honing their sound across four albums and over a dozen singles to date. Across their already-extensive discography the pair have established a few key calling cards. Mallet instruments and tuned drums play out playful music-box melodies. Thick washes of gaseous ambience invoke otherworldly or ancient soundscapes. And buried fragments of found sound and manipulated vocal give their otherwise synthetic compositions a warm sense of first-person narrative. Ambient and Reich-school minimalism are the music’s most obvious sonic touchstones - yet the pulse of contemporary club and pop music have never been totally out of earshot. All of these themes come in to play here - but 'In Parallel' signals a step well beyond Salamanda’s work to date. Since 2022’s 'ashbalkum' (released on Wisdom Teeth alumni Tristan Arp’s label, Human Pitch), the duo have toured extensively: at classical institutions like London’s Kings Place as well as DIY club dens like Manchester’s White Hotel, all via a series of globally renowned festivals like Mutek, Nachti and Dekmantel. Their creative set-up has grown steadily alongside to incorporate a whole suite of new machines, processes and perspectives, taking their music in bold new directions in the process. The clearest development here is in the duo’s use of vocals - a shift that has been slowly taking place over their last few records, but that comes to a head on In Parallel. The album’s lead single 'Homemade Jam' is the closest the duo have come to writing an all-out pop track: its buoyant beat and autotuned vocals sounding like something SOPHIE and Charli XCX could have written after a particularly potent batch of mushroom tea. It’s a razor-sharp slice of alt-pop that offers a mouthwatering first look at what happens when Salamanda’s sprawling, unbridled creative energy is distilled right down into something concentrated and polished. At other points their sonic explorations lead them to embrace a more upfront approach to rhythm, skirting closer than ever before to the dancefloor in the process. The meandering drums and vocal chops on 'Paper Labyrinth' are underpinned by a firm 4x4 pulse, while the dembow groove of 'Tonal, Fluid' would feel right at home in a Nick León or DJ Plead set. 'In Parallel' is a record about connection, and the warmth and nostalgic simplicity of friendship is felt vividly throughout. Its title refers to the harmony the duo have found between them as friends and collaborators - and sonic parallels are traced throughout the record as testament to this. Motifs come and go before reappearing at later points: take, for example, the melody underpinning ‘Sun Tickles’, which returns in a different key and tempo on album closer ‘Mysterious Wedding’. Parallel lines are traced between each artist and through their music, linking back to their past and pointing ahead to the future. Only Salamanda know where these will take us next.
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Salomo brings a double EP of tech and progressive house to R.A.N.D. Muzik Recordings. This disc, RM12018.2 (Land) takes you up for a cruise through unknown landscapes before RM12018.2 (Water) takes you deep down into the depths. Both EPs are pieces of an entire work but are availably individually.
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Two generations of electronic music talent will collaborate for the first time this March, as Circoloco mainstay Seth Troxler teams up with well-established fabric resident Jaden Thompson on Talking Walls. Soon-to-land on Crosstown Rebels, the release signifies a career milestone for the young Midnight Parade head.
Talking Walls embodies the techy, house-driven sound with which each producer has established themselves. The four-four groove retains a punchiness throughout, with textured layers arriving subtly as the track progresses. From shimmering keys to eerily danceable synth pulses, we’re taken to the setting of Circoloco and beyond courtesy of a reverberating lead vocal, one that twists and turns to leave us dancing and hungry for more.
Seth Troxler is one of electronic music’s most instantly recognisable artists, having carved out his own unique path as a cultural commentator, art curator, restaurateur and entrepreneur. A multi-faceted modern artist: he has held residencies at talismanic music institutions, run numerous record labels, and pursued his own solo recording career (including the recent Play In The Dark collaboration with The Martinez Brothers on Crosstown Rebels, and Lumartes that kickstarted CircoLoco Recordings in Summer 2021).
Jaden Thompson has progressed from a promising new name to an established international talent in little time at all. A firm favourite of Radio 1's Pete Tong, he’s no stranger to being top of the digital charts with his last single, Only One, picking up more than a million digital streams. Now head of his own record label, Midnight Parade, 2022 looks set to be a standout year for the thriving British artist.
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A never-ending groove and perfectly programmed synth stabs are coming out hot from Stephan Bazbaz & Assael Weiss who happen to be in the rooster of Audionik’s latest instalment.
The label’s third release strays away from conventionalisms the A-side includes a hypnotic yet groovy remix from mastermind Franco Cinelli. Perfectly low ends and a poly-rhythmic groove make this a unique piece of music The B-Side comes from the hands of Priku. The remix is borderline minimalistic, freaky elements and glitchy effects pair with convoluted reverb sounds that come and go entering new grounds in texture and sound. Don’t miss to have this one in your record case, it will come very handy.
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Taslo, an emerging name in contemporary house music, presents the inaugural release on his own ‘Groove Concept’ imprint; ‘Backshift EP’. Showcasing an effective fusion of rounded timbres and body-rocking rhythms, this red-hot four-tracker is poised for sustained club usage.
‘Swop Shop’ kicks things off in compelling style with a coalition of propulsive drums and punchy bass. The swing setting gets ramped up for ‘Basic Principles’, where shuffling percussion and brawny resonances give way to a more explosive trajectory.
No momentum is lost over on the B-side, where ‘Globule’ sets in motion a sequence of pointed stabs and sub-bass jabs, resulting in a hypnotic groove that persists in its charm. The joint concludes with ‘Side Burner’, as the dynamic eases and languid, shimmering harmonies rise to the fore.
Bona fide groovers for the dance floor and beyond…
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Terr’s debut LP 'Consciousness As A State Of Matter’ arrives on green and orange split double-vinyl, limited to a pressing of just 400 copies, housed in a sleeve of hallucinatory artwork from designer Sebastian Ofuszak.
Across eleven tracks, Terr continues a long, fulfilling journey in electronic music with a visceral, vulnerable full-length statement inspired by tireless and timeless innovators in the history of electronic music such as Giorgio Moroder, Wendy Carlos and Phil Oakey. Achieving a delicate, wide-eyed chemistry between the catharsis of the dancefloor and the ever-renewing promise of pop, 'Consciousness As A State Of Matter’ includes and expands upon the vision of singles ‘Only For Tonight’, ‘Tale of Devotion’ and ‘Layers’.
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Producer, artist, and label head TOKiMONSTA has returned with "Naked" feat Channel Tres, out via TOKiMONSTA's own Young Art Records On "Naked," TOKiMONSTA delivers textured, rich production where she artfully combines sounds and feelings from a range of genres creating an entrancing groove. With the dynamic adaptability TOKiMONSTA possesses, she continues to bring out the best in her collaborators. This time, the producer/ DJ/ labelhead has recruited Compton tastemaker Channel Tres.s.
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Tis time to travel the the trail to the third turnout that we left there for you in the gloom. So let's not waste any more words (and 'T' letters) and get into it. First up is JOHANNES KLINGEBIEL, whose 'All Around Me' is all about reduction. Roland drums, bassline, one or two synths, that's it. And it bangs! As does 'Toe Sucker', the acoustic evidence that a lot of chefs can cook up something extra tasty indeed, even if the ingredients come from three different continents, as TUNNEL SIGNS, DAVID MARSTON and MAX SCHMITT bring them along from their hometurfs in Australia, America and Europe, with a little extra flavouring provided by Johannes Klingebiel. The product is a spicy slow burner, with a healthy portion of acid added to the mix. Turn the record around and you'll find Paris poster boy SUNROM getting his voodoo thing on with 'Shaman Echoes', which will shuffle its way into the deepest compartments of your bewitched brain. The rest is silence. Ha, no! The rest is 'Wall'. JULIAN STETTER's beast of a track mounts through the whole spectrum of frequencies that the gods of audio have given us in ancient times, back then, three days ago
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Wolfsheim were a synthpop duo of Markus Reinhardt (music) and Peter Heppner (lyrics and vocals) from Hamburg, Germany founded in 1987. 1991 single “The Sparrow And The Nightingales” produced by Carlos Peron of Yello. Reinhardt says the lyrics were inspired by ‘onomatopoeic tension’.
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Four months after his first EP, Generation Next is back with his second single release. You may know him as Lil Strick from the track 'Childs Play' on Big Stricks debut album 'Detroit Heat' on his own label, 7 Days Ent. Generation Next also made four tracks (Sequence 11, Windsor Nights, Slow Ride, and Metro) on Big Stricks Resivoir Dogs album. After his first self titled EP, Generation Next has gotten nothing but positive feedback. Next's new EP is titled 'Medication', which features 3 tracks that are inspired by the streets of Detroit City. Sum Light is the first track off of the 'Medication' EP and starts us off with an exuberant acid bass line followed by a truly original 808 drum pattern. His next track, Generic Current, is a smooth flowing, simple house track. The bass plays, the drums knock, and that claps excite. The last track, Acid Alcohol, is slated to be a classic acid track. Just listen to it and you'll see why.
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Das neue Album des elektronischen Experimental-Kollektivs aus der Demokratischen Repubik Kongo - KOKOKO! Die Band ist für ihren gewagten Sound, Experimente, rollenden Rhythmen, stechenden Melodien und kraftvollen Liveshows bekannt und kehrt mit einem elektronischeren, peppigeren Sound zurück, der von den Nächten in Kinshasa inspiriert ist. 'BUTU' bedeutet 'die Nacht' in Lingala. Die Idee des Albums ist ein tiefes und intensives Eintauchen in die Nacht der Hauptstadt der DR Kongo, einer lärmenden, chaotischen und erstaunlichen 17-Millionen-Stadt.
Dutch artist, having dropped 2 Midnight Shift & Mord Records as Charlton, suits up w/ an ethereal jacking track, a bubbling, burbling acid track, some Dutch techno, & crowns it w/ dark, wide spaces in the mind.
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After a 3-year hiatus due to the pandemic, Balance Music's legendary main compilation series returns for its 31st volume with an absolute stunner courtesy of UK DJ and producer, Tim Green.
Following in the footsteps of epic contributions from the likes of James Holden, Joris Voorn and Agoria, the celebrated artist of labels such as All Day I Dream, TRYBESof, Cocoon, Siamese and many other acclaimed imprints creates a truly beautiful story on this 2.5-hour mix.
From Panorama Bar to fabric to Burning Man and Amnesia, Green's classy, melodic take on house and deeper techno has been taking him across the world for a good decade-and-a-half now, and it's the sound of his sets that he has sought to capture on this mix-albeit with concessions to a slightly wider range of sounds to suit.
"Some of the songs are definitely more "outside" of the world and genre I am currently operating in" he explains, "but they are equally songs that I love and which I think have a certain crossover into my world and sound. The musicality and musical intent from each song is what's most important. So, this time I haven't tried to find and include all the latest unreleased and unheard forthcoming songs from artists, for the sake of being super fresh as this can be achieved easily in online mixes. Rather I've focused more on the songs I feel represent my sound, even if they are older perhaps, lesser known or slightly alternative." - Tim Green
As well as some quite remarkable exclusive original productions, he also includes eight of his own EDITs in this expansive mix.
From the blissful opening of Tim's own 'Time Doesn't Have to Heal', this is a deeply sensual mix. From pared-back, ethereal, slow-moving beginnings, the mix picks up emotional pace with the delicate guitar arpeggios of Ranta's 'Valor', and a tribal lilt in the groove creates urgency in Travertia's 'Auwald'. His EDIT of Serious Dancers 'Callahan' injects heavenly optimism with its deft piano lines. The playful, mystical, swung melodies of Synesthesia's 'Obbie' segue perfectly into the gently spine-tingling 'Playces' by mredrollo, shifting the gears up once again around the 45-minute mark as the mix begins its "come-up" phase. His own 'Eteri' is one of the mix's true highlights; a brooding, chugging stunner led by a driving bassline and the beautifully melancholic sequence a chime melody. Slang & Technodreamer's 'Pad Destroyer (mredrollo Remix)' lays on a stirring string arrangement and brings levity with it, bringing disc one to a magical close (in the physical version).
More Tim Green exclusives form standout moments in the second half: 'It's Only Lightning'; is a rush-inducing whirl of tingly synth melody, and the dark driving trance-tinge of 'Monster It'. His EDIT of J'EAN's 'STAAHP' seethes with dubby techno energy, urging us towards his sumptuous collaboration with Sebastien Leger, 'Duel' to begin the killer crescendo that rounds this mix off. His new remix of Underworld's classic' 'Two Months Off' is a tremendous and respectful rework, the lilting guitars, and soft tones of his EDIT of Axel Boman's 'Chestunt Heartsprite' are a pure delight, and the sumptuous piano chords of his EDIT of Deividas Bagdanov's 'Champagne' is a fittingly beautiful ending.
"I think this mix is perfect for long journeys" he says. "It works especially well in scenic locations, anywhere that you can sit for a long time and savour your environment. Just breathe, relax, and take in the music alongside your surroundings." - Tim Green
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The always reliable Twice & Volcov duo again on edit duties this time for the PEZZATE series! The focus here is on Fusion with 2 jams full of keyboard stabs, twists and guitar solos pressed on a jewel of a seven inch.
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Radioaktion Recordings is glad to present its first project by Arnic, a four track EP that features future-retro sounds with an emphasis on the emotional part of electronic dance music.
Side A leans into the more obscure and mysterious side of things. A1 is full of emotional darkness dragging the A2 along with a little bit of rock influence, hence creating the character Dr. Machine.
The B side is for the lovers and heart breakers, but on the dancefloor rather than in real life.
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1990 New York techno/house classic by C'hantal , written and produced by Ralphie Dee and Anthony Mannino. Features the unmistakable accapella vocal performance that launched a million raves.
Remixes by Bloody Mary (Dame Records) who fuses her trademark acid and strings with tension created by the looping vocal.
While Mr Ties from Homopatik takes on vocal duties himself with his bizarre drum assault version for the wild at heart.
Christian Quast shreds the original vocal with his captivating and relentless live 909 remix.
'The realm has returned!'
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Artesian Sounds welcomes Cicada Ensemble to the label with his debut EP 'Murmuration Clip', featuring a remix from London-based producer Otik.
The title track is light and nimble, swelling with shimmering arps, weighty subs and no kick drum in sight. 'Kepler' layers intricate sound design with head-spinning breaks and an aggressive bassline. 'Buchla & C7' is a five minute epic, patiently building to its climax for almost half of the runtime - a true exercise in tension and restraint. Last but not least, Otik's remix of Kepler slows the original, combining dub infused atmosphere with driving percussion.
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The next Bondage-Music vinyl instalment comes from label faves Frink. He return with a four-tracker release of deep hypnotics grooves. For the track, "Perseus" Frink teamed up with James Dexter, as result yet more deep and quality goodness.
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Great collaborations make the music outstanding! Guy Mantzur and Tamir Regev have produced some inspiring tracks together in the past, but nothing as powerful as their new two-track material. The sixth release of the label Moments brings the cutting-edge perspective to the art form. The opening song features Kamila, famous for singing the classic Children With No Name by Guy and Khen. Her powerful voice and charismatic performance once again make a significant difference!
Guy and Tamir deliver the promise and poise to evolve the genre and simultaneously maintain its roots. Together, they blended sentimental lyrics, memorable hooks, and just enough dance floor-ready sauciness to get listeners spontaneously dancing along.
Guy and Tamir's out-of-the-box approach is even more impactful on the second track. Synthetic melody lines, smooth baselines, and sassy rhythm sections create an exotic atmosphere with a dose of calypso.
Although rooted in organic house and melodic techno, the label Moments has stamped its watermark across the full range of underground dance music, winning the hearts of fans across the globe. Check it out!
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Sunny Crypt is happy to announce the reissue of "Sur L'Eau", the sought after debut EP by French IDM pioneers Les Dupont, an electronic duo composed by Didier Blasco and Louis-Frédéric Apostoly at Nice’s Fine Arts school. Originally released in 1994 on the seminal Virtual... label, this record is a unique-sounding blend of trippy acquatic-themed house meets electronica meets ambient. Now up in demand and with OG copies hard to get ahold of, this new fully licensed and remastered edition comes with a bonus techno / trance jam called "Outremer", previously released only on CD on Les Dupont's 1995 debut album titled "Miracle". In the words of the artists, a kind of equivalent of surrealism, a work of collage, chance, freedom and experimentation of all kinds.
Nenor returns to Fossils after some big releases on the mighty fine likes of Moodymann's Mahogani, Defected and Strictly Rhythm. And another fine 12" it is too, crafted from his array of vintage samplers, odd bits of music-making gear, a coveted synth collection and a mix of samples and live instrumentation.
There is a mix of dusty house drums and soulful sampling to the raw opener '17 Daze', 'It's A Deep Tune' is just that with its distant bird class, jungle toms and warped bass and 'Tough Decision' brings an epic soul sample over more stripped back but compelling house drums. 'Just The Way' closes with an r&b vocal or minimal yet warm drums. The variety on this EP makes it all the more standout.
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Something never heard before from man of the moment Nikki Nair (or anyone else, for that matter): Whimsical glitchpop-blues with Nikki singing full vocals for the first time on record - lamenting the 9-to-5 struggle, yearning for summer & getting fucked up on the beach.
The idiosyncratic, strangely addictive original comes with a b*nging remix from Stockholm avant-techno ledge Peder Mannerfelt going full chaotic evil mode, warping Nikki's vocals into a menacing call to arms for the modern hedonist.
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German label Bondage Music delivers the eighth instalment of its ‘Bondage Games’ series. Another vinyl only release, this time with four fresh tracks from Nima Gorji, James Dexter, Irv.in and Sous Sol.
180G VINYL // VINYL ONLY // NEW PRINTED SLEEVE
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ONLY ONE MUSIC presents Sould Class Feat. Tim Fuller - Best Laid Plans EP (ONLY20)
Soul Class is the team of producer Vernon Douglas (Deepen Sound, Fresh Meat, Woodwork) and vocalist/ lyricist Tim Fuller(Classic, Bombay, Nordic Trax).
Together they aim to make house music that is soul-touching and classy in its production style. No frills, no gimmicks-just great house music to dance to for years to come.
Heavily inspired by the Round series on Main Street Records and Prescription/Ron n' Chez, Soul Class keep the vibe alive with a song about searching for love and true friendship.
Their friend, Jay Tripwire adds a future house remix to round things out.
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Fresh off the back of his superb new album, Voigtmann is back with an equally juicy new 12" on Half Baked, a party crew with which he has a long association. His intricate minimal style is laid bare here from the off with 'Aesthetic Solutions' offering up a colourful mix of trippy sound designs and sci-fi moods over slick tech drum programming. 'California Cruise Control' gets deeper, with a more prominent squelchy bassline taking centre stage. 'Underexposure' then ups the ante with a more cosmic and driving techno sound and last of all is 'Areola 51', another one built from silky loops and futuristic synths over crisp tech house beats.
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