House Vinyl New Releases - News

2019 marks thirty-five years that DJ PIERRE has been DJing and creating acid housemusic.This seven-part series of 35 remixes of ACID TRACK by PHUTURE is a celebration of the first monumental record for DJ Pierre and the spark for a new genre and movement in dance music history. “35 - 004” will be the fourth volume in this series and will feature 5 remixes from Paul Johnson, Marko Nastic, Zombie Nation, Shinedoe, and N.U.D.E.

In 1987 the first acid house record, “Acid Track”, was released by the Chicago group Phuture—DJ Pierre, DJ Spank-Spank and Herb J. It was DJ Pierre who thought to play and twist the knobs on the Roland TB-303 in such a way that it created an entirely new (and at that time, totally bizarre) instrumental sound often described as “squelchy”, trippy, psychedelic, futuristic, and out of this world. Spanky laid the beats and together “Acid Track” was born.
The legendary Ron Hardy, a resident DJ at the Music Box in Chicago, gave this strange track a listen and played it not once but four times on the dance floor until it created a frenzy.

News of the Acid “squelches” quickly spread around Chicago and then across the Atlantic, inspiring the next wave of pioneering acid artists in the UK to create their own. From here the Acid House movement began, known as the Second Summer of Love (1988). It was this movement that spread across Europe and the world, becoming the rave and festival scene we know today. Thank you DJ Pierre for your legendary contribution and innovative spark to dance music. This world would not be the same without “Acid Track” and acid house. Here’s looking forward to another thirty-five years.

On this third Hoot release, gols takes the first action on the A side as a former point guard with a nice off the dribble. His second on the same side 'tritony' fits perfectly in the space created after this dribble. On the B side it's a old teamplay by glazing (Gols & Tom Dazing).

Dubai’s lo-fi wizards Shadi Megallaa & Abood Nasrawi aka GYPS take a break from their lo-fi experiments & venture onto the dancefloor with 3 original cuts aimed to make the bass bins rumble. We’ve also enlisted Dub master & Mosaic main-man, Steve O’Sullivan for a remix that takes the title track to another dimension.

For those who might have missed out on the sonic odysseys of GYPS1-6, fret not, as they await discovery on Bandcamp under the moniker "gypstapes

Keita Sano from Okayama is back on Row Records with a new 5 track EP. Reminiscent of his 'Bowl Of Water’ EP in 2015, which marked the label's first release, his latest work fits perfectly with Row’s catalog. Here, roughness meets rhythmic clarity to ignite the dancefloor.

Included is a bangin' remix by Dayzero who has just released two EPs on Zam Zam and Livity Sound.

Channeling her innermost depths, Oshana reveals her widest body of work to date, “Disciples of Dystopia;” a multi-faceted expression of the emotions, influences, and sounds that have guided her on her musical journey. The album aptly marks the fourth release on her very own, Psionic label, and is the first double 12” in the catalogue.

As you lift into orbit, “Disciples Of Dystopia”, seduces your senses with an ominous vocal of what lies ahead. The opening track simmers gently with a progressively rising atmosphere as the down tempo vibe flows inside you-Automatic connection. “Mind Over Matter” is a futuristic breaks experience, familiar nostalgic hip hop scratches flash in and out, winding into a spiraled synth labyrinth that introduces you to dimensions unknown. Slowing the pace down a notch is “Labor Of Love;” emotional chords and floaty melodies work their way around the steady and pitched down body of the track.

As we coast into the B side, “Embrace The Wave” offers some italo energy; clean disco kicks meld into retro synths; this one cruises on a loose, irresistible, and unrelenting groove. “Take Me Away” sweeps you right off your feet and includes a feature from long time collaborative partner, Anthea. Anthea’s transcending vocals set the tone for a harmonious quest, enriched with positive and imaginative energy; the type you want to absorb as the night concludes. However, the night is far from over.

As we coast into part two, we’re introduced to “Odyssey,” a slow rising track that takes you from the intergalactic ocean all the way to the techno tides. As the track progresses, all of the mechanical cogs converse in absolute harmony. Who doesn’t enjoy a “Heated Moment?” Crisp and punchy drums drive the track as a trance bassline ripples throughout, making an impression on the most discerning of dancefloors.

Riding a squelchy, arpeggiated acid line from the start is “Astral Flight”, a psychedelic club room charmer that revolves around warm and direct bass. The closing track of the LP “Automated Beats,” is a raw, animated affair structured around chunky 808 arrangements and hip hop percussion; playful with a pinch of ghetto booty charm for good measure.

“Disciples Of Dystopia” is more than just an LP; each of the tracks feed off of the next, and Oshana’s never-ending creative energy shines as she bends through genres with effortless ease.

Cosmic Rhythm's 20th installment is celebrated with 4 house tracks that will make it feel like summer is upon us. There couldn't be a better way to celebrate this milestone.

Harlem's legendary Disco label Queen Constance has long been a cult favourite among fans of underground dance music for decades.

One of many labels operating under the equally legendary P&P family of imprints Queen Constance was operated by one Peter Brown, a truly colossal figure in NYC's music scene, it's catalogue still fascinates music lovers to this day. Covering a wide range of styles including Gospel, early Rap and Disco the label's output continually finds it way into the playlists of respected DJ's and selectors across the globe. The mighty 'Roller Rink Funk' by Shift is the next reissue from the archives and never has a jam been more aptly named!

Another class act from the plethora of uptown groups that were associated with Queen Constance and her orbiting planets, Shift was possibly yet another 'studio' group put together for this one time release. The co-production nous and involvement of long-time associate Bernard Thomas lends these cuts some serious B-boy credentials. Thomas was involved in a lot of the P&P era early Rap material, as well as working with BDP and lending his skills to releases on the cult Rap label Zakia too. Needless to say, this particular release is that magic funky frisson between Disco, Funk and the earliest stirrings of Hip-Hop, an especially rich vein of music. As the title suggests this one is meant to be heard at the roller rink, the syncopated rhythms mimicking the skaters movements and repetitions. As with any good roller-skating Funk record (there are many!) it doesn't take long for you to want to hit the dance-floor, whether it's to skate or to simply get down. An often tricky record to find in it's OG state, commanding 'collectors' prices, 'Roller Rink Funk' is back on the block for all the Disco freaks for 2018. Perfect.

This is a 100% legit reissue, made in conjunction with Above Board distribution and the Demon Music group, lovingly remastered with love by Optimum Mastering, Bristol UK.

Same track on both sides

After the amazing State Of Play EP, Synaptic Voyager returns to Frame Of Mind with the beautiful and deep Disconnect To Reconnect. Six Detroit influenced techno and house tracks. Simply breathtaking!

This is the 30th release and 3rd Anniversary of our first tape, so to celebrate the label has brought together friends new and old for a spectacular compilation ranging from ambient to dreampunk to uk garage to house. All proceeds from this release will be donated to the Coral Reef Alliance.

Tombolo Rumble Vol I. is here! The first volume of a list of selected releases by different artists from around the globe. Proud to be presenting four tracks by four upcoming and established legends on the panorama of electronic music: Unknown Mobile, DJ Dog, Poly Chain and Abdul Raeva.

First artist on the list is Unknown Mobile, an amazing producer and dj based in Montréal, Canada. You may know him well from his well received releases across some of the dance sphere labels like Planet Euphorique or Pacific Rhythm among others. What you can find in his track is a 4×4 upbeat house atmosphere that goes along with crazy synths, and a beautiful armony creating a perfect melting for the dancefloor. Second track is by DJ Dog, the fun aka of DJ Fett Burger, a Norwegian legend based in Berlin founder of projects such as Sex Tags Mania or Trushmix. He comes with a downtempo, jumpy track, with very fun percussions and synths that will make you feel as if you are walking on Mars. Third track is by Estonian duo Abdul Raeva. Huge track for the club, upbeat techno with acid baselines on a fast bpm percussion. And last but not least, we have Poly Chain, a Ukranian artist that is getting a lot of attention due to her strong mixes as well as her productions, delivering some fat broken beats with acid baselines as well.

London-based artist, musical director and producer Amane shares ‘Moments Of Solace’ via Música Macondo. Introspective and contemplative from the outset, the 6-tracks EP meanders between the hypnotic pulse of electronic percussion, nocturnal pads evoking elated epiphanies and calming synths. Echoes that fade and return, an ecstatic wave of sound. For Amane, the music collected on ‘Moments Of Solace’ is the physical answer to a world that seems to become darker every day. A creative way out, a sonic world where ambient excursions à la Boards Of Canada coexist with thumping beats that could have rolled out of a Floating Points’ set at Plastic People. On ‘Moments Of Solace’ Amane distills ambient electronica, idm, jazz, crafting music that reflects his global pursuit - a non-stop touring creative able to soundtrack night drives on the Pacific coast highway, clubbing in London or a meditative trip on the Shinkansen.

Wonderwax returns with yet another 12″ filled with the distinctive soulfulness that has been a stand out point for the label since its inception.

DJ Spinna has been a fan of R&B/Neo-Soul queen Carmen Rodgers since her debut album 20 years ago, so it was just a matter of time before the two teamed up for something special. The result is an epic soulful house journey on Side A, where Spinna gives his typical Galactic Soul touch to Carmen’s jam “Again and Again”. The og version of the song was released originally in her “Hello Human vol. 1” EP together with “Say So”, which also gets Spinna’s twist on Side B: a progressive Hip Hop/Soul flip for the downtempo heads. Classic!

Samosa Records return with De Gama's new 'Funktastic' EP, a disco and funk groove machine of an EP. Ever since his game changing 'Afrika' release back in 2010, De Gama has been turning heads and this new EP shows why he continues to do so. Not only is it filled with fantastic music but it is only the fourth release on his own label, Samosa Records. Continuing his own form, it is also shows a continuing commitment to great music from the new label and is sure to keep everyone watching to see what they do in the future.


The EP opens with 'Son Of A Slave', a deeply grooving and moving throwback to heyday's of funk. The multi-layered groove will call to mind the heights of dirty groove typical of the Ohio disco-funk bands in the second half of the 70's, reimagined in a way thoroughly suited to the modern dancefloor. '1972' follows, a nod to the same era. It opens in a far murkier manner than 'Son Of A Slave' and exudes a far more modern feeling than the opener. Before long, the irresistible Afro-carribean grooves join in and get your head and shoulders swaying and bobbing, the kind of sound which characterized the Cosmic Wave era. Keys join in and plant a firm smile on your face. This is the other side of soul music.


De Gama closes off the EP with 'Star-Buk' and some handheld percussion. Funky guitar follows in before the big synth and kick join in. Where can the groove go next The bassline answers this question by taking it into outer space. 'Funktastic', it does what it says on the tin.

Hot as f*ck Ghettotech from Detroit's very own djkage

The time has come. The funky nerd and knob-handler Erdbeerschnitzel alias Tim Keiling is releasing his first physical album on Mirau. The young producer, who has moved from his hometown of Mittelfischbach to Bonn, tapped into the lode of versatility early on, and has been extracting one surprise after another ever since. After single-handedly releasing a first digital album that was obviously bursting with ideas ('Pathetik Party', 2009), Erdbeerschnitzel rapidly made himself a name with first-class single releases in the following years on 3rd Strike Records, 4 Lux and Mirau - a name not easily forgotten. The release of the much-celebrated single 'To an End' on Mirau made clear that this was but the beginning of a work together. In the wake of anticipation created by the digital single 'Through the Night', the album 'Tender Leaf' is now available on beautifully packed double vinyl. 'Tender Leaf' is a collection of 12 wonderful tracks, splashing at the edges with Erdbeerschnitzel's signature deep, driving vibe throughout the entire album, pulling us into a pool of swinging, iridescent oomph. Each elaborate audio-bouquet is full of spirit. Sometimes weirdly romantic and introverted, then breaking out into raucous assemblage, flaunting sonar reverb. Keiling's production makes these gems sound like an essence of all the music around us today, which calls out to us in echoing vocal traces. In 'The Mattress Excursions', guest singer 'The Drifter' steers his soulful voice through the escalating arrangement and broken beats as we remember from early Jamie Lidell tracks. Erdbeerschnitzel frequently gives things a humorous turn, flashing us winks from the midst of the fray. His characteristic beat programming, clever and exulting, makes otherwise bland patterns swing into pulsating vivacity; picking up on contemporary styles and aesthetics, he re-animates sounds within his own parameters. Multifacet-flow

With 8 tableaux, I tried to give musical form to a painting. Music is an art that takes place over time. Painting is a freeze-frame at a precise moment in the painter's creative flow.

So how do you combine these two art forms? Do you have to stop time? How do you stop time in music? By basing the structure of the pieces on cycles that recur again and again, we can make the listener believe that the music was there before, and that it will also be there afterwards.

With no beginning and no end, all that's left is this musical freeze-frame. In taking this approach, it became clear to me that music and painting both appeal to contemplation. Another concept I worked on for this record is the notion of randomness in music. Riopelle is often associated with the Automatist movement.

For me, his major works from the 50s are more reminiscent of romantic abstraction or even a great organic and organized chaos (a link to be made with nature here). It was on the basis of this reflection that I tried to integrate the notion of controlled chance or, rather, of chaos filtered through emotion.

Never Sleep charity tape series continues with a legendary recording from the world famous Mary Anne Hobbs stage at Sonar Festival.

UK phenomenon Joker encapsulates the era perfectly with his signature "Purple" sound and Dubstep sonics. A rowdy late night work out of his own productions, a rare dub from Skream, Bristolian funk from Gemmy and classic Mala.

Hosted by an enthralled Gaslamp Killer and beautifully captures the feeling of the infamous stage. Timeless, cutting edge and a slight hint of nostalgia for any Sonar Festival aficionados.

All proceeds go to Bristol based charity “The Cause" who help young locals in the creative arts.

Label friend Jules Heffner is doing his debut on Terrace Trips.
"Swamp" kicks off with some jungle sounds and a deep dotted bass line. Guy From Downstairs (GFD, Robsoul) serves a smooth remix with a rolling morphing bass line and some crisp percussion hints. On the B-Side "Wharf" is with his flurry synths more like a fata morgana tearing you in some wet fantasies. A remix of this one is coming from Anatol who just uses some synths from the original and a simple 303 bass line which turns the track in a more minimalistic direction
You better use NoBite on this one.

The Dutch icon Orlando Voorn is releasing his second album for Deeptrax Records sublabel Contrafact! Having started his career in the early 80s with major influences of Parliament, Kraftwerk, Motown and P funk, he is now widely recognized as an ingenious (Detroit) house and techno producer with former releases on Juan Atkins’ Metroplex records and Kevin Saunderson’s KMS. "The Master 2" is an album that is heavily influenced by the deeper sounds of soul and funk.. Orlando Voorn has used aliases in the past to present and release various styles of music without limiting himself and is one of the most versatile producers out there. We are proud to team up with Voorn and release this album that captures soulful jazz, funk rhythms and perfectly fused with passionate vocals in a real jazzy Detroit vein.

Third Attempt shows sparkling form on his latest long-player on Beatservice Records, crafting a typically refined selection on the gorgeously eclectic and majestically constructed 'Momentary Bliss'.

Since announcing his arrival in 2018, Torje Fagertun Spilde's music recorded under his now-familiar Third Attempt moniker has lit up the ever-reliable Beatservice roster. Combining an awe-inspiring production quality with an equally inspiring work rate, his work quickly confirmed his status as one of the Norwegian underground's most magnetic artists to have emerged over the last few years. True to his evolving-but-recognisable sound, his latest long-player seamlessly glides across musical textures, forging elements of lounge, ambient, disco, house, funk, hip hop and more into a brilliantly coherent collection.

The album opens with the dreamy swells and evocative vocals of the 'Precious Day On Earth' intro before quickly raising the energy with 'Soul, Body & Mind' - a funk-flecked track pitched somewhere in the alluring territory between glossy nu-disco and hazy trip-hop. Here, dreamy chords glide over rolling bass as hip-hop vocal licks enliven the rhythm, with airy synth motifs and ethereal female vocals entwined over crisp drum beats.

'Love Star' finds Spilde in typically inspired form, demonstrating his flair for sampling as he elegantly layers atmospheric vocal chops and dexterous musical refrains. Unfolding over a sprightly broken rhythm, summery chords are embellished by carefree horns and strings as hypnotic guitar and sparkling keys augment the feel-good groove.

'Keep Your Head Up' sees crafty hip-hop vocals and dexterous scratches dart over soothing keys, ethereal strings and atmospheric horns. Supported by thick bass and rolling breaks, the arrangement elegantly unfolds as soulful vocals add mystique to the groove, the smokey aesthetic equally suitable for at-home meditations and backroom jamming.

The dusty-fingered sample manipulation continues on 'Teach Me', where smokey vocals drift across waves of twinkling keys, funk guitars and impactful horns as tightly-spun rhythm and bass guide the tempo, while 'Turbo' continues the funk-flecked theme, with crisp drums driving mesmerising guitar licks, spacey synths and stirring chord progressions chords. with the neatly woven music pitched perfectly to sound equally striking in disco-loving bars, clubs, and living rooms.

Next, 'Secret' drifts into focus with luscious chords, hypnotic guitar riffs and robust bass augmented by soul-drenched vocal stabs and atmospheric synth work. Upping the disco energy, 'Our Show For The Night' subtly shifts the mood. Emotive horns soar over twinkling keys and thick bass notes before harmonic guitar licks add texture to the groove, the honeyed vocal samples beautifully augmenting the captivating orchestration as the dynamic arrangement unfolds.

'Keep Playin' rises in with lively broken drums providing a hyper-infectious rhythm. Atmospheric chords swirl over the tight beats as dexterous guitars and agile keys dance across the panorama, the chopped hip-hop vocal lines cutting through the musical mist before growling synth bass adds weight to the groove.

The floor-focused tempo continues via the soul-soothing flex of 'Hold Me', with seductive vocals bursting over gorgeously orchestrated instrumentation as feel-good guitar licks and stirring strings combine as psychedelic synths glisten over sampled textures and tight disco drums. Equally suited to balmy dancefloors and swaying back rooms, this is yet more elegant crossover material from Spilde.

Finally, the rolling breaks and sumptuous strings of 'Hard Times (Part Of The Journey)' propel jazzy keys, hazy guitar licks and evocative vocal samples to see the album home in suitably engaging style.

Unquestionably an artist with a diverse and powerfully vivid musical message to share with the world, Third Attempt demonstrates his boundless quality across this mesmerising album. 'Momentary Bliss' is set to further enhance his already formidable reputation in - and far beyond - the dance underground.

Four disco edits aimed straight at the dance floor, rumoured to come from within the Crazy P camp.

Wenn etwas aseptisch kalt wie die Musik der New Romantics und gleichzeitig aber deep, soulful und trippy ist, dann dieser Release von Al Chem aus Berlin: ein verdammt gutes Modellieren von No Wave, Electronic, Minimal und Dance.

Aufgewachsen mit einer Diät von Post-Punk, New-Wave, verloren in einem verrauchten Warehouse - diese Art von Musik und Stimme (Depeche Mode oder Johnny Cash lassen entfernt und posthum grüßen) in einem minimalen Lo-Fi Electronic Bett ist schwer zu finden. Al Chem’s Timbre und Texte sind einfach betörend, in den Himmel eintauchend, begleitet von einem hypnotischen Synth-Faden.

Das Paket mit zwei tipp-topp Remixen angereichert: Shahrokh Dini zaubert einen super drahtigen Club-Mix, durchaus geeignet für jedwede Peaktime, während Compost‘s Boss Michael Reinboth cool und sicher auf einem stein-kalten 80er Groovegerüst herumturnt.

Continuing its streak of red hot releases, Modeight Records now shines a light on an exciting new talent in Icelandic artist Ali Demir. Injecting a funky, infectious energy into 3 original compositions, backed up by a sublime remix from label head Silat Beksi himself. The young artist beguiles the listener with his raw and rollicking flow. From the uber fun, head bobbing bassline jam on "Fluent Whistler", to the slick electronic riffs of "Kumpas", and the deep, sub sonic wiggle of "Blackout", Ali Demir carves out a sophisticated and immensely enjoyable sonic journey. A breakout release for an artist who's certainly be one to watch in future.

Chat Noir's new imprint Cosa Vostra returns with another french producer Alich.
Paris based moroccan artist & Decadance festival resident takes you on an introspective journey that explores mind and club music and blends it effortlessly into a thoughtful and playful musical experience. On A side Alich unleashes some Driving rhythms and relentless energy, synth layers and funky elements culminating into one tireless momentum on the dancefloor. B side is more about tension and mystery through a minimalist sonic composition. Dark and hypnotic yet sensual grooves join forces to create mind captivating listening and shadow dancing actions. Serious business, right there!

Love Above Records is proud to present its latest offering with this brand new EP - Silent Tonality by legendary Detroit DJ and producer, Alton Miller.

The project started from a friendship forged between the speakers of 24 Moons, where Alton played at one of our Wildlife x Love Above parties in 2022. Special shout out to our friend DJ Jnett for connecting us all together.

The Detroit Music Institute founder has graced us with a 5-track EP of sophisticated house music that boasts a myriad of modern house sounds. Deep rhythmic passages, soulful vocals and organic textures all in Alton’s usual signature style.


Alton Miller, is a true luminary in the world of electronic music. With a career spanning several decades, Alton Miller has earned a reputation as a pioneer and innovator in the Detroit house music scene. His unique blend of soulful, deep, and melodic house beats has been a driving force in shaping the sound of the Motor City's electronic music culture. Miller's contributions to the global electronic music community have made him a revered figure, and his timeless productions continue to captivate audiences, solidifying his status as a legendary figure in the world of house music.

Alton’s early roots in soul & funk music led to an affinity for clubbing and house music. Born in Chicago but raised in Detroit, Alton grew up with the sounds of Stevie Wonder, Santana, Parliament Funkadelic and the Philly Sound, always playing in the background. Miller began developing his deejaying skills under the electrifying energy of house music founding fathers like Larry Levan and Timmy Regisford, where he regularly attended infamous parties such as Ron Hardy’s Music Box and Frankie Knuckles’s private loft party in Chicago.

A few years later, Alton along with his like-minded friends, Chez Damier and George Baker, founded the legendary dance club 'The Music Institute' in Detroit in 1988. Since then, Alton has cemented himself in underground house music with numerous releases on some of the most notable independent labels in the industry, including Defected, Planet E, King Street, Nitegrooves, Guidance Recordings, Trackmode Records, Seasons and Octave Lab.

For REZ22twentytwo we turn to Christian Linder and his breakout EP from Bionic Beat Recordings back in 1994. Featuring 3 tracks of top shelf of progressive, trance and prime tech house it's a forgotten gem of a record.

PLAYS BY : TOLGA FIDAN, DARIO ZENKER, DE WALTA, NICO, PAWEL GZYL, JULIETTA, ALI KURU, ANA, PETER, SVEN HARTMUELLER, TIEFSCHWARZ, KASPER, MUTLU, JIM HUTCHISON, DESY BALMER, BONN CHAVEZ, LUCADOOBIE, CIAN O CIOBHAIN, MILOSH, JORGE SAVORETTI, YOURI

Deep into lockdown, Frank pulled out Bernie Grundman's original 24 track masters of the "In a Minor Mode" ep, digitizing and exploring the original multi track recordings. Inspired by newly rediscovered parts recovered from the editing floor, what followed was a faithful but full-blown reimagining of 'Loveroom' Strangelove are proud to present this definitive version alongside a deep dive into Echoes LP favourite 'Down By The Rio' Frank's FM friendly take flipped on the B side with Frakas' trippy diced up vibe alongside a bumping beatdown version from New Zealand's finest Julien Dyne. Essential Balearic heat beat!

The Space Grapes are back. Galxtc delivers a slice of pure disco funk reminiscent of the UK Brit funk sound....
3 versions on this loaded Maxi.

repressed !

Birthed at the turn of the ‘80s, synth and wave music has remained a constant force over the last four decades, with a recent spike in interest in the sound offering further proof of its’ timeless, out-of-this-world quality. It’s against this backdrop that Dutch DJ Interstellar Funk presents his celebration of the style, “Artificial Dancers – Waves of Synth”.

A bumper compilation bristling with obscure and hard-to-find gems, the set sees the Artificial Dance label founder joining the dots between synthesizer and drum machine-driven tracks in a variety of subtly different styles. It’s the result of hundreds of hours spent digging through dusty old records, tapes, and the Bandcamp accounts of DIY musicians who have been active since the sound’s first boom in the early 1980s.

The 11-track set draws on tracks made and released at different times over the last 40 years, with the earliest cut committed to tape in 1978 and the most recent in 2018. While the tracks date from the ‘80s, ‘90s, noughties and 2010s, the showcased cuts are united by a primitive but futuristic quality that makes dating them difficult. In many cases, it’s hard to tell which tracks were made in the early 1980s and which were conjured up in 21st century studios.

As you’d expect, highlights are plentiful with a number of the most unknown or sought-after cuts appearing on vinyl for the first time. In this category you’ll find the Human League’s odd but inspired early number “4JG”, a near mythical 1982 live version of Liasons Dangereuses’ “Dias Cortas” (previously only available on a VHS video) and Chris and Cosey’s “Hybrid C”, a brilliant mid-’90s cut plucked from their CD-only album “Skimble Skamble”. You’ll also find a rare demo version of Clan of Xymox’s Dutch darkwave classic “Stranger”, which became a club smash across Europe in 1983.

Interstellar Funk has also chosen to showcase tracks by a range of DIY producers and lesser-known artists. These include Californian band Batang Frisco, who self-released a sole private press album in 1986 (their contribution, “Sewing Machine”, is dedicated to founder member Bill DiMichele, who passed away this year), Matthias Schuster’s Im Namen Des Volkes project – which contributes the previously unreleased 2014 track “Alles Ist Gewinn” – and Zahgurim, a short-lived early ‘80s act who reunited in 2018 to record their first new material since 1983.

If that wasn’t enough to set pulses racing, the compilation also showcases a solo track by sadly departed Psyche member Stephen Huss. Nobody is quite sure when Huss recorded “Infinity Sign”, but we can confirm this is the first time that one of his solo productions has ever appeared on vinyl.

Returning with a signature live approach, John Swing drops
the latest Warm Sounds 12" with infectious evolution and a reflection of the future.

Fractal percussion locks 4 bass-minded grooves that blend techno and house with a hypnotic jazz industrialism recalling both
the modern and the ancient. Inter-modular paganism built
for primitive dance sessions.

Manuel Darquart joins the Planet Trip massive with a healthy slab of signature jam hot, house and boogie. With lashings of dream-like sonics throughout and energetic drum work forged together to create pure balearic pleasure.

The A side welcomes three smoothed out, windows down slappers, set steady for a long drive along the coastline. On the flip they dial up the tempo and whip out the 707 cowbell in the heaving title track “In The Post.” Euphoric vocal and swelling synth send your mind into the ether. The closer; “Full Pints, Full Hearts” comes as close to capturing the essence of 90’s dream-house without getting in a time machine. Piano stabs from heaven and a chant calling us to enjoy the good times. Tip!

First Ep of Matthias, new talent emerging from Italy, for Twig (Seekers sub-label dedicated to the young producers)... 5 tracks , an eclectic journey trough house, techno, minimal and electro

Cassete comes with 3 extra panels of artwork from Ciaran Birch

Outerwordly collaboration between two great artists at the forefront of their scene, a release that was sparked by a commission from the BBC!

Dali de Saint Paul is known for her vast amount of collaborations, most notably with Moor Mother & Valentina Magaletti.

Maxwell Sterling's previous work includes sublime & diverse albums on The Death Of Rave & AD93.

When they met to create an improvised session for the famous experimental music radio show Late Junction on BBC Radio 3. Their encounter was so prolific that day that a lot of their music was not played on the show, so they have decided to give their audience the chance to listen to the fragile, brilliant and dark composition they have produced together.

Grey Marbled Vinyl

The official re-release of the scarce DJ classic. Ralf Nowy produced this unique mix of Krautrock, Space Disco and proto Techno vibes in Berlin in 1980. The collaboration featuring also famous German star producer Jack White and Tom Müller aswell Vicky Brown from UK as singer who worked together also with bands as for example Pink Floyd, Roger Waters, Cerrone and Bryan Ferry.

This is RetroMetro's first vinyl outing and it's worth the wait. The four tracks of sweet soul music from Sailor Moon take you right back to that time when a bassline could bring a tear to your eye, and a one-note synth line could make your heart burst with joy.