House Novedades

Dan Piu and Grant's Theory of Movement project has served up gold for lovers of heady tech and minimal. After something of a hiatus, it is now back on When The Morning Comes with more of the sort of tuneage that is going to quickly sell out and soon become the ID request du jour at your favourite underground parties. These are of course sophisticated sounds from the silky house bumps of 'Now & Then' with its seductive vocal allure to the throwback 90s sounds of 'Over Time' (Acid Mix). 'Basis' (Foundation mix) is another immediately classic house sound with analogue and dusty drums and zippy melodies next to more smooth chords. 'Motion Of Objects' shuts down with a more zoned-out vibe and widescreen melodic architecture for late nights.

The Verve Remixed volume debuted in 2002, its concept – inviting top DJs and producers to select songs from the label’s storied vaults – was an instant success, introducing classic jazz recordings to a new generation of listeners and kickstarting a global trend of jazz-electronic fusion.

Now back on vinyl for the first time in 20 years, with the series’ inaugural project VerveRemixed we hear what happens when Master’s at Work meet Nina Simone, and Dzihan & Kamien take on Billie Holiday. Experience the interpretations of renowned remixers with this refreshed physical format.

Floating above the clouds you’ll find the silkiest producers making their beats. Specialising in smooth, breezy flavours; they are individuals who like to inject some sunshine onto the dancefloor. For the fourth excursion we’re excited to welcome Will & Batty to our little home in the sky.

The lads came through with some bouncy and uplifting groovers that couldn’t be any more perfect for the label. We’re excited to get these out just in time for summer

Second 12" from Benedict after the instant sell-out first.
Classic driving House with a flawless R&B vocal.

Bushbaby's mixtape, 'EVERY TIME', is a statement piece from one of the UK's most exciting club producers.

Known for blending UKG, house, and raw rave energy, this 10-track project showcases the full scope of his sound.

The mixtape lands off the back of a huge 12 months. 'Shake and Slide' went viral on socials, 'Feel The Rush' showed his melodic side, and his DJ sets have lit up dancefloors across the UK, Europe, USA and Australia. With major support from Four Tet, Disclosure, Danny Howard, Chris Stussy, bullet tooth, DJ Seinfeld, NOTION, Y U QT, Ben UFO, Diffrent, Hamdi, Interplanetary Criminal and Sammy Virji, Bushbaby is leading a new wave.

Pressed to vinyl and backed by a full world tour, 'EVERY TIME' marks the start of a new chapter.

Bushbaby's mixtape, 'EVERY TIME', is a statement piece from one of the UK's most exciting club producers.

Known for blending UKG, house, and raw rave energy, this 10-track project showcases the full scope of his sound.

The mixtape lands off the back of a huge 12 months. 'Shake and Slide' went viral on socials, 'Feel The Rush' showed his melodic side, and his DJ sets have lit up dancefloors across the UK, Europe, USA and Australia. With major support from Four Tet, Disclosure, Danny Howard, Chris Stussy, bullet tooth, DJ Seinfeld, NOTION, Y U QT, Ben UFO, Diffrent, Hamdi, Interplanetary Criminal and Sammy Virji, Bushbaby is leading a new wave.

Pressed to vinyl and backed by a full world tour, 'EVERY TIME' marks the start of a new chapter.

The Berlin-based Mannheim Knight finally hits Cécille Records with his full debut EP.

Trip Maps 3 is a compilation of psychedelic / electronic oddities written by The Future Sound of London under various guises.

The Trip maps series (now at Vol.3 ) is created in conjunction with charity label Touched Music.

Live drums and bass mash with bizarre electronics , feels like the past but definitely the Future …….

T-RECS bags another winner with this furiously groovy sparkler. From the start, you have a train hurtling full speed at you in the dark. This track wastes no time at all in setting its stall out – pounding bass drums and high-hat are slowly blended with twisty looped vocals and strings building up – all for the big reveal where the rug is pulled right from under you with that super-powered bassline and heavenly chorus. Best served hot with lashings of strobe, smoke and lasers on the dancefloor. An outstanding, mind-blowing 126bpm monster of a tune.

After the success of their first single the super hit 'Hondebrok' (You can trust a man with a Moustache vol. 5), Amsterdam-based trio Tending Tropic return to Moustache Records with their debut EP featuring 3 original tracks and a remix from Machinegewehr that further explore the modern Italo Disco Rave genre. A1. Terpentine. A track that has been the secret weapon and the NEW DJ hit for label boss David Vunk, debuting with strong dancefloor response playing this out for a year non stop at many national and international festivals and venues.

Expect crazy chatchy bassline and hypnotic trippy energizing melody. The new hit where everybody was waiting for! A2. Terpentine (Machinegewehr remix). Rotterdam-based Machinegewehr delivers a remix that takes the title track deeper into Italo territory, adding a distinctive, nostalgic twist. B1. Our Adventure Begins. Modulating Yamaha synths and an adventurous Italo-inspired lead, a track that symbolises the beginning of the next chapter for Tending Tropic. Described by DJ Cormac as absolutely beautiful! B2. Mowing the Lawn.

Final track of the EP drives the listener to the darker side of Italo, complete with signature synth hooks and a deep, clean drop. C1. Kilimanjaro (digital bonus track). Named after the dormant volcano and highest mountain in Africa, this track wreaks havoc using a combination of acid basslines and Italo strings. Dont sleep it this gone is gone.

WRWTFWW Records is happy to announce the self-titled debut from Throwing Shapes, a new collaborative project featuring harpist Méabh McKenna, percussionist Ross Chaney, and label mainstay composer/producer Gareth Quinn Redmond. The immersive electronic meets traditional album is available on limited-edition LP housed in a heavyweight sleeve and including a beautiful mini-poster designed by artwork creator Stina Sandström. It is also available digitally.

A hypnotic, texturally rich exploration in sound led by the striking timbre of the Irish wire strung harp, Throwing Shapes weaves intricate instrumental tapestries with ambitious electronic synthesis and arrangements. The result is an immersive soundscape that feels rooted yet experiential and through which a unique vocabulary emerges - cinematic harp driven avant electronic conjuring lush sonic worlds that evoke both heritage and futurism.

Gareth Quinn Redmond's previous albums, Laistigh Den Ghleo, a ode to the work of Satoshi Ashikawa, Umcheol, mixing ambient with traditional Irish music instruments, his tape loops wonder Ar Ais Arís, and his collaborative effort with Albert Karch, Warszawa, are still available on WRWTFWW Records - complete the collection…again and again!


Points of interests

- For fans of ambient, minimalism, environmental, experimental, electro-acoustic, traditional Irish instruments, synth, cinematic harptronica, Satoshi Ashikawa, Erik Satie, Midori Takada, Albrt Karch, ambient supergroups, mini posters inside record sleeves, heritage, futurism, and meditative journeys.

- Super limited edition vinyl of Méabh McKenna, Ross Chaney, and Gareth Quinn Redmond collaborative effort Throwing Shapes with an artwork by Stina Sandström.

Seguim Records, a Barcelona-based label rooted in retro-futuristic electronic music, continues its pursuit with the release of its third EP: “The Rabbit Hole V.A.”. This marks their inaugural venture into the realm of original productions, following their first two acclaimed edit releases.

As their first EP distributed via Subwax, it solidifies their commitment to maintaining an underground stance while delivering authentic, unfiltered sounds. The tracks weave a diverse tapestry of house, techno, breaks, and trance, all meticulously crafted to energize the club scene and keep the momentum alive.

On the A side, the EP features three compelling tracks from Vince Void and Alex Garcia, highlighting their eclectic influences and forward-thinking approach.

The B side offers a taste from Eyes of Goa and Santacreu, further showcasing the label’s dedication to blending vintage sounds with modern sensibilities.

180 gram pressing.

Producer, DJ, multi-instrumentalist and live performer Alek Lee returns with his second LP, an immersive instrumental journey shaped by his raw, smoky, guerrilla-style production. Cold Feet invites you deep into the Alek Lee universe, rich with swirling synths, layered percussion, Balearic guitar lines and dub-infused horns.

From the psychedelic, Sade like grooves of the title track and “Too Soon,” both steeped in cinematic mystique, to the sun drenched energy of “Pino Pino” and “The Right Thing,” which shimmer with Balearic disco flair, the album glides effortlessly across moods and tempos. A highlight arrives with the summer dub anthem “Was Was Was,” featuring long time collaborator and former Shame On Us bandmate Yovav Arzi on electric guitar.

The journey winds down with “Illusions,” a sultry, downtempo banger laced with an oriental twist, before dissolving into the final track “Cold Feet Desert”, a return to stillness, barefoot on white desert sand beneath a star strewn sky.

With a career spanning over two decades, Alek Lee has carved out a unique space in the global music scene. Known for his long, genre defying DJ sets and dynamic live performances, he moves fluidly between dub, house, and his own idiosyncratic productions. As a solo artist and through projects like Shame On Us and Project Runaway, Alek has played some of Europe’s most respected venues and festivals, including Sisyphos, Kater Blau, Glastonbury, Garbicz and Fusion. His releases have earned radio play from BBC6’s Iggy Pop and NTS’s David Holmes and featured on Peggy Gou’s Boiler Room and France’s legendary Radio Nova.

Now based in Athens, Alek continues to evolve his distinctive sound with Cold Feet, his most expansive statement yet.

Killer mind trippin minimalism by the mysterious BAKU on their very own imprint. Fully analog recorded and mastered, 180g, Vinyl Only!

Earthly Measures are proud to present the release of ‘El Búho - Cumbias Imaquinarias’, this time on wax with some added remixes.

'Cumbias Imaquinarias' is an EP that flows full circle with one of El Búho’s earliest inspirations for making electronic music; digital Cumbia. It was a scene that exploded out of Buenos Aires around 2008 and went global. The scene soon saturated and fell out of fashion, but gave birth to artists like Chancha Via Circuito, Frikstailers, El Remolon and was a big inspiration for him as a young producer.

For El Búho there was always something there; the entrancing magic of the Cumbia rhythm reimagined for the electronic dancefloor. Cumbia is a music that is globally connected but also so diverse, evolving and growing into many subshoots of this one simple rhythm. This EP presents three Cumbia’s and one Porro rhythm (a derivation of the Cumbia rhythm from the Colombian Caribbean which evolved into its own style).

Joining El Búho on remix duties for this release are ARN4L2, Lagartijeando, Auntie Flo, La Jungla, Earthly Measures x Dreems, La Forasteria and Sun Sone. Each artist offering a completely unique approach and their own magic touch to this El Búho masterpiece.

Fade 2 End (aka Nick Woolfson & Mark Shimmon) only put out two releases to their name both originally on Shining Path Recordings in 1996 and in limited numbers. For this Rezpektiva we have compiled the tracks from those two releases and put them onto this double EP which perfectly encapsulates the project - tough beats, hypnotic vocals and tracks that tell a story - roll them out and let 'em do their thing. Rezpekt to Fade 2 End !

A decade has passed since Infinity Night graced Bordello A Parigi with his wonderful Winter and Summer EPs. After too long a wait, the French producer returns with the aptly titled Le Temps Qui Passe. Six slices of select synthesizer music make up the 12”, tracks lovingly crafted with Frederic Bergamaschi’s trademark analogue warmth. A melancholic melody meanders through brightness in “Tu Ne Me Réponds Pas”, dulcet words hidden under the machine gauze of a vocoder. Skittish percussion gives way to the refrain of “It’s Full of Stars”. Hazy keys appear as an arpeggiator rumbles below a shimmering sky. “Les Souvenirs De Valerie” picks up where its predecessor left off. Astral notes are beamed into the heavens, echoing into the while crisp cymbals tether the piece. Infinity Night has always sought that point of balance in his music, a bittersweetness he accentuates and explores. This is true in the darker shades of “Nymphomania”. Beats are bolstered, key stabs piercing the tenderness of analogue trills. The title track is a rich patchwork. A burbling undercurrent supports forays into diverse tangents with lyrics surfacing through key shifts and sliding scales. Marching to militaristic rhythms, “I Comme Icare” is the curtain call. The stringent drums are broken by sailing synthlines, vocals masked in a familiar mesh to close. Le Temps Qui Passe, well worth the wait.

Knowone! Fully recycled vinyl, recycled cover. 180g. Analog mastering, vinyl only. Manufactured by Matter Of Fact Vinyl - Andre Kronerts own pressing plant.

Loose Joints – Tell You (Today): A Rediscovered Classic Reimagined

Loose Joints was the disco brainchild of Arthur Russell - a visionary composer and producer who helped shape the sound of New York’s underground club scene. Unlike many of his contemporaries who chased polished perfection, Russell embraced rawness and spontaneity. A classically trained musician, he mastered the art of crafting “perfect imperfections,” infusing disco with a punk attitude and an intellectual edge.

“Tell You (Today)” emerged from the same legendary Blank Tape Studio sessions that gave birth to the cult favorite “Is It All Over My Face.” Like its predecessor, it features a cast of handpicked studio luminaries and disco outliers, all guided by Russell’s distinct vision. But while the DNA is similar, this track veers more toward leftfield pop, buoyed by Russell’s unmistakable vocals.

On the A-side, DFP presents a masterfully updated take on Larry Levan’s original remix. Blending unreleased outtakes with refined sonic upgrades, this “Special Version” stays true to the source material - making only the most delicate adjustments to optimize it for today’s dance floors.

The B-side is a gem in its own right. It features the elusive New Shoes Mix with Parts I & II edited here for seamless, continuous play. Long shrouded in confusion due to misprints and misattributions - from the 1983 release to various reissues - while labeled as New Shoes it has in most iterations been a variation of the Larry Levan mix.

Now, for the first time, DFP Vaults is proud to present the New Shoes Mix in its full, 15 minutes, intended glory - finally giving this lost version the recognition it deserves.

The third album by Lucca Leeloo titled “SAKAMOTO” features a unique blend of futuristic and retro-inspired music, drawing heavily from synth-pop and Italo disco influences. Thematically, “SAKAMOTO” explores the concept of searching and navigating life’s challenges, with a particular emphasis on personal growth and self-discovery.

The album was produced in collaboration with Italoconnection, known for their expertise in electronic and Italo-disco music, adding a retro yet futuristic vibe to the work.

Deep flowing Techno-House 4 tracker by Neurotron. Neurotron has been following its path and releasing incredibly deep releases for almost 30 years. here they stay true to themselves again.

Each track a misty echo, carved in rhythm and space. Octal Industries drifts back to Kontakt with a solo offering - three deep, dub-soaked journeys where texture and tone intertwine in quiet elegance. For those who listen between the lines.

The long lost and foresaken Rico Puestel LP from 2021 finally released, peaking aesthatically! Incl. part 1+2 of the album key track ADISTA...

Dance floor in need of a little spark? Need some extra ammo in the record bag for this weekend’s set? Pleasure of Love has the key to your ignition with a new series of specialty re-edits from the vaults. "Covers Blown Vol. 1," features a pair of unlikely disco classics expertly done up in a smokin' tex-mex style

The annual Bonkers Music compilation returns, delivering another round of high-energy bangers. This year, the release explores a slightly evolved musical style while staying true to its signature sound. Celebrating its sixth edition, “Year VI” will be available on 12” vinyl, accompanied by a few exciting surprises.

A1. Neskeh’s “106 Cabrel” revolves around a melodic yet hypnotically repetitive lead sequence, crafted to evoke a trance-like state on the dance floor and radiate positive energy. The foundation of big, punchy kicks and a robust bassline gives it a quintessential club vibe.

A percussive break in the middle shifts the mood entirely, paying homage to Goa rhythms and shamanic rituals, immersing listeners in a more primal atmosphere. The drop reignites the momentum, enhanced by the warm tones of the beloved Minilogue, adding an almost epic dimension to the journey.

A2. Berlin’s Mike Sacchetti and Madrid’s David Meyer unite on “Agria Pachanga,” a dance energy piece that pulses with percussive drive and a subtle touch of Latin identity.

Acid-inspired arrangements swirl around classic drum machine sounds. The syncopated rhythms and pumping basslines push the track towards an agitated club atmosphere, building this song into a bold declaration of fiesta.

A3. Two friends from Guadalajara, Mexico, Leonor & Ludviq, now living in different European cities, (Barcelona & Lyon) join forces to bring you Capybara Trance, This electrifying track combines dark, driving energy with intricately sequenced melodies, a hard-hitting chugging bassline, and the unique touch of capybara-inspired sounds. Anchored by a commanding kick drum that sets an unrelenting tempo.

B1. “Nebula” is a deep, atmospheric journey through cosmic sounds and pulsating rhythms. The track blends hypnotic melodies with dark synthetic textures, evoking a sense of drifting through endless galaxies. With a strong groove and intricate arrangements, it delivers energy that fits perfectly in both morning sets and more conceptual playlists. The collaboration between Radial Gaze, Ducati Flux, and Persona RS captures the spirit of exploration, creating a versatile track that can be the highlight of any set

B2. Intruso hailing from Bogota, now based in Barcelona brings “Somos Acido” this track draws inspiration from the early 2000’s House and Trance, capturing the nostalgia and emotional resonance of his first experiences with electronic music as a child. A driving Acid bassline injects dynamic energy, making it perfectly suited for the dance floor.

B3. Argentinian born, Australia based producer Poulper teams up with Mexican maestro Hugo Vallejo to kick off this intergalactic adventure. This track weaves together acid-laced elements and an infectious rhythm, layered with haunting post-dark vocals that narrate the fiery, cosmic tale of love burning in the vast expanse of space. A bold and immersive journey into the unknown, perfect for this stellar compilation.

The loop doesn’t start — it finds you.
Flickering synths and loose percussion, like a machine slipping off tempo. Basslines that don’t drop — they whisper, glitch, and argue.
Sounds that feel wrong, but land just right.
Try catching them through the flood of alerts — sirens, pings, warnings.

150 notifications only — still, it cuts through.

Blistering acid meet dubbed out house on this white-label from Anna Wall.

Fauxpas Musik is excited to present the upcoming six-track EP by Dutch artist Convolute, based in Groningen. This release continues the label's tradition of showcasing subtle, atmospheric, and deeply immersive electronic music.
If you haven't heard of Convolute yet - even better. This EP offers the perfect entry point into his sonic universe: intricate, textured, and marked by a quiet intensity that unfolds with each listen.
A compelling journey through carefully crafted soundscapes, this record is made for discerning listeners and dance floors alike.
Vinyl Tastes Better...

Maailma. Ethereal, hypnotic, entrancing - emkay’s release, the third on Espace Noir, is all of the above and more. Gated vocals, deep pads and shimmering stabs, Maailma feels like a memory from another time, a cloudy dream, or a place you’ve never quite been. It’s familiar but foreign, comforting yet thought provoking. And to top it all off? Maailma includes a remix from Finnish partner in crime (and Espace Noir favourite), Sansibar.

Lens Shift is a meticulously sculpted slab of wax from Fingers of God, made for Dance Data. A continuation of his distinctly sci-fi, brain-scrambling style — warped, psychological club tools engineered to melt dance floors (and maybe some neural pathways too).

First up in the Dance Data Summer 12″ Series: Fingers of God, hailing from Brussels, Belgium.

Lens Shift is a meticulously sculpted slab of wax from F.O.G., made for Dance Data. A continuation of his distinctly sci-fi, brain-scrambling style — warped, psychological club tools engineered to melt dance floors (and maybe some neural pathways too).

We first clocked the young but prolific producer via Da Capo Al Coda, a compilation from Paris-based Grid Records — and instantly knew there was more heat waiting.

Credits:
All tracks written and produced by Phillip Pettauer
Mastered by Raphael Valensi
Artwork by Jesse Pimenta

Kenneth Werner's Midnat alias is already synonymous with the atmospheric sector of the dubtechno genre, his first vinyl LP captures and delivers six lush compositions to further expand on a fantastic discography.

Koinè is the new album by Pellegrino & Zodyaco, a record that explores the desire to escape by interpreting it as an act of emancipation, an aimless journey in search of creative freedom. The demonstration that escapism, when it is conscious, can bring us back to the heart of things. Inspired by Éloge de la fuite by Henri Laborit, the album embarks on a journey to discover a “common language” (Koinè), blending Neapolitan roots with a global and contemporary musical vision. It blends melodic traditions with disco, funk, jazz fusion, and world music, experimenting with vintage instruments, ethnic percussion, and Mediterranean atmospheres. Pellegrino, a pioneer of the “new school” Neapolitan sound, after 4 years since his last LP “Morphé” (2020) continues the path started with Zodyaco I (2018), painting an authentic portrait of modern Naples and celebrating musical contamination as a form of creative euphoria.

Driving, disco-infused sample House including feel-good vibes – with Footjob’s 30th release, the Darmstadt-based label delivers another prime example of its signature sound. The studio jams by label head Phonk D and Sascha Ciminiera are set to exhaust legs more than a thousand squats and are just waiting to be pumped through the club PAs of this world.

From groove monsters (“Sax Mode”) to peak-time tools with vocal cuts (“All Night”), you’ve got everything you need to raise eyebrows and arms. For the milestone catalog number, none other than Italian legend LTJ Xperience joins the group. The master of dirtgrooves lends his own unmistakable touch to “Perspective” and embeds the title track in a slower hypnotic setting.

Vol.3 of Batter Down's series is ready for pre-order, one of the most exciting labels from Georgia; laser focussed on club weaponry from the Caucuses. Label-head Toké turns the gun on himself with Sacral Dance, a high energy electro EP.

DDE Signature Tracks is a record label based in Bogotá, Colombia, curated by the team behind Discos del Espacio Record Shop.

For our second release, we proudly present Force Control — a four-track EP by UK producer Tom Carruthers. Known for his stripped-back, old-school approach to house music, Carruthers delivers a collection of tracks that channel the spirit of early acid house, full of groove and tension. Force Control captures that late-night energy where classic machine funk meets a raw, almost industrial edge.

Out soon on 12” vinyl.

Trust in 6 was a one-off project by Torsten Stenzel, produced in collaboration with André Fischer (Recall IV, Technoline, Scope) and Lars Janzik (Scrot). Their sole release, “Life in Ecstasy”, came out in 1991 on Techno Drome International, a sub-label of ZYX Records, and earned a spot on the first volume of the legendary Techno Trax compilation series. The track fuses techno and EBM with a dark, driving energy-layering classic trance arpeggios, eerie pizzicato samples, and haunting, hypnotic vocals into a standout piece of early '90s electronic music.


Limited edition of 300 copies on black vinyl and 200 copies on clear vinyl, including both original mixes, the renowned Digital Mix (also known as Razormaid Mix), and a radio edit.


Genie In A Bottle Records is ready with their new VA joint !

“0101”from label owner Orbit , is definitely too short. Just after you finish this one, you’re gonna want more of this groove. Nothing is extra at first sight, but at the same time it’s one of the “toolest” tracks, you’ll hear this year so far.

“One Zero” by Kos is another piece from the B-side – a slower, buzzier, and a bit more serious one.

“Walking Bottom” by Luschn has the usual for his production overdose. In a good way, of course. Another slow-cooker just needs a good soundsystem for its full development (prepare yourself for some damage in front).

And we’re gonna finish with another jam from the label owner Fib and Лісопилка from Kyiv – Lisovskyi and his “Gallbladder” with all that squelching and some more buzz.

Grab your copy!

We're proud to launch Hum Club Records with the debut release from DJ Noche: "ROC, SUDOR Y SUFRIMIENTO". A record that explores different shades of techno, EBM, acid and electro — all blended with a rock-influenced spirit that moves between dramatic, melancholic and energetic, in a fairly daring way. Dubby and trip-hop-inspired rhythms also find their space, opening up new textures and moods. The tracks feature vocals and sound design from various Rosario-based artists, adding diversity and identity to each piece. A straightforward and honest first step for the label — no templates, just sound.

Detroit’s DJ Slush presents his debut solo EP “Model Collapse” with five versatile tracks inspired by classic stripped down Midwest house & techno. The EP marks the launch of Polytechnic Recordings - a new sublabel of Mark Grusane’s Disctechno Music - run by Eric Schwab (DJ Slush) & Grusane. Following his productions on the Midwest Rhythms series, “Model Collapse” delivers more jacking drum machine programming, spacey & melodic synth lines, and a few psychedelic elements, with nods to the early years of deep house & proto-techno, packaged in a full color jacket sleeve.

First part of the Drexciya re-issue series! Drexciya might need an introduction for some, for others it is the most influential techno project ever. Part of the heritage of Detroit's Underground Resistance, Drexciya explored techno music like no-one else before. Raw and uncompromising music that reflects the harsh environment of the city where Drexciya was conceived. The aesthetics and the mythical approach combined with the unique music made this one of the biggest cult projects in techno music. Drexciya arguably stands for the darker side of techno and electro, music not only made for the club scene, but a further development of the music as an expression and extension of the mind. 20 years after the release of ''Deep Sea Dweller'' (their first release), and 10 years after ''Grava 4'' (their last), we present ''Journey Of The Deep Sea Dweller''. This series is an almost complete collection of their early works, and is remastered from the original master tapes. Since the original releases have such a strong character, appeal and stand on their own, this re-issue can never re-create the magic of those originals. So instead we stirred up the catalogue taking the tracks out of their original context, giving the 'in the know' listener a fresh experience and the new listener a document that is the best possible introduction to the aquatic world of Drexciya.

Collecting orders for Repress

Clone Classic Cuts continues their re-issues series for one of the most influential techno acts ever... Drexciya. The second selection of tracks including favorites such as ''Bang-Bang'', ''Positron Island'', ''Anti Vapour Waves'' and ''Journey Home'' complimented some lesser or unknown tracks. Raw, uncompromising music made with soul and creativity always has been the trademark of Drexciya (and also from their original label Underground Resistance) and this album is another showcase of their talents.

Ewan's Makati EP, named after his birthplace and dedicated to his mother, draws inspiration from his earliest memories of life in the Philippines. As a house music producer in Perth (now Melbourne) for over 25 years and releasing dozens of records ... this one hits close to home and his heart as a positive, affirming set of cuts for your ears and feet.

The record starts by jumping onto the mechanical funk of JEEPNEY. A roving mural of quirky synth rhythms riding on a solid stomping house groove.

PELOTA finds the beat and bass marking firm lines of a game of call-and-response. Bouncing from wall to wall, the melodies trade licks while a stoic flute tops out the dance.

On the flip, SEREMONYA mixes spritely conversing synth lines on alternating chord stabs and sustains. With the erratic bass and matching snare guiding both anticipation and reflection as equal partners.

SKYFLAKES encourages the listener's mind to run away with a simple mind-object of the past. As a downtempo hymnal of chords, pads, strings and bells it leaves us high in altitude and higher in hope.

Hitch debuts on Just Waxx for its second release, presenting four dancefloor-focused tracks, with a remix by Belgian artist Innershades on A2.

The EP draws inspiration from samples that marked the Catalan producer's childhood, adding a unique and nostalgic touch to each composition.

A1, "Gran Torino," featuring samples from Starsky & Hutch, stands out as the highlight of the release, capturing immediate attention with its unmistakable character.

A2, the "Gran Torino Innershades Remix," takes a deeper, moodier turn. Innershades reworks the original with a brooding bassline and textured layers, infusing the track with a hypnotic, atmospheric quality.

On the B-side, B1, "Hannibal," incorporates samples from Hannibal Smith of The A-Team. The track’s crisp drums and subtle effects create a laid-back yet rhythmic groove, enhanced by intricate layers that bring a sense of progression.

B2, "Delorean," inspired by Back to the Future, rounds off the EP with its futuristic synths and retro influences, seamlessly blending nostalgia and forward-

Our newest vinyl release highlights the artistry of Argentinian producer and DJ Kevin Toro.
He presents three dynamic house tracks, each brimming with dancefloor energy.
Complemented by an exquisite remix from the iconic “El Presidente,” Priku, this record is a must-have for all vinyl lovers.

Enjoy!

The unparalleled vision of Anthea and Oshana shines strong as their Psionic label continues to move forward this time in curation with fellow label mate Velasco. Heading up the sixth outing on the label is Uruguayan talent Marcos Coya with his “Comportamientos Nocturnos” EP.

An enormous showcase of his versatile sound, reflecting his roots and experiences in what has been a multiple decade journey so far. Off center, eccentric house and techno sounds for your dance floor, alongside mechanical movements in combination with twisted beeps and bleeps, a signature ingredient in Coya's sound.

Psionic is a name quickly becoming synonymous with classy, peak time, underground techno/house sounds from an exemplary variation of artists, all adding their own flavors and textures to the imprint, in the exact way that Marcos Coya has captured in this EP, which is more than ready to be a momentous moment for your dancefloor.

SPHERART introduces its new KUNST 001 series with a fresher sound for fans of Progressive & Tech 90s, made especially for grooving. In this first release, it presents *PHONE CALL* by two great talents, Mariche and Gutt. These versatile producers in the studio are joined by two remixes designed to shake up the dancefloor, one by ADR (UK) and another by GUILE from Argentina!

Limited Super Sound 12" Single out in June 2025

The Chairman of Acid Norwich debuts on Offen with The Caustic Wymondham EP.
Four much beloved tunes to impress your friends.

AI for the Zoomers:

MOY, the groundbreaking artist/band/group, has set a new milestone in the music/entertainment industry with their latest record-breaking achievement. His/Her/Their newest album/single/track, titled Album/Single Name, has officially become the fastest-selling/highest-streamed/most-awarded/etc. album/single in [genre/category], cementing MOY’s status as a global phenomenon.

A1 Phaseacid
A2 Outburst
B1 Strange Geometry
B2 Platonic Solid

All tracks written and produced by Jonny Moy

Psionic begins an exciting new phase with Anthea and Oshana co-running and curating the label together. Their first signing, N-Gynn, delivers the "Delirium" EP, a two-track masterpiece of underground rave. Delirium is a hypnotic journey into the night, while "El Electro" offers a nostalgic electro experience with intricate beats. These songs showcase the high-quality sounds Psionic and N-Gynn are known for and this EP when played will elevate a party to new heights. 1 track per side, one powerful statement - the music speaks for itself.

Pedro Goya returns for his second EP on Carpet & Snares with four cuts of electro-disco. ‘Bosac’ and ‘Dopalow’ make up the lean and mean A side, matching Chicago drums with italo arpeggiators and moody pads. Pedro turns up the funk on the B side with the French house swagger of ‘Paean’ before the bittersweet acid and deep bassline of the closing track, a memorial to his beloved dog ‘Nikita’.

With the Behind You EP, Preesh presents a refined selection of deep, percussive cuts that speak in low tones and slow burns. Carefully restrained and rhythmically precise, each piece explores subtle tension, layered textures, and a sense of space that invites the listener in rather than pushing out.

This is club music with patience—crafted for moments of transition, introspection, and understated intensity. Stripped to the essentials, yet rich in detail, the EP finds its strength in what it holds back.

Raw, reduced, and purposefully precise – a signature Abartik release.

The return of Roy Of The Ravers is always a moment for Emotional Response. Alongside, the infinitely heralded debut that was the 2 Late 4 Love EP in 2016 and the later Emotinium ’23 remixes, there has been the While Line Sunrise series examining the ambient, experimental electronics meets braindance techno releases that showcased lost archives from the late 90s to today, here reaching the 3rd installment with 2 EPs of more machine-driven acid funk.

Following the grand expanse of double LP White Line Sunrise II and its subsequent double pack follow up White Line Sunrise II.I (Le Roy Soliel), III (3) aims predominantly for the dance floor. The uplifting techno of opening Primavera Anjo and squelching TB303 of Plant Earth are premier Roy, hypnotic, percussive, psychedelic purity for the feet.

The flip allows head room for the mind, the deep chords and arpeggios of G-Force signal the vortex shift, before the cinematic, rolling breaks and double bass of Glass Knife sweep far and wide. Recording over 25 years ago, the changing time signatures highlight the influence of (modern) classical and even jazz on Roy, pulsing, permeating, and pushing his sound in the moment, music thought lost that is gladly now, again found.

The duality of love and pain runs right through the centre of this compelling and highly personal debut LP from Sasha Pervukhin, DJ/producer from Zolochiv, Ukraine, currently based in Paris. 



Over years releasing on his own Laconica label (as Alex Pervukhin) and more recently working at Carpet & Snares record shop in Lisbon, Sasha has honed in on a highly evocative, widescreen sound that draws deftly from his influences in classic tech house, breakbeat and hip hop. Now, on this new Carpet sublabel Nataraja — created for obscure, dark and experimental club sounds, downtempo, ambient and beyond — Sasha delivers four upfront and compulsive dancefloor tracks paired with four noirish vignettes, recounting a heart-on-sleeve sonic narrative about human contradictions: swagger and vulnerability, hubris and heartbreak.

Munich’s DJ and Digging crew Super Sound Global drops into rotation with their rst vinyl record. Coming in hot with four hefty danceoor cuts — whipped up through guerrillastyle sampling and oldschool production tricks.

Spin it!

"You didn’t know you needed it, but you dreamed of it."

As another weekend goes into retrograde, we herald the ascendant Planet Orange to fill your horizon with cosmic grooves from their latest 4-track VA. With tracks by Velvet Velour, Mitch Wellings, Tom Frankel, and Planet Orange boss Pete Melba, this second release retains all major aspects of the label’s signature sound. Bursts of alien percussion pepper luminous beats, textured by light and shade as fleeting melodies wax and wane. Planet Orange moves forward with sonic purpose on this latest trip, so jump on board and enjoy the ride.

Nous'klaer Audio proudly presents Paerels III (aka Pearls 3), the third and final edition of its beloved 3x12" compilation series. This release brings together a refreshing splash of sounds, unbound by genre, blending deep-listening pieces with driving techno, rave-tinged house, and a few playful surprises. Contributions come from both familiar faces and new voices on the label, with some tracks pulled from the archives and others fresh out of the studio - curated by label-head Oberman. Featuring artists like Megan Leber, Mattheis with a remix from Pye Corner Audio, Marie K, Mattias El Mansouri, Cooper Saver, Kems Kriol, Martinou, Human Space Machine, Koraal, Eversines, Erik Luebs, Mathilde Nobel with an Oceanic remix, Mary Lake, and lastly Gotu Jim.

Emotional Especial reaches a landmark with its 50th release. Started in 2012 as a “dancier & trippier”, club friendly spin off, sub label to Emotional Response, it has gone on to forge a path, releasing a myriad of artists including the opening release by Jamie Paton (Cage & Aviary / ESP Institute) to Richard Sen (Bronx Dogs), the debut of Khidja (Malka Tuti / DFA) and on to unearthing the breaks masters Alphonse (Klasse Wrecks) and Junior Fairplay (Crimes Of The Future), the uplifting Italo influenced Lauer (Robert Johnson), the new wave anthem of Sfire (featuring Sophie), plus perfect remixes bt Kris Baha (CockTail D’amore) and INHALT (Dark Entries), the NYC pop-rave-vox of Kim Ann Foxman, through to showcasing upcoming artists like Berlin’s Giraffi Dog (Aiwo Recs) and the global acid adventures of Akio Nagase (Chill Mountain) to most recently, the slo-mo trance muscle of 53X and post-rave uplighters of Remotif (Space Lab) and DJ 1985.

As with every 10th release on the label, the label present a various artists “Showcase” of what and where the label is. Aptly it is recent signing 53X who opens Gracias Especial with the bounce of Radar. Finland’s Jonne Lydén debut EP on Especial, Zen ’23 came out of nowhere, more than simply riding a zeitgeist of the “Trance Revival”, his all-live analogue symphonies drop the bpms, presenting widescreen beats, darkroom bass, sirens and tripped out vox all mix to propel a singularly driven.

Taking things much deeper has been the hallmark of Jamie Paton’s remixes for the label. As well as providing the opening EP in 2013, designing every sleeve and producing 20 remixes and counting another 2 for the label here, it’s impossible not to associate Especial with Jamie’s music. First, he reworks rising star DJ, but recent break out producer Chez De Milo, with a trademark dub excursion that takes the ethnic origins of Kremer to a space echo wonderland. Space is the place, the lulling beats, see you falling through the gaps, true dub style.

Alphonse makes a rightful return to Especial, with Raze Rave highlighting the allusive producers’ unique understanding of the varied history of rave culture via a techno-suite of soundscapes, perfectly mixing uplifting breaks, memory inducing vocal samples and dub bass, with a nod to the pop sensibility that rave encompassed, while being that allusive “lost chord” moment of man and machine.

The finale returns to the trance acid expanse of 53X, with the mastery of label stalwart Jamie Paton. An apt marriage, Paton takes the title cut from Lydén’s debut EP and crafts a trademark durge-dub, where TB303 and space echo intertwine with the De Witte vocal, hinting at touches of dub, new wave, trance and acid house all in one melting pot of sound the label optimistically termed “Protoid” back at inception of summer 2013.

Always open to experimentation, Welsh imprint Haŵs welcomes Wyatt to the family. Comprising five evocative, glossy cuts, the ‘Netherwood’ EP is a time capsule back to his hometown, turning memories into alchemical moments experienced under a blazing sun or by the light of a full moon.

The opening ‘Sewell’ sails through a sensory voyage of stripped-back breakbeat, travel intercom samples and earworm melodies. ‘Netherwood’ snakes into a trippy pace, carving an indefinable sculpture of synth melodies nestled between weightless ambient.

On the B-side, ‘Mousehold’ launches into a peak-time club number, its initial drive of drums and bass tempered down by emotive accents that feel like a coy dance between yin and yang. ‘Tombland’ slinks into a shadow-cast realm of melancholy and introspection, joining the hands of broken beat and synth lines into a melodic collaboration drunk on its private thoughts. To close, ‘Heathgate’ retreats into a hopeful murmur, reflecting its quiet, percussive optimism back at itself through tear-stained melodies and a glassy bass.

Sometimes, existential introspection happens through external movement. ‘Netherwood’ is a catalyst for those epiphanies.

Straight off the back of his first live headline tour, 1-800 GIRLS continues his journey of binding genres through emotion with his debut EP ‘That’s Just How I Feel’ on Seb Wildblood’s label all my thoughts.

Mirroring his previous works, this four-track collection is a tapestry woven around themes of transformation and progression. Evolving with each production, this release is a strong statement of intent for how he means to go on.

The EP itself is made up of 4 scantily clad, lovestruck dance tracks that feel purpose built for the summer festival run. Proudly bearing all the hallmarks of a UK production, pitch vocals are inked onto the body of each track with detail and care. He demonstrates his ability to stir emotion with simplicity, and seasons each production with tastefully chosen found sound recordings.

Official re-issue of Andy Vaz's 2012 “Imaginary Beings” EP originally released on Chiwax + Bonus track. Serge from Clone called this the best authentic Chicago Acid House heard in a long time – sounding like something Jack Frost (aka Adonis) would had made.

We don't have much to add to this. If you are looking for some real Chi-Style rough and raw acid house. THIS IS THE CLOSEST IT CAN GET. Comes as strictly 150 copies limited HANDSTAMPED EP.

Boulderhead debuts on Rhythm Section International with his most expansive EP to date:
“ I Need Space to Dance”

The Bristol based producer, known for his intricately crafted, up tempo club records has long been a favourite at RS HQ and has, over the years, garnered much respect from a plethora of influential DJs. His most recent hit “ Bread, Butter, Noodles, Spice”, was a festival earworm and one of the most played underground tracks of 2023.

Existing in the sweet spot between tech-house, prog, broken beat and minimal techno - this EP sees Boulderhead widen his sonic palette with a collection of songs that showcase his versatility.
Equally appealing to the Ricardo Villalobos contingent as it will be to those delving into the history of progressive house and the golden days of minimal techno - we think there’s a bit of something for everyone here.

Despite the many different bases the EP touches on - the sound pallette and production are unified and coherent. Henry is at the top of his game, and much like contemporary artists like Adam Pits, Priori and Russell EL Butler - his style screams ALBUM!

The A Side serves up a California tribute, vo-coded slapper that would make MORODER catch a stank face. The B-Side "YOU CAN'T STOP ME" delivers supreme disco boogie ala their idol NILE RODGERS with Grade A songwriting and excellently delivered vocals from studio collaborator DANKE.

Words from the label:

Having made its mark with a strong debut outing by Jon E, Natural Element returns with a 12” single from the seasoned and versatile Amsterdam producer Kid Sublime. With previous releases on Kindred Spirits, Jazzy Sport and Co-Op, to name a few, this release serves as a little taster to an exciting full-length project to follow in the coming months. The featured track ‘You Got Me Runnin’ is a blissful piece of uptempo soul delivered straight from the heart, with a warm, infectious bounce and synths that cut deep. Georgian/American singer-songwriter Bako features on vocals with a smooth and subtle delivery that adds an extra layer of beauty, alongside Kid himself on the chorus.

The EP sees remixes from West London’s WheelUP, who has been steadily making his unique mark on the broken beat scene for the past few years, and fellow Amsterdam producer on the rise, Mo Wrights, who takes the energy up a notch delivering a raw and captivating arrangement for the dancefloor.

2025 Repress

Kim Anh follows up her highly acclaimed After Dark EP with an eclectic remix package.
Kim Anh’s Can U Not Talk Records launched at the beginning of 2022 with the ‘After Dark EP’, its strong statement of intent receiving high accolades across the world and gaining the support of artists such as
Jennifer Cardini, Josh Caffe, Terr & many more. She now recruits a star-studded cast built around her Panorama Bar Family to remix the EP, showcasing community and connection whilst preserving queer
underground music.
Massimiliano Pagliara kicks things off by drenching the title track in acid, its resonant squelches gliding across the original’s infectious bassline. Alinka’s remix of ‘Recovering’ from the original release features next before Kim Anh remixes her own ‘House of Virgo’, incorporating a catchy organ bass to accompany her soulful, emotive vocals. Spotlight party founder Chris Cruse also provides a version of the track, turning it into a driving & hypnotic acid work-out, warming things up before Chrissy’s D&B flip of ‘Giving’ closes out the release with ripping bass and rolling breaks.

Lauren Lo Sung returns to LOCUS for her ‘Shroom’ EP, accompanied by a remix from Youandewan.

Heading up LOLiFE and e1even records while dropping music via PIV, Lazare Hoche, and Rutilance, Liverpool- based Lauren Lo Sung’s blend of stripped-back, groove-heavy house has meant early nods as an artist to watch has seen her flourish into a favourite name within the UK minimal-house realm and beyond. Returning to the label for the first time since her classy ‘Miss B’ EP in 2021, and fresh from a string of worldwide dates, including her latest US and Australian tours, the end of July welcomes a return to FUSE’s sister imprint LOCUS as she serves up a pair of quality cuts across her ‘Shroom’ EP - with The Brain and Pure Shores boss Youandewan making his label debut on remix duties.

Setting off via the title track, ‘Shroom’ is a slinking cut built on a rugged bassline and warping low-ends, accented by airy synths and warped vocal interjections for a lively trip. Next, second original ‘Tom & Jerry’ draws for acid stabs, hazy melodies and cosmic tones underneath the track’s alluring vox samples and video game electronics for a vibrant and playful production. Shaping up the package, the B-Side is home to Youandewan’s darker and chunky take on the lead cut, combining oddball electronics, snaking grooves, off-key interludes and neon synths for a trademark offering.

Misty Lane paves a path to Dark Entries to deliver some quirky Quebecois disco pop. In 1983, producers Michel Bibeau, perhaps best known for his work on Pluton & Humanoids’ “World Invasion,” and Fitz Roy aka Ralph Mashats teamed up with singer Elaine Desjardins, the eponymous Misty Lane.

Mashats reminisces about bringing his Roland TR-808 and TB-303 to Michel’s Studio 21 in St. Eustache, two units he regretted later selling for “a slice of bread.” Michel added hooks with his Roland Jupiter 4 and various studio effects. Their sessions produced “Energy” and “Contrôle,” two cuts of slinky synthpop with French-Canadian flair. “Energy” pops off with proto-house vibes thanks to snappy 808s and Desjardin’s naive-but-enthusiastic vocals, and would fit right into a mid-80s WBMX Radio mix. “Contrôle” is a mid-tempo groover with tropical atmospheres, sitting perfectly next to to Junior Byron’s “Dance to the Music,” which was another Bibeau production.

Energy comes in a sleeve featuring Elaine at The Chivas Club in Montreal. Fans of Italo, Canadian disco, and oddball wave will rejoice in these artfully produced gems.

Berlin-based DJ and producer Moomin (Sebastian Genz) returns with *Into The Distance*, a deeply immersive album set for release on June 20th. Expanding on his signature warm, textured sound, the 10-track LP blends deep house, downtempo, and ambient influences into a hypnotic, cinematic journey.

Following his acclaimed 2011 debut *The Story About You*, Moomin has released on labels like Smallville, WOLF Music, OATH, and Aim, while also running his vinyl and tape imprint, Closer. *Into The Distance* refines his introspective, groove-driven style, with tracks like *Joni* and *A Way Out* pulsing with subtle energy, while *Caught In A Memory* and *Night Moves* evoke dreamy nostalgia.

Having stepped away from live shows in 2019 to focus on his mastering studio, Moomin's latest album reflects this period of deep creative focus-fluid, contemplative, and designed for both personal reflection and sonic exploration.

Taking it back to the classic sound of house from NYC, Chicago and Italy. 3 track EP compiled by JORDAN FIELDS and featuring ALFONSO BOTTONE (aka WEARING SHOES), PETRONIO, and SANDRO PANDULLO. The debut release on OLDSCHOOL GROOVE RECORD & TAPES. First 100 copies on blue vinyl. 1-sided.

Everyone’s favourite gallerists are back in town, with a brand-new offering following back-to-back sell-out shows. Two mysterious mid ‘70s creations that have been causing chinstrokers the world over to lose their marbles. The bids have been wild on this one, and for good reason too, who wouldn’t want them taking top spot glistening like gold in their collection.

Artistry like you’ve never seen it before, retouched to perfection to create two new priceless pieces of musical magic - solely played by Harvey and Artwork.

While the drama continues and we keep fighting the demons of our daily struggle,.. a man from another place locked himself down in a black lodge, conceiving new material to share with the world. 214 isn't just a number, it's music from an extradimensional place, high up the North Bend mountains. Frequencies coming from a red room, filled with electronic circuitry parallel connected to our inner soul. Lyle At Dawn is Chris Romans third offering for the Frustrated Funk familia. Setting the pace for more to come, as we connect to the Shipwrec multiverse for a full album release to follow shortly after this mind bending EP. You have been warned..

Digital Finesse proudly presents Dischetto I, the debut album from Blinkduus Dischetto. This is a cathartic exploration, a raw, unfiltered ride from childhood to grown-man status.

Dischetto blends French Touch, IDM, and experimental sounds like a master alchemist, turning chaos into art to express the pain, the joy, the discoveries, and loss of innocence that come with the journey. Whether he's deep into Legend of Foresia with Barry White on repeat or just shaking off life’s small distractions, Dischetto is always in his zone, breaking new ground. This album is his journey—a sonic mission to claim that dischetto d'oro, Pioneer 10 lost-in-space style.

Volume 2: Another healthy dose of iconic reworked, retouched and edited tracks steamily rising up from the unique and magic poolside of Pikes Hotel (Ibiza). Trusted taste that sees Jazz N Palms warm-up the monthly exclusive Ronnie Scott's (London) jazz concerts held at Pikes.

Jazz music fused sartorially with Latin, funk, rock and international sounds to be enjoyed under the palms and sun of the Mediterranean sea.