House Vinyl New Releases - News

Hi Tech a new Ghetto Tech group from Detroit partners Milf Melly and King Milo.

This Album contains the hit song Cash App & Fitness which rocks all the underground partys in Detroit.

REPRESSED !!

Label head, Patrice Scott returns to the controls for his next offering of sonic impressionism. The Detroit Upright EP features two choice cuts of pure soul. Patrice's musical foundation was laid and developed in Detroit and the inspiration continues to this day.

repressed !

What NxT returns with the 3rd release of Rich NxT's sister label with another VA of outstanding quality. 4 unique tracks which bring nothing but good vibes and dancefloor shakes!

repressed !

In Order To Understand Waajeed's Artistic Profile, It Helps To Look At The Musical History Which Informs It. As A Child Of Detroit Who Grew Up Just As Encapsulated By Hip-hop And Soul As He Was Techno And House, He Is Driven By A Commitment To Finding The Sweet Spot Between These Paradigms. In A City Full Of Dualities, His Productions Are Underpinned By An Inherent Awareness Of Both Sides Of The Coin. 'growing Up In The D, I Spent Monday Thru Thursday In The Studio With Slum Village. Friday And Saturday Nights We Partied All Night To Techno And Early Sunday Morning I Went To Church With My Pastor. This Is What I Sound Like. This Is The Sound Of Detroit. This Is From The Dirt.'

The fourth release on Schloss Records comes from British multi-instrumentalist and polyrhythmic wizard A Psychic Yes (Timothy Crombie). While most of us are even confused as to where to place a hi-hat, Crombie carefully and effortlessly arranges a bouquet of bleepy bloops, melodic U-turns and chaotic ideas, welding together a beautiful soundscape that makes perfect sense. Or as one friend described it: “his music tastes like strawberries”. A Psychic Yes has previously released music on Kalahari Oyster Cult and Tech Startup. The B-side features a lush remix from Bristolian DJ and producer Hodge. Artwork, as always, by Schloss co-founder Ida Ekblad. That Swamp Feeling is mastered by Matt Karmil.

Unstoppable Chicago house tour de force Boo Williams has one of the most recognisable sounds in the scene but always manages to say new things with it. This time out he takes care of a 50th release on the Boo Moonman label. It kicks off with some tech-leaning grooves that swing back and forth underneath cosmic pad work. 'Limited Time' is a more percussive and laid-back vibe, with deep house chords and jazzy feelings. 'Emergency Teck' then comes in two further versions - one acid one, and one beat tool for layering up your sets. It makes for another timeless outing from this vital house voice.

We return with the second Glenn Davis” 12”, a year on from his last Yore twelve-inch “Soul On My Side”, Dublin-based DJ and producer Glenn Davis returns with its sequel, the as-stellar Better Daze. The EP's melodic, soulful sound. The dynamic title cut locks in instantly with a pumping kick drum and builds layer by layer thereafter. Percussion, hi-hats, electric piano chords, and synthesizers add to the thrust of the production as it grows ever more urgent. As the track advances, Davis drapes a jazzy keyboard solo across the booming base as the swing swells to a near-ecstatic level. “Your Time” rounds out the A-side with a cut that suggests pure energy at its outset before quickly morphing into a sleek house strut. With percussion included and late-night synth atmospherics folded in, the breezy tune starts to sound like something you'd hear banging out on the Dancefloor thats surrounding you.

On the flip, Davis brings the skipping house groove of "Inner Monologue” to a fever while. Moody chords, hand drums, and a snappy groove set the scene. The female vocalist's soulful delivery and vibes-like earworm that make the tune the standout it is. Think of a dark Room and a red light bulb & House Music forever and a day.

Part 2 of the Unreleased Gemz series presented by Phoenix G. This release features a very special coloured / handstamped 12'' with 4 unreleased heavy Mr.G cuts.

This slice of vinyl contains 4 cuts that represent the different styles G has done over the years. From an emotive vocal laden deep jam to an oldschoolish banger.

Secretsundaze are back with their first label release in 2023: the follow up to Zeitgeist Freedom Energy Exchange’s 2021’s 'Kreuzberg Kix EP 1'. The team is very much present and correct with artist Wayne Snow once again joining the party on the deep house trip 'Take Your Time'. It comes complete with a stunning remix by Secretsundaze long time fave, NYC based producer and DJ Jenifa Mayanja, and the jazzy, uptempo, instrumental 'Bleached'.

Repressed!

International selector Facundo Mohrr rekindles his relationship with All Day I Dream on the Deja Vu EP. The moody project continues an emotional journey into the ADID 2022 calendar and previews its performance at the inaugural All Day I Dream festival.

Repress!

Theory of movement is back with new music, the collaboration project between Dan piu & Grant released their last ep back in 2018 . With this ep they blend all shades of classic sounding atmospherique house with their special twist . This ep inaugurates Grant's new label . When the morning comes records . Special note : B2 features a collaboration with Parbleu and create late night blissful cut ...

ITWVA001 was born as the first deep collection of House Music. This collection was entirely produced by young and talented Italian artists. Italian Weapons are always looking for sounds from the Italian house scene, allowing their artists to travel back to these golden age sounds.

ITWVA001 Includes 5 tracks carefully selected by the Italian Weapons label. Owned by Niccolo Turini and Gunther Mian. These tracks were mastered by Michele Mucci of Nachtkerzestudio Berlin. The first various artist ranges through all the nuances of Italian house music produced by artists located throughout the country and beyond.

The first round of artists includes Matteo Mangano aka; James Brucke, Heat Alliance, Gunther Mian & Niccolo Turini aka; Funksonik, Samuele de Santis, and Sandro Pandullo

Introducing ‘Duality’, the new double album from Andrew Bayer. Two musical threads weave through the collected works of Andrew Bayer. One thread gave us the downtempo masterclass of 2013’s ‘If It Were You We’d Never Leave’ and the brilliant 'In My Last Life' LP. The other thread produced arena-sized anthems like 2014’s ‘Once Lydian’, his epic 'Super Human' with Asbjørn and the club remix project 'In My Next Life'. From the introspective to the explosive, these records are our community’s shared soundtrack: we’ve all got a favourite Andrew Bayer record. But they have come in so many forms and styles. It leaves us asking the question, who exactly is Andrew Bayer? It’s a question he’s asked himself. “Since day one, I have always struggled with how to present myself. I love making these experimental home listening albums of electronica and indie sounds, but I also love DJing and making trance bangers. On my last album I had to remix the album in full after it was released to make the worlds fit. This time around I wanted to capture all the breadth, depth and tension within that duality under one single project” - Andrew Bayer ‘Duality’ brings these two creative threads together under one album for the first time since his debut album 'It's Artificial'. Crafted over three years, Bayer is joined by an eclectic cast of collaborators old and new. ‘Duality’ pt. 1 explores Bayer’s passion for downtempo and indie-pop, while ‘Duality’ pt. 2 takes on his forward-thinking trance and progressive sond. Both are tied by Bayer's unique vision, a shared sensibility and same group of collaborators. Today, you can hear a sample from each side: ‘Equal’ (with Asbjørn), and ‘Midnight’ (with Alison May). ‘Duality’ is the true follow up to my first album ‘It’s Artificial’. It is by far my most raw and honest work, and I can’t wait to celebrate the album around the world with you all on tour” - Andrew Bayer

Party-starter Chrissy joins the Shall Not Fade family with a 4-track serotonin hit which draws on influences from his San Franciscan heritage, as well as those closer to home in the UK.

'You Don't Have To Worry' encompasses this fusion, with anthemic piano chords and uplifting vocals that enliven a swung breaks instrumental. 'Assure Us There's A Heaven' and 'If I Could' also come with plenty of swing, borrowing tropes from UK Funky to show house at its most danceable, whilst 'All These Dreams' is a modern take on old school vocal house.

Following the sublime smash debut "X17", LA-based label Elbow Grease head conductor Dave Aju continues on his righteous piece-by-piece journey toward a multi-genre multiverse, where deep musical roots come together in kaleidoscopic expression, and unfakeable funk reigns supreme.

"Spacio Tempo" picks up where we last left off, though with a notable drop in bpm as the title implies, with a rolling 4/4 textural tapestry that combines pulsating layers of soulful synth work, effervescent live percussion, and heavenly strings into a dense yet open-as-the-night-sky extended gem yet again. Just as the machine patterns of near-equator rhythms bubble over and begin to lock into a hypnotic groove, a bold left turn into a dank latin jazz noir vibraphone solo and SH-101 duet tango ensues, before landing us safely back at home base - right on time, at its own spacial pace.

As per the Elbow Grease release recipe so far, the B1 cut offers DJs a more driving flex, this time in the form of the "Acido Tempo Mix": a raw 303-driven take on the original which will undoubtedly stomp its way fiercely thru many bass bins in sweaty basements and warehouses worldwide. Finally the B2 blessing "Domingo Dub" closes things out, removing all but the highest vibes as an ambient drifting and uplifting take on the main theme, where the faintest of vocal tones, space echoes, and light percussive touches leave us elated in a West Coast, with subtle splashes from the D, sunset dream. Another solid single turned three-tracker sure-shot from EG.

Anjunabeats is pleased to announce the self-titled debut album from JODA, aka Jono Grant and Darren Tate. JODA are a fresh musical pairing with shared DNA. Both together and apart, Jono Grant and Darren Tate have been there, done that and bought the vintage synth gear to celebrate.

Grant is one-third of Above & Beyond who, over the course of a two-decade career, have established themselves as one of the biggest electronic groups in the world. Eight studio albums (including one as vocal trance group OceanLab and two acoustic reworks), 17 compilation albums, a film score and nearing 100 singles speak to an output as varied as it is prodigious.

Their label Anjunabeats is home to a bustling community of artists with over twenty years of catalogue. As a classically trained musician, songwriter, producer and hitmaker, Tate is an OG Top of the Pops-botherer. In the early Noughties, at the outset of his career, he appeared on the show three times, once with Angelic, his collaboration with Judge Jules and the latter’s wife, performing classic trance banger It’s My Turn, then twice under the name Jurgen Vries.

The following years saw more musical adventures, more Top 40 UK hits (12 in total) and more pseudonyms, including the trance-facing DT8 Project. In 2003, the pair managed to sync their schedules to work on a couple of tracks, ‘Let The Light Shine In’ and ‘Nocturnal Creatures’. Clearly, there was chemistry here. But as the pair’s respective careers subsequently took them off round the world in opposite directions, reconnecting other than fleetingly was never easy. Then in 2019 Tate returned to his trance roots and signed to Anjunabeats for his DT8 Project releases.

Melbourne native Jordan Brando makes his return to the SNF catalogue, proving once again his musical
ambidexterity and far-spanning range of talent.

The period between this release and Brando's SNF debut last March has seen the Aussie producer go from strength to strength, touring around his homeland and New Zealand and playing at large-scale festivals like Pitch Music and Arts. If you thought Moment in Time EP was kaleidoscopic, Vagabond EP gives the word a new meaning, touching base at disco, acid and speed garage.

The A-side showcases Brando's inimitable take on house with meandering funk basslines and skippy drums (Ricardo's Kicks'); classic disco samples and deep bass thumps ('Flux Deluxe'); and earworm acid melodies and whispering cymbals ('Radar').

'Marz' then might take you by surprise - although less so for those accustomed to Jordan's artistic versatility - a warped bassline groans over a garage rhythm, bringing the UK-inspired ruffage before 'UGOT2C' strips things back. Deep rolling drums lend the track a grooveable swing before and blissful breakdown leads to a solid, thumping drop. Finally, it's up to the title track to close proceedings. Let Evanna's syrup-smooth vocals stroke the soul whilst celestial piano tinkles and a blissed-out garage rhythm transport you to another plane.

Vagabond EP drops 17th June 2022 via Shall Not Fade

Orange Vinyl


With his second contribution to the Lost Palms catalogue, Swansea-based producer Tom Vernon takes us by the hand and leads us with him on a contemplative journey through Japan's rural landscapes and their urban surroundings.

Following the success of his debut EP released on Shall Not Fade's sub-label Lost Palms, Tom Vernon returns with a blissed-out 5-tracker. Taking its name from the ancient temple district at the foot of the Japanese mountain, Minobu EP sees the emerging producer fuse field recordings with the stylistic tropes of house and broken beat, creating intricately woven tapestries imbued with memory and place.

The wistfully amorphous opening track "Onjuku" captures the stasis of a declining-population seaside town, taking its cue from the futile whine of the tsunami warning system that echoes daily through its empty streets. On "Minobu In The Train", the EP discovers its pulse, translated into the shuffle of maracas, reverberating cymbals and a hypnotic piano melody that New Zealand brothers Chaos in the CBD would be proud of. With instrumental-sounding percussion, a modest, throbbing bassline and the ambient backdrop of Tokyo station, "Unexpected Departure" takes jazz-infused broken beat as its reference point, and sees the EP at its most transportive. Bringing things to a close are the complex drum workouts and acid-tinged melody of "Route E52" and the more upbeat deep house track "Could This Be" with low pass filtered funk-infused melody that oozes sex appeal.

Minobu EP drops 22nd April via Shall Not Fade.

Firing on all cylinders in 2022 is Italian house pushing label, Black Box Records. Marking the fifth release on the label is a four track vinyl VA that packs a punch. Behind the controls for the EP they have called on a healthy selection of artists including Land 9, Shacklo, DJ GLC and label founder, Vito Fattore. Dynamic dance floor heat from four budding artists.



Launching you into the release is Land 9 who provides an infectious number with a killer depth and groove at the heart of the track. “4MAI” twists and turns blissfully, utilising a killer vocal sample which instantly lifts the mood of the listener. Shacklo’s “Another Liability” is a crisp and punchy encounter with a certain spring in its step, tight and rolling from the get go, ready for the peak times. Dreamy pads doing the business here.



On the flip side is DJ GLC’s “Euro Dream”, a huge sound here from the talented Italian, four to the floor elasticated grooves throughout, nodding to the title of the track. Smooth synths manoeuvre their way around the driven structure of the track. Shutting things down is label founder Vito Fattore with his “Since “87” bomb, rough and ready, cruising on a wobbling bass line before being met with housey chords, igniting the flame of the track.



Black Box Records proved once more they are enforcers of classy house cuts that are ripe and ready for the dance floor, with plenty more in the pipeline for this year.

After the happily received and critically acclaimed Running Back Mastermix retrospective of Hamburg's seminal Front club by Klaus Stockhausen & Boris Dlugosch, another look at the playlists, hits, classics and unclassics is overdue. Now, the menu is solely set to the nineties - well after Stockhausen's departure and into Dlugosch's prime at said club.
Starting the dance is the sought-after evergreen Deep Introspection. Produced by Rob Mello and Zaki Dee for the legendary Jump Cutz series on their Luxury Service outfit in 1995, it's as ageless as deep house can be and on heavy rotation since its release. Same goes for Agitate It by Body Moods from 1993. Still an insider tip, and touched by the hands of Jazz-N-Groove it wouldn't sound out of place on a Louie Vega tape from that time.
The flip comes with DJ Disciple's Street Experience from 1993 and its Todd-Terry-esque Hide-A-Way. Snare roll, please. Rounding off with two home made co-productions by Boris Dlugosch himself: the remix for U96's Come Together (yes, the one from the submarine-movie-score-sampling techno chart topper Das Boot) and his exclusive edit for VDT Strangest Music. Both proofing the fact that to what seems odd at the beginning (if classic US house is the indicator), can withstand the test of time and even gradually mature. Collector's, progammer's, dancer's and DJ Use only. To be continued…

For their 4th venture, AGT Records presents the cosmic sounds of George T and his solar-sound-system explorations. Responsible for a multitude of club ready releases in the late 90’s and early 2000’s, you can find George Thomson’s aliases in the catalogues of legendary labels such as NRK Sound Division, Stickman Records and Glasgow Underground. Thomson’s sound is a warped fusion of disco, electro and tech-house, splicing together influences from the US tribal and UK tech house scenes that were prevalent in that golden era of electronic dance music.

This is on display with ‘Some Lunar Pursuits’, as across the EP you find driving, jet-fuelled basslines that lift the tracks off the ground, while ‘Baby’ and ‘Silver’ throw about snappy percussion and dubby, reverb-drenched vocals that bring you back down to Earth and back onto the dancefloor. ‘Bass Chase’ provides a stripped-back bass heavy weapon to switch up the vibe, and title track ‘Lunar Pursuits’ is made for the afters as nostalgic synth lines float around alien house stabs, sending you back into the skies and beyond.

Noiro’s first LP comes straight from his cave...electric styles for eclectic vibes.

Whether its house, techno, breaks or downtempo, Noiro’s got you covered.

Artwork by Samitoon - Black & White so you can add the colour ;)

„All The Colours“ was a concept that came about from Andy Ash bringing together his music and visual art in an attempt to try and identify the common ground between the two. In both mediums, Andy attempts to convey the full range of human identity – at first you see and hear euphoria and playfulness, but look a little closer and you will also notice anger, sadness and tension. On this album, Andy approaches house music as the vehicle to convey many different feelings. These tracks are designed to be played on the dancefloor and bring people together – this is what house music has always been about!

The whole album was made over a two-year period in Andy’s home studio using a mixture of analogue hardware and samples. During this period, Andy was suffering with some significant mental health problems and this album represents his attempts to channel this energy into something productive. This is also the first time Andy has worked with vocalists, bringing a new dimension to his music. Whether it is the old school inspired „The sound“ which features vocalist Erik Rico, or the deep and moody „I’m Here“ featuring Liverpool vocalist Amber Kuti, this album brings many different shades of house music to the table! A real statement!

First up on the newborn 'Long Vehicle' imprint - brought to life by Sevensol - are three pickup-ready tunes by thriving artists Harry Wills, Tim Schlockermann & Mbius. Accompanying their house sound is a splendid artwork done by the labels comrade Schnubbzer.

A warm welcome to the newest label addition here at Muting The Noise - Riotvan down from Leipzig.
This time Panthera Krause returns to his homebase with 3 new fresh discofied cut up house tracks! Kristian

This catchy edit brings George Michael's 1987 cult ballad
"father ¦gure" on the dance §oor. With its rough 909 kick and
the straight arrangement leads the track right into the soulful
glossy break of the original and switches back to
underground house. Dexterous mixture that merges rather
contrasting elements of two musical decades with
appropriate respect to the masterpiece of one of the former
giants of mainstream pop. De¦nitley a must have including
savety DJ douple copy on the §ip!

Rmx of famous track “Dance On The Groove And Do The
Funk!!! + 3 unreleased tracks

From the capital of Sicily comes the undisputed one man army that goes by the name of Palermo Disco Squad. A heavy artillery of macho italo power house composed by the talented mister Innershades. A cinematic adventure that plays with trust and leaves you in omerta. Made man Overdose delivers a bossman remix on the flip side which spices up the sauce perfectly on this energetic platter.

Italian purveyor of the deep sound Ruff Stuff is dropping another 4 tracker on his homonymous Ruff Stuff Music label.

Italian producer Ruff Stuff - which has already released on labels like Shall Not Fade, Sloth Boogie, Madhouse - returns with a self produced record on his Ruff Stuff Music label.

The EP is a solid mixture of tracks showcasing 2 sides of the producer's sound: the more dancefloor oriented one on the A Side vs the deeper and housier one on the B side.

Each of the tracks expresses in its unique way Ruff's own style and inspiration: the A side is composed by DJ tools, with 'High Club Alive' inspired by French Touch and the deeper 'Badass Groove’.

On the B side you will find more complex arrangements, more brainy tunes, with a definite House and Acid vibe. This is a truly masterful combination of tunes by

Back in deep concentration! TW Limited begins 2017 with 2 massive cuts. Raw business as usual, house grooves, chords, heavy basslines and rollin' beats. All Here! Limited copies for lovers only.

NDATL continues with the end of summer 12" by infamous producer Andrés. He first appeared on NDATL with his first ever remix on label boss Kai Alcé's track "Feeding". This time he returns to NDATL showcasin his latin american influences, on the festive track "Ensolardo" which opens the D.ATLien EP the more sublime "Café Con Léché" rounding out the A Side. Then "D-Town Connection" take us to back to the streets of the D with bit of electro bounce with that deep D edge. "I Can't Hear You" is classic funky dancefloor friendly Andrés! Play LOUD and keep your ears open for a surprise!