House Vinyl New Releases - News

From the viscerally punishing and nerve wrecking, to the wistfully sublime, Kevin Drumm ‘s work often yield a ferocious intensity through the timbres of minute details. Now, throughout this series of archival works dating from 2000 to 2022, his mastery is once again on full display.

On »Battering Rams«, sinister forces interlope with sanguine glimmers of respite and contemplation, while recurring drones ceaselessly crescendo to near paralysing effect, only for the albums final moments to offer a lofty reprise of boundless oscillation, dispelling all the pent up tension into a sanguine state of bliss. Once again underpinning Drums’ genius of turning apparently trivial hums into elongated microtonal worlds that stay etched deeply in your conscious, often long after the works final resonances have already subsided.

Shall Not Fade welcomes Melbourne based DJ and producer Loure to the family for Memories In Strobes EP, four tracks of elated and explorative house. The Australian has cultivated an enigmatic presence with his jazzy, deep-house style, although the listener will hear hints of influence from electro to breakbeat on the new EP.

The opening track, "Grip", shows off the best of Loure's skills. Glorious sweeping pads and faded breaks make for a blissed out vibe in this intricately produced hands-in-the-air favourite. It melts into "Two Dimes Deep", which continues the spaced-out deep house energy but with more bite, teasing bits of electro in its firm bassline.

"Inner-Side" is pushed forward by driving house rhythms, covered by French-style filtered vocals to create a euphoric club track. Closing it out is "Breath of Light", constructed from a shuffling and constantly moving beat and euphoric pads which swoop down from above, with a growling acidic edge battling against them for centre stage

Ray Mang has been a spiritual brother to and lodestar for LPH since it's founding, but it was only when we began releasing these Saidêra tracks, defined by their suspension between laid-back Balearic electronica and poppy sun-bleached samba, that we knew we'd finally be able to naturally bring him into the fold.

Mr. Mang has kept the bright aesthetic and uninhibited ebullience of the original intact while simultaneously beefing up the presence of the rhythm section, revealing male-female vocal harmonies that were somewhat hidden before, and expanding upon the ornamentations that imparted to it a light-as-a-feather airiness and expansiveness.

In classic disco 12-inch style, the record includes a main mix and three spin- offs, each exploring a different facet. The radio mix is shorter and tighter, the “sambadrone beats” puts the percussion at the fore, and the instrumental lets the bed Mang has made take center stage.

Luv Shack Records is celebrating 10 years with a set of classic tracks from the back catalogue getting remix treatments for todays dancefloors on the Retroscope 01 EP.

The opening track is a remix of Space Echo's "Come Back Home" by none other than Norwegian producer extraordinaire Prins Thomas. His 11 minute revision of the 2014 hit balances countless layers of funky guitar riffs, moogish leads und meticulously layered disco drums, resulting in an ever evolving trippy cosmic masterpiece.

Hot on the Heels of Prins Thomas' remix, ROTCIV takes Rising Seed´s "Train to Kismarton" to Italo town, adopting only the eerie western guitars from the original, whilst building a wonky 80s sound carpet of analogue arpeggios and punchy DMX drums around it.

The Golden Boogie Connection delivers their super lush rework of Space Echo´s "Soul Power" with a tight, organic groove, witty extra instruments such as funk guitars, disco strings and beautifully light footed vocals. What a package!

Next up, Luv Shack newcomer Endrik Schroeder takes on "Wake Up" by Neon Amish & Space Echo. His remix blends the synth goodness of the original with powerful disco-house drums, unleashing a hi-energy vibe thats both uplifting and nostalgic, once encorporating the vocals of Tarek Farwati on the original remix and leaving even more room for the synth pads on the dub remix.

With "Ridin' High" perhaps being one of the most classic Luv Shack tracks, Lee Stevens takes on the task of remixing himself as Rising Seed, opting for a laid back dub house style with bonus pan flutes, ghostly Melotron strings and a ton of spring reverb.

Growing up around Paris, Yasin Hazim learned about music through both his classical music training at the conservatory & his family's Moroccan & Algerian roots.

It's from those influences ranging from Leonard Cohen, Keith Jarrett & Jacques Brel to Gnawa music, Abdel Halim Hafez & Reinette l'Oranaise that he draws his own style, ranging from Blues to folk music, sly elements of R&B, to his own blend of psychedelic disco and beyond.

Awash in waves of haunting piano lines and warm chugging drums, Yasin Hazim's music is a departure from all that is pumped-up, instead drifting along a more circuitous river of melodic emotions and rhythmical movements, taking you on a heartfelt and personal journey.

Blue Vinyl
After Psychiatre's previous electro-focused Lost Palms release proved his artistic malleability, his latest sees him return to his signature sound. NMAV EP radiates warmth; music that sits back into itself, and invites its listener to do just the same.

It begins with three deep house soothers, the first taking disco as its springboard, and the rest stripping it right back to a minimal, soul-caressing effect.

On the B-side the sun doesn't stop shining, except this time Psychiatre injects a healthy dose of acid and the groove of a breakbeat. But far from the rave connotations of each style, Psychiatre teases out the most gentle facets of each, bringing the EP to a suitably laid-back close.

Houseworx presents another hot 4 tracker of DAWN AGAIN from Australia. After his fullminant debut on HW026 we are more than happy to release the next EP of this talented guy.

The third edition in the Rendr vinyl catalogue, A collection of pristine elements and soul are the life blood of this record.

Welcoming the super talented, Elrow’s own De La Swing to the imprint along with his eclectic taste for rhythm, which he caress's into each of the originals. Three finely produced tracks with rolling grooves and warm inviting vocals that emit the energy to make you move to the beat under your own free will.

Sidney Charles steps up for remix duties and injects his signature swing to the original. Carrying forward the essence of passion and deepness of 'Astro Girl' but adding even more punch and electricity to make this track perfect for any DJ’s library.

Enclave Records are back from their extended vacation, picking up from where they left off with four deep cuts of the highest order.

Fresh from his recent exploits on Copenhagen’s Kontakt Records and kicking back off where it all began, side A sees a welcome return for Danish dub impresario Bioroot, who contributes two timeless workouts in his inimitable style.

Continuing the theme of the label’s relaunch, label bosses Moutier also return to their own imprint for the first time, taking care of business on the flip with two spacey yet dancefloor-focused cuts.

Limited vinyl run and no repress - don’t sleep on this!

A1 Somber ambience and dark drones pair well with small, silent melodies and form this perfect teaser track by Ninze & Niju.

A2 With their well-known ear for details, Ninze & Niju deliver the soundtrack for riding your skateboard through deserted downtown past midnight.

A3 Another signature tune by genre-defining NInze & Niju, bringing together hushed drum patterns and filtered organs to this mind-boggling brain bender.

B1 Not much time is wasted when rhythmic layers, driving arpeggios and moving percussion slowly unite to this hypnotic peak time beast to be unleashed by Ninze & Niju.

B2 This pretty straightforward, yet hard-to-grasp track unfolds in too many layers to leave you calm - another twisted tune for bare feet in morning dew.

Versatile Parisian Jay Ka, offers a slow dripping slice of deepness to the SAFT following. With the help of Paula King on vocals, title track Only Grace is a reminiscent anthem with strong vocals supported by lush chords and smokey rhode hits. As a real single should, this package also offers 3 interpretations of the original. With remixes by Briton NY*AK and Atlanta situated Kai Alce, this SAFT output should grab your full attention easily.
Where NY*AK's rework maintains a more repetitive vibe with nicely timed vocal cuts, Kai Alce's 'Late Night' interpretation recalls classic vocal-house reworks from the glory days of extended 12inch mixes.
As usual for a complete single like this, an instrumental version of Kai Alce's rework is included.

The partenopean Nicola Altieri aka The Mechanical Man debuts on Save The Groove first release with five originals tracks that shows his vision of house music. Gritty chords, dirty grooves, vocal samples, acid bassline that are all elements that distinguish his unique compositions.

A stalwart in the true sense of the word (as well as being one of the nicest people you could hope to meet on a night out), Al Bradley has been obsessed with House Music ever since a trip to the now legendary Hacienda night club in Manchester during the summer of 1989. It’s an obsession that’s taken him down a long and winding road leading to 18 years and counting as a label boss, featuring on over 100 releases with either original or remix productions as well as celebrated residencies for powerhouses like Fabric London, Bugged Out Manchester and Pioneer DJ Radio whilst also making sure to still kick it with the cool kids at spots like Stereosleaze also in London and Lip Service and Deadbeat Disco in his new adopted hometown of Leeds.

For his inaugural EP with the northern powerhouse that is Rejekt Music, we present a collection of tracks across Vinyl and Digital releases with a spread of genuinely world class remixes courtesy of names that include the self-proclaimed “product of a mis-spent mancunion youth” Danny “Moodymanc” Ward, the vinyl enthusiast’s favourite Tommy “Vicari Jnr” and the ever evolving genius of long term resident for We Love @ Space Ibiza and Colour Series Label Boss “Jem Haynes”

From here on in we always prefer to let the music do the rest of the talking. Please enjoy irresponsibly!

Der Hip-Hop/House-Innovator Cakes Da Killa aus New Jersey schlägt mit 'Svengali' ein neues Kapitel in der Beziehung zwischen Hip-Hop und House Music auf. Sein zweites Studioalbum ist eine cineastische Liebesbeziehung von der ersten Begegnung bis zur Trennung, mit allen Höhen und Tiefen dazwischen. Die Beats des Produzenten Sam Katz bieten eine subtilere Stimmung als Cakes' energiegeladene Mixtapes, zudem gesellt sich ein Jazzeinfluss hinzu, der ihn mit den frühen Tagen der Queer-Kultur verbindet, der von ambitionierten Jazzliebhabern und New Yorker Jazzclubs hervorging, die zu Pionieren der House Music wurden.

Damian Schwartz makes a welcome return to Pulp for his third full-length album, La Sal De Tu Especie. The 11 track record was written over the last three years as a way of coping with some tough experiences and features remixes
from K15 and Gifted & Blessed. It once again finds the Madrid producer serving up the sort of richly musical house that has always stood him apart.

Schwartz has been away for a while but emerged in the early 2000s with an artful take on house music. As a student of jazz, composition and bass, his intricate grooves have always been embellished with real melodic craftsmanship. In the past, they have come on this label, Esperanza and A Harmless Deed which he co-runs with Jose Cabrera. He has put out two albums before now and also works under the Epiphany alias as a producer and live act. He is a real master of his analog machinery and someone who never fails to bring fresh ideas. This superbly adventurous and widescreen new album proves that once again and shows off diverse influences such as 90s broken beat by acts like Hanna and 4 Hero, the early IDM of LFO and Aphex Twin and the Detroit house and electro styles of greats such as Juan Atkins, Teknotika, Marcellus Pittman and Kyle Hall.

It kicks off with Renacido which is a cinematic synth opener that places you into orbit. La Elipa is expansive and jazzy house with cosmic chord work over the tight, punchy kicks and Lopp then gets physical with broken beat drums and funky bass dancing around each other to uplifting effect. The superb Zwei Danke is another masterclass in off-grid beat programming and soulful machine sounds that captures the essence of early Detroit house.

It is remixed by K15, a vital London beatmaker with credits on labels like Eglo and Wild Oats. His version showcases rugged, lo-fi and dusty drums softened by heart-melting chords and angelic vocal coos.

Schwartz's 'Morro Da Urca' is a suspensory ambient interlude that makes way for the crisp electro-funk and starry-eyed pads of 'Rufo,' then 'Meco' cuts loose
with boogie bass and glistening drums and perc that voyage through a whole eco-system of bright, nebulous synths. 'Mika' is another out of this world house composition with majestic leads and pixelated pads that bring warmth and future soul. There is real electricity in the freeform keys and corrugated drums of Coney Island that will ensure any dance floor takes off.

Final remixer Gabriel Reyes-Whittaker aka GB (Gifted & Blessed) is a composer and sound artist whose music is a constant exploration of the bridge between the technological and the ancestral. He flips 'Loop' into an Afro-future jazz dance with infectious percussion and expressive chords that never rest.

La Sal De Tu Especie is a timeless fusion of jazz freedom and house grooves that takes you into a magical new dimension.

MILK GREY VINYL

100% GALCHER was by all accounts a game-changer when it landed in 2013 as an hour of original music from a relatively unknown producer ushered in by the beloved mix series Blowing Up The Workshop. Galcher Lustwerk's signature sound _ a smoky stream-of-consciousness baritone shadow-boxing with beats, informed by funk, rap, rhythm, and blues _ felt like an epiphany, impossibly hypnotic and complete. Resident Advisor writes, "100% GALCHER laid out a louche, lysergic and resolutely black take on deep house." Pitchfork remembers the music's immediate impact: "It's the sort of gem you felt inclined to pass around" _ and by year-end list time, word-of-mouth intensified. It was Resident Advisor and Juno's mix of the year, and earned a top-ten placement in FACT Magazine's albums list, as well as Philip Sherburne's personal rundown for Spin." Since then, select songs from 100% GALCHER have seen small-run pressings, while the album has lived primarily on SoundCloud and YouTube as a low-key cult legend. The gateway into Lustwerk's now well-established catalog, known for its reliability as a late-night listen and its prophetic vision for the near future of underground dance music. RA would later name it a mix of the decade, citing its influence and imagination: "Original in every sense _ unknown, unheard and unbelievably good." In late 2022, marking ten years since he first recorded the material, Lustwerk returns to Ghostly International to release 100% GALCHER as a remastered limited-edition double LP. Lustwerk is a product of the Midwest. Growing up in Cleveland, he'd tape over his parents' cassettes and spend hours at his family computer recording loops and designing artwork for the jewel cases of burned CDs. In high school, he turned to Ableton Live and absorbed every electronic music magazine he could find at the local Borders Books store. As a college student at RISD, he played in noise bands, plugged into Providence's DIY scene via Myspace, and started DJing weeknights at bars downtown. There he connected with Young Male and DJ Richard, who would go on to found White Material Records and offer their third release to Galcher Lustwerk, an alias realized via CAPTCHA test, a perfect artifact of its internet age. By 2012, Lustwerk had drifted to New York City and settled into a graphic design job, quickly growing disenfranchised by office culture. "Some days I felt like a token, other days I felt invisible." At night, he and his friends were carving out their own space, throwing parties in small basements, office buildings, and off-beat karaoke bars in Manhattan, influenced by series such as Mr. Sunday in Gowanus and The Bunker at Public Assembly. The lifestyle started to bleed into Lustwerk's musical vision. He remembers the night it clicked in Providence, partying and listening to tunes with Morgan Louis and Alvin Aronson. He went back to New York and pieced together his bedroom setup: a Dave Smith Tempest drum machine, a Waldorf Blofeld synthesizer, and a TEAC cassette recorder. Early snippets went straight to SoundCloud, where Lustwerk tested the crowd. Comments and messages offered instant feedback. One DM proved to be the greenlight: from Matthew Kent, an invitation to his burgeoning mix series Blowing Up The Workshop. 100% GALCHER traveled fast and far. A phenomenon he could only enjoy for a short period before discovering that nearly all the masters of the tracks got wiped by water damage to his computer. "The only copies were now on the 192kbs mp3 mix I sent Matt." Until now, after Lustwerk revived the lost tracks and handed them to Josh Bonati for remastering. "The original mix was never mastered so I hope older fans can find something new here." Hearing the enhanced set for the first time delineated by tracklist reveals this was a proper album all along. Sly synth interludes (all titled "Stem") clear the air for raspy house anthems like "Fifty" and "Parlay," the set's original breakout. Themes present across Lustwerk's catalog first materialize in this iconic run _ the link between the meditative state of Midwest driving and the solitary comedowns of nightlife. Lust- werk, the narrator, is an elusive character, a secret agent of the club, embodied by the hooks: "One minute I'm on / next minute I'm gone," he reminds us on cult-favor- ite "Put On." These narcotic, one-line refrains stick with you; look no further than the original YouTube upload of "Kaint" to know that fans can't let these phrases go. While recorded alone, 100% GALCHER was a collective moment. A decade later, Lustwerk sees the legacy as shared: "Making music can be an alienating experience, especially for DJs who travel a lot, it's all super isolating. It's easy to express lone- liness in the music itself, but when it comes down to getting things done, putting music out, you def should go on that journey w other people, friends, or maybe just a group of people online, build things with your friends then they can build to help you."

“Need Somebody” is the debut single and debut release on Our Starry Universe for Hazy James, 1/2 of label mates Birds Of Pandæmonium. It’s a lush, melancholy slow house track that may move the soul more than the body.

The b-side by Hardway Bros (Sean Johnston) highlights the brighter moments and adds beautiful, colorful arpeggiated melodies over a bouncy beat, creating a euphoric dance floor classic. Sean has been a huge supporter of the label recently citing its output as one of the highlights of 2020. When given the pick of any of the OSU 2021 release schedule to remix he choose Need Somebody without hesitation and transformed the introspective chugger Into a piece of Balearic bliss

Synthetic Gold returns with four gems from Russian producer Lazzich, notable for his deep and atmospheric minimal techno - a popular artist in Moscow's underground techno scene during the early 2000s and released mainly between 2005 and 2010 by Russian label 'Frament', but also notably by 'Sinergy Networks' and 'Pro-Tez', before the artist's death in 2014. The EP includes one rare collaboration with Maxim Said in the production duo named oh.u.ah. All never before available on vinyl, now presented in natural cardboard sleeves.

Modd finally arrives on the label after swinging by on last year's Summer sampler.

Four beautiful compositions come together in harmony. Beautiful music for sure but it's the lead track that you'll most likely be hearing across numerous continents this summertime.

We'll leave it up to you to explore the EP's nuances and blissful charm. If you're simply looking for a track to play in the clubs then be really lazy and just listen to - Salomeya'.

One of last year’s ANTHEMS R&B Queen Beyonce’s Break My Soul from her current LP Renaissance with Accapella & Bonus Beats on the B-side – one for the 45 heads! Don’t sleep – more to come from this fresh promo only label.

Sasha introduces LUZoSCURA, a new compilation that hasevolved from the thriving eponymous playlist. Featuring adiverse package of original works from a host of fresh talent, aswell as established artists and Sasha himself, it traverse selectronica, ambient, breaks and techno. Meaning light and dark, LUZoSCURA began on Spotify as a stash of tracks sent to Sasha which didn't meet the pace of his clubsets nor suit his venerated label LNOE, LUZoSCURA came into itsown through 2020 as Sasha gravitated toward more mellowed sounds while being off the road, and clubbers diverted their ears to home listening. Gaining a renewed source of energy inconnecting with more gifted, budding producers and seeing the project blossom, the idea for the compilation came off the back of doing a live stream solely featuring tracks from the playlist. Meticulously compiled to flow like a DJ mix for home listening, Sasha kicks it off with the buoyant, breaks-influenced 'Corner Shop', the first of his three tracks on the compilation. MJ Cole is among the established artists to feature with blissed out track 'Maestro', while The Micronaut, a multi-instrumentalist whose back catalogue was a favourite of Sasha's through lockdown, offers an immersive trip in 'Koelsa'. Lau.ra, lead singer from British experimental rock band Ultraísta, evokes a sense of spiritedness in 'I'll Wait' before we hear again from Sasha with another breaks-loaded trip in 'HNDI' and a collaboration withB ritish producer Franky Wah. Closing the odyssey with a stirring, expansive soundscape is synth duo Felsmann + Tiley.

The elusive SW. returns to Avenue 66 with okALGORYTHM. His third LP for the label is a semi-opaque wandering through the shadowy byways of memory, driven by tough-yet-supple production and his unmistakable, unerringly original voice. Inspired by all night electronic radio shows of the '90s, okALGORYTHM pulses with rich imagination and a sense of purposeful meandering. Speaking in cryptic fragments, the artist hints at elusive reminiscences "back then on the autobahn, to Berlin, with friends" while also noting that some recollections are "of things that didn't happen that way."

To this end, the album drifts from the knotty synth spirals of opener "WHAtADAY" through the tense, technoid tropics of "stepCLASSixMOtor," the brightly melancholic Larry Heard-isms of "TROPyCALLhytsrIA" to the stately skronk of closer "What endingENDs." The rhythmic undergirding never lets up, suggesting a limitless night drive tinted in deep greens and refracted reds. Each of the album's ten tracks comes alive with warm, analog finesse and a palpable atmosphere, though they play out by turns urgent or unhurried, coaxing or inscrutable. Yet throughout, there's a consistently hypnotic quality which draws the listener deeper into the album's unique balancing act.

If listeners are trained to expect throwback anthems every time the '90s are referenced, here they might find a more apt touchstone in the wilder, left-of-center corners of Chicago's foundational epoch. Throughout the album, the spirit of jacking house is absorbed, metabolized and transmuted. Drawing on lineages of taut, nervy synth-and-drum machine workouts, SW. manipulates his hardware with the delicate, considered touch of a painter. Perhaps the memory that lingers longest from that bygone era is the sense of profound possibility that dawns before forms become rigidly calificed and commodified. Either way, adventurous listeners will find that okALGORYTHM blooms with a uniquely affecting grace and SW.'s inimitably obscure loveliness, infused with a somber glow and marked by shimmering, untraceable contours.

Moon Harbour marks its historic 20th anniversary with a 10-track compilation of all new music. It features old friends like Marlow and Luna City Express, icons like Steve Bug and Butchand new
signings like Black Circle, so it is a fine representation of the label's famous sound.

Matthias Tanzmann founded Moon Harbour in 2000, and since then it has been at the forefront of the tech house scene. Even in the face of the major shift from vinyl to digital, a distributor going bankrupt
and the coronavirus pandemic, careful A&R and Matthias's own productions have ensured the label has remained utterly relevant. The Leipzig label has released countless EPs, LPs and compilations
and hosted label showcases all over the world. It has nurtured the careers of artists like Sable Sheep and Ekkohaus and has given a vital platform to new stars like Miane, Detlef and many more.

"Evolution is a natural process and important to artists as well as to labels," explains Matthias. "Music is always redefined and subject to trends. New generations of musicians want to create their own
identities through their sound. As a label, we listen to a lot of new music and try to stay open-minded within our own aesthetic range."
After a year of re-releasing classics from the label's back catalogue, the 20 Years of Moon Harbour compilation is all about fresh and exclusive music. It kicks off with Andrea Oliva's 'Return To The
Dancefloor,' a bumping cut driven by naughty bass before raw percussive energy from ANEK and tense cosmic melody Black Circle. Butch layers up tribal grooves and exotic vocals, then Luna City
Express mark the mid-point with the steamy house of 'Mami Wata' featuring Sunru's soulful vocals.

Marlow throws it back with some old school piano energy on 'Corktown,' Matthias nails a perfectly slinky tech house groove on 'Binford' and Ninetoes' 'Polanco Hills' ups the pace and drives forwards.

Closing out is the punchy and stripped back house of Steve Bug's 'Going Up' and Sven Tasnadi's loopy and hypnotic 'Cuckoo.'
This essential collection is further proof that Moon Harbour continues to shape the sound of contemporary European house music. Here's to the next 20 years.

Ahhhh, we've been waiting for this one !

E-Versions taking us back to classic Mark E edits a'la his Womack & Womack favourite on Jisco & the monumental R & B Drunkie, from a few years back.
'The Shoe' takes on another perennial classic and weaves its hypnotic magic so well

Flip for 'I Don't Know What This Is' another trademark Mark E treatment, taking a handful of albeit very wholesome ingredients and concocting an irresistible & dynamic dancefloor feast...

Karakul, Phonica's deeper House focused imprint, is very excited to welcome Colombian powerhouse producer, label head and DJ Felipe Gordon.

"Timeless" brings you four tracks of Mariana Trench level depth and soul, melting the best sounds of House together. Felipe has consistently blown us away over the years with releases on some of the best labels out there including Shall Not Fade, Razor N Tape, Toy Tonics and Norm Talley's Upstairs Asylum Recordings.

'Get Your Body Moving' is a dancefloor call to prayer featuring smooth vocals from Bob The Egoist set to a rocking beat, uplifting strings and a virtuosic flute solo.
Title track 'Timeless' sets the tone with a bumping bassline, gliding synth melodies and a quirky Deep House nature that reminds us of Glenn Underground at his best.

Kicking off the B-side is 'Moving Results'. This is a jack-a-thon percussion workout with a 909 ride cymbal leading the charge, modulating and fluctuating hypnotically while electric piano chords form the backbone with a plucky bass riff.
Finally, 'Take It Away' brings swung Garage House percussion to the table, pairing them with soothing pads and atmospheres, vocal licks and those unreal Jazz-Funk style flute skills from earlier.
It's a release that gives us a real pleasure to be able to share Felipe's unique and musical take on House with the world.

Alton Miller 1997 classic for real deep house lovers !

Turin based, Denaila lands on Dansu Discs for the first time with her ‘Basic Soul’ EP. 4 energy filled tech-house gems, coming to a dance floor near you...

140G

- Limited Edition auf 2023 Stück weltweit, handnummeriert zum 10-jährigen Jubiläum! Die 2LP erscheint im transparenten Vinyl (crystal clear), die Bonus 7inch im schwarzen Vinyl inkl. Gatefold Sleeve!

2013 verblüffte DJ Koze die Menschheit mit seinem zeitlosen Meisterwerk `Amygdala´, einem Album voller psychedelischer Strahlkraft, Tiefe und magischen Klangwelten, in denen es auch nach 10 Jahren Dauerschleife immer noch neue Nuancen zu entdecken gibt. Dieses Jubiläum feiern wir nun mit einer gnadenlos limitierten Coloured Vinyl Edition. Schnell Warenkorb Patsche Patsche machen!

Ftwr recordings welcomes paris-based producer Guillermo Jamas for his debut album. A mesmerizing journey through minimal, house and techno with 8 originals + three additional tracks to download inside. Comes with the finest artwork by Camila Martinez.

Repress !

LOST CLASSIC! Now available on super limited transparent green vinyl!

Paris based duo KERAW deliver their first "PLANETE KERAW" release with the '937 VIBz Volume I' 12" record, between deep house and 90's garage. Power MPC drums, deep chords and club grooves, for those into old school New-Jersey house. All the tracks were produced at Studio 937 by Bruce Vanderro & Lucas Moinet.

DJ Haus Enters The Unknown is a yearly compilation looking back at the last 12 months of UTTU releases - some obvious highlights but emphasis on overlooked b sides too. It's also an opportunity to work with friends outside of the UTTU label by including exclusive collaborations and tracks from the UTTU extended family. Ahead of the full compilation release UTTU present a triple vinyl edition of the exclusive tracks and collaborations featuring: Legowelt, DJ Deeon, DJ Seinfeld, DJ Normal 4, Marquis Hawkes, DJ Boring & many more.

In their ever-expanding search for good electronic belters, Forbidden Dance Records went into building a bridge between two continents responsible for so many good artists in the last few decades, with some of them being true legends of the house sound. From Detroit to Napoli and Marseille. From Zurich and Bari to Chicago. Ladies and gentlemen, this is ‘Bridges: An American – European Dance Connection”

incl. Oden & Fatzo Remix

Masters At Work dig into the archives and find GEMS. Having their 2 Inchmaster tapes (over 750 tapes) stored for over 25 years, Kenny and Louie pulled the tapes out and had them transferred to digital files. In their findings on each 2 inch there were 2-3 tracks on each tape never heard before.

They’ve taken those tracks and mixed them to perfection, but leaving the rawness of the original feel and recordings made over 25 - 30 years ago. These are gold nugget findings for MAW and today they have the new MAWLOST TAPES series, released on Maw Records, which will give you a taste ofthose early findings.

MAW Apes Groove, Lost I’m Ready, Virus Ruff Mutes, & KenLou Thump are the first releases on this double pack 12” release. No need to describe them, just pop them on your turntable and thump it loud!

22 year old producer from East London with three tracker of percussive house and beats.