Novità e Uscite Vinili House - News

The inaugural release from MUIMUI by Bernard complete with Harry Wills and Silverlining mixes.

The Mannheim-based event series "Intermission" launches its record label with this 12" designed by Adrian Zorzano. IR001 is a split EP by Cuthead (Uncanny Valley, Dresden), who also played the first Intermission night in 2017, and LSW (Intermission, Mannheim). You can expect six tracks from Disco to (Acid) House – we hope you love this music as much as we do!


This is what you get when Gary Superfly’s razor sharp and funky beats meet Other Lands skillful keys and synths. Verona’s young talent collaborate with Scotland’s keyboard wizard and Firecracker regular artist Gavin Sutherland for this fierce seven inch. The result is a match made in heaven..pure space funk for the next generation!

stuttgart based new producer leif müller's debut release on mule musiq.
his best friend konstantin sibold brought these fantastic music to us.
"fantastique" on a side is chicago house oriented modern german house,
"holidays everywhere" on b1 is hypnotic tech house which reminds us the production of
roman flugel.
"leguan" on b2 is excellent collaboration with konstantin sibold.

Landing this summer is a fantastic body of work from talented Irishman, Tr One, and quite notably the inaugural release on his own “Intrinsic Rhythm” label. His debut album “From The Studio Of” is a masterpiece that maneuvers between innovative strains of deep house, spaced out electro, and discerning mellow techno; the studio album spans across fourteen tracks including an acid tinged remix from, Cignol, and some stellar input from, Mihail P. Continuously inspired by the greats, and drawing influence from an array of sounds of the past whether that be, Chicago, Detroit and beyond, Tr One has now found himself with a cohesive series of tracks that speaks with power and creativity, and will see the light of day on both 2 x seperate 12” EP's and digital.

The first EP cruises into “Pitchshift” a deep, and melodic Detroit beatdown influenced trip featuring the vocals of Elaine Dowling. “Turning Point” drifts you up a notch, emotional synths breathe life into the crisp drum arrangements, but never getting carried away. The intelligently constructed “I’m Dreaming Again” sways gently in the realms of the after hours, hypnotic and captivating sounds from the Carlow based producer. Maintaining the enigmatic mood is “Stay Offline” a distinctive bassline drives the track allowing the other elements to converse peacefully. Cignol’s remix of “Turning Point” brings a new acid dynamic to the album, squelchy lines bounce around tidy drum work.

Laurent Garnier - The album is GREAT …. BRAVO Mister

Ben UFO - Thanks Eddie, sounds great as usual!

Call Super - think faux outrage my fave piece on there

Also dj support from Santiago Salazar, Eamonn Doyle and more

Dreamy blissed-out breaks from Eversines - including a special Eris Drew remix - released on Job Jobse's De Vlieger label.

Home Again Records push forward presenting their 4th release, this time welcoming label affiliate Sandilé. The Cologne based artist has become notable for her eclectic sound which is reflective of her background appreciation of broken beat, UKG and the musical essence of London, as well as warm funk and soul. This limitless exploration of genre is perfectly depicted on Home Again 04 which is her debut release for the Berlin label, the EP features 3 originals plus a remix from house mainstay Malin Genie.

The EP kicks off with the fast paced four-to-the-floor ‘Bossbias’, featuring classic house vocals and skippy high hats, interestingly the track originated as a collaboration between Sandile and UKG hero Zed Bias, hence the title reference. Found on the flip side is ‘Sista From Da Block’, a dreamscape of liquid jungle fused with soulful jazz vocals, whilst on the B-side ‘Trayvon’ offers a deeper head-down club track that unfolds inspirational male vocals, bouncy undertones and an
uplifting whistle throughout the body of the track. Malin Genie re-jigs ‘Trayvon’ layering up with some retro feels on the B2 completing the package.

‘Everyone’s now getting back on the dancefloor...house music without dancing and people coming together sure had a different taste. I guess it’s the perfect timing for my first Home Again release, because it sure does feel like I’m finally coming home again!’ – says Sandilé

Hidden Worlds are everywhere around us. Some may emerge,
materialize in waveforms.... and let you look a little deeper. 3
Ambient and Dub influenced Deep House and Electronica
tracks. Mastering and Cut at Dubplates & Mastering, Berlin.

It is said, study, work hard and life shall reward.

Be good unto others and life will be kind to you.

The question is, can you break free from the external constraints of control or do you negotiate your release.

Should one endure the seemingly eternal struggle, wielding equality as a spearhead of revolution ?

Or do you count your loses and move on to a new world where the lessons of the past are acknowledged ?

A fresh start without the weight of having to shield your liberty.

A place where all past wrongs can be made right and the tentacles of evil can not reach.

A world where legacy can be held in esteem.

4 deep and soulful joints lovingly crafted & reworked by Editorial's Ed Wizard & Disco Double Dee The 'Love & Shake EP' is sure to please!
DJ Reactions:
Session Victim - dope! 'Endless Love' - KILLER! my favourite on the record!

Well, it's been a while since we were graced with a new project from The Very Polish Cut-outs !

Pejzaz is the new project from Bartosz Kruszynski aka The Phantom, Earth Trax and half of Ptaki is a delightful exploration of mid-nineties chill, dusty samples, organic analogue sequences and beatless pieces, all referencing - as with the labels consistently brilliant output thus far - forgotten Polish rarities. The first press of this LP sold out in Poland before anyone else got a look in !

This small repress will be available in limited numbers, so please let us know what you need to avoid rozczarowanie !

BLR gets back in the game with a record from Manchester DJ / Producer Sameed. Ode to G is even parts disco and house, with two tracks on the loopy soul side and two sitting more in the orthodox house pocket.

AOW is a new collaborative project from Dan Ghenacia and Tolga Fidan emerging from a new period of creativity and inspiration for the Lisbon-based artists.

Long time friends and fellow lynchpins of the European house and techno scene, Ghenacia and Fidan started working closely together through 2020 and 2021 while sharing studio space at Boa Lab. They found themselves at the heart of an artistic community of musicians, designers and engineers, which took shape around Ghenacia’s experiments with alpha wave generation, inspired by Bryon Gysin’s Dream Machine.

Ghenacia and engineer Anine Kirsten developed a modern update on Gysin’s 1950s design, which has been installed at exhibitions in London, Lisbon and Paris. At its heart, the project explores the natural hallucinatory effects of alpha wave projections on the eyelids, and the therapeutic benefits of the experience. Out of this spirit of psychedelically-charged experimentation, Ghenacia and Fidan have been working beyond the confines of their typical club-oriented material, creating ambient soundtracks to artist exhibitions in Boa and auditory backdrops to Alpha Wave Experience installations.

AOW bridges the gap between this new period of creativity and Ghenacia and Fidan’s life-long passion for electronic dance music. Compared to the strictures of house and techno they’re best known for, the three tracks on Hear the Light explore a more open, inquisitive sound with roots in UK electronica and West Coast psychedelic breaks (a seminal scene when Ghenacia was in the Bay Area in the 90s). Crucially though, it’s not a pointedly retro sound, but rather a result of rich streams of inspiration meeting and passing through crisp, modernist production techniques to offer something
genuinely fresh on the ears.

Working outside of their comfort zones and guided by creative philosophies springing from research, shared experience and community, Hear the Light marks a new step forward for Ghenacia and Fidan, with many more developments promised for the future.

I hold Your hand Like I want My hand To be held. When we are young we show our love by emulating those we love. Tributes, respect, adoration, getting lost in things. Trying to become a person we wish to be. Hold that process and don't be afraid to let it always hold you too. Swallow Me is the result of playing Kamala Sankaram’s astonishing performance in clubs, of splicing it into and out of things, of those ideas taking on a little life of their own and connecting her ideas to new spaces and audiences. I Love Like Your Men is a tribute to the undated diaries of Samuel R Delaney, slices of time that cut themselves holes into other times and other places. Moments of reflection that now tie into the heads and bodies of others. Thank you to Kamala for your work, it’s clearly so inspiring, and for being supportive of this, which is humbling. Swallow Me samples Kamala Sankaram’s performance at the final Resonant Bodies festival in New York in 2019. “In Ancient Greek, ololyga is the ritual shriek of women, a sound so alarming to men that it could not be uttered within their earshot. Kamala Sankaram’s work was written as a direct response to the 2016 election.” It was released on New Focus Recordings.

In times of trouble and uncertainty music can provide great relief for the soul, and DAVIE’s triumphant Defected debut ‘Testify’ does exactly that. A joyous introduction to the Brooklyn artist, this 12’’ remix package demonstrates an ability to strike the balance between classic and contemporary sounds seamlessly. Now, the record DAVIE himself describes as, “a dance song, not a gospel song,” gets four brand new remixes. Up first on the A side, Peppermint Jam boss Mousse T. plays to the gospel elements of the original, with deep, powerful chords and rhythmic claps, bringing a snapping groove to the cut. Next, London talent KDA goes for a clubbier sound, looping the vocal and raising the BPM. On the flip, undisputed master of the disco edit Danny Krivit delivers his sublime club-friendly version, extending the original Danny maintains the feel, with subtle adjustments that give it a more refined sound. Finally, Alan Dixon’s funk-fuelled remix follows, with melodic keys and irresistible horns.

For our newest release, Animalia enters a new and exciting realm, with four fun, teched out, minimal grooves from local producer Dolly. Formerly known as Udmo, the producer made a name for himself in the local scene with a pair of beautiful ambient releases on local imprint Analogue Attic. Now has come the time for Dan to reveal his cheeky, more dance-floor oriented side, under the new alias. Four tracks for different moods, keeping in line with Animalia's melodic flavour... all inviting a sense of euphoria and dance-floor bliss.

Extremely proud to have Luca Piermattei for our main catalogue’s fifth release with a selection of what we believe are some of his best works to date. 4 tracks showcasing the unique, joyful and carefree vibes of one of Italy’s scene future mainstays.

nina is far removed from the usual deep house sound, with an airy and intricate style mixed with her own vocals and put together to create a track with soul. now repressed !!!

Caim is back with the third installment on their own label. Starting of where they left us on their latest release, their dreamy techno sound welcomes us with the opening track ‘Poly’. The duo continues and pulls up their socks for the ‘Crunch’ track that breaks beauty and feels like they are coping out of a raw deal before they draw the line and pull in the reins on the title track, Mayson. A straight-up dancefloor mover that leaves nobody untouched.

Sunny side up » is the first solo EP of JL., Paris based artist and Reshuffle music / Momo's Basement resident. The EP embraces a solar energy spread in four refreshing tracks, between house and techno. It has this sunrise galvanizing vibe, that you can enjoy either when partying late or waking up at dawn to welcome a new day. A game of contrast and textures, definitely positive.

The first in series of self-released Liquid Earth Physical releases, “The Electronic Brain” is a nose dive into Junkyard Synthesis.

From EP Title opener and the three tracks to follow, you’ll find part '80s sleaze, part '90s deepness and part '00s wiggle wrapped into one package.

A2 track "Vector Boy and The Horse With Three Legs” is as cooked as the title given. A twisted ride on a budget carnival right, steered forward by driving percussion and a mid-break bubbly synth line.

“Bubble Pop,” an ode to the 1986 arcade game, is a straight shooter. An early morning tune that pirouettes nicely through a sunrise set. Record closer, “Stingray Shuffle,” ties the release together with its juggled arpeggios and organically grown drum work.

The Electronic Brain makes dance music cocktails that pop like a twist of lime hitting seltzer. Melodic, crisp, and refreshing.

We are pumped to share our 7th release: “Snorkeling in Dewsbury” by a fairly new name out of Leeds, Midge Thompson. Another heavy hitter out of the UK (go figure), we first caught wind of him via his release on Butter Side Up (Big shout out to Hamish!) and knew we had to get him on board for his next vinyl output.

He delivered the goods as we expected with a well rounded EP that's an ode to his hometown. The A1, Snorkeling in Dewsbury, is the title track and delivers a punchy but deep, house groove. Fat bass lines, catchy chords and a subtle yet uplifting vocal make this a warm-up killer. For the A2, Snorkeling in Dewsbury gets a rework by our Italian brother Paolo Mosca. He puts his own twist on the title track with a progressive arrangement that eventually erupts into a dance floor weapon that is begging for a dark, sweaty room. Heads down, hands up.

On the flipside you get “Sometimes You Can” a hi-hat and sub-bass driven, deep yet techy, track akin to the golden age of 90’s house music with timeless minimal vocals and swing. To round out the EP, you get Hot Rod, a slow-building, big room slammer that’s patiently waiting for club’s to re-open.

Warehouse find. Limited copies.

Aksel & Aino are back with their unmistakable mix off deep analogue instrumentation and poetic vocals. Dreamy pop from Scandinavia that follows up their 2020 released album „Lullabies For Submarines“.
As always this caters to moments on & off the dancefloor.

There are few people across the globe, who will have not been touched by the work of Frankie Knuckles. Forever regarded as ‘The Godfather of House’. A Grammy Award winner, Frankie had a street in Chicago named after him where the old Warehouse once stood to commemorate the first ever Frankie Knuckles Day on 25th August 2004. Five years ago, Frankie passed away in Chicago on 31st March 2014 leaving behind one of the greatest house music legacies spanning almost four decades.

Now he is commemorated once again by long time writing and production partner Eric Kupper who will release part II of the special commemorative album on vinyl around this date. Eric, himself a seasoned DJ producer and writer, working side by side with Frankie on many his seminal classics, as well as personally working on over 116 Billboard #1 Dance Records. Having both worked together for many years they established themselves at ‘Director’s Cut’ from 2011 and set about producing original releases and remixes based on the classic ‘Def Mix’ sound while sharing equal credits for their creations.

The album features some of Directors Cut’s best works with the Re-Directed version of the seminal classic ‘Baby Wants To Ride’ plus their re rubs of Inaya Day, Sybil, Hardsoul and Lou Rawls - You’ll Never Find Another Love Like Mine (Kenny Summit, Frankie Knuckles & Eric Kupper Unreleased Anthem).

This album is to be released in collaboration with The Frankie Knuckles Foundation who work to continue Frankie’s legacy whilst focusing on music in schools, LGBTQ youth homelessness, AIDS research / prevention & diabetes research / education.

Second running for the Johnick Collection series, on legendary Henry Street Music, with some classic house anthems ever from Johnny "D" De Mairo & Nicholas Palermo Jr.
Includes this time two edits from the always good italian Nico Lahs, which will create just the right mood on the dance-floor.

This series offers a best snapshot of the kinds of records that were being played at the early ’90, and will be playin forever...

repress

feat. Joe Killington & Duane Harden

Limited edition clear vinyl version of Purple Disco Machine’s anthem ‘Devil In Me’ featuring Joe Killington & Duane Harden, tight sun-kissed house groove, a familiar sounding funk-driven guitar sample and a catchy vocal co-written by Duane Harden (from Armand Van Helden’s 1999 club classic, ‘You Don’t Know Me’) and sung by Joe Killington.

'Devil In Me' boasts all the hallmarks of a future summer anthem, comprising of a; tight sun-kissed house groove, a familiar sounding funk-driven guitar sample and a catchy vocal co-written by Duane Harden (from Armand Van Helden's 1999 club classic, 'You Don't Know Me') and sung by Joe Killington.

The impressive new single 'Devil In Me' follows on from the recent success of Purple Disco Machine's 'Body Funk' released by the Club Sweat imprint, which hit the #1 spot on Beatport (Indie / Nu-Disco chart) and Traxsource (Nu-Disco chart), becoming the most played track on BBC Radio 1 throughout May, championed by Danny Howard & Pete Tong.

In addition to the single, the talented German is also celebrating his recent award nomination for 'Best House Act' by Ibiza's prestigious DJ Awards. Ranking as the #18 artist in Beatport's all-time Top 100 the accolades keep stacking up. With a colossal remix resume including; Gorillaz, Jamiroquai, Claptone, Faithless, New Order, Two Door Cinema Club, Shapeshifters and Sigma, it's time for Purple Disco Machine to take centre stage for a full length debut worth waiting for.

yellow vinyl

Following his sultry contribution to our six year compilation, SNFSS016 sees Tour-Mauborg provide a blissful journey through the most uplifting corners of house, making stops along the way at Italo, Balearic and cosmic disco.

Whilst the two jubilant opening tracks set the tone for the release, "Interdub" is driven by hollow percussion and sees the record at its most stripped-back. On Dub 003, he teams up with French house connoisseurs, Cosmonection and Marc Bianco, on a warming deep house track, oozing with groove.

Finally, to complete the record's joyous exploration of house styles, hypnotic melodies energise the two closing tracks and capture the transportive allure of the Belgian producer's music.

Woodfloor Dubs EP is out 18th February via Shall Not Fade.

The Mellophonia label offshoot Fusion Sequence won us over with its well-presented and great-sounding first EP, and now a quick follow-up does the same. This one is another various artists affair that starts with some nice futuristic robot disco from Vanity Project. There is more organic and lush Balearic from Bobby Bricks and Pacific Coliseum follows that spine-tingling Ibiza sunset vibe. On the flip side, there is everything from late-night electronic house to lazy disco via Sorcerer's blissed out 'Just For Love' which would entrance any dance floor. There's as much quality as there is variation on this one, which makes it a useful EP indeed.

Sweat It Out up the perspiration levels to 10 with this modern day rework of Kwanzaa Posse's 1993 tribal infused 'Musika', by the much in form Yolanda Be Cool. A driving beat and dynamic bassline are interspersed with the Posse's euphoric chants firmly placing this a dancefloor destroyer.The first of three remixes comes from Babert. Turning Musika into a Miami Vice style synth laden boogie number, complete with uplifting piano stabs and a full bodied bass. Flip it over and things get a little more sinister. Both ideal for the basement club setting as much as they'd work in the big room clubs. GotSome revolve their remix around the chopped up tribal chants of Kwanzaa Posse - enhancing the expansive build ups and breakdowns to new heights.
To close it out, Dateless strips things back with a huge pulsating bass / kick combo whilst dubbing out the chants to be dropped in at choice moments before those heavyweight drops.

Emerging Netherlands-based pairing Parallells will land on Damian Lazarus’ Crosstown Rebels imprint for the first time next month. Gifting us an emotive offering in Ashes of Snow (The Rebirth Of The Phoenix), it acts as a tribute to their favourite Portuguese beach club, Yamba, which was tragically destroyed by a fire last year.

The title track hits a wonderful sweet spot between electronic elements and organic instrumentals. It feels raw and authentic, blending saxophone segments, electric guitar tones and a jazzy-like backbone to form a cut that feels ripe for both sunrise or sunset. On The Banks of The River comes next, manifesting as a more toughened dance music number thanks to deep bass components whilst still retaining the boys’ natural sound. Rounding off proceedings is Clive Henry, who’s remix of Ashes of Snow flies the flag for contemporary minimal. Weighty kicks reside next to delicate hats before ethereal synths are brought in, creating a romanian-inspired piece that you can’t help but dance to.

Parallells are two Amsterdam-based brothers hailing from the south of France. Multi-instrumentalists, composers, producers and label owners (Klassified), their music cuts across electronica, electro-jazz and underground dance music. Their live, hybrid and DJ sets have graced some of the world’s most esteemed stages, including DGTL, Robot Heart, Mayan Warrior, The Gardens of Babylon, Wonderfruit and many more besides. Their music is also heavily influenced by world culture, a feat that led them to launch their video series concept A Day In. Through this, they immerse in diverse cultures around the world, capturing sounds from their day-to-day life and unfold the story through the medium of music. Clive Henry is a linchpin of house music as we know it today. Cutting his teeth as one half of the tribal house duo Peace Division, he has held a long-term residency at Circoloco, Ibiza and has racked up bookings at standout venues and festivals including Printworks and Houghton to name a few.

For their third release, Caleto Records showcases Pawlescu's debut vinyl release featuring Philipp Lichtblau, Lcaise & Schrill remixes. All tracks delights freshness and consiqueness Each artist made a track for a different part of the night & day ! What means you can find tracks for before party , warm up, peak time, after party. Very limited copies and vinyl only

Hello Mr pizzaiolo, we would like one margherita, one diavola and we would like to know: what do you think of Hawaiian pizza?

«No pineapple on pizza» he said.
Choose your slice between the 5 new cuts and play it while eating.

Karton returns with their third various artists vinyl release! A limited release, 180 gram vinyl only with stunning artwork and tracks by Brett Jacobs, Dan Farserelli, Gua Camole & Loopdeville! Four groove infected tracks perfect for either opening, peak time, or closing sets.

repressed !

House music icon Kerri Chandler unveils his first album in 14 years, Spaces and Places, a global celebration of club and sound system culture, meticulously created by the New Jersey producer/DJ over several years on location at twenty-two of the world’s most distinguished nightclubs. Each track built on the spaces individual relationship with Kerri, often through decades of live shows or appearances, and in the process capturing unique rhythmic and emotional nuances.

Written and performed with a temporary studio on the centre of each dance floor, this jaw dropping 3 x 12” album in a stunningly designed tri-fold picture sleeve complete with hand signed A2 poster insert (first 500 only), showcases Kerri at his finest. Taking in never before heard tracks, versions and mixes separate to the four samplers that preceded it, this incredible body of work and concept has seen the album submitted for two Grammy awards.

As one of dance music’s most respected and authentic figures, Kerri Chandler is a true originator of his genre, with an impeccable discography and signature sound to match. He has unquestionably helped to shape house music’s positive outlook over the last 30 years. Not only from the DJ booth and studio, but also as an A&R via his Kaoz Theory label which has worked with contemporary talents like Jamie Jones, Seth Troxler and The Martinez Brothers. Now, Kerri Chandler is set to release a carefully rendered and truly unique body of work. Spaces and Places will undoubtedly be seen as a timeless tribute that underscores the originality that has kept him as one of the most in-demand artists for so many years.

“The first time I stepped into a nightclub was with my father as a child. I saw the magic of what a club space could sound and feel like as my Dad set up the DJ equipment at The Rallye Racquet Club. Hearing the power of those huge Altec Lansing "Voice of the Theater" Speakers and Horn-loaded JBL subwoofers fascinated me! In the late 80s, I was spoiled sonically by playing on several Richard Long Sound Systems around New York and New Jersey. This is why ever since I first ventured away from home, I have been infamous with my soundchecks at any space I have performed in. I make sure, with the help of the engineers in these “Spaces and Places”, many I have known most of my career, to get the best from each system. Each sound system is unique to each venue, even if it's the same type of gear, because of the physical space. And when you add the right audience to that specific nightclub, it comes to life! The club owners and engineers were gracious enough to let me take over each club and turn each venue, into a recording studio. I wanted to express the love of what could be possible in capturing my productions in the venue, from the heart of each space, right on the dance floor and I translate it onto this album, which I created over the course of 4 years and 24 venues later. I hope you enjoy this journey as I have. I present to you: "Spaces and Places".

With Love, Respect and Admiration.” – Kerri Chandler


Press:

Guardian Interview

Vinyl Factory Feature

Mixmag Feature

DJ Mag Feature


DJ Feedback:

Laurent Garnier – KERRI : The Best ... Always !!!!

Harri - what a guy, producer and DJ

DJ Bone - EXCELLENT!!! Love every track. Perfect for my Doc Ciroc sets.

Jeremy Funster - Kerri is the king for a reason

Junior Sanchez - THIS WHOLE PROJECT IS ACE!!!

Fish Go Deep - It just keeps on coming!! More brilliance from the master. I See and Dirty are both serious grooves but it's all top quality.

Terry Farley - great collection of moments n vibes

Lupe Fuentes - Amazing package! 10/10!

Chris Stussy - yes amazing!

Danny Rampling - Great selection of cool deep house

La Fleur - KERRIIIIIII!! So many good tracks in here! x

Daniel Troberg - Total classics, cant be beaten

Iron Curtis - The man. The machine.

Eclair Fifi - so so good, every track

Mark Farina - very nice

Mano Le Tough - Quailty!

Jim Tremayne - THE MASTER (KERRI CHANDLER) DOING WHAT HE DOES BEST !! OUTSTANDING !!!

Michael Serafini - Kerri is a master

Tobi Neumann - Amazing to get fresh, tasty, groovy and totally timeless House Music from the master Kerri Chandler.

Josh Wink - good deep goodness from Kerri!..

Lars Behenroth - SICK !!!!!

Jimpster - This is the LP that just keeps on giving! :) Another stellar collection of club tracks with
that inimitable Kerri sound which grooves so damn hard. Nothing but love!

Elrow - AMAZING ;)

Kid Simius & Bonaparte widmen ihre gemeinsame neue EP dem balearischen Sound der Spät-80er/Früh-90er, der die Anfänge moderner Clubkultur markiert und als das Goldene Zeitalter Ibizas gilt. Die erste Single 'Astrid & Manolo' erschien bereits auf Permanent Vacation und beamt uns mit satten Naturklängen, Pianos und verträumten Pads direkt in die Vergangenheit. Die 'Good Things' EP auf Jirafa mischt nun balearische Elektronikwelten mit Indie-Pop und klassischen Songstrukturen und ist vollgepackt mit fesselnden Originalen wie der Lead-Single 'Good Things', begleitet von zusätzlichen Remixen von Maruwa und einem Edit von Lauer. Kid Simius & Bonaparte werden im Sommer 2022 auf einigen Festivals zu sehen sein und im Jahr 2023 auf ausgedehnte Tourneen gehen.