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House Vinyl New Releases - News
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Seven years and forty releases later, old friends reunite for a special occasion. JOSS, the boss of Kyiv vinyl label Artreform, is glad to announce a new release by Sapurra, the project helmed by the weathered DJ Sergey Sapunov. JOSS and Sapunov have enjoyed top stardom status within Heaven dancefloor of Kazantip ever since day one. The same dancefloor Laurent Garnier reminisced playing in the extended edition of his influential book ELECTROCHOC.
Nowadays, these two are traversing parallel courses. New Sapurra tracks deliver easily distinguishable, authentic sound of Artreform: classic tech-house that is slightly leaning on the techno side of things. One of Sapurra tracks on offer is boosted with a masterful remix by Argentinian DJ Franco Cinelli. Cinelli is notorious for his groundbreaking Picaro EP recorded together with Bruno Pronsato, a skillful producer creating deep house with surgical precision and attention to craft. Franco's shows are an experience of its own thanks to a combination of vinyl DJ set elements with electronic music live performance.
Sapurra's latest release on powerhouse Ukrainian imprint is called Feeling+. And this very feeling, this resonant pulsation is what keeps Artreform's gears in motion and its history being written on to date and on.
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The Drifter, or Mark Flynn as he is known to his parents, is an up and coming Irish producer and singer living in Berlin. He grew up listening to all kinds of music, and after an adolescence of band projects, choirs and music groups, he got involved in the Dublin club scene, which spurred his love for electronic music and DJing. A move to Berlin inspired him to change his focus to production and suddenly his entire background started to piece itself together - the singing and songwriting of his early years and the musical influences from his DJing and constant digging for electronic music gems.
On top of lending his kaleidoscopic voice to productions of friends such as Erdbeerschnitzel, Good Guy Mikesh & Filburt, Worst Friends and Jacob Korn, Mark runs the clubnight 'Passion Beat' at Loftus Hall together with Mano Le Tough, an old buddy from his home town of Greystones. Both share a passion for deep, emotional and dark shimmering house music, and have together founded the label Maeve. The 'Lovers' EP is the first solo release by The Drifter. It comprises of three unique tracks where Mark proves that he is one of those rare electronic music gems himself, being equally gifted in singing and producing.
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After a first successful landing in mid-pandemic times, the Funky Shirts crew is back with a freshly cooked serving. ‘U Hold A Spatial Place In My Shirt’ EP is a recollection of memories from the Funkew’s galactic trips and their friendly encounters with space pirates Herr Krank, Deborah Aime La Bagarre, Adria and a funknown criminal who shall remain anonymous.
A1 is a rocket launcher. A2 is a psychedelic comet. A3 is…. a surprise ;) B1 is a felon. B2 is a giant star. B3 is a black hole.
Disclaimer: The possession of FUNKYSHIRTS002 is highly illegal in most countries of planet Earfunk due to its unknown spatial origins and high MZN concentrations. We therefore recommend extreme discretion when deploying this piece of wax.
PLAY AT YOUR OWN RISK.
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Hailing from Liege in Belgium, David Body has been put on our radar with releases on the fine Endless Music — but this EP for Exploited’s Black Jukebox series looks set to propel him to a new level.
‘I Bird You’ is a seriously charming affair, led by a colourful, sugary-sweet refrain that twinkles and sparkles in cute fashion. A warm deep house groove crafted through swirling Rhodes chords builds the vibe before the flowery melody explodes into life, pushing the track into an altogether more magical direction.
‘Jack Me Baby’ channels rubbery bass and a galloping house beat, with minor piano chords creating a dramatic feel as a classic vocal sample whoops away in delight. The enormous snare-rolled propelled build-up thrusts the track into overdrive, with a delightful, balmy synth line woven in to provide a mystical counterbalance.
‘The Talking Mouettes’ is a supremely feel-good slab of Balearic-tinged house, with choice piano chords cut up and cascading over a high-energy groove. Big squelchy melodic bass wiggles under the chords and shoulder-popping chime riff, with plenty of power and punch scattered throughout to keep the vibes rolling.
‘Endless Love’ is an absolute monster to close the EP, a soaring, triumphant electro beauty that overflows with euphoric melody and ecstatic, eyes-closed-and-rolling tingles. It just keeps building and building through layer upon layer of synth mastery to an explosive, epic climax.
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It's timely that as Ornate Music reaches its milestone thirtieth release, it introduces another new face to its stable of deep house heavy hitters, that already includes names such as Leif, Miles Sagnia, Jayson Wynters and Dubbyman. All of whom, like new boy here, El Choop, earned their chops in the ranks at respected Welsh festival Freerotation. Unlike those other alumni though, El Choop's pedigree leans heavily on dub techno, as evidenced on previous releases for Default Position and Etui. This latest missive blends the best of both worlds, two crystalline cuts of the deepest house with subtle shades of dub. It's the sound of late-night drives, or stolen closed-eye, post-party moments. Closing out the release, there's a full-side remix of lead cut New Speak from deep house royalty, Nail, who opens up some Basic-Channel like space with a shot of DiY swing. Pure class.
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In 1779, Ludd is supposed to have broken two stocking frames in a fit of rage. After this incident, attacks on the frames were jokingly blamed on Ludd. When the "Luddites" emerged in the 1810s, his identity was appropriated to become the folkloric character of Captain Ludd, also known as King Ludd or General Ludd, the Luddites' alleged leader and founder.
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Seven Davis Jr. relaunches his music imprint “Secret Angels” with full digital and physical distribution behind it. The labels first official release is the “One” EP (Special Edition).
In 2012 Seven Davis Jr.’s song “Thanks” debuted on Gilles Peterson’s “Worldwide Family Vol 2” compilation (curated by Kutmah). He then released the highly popular “One” EP on Must Have Records in 2013. A live edit of the title track was later included on a release with Classic Music Company in 2014.
Those two songs along with other popular tunes, collaborations, remixes and live performances helped catapult the artist around the world up until 2016 when he took somewhat of a hiatus to treat his depression and anxiety.
This special edition includes original versions to both “One” and “Thanks”, plus 2 unreleased tracks recorded between 1999 and 2011. Paying tribute to the songs that kickstarted Seven Davis Jr.’s career in the spirit of now kickstarting the labels new beginnings.
With a roster of unique artist in the pipeline, Secret Angels will definitely be a go to for exciting rare sounds. Sev’s next album is also forthcoming, which will be his first “above ground” release since the 2015 “Universes” album on Ninja Tune.
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‘New label out of Bristol, Ghost Phone represents RnB's deep and club friendly potential with four anonymous versions from various artists. Hand picked from across the globe for their deep love and appreciation of the original sound, each producer brings thier individual style to the fore. Bending things out of shape for the freaks but still retaining the genres slick, sensual aesthetic.
Chopped and screwed soul gets the full dub treatment on opener ‘Quiet Storm’, alongside 'Hit it Tool' where bumping 2 step drums meet Bmore breaks for the most dance floor primed cut on the 12". B1: ‘Single And Searching’ floats pitched vocal snippets in to the clouds, layering them over misty eyed rave chords. Finally, there is the pale faced club shuffle of '2ON’.’
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- A1: Two Doors (feat Joy Morgan)
- A2: Hypnotised (feat Mel Uye-Parker)
- A3: Might As Well Be Magical (feat Allie Armstrong)
- B1: Chain Reaction (feat Bianca Rose)
- B2: Fantasy (feat Verushka)
- B3: The Impossible (feat Allie Armstrong)
- B4: Unrestorable (feat Sian Roseanna)
- C1: Tell Me A Secret (feat Sian Roseanna)
- C2: The Slip
- C3: The Horror (feat Allie Armstrong)
- C4: The Way (feat Y'Akoto)
- D1: Be Young (feat Daisy Godfrey)
- D2: Gold Dust (feat Bianca Rose)
- D3: Let Me Sleep (feat Bianca Rose)
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Tape
You can’t keep a good thing down: 99 marks the triumphant and long overdue return of Matthew Edwards’ Rekid project. More than just Radio Slave records slowed down, his alter ego preferably ploughs the field between ambient excursions, downtempo hypnotism, sample sculptures and the general space in between raves.
Since its first appearance with the Lost Star EP for Classic in 2004 and the still breathtaking follow up Made In Menorca opus on Soul Jazz Records, Edwards firmly established himself as a producer of many, if not all trades. Thought of, produced and conceived during the first lockdown of 2020, 99 is conceptual (with the tempo firmly set at that tempo), concise (34 minutes and 34 seconds long) and content with exploring the possibilities of limitation (one track a day, live takes, no editing).
Without departing the original Rekid ethos of glacial music, it presents a modernized and contemporary version of IDM tropes, chill out topics and a capturing sound of mesmerizing materiality.
After a while, it all made sense to Edwards as one piece, was presented to Running Back, where the A& R department thought the same and is now available as a continuous cassette mix and a separated vinyl single album as well as for streaming and downloads.
Jeep music for ballet dancers.
expected to be published on 25 Apr 2022
Snips is the founder of Barbershop Records and co founder of Livin Proof, with over 15 years experience as one of Londons most prolific DJs and over 10 years worth of production credits across Hip Hops underground. 2018 has seen Snips emerge as a budding solo artist, fusing the production styles of Hip Hop, House, Soul and Funk in the same fashion as he is known to do behind the turntables.
With his debut album "The Barbershop" making waves on both sides of the Atlantic and his Single "The Product" On Classic Records garnering support from a cross genre selection of heavyweights such as Karizma, Benji B, Eli Escobar, House Shoes, J Rocc, DJ Spinna and Henry Wu, Snips returns on his own label Barbershop Records and delves into Edit territory once again with a third limited 45'. This release delves into some neo soul classics, cleverly flipping a pair of favorites from one of the genres most belove couples of the 00s.
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Since 2017’s ‘Song For Mr Lewis EP’ on Phonica White, Austin Ato has dropped stunningly funky 12”s with ease on many respected house labels including Classic Records and Defected. We were waiting for the right track for his follow-up on Phonica White and when we heard ‘When Love Is Tender’, we knew it was the one - a huge disco house based on an obscure Philadelphia-style jam.
It’s the simplicity of the original mix that sets the tone with pumping and driving Disco drums backed to roof raising saxophone licks and soulful vocal snippets, with those all-important deeply moving Philly string samples that are restrained when necessary and released at all the right moments, especially when the drum drops. ‘All Night Long’ highlights Austin Ato’s sample chopping expertise. The drums roll effortlessly through the track as dusty Soul and Disco samples echo and repeat, conjuring sonic memories of Andrés and Pépé Bradock’s best work.
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Look at any American rave flyer and you will always see countless names who were first released on Dirtybird. LA-based producer and DJ, Nala, is the latest talent that Claude VonStroke has taken under his wing, and “Everything is Burning” is a collaboration between the veteran A&R and the young artist who is set to carry the torch.
The two come together for a pair of singles on both sides of the spectrum. The intensity of the title track bubbles up under Nala’s vocals, before crescendoing into a blistering acid line. “Wet State” is the complete opposite — toned down and elegant deep house with graceful vocal rhythms from Nala.
We are sure that this new super talent Nala will spread her wings throughout 2021 and beyond and we are happy to be a part of her journey.
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An unearthed Palms Trax remix from 2014. 50% of proceeds from this album will go to Trussel Trust which helps food banks in the UK. Galcher Lustwerk's "Soul Control" originally appeared on his debut 12" for White Material records in 2013. After making an early remix for Palms Trax on Lobster Theremin in 2014, Jay returned the favor with this unearthed anthemic remix.
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Banoffee Pies Records release their 10th edition to the Original Series with "Move Tools". One of many channels within the BPR umbrella which dedicates itself more closely to left field dance floor cuts, this time in the form of a solo EP from production master Interplanetary Criminal. The 4 track collection hosts three UKG delights which are bound to disrupt dancefloors all over with their weighty UK feel and extreme sub workouts.
The other tracks come as a tried and tested DJ Tool "Move" on the A2 which comedically slips between a joyous disco sample and a bruising 4x4 laser beat. In nostalgic form the B side closes with a dusty and euphoric, late night garage cut full of emotion.
BP x
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Lorca joins the Shall Not Fade family with a debut LP consisting of 8 melodic tracks with richly-layered soundscapes made up of samples and field recordings taken from his hometown, Brighton.
His first full-length album as Lorca, the Saudade LP sees Sam Cassman return to a melancholic and experimental sound for which he originally made a name for himself since his first release in 2012. The album's title, written in Portuguese - the language native to his current residence, Madeira - translates to English as "a feeling of longing, melancholy, or nostalgia". With stripped-back percussion and plaintive
atmospherics, it's clear to see why. We are soothed into things with the soft melody of "Lullabies" before being transported to Brighton Beach via field recordings of seagulls and the whisper of pebbles on the second track. The driving pulse of deep house track "Are You Gonna Love Me" picks up the pace whilst maintaining a sense of minimalism before the shimmering lull of "Two Pianos" brings things right back with
formless sonic collages and drifting atmospherics.
Flip the record over and the rolling beats are back. "Colraine" and "uTube" see the return of clever use of sampling, the latter including mobile phone recordings of live piano playing by friends, sampled from social media. "Colraine" offers up pulsating jazz rhythms, oozing with groove, before the aptly-named "Polly" ushers in a change of course with a razor-sharp polyrhythmic melody and acid undertones which are more suited to the club. On "Rock Paper", it's sound design that takes centre stage. To close the LP, Lorca manipulates field recordings taken from inside his studio to incorporate abstract, sample-based percussion, making for a truly unique take on techno and synthesis.
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Completely unorthodox production techniques employed by one of Spain’s maestros from the 80’s, THANKYOU brings back one of Julian Ruiz’s craziest productions that come with a potential threat to any well tuned HiFi system (careful at 1:26 on A side). A remarkable dubby/italo rhythm section sets the foundation for a dreamy melody that won’t be forgotten so easily. Inspired in Indian mythology, “El Genio De Los Pies Rojos” is a masterpiece that will take any tasteful dancefloor to serious heights. Includes 2 other shorter titles from the album originally released in 1986.
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Two of the UK’s most talked about producers will be releasing their maiden collaboration on Hot Creations this May, as James Solace and Jansons team up on the Portal EP. The three-tracker marks James’ return to the label, fresh from the sensational Mind Music last year, whilst Jansons makes his full release debut having remixed Ben Sterling’s Fantasee in 2019.
Portal sets the pace, as punchy kick-hat combos converge on shimmering synth stabs throughout. It’s a club-ready cut, taking us deep into heads down hands up territory with rhythmic claps and writhing percussion. Ba Dah Be Dah continues the late-night feel, marrying echoing vocals into a tough, low-slung bassline whilst tribal drum patterns stomp in the background before 54 brings things to a feel good close. It’s a summer anthem through and through, packed to the brim with warming keys and plenty of funk inspired rhythm.
Whether it’s releasing stripped back house under his Burnski alias or hard edged 2-step via his Instinct moniker, James Burnham AKA James Solace has become a UK-mainstay over the years. James Solace is the latest incarnation in Burnham’s story, one that has seen him release on several of the scene’s foremost labels including Hot Creations, Knee Deep In Sound, Last Night On Earth and many more besides. Jansons is swiftly cementing his standing as a leading talent in contemporary electronic music. A prolific producer, his back catalogue boasts releases on Circus, Knee Deep In Sound and Four Thirty Two to name just a few, whilst recent mixes for BBC Radio 1 have placed him as a firm favourite in the UK spotlight.
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Reparto Vinile is a record shop located in the heart of Monferrato - Italy (UNESCO World Heritage Site), runned by Luca Bernascone a well-known Italian Dj.
Luca, featured of a continuous research in 360-degree at underground level, is pleased to present the first issue of the new label with a full cover jacket limited release on 7".
Directed by Luca himself under the new pseudonym Cabopolonio, with the collaboration of the artist/designer Massimo Pasca.
A new good timin coming on your way
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Having become one of Crosstown Rebels’ key artists in recent years, Barcelona-born Tibi Dabo returns to the label this February with his latest EP, the four track Isla. Since debuting on the label in 2019, Tibi Dabo (AKA Max Guardans) has cemented his place amongst the Crosstown family with standout EPs such as Disbelieve and The Distance We Share, the latter of which featuring two remixes from David Morales.
Tibi Dabo creates this scene perfectly as the title track opens proceedings, easing the listener in with delicate pads before waves of harmonious elements and finely placed percussions dance in and out of the track. Mothball then further emphasises the artist’s attention to detail as its lead melody and vocal-chops develop in tandem throughout. Brain The Cut follows, acting as a metaphorical signal of nightfall on Tibi Dabo’s conceptual island. Rounding off the release, Arp 8 delivers warming melodies atop of a subtle break beat in an exquisitely emotive manner.
Still in its infancy, yet mature in its intention, the Tibi Dabo project sees Max in his element; drawing on over a decade of playing and making music, perfectly demonstrated on Isla. Emerging from a new generation of multi-disciplined artists, Tibi Dabo’s refreshingly unique sound has also seen him remix for Crosstown Rebels head Damian Lazarus on two occasions. Determined and full of creative energy, Tibi Dabo thrives on producing music with no restrictions and, driven by his own need for exploration together with the support of influential industry figureheads, he has a locker full of fresh new music to unleash.
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Hot Creations continues its 2021 release schedule in February with a maiden EP from Disaia. The Spanish duo, who are swiftly rising up the electronic music ranks with previous releases on Kneaded Pains and Hector Couto’s Roush Label, make their debut on the imprint with the three-track Cubbe.
The traditional Hot Creations sound is heard right from the beginning, as four-four snare patterns converge on an infectious underlying groove in the title track.
Everybody ups the tempo, courtesy of a pumping lead bassline and whispering vocal offerings, paving the way for He Was Out to close with robust percussion and punchy kick-hat combos.
A prolific pairing in Spain’s thriving electronic music scene, Madrid-based Disaia have established themselves as an esteemed act in contemporary house with previous releases on both Riva Starr’s Snatch! Records, and Kevin McKay’s iconic Glasgow Underground, whilst their own imprint, Siena, acts as a platform to promote and expand their own sound, as well as that of rising producers.
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The original versions were released (digital only) some years ago, but stayed under the radar, until some dj's rediscovered it a while ago. It only started living then, and has continuously gained momentum ever since, with streamings now over half a million and counting fast. All involved agreed: it had to be turned into a vinyl release. It's mostly the original of "She Knows" that's been getting all the love, even though the DJ Rocca & Italian Cosmic legend Daniele Baldelli is an equally impressive showstopper in its own right. Throw in a new and exclusive deep (tech)house mix of "The Sound" by Hugo Ballistik, and you've got a release that merits curtsying and hats off. Limited to 400 copies, and remastered for top quality sound.
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Tokyo based artist machina debuts on UTTU! Fresh from appearing on Bicep’s Mercury Award nominated album Isles & dropping her 3rd studio album ’Compass Point’. Here the South Korean artist showcases 4 tracks absorbing a more intense leftfield dance floor sound.
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Tel Aviv based artist Saraga arrives on Crosstown Rebels for the first time this December with Love And Happiness. It marks his only release in 2021 so far, highlighting a standout moment for the Israeli talent.
Love And Happiness manifests as a minimal-leaning dance cut, with low-slung kick-hat pairings residing next to shimmering vocals throughout. Mujer brings an energetic, late-night feel before All Day Everyday arrives as an out-and-out club number. Gritty basslines merge with echoing vocal tones, whilst Mantra transports us thanks to Saharan-like whispers and tribal-flecked drum patterns.
Saraga is a well-known regular in Tel Aviv’s thriving musical scene. His productions have landed on established labels such as Nervous Records, Robsoul Recordings and Body Parts, getting support from leading tastemakers including Marco Carola, Ricardo Villalobos and The Martinez Brothers to name a few.
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First time on vinyl for this rare Scott Grooves cut
Originally recorded in 1996 and has only been given to a handful a deejays over the years.
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After “C O M P U T E R M U S I K _” the eclectic first release on
Old New Records this time Tilmann Jarmer returns with a
more focused effort (at least as focused as the man is
capable to). Afro Acid is a fun collage of 80s house samples
and a homage to the originators of the genre. Amen goes deep
and meditates over a distorted SH-101 about the initial
intentions of spirituality. Arabische Nacht a collaboration with
fellow ‘Bauarbeiter der Liebe’ Lutz Hartmann sports a catchy
bassline, open chords and an irresistible hook
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Lee Gomez aka Wipe The Needle has made music in many complimentary styles.
His debut on Local Talk featured Alex Littmore's soulful vocals and took us on journey that goes beyond the house genre.
This time his bruk roots are heavily featured, sprinkled with a touch of soul, jazz and boogie to create an impressive collection of songs.
Fans of Bugz In The Attic and bustling West London broken beat mixed with grit, this one's is for you...
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Finally putting to rest a one-year break, Retreat is back in full swing in order to bring more heat this summer thanks to the "Busted Moniker EP" from Quarion! With four tracks that showcase a jazzier, somewhat wilder side of the Retreat co-founder, "Busted Moniker" has the stamp of a producer on top of his game, squeezing out all of the funk from his machines and letting loose without too much over-thinking. Can you handle it The ambient introduction "Lost Coordinates" represents a direct follow-up to Quarion's offering on the "Treats Vol.5" Compilation. Built around a circular four note theme, white noise percussion and a distant choir, "Lost Coordinates" evokes a ghost spaceship that is drifting through the void, his destination unknown and his point of origin long forgotten. The bumpy house beat of "A Thousand Questions" teleports us back to a more familiar territory: this is proper club music with a sweet jazzy touch. Not holding back on his skills as a musician, Quarion treats us with a Rhodes bassline, deep piano chords and many drum fills. The tune moves along nicely and just when you think it couldn't get any better, Quarion surprises us with a break that introduces energetic Juno stabs and a booming new bassline. Slick! "Burnin'" is maybe the EPs hottest track (all puns intended) and is sure to light fires on dancefloors all over. Beginning with a deep bassline atop a shuffled beat, the groove becomes irresistible as soon as the cheeky vocal samples arrive, but it's the entrance of an infectious and offbeat Rhodes loop that is sure to make the dancers go crazy. As the track gets stronger, the theme breaks down in descending chords and we're left with just the kick drum and a percussive noise. The loop soon emerges anew from the background now coupled with a phased cymbal for one more everlasting burn... Ouch!
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Following his latest contribution to Innervisions Limbo compilation and a personal EP on TAU, Skatman returns to his home of Scatcity Records.
This release defines Skatman's current artistic direction as well as his vision for the future of his label and the melodic scene. We see him bring his sound forward as a more minimalistic approach to the deep and melodic sounds that have shaped him over the years.
Skatman’s mission is to bring back the integrity to the sound he loves, taking it to a new level and triggering a change of direction within the niche that is melodic electronic music. The name ‘Aromanticism’ is a reference to the revolutionary aspect of the realism movement that happened as a reaction to what dominated art and literature in the age of romanticism in the 19th century.
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Four months on from the release of David Walters’ hit Nocturne album, the Marseille singer/songwriter’s penchant for creative re-invention is on full display on this new EP that shows off the creative dexterity of DJs and producers from Europe and the Caribbean.
Featuring a stable of DJs and producers from France (Folamour, Synapson, Patchworks/Voilaaa); Germany (Henrik Schwarz); Portugal (Batida); the Netherlands (Pushin wood) and Guadeloupe (Déni-Shain, Mister Francky; Woodini) the EP enacts Walters’s resolutely international and collaborative artistic vision.
Paris-born DJ/composer Walters has long encouraged others to re-interpret his work. Indeed, one might say it’s a defining characteristic of his oeuvre, so much so that earlier albums have on occasion included differing versions of his songs on the same release.
Take the now talismanic Walters’s song, “Mama.” The tribute to Walters’s grandmother and the resilience and wisdom of all Afro-Caribbean women was the first single on Walters’s 2020 LP, Soleil Kréyol; then re-appeared on the Nocturne release one year later (after providing the foundations for an EP of mixes by longstanding musical confrère Patchworks in 2019).
Here, Henrik Schwarz’s take on “Mama” – the German DJ best known for his mixes of Ebo Taylor and Pat Thomas - introduces a distinctive keys motif, shifting the scene to dancefloors (far removed from the song’s original lilting, lyrical vibe).
If there’s a through line for the new remixes collection it’s the EP’s delicious groove. See, French producer duo Synapson’s version of “Baby Go” that’s sustained by disco dreaminess, strings for enhanced effect, playing around with momentum. Or the gorgeous Folamour-helmed “Sam Cook Di” sustained by the intricate Romantic sensibility of 90s Parisian House.
The inclusion of Folamour – the Lyon-based DJ/producer charged with carrying the torch of French electronica, check out his Mix Mag cover from April this year – in the EP line-up is quite a coup.
Other highlights are the EP’s twin re-invention of the song, “Papa Kossa” – a homage to the Cameroonian saxophonist/singer Manu Dibango, dubbed “Papa Groove” who passed away in March, 2020 – by Lisbon’s Batida and also DJ team, Déni-Shain and Mister Francky, who are currently based at the legendary Debs studio at Point-à-Pitre, Guadeloupe.
Batida (aka Pedro Coquenão) a DJ, born in Angola; raised in the Portuguese capital’s suburbs, whose music has been lauded by BBC6’s Gilles Peterson offers a particularly captivating remix of the song written for one of the giants of West African music.
While the first “Papa Kossa” allowed for the ensemble of master musicians - Malian master kora player, Ballaké Sissoko, French cellist Vincent Segal and percussionist Roger Raspail - to shine, the Batida remix strips the music back, transforming the piece into a delicate bird-like structure deep on anticipation. The Déni-Shain and Mister Francky mix, meanwhile, emphasises the tune’s buoyant essence.
Another immediate classic is the Woodini remix of “Sa En Yé” that breaks the musical elements down to a kind of deep super structure, starting with Walters’s voice – in close – to then add all the other parts, jangly piano, descending chords and percussion.
The recording of the Nocturne album – released in February 2021 – epitomised the notion of “unplugged” - 100 % live, no over-dubs or re-recordings, the fact that the musicians were performing “without headphones” (no safety net) led to the creation of a work of “rare sincerity” as Heavenly Sweetness label owner, Franck Descollonges recalled
The Nocturne remixes release maintains Walters’s essential spirit of collaboration; his desire to create music that is a bridge between places and people. But whereas, the first Nocturne album was deeply involved and meditative – a master class of musicians whose careers stretch back four decades or more – Walters’s remixes EP is all about contrasting voices and visions, spanning the globe.
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HouseDeepBreaksTechnoAcidTechno
Australian techno pioneer Biz is back with another ep of serious grooves. He creates a vibe that seduces the soul yet also has the tough elements that work so effectively on the dancefloor. This is the fourteenth release on Biz’s own label cliq which was founded in 2002 and is a reminder that Australian techno is unstoppable…serious vibes all round!!
Support by Laurent Garnier, DJRush, Ben Sims, Extrawelt, Deetron, Dave Clarke, Stephan Brown
Last delivered 4 years ago
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HouseDeepNeotranceBeatsExperimentalSynth
Pink & White Vinyl
After three standout EPs on Atomnation, Japanese producer and live artist Ryunosuke Hayashi a.k.a. boys be kko serves up his long-awaited debut album. Hensa is a serene nine-track electronic trip that oozes musical charm.
He makes his music in a studio with its own roof terrace and counts the likes of &ME and Bonobo as fans while Running Back boss Gerd Janson has remixed him in the past. This new album finds him expand on his always emotive, clean and futuristic fusion of house, disco and melodic techno in alluring new ways.
This is a brain-cleansing, soul-enriching work of melodic electronic perfection from boys be kko.
Last delivered 4 months ago
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