Here it is! Future Beat Alliance's legendary Hidden Emotion album!
Originally pressed back in 1997, but just some few white label promos were made and it was never given a full proper release. This is a real timeless UK underground treasure featuring 9 absolutely stunning productions, all filled with warm emotions from the beginning to end.
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Canadian Lunatic Taylor Hoodlum Stevenson makes his Giallo debut with these freaked out dancefloor bombs. Think Foetus during his EBM phase raising a lovechild with Italo weirdo Mike Mareen with babysitting duties by Fad Gadget, you're getting close. Three vocal tracks (one vinyl exclusive) and two future horror disco instrumentals on the b-side, perfect nightdrive city slime time bangers for Rome 2025. Art by Eric Lee.
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The 12' DANCE series is dedicated to showcasing the finest rare original 12' remixes and extended versions of crowd-pleasing, floor-filling classics. From the Disco, Soul, Rare Groove and Funk mixes of the 70's, to the Groove, Hip Hop/Electro & Techno/House of the 80's and the Acid Jazz, Indie, R&B, Rap & Club/House of the 90's, 12' DANCE will deliver a lovingly curated selection of both the commercial big hitters and the underground cult club classics!
This 2LP set showcases an essential selection of the finest 12' extended versions and mixes from the era. Visiting iconic New Romantics, Synth/Electro pop acts and New Wave legends, artists featured include Duran Duran, Spandau Ballet, Bronski Beat, New Order, Echo And The Bunnymen and many more.
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Jago was the studio project of Michele Violante created in Milan, Italy in 1983. The line-up also included Luciana Cirrillo aka Kynsha, who wrote lyrics and sang back up vocals. The name Jago comes from Iago, the main antagonist in Shakespeare's 'Othello'. In those years, Michele produced a lot of songs and published material for Full Time Records. I'm Going To Go' was recorded at Forum Studio in Rome in 1983 and released on Full Time the same year. He made an electro-funk demo with a Gibson Les Paul, but during practice the song became soulful funk but arranged with new wave electronics. The song revolves around a slick atmospheric bassline, driving electronic percussion, and tight rhythm guitar and synths. The setup for the recording was a Casiotone MT-40 keyboard, Boss DR-55 and Sequential Circuits Drumtraks drum machines, an Akai cassette recorder, and a Revox A77 for multi-tracking. Lead vocals were done by session musician Bruno Kassar, delivering Kynsha's playful lyrics along to the lead melody. Also on the A-side is the Instrumental Version which became a hit in New York after Larry Levan played it repeatedly at the Paradise Garage. Full Time asked Levan's long time friend Frankie Knuckles to make a remix. It was released in 1985 as the Plant Mix', and is included here on the B-side. This was Frankie's first released remix, although the record label misspelled his name as 'Frankye'. The remix clocks in at over 8 minutes, and is a dub edit made using the stereo master of the instrumental track.
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Polyop was formed in 2015 by producers Jack Driscoll, Harry Orso and visual artist and programmer Alex Kempton. Since then they have been researching and developing a visual-audio experience that fuses nature and tribal culture with the machine. 'Ceremony' is the first exploration of that aesthetic, with their own take on acid house, they take the subject on a hypnotic journey through an alternate sonic-visual reality.
Kemp mutates 'Ceremony' into something between disco and techno, the kick and bassline thick and pulsing, whilst the percussion syncopates infectiously. The track progresses into a crescendo, which is amplified by the cavernous feel of the mix. This is certain to hypnotise 3am dancefloor-pagans into a state of worship.
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BBRX002. The second installment in FaltyDL's edit series. Vinyl only. Follow up to Umi Says edit.
2 choice cuts, River Girl flips a Jets classic while Do You Box is an original Falty production that only existed on dubplate until now. Never to be repressed, limited vinyl goodness. Last one went quick!
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Ontario electronic experimentalist Brad Weber aka Pick A Piper releases his most gripping and emotional collection of songs yet, Distance, on March 3rd. Weber - also known for his role in dance favourites Caribou - has ventured everywhere from Chernobyl and Guatemala to the Canadian Arctic, northern mountains of Japan and south America since his first release as Pick A Piper.
On this new album, he lets that influence show. A bewitching slow-rave travelogue of sounds and stories picked up along the way, it's a record that simmers with both the excitement of adventuring to these locales, and the melancholy of the people you leave behind to visit them. It's a great source of heartache, but also a great source of joy,' Weber explains of an album about trying to balance connectivity with chronically being away.'
Alongside band mates Angus Fraser and Dan Roberts, Weber has been making music as Pick A Piper since 2009. What started off as a strange campfire folk project has mutated across one EP, a remix album and a self-titled 2013 album into a boundary-pushing polyrhythmic beast that takes influence from '70s Turkish psych, classic Afrobeat, synth pioneers like Laurie Spiegel and contemporary club music.
Sound eclectic Wait till you hear Distance. From the Gamelan percussion of 'January Feels Lost', inspired by recent trips to Bali, to the hypnotising sway of 'Further and Further' - a collaboration with shoegazey J-pop hit-maker LLLL and singer Makota - the album is the first time Weber has let songs breathe, not forcing them into a common aesthetic.' The result is an collection of tracks that throb with unrestrained ideas and invention. I'm a fairly positive and reflective person,' says Weber. But I'm also antsy, restless.'
The stories behind on the songs on Distance are almost as unique as the sounds within. Two tracks emerged from an email sent to the wrong person,' laughs Weber. Bevan Smith, a friend from New Zealand that I know from the touring band of the Ruby Suns, sent me an email by accident, meaning to actually address a different Brad.' They started sending ideas back and forth that eventually resulted in 'Geographically Opposed' and 'Bathed In Light', the album's airy opener and emphatic closer. 'Still Awake' meanwhile is about the sleep paralysis Weber has wrestled with since age 18, with 'Nikko' named after a Japanese mountain town Brad visited with his wife in the calm of mid-winter.
One of the biggest breakthroughs for Weber making this album was learning to slow things down at times and allow the music to dictate a natural pace... The result is a lot more subtle pieces that break away from our dancefloor-flirting aesthetic of the past.'
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DWN (aka Dawn Richard) is one of music's most distinctive voices and songwriters, developing her own unique style via a tirelessly independent route. DWN's last album Blackheart was FACT Mag's #1 album of the year, and was in Best Album of 2015 charts by Pitchfork, Rolling Stone, Vogue, LA Times, Spin, Elle, Noisey and The Guardian, who called it the most ambitious and revelatory album of 2015'. Her first single of 2016, 'Not Above That' has sold over 2,000 units and 1,200,000 streams across Spotify and SoundCloud, and she followed it with a series of show-stealing shows at SXSW (at the Pitchfork, Spin, FACT and Hype Hotel showcases). She also collaborated with Kingdom on 'Honest', which received Pitchfork's Best New Music. In April 2016 DWN became the first ever artist to perform live in 360 degrees on YouTube, as part of YouTube's collaboration series with The Verge. She also partnered with Wired for the release of a virtual reality version of 'Not Above That', and recently curated her own Boiler Room in London, performing from a specially-build LED pyramid. With future collaborations in the VR world due for release, she looks set to continue breaking down barriers of music, performance and technology. Her new solo album REDEMPTION strikes the perfect balance between future-facing electronic music (with production from Machinedrum and Noisecastle III) and the music of DWN's New Orleans upbringing, bound together by an untouchable approach to song-writing and flawless vocal range. The final part in a trilogy that started with GoldenHeart and continued with Blackheart, it represents her most focused, complete album yet.
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Pinkman follows up a slew of lauded 12's from Dollkraut, Robert Auser and Herzel on his blooming imprint Charlois with another addition from label favourite Timothy J Fairplay. Through releases on Tusk Wax sub Horn Wax, Astro Lab and Andy Blake and Joe Hart's World Unknown, the London based producer has - through his off-kilter productions - garnered a trusty following of listeners who will relish his latest outing on Charlois.
'My Etherealrealness' kicks things off with tape saturated drums propelling interweaving sequences and nostalgic lead lines before 'Phantom Trap' sets springing kicks bounding under tense and sweeping melodies. Pressure builds behind a wall of coiling synth lines before 'Flying Saucer Review' lays a reverberated thud under playful percussive flashes and more adroit synthesis.
Fluttering textures and gentle tape purrs persist throughout as the tracks dismantlement gives way eerily flickering tones that cap off another prime addition to the Charlois catalogue and another solid 12' from artist going from strength to strength
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As Björk continues to make waves in the electronic scene One Little Indian present exclusive remixes by boundary-pushing artists and DJs personally selected by the Icelandic artist
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Copenhagen purveyor of melodic electro soul Kondi Records finally resurfaces after almost a decade with a new batch of tracks from man of the moment, Jeremiah R. Sleek nighttime electro in a deep but spacious melancholic vein of The Other People Place and Drexciya's mellow aquatic dives. Includes an extended version of 'The Outer Rings', which appeared back in 2011 on the ultra limited 'the 5th dimension' album.
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blue colored, 200 copies, +30 min. playtime, cardboard-inlay (297 x 297 mm), mastered by Manes @ SALZ, Cologne
Four extended anthems between krauty electronica, tinkling house, shuffed minimal and IDM-styled breakbeats.
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CD1
CD2
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Affine Records proudly presents the second instalment of Okmalumkoolkat's Holy Oxygen project, once again backed by the unique talents of Cid Rim and The Clonious, showcasing the gang's signature concepts and sounds.Straight to the Top", the futuristic Gqom-inspired instrumental reflects on the last years of Okmalumkoolkat's career during which he has steadily increased the number of audiences for his zharp lyrics, his champion fusion of languages and contents as well as his out of this world dance moves.Zweitbester" takes the crew on a journey around the world, bringing Holy Oxygen Jazz to the far out corners of Planet Earth, distinctive, warped chords and an uplifting-forward house-inspired feel build the foundation for a lit up anthem.
The Durban-Joburg-Vienna massive goes wild on "Isimangaliso", an intensely condensed instrumental provides the red soil for Simiso's verbal graffiti, steadily building up into numerous crescendos. "Shark Attack" is a further example of the trio's trademark fusion of worlds, opened by a distant chord assembly it develops into a wild, claustrophobic, psychedelic song that is bound to leave a lasting impact in the listener's minds.
Holy Oxygen is here to stay. They leopards.
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Clear Vinyl
Tristesse Contemporaine. Act III, Scene 1. After the first album (self-titled "Tristesse Contemporaine") a form of a declaration of independence and the second ("Stay Golden") rising above the rest, their third, "Stop and Start" will come to close the existing trilogy, and begin a new cycle.
The trio at the head of this veritable voyage through time and space, is a motley crew that found each other in Paris: Narumi from Japan, Maik from England via Jamaican roots, and Leo from Sweden. The essence of what they play as Tristesse Contemporaine is two chords, minimal instrumentation, all mixed with maximum reverb. This is a particular idea of "less is more" which is more applicable to pop music. Abandoning "the middle of the road" the band focused on ten tracks where they put their cards on the table and the petal to the metal.
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As a first follow up to his acclaimed 2012 J. R. Plankton release, Plankton teamed up with Robert Defcon and produced an astounding collage of european and afroamerican sounds, vocals and rhythms, both psychedelic and bass heavy. Licensed to groove, the 5 tracks on Oh Babe' merge the sonically improbable - highlighted by the artificial landscape of Armin Linke's cover photo and Max Dax' artwork.
When Krauts Rausch' (German for intoxication or noise) you know they're onto a winner: The fresh new release opens with a sizzling drone ascending the throne of psychedelic sequencer rock. The title tune Oh Babe' injects screwed, subtly lewd funk vocals into a slo-mo, yet ecstatic disco anthem, underscored by a pulsating filter funk bass, while Bass 'n' Hippies' and Get Up' fuse deep progrock killer grooves with raunchy vocoder rap and funky turntable scratching, which will have you on your feet for sure. After a night out dancing, the final track, Jealousy', evokes a scenery of solitary paranoia, both chilled out and chilling.
Defcon and Plankton are connected by years of friendship and a dedication to minimalistic grooves and collage techniques in the tradition of Stockhausen and Can and the turntable and sampling culture of early hip hop.
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Idle Hands is proud to present our first 12" of 2017 from Lerosa, a four-tracker beamed across the Irish Sea to Bristol.
The 'Subcouture' EP sees the esteemed producer operating at the intersection of dubby electro and deep house, taking in the sub-heavy frequencies Bristol is known for, whilst retaining an agile and sleek simplicity.
'Maryelen' is a tight, yet pastoral electro track where dreamy pads contrast against tough, cutting drum programming.
'Line Bass' is a tumbling and bouncy number, that doffs its cap to reggae disco and features vibrant synths peppering the mix.
'Scruffy' takes on a slower and more playful mood, featuring light licks of acid and off kilter keys.
'Subcouture' is a subtle dubbed out house cut with a hint of shuffle.
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Midwich is very proud to close out 2017 with what we feel to be our paramount release. VIKI Viktoria's New Victorian LP is a crowning achievement in abstraction and time-folding. Its metallic futurescape could be the product of 2072 or 1972, harnessing an individual mindset at the peak of its powers. The sound vibrates, doubles up on itself and generally plays havoc with the senses, in the most pleasurable way. Deploying a dizzying array of primitive and advanced electronic techniques, this is one for the ages. Whether your first or hundredth listen, the album breathes with life and feels fresh each time. Years in the making, New Victorian is a timeless piece of electronic music. VIKI Viktoria (aka VIKI) is the pseudonym of Detroit multidisciplinary artist, improvisor and composer Lindsay Karty, whose work involves historic and contemporary electronics, custom circuitry, sound spatiaization and language experiments into combinations of live and telematic performance. VIKI formed from the same pond of DIY electronics as Wolf Eyes, Maximum Cloud, Nautical Almanac and went on to obtain an MFA, studying with composer Pauline Oliveros. Karty continues to host Deep Listening events in Detroit, as part of her ongoing certification. VIKI moves fluidly between sound worlds, street-smart as well as school-smart. In 2016, she co-curated Detroit's inaugural Trip Metal Fest, which hosted Morton Subotnik, Heiroglyphic Being + Marshall Allen & Danny Ray Thompson, among many others. VIKI has toured with Wolf Eyes, ADULT. and Paper Rad's Extreme Animals. She is also a member of SLIKI, a duo with Stallone the Reducer. She actively practices and collaborates in live multi-channel speaker performance in acoustically interesting spaces and club situations. Drexciya's Gerald Donald called VIKI 'The Gary Numan of Noise'.
Highlights: - Years in the making, New Victorian is the result of VIKI's studies with composer Pauline Oliveros. VIKI is an active practitioner of Deep Listening and continues to facilitate events in Detroit - VIKI has been active since the early 2000s, with releases on Load, Animal Disguise & others. - VIKI has collaborated and toured with Wolf Eyes, ADULT. and others. She is a co-curator of Detroit's inaugural Trip Metal Fest. - Drexciya's Gerald Donald called VIKI 'the Gary Numan of Noise'.
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Gagarin is the solo project of Graham " Dids" Dowdall. He makes instrumental electronica that doesn't adhere to any particular scene or style and draws on influences ranging from contemporary classical to techno and every point in between and beyond.
Currently a member of avant rock legends Pere Ubu and Welsh-Iranian folktronica duo Roshi ft. Pars Radio, Gagarin has a long history of left-field musical promiscuity. Including a long period of collaboration with Nico ( Velvet Underground) and many dalliances along the way include John Cale, Ludus, Eric Random, Suns of Arqa, Band of Holy Joy, Low Bias, Zor Gabor and many more.
As Gagarin he has released several albums and contributed to numerous compiIations and remix projects.
His last album Biophilia received widespread acclaim andwas described in Mojo as " electronica in its rawest sense " and in Musicweek as " deeply beautiful glitchy electronica - stunning ". Other reviews and airplay include BBC Radio 3, BBC6 music, RTE, RUM, RNE, deBug, Westzeit, Rockerilla, Vital Weekly, Raveline and many more.
Under his given name Graham released an experimental cassette Outside Broadcast in 2014 through Touch's Tapeworm imprint which is based on sounds sourced from analogue radios ,and is a eulogy to that dying format.
Aoticp includes some elements from this alongside abstract grooves ,unstable synth melodies, floaty ambience, field recordings, grimey beats, glitch and noise.
Gagarin gigs regularly in UK and Europe with a hardware combination of drumpads, samplers, iPad and FX.
AOTICP is due for release on Geo Records through Kudos distribution on July 13th 2015.
In late April the track Wandle was featured on Boiler Room debuts and in early May was already picking up airplay including repeated plays on Amazing Radio, Resonance fm ( including live session 30th May ), Hannover FM, Emmswechtevelle ( ger), RCV Lille ( France) Eldoradio ( Ger). Quietus also premiered a track and an extensive interview with Gagarin about his incredible career.
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First out in our 30yrs anniversary "year" is a collaboration between Eargoggle & Villa Abo. That means Electro meets slammin techno & house as well as a Little cutie in the end. About 300x pressed....
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Detroit powerhouse DJ Stingray drops his latest EP on OTT label of the year 'Unknown To The Unknown'. With support in the bag from techno conquerors Lory D, Antony Shake Shakir , David Vunk & DJ Glow to rising knights Falty DL, Egyptrixx & 5kinadnbone5
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White Vinyl
The enduring search seemed to lead further away from the nooks and crannies of the land, hiding in the remote silence and depth of the undiscovered. Novelty always awaits around the corner.
Proving his quality time and time again, we continue with the next chapter in the Love Over Entropy saga on Something Happening Somewhere. Completing the trinity, this is a meticulously crafted adventure, full of sound and fury, told by someone foolish enough to pose the question.
The narrative takes off with Sea, encompassed by an ever evolving yearning melody that slowly engulfs and stirs the depths of heart strings. The chant unfolds and rumbles, letting go of the well known, slowly venturing into uncharted and unexplored territories. An eight minute long contemplation for the wandering soul.
Discarding the old, Worth While is a reminder that strange things can be encountered in the infinite abyss of the obscure. With its unsettling atmosphere, Love Over Entropy exploits shimmering cymbals and bends a 303 synth line in peculiar ways. Consequently applying an unrestrained force that lures you into the lair before intensifying and dissolving back to a calm surface.
The appendage is conceived in the form of Finisterre, a ceremonial celebration that revolves back whence we originated. The accolade is obtained by an arpeggiated bell melody line that flourishes and tickles the ears with a cheerful liveliness, delivering a sense of grace.
The odyssey remains a dreamlike memory beyond recorded time. Muddy waters may be best cleared by leaving it alone...
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London-based music and art label Earnest Endeavours announce their signing of Pomrad, from Antwerp, Belgium. The 23-year-old rising electronic savant and jazz trained keyboardist, producer and live performer's debut EP 'Vlotjes' was released in 2012 on OohWee Records to a feverish fanbase built around his electric stage shows. Bestowed with a raw funk conjured from his mastery of keyboards (he started playing keys when he was five-years-old), keytars, samplers and talkboxes, Pomrad draws on disparate influences from Herbie Hancock to Zappa and DJ LeFtO, and continues to build his reputation via a certain European futuristic sensibility (as displayed via 'Hot Rain', featured on the third volume of visionary compilation series 'Brownswood electr*c').
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