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Denmark's WhoMadeWho have always been hard to pin down. Their music sounding as effortless as it is stylistically and sonically adventurous. Fusing pop and disco memes with punk paraphernalia, the genre-bending trio made up of Jeppe Kjellberg, Tomas Høffding and Tomas Barford honed their skills on stage and in the studio, releasing a series of bestselling records topped off by their 2011 mini album "Knee Deep" on Kompakt.

“What’s that racket?? Oh for god’s sake, it’s those London lads up to mischief again. Bloody nuisance! And look at the grins on their faces…”

Lucky number seven on Magic Carpet sees Duowe, the boys behind Fraise Records, doing the absolute business with this versatile 4-tracker. Hot dancefloor

Kid Machine delivers his new album on Traditions, 8 sick cuts beetwen Techno, New Beat and Italo, not to be missed!

Scadta is born from the darkest side of local DJ and producer Sergio Iglesias and the reinterpretation of the vintage sound of Tilman Benecke pressed on a record infused of an apocalyptic world meeting both cultures. Chernobyl Samba is complemented with the unique touch of Argentinian upcoming hero Balam, local colombian fellow Gladkazuka and mexican techno Macaulay rounding of a debut EP like no other with the reinterpretation of the chaos we live in delivered in Colombian label Kaputt.wav.


Don't sleep on this Chernobyl Samba story.

Better Sound 08 by Trascend∆nce aka Riccardo (Imprints, Metropolita, Amazing Stories, Elma Rivaga).

Dr. Rhythm was a short-lived house project by a British musician Mark Woollard who would later go on to become a library musician. As Dr. Rhythm, he released two 12" on Chill music subsidiary Danceteria in 91 and 92. Joining Mark on production and remix duties were Jason (E.M.U.) and Neil of Liquid Son whose house hits we also reissued in 2021.

Cold Blow is proud to resurrect these irresistibly fun house works as a remastered compilation, right on time to brighten up the promised summer of 2022.

Liege-based Gravitational Effect heralds in Reposition's 3rd release with a dazzling electro EP.

The 4-tracker pays tribute to electro's intergalactic appeal, whilst simultaneously espousing a fresh take on euphoric and mind-bending dancefloor music.

Across the 3 original tracks, ever-evolving synth patterns and playful melodies meet cosmic tones and finely-programmed drum patterns.

For such a release, Radioactive Man fit the bill perfectly to jump on remix duties, especially considering how much the legendary producer has inspired GE's musical outlook. His take on Base Control (the most hard-hitting original on the EP) experiments cleverly with the central synth pattern, pitching this down alongside more spaced-out production throughout, to create a 7-min masterpiece of psychedelic and engaging electro.

For it’s fourth instalment Dublin imprint 393 welcomes Dylan Forbes to the fold, and with this comes the labels first solo 12”. Forbes is an up and coming Irish producer and for his debut on 393 delivers an EP that fits in perfectly with the label’s previous releases, melding house, techno, bleep and acid sounds across 4 songs.

Opening with the suitably-titled Hypnotise, Forbes is at his most restrained, teasing with a broken beat rhythm and svelte minor chord progression before the acid starts to seep in underneath the timeless groove, eventually stripping the track back to just the 303 and drums.

For the midsection of the release those familiar with the sounds of Transmat-era Aril Brihka and the 3rd wave of Detroit-inspired techno will find much to love in the driving progressions and ethereal soundscapes of Starburst and the slamming chords of Trip 2 Jupiter which really gives this record a classic feel

Inspiral closes out the EP with the releases most dancefloor heavy cut, taking its cues not just from classic Detroit but also the rave-inflected bleep & acid sounds of Sheffield, while always keeping a strong melodic temperament. 393x04 is not only designed with the club in mind but across it’s 4 songs has many moods to fit the floor depending on the time and stage of the night. One can’t ask for much more than that...

Back to home and back again. Get in touch is once more doing the splits between their current habitations.

Berlin fellow Sauna takes over Side A with proper heat, cutting chords and a bumpy bassline, followed by groove driven and quirky breaks. On Side B the get in touch long time compañero Luas flies out to space with heavy electro breaks. By teaming up with David, Luas lands the spaceship with nostalgic moods of the interstellar flight and guides you home with ground control.

Limited Edition Gold 2LP in Gatefold Sleeve. The ever shape-shifting, critically hailed Hercules and Love Affair return with ‘In Amber’, their first album in five years, out 17th June and featuring first single ‘Grace’ as well as collaborations with Anohni.

Colleen ‘Cosmo’ Murphy presents Balearic Breakfast Volume 1. An eleven track compilation of gloriously transcendent genre-hopping music inspired by one of the most listened to shows on Worldwide FM; most tracks impossible to find on vinyl.

How does one make a Balearic Breakfast?

You need to obviously start with one part blissful sunshine, rising over one part white sand, set to the sound of the sea looping back and forth. But what else - that perfect, idyllic backdrop aside - sums up that most important time of the day, specifically when spent right in the heart of the most glorious archipelago in the western hemisphere?

Luckily, DJ, broadcaster and producer Colleen ‘Cosmo’ Murphy has perfected the recipe.

Colleen has been mixing together Balearic Breakfast shows on Worldwide FM for the last few years after starting in earnest during the first pandemic lockdown. Her shows offer a remedy to the pressures of the outside world; each is curated with the admirable aim of trying to “create a musical atmosphere for escape”, be it from bad weather or bad vibes.

Inspired by formative experiences at The Loft in NYC and on the terrace at Space, Colleen’s Balearic Breakfasts are endlessly eclectic and always inspiring, pulling together - in her words - a “hodge-podge of chill out, spiritual jazz, deep soul, percussive house, quirky disco, indie-dance and what may ‘traditionally’ be called ‘balearic’ (whatever that may be).” Basically, the kind of music you want to hear as the sun breaks over the horizon.

For her first Balearic Breakfast album (lovingly compiled for the ever-visionary Heavenly Recordings), Colleen has put together a set of songs that allow the listener to drift with her between myriad genres and join the unseen dots between them. The journey takes in shooting star ambient sounds, deep soulful hypno-house, ecstatic Neu-esque locked grooves, ethereal sea-shore jazz and Southern Hemisphere starlight disco, with tracks by artists such as Friendly Fires, Mildlife, Linkwood and Lady Blackbird (a track praised by Elton John, who called it “a groove that blows my mind”) and producers such as Andrew Weatherall (under his Asphodells alias), Ashley Beedle, Coyote, the late, great Phil Asher and Cosmo herself.

Flowing together, the tracks perfectly create that musical atmosphere for escape - a recipe for daydreaming yourself into a Balearic Breakfast state of mind. Tune in and leave the everyday behind. The sun’s rising overhead and the waves are at your feet, whatever time of day it is wherever you might be in the world.

Ode to the Mode is the new EP from Naarm/Melbourne DJ & producer Kayroy. His first for the Velodrome Recordings imprint, this record sees the producer blend his love for synth-laden italo-style house and rave-ready techno, resulting in a record that is equally suited for cloud gazing and peak club moments.

The record opens with ‘Behind the Clouds’, a dense and sprawling track that pairs vibrant synth leads with crystal clear percussive work - a modern flip on a warm italo-house sound. With the EP’s title track, Kayroy takes a more club-focused approach, delivering a high-energy groove packed with buzzing 303s and an ear-worm percussive hook.

The flipside sees the producer journey into hard-hitting electro territory on ‘Ping Pong Funk’, before closing out the record with the slow-burning breakbeat bomb ‘Better Late’.

Back in stock !

Michael Mayer is one of the leading German tastemakers in dance music and his DJ sets have influenced a generation (or two) of musicians and fans.As an artist, Mayer remains tirelessly motivated to DJing, in the studio or behind his desk at KOMPAKT, the label he co-owns. His recording career spans four albums, 23 EP's, nearly 170 remixes and the legendary DJ mixes for fabric and Immer. '&' is his third full-length, a passionate and personal album that speaks as broadly as his DJ sets - embracing his genre-busting love for music, rhythm and atmosphere - and the dancefloor in front of him. '&' is the rare manifest of an established artist who is willing to risk it all and challenge himself, and the world around him. 12 tracks, 12 single narratives coming from a group of very individual minds orchestrated by Michael Mayer - the DJ, artist, A&R but most importantly, obsessed music lover. Michael describes the process of curating and creating '&' as a constant battle between his three alter egos but 'the obsessed music lover has had the final say.' As diverse as they are, all the tracks that result from this long and winding road create a cohesive story and present the elasticity of Mayer's musical galaxy. Michael gladly leaves it to the rest of the scene to discuss the different grey shapes of club culture. For him there is only one club culture - a playful and open-minded one that's easy to comprehend after you hear ‚&'.

Introducing Baltimore's Colloboh - experimental producer Collins Oboh. Born in Nigeria, raised in the DMV, and now at 26 years of age, Colloboh asserts himself as a no-nonsense contender of electronic music composition utilizing modular synthesizer. Entity Relation is his debut EP.

all music Colloboh
mastered by Zeroh
design by Justin Fines

Introducing Baltimore's Colloboh - experimental producer Collins Oboh. Born in Nigeria, raised in the DMV, and now at 26 years of age, Colloboh asserts himself as a no-nonsense contender of electronic music composition utilizing modular synthesizer. Entity Relation is his debut EP.

The acclaimed Kito Jempere joins Cherrystones and DJN4 on the label for 2020, with an album full of international minds. Working with array of collaborators across a cast of friends including Jimi Tenor, Wolfram, Hard Ton, Lipelis, Rich Thair (Red Snapper), Ruf Dug, Cedric Gasaida (Azari & III) and many more, presenting this, his third long play.

A hail of freedom of thoughts and voices before these changed times, recorded and shared across continents. Kito - following releases with DFA, Lo Recordings, Bordello A Parigi, Hell Yeah and Duca Bianco - acts as curator rather than conductor, the idea not to transform the contributions but allow them absolute.

Sending music and receiving back, nothing was touched to keep the truth and honour. From Tokyo to London, Berlin to his base in St Petersburg, trusting the chosen artists led to a broad palette, as his 4/4 driven funk expands with Jazz horns to Motorik percussion, Avant-Reich vocals to White Isle melodies, J Pop Balearics to Chanson stories wrapped around Club memories.

A true world meeting, crossing borders and genres. An eye on the dance floor and week long chill outs. With remixes from the likes of Samo DJ, Lipelis, Cable Toy and more to follow, this is more than Yet Another Kito Jempere Album.

For its eight instalment, and its first Various Artist, Finest Hour brings together old and new friends. Tolga Fidan and Voigtmann were in the plans since the label was created in late 2013, and it's with great joy that we finally welcome their contribution to our series.


A versatile EP that ranges from timeless house inspired by the deepness of the 90s to futuristic minimal cuts with a modular touch and a broken beat edge. The VA is completed with two individual contributions by label bosses Onirik and Pablo Tarno, fitting with the musical aesthetics that Finest Hour is known for.

It’s incredibly easy to get a remix wrong — as the back catalogues of far too many major labels, whose slapdash commissioning of the latest hot remixer half-guarantees an unsympathetic mangling of the song, can attest. At their best, remixes can make you look at an artist as though positioned from a different angle or using a different camera; sometimes hearing a song in a different context gives it a completely new meaning. “So you take a piece of a vocal…blah” says master remixer David Morales. “That’s a remix? That represents the artist? That doesn’t represent the artist, it represents you.” In the hands of the insensitive a remix is like chucking a song into the washing machine for a 100 extra spins.

In the hands of a master, things are a little more complex. Heavenly was all but founded on the art of the remix; our departed friend Andrew Weatherall remixed the first ever release, and the label has built up an immense catalogue in the intervening years that demonstrates all that is good about the art form.

Assembled on this compilation are twelve sterling examples of the remix, from Hanspeter Lindstrøm’s reading of Doves’ ‘Jetstream’, which turns their glistening pop into Lieutenant Pigeon meets Italo-disco (in a good way), to Andy Votel’s gentle folk-funk version of Halo Maud’s délicieuse ‘Des Bras’. We delve deep into the vaults for Saint Etienne’s ‘Filthy’, Monkey Mafia turning it into a rump-shaking groove perfectly suited to Q-Tee’s rap, while more recently, Flying Mojito Bros, purveyors of Tex-Mex house groove, reimagine Katy J. Pearson as a lonesome Lone Star lover.

Though not purposely themed, beyond being judiciously chosen as the catalogue’s finest gems, there’s a tiny hint of psychedelia about this set that is hard to ignore. Firstly, there are the acid contributions from Gabe Gurnsey, who knows his way around a coruscating bassline, and from Graham Massey, whose impeccable credentials in 808 State are brought to bear on ‘Valleys’, by young turks Working Men’s Club (acid house being modern psychedelia, whether the rock press approves or not).

Jono Ma, meanwhile, flips Night Beats’ amazing ‘Sunday Mourning’ into ‘Warm Leatherette’ on benzos, creating a disorienting glimpse of a dystopian Sunday that most definitely doesn’t include a genteel read of the papers and a nice cup of tea. On the other side of the miasma is Beyond The Wizard’s Sleeve’s redemptive re-interpretation of M. Craft’s ‘Chemical Trails’, which, alongside Boy Azooga’s ‘Face Behind Her Cigarette’ (Mikey Young remix), Gwenno’s ‘Chwlydro’ (R. Seiliog remix) and and Katy J. Pearson’s ‘Take Back The Radio’ (Flying Mojito Bros Refrito Dub), is issued on vinyl for the very first time.


This dozen tracks — each one curated, remixed and delivered with love (and a teensy bit of impertinence) — is just a glimpse into the catalogue of one the UK’s finest indie labels.

In the alternative reality in which I’d prefer to exist, this what Top of the Pops might sound like; or, at the very least, the jukebox in the Korova Milk Bar. Pop disruption at its best.

Berlin's Cocktail d'Amore and Tokyo's Ene Records have come together once again to present the music of Solidair. The duo of Cocktail alumni Luigi Di Venere and Jules Etienne present three tracks aimed to induce a dance floor hypnosis. Orgonite (Riding the Waves) does just that, a slow build awash in the ebb and flow of acid tinges, just enough to wet your whistle on a Saturday night. The original mix keeps the skeletal support but throws in a life preserver of 8 bit gaming synthesis. Frisky arps call and respond to each other before making way for sinewy pads to lift off. Tiger's Eye sets itself onto cruising speed incorporating elements of late 90's acid techno with the sleek and smooth clubbing aesthetics of modern day Berlin.