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'Marino first got our attention with a tune called ‚Can't feel' a few years back. We played that track for ages, followed him since then and his music always found a way into our sets. Since we started the Siamese label he was always on the wish list to make a record for us and after his successful debut on the latest ‚Siamese Anthology' EP we can finally reveal a full EP from Marino Canal.' Adrian + Adrian.

Inspired by the early white label house music releases.
Vinyl only, limited copies, no digital promotion.

STRWB005 brings a collab EP from producers, Duowe & Picasso. Collating their influences from across the UK's noughties house & tech house scene, they have delivered 4 eclectic tracks which would sit nicely in any avid diggers bag, and slots in perfectly with the ethos of the Fraise Records outfit.

After releases on Kompakt, Innervisions and Bedrock this year Marc returns to his mothership and elivers his first solo EP on his own imprint in three years.

While - Moonface' represents the melodic and spheric shade of Romboy´s works, - Zukunft' represents the dark and deep side of his skills. Pure synthesizer LFO pulsating madness.

D. Lean comes originally from London but lives in the countryside of Sweden, not far away from Stockholm.

And this geographical circumstance seem to influence has sound because the label owner of Autoreply Music likes dark and Detroitish techno music a lot.

After two highly anticipated 10" single and a remix of Ken Ishii and Romboy's single "Taiyo", Lean releases the forerunner track of his upcoming double CD album which has the same name "Time tourism", out in March 2016.

The package comes around with three totally different versions: OCH's original in a techno influenced classical deep house coat, Baby Ford in a typical trippy and repetitive tracky way and Romboy shows us his groovier shades we know from his remixes for Terrence Parker on Planet e or his remix for Gorge on Freerange.

What do we want to talk about? We want to talk about music, over the tunes or about tones? We want to talk about the different ways that the tunes or tones in a same song could be expressed and interpreted all of us. That`s why we did Overtunes to bring our gaze closer to those details that motivate us so much within this musical universe where each person can perceive on a different ways according to the environment and other certain factors that motivate our perception.

For our debut release we have to the Argentinian producer "Cape" co boss on Savor Music and owner in "Abstrack Future" and "Rovas", is bringing us a four-tracker release that moves from the house to the techno letting off steam some lovely touches of minimal and electro.

'Die Vögel' is German for 'the birds", but those who've been following Pampa Records from the beginning know that this duo isn't some Schlager tribute to that hippie folk band. Not counting last fall's excellent remix for Dntel, it's been nearly two full years since we've heard from Die Vögel. Is something afowl Not to worry: Jakobus Durstewitz and Mense Reents still flock together and their new EP is ready to hatch, just in time for summer. And they've got quite an interesting guest with them this time... 'The Chicken' begins with that familiar Pampa swagger, all clickety clackety in 3-D, and soon we hear the extended howl of some kind of beaked instrument, searing into your skull, as a looming voice dares you to 'try to look a chicken in the eye". Is that Vincent Price No, it's famed shoe-eating director Werner Herzog. (But yes, this release could prove itself to be no less than Die Vögel's Thriller.) Further layers of this hypnotic laser cry enter and exit, beckoning the sunrise, but you, my friend, are captive to its trance for the entire nine minutes. After you pull the feathers out of your mouth from that existentialist affair, turn to page B for 'Mesmerize": This one is easier on the psyche, both majestic and gentle, with legato horns and strings massaging your mood. Neapolitan sherbet for open-airs and open ears. So there you have it, perhaps the definitive Pampa 12, bearing that dependable turkey logo, credited to Die Vögel, named after to the world's most populous domesticated bird. Another coop from DJ Koze and company.

Launches his own imprint with two eagerly anticipated tracks on a double A-side 12-inch, KLON001.

Following a string of EPs for Unterton under his Mark alias, KLON001 debuted during Klon’s back-to-back DJ set with Nick Höppner for the Ostgut Ton aus der Halle am Berghain stream. His previous releases on A Colourful Storm and Thomas Melchior’s label My King Is Light garnered adherents like Raresh and Ricardo Villalobos, and these new productions drop all pretence of subtlety in favour of aggressively memorable hooks.

Includes artwork insert.

Wex Series - Telomere Plastic is on to the next release.
Time to present the Neighborhood Watch Patrol.
This four track EP blends breaks, electro and tech house supplying you with a chunky little plate for the dance floor. Keep your Neighborhood safe with this one.
Limited to 50 copies

Yuki Takasaki put his point in our second reference with this Deep in Dub four masterpieces.

Listen Feel & Dance...

Wex presents the third release from its sublabel, Ahaad. The mysterious Akasha Chronicles debuts his EP, Akasha. Deep, heavy and moving, these tracks are for the mind. Limited pressing on 180 gram with Photography by label founder, Marco Malpeso.
Support from: Janeret, Christopher Ledger

DGTL Records hits close to home with their latest release 'Dancing Glass Figures' by De Sluwe Vos. The dj/producer has been affiliated with DGTL since the beginning, as he played at numerous of their festivals from day one. So it was only a matter of time for De Sluwe Vos to release his music on DGTL's label. With Dancing Glass Figures he delivers a strong 4-tracker that is truly hard to resist. De Sluwe Vos has been making waves lately, not only with his steady sets but also with his own label Patron Records, which has seen a string of well-supported releases since its launch. Never Know, the first track of the EP, takes no prisoners, as this straight-up banger with the hard-hitting synth line keeps you captivated throughout the entire track. The repetitive vocoder vocals give the track a spacey touch, especially during the break. De Sluwe Vos teamed-up with fellow Amsterdammer Sjamsoedin, who's known for his exceptional synth knowledge and hard-hitting live-sets. Together they produced a strong lead track that you will definitely get to hear a lot on the dance floor.

Fast rolling drums and a dreamy warm synth lure you into the title track Dancing Glass Figures. But don't get too comfortable, halfway into the track you will get a sturdy surprise, which only makes the track more interesting, while taking you back to where it all started at the end of it all.

Moving on to the B-side. Sophisticated Topless Raver is mesmerizing, with an intriguing and hypnotizing melody that comes and goes throughout the track. Bringing in some hard claps and an eerie laughing vocal, this track for sure is one for the later hours.

Bambounou has the honour to close-off the EP with a remix of Sophisticated Topless Raver. The French dj/producer, who's been on everybody's radar this past year, slowed down the original version and added a sleazy bassline, synth stabs and extra percussion, while keeping the melody and the vocal. Making the track just as enticing as De Sluwe Vos' version.

PART 2 OF THE REMIXES ON CHICAGO'S TEVO HOWARD FT TRACEY THORN

Butter Sessionsbestows the subsequent postscript toGuy Contact's2019 releaseLiminal Spacewith the Perth-based producers first long-player,Drinking from the Mirage. The record lines up eight enchanting configurations, with two digi bonus tracks. The compositions were recorded over the last couple of years in his bedroom studio. He explains, "most of them were recorded in the second half of 2020. I had just quit my full-time job and found myself with much more time and energy to be creative, the majority of the songs came to life during this period." The album's collection paints warm dreamscapes and expansive textures, an affirmation ofGuy Contactfurther refining his craft. He treads effortlessly between acid-stained techno, dreamy braindance and trancelike downtempo that acutely grip the neural network.

The LP takes off with it's anchor90 Mile Straight (Nullarbor Mix),a rhythm driven cruiser that sets the tone for the record. The album's titleDrinking From The Miragefollows, a collaboration with Perth artistNORI.Guy Contactcomments "Nora is a friend of mine and I hit her up with that song because I thought there was an opportunity to do something together. I knew Nora had a beautiful voice from a previous project of hers." The track perfectly pairs NORI's gauzy and ethereal vocals withGuy Contact'sdistinct pads and elated synthwork. The artist then produces an IDM imprint with the remainder of the A side withEarth HydrosphereandFeel the Feeling.

On the flipside, the sweatyBody Grooveis an ecstatic work of pulsing techno, staying true to its name.Spirit Levelfeatures sweeping filters and sharp percussion work whilstVoices from the Bedrockplays with lulling leads and an entrancing melody. The LP ends with the swirlingWelcome to Sporties, full of catchy vocal samples and an unceasing, steady tempo. Whether listened to in the club or driving along the Nullarbor Plain,Drinking from the Mirageis a most-welcome invitation intoGuy Contact'ssonic universe.

It's been really awesome working with Corey and Maryos on these last two records. I'm really grateful that they gave me the chance to put out my first LP. I really like the slogan "planting seeds in the underground since 2010". That statement really rings true to me because the guys have really given me a leg up with my music and for that I'd like to say thanks! -Guy Contact

Hot on the heels of the first two parts comes part three of HOSH's Stories From Sa Talaia series. The series takes tracks from his recently released album of the same name and releases them on his new fryhide label. First up are two collaborations with Pig&Dan. Atlantis Is Not A Fairy Tale, a spine tingling tune with shifting melodies above rolling rubber beats.

It's emotive and colourful and sets a nice mood to start off. The second Brotherhood Balearea is deep and elastic, with nice rubber beats and spraying synths bringing some real dynamism to the table. One of those tunes Sven Väth would drop at those special Ibiza after parties. Awakening Of The Birds a collaboration with Karmon takes off right there and keeps you in that trance but gets more groovy with its inducing light footed drums, airy hi hats and skyward melodies all zoning you out.

Last of all, Meeting Mia Lee is a beautifully melodic track that really moves you and strikes a resonant chord with your heart as the smooth and deep house vibes unfold. Speaking of heart it features the heartbeat of HOSH´s unborn daughter.

Once again then, this is another richly rewarding EP from the one and only HOSH.

Vinyl only - Limited copies - No repress

Haze invites Luc Ringeisen to join White Series and share some proper vibes. Three original tracks showcase Luc’s approach to minimalism. Strong groove, swinged percussion and chopped vocals blend in beautiful mix, that will work very properly on the dance floor. To push the limit even further we asked Xandru to rework Project 7 7. True artwork and afterhours gem for your bag.

For this thirteenth issue, Daydream is extremely happy and honored to host the great Nick Beringer for a full solo EP. After one remix and a track, the talented Berliner is back on the imprint with a solid four tracker. The whole is a dreamy story made of deep and micro cuts. Subtle, groovy, punchy and classy: a perfect match between the Nick Beringer’s signature and the Daydream universe.

Stratton Released Two Of Last Years Stand Out 12s On Natural Sciences & Of Paradise. Here He Debuts On Dance Trax With 4 Jackin House Slammers.. Ready To Light Up Dancefloors All Summer Long!

FANTASTIC TWINS, the solo artist formerly known as The Twins, has always carried an air of transmutability - not only in a name creating its own hall of mirrors, but also in a constantly fluctuating sound, from the first spoken word interludes recorded as The Truly Fantastic Dessagne Twins From Saint-Etienne (for the Pachanga Boys' infamous 'We Are Really Sorry' album) to myth-building solo releases on Hippie Dance and Optimo Music, as well as style-bending remixes for La Mverte Vs Capablanca, Moscoman and - most recently - fellow Hippie Dancer Rebolledo.

Following the echo-drenched 'Holiday' on 'A Very Nice Combinado Volume Dos', the project from Julienne Dessagne has embarked on yet another transforming journey, leading to the latest outing with the well-suited title THE NEW YOU. Its four tracks prove Dessagne's ongoing commitment to an open sound aesthetic that works the techno blueprint from the inside out, mutating from foreboding, post-industrial landscape to dazed interzone opera in a heartbeat.

Uncanny rave polaroids from last night's ill-memorized peak floor flash up on opener SHAKE IT's mental screen, while follow-up HEY tries to herd its nervously rushing percussion to no - albeit banging - avail. The title track slowly implodes in reverse, pitting Dessagne's obsessing, molting vocals against a stubbornly no-wave-ish synth bassline and octave-hopping freeform keyboards blown to gaseous smithereens. Post-punk closer TIME SCIENCE kicks into motion with a confused diary entry turned subconscious commentary - while the psych guitar gently weeps all over the neatly arranged furniture. Welcome back, newcomers!

We Welcome smooth criminals ADMNTi and T. Jacques back to the Dansu Discs family with their split ‘Platform Alteration’ EP. Both sides providing heavy basslines with added groove. If you’re not already ready to return to the dance-floor, then this one will give you that much needed assist.

Francois Kevorkian is a name that should need no introduction. With over 40 years in the game FK has occupied numerous roles in his long and storied career - drummer, DJ, A&R man, remixer and producer - his skills know no boundaries. Having DJ-ed during the nascent days of club culture in NYC alongside Walter Gibbons, Larry Levan and more, Kevorkian has been there from day one. Years spent in the seminal clubs of the day sharpened his ears and his prowess behind the mixing desk saw him become the A&R man at the legendary Prelude records in the early 80's, this in turn led to him working with everyone from The Eurythmics, Depeche Mode, Erasure, D-Train, Yazoo, The Smiths, Kraftwerk and many many more. A true NYC original and legend, Kevorkian is still active today and the respect he commands amongst his peers has never waned, his adventurous extended DJ sets, seminal mixes and remixes and his open ears and open mind have ensured that he will go down in history as a musical pioneer.

Rewind to 1995. Kevorkian's 'Wave Music' imprint has come into existence with a handful of releases. No-one could imagine that his self-produced 'FK EP' - the next release on the label - would be a stone cold classic. Easily one of the most consistent, exciting and solid EP's to come out of NYC during this golden era of dance music. Across 4 tracks we are taken on a sound journey through a world that is undoubtedly informed by FK's time as an engineer, DJ and most importantly, a music lover.

EP opener 'Hypnodelic' brings us into this world, a deep, driving cut that fuses the dubbed out vocals of Freddie Turner against FK's keyboards and immaculate drum programming, oozing cosmic electronic soul, this track was destined to be a future classic. 'Mindspeak' also boasts some tough drums and with a respectful nod to Chicago is an incredibly mixed and arranged peak-time cut that will drive your dancefloor into deep space again and again. 'Edge Of Time' welcomes us to the flipside of the EP, wild Latin percussions, tablas and old school horn stabs drive this monstrous cut, not to mention cavernous dub FX and that huge bassline that just doesn't let up. Essential. 'Moov' rounds things out on a more subdued, stripped back vibe. Reversed percussions and spaced-out synth chords lace this beautifully understated and warm track, one that builds into a crescendo of melodies and hypnotic rhythms and the perfect way to close what has been a truly special musical journey.

This essential reissue of the 'FK EP' has been fully licensed, sanctioned and remastered in conjunction with FK from the original master sources by Optimum Mastering, Bristol UK, repressed onto high quality vinyl and packaged as the 1995 release was. A truly classic record indeed, available again for 2018. Welcome back Wave Music!

Fog FM is a house music transmission filtered through fluorescent static, from a station out of place and time

Infinity Plus One is neither a man of big words, nor a man of massive musical output, preferring to remain low-key. The tracks finally presented to you on this EP are bold and bare a distinct character of their own. The opening track "Struggle Is A Constant" is energetic and probably more current than ever, whilst tragically soundtracking recent pandemic times. „Suburban Subversion” remains airy and dreamy as an A2 follow up. The B-side then picks up the pace with "Connected", before the “9th Gate” works towards a gentle and jazzy finish. These four tracks were carefully selected from Infinity Plus One's creative period between 2001 and 2005. They display a diverse repertoire of sounds from the London based artist, whilst at the same time also expanding the soundscape of our Molar label. Thank you for your support, we love you.

'Bedrock Frequencies' curated by John Digweed features some of the Bedrock's head honcho's favourite artists, alongside exciting collaborations, label debuts, and some wonderful reinterpreted classics from the label's illustrious back catalogue.
Frequencies provides a snapshot of a perfect Bedrock party, in the form of yet another musical masterclass from the Bedrock boss as he takes the listener on an unrivalled, evolving journey from start to finish. This the first of three vinyl samplers see's music from Tijuana, Rhythm Design, hilipp Straub &
Charlie Thostenson, Lily Pita & Robert Babicz.

Castanea Records present its first various artists just in time for the 5th Anniversary of the label! It includes 4 tracks by Pressure Point, Mariano Mateljan, Sedee and the label boss Modbox.

'Bedrock Frequencies' curated by John Digweed features some of the Bedrock's head honcho's favourite artists, alongside exciting collaborations, label debuts, and some wonderful reinterpreted classics from the label's illustrious back catalogue.
Frequencies provides a snapshot of a perfect Bedrock party, in the form of yet another musical masterclass from the Bedrock boss as he takes the listener on an unrivalled, evolving journey from start to finish. This the first of three vinyl samplers see's music from Tijuana, Rhythm Design, hilipp Straub &
Charlie Thostenson, Lily Pita & Robert Babicz.

No description needed, only music!

This Song can electrify dance floors! Elbee Bad goes back to his roots, to the early development of House Music in the 80's and makes it sound absolutely fresh and contemporary. After he already appeared in collaboration with Netto Houz on Knuggles Recordings, we now feel very honored and excited to release a full 12 with exclusive new material by the Prince of Dance Music.

Sam Paganini is back with the brand a new album “Light + Shadow”. The fantastic 12 track concept is his fourth full length after 2020's Reflections and is split into two halves, Light and Shadow, with each showcasing different sides to his sound. This innovative format is a way for the artist to dig even deeper and cook up different moods and grooves for different settings.

15 Year Anniversary Edition • vinyl only release • triple 180g vinyl • heavy gatefold sleev • DIN A2 poster of the album artwork

2006 – 2021: 15 years Bondage-Music - it is about harnessing those great moments and spiritual experiences from the dance floor.

This compilation features music from artists like Nima Gorji, James Dexter, NTFO, Politics Of Dancing, Steve Bug, Markus Homm, Mihai Popoviciu, Dilby & Pornbugs, Dejbali, Dust Yard, Alex Ranerro and Sascha Dive.

Welcome to Mirror Vinyl Series, a new collection of modern and organic music. In this first edition, Montei delivers 3 original tracks with different moods and sound palettes focused on both the dance floor and the introspective journey. With Marius from France in charge of a powerful remix and the artwork by Ana Dulce Collados, this release is shaping up to be a one-of-a-kind collector's item.

Midas Touch is back, this time featuring RWN, a french artist that already established himself as a skilled microhouse producer. The EP delivers 3 original tracks and one remix signed by Vinyl Speed Adjust, that breaks the classic 4 by 4 vibe of the release with some sneaky broken beats. Highly recommended for nights and mornings.

Vinyl Only

Seven years and forty releases later, old friends reunite for a special occasion. JOSS, the boss of Kyiv vinyl label Artreform, is glad to announce a new release by Sapurra, the project helmed by the weathered DJ Sergey Sapunov. JOSS and Sapunov have enjoyed top stardom status within Heaven dancefloor of Kazantip ever since day one. The same dancefloor Laurent Garnier reminisced playing in the extended edition of his influential book ELECTROCHOC.

Nowadays, these two are traversing parallel courses. New Sapurra tracks deliver easily distinguishable, authentic sound of Artreform: classic tech-house that is slightly leaning on the techno side of things. One of Sapurra tracks on offer is boosted with a masterful remix by Argentinian DJ Franco Cinelli. Cinelli is notorious for his groundbreaking Picaro EP recorded together with Bruno Pronsato, a skillful producer creating deep house with surgical precision and attention to craft. Franco's shows are an experience of its own thanks to a combination of vinyl DJ set elements with electronic music live performance.

Sapurra's latest release on powerhouse Ukrainian imprint is called Feeling+. And this very feeling, this resonant pulsation is what keeps Artreform's gears in motion and its history being written on to date and on.

The fourth multi-artist EP from blog-turned-record label Innate takes the imprint's inherently warm and far-sighted sound into new intergalactic directions. Offering a quartet of cuts from established producers and rising stars, all inspired by dreams of cross-cosmic travel and the alluring weightlessness of deep space. 004 explores the love of stargazing electronics in much greater deapth.

The A-side is all about melodious and spacey electro with Dutch legend Aroy Dee making a rare appearance away from his acclaimed M>O>S Recordings label. "Leegte" A1 is impressively immersive, cloaking a jaunty bassline and lo-fi beats in sumptuous aural textures and glassy-eyed chords. Accompanied by Innate label regular Gilbert, "Furthest Planet" A2 is a deep roller whose lilting lead lines, shimmering electronics and tumbling acid lines are little less than life-affirming.

On side B, the sound subtly shifts towards the multi-coloured, sci-fi shimmer of techno. Newcomer Jonski, (aka Bristol electro producer Zobol) drops "Venusian Surface" B1 - a classic interstellar jam full of vivid chords, echoing synth squiggles and alluring leads that rise above a classic tech-funk bassline. Last but not least, effervescent Welshman DJ Guy (Unthank/Other World Music) slams down an energetic techno stomper in "Aphelion Orbit": boasting brilliantly breathless drum programming, illuminated by the celestial shimmer of accompanying chords. A perfect conclusion to Innate's most action-packed release to date.

Hailing from Donald Street in Brunswick, Melbourne, James and Peter Isaacs are the brotherly duo Donald’s House. Taking influence from Paradise Garage styled disco, early 90s house, Italo and anything with a DMX drum kit, their take on dance music is as refreshing as it is familiar. After two EP releases with Nick Höppner’s label, Touch From A Distance, James and Peter present their first full length EP for Permanent Vacation: "Final Frontier" with 4 tracks that show their prolific productions skills on all i's glory.

In 1779, Ludd is supposed to have broken two stocking frames in a fit of rage. After this incident, attacks on the frames were jokingly blamed on Ludd. When the "Luddites" emerged in the 1810s, his identity was appropriated to become the folkloric character of Captain Ludd, also known as King Ludd or General Ludd, the Luddites' alleged leader and founder.