House Vinyl New Releases - News

German talents Júlio Cruz and Momo Arigato join forces for a superb new deep house release for Istanbul based imprint Petra, with each artist taking care of two originals each.

Cologne based Júlio's tracks are close to the dance floor with a chill vibe that really makes a mark. His opener Chercher La Nuit is a bubbling house cut with a warm and fat bassline. Lush chords bring light and emotion and carry you away. Dancing Love Affair has a big heart with soulful chords and disco tinged beats getting you moving.

Leipzig's Momo Arigato's tracks represent the pure side of house music with sampled elements bringing them alive and have come on labels like Friend in Need and Bigbait before now.. Mario's Rhythm is a raw, DIY groove with rough edged kicks and blasts of bass that are smoothed out with lush chords and experimental modulated sounds. Don't Believe is a dreamy track with cloudy pads and lumpy beats that are perfectly atmospheric and authentic. This then is a killer Ep.

The return of…KiNK. His first original record after the latest album and a few bits here and there, is an ode to the miraculous grip that a piano still holds over almost any dance floor. Unmistakably titled „Piano Power Ep“, the Bulgarian hit factory does what it does best: infectious melodies, moving bass and gnarly acid lines as well as the ill beats around. Born out of studio rehearsals for live sets, „2 love U“ is a freestyle jam with regular collaborator Rachel Row (see Hand Made EP or „Follow The Step“): KiNK on keys and Rachel in the vocal booth results in pure positivism, energetic hooks and a certain pop magic. Think Rozalla, Bizarre Inc. or any other sign long and you are almost there. Instrumental included for the faint at heart.
„I Remember“ on the other hand, which is also available as one of KiNK’s beloved video workouts, is presented here as a „303 Mix“ that loses the classic house sample of the first version, in favor of - well, another classic dance music ingredient - the squelchy sound that DJ Pierre invented.
Last, but not least. „Raw“ is the kind of happy-go-lucky piano-bazooka that revokes the spirit of Baltimore’s production outfit Basement Boys in todays’ pagan parties. Using the minimum amount of music tools (lack of effects, volume changes creating dynamics and no more than four instruments), it als feels like KiNK’s reply to Herbert’s infamous dogma. If the ingredients are good enough, you don’t need any spices.

YOUR GOOD TIMES ARE HERE! This record is a celebration of things starting to approach a sense of normality in the world (for the most part anyway). It's celebrating being able to do your favourite things again, it's celebrating being able to dance in your favourite clubs again and it's celebrating being able to see your favourite friends & family again.

The ever-popular Laurence Guy chalks up his fourth vinyl release on Bristol's Shall Not Fade, sharing four tracks which span the breadth of his production skill. After a year which started with the stunning Mutual Excitement is a Wonderful Thing, and saw Guy remix rising artists like Dermot Kennedy & Sofia Kourtesis, it is a delight to see him return to the label which has become something of a home for him.

Your Good Times Are Here EP's title track is a reprise to the sun-soaked filter house of 2020's "Your Good Times Will Come", leaning on the club sound palette harder than its forebear and making subtle explorations into acid grooves. "I Know You Feel Sad" strikes a
contrast, its slowly stuttering rhythm and vocals stuck on repeat giving a sombre sense of reflection - the party vibes quickly returning for "Yeh Good, You?" a pacey 303 number which pauses just enough for a distorted, breathless breakdown. Making reference to the outing on Shall Not Fade from early 2021, "Mutual Disappointment is a Terrible Thing" closes the record on lingering piano melodies and eerie vocals - a delicate reflection upon its sister track.

repressed!

Levon Vincent returns with his most ambitious yet concise work to date: no less than a quadruple LP on his own imprint Novel Sound. The entire gamut of Levon's unique talent is expressed in it's fullest here: stark minimalism adherent to the the groove - submerged industrial rhythms and flexing, dubbed-out basslines - shimmering leads and beautiful melody. Set to be an instant classic, Levon Vincent's self-titled opus is finally upon us!

SUB/012 comes from the Liverpudlian wunderkind DMC. 4 mega bass heavy cuts in his unique style. The tracks slap you round the face leaving you wondering where is left and right while your head is still in the clouds with his wonderful melodies.

The world of dance music 25 years ago was a very different place from the one we now inhabit. Rave had transitioned through Hardcore into Drum & Bass whilst UK Garage was brewing nicely and the UK pop charts were full of underground dance records. Meanwhile, the likes of Mo Wax, Ninjatune and Compost were pushing away from the dancefloors, introducing blunted beats, jazz-fusion sonics and a whole new movement to electronic music. It was into this atmosphere that Freerange was born, a UK label that reaches its quarter-century this year. At the helm over the last 25 years has been the partnership of childhood friends Tom Roberts and Jamie ‘Jimpster’ Odell.

It’s been a long and eventful journey, from an era of 56k modems, faxed reaction reports and when DJs still bought actual records, Freerange has weathered many storms and sailed through some of the most revolutionary changes to hit the music industry. Through those 25 years, and like the proverbial comforting sound of Bob Ross’ voice, Jimpster’s own music and those artists he releases through the label remain a constantly reliable, not to mention dance floor-smashing presence through the ups and downs of the house music continuum.

This Anthology brings together some of Jimpster’s finest productions across two double pack vinyl LPs from the preceding two and a half decades, showcasing his detailed approach to production and proving why he continues to thrive in the current scene, continuing to be held in high regard by many of the founding fathers of house music and young up and coming producers alike.

The comp kicks off with the absolute dance floor fire of 2008’s ‘Dangly Panther’, a simple combo of some keys, some beats, some FX and a jazzy sample, but executed with such class and confidence that it became a deep house staple. ‘Seventh Wave’ first appeared in 2006 as part of Jimpster’s ‘Amour’ album. It’s a bit deeper, a bit techier and with a few more bleeps and plenty of that characteristic Jimpster heft and weight: proper 3 am business. ‘Don’t Push It’, features some of finest percussion you’ll hear on a contemporary house record, gorgeous strings and that indefinable something that Jimpster brings to all his records, that raise them above being a collection of pads, keys, beats and bass into compositions with longevity that you can dig out and play ten years after release and they still slay.

In some ways, this collection is a record of developments in UK Deep House as Jimpster slowly refined his sound over the years, continually reinventing the 4/4 template, creating new sounds, fresh chord progressions and original audio ideas, all geared towards creating memorable dance floor moments. He’s perfected a UK version of the sublime anticipation that is at the heart of the very best Deep House, that sense of sitting on the very edge of ecstasy, creating tracks that wonderfully stretch out those blissful moments.

What also becomes clear from listening through this compilation is the variety of styles and moods he’s bought to his releases. 2009’s ‘Sleeper’ for example is sleek, driving and futurist while 2018’s ‘Curve’ almost glows with a sun-kissed warmth. ‘Can’t Stop Loving’ from 2012’s ‘These Times’ EP is another tough jam, with its twisted vocal sample and prominent kick working in perfect sync with a set of classic Jimpster arms-in-the-air chords and wonderfully squelching bassline, an exercise in confident production. Meanwhile, the beguiling ‘Rollergirl’ has hints of EBM in its rigid sequenced bassline and epic pads.

Bringing us bang up to date is last year’s anthem-in-waiting ‘One’ featuring Casamena, a ticking time bomb of a track just yearning for a packed dance floor to go off in. Also included is the magnificent ‘English Rose’ featuring some of the tightest beats ever put on wax and its vocal-pads that are haunted by the ghost of ‘Blue Monday’. Ben Watt’s Buzzin Fly label was home to 2006’s ‘Square Up’, seven and a half minutes of gorgeous chords getting thoroughly rinsed out through a series of subtle peaks and troughs, Deep House heaven. In contrast, we’ve also included 2018’s absolute monster ‘Burning Up’, a taste of the tougher side of Jimpster’s production and a track 100% guaranteed to take the roof off every time. Likewise, his ‘A Love Like This’ is another crisp and highly efficient underground anthem. The album finishes on the almost-psychedelic sonic-soul treat ‘The Sun Comes Up’ featuring vocalist Jinadu, taken from the peerless ‘Silent Stars album.

In addition to Volumes One and Two, there is also a third (digital only) volume containing a selection of Jimpster’s more downtempo gems for the more horizontal moments.
Jimpster has become a watchword in house music for a particular kind of Deep House depth, warmth and groove, a reliable source of utterly solid dance floor jams, his production schedule a conveyor belt of high-quality sonic bombs, loved by DJs and punters alike. Here’s to another quarter of a century of Jimpster's music.

RAWAX presents Jozef K - Planet Doom - a fantastic fashback to the 90's!
Watch out for the new RX-series which is devoted to the golden age of RAVE!

Deetron’s debut EP for Running Back is an amalgam of some of the key virtues of both parties involved: the evocative and glorious power of the early days of rave (see cover art for further reference), emotional house, melodious techno, a beatless beauty and a firmly polished dance floor. Over the years, the Swiss producer has proven that his skill set and philosophy (underpinned by his mastery of the DJ trade) is perfect for such a mixture.
The EPs title track is the result of an extensive research in quiet storm soul records and their influence on traditional house music. „T-Symmetry“ and „TXT“ make extensive use of Roland’s classic JX-8P synthesizer with very different outcomes and the certainty that the idea trumps the tools. Euphoric UK breakbeat pianos and Detroit techno soul can be made with the same mind and machine as well as in any time or place. A record full of fun, finesse and fantasy. Deetron, we salute you!

Step Recordings is releasing another treasure, this time coming from Future Times' affiliates Jackson Ryland.

The US producer has been making quality music as a solo artist as well as in projects alongside Max D (as Superabundance) and as Rush Plus with Jus Nowhere. His latest solo EP 'Most Necessary' lands on Catz N' Dogz' quality focused Step Recordings, following releases from the likes of Baltra, Third Son, Ruff Stuff, MSM and more.

The 4 tracker is a collection of on point club focused weapons. The EP opens up with 'Vanilla Extract', a moody Techno track driven by a stomping 4/4 kick drum. Following is 'Spine Realign', a fast paced relentless dancefloor killer. The title track is another powerful gem, a straight Techno cut guided by inspired tribal percussion. Finally the EP ends with the broken-beat 'At This Pace', a mysterious tune permeated by spacey atmospheres!

Repress

Second release on Nina Kraviz (pronounced 'trip') label is another double-EP compilation this time entitled 'De Niro Is Concerned'.

'The idea of this compiled album/concept compilation is about one of those moments when you suddenly realise that you can't continue as you did before and there is no way back. I was in a 4am facebook chat with Reynier (Deniro) and we both thought Robert De Niro might have had a moment like that. Most of the tracks in TRP002 are live recordings, which is a key part of the label's concept: to release music that is abstract and very specific in texture, yet very human, unplanned and organic, because I really believe in music that captures the emotional moment of when it was made." Nina Kraviz

Featuring a great introductory track from the Icelandic wunderkind Bjarki, a superb collaboration between Nina and the seminal Exos, the legendary Steve Stoll delivers a brilliant acid groover, two classic techno tracks from Amsterdam based Reiyner Hooft AKA Deniro, the wonderful trance induced 'L'Importance De Doute' by Parrish Smith, a slice of melancholic techno from Nikita Zabelin and a welcome re-release of the legendary, highly sought after secret weapon Barcode Population - Barcode Population (which will be on the vinyl only) . An eight-track no-holes barred barnstormer of a double-pack.. !!

We pleased to welcome Spanish El Row and Ker Resident De La Swing for his first EP on Cecille Records.

De la Swing in a continuous evolution of the sound, where the depth, groove, positive vibe and fun are always present in his sets as well his productions. He delivered 2 strong summer vibe tracks which have that special vocal touch on top of it's groovy beats, followed with a remix by his UK buddy DeMarzo.

Supported by artists: Janeret, Sepp, Nuzau...

Supported by channels: Storytellers, Nightclubber.ro and Rayzeh.

Vinyl only, limited copies, no digital promotion.

Repress

"We are both very happy to welcome back Marino Canal on Siamese. Everyone remembers his first record for us well, a timeless yet forward thinking and fresh release that's tough to beat. Marino made it possible though, his upcoming `Provenance` EP is a clear evolution of his style, mature, intelligent and ready for 2020." Adriatique

PAX & Rui Da Silva’s highly anticipated ‘Touch Me’ finally lands on vinyl this winter on Danny Howard’s Nothing Else Matters. Presenting the most authentic re-imagining of this timeless classic, PAX & Rui Da Silva have kept the soul and vibrancy of the original alive adding a powerful new spin on it for 2020. Huge support from Fisher, Tiesto, Dom Dolla, Annie Mac, Pete Tong, MistaJam, Scott Mills and label boss Danny Howard himself, all who have played in their sets and Radio shows to insane reactions!

It's June 2003, and the power trio of Tony, Halo & Hipp-e have formed a supergroup under the guise The 6400 Crew to unleash a 12-inch that would take the summer by storm. "Dubb Me Some'tin Fresh" quickly garnered support from the upper echelons of the DJ community for its unrelenting groove and its unabashed tribute to the music of producers like Lee Scratch Perry and King Tubby.Fast forward 13 years, and this single further cements itself in the history of Yoshitoshi with a Classic remix pack.It's with great pleasure that we welcome LV boss Hector to the label, and Sinisa Tamamovic follows up his two recent EP's for Yoshitoshi with his powerful contribution. Add to this a deeper remix from Sharam and you have three enormous remixes that each command serious attention.Hector's mix keeps many aspects of the original, modernizing them with his powerful grooves.Sinisa's approach incorporates the producer's signature bass lines into a massive rework of the classic beat, and Sharam does what Sharam does best - flipping the track into a fresh, new mix that is sure to please a multitude of audiences. Finally, the original mix has been remastered for the modern DJ.

Streetgemz celebrate their first Anniversary throwing their first Vinyl release with four edits which have had been rinsed from Panorama Bar to Space Miami over the past 12 months finally see the light of day.

Vinyl Only - Limited Edition

Emotions Electric pres. Planetary Highways! A deep journey thru Interplanetary sounds in a beautiful Gatefold sleeve with artwork from the legendary Detroit visual artist Abdul Haqq.

Science Cult is the brainchild of Techno Veteran Stefan Weise aka Syrte and Jimmy Freer aka Visions Of Glosters.

 Squiggly Lines is a new series exploring the darker and weirder side of Acid. The first release features a carefully curated selection of artists such as Sousk (Wolf Trap, Souvenir Music, International DeeJay Gigolo Records), BinaryFunction, Lewis Beck and Change Request.

REPRESSED !!
Toolroom is proud to present the follow up Vinyl release from the most up & coming Underground artist Weiss, 'Weiss City Vol.2'.
Featuring the Toolroom Live 01 Exclusive track 'I Believe'; a tough rumbling tech house stomper that represents all that is special about the trademark Weiss sounds, laying strong on the A-side.
Following, is the smash release 'I Feel Better'. Gaining huge radio support from the likes of Danny Howard & B Traits, alongside top DJs Richie Hawtin, Groove Armada & more. On The B-side, this release leads with the absolute stomper 'Guitar Man'.


With a hip shaking groove and vocal like that well and truly locks you in, encased in old school drums and clever sample cuts.
Lastly, the intense underground track 'Blue Harvest'. A track built for the darkest dancefloors, that climbed high in charts everywhere, encapsulates and completes the entity of 'Weiss City Vol.2'.
On a classic format, 'Weiss City Vol.2' is one release that is a must-need for any collection.

red vinyl

Lost Palms welcomes Astro, Edinburgh-based purveyor of space age dance music, to the family with Into The Past EP - a high drama record which builds you into a state of tension and won't let you stop dancing.

The title track is a cavernous peak-time warehouse epic that tempts you deeper, leading into the muscular pulse of "Strange Object". This has real Basic Channel DNA, minimalist but driving. Another beefy dub techno pumper, "Calipso" stays close to the kick drum and showcases an infectious syncopated bassline.

Razor sharp scifi B1 "Spitzer" opens up into ear tickling reese bass and some classic Euro squelch; it leads in nicely to "Mars", a dramatic centrepiece to the EP begging to be let loose on a sunrise set. "Celestial" is the last track but the energy doesn't let up for a second, making use of another growling sawtooth bass patch and the hint of acid style pads.

The record feels like a trip into orbit and back - enthralling and clever, yet perfectly built for the dancefloor.

Do you like discooo ! Lexy teams up with Czech/Australian Team Shades Of Gray (BEEF Records, OM Records, Boxer) for a real house Moenster EP.

Repress

After the first two sold out releases he MOi imprint present their third vinyl.

Runemark Records proudly presents twenty third release containing beautiful EP from Rafael Cerato & Ikarius featuring Liu Bei called “Distant Planets”. Release also holds two remixes from Mario Basanov and Phun Thomas.

Rafael Cerato’s collaboration with Ikarius and Liu Bei’s heavenly vocals makes it a perfect debut on Runemark. The original composition sounds tight and melodic, the sequenced bass gives Italo-Disco flavor, and the sweet vocals builds soulful atmosphere.
Mario Basanov’s vocal remix captures his unique Disco feeling and opens the B side of the vinyl. Beautifully crafted instrumentation and warm timbres mixes up with funky rhythmics creates an easy listening as well as groovy dance floor tune.

EP closes by Phun Thomas’ version of “Distant Planets”. A classic deep House sound driven by a Disco-flavored groovy bass and light percussion.

With SIAMESE020 we have come full circle. Shiffer, our good friend, Siamese family member and co-graphic designer with Adrian Schweizer since almost day one, has created his most personal release to date. This EP has been recorded during a challenging time in his life and reflects the journey through profound variations of human emotions. Remembering his very first production 'Drunk on Hope' on our initial Anthology release, we’re proud to see how Patrik's music evolved into such a genre-spanning array.

All in all a diverse, unique and very promising record that opens up a new chapter in Shiffer's musical path and leads him anywhere he wants to be.

Steyoyoke presents “Couple Affair 08” with original tracks by Nick Devon, Grammik, Soul Button and Browncoat. Their fascinating skills are put together to unveil unique sounds.

Nick Devon & Grammik came together to present “Câlin”, a soft and fulfilling track that will bring you peace with its melodies. “Junction” by Soul Button and Grammik, puts together a blend of dark and mysterious soundscapes, leading the way to a mystical journey. “Laniakea” is a deep and satisfying track, unfolding its melodies and relieving scales that turns your mind upside down and takes you into a giant bubble of dreams.

Coupling up members of the Steyoyoke family from around the world proves how creating music together can deliver powerful music. “Couple Affair 08” unveils resonating and exceptional ethereal tunes, a great escape to a magical world.

Tokabeatz back on vinyl with great new versions of some club classics!

Pink Vinyl

Blake Baxter aka The Prince Of Techno returns to his roots with this six-track 12" of raw Detroit minimalistic grooves.

For our 37st vinyl release we're honered to welcome iO (Mulen) to Memoria. Already big support from Villalobos and Raresh last months.
Limited pressing, 180 Gram and amazing artwork as usual.

Parisian label DXL Records signs a new exciting release in collaboration with Pressure Point, rising star of the italian scene. He delivers three elegant dancefloor weapons. Showing his ease to navigate between energic house and delicate techno with some mystical minimal touches, he shows a part of his complex yet fascinating musical universe. The release is completed by a Spacetravel remix in which the wizard makes a deep invitation to get lost in trippy modular sounds.

Steve O'Sullivan's work as Bluetrain ranks amongst the finest distillations of sleek techno minimalism and spatial dubwise sonics. As part of Sushitech's 15th anniversary celebrations, they're doing us all a massive favour by revisiting their comprehensive compilation of the finest Bluetrain joints, replete with a tasty coloured vinyl pressing this time around. The tracks are beyond sublime, riding steadfast, understated grooves, which underpin beautifully sculpted, metallic chord clusters that sink in easy but run deep. If you need a dependable clutch of stellar dub-tech-house workouts to suit full-immersion DJ sets, this essential double pack will keep you trucking long into the morning.

Kylin Tyce, Tom Frankel, Dayne Harper, Anania. Such a huge vibe from this guys in UK Garage sound. Welcome !

Two of the scene's hottest artists Weiss and Eli Brown drop a rave-inspired collab that further establishes them as prodigiously talented producers.

After breaking into the scene back in 2013, Weiss has risen to ever greater heights, with his releases inspiring support from the most respected names in the industry including Gorgon City, Eats Everything, Shadow Child, Hot Since 82 and Claude Vonstroke. His deep, jackin', Chicago-inspired tracks have also seen much success on label's like This Ain't Bristol, Toolroom and Dirtybird, and now makes his Kaluki debut alongside Eli Brown.

Having emerged from the shadows of Bristol's fabled drum and bass scene, Eli Brown has rapidly established himself as an artist of real distinction in the house world, with his singularly sinister, twisted records having made an immediate impact. Repopulate Mars, ViVA Music, Toolroom and more have all recognised Brown's raw, sometimes caustic talent: if you're looking for dance music with character, you're in the right place.

'Push It Up' is the first collaboration between these two producers, and is as commanding a house cut as you would expect. Starting off with tough, sinewy drums and a mammoth, Reece-like bassline, at the midway point it break down into full-on rave territory, complete with Amen break, pounding 808s and soaring pads. Guaranteed to send a dancefloor into a frenzy, this is yet another sterling effort from two artists at the very top of their game.

In Musik und Text verschmelzen über alle 11 Titel hindurch Stimmungen, Eindrücke der Sub-Sahara Konzert-Tour von B.Friedmann 2013 und Fetzen von Erinnerungen an eine imaginierte Zukunft. Sie reagieren auf reale "Kpafuca" - "things falling apart" - Zustände afrikanischer Metropolen und kollabieren zu Grooves und Phrasen, die an Chris Marker´s Science-Fiction-Apokalyptik ( "La Jette"/ "Sans Soleil" ) erinnern. In dieser Polyphonie der Un-Orte schwingt auch der Geist reisender Klangabenteurer, zB. der musikethnologischen Praktiker Hartmut Geerken und Roman Bunka (Embryo), deren Visionen und Musik-Wirken sich gegen reduktionistische, essentialistische Inszenierungen sträubt. Gegen jene kulturellen Landkarten, die in die Musik immer wieder zwanghaft hineingezeichnet werden, setzt Friedman auf "Cease To Matter" im intuitiven Modus die befreiende Kraft des Rauschens, der Über-Mensch-Maschinen-Musik, der krummen Beats und des technischen Zufalls-Defekts, kurz: das "Un-gehör-sam" (Johannes Ismaiel-Wendt) gegenüber der normativen Deutungshoheit musikalischer Weltkarten.

Die Stimme des aus Texas stammenden in Berlin lebenden Performers und Vokalisten Daniel Dodd-Ellis wirkte bereits 2007 auf Burnt Friedman´s Album "First Night Forever" (non22). Die Lyrics stammen von beiden Autoren und wurden von Friedmann während der Produktionsvorgänge 2013 bis 2014 mehrfach zerlegt und neu zusammengesetzt. Die Zeile "Sky Is Blue Inside Of You" ist dem 1932 erschienenen Roman "Brave New World" von Aldous Huxley entnommen. Tracks 04 und 09 ("Cease To Matter") enthalten ein Piano Sample Edit basierend auf einer Komposition von Georges Invanovich Gurdjieff (1872-1949).

Marcel Vogel has cultivated a reputation for smooth, consistent and infectious Detroit-influenced dance music with attitude. The Amsterdam-based polymath blends live instrumentation and samples into groove-heavy beats, releasing across many popular labels while also running two of his own and touring across continents.

Having teamed up last year with Dutch producer and key-player Tim Jules for the raw single "Take Me Back", the two return with a fresh pressing on Shall Not Fade showing off their authentic soulful sound. Each track features a different vocalist, each bringing their own skill to the fore; in the title track, Alessandre's honey-sweet and porcelain-smooth vocal caress the playful keys for an instant earworm. "This is When I Leave" strips the sound right down until only the drum, like a heartbeat, and Khadija's wistful vocals remain, making for an intimate experience.

The B-side focuses on high-intensity instrumentals put together by Vogel and Jules: a breathless funk and rhythm workout begins in "Why Don't You Leave Me" with Hector Wijnbergen's infectious, powerful words taking centre stage. This headsy beat continues in "Like a Fish In The Water", LYMA's crooning subtly making an entrance and complemented by delicate guitar lines, building to a crescendo.

With SIAMESE020 we have come full circle. Shiffer, our good friend, Siamese family member and co-graphic designer with Adrian Schweizer since almost day one, has created his most personal release to date. This EP has been recorded during a challenging time in his life and reflects the journey through profound variations of human emotions. Remembering his very first production 'Drunk on Hope' on our initial Anthology release, we’re proud to see how Patrik's music evolved into such a genre-spanning array.

All in all a diverse, unique and very promising record that opens up a new chapter in Shiffer's musical path and leads him anywhere he wants to be.

It started with the idea and a few tracks and it ended with this megalomaniac looking package. One of the finest compilations Innervisions put together ever, touching every corner of their favourite clubmusic. Including tracks from Culoe De Song, Alex.Do, Mosca, Rampa, Quarion and many others.

After ten editions of Secret Weapons we are set to continue the series which brings together fourteen artists with divergent styles of electronic music. From energetic frequencies to thoughtful melodies, the Secret Weapons Part 11 provides a mixture of different approaches to the musical creative process by new and familiar faces.