House Vinyl New Releases - News

Ukrainian duo Woo York have garnered worldwide acclaim for their ability to produce a powerful, driving, dark-yet-sophisticated sound, with their upcoming 'Chasing The Dream' LP set to drop on 4th May, serving as the first artist album on Afterlife.
The 13-track production entwines a wide ranging palette of Andrei & Denys (Woo York)'s ominous tones, taking the listener on a voyage through the various moods and rhythms of the Woo York odyssey.

SA005 is destined to become a vinyl collectors' must-have. Frank Martiniq explores a whole new sonic identity on this unique 12", forging together off-kilter beats and fists full of atmospheric compression. "Blast Corps" opens the EP with a surge of delayed baseline. Crispy static rises from below and echoes swoop and simmer beneath the full-blooded base. It builds insistently, the 4/4 structure is infused with far off blips and the dusty sizzles of low-pitched white noise. On "Dark Star" warm dub keeps the sound organic. It's elemental, the baseline seems enormous enough to have a gravity of its very own and the other elements pull together around its weight. It teases, the breathy elements twitch, fidget, become fully formed but refuse to drop.

SA003 sees label owner Lucy and underground trailblazer Ercolino, inspired by novelist Michael Ende's imagery, create two visions of a nihilistic future. The 12" begins with the tale of fear incarnate "Gmork", the most powerful weapon for controlling society. The A-side is a portrait of this terrifying beast: slinking baselines come from its black heartbeat and white noise grows from its unearthly appetites. Fat, squelching noises emerge as light, hope and ideas are quashed, ground up and eaten. What emerges is a genius slice of dark, brooding techno crafted from the nectar of your darkest nightmare. The story gets even bleaker with "So The Nothing Grows Stronger", a narrative of blips, bleeps and squeals. Dadub also masterfully extracts two crafty dj tools provided as digital bonuses. No excuse to not spread the savage stories that you have heard.

Burnski and Michael James ignited their Relic collaboration last year with a classy drop on oge, and they're back again on Constant Black with some devastatingly bumping minimal tech house. There's a hi-tech finish to this whole EP, from the moody lead cut "D" to the slippery, funkified "E". The mix is clean as a whistle and maximized for every little production wriggle and shapely bassline to cut through on any system, even in the hazier clouds of pad hovering over "F". Don't skip over the B2 though - as with all the best EPs there's gold to be savoured in the crafty machine shuffle and rubbery b-line of "G".

- 2LP: Schwarzes Doppelvinyl inklusive Downloadcode und Artwork von Lee Marshall

New Norwegian imprint Continually with a debut EP from Ruton (Rub800 & Tonchius), touching through a variety of genres within the modern sound between house and techno.

A-side kicking off with “Coconuts falling from a Clear Sky”, introducing heavy kicks and bumping basslines, which sets the mood for the dancefloor with its mysterious and playful vibe. “Introvert Acid” offers introspective up-beat techno with bleepy and modulating melody lines.

Moving over to the B-side, which attempts the house vibe. “Partly Sun”, accompanied by organ sounds and rhythms, are clearly UK-flavored with hints of garage house. Finally, “Taste of Spring” wraps it sweetly up with melodies that draws parallels towards deep-house and synth-pop.

Third in the four-track sampler series from Rebirth LTD featuring brand new unreleased, advanced gold from Butch & C.Vogt and a killer Shield re-edit of the undeniably anthemic Emanuel Satie Feat. Billy Cobham - 'Don't Forget To Go Home' on the A side.

Turn it over and you're treated to an acid infused house bomb from Pastaboys, complete with a bumping remix from John Ciafone to close out the e.p.

Supported already by a whole host of DJs:

Âme, Agoria, Damian Lazarus, Deetron, Mano Le Tough, Sasha, Groove Armada, Tim Green, Danny Krivit, Quentin Harris, Ian Pooley, Sascha Dive, Dj Koze, Gilles Peterson, Claptone, Jimpster, Acid Pauli, Dop, Fred P, Axel Boman, Ashley Beedle, Claude Von Stroke, Steve Lawler

Romania’s Victor Stancov inaugurates his Simple Tracks imprint this
October with the ‘Apollo’ EP, backed with a remix from Wareika.

Victor Stancov is a producer and DJ hailing from the coastal region of
Constanta, Romania, a country that’s become synonymous with the
stripped-back twist in contemporary house Stancov delivers here via his new label simple:tracks. As the name would suggest, the label’s aim is to find pleasure and joy in the simple things, delivering dance floor focused cuts for groove seekers.

To launch simple:tracks Stancov himself steps up to deliver two
originals on the debut 12’’ and up first is titlecut ‘Apollo’, laid out
over six and a half minutes with an amalgamation of choppy chord
sequences, swinging percussion and subtly nuanced bass to create a
hypnotic introduction. The second original ‘Delos’ follows, retaining a
similarly ethereal aesthetic courtesy of snaking dubbed out synths,
winding pads and a bumpy bass hook. To round out the release Wareika deliver their interpretation of ‘Delos’, and as expected from the German minimal maestro’s the guys delivery a typically unique twist on things. Reshaping the originals synth elements while stirring in intricately modulating percussion and tripped out metallic synth chimes to complete the package.

Early support from:
Jorge Savoretti / Ernesto Ferreyra / Jeremy Olander / Jimpster / Chris
Stussy / Archie Hamilton / Julietta / Ruff Stuff / Mihai Popoviciu

Italy’s Bakked debuts on UTTU with a heavy handed EP of houze flavours as USER HLIvry says on Discogs "Bakked is on an absolute tear. Don't sleep before this one sells out.

Our Belgian brother Biesmans has been enjoying a burst of creativity of late and we’re pleased to welcome him back to TAU. An artist who draws on his country’s sterling reputation for electronic music while keeping true to himself, Biesmans stands alongside a small, but highly talented crew of artists that form the core TAU family. On Heroes After Dark we get Biesmans at his finest, with three funky original cuts plus a rework from the one and only Gerd Janson...

Three classic old Surreal tracks with an acid feel that are now more than 20 years old but still sought after.

Cause we love Vinyl..... Here is the next Vinyl from Dompe´s Label JACKFRUIT RECORDINGS. Four tracks can be found on the Record. Two Tracks of these are only available on this Vinyl. These tracks are as always full of summer vibes und carried by lots of samples with plenty of old-school-sounds. New House Beats with Love.

One of TAU’s core family members and an artist who we discovered and nurtured from day one, Innellea returns to the label. Over the last couple of years it’s been amazing to watch Innellea grow and succeed, with his music catching the attention of labels such as Innervisions, Diynamic and Afterlife. Now he’s back with TAU, delivering a neat four-track package that represents his unique, melodic approach to electronic music. The Hypolation EP is another big stride forward for this artist, who continues to impress with his production prowess.

Jos & Eli return for their second outing on Watergate with esteemed vocalist Alex Clare, as they follow up last year’s outstanding Mozar EP. The Israeli pair possess a distinct sound signature, crafting beautiful dancefloor creations, imbued with chunky percussion and sonic inflections from their homeland. ‘Mayhem’ EP sees them at their beguiling best. ‘Inner Sky’ is characterised by flowering synths that bloom and recede in giddying formations, backed up with a heady array of noises which buzz in the background, all the while a steady groove is maintained throughout. Afterlife wunderkind Stephan Jolk is recruited for remixing duties and brings swells of dreamy melody and subtle washes of Balearic to Jos & Eli’s original. A name familiar to many after his single ‘Too Close’ was nominated for a BRIT award in 2011, Alex Clare blesses the EP with his vocals on ‘Mistake’. Driven by a gutsy guitar-driven bottom end that gives the composition a distinct Americana vibe, it’s a cut big on vibes that’s begging to be played at a dusty festival as the sun sets over the horizon. The title track ‘Mayhem’ rounds out the four-track package, a persistent synapse-tickling synth driving the track throughout.

French techno pioneer/DJ/Producer Laurent Garnier – friend of Ed Banger records - and Mad Rey, new signing of Ed Banger (also co-founder of D.K.O Records & Red Lebanese labels) did exclusive remixes of 2 MYD ‘s classic songs.
Family business and definitely a Club 12’’, offering both remixes & original versions.

Combine Cologne, Hoove and quality house cuts, and it can only leave you with one artist - DJOKO. Offering up a wealth of resonant, vibrant tones, his ‘My Bad Your Fault’ EP on Up The Stuss serves up yet another quintessential release for both artist and label, fusing a trio of impactful, innovative trips alongside a futuristic slice of electro under his revered Kolter alias.

Polyfan Polyphenix on RAWAX MOTOR CITY EDITION volume nine!
Check out this future classic from the mighty Polyfan Polyphenix aka Matt Star.

The Muna Musik 009 is on the way,
this time with our long time Muna friend and queen of the deep techno Anja Schneider. With Enclosure she brings a warm melodical & groovy techno track that shows exactly her typical style of music. Good to have her on Board!
A New Face on our inprint is Alexander Aurel, The new rising star from Frankfurt played a spontanious 6 hours b2b with our resident Mathias Kaden at Tanzhaus West, and Mathias signed this unrelased tech monster Johnnys Voice right away at this night for Muna Musik.

With the guys from Wareika we picked another long time friend who allready played a couple of times for our club. Produced in a freaky, deep and super well deep minded way there come their track Propaganda. A journey into a style of music that you will never get bored!
Last but for sure not least is Micha Klang, the Master of our beloved Club Rakete in Nürnberg, who sent us a wonderful deep dub techno track that totally went inside our mind. Were happy to got this track to complete our new various artist.

*Repress*

As a young person growing up in West Yorkshire, my experiences of true underground clubbing became intertwined with names such as Back to Basics, 20/20 Vision and Carl Finlow. That period in the early 2000's became a life-affirming time for my young self.

Frequent trips to Back to Basics, then held at the Mint Club helped forge my outlook on electronic music and how it should be played in a club environment. I would often hear stories about ""the Farm"" and the late night parties and studio sessions. The anecdotes and tales of US icons recording in the countryside with the local guys provided only a small insight into the creativity and fun that must have gone on during those years. Cut to now in 2017, whilst looking back to those times more than fifteen years ago, I can proudly say that the dots have been joined and the connections now formally established.

I'm immensely proud to say that Carl Finlow, the understated king of British electro, and I, have put together a selection of his works that provides a themed snapshot into his musical history. The music I have chosen with Carl may not be all of his biggest tracks but it is the music that is special to me. The selection has a vibe, one that is deep and emotive, music for the head as well as the feet - Hope, you hear it in the same way (...)

Post pandemic dancefloor supplies incoming!?

Behind the control center is Interstate delivering our 12th record - a EP called "Easy does it"

3 gems - 1 record - you need it.

White Vinyl

“Jacopo Benassi plays Jacopo Benassi” is a performance where the photographer plays his body with radio-controlled microphones then samples them. At the same time, he takes photographs projected on a wall in real-time. The inner need to produce sounds not knowing how to play any instrument comes from the work realized in his former club, BTOMIC, where he met underground artists from all over the world. The album that comes from this work was created in collaboration with two great Berlin artists, Khan of Finland and Jochen Arbeit: the first worked on the performance mixing live the sound of my body, then both produced a remix. The work will be divided into two parts, A side and B side, with the original sound and the two remixes. The fanzine with photographs taken during the performance will be found inside the album.

Ever since he first stepped in the production game in 2013 with his self-released debut, Newcastle’s Junes has worked tirelessly on establishing an identifiable sound, exempt from ephemeral trends and bound to withstand the test of time. The Berlin-relocated Englishman now escapes from his home platforms Galdoors and Dote to land a round of his typically atypical dub blends and elegantly pared-down electronics on KOC.

A crisp, opium-scented bassy tech number in its own right, “Witching Hour” kicks things off to the sound of rattling darbukkahs, chirpy hats and thick volutes of Prince of Persia-extracted synths. A2 “Vessel” keeps the mystery intact with its curtains of randomly cascading chimes and bloopy signals gone astray.

Flip it over and let the title-track “Shifting Sands” work its stealth magic on you. Whereas the original takes us on a speleological ride across mineral chambers and bottomless spectrum depths where weird machine monsters and their warped cousins reside in relative tranquility, Aarhus-based producer and Help Rec. boss Central drops the hammer with a shuffling, oneiric reshape primed for an all-organic workout in the wild.

Marcel Vogel has cultivated a reputation for smooth, consistent and infectious Detroit-influenced dance music with attitude. The Amsterdam-based polymath blends live instrumentation and samples into groove-heavy beats, releasing across many popular labels while also running two of his own and touring across continents.

Having teamed up last year with Dutch producer and key-player Tim Jules for the raw single "Take Me Back", the two return with a fresh pressing on Shall Not Fade showing off their authentic soulful sound. Each track features a different vocalist, each bringing their own skill to the fore; in the title track, Alessandre's honey-sweet and porcelain-smooth vocal caress the playful keys for an instant earworm. "This is When I Leave" strips the sound right down until only the drum, like a heartbeat, and Khadija's wistful vocals remain, making for an intimate experience.

The B-side focuses on high-intensity instrumentals put together by Vogel and Jules: a breathless funk and rhythm workout begins in "Why Don't You Leave Me" with Hector Wijnbergen's infectious, powerful words taking centre stage. This headsy beat continues in "Like a Fish In The Water", LYMA's crooning subtly making an entrance and complemented by delicate guitar lines, building to a crescendo.

We are excited to share with you our next release produced by our label head Yves Bonjour

Vinyl only - Limited copies - No repress

Repress

Renowned record label and events brand Renaissance announce the next release in their acclaimed The ReMix Collection - a scintillating reworking of Jaydee’s 1992 R&S classic ‘Plastic Dreams’ from one of the leading names in techno: Producer, DJ & MOOD Records label boss Nicole Moudaber.

Nicole Moudaber’s spectacular and atmospheric remix of ‘Plastic Dreams’ is already receiving strong DJ support, not least from Carl Cox, who has been playing it out as a highlight of his recent sets.

A track that Nicole Moudaber had always wanted to remix, when approaching such an iconic track as ‘Plastic Dreams’, she applied her trademark tough yet melodic sound, emphasising the jazzy bass notes and famous organ synthesiser refrain, to deliver a fresh and vibrant reworking.

On her remix, Nicole Moudaber said: “I didn’t want to lose the essence of this ground-breaking track. I kept the balance between house and techno and added a little touch of jazz. I was in New York when I first heard it; I was dancing, I was flying, I was connecting with people, I was making memories. I believe I gave it justice, I certainly gave it a lot of space and respect of its original identity.”

‘Plastic Dreams’ will be available as a Limited-Edition vinyl, produced to go toward part of a highly collectable and beautifully packaged 6 release box-set (6th release dropping at Christmas). The release features Nicole’s mix on the A-side, whilst the B features a remaster of the Original Long Version.

The ReMix Collection celebrates Renaissance’s proud heritage which has seen the brand at the forefront of electronic music since its inception in 1992. The concept behind the collection is to put a fresh and exciting take on seminal tracks that are closely connected with Renaissance’s early years.

Clear Vinyl

Limited 200 copies / chrystal clear transparent vinylNot much information is available about Librah aside from the fact that the outfit hails from Sweden and that they released the critically acclaimed deep house twelve-inch '2BWU' on Parkwest in 2012, that brought the Deep House EP of the year for those true Loft heads and lucky clouds. 'Out of step", 'Timeless' music. Librah's follow up release on Yore Records is a sure sign of quality, however, and, true enough, My Love is 4ever is what every House Set needs. The perfect balance between deepness and punch. The release splits two Deep House tracks across its twelve-inch, transparent-coloured vinyl sides (limited to 200 copies), and supplements them with a digital-only bonus mix of the title cut. The material's mood is largely one of joy and uplift. The silky smooth title track quickly locks into its snappy house groove at the outset, and then pulls back the curtains to let the sunlight pour in. A bright theme imbues the skipping pulse with flavour, and the track rolls along for seven quietly jubilant minutes, its carefree spirit bolstered by a dreamlike vocal refrain and luscious synthesizer textures. Unspooling at a slightly slower BPM, the B-side's 'Gravity' opens with a sampled voiceover of grave character (When you live in a poor neighborhood, you're living in an area where you have to have poor schools / When you have poor schools, you have poor teachers...) before fixating on the tunes insistently swinging and hypnotic instrumental design. The digital mix of 'My Love is 4ever' packs a punch, too, especially when it pounds a bit harder than the original and sweetens the deal with a funky bass part and a twinkly keyboard riff.

Limited repress ! Motor City Drum Ensemble's DJ Kicks mix is the latest installation into the outstanding discography of Danilo Plessow, and is not to be missed. The addition of a selection of MCDE exclusive tracks, and the majority of tracks being rare pieces of music from Danilo's personal collection make this a mix of not only exceptional mixing capability.Danilo was always incredibly young with things. He started producing at the age of eleven—'way too early' as he jokes—having his first release out just five years later: Inverse Cinematics' 'Slow Swing', released on Pulver Records in 2002, and ended up finding its way into Ricardo Villalobos' record bag as well as onto one of the first Fabric mix CDs. An album under the same name and a string of EPs followed. Dailo's latest releases, the Motor City Drum Ensemble's Raw Cuts series in 2010, had the house music world responding strongly to the charmingly fresh and dirty sounding tracks, all mixed down in spontaneous two-hour sessions. Danilo has also released on top labels ranging from 20:20 Vision to Rush Hour as well as his own MCDE and Four Roses imprints, produced for Ben Westbeech and Rainer Trüby and never ceased to amaze with his challenging remix work for artists like Caribou, Jazzanova, DJ Sprinkles and Zero 7.

His understanding of how the parts of a track can work has never been more apparent than on his DJ-Kicks mix. In 10 years, playing 80+ gigs a year, including such temples as Berghain, Fabric London, Rex and MOS, he's absorbed dance history through hard and disciplined work behind the decks. Look at the opening selections of his DJ-Kicks mix to get a glimpse of his amazing ability to fuse totally disparate sound aesthetics into a coherent whole.

With the next months holding an extensive tour schedule for Danilo, dancers around the world will be able to experience his gift as a selector first hand. That is, before he gets back into the studio to start working on his first album as Motor City Drum Ensemble as well as a live act. All this will prove, just as his DJ-Kicks is doing now, that there is no such thing as stagnation in the ever-evolving cosmos of Danilo Plessow!






(Club Vocal)

(Dj-Kicks)

(Walter Gibbons 12" Mix)

White Vinyl Repress

Two consecutive #1's on the Beatport Top 100 has taken this special series of releases from strength to strength. Combining Techno's new breed of heavyweights with the perfect classic track, is a formula Renaissance are getting right time after time. Following on from Solomun and Tale Of Us's outstanding contributions, Renaissance turn their attention to the ever-evolving Maceo Plex for a remix of Remake's iconic 'Blade Runner'; a track featured prominently on the very first Renaissance compilation in 1994.Eric Estornel aka Maceo Plex has become well known for his mind-bending Techno sets and releases under various guises such as Maetrik. 2011 saw the Ellum Audio boss, release his debut album under Maceo Plex on Crosstown Rebels, 'Life Index' was met with critical acclaim and propelled the North American to success. Leading to him starting his own label Ellum Audio with a distinct Techno sound, whilst releasing his own music it's served as tool to champion those around him seeing releases from upcoming acts such as Agents Of Time and Shall Ocin.Speaking about the ReMix Maceo Plex, explains his love for the Neo-Noir Science Fiction Film Blade Runner's soundtrack and the inspirations behind the track:

'The original Vangelis, soundtrack for the movie Blade Runner is my all-time favourite cinema soundtrack and one of my favourite records from the early 90's is the cover 'Blade Runner' by Remake.' - Maceo PlexThroughout time artists, musicians and designers have all paid homage to the cult classic movie and its soundtrack which has inspired the minds of many. Now taking his opportunity through the ReMix collection, Maceo Plex has delivered a timeless edit for the Renaissance collection series. Injecting the signature Maceo Plex sound with pulsating bass lines and futuristic synth tones stabbing their way to the breakdown where we're met with all too familiar piano melody; transforming the original cover into a prime-time atmospheric weapon. 'I wanted to make my own version to honour this special music and add a little something personal in this new version' - Maceo Plex With the previous editions in the ReMix, both hitting #1 in the Overall Beatport Chart within a week of release, the Maceo Plex remix will be eagerly anticipated.
The vinyl release also contains Remake's original version as the B side.

AURUM the new member of the TELUM family has arrived.

Latin for Gold, AURUM is fully loaded with 4 golden tracks for the dance floor.

Support from Raresh, Cap, Barac, Petre Inspirescu, Cosmjn, Lizz, Arapu, Gescu, Cristi Cons, Dan Andrei and more.

Grab your copy now.

What´s that coming over the hill!
It´s Moenster aka Lexy & Gunjah back on the floor after their latest releases on MusicisMusic and Microtonal. The record´s name is even program: two beautiful hypnotic tunes getting remixed by Robag Wruhme (Freude am Tanzen, Musik Krause, Vakant, Movida) and Sascha Braemer (Supdub, Stil vor Talent, Shaker Plates).

Dance music legend Mark Archer returns with our own Shadow Child under the M.A.S.C alias with the Grandstand EP.

2 new slices of new dance floor hardware come in the shape of 'Grandstand' & 'Bumpy Shit', and the much in demand original 'Rise Up’ and instrumental is finally yours.

'Grandstand' pounds its way into the lead spot with earth shaking drums, acid lines and rave bleeps whilst 'Bumpy Shit' does exactly what it says on the tin.

RAWAX welcomes Thomas barnett to the family! It was more than about time to invite this great artists to our label. We are very happy to present you a great treasure from the past back on vinyl. It's the "Foundation Series Volume One". Originally released in 1997 on Visillusion Records, Detroit.

Time for the next instalment of our wax releases, DJ W!LD brings his Trans Europe Express to Roushlabel and it will be only the third release to feature a vinyl option as well as digital. The EP comes with three original tracks and remix from none other than Hanfry Martinez.

‘Half Way’ opens the release with an unexpected hint of rainy-day, coffee shop Jazz. The creative underbelly of the track is a culmination of long strings, emotive keys, Vinyl crackle and a cleverly cut vocal sample from an interview with Mobb Deep. Beyond that, the track exhibits pumping drum patterns, a subtle yet groovy sub and progressive layers of percussion as the record advances. A unique and truly special piece of music.

‘Trans Europe Express’ has a driven, locomotive feel to it. Rattling hats, punchy kick drums and a bright bassline team up with hints of acid and yet more creative, analogue sampling within the breaks. Another massively exclusive creation from DJ W!LD, showcasing his ability to put the ‘art’ back into ‘artist’.

Next up, ‘Peecome’ brings an 80’s-inspired vibe. The sentimental sounds of Roland’s original TR-808 and reminiscent sampling are laced with a powerful 4x4 beat in places and deconstructed for more of a swung rhythm in others. Carrying on the trend of the undeniably talented thought process when it comes to the arrangement and offering something truly different, capable of really turning some heads and pleasing the purists.

Lastly, Hanfry Martinez’s remix of ‘Trans Europe Express’ takes a deep dive into the rapidly growing realm of underground deep/minimal house. Dreamy pads pierce through a rough and ready combo of thudding kicks, arpeggiated synth lines, vocal cuts and of course a gritty,
attitude-laden sub bass factor. A solid roller with plenty of individual personality!

DJ W!LD’s ‘Trans Europe Express’ EP (inc. Hanfry Marinez Remix) is proudly presented by Roushlabel.

Long awaited reissue of the highly sought after debut EP from Future Sound of Melbourne (FSOM), now released by Madrid-based label Glossy Mistakes under the dancefloor oriented series Glossyfloor.

Originally released in 1992, this EP delivers a collection a rave infused bangers with hints of Breakbeat, Chicago House and riding Techno. The all-time favorite “Barefoot in Sidney” gets revisited by Kornél Kovács with a more straight-forward and euphoric approach. Along with the two peak hour blenders, B side comes with an effervescent and powerful remix of “Raving Mad” by the Spanish duo part of Ears on Earth, BF Treatment. Must!

Remastered by Damian Schwartz and comes as a very limited edition.

FUSE revisit Rich NxT’s debut album as they welcome Skream, Seb Zito, Guti and Rossi to remix Natural and Other Side from the highly acclaimed album.

FUSE look set to build on Rich NxT’s much-lauded album in notable fashion as they welcome electronic heavyweight Skream as he steps out on FUSE for the very first time,whilst welcoming the long-awaited return of long-standing FUSE family member Seb Zito who returns to the imprint for the first time since late-2019. A wonky, off-kilter, and warping affair, Skream’s take journeys down a twisting trail of elastic analogue rhythms, sweeping electronics and tripped out cuts of Shyam P’s vibrant vocal to take things firmly into after-hours territories, before Seb Zito’s slick interpretation harnesses an abundance of rich UK flavours as skipping garage-tinged drums meet hazy pads, resonant top lines and skittering melodies to close the show in style.

On the flipside the London imprint welcomes two close friends in Argentinian favourite Guti and rising-UK talent Rossi. to offer up fresh interpretations of NxT track ‘Other Side’ featuring Shyam P. Up first, the always excellent Guti offers up his slick and classy remix, welcoming a signature blend of rolling organic percussion beneath snaking top lines, groove-fuelled bass licks and Shyam P’s infectious and hazy vocals, whilst Rossi.’s no-nonsense remix sees the UK hotshot draw for rumbling sub-bass, icy hats and sharp drum licks throughout his driving take on the production.

Zosh! is no debut but its the first track since ages. Gunjah releases
a maturred record with his longterm experience from countless hours
behind the decks. With a lot of precision and clean arrangement this
is nothing besides the rest..its Techno on the point. The Remix is coming from a man who - like Gunjah - breathes electronic music since years: Daniel Stefanik. (Cocoon, Mobilee, Freude Am Tanzen, Moon Harbour).