House Vinyl New Releases - News

Beyond the Pub is a collection of tracks for the after hours. From drunken treks to the filthy kebab shop to outer body experiences in the icy wonderlands, Cosmic Pint Glass tells the stories that happened after leaving the Social House.

In Vol 1. Mark du Mosch adds tension, FRAK takes you on that boozy journey to the Kebab Shop, Julian G reflects on the beauty of a frozen wonderland and Lie of the Land takes you on a introspective acid journey. Trip!

Bambounou launches his own imprint Bambe with four mesmerizing rhythm cuts. Bambe will be a home to passionate minds roaming freely in a world of eclectic backgrounds. Driven through the ever expanding horizons of creation and technology, by any art means possible. Additional vocals on 'Up A While' by Manuel Hildebrand. Comes in a laser cutted sleeve and design by Dimitri Erhard.

Moment Cinetique return with the label debut of hotly-tipped Australian DJ/Producer Cassettes for Kids. One of the brightest talents emerging from the Oz scene CFK has already enjoyed Number 1 releases and big name support from his previous releases on SlothBoogie, Esuoh and more.

The EP's title Goldfish Feelings brings a different angle to his output with an abstract and euphoric production containing infectious vocal and analogue layering to create a unique standout track.

One of the busiest and most prolific DJ/Producers of the moment, Tilman provides a remix of the title track, adding his high quality dancefloor-ready production to the main theme.

The B-Side sees CFK provide two club ready tracks that he is recognised for with the deep disco vibe of Wax Love and the heavy-basslined intoxication of Remaining Strain.

Despite chiefly being known as an artist who moves dancefloors, Joris Voorn has always made clear his intentions to be known as more of a musician in the traditional sense. Steadily releasing three acclaimed studio albums that display his keen sense of musicality, mood and arrangement, he has proved that he is highly accomplished at providing more than just dancefloor fodder. His fourth album ‘\\\\’ four is now ready to be unleashed: the glorious pinnacle of his studio efforts to date. Where his first two albums ‘Future History’ and ‘From A Deep Place’ saw Voorn draw inspiration from Detroit Techno, this new album finds its inspiration in the European electronic scene of the mid-’90s. From the crossover success of acts like Underworld, The Prodigy and Orbital through to bastions of hard techno and ambient like R&S Records, it’s the fertile and rapidly-evolving sounds of his formative musical years that he has looked back on with such reverence for this majestic record. “I believe the mid-90s was the most inspiring time to be listening to electronic dance music” he says. “Artists were discovering new sounds and genres every single day, never again has there been so much innovation in such a short time. Where in the very early-’90s it sounds like most producers were still using their equipment in quite a basic way, around ’94/’95 the same artists mastered their instruments and studios to create masterpieces that still sound inspiring 25 years later. I’m glad to have entered my musical journey in just the right time.” states Joris. The backslashes of the title refer both to this being his fourth album experience and a nod to the design of the ‘V’ from Voorn in his logo. “Like my previous albums, it’s a collection of tracks that I’ve worked on over the last few years” says Voorn. “Some even date from before my last album ‘Nobody Knows’. As an electronic music artist, I’ve always worked on many different sounds, whether it’s dance music or more atmospheric or experimental melody driven music. ‘\\\\’ is no different in this.” Featuring collaborations with Voorn’s heroes Underworld, British trip-hop outfit HÆLOS, the South African poet Lazarusman and Dutch pianist Michiel Borstlap, the record exercises his wide variety of tastes. From tried-and-tested dancefloor workouts through to introspective, languid compositions, it’s a beautifully varied package. Guitar plucks rub up against delicate synth arpeggios, crashing breakbeats contrast soulful vocals, dulcet piano tones glide over ghostly hip-hop rhythms and classic techno stabs permeate among atmospheric pads. While texture and cadence vary, it’s the melodic content that ties the record together. “As always in my music, melodies are important on ‘\\\\’. They are what defines me as an electronic music artist the most. The album features some tracks I’ve played out in my sets for a long time — which represent my work as a DJ and dance music artist — tied together with tracks where the drums are less prominent and melodies or synth arpeggios are the driving force.”

No Waves is a new label based in israel focused on Deep & Dubby sounds First release is by label owner Stephan Bazbaz who delivers 2 tracks with a solid groove and a spacey dub atmosphere, followed by a superb remix from Oskar Offermann.

You have reached the Infolines. Tonight, we send you on a journey packin’ east to play in the magnificent halls where thespians and rock & roll once played. ‘The Theatre’ features a compilation of cuts that inspire those who listen to sweat in the soon to be humid weather of Detroit.

Bendersnatch is back again, this time with their funky groove ‘Vice Versa’, tooled as a call to the dance floor with a kick that cuts, and bleeps reminiscent of the second wave of techno. Remote Viewing Party brings us a break beat rhythm joined by instrumentalists Ezuch & Bcota with ‘Outpost’. The duo brings shows us their depth creating an atmosphere that will bring you chills, and tears that you will probably think is sweat running down your face. Newcomer Dev-Lish is joined by Maxlow with their head banger ‘Faith In The Machine, in a collaboration inspired by the Detroit birthed genre ‘sludge’. Evil grinding tones with huge bass and dark vocals will make you want to breath. Last, but not certainly least is Francois Dillinger. This artist has been churning out his art and making waves in the electro and techno communities. He brings to the table ‘Lost Loops’ with nothing short of huge bass, large spatial tones designed to hit all frequency ranges leaving room for the crowd to breath while being taken on a journey.

As always, keep an eye on this space and be sure to call in for the waypoint to the party.

You have reached the Infolines. Tonight, we send you on a journey packin’ east to play in the magnificent halls where thespians and rock & roll once played. ‘The Theatre’ features a compilation of cuts that inspire those who listen to sweat in the soon to be humid weather of Detroit.

Bendersnatch is back again, this time with their funky groove ‘Vice Versa’, tooled as a call to the dance floor with a kick that cuts, and bleeps reminiscent of the second wave of techno. Remote Viewing Party brings us a break beat rhythm joined by instrumentalists Ezuch & Bcota with ‘Outpost’. The duo brings shows us their depth creating an atmosphere that will bring you chills, and tears that you will probably think is sweat running down your face. Newcomer Dev-Lish is joined by Maxlow with their head banger ‘Faith In The Machine, in a collaboration inspired by the Detroit birthed genre ‘sludge’. Evil grinding tones with huge bass and dark vocals will make you want to breath. Last, but not certainly least is Francois Dillinger. This artist has been churning out his art and making waves in the electro and techno communities. He brings to the table ‘Lost Loops’ with nothing short of huge bass, large spatial tones designed to hit all frequency ranges leaving room for the crowd to breath while being taken on a journey.

As always, keep an eye on this space and be sure to call in for the waypoint to the party.

A four track vinyl sampler of the new compilation series from Crosstown Rebels, allow us to introduce Spirits. Label founder Damian Lazarus has compiled what he describes as 'a fresh psychedelic journey into the mind', aiming to bring together a collection of new artists from both his imprints.

Opening up is Audiojack's 'Reverie'; a heavy kick from the start is succeeded by spoken word on the subject of meditation sets the scene appropriately. dubspeeka's 'Lyssa' is next up with a sturdy bassline, eerie synths and a haunting melody reminiscent of yesteryear.

On the flip and Alice Rose seduces in 'Another Way' produced by Raw District. Her voice, similar to that of Bjork, perfectly encompasses the heavy bassline and hard-hitting percussion.Finally 'Be Mine' by Siopis featuring Ellbee Bad gets straight into the action with hard-hitting reverberated low notes, steadily building up through sentimental vocals and enticing synthesis

one per customer - limited to 150 copies on black vinyl

Rovas imprint is back with the first solo ep from the Argentinian young talent JUAAN after his release in Abstrack Future's split.
Mysterious sounds and sequences shape into hypnotic melodies, with 90' touches and powerful basslines turn this energetic release in a dance floor's killer.

Linkwood's debut album System from way back in 2010 finally gets a timely reissue on his own imprint Night Theatre.

Fresh with a new two colour screen printed sleeve and a couple of track changes, the album (in his own words) 'is how it should have looked and sounded the first time around'; occupying an important transitional space between the highly collected early Firecracker 10"s and the crafted Linkwood sound of today.

new keinemusik records with great support by Tiefschwarz, Popof , Dubfire, Monika Kruse, Steve Lawner, Someone Else, Solomun (Diynamic), Kiki, DJ Emerson, Patrick Lindsey, Joris Voorn, Claude Von Stroke and many more!!!!

For our third release we have a 4 track VA from another batch of mysterious artists from around the globe!

Dutch producer Chris Stussy has been seriously busy in the past couple of years dropping slick and slender tech house on labels like Eastenderz, Rutilance, Djebali and Moscow Records. Now he appears on Constant Sound with yet more sophisticated dancefloor gold. "Take A Leap Of Faith" leads the charge with a driving yet delectably dubbed out take on peak time tech house, peppered with vocal slices and a cheeky acid rub. Relic offers up a remix that straps a sharp, swinging garage house beat to the track with excellent results. "Point Loma" is a funky workout with some cracking slap bass hits, and "Limerence" gets a little quirky without losing that immersive atmosphere of the lead track.

Following on from 2010´s critically acclaimed album "Inside", Spanish duo Aphro and Pablo Bolívar aka Pulshar return to Desolat with the "Different Drum EP", and all four tracks showcase the deeply hypnotic yet richly soulful sounds which the duo are synonymous with. Opener "Wasting Time" is a collaboration with Desolat label head Loco Dice. The track, which was creating during a jam session between these friends, is a deep and twisted journey, with ocean-deep sub-bass, and features Loco Dice´s own distorted vocals which echo in and out of the music. On "So Tired", Pulshar have expertly crafted a captivating rich soundscape packed full of warm textures and atmospheres. "Different Drum" is a similarly engaging and uplifting track complete with soaring synths and crisp drums. The 12" is rounded up by the standout "She´s Got A Ticket", with its infectious groove, rich sounds and contagious vocal layered over its psycadelic rhythm. On "Different Drum" Pulshar have demonstrated with aplomb why over the last few years their distinctive and soulful brand of psychedelic electronic music has been turning heads and moving
dancefloors.

With several collaborations already under their belt, including 2017’s esteemed Implications EP, Gruuv-bosses Audiojack and American-talent Kevin Knapp make a return to Crosstown Rebels in February with Under Your Skin. The release, taken from Audiojack’s forthcoming May album, includes a club edit of the single as well as a remix and dub version courtesy of Hessle Audio mainstay Pearson Sound.

The club cut of Under Your Skin takes the lead, pairing punchy kick-hat combos against a tension-building breakdown before the hard-hitting four-four bassline is swiftly brought back in. The single version comes next, taking no prisoners with a breakbeat backbone that brings Kevin’s lyrics to the forefront, paving the way for UK-talent Pearson Sound as he serves up five minutes of glitchy, dancefloor-ready breaks on the main remix. Rounding off the release is the Skeleton Dub, a
tripped-back late-night creeper that showcases the UK-talent at his best.

Leeds-born Ibiza-based Audiojack have been carving out a unique sound for over a decade. Earning their stripes with several standout releases on 20:20 Vision in the late 2000s, it was in 2010 that the duo launched their own label, Gruuv, welcoming the likes of Bushwacka!, Pawsa and Josh Butler in recent years. US-native Kevin Knapp is a leading figure in the contemporary house sphere, having cemented his standing as a true heavy-hitter with recent productions on Dirtybird and Repopulate Mars. London-based Pearson Sound has established himself as a prolific producer over the years with an array of standout releases on Hessle Audio, including this summer’s Alien Mode, as well as on his own self-titled label.

Dirtybird almost never puts out a 4-track EP. But Nikki Nair’s “Power Tool” is an exception we’re glad to make

Claude VonStroke was recently turned on to Nikki Nair by watching Nala's TV Party on the Dirtybird Live streaming network. She played one of his remixes and immediately VonStroke became infatuated with his sound. A cross between breaks, drum & bass, and old-school Dirtybird vibes, Nikki became an instant favorite. His 4-track EP “Power Tool” is a hot record foreshadowing the label's future direction in 2021 when the rules will get loose and its not all going to be about tech house anymore.

We are pleased to announce the next vinyl only release on Pathway Traxx and an exciting new direction for the label focusing on the more minimal/tech side of house while still maintaining its true house roots. Label owner Niko is accompanied by underground house hero Nima Gorji and the in-form trend setter Primarie from the formidable Tzinah Records.

Numilume Music, second episode.
Two brand new tracks by Numilume

Rising Dutch talents Chris Stussy & Toman reveal their collaborative ‘Timewriter’ EP on new FUSE imprint LOCUS this July.

A leading collective at the forefront of the UK electronic music scene for over a decade, FUSE and label founder Enzo Siragusa continue to set the standard when it comes to releasing consistent and quality underground electronic music alongside hosting stand-out global events which encapsulate the brand’s principles – and 2020 has been no different, revealing a complete refresh to the core label whilst introducing a new project into their family tree. Launched by Siragusa and team to kickstart summer, new label LOCUS’ ethos will welcome material from across the house sphere, uncovering new music from rising talents and showcasing material from leading names alike. Having welcomed emerging Italian talent and Infuse artist KOKO to launch the imprint, the label now welcomes two of Amsterdam’s hottest property as PIV co-owner Chris Stussy and ever impressing No Art regular Toman combine to offer up their collaborative four-track ‘Timewriter’ EP to open July.

Title cut ‘Timewriter’ opens proceedings in classy fashion as hazy chords and bumping low-ends meet sweeping synths and infectious, filtered vocal hooks, whilst ‘Serendipity’ combines chunky bass licks alongside further delicate vocals and track accents throughout. On the flip, the lively ‘Zerlon’ ups the energy levels and journeys into a hypnotic trip through evolving lead lines and warped electronics, before closing with the wonky, off-kilter programming of ‘Boiling Point’ – a twisting production guided by organic percussion licks atop of cavernous bass hits to offer up an entrancing cut perfect for the after-hours.

repressed !

Giammarco Orsini & Pancratio take us on the first trip to Avyon Part II.

The 27th of March will see one of this year’s most sought-after releases, as Paradise founder and Hot Creations head Jamie Jones teams up with long-term friend and Paradise resident Alan Fitzpatrick on Fairytale Frequency. The stunning two-tracker is the debut collaboration from two of electronic music’s most in-demand talents and, as expected, the end result is an outstanding offering that showcases both artists at their best.

The lead track Fairytale Frequency instantly showcases the bespoke sounds of both artists. From the get-go we witness the tell-tale signature of Jamie in the tribal drum patterns and whispering female vocal hooks, whilst Alan’s trademark club sound comes through in the pulsing, acid-twinged lead synth. Sundancing rounds things off. Soulful and soothing, the track is reminiscent of Hot Creation’s early days with it’s warming bassline and deep, emotive vocals, as gentle hats converge on light kicks to form a Baleric-inspired closing cut that tugs deeply on the heartstrings.

As a world-renowned DJ and producer, head of Hot Creations and founder of the global Paradise event series, Jamie Jones has etched out a legacy on electronic music that few can attest to. His personally curated Paradise series offers an international showcase of house and techno’s most recognisable artists. A long term Paradise resident, Alan Fitzpatrick has risen to the upper echelons of electronic music with a constant stream of outstanding releases on the likes of Drumcode and his very own We Are The Brave label.

We salute our 20th release by returning to where it all began: with one of SCDD’s co-conspirators and the inaugural release for the label, Mall Grab.

Steel City Dance Discs Volume 20 dons four tracks packed with MG’s synonymous energy and attitude – serving as a beacon of light amongst the swamp that be.

Posthuman makes his Food Music debut with the infectious “You’re Mine”.

The Frank DeWulf-esque stabs and swagger from this tune have already had many "ID?” requests from people since airing on Rinse FM and a DJmag social media video over the last few weeks and months. Posthuman has taken his sound to a fresh area which is complimented by remixes by none other than Luke Vibert, with an ice-cool swung-groove, Black Girl/White Girl with a full on pounding Techno workout and on the digital package, newcomers Mac & Ward do the big room House thing to perfection! In addition we’ve included “Find Me On The Edge of Town”.. an acid-kissed piece of Techno which sits the cherry ontop of an awesome release for us on Food.

Strahinja Arbutina is fast becoming one of those artists you need to keep your eye on. With his first vinyl release on New York's industrial label Bank last year, he has no issue with making your ears bleed. Here he dons 4 tracks for Vivod and they're all brutal. First off is Way Ahead, straight up 4/4 industrial techno. A2 is the aptly named Croatian Households, more of a broken piece but still haunting in its rhythmic neg dynamics. B1 is Labud Loop, probably the most accessible track of the 4 as it's nearer to straight up techno, fans of Levon Vincent will like. Closing the ep is K stands For... with a slow burning break beat and vocals screaming incomprehensibly, awesome track, awesome ep. This is the hardest one for Vivod so far surely!

Kevin De Vries delivers big room drama on his 'Aratak' EP for Afterlife Recordings. Spirited synth lines, drum rolls, gripping moments of silence and weighty kick drums make the title track of De Vries' Afterlife debut formidable club gear. 'Sciamachy' is more subtle, centred around a euphoric arpeggio which spirals to its apex. Konstantin Sibold contributes a fine remix, toning down certain elements of 'Sciamachy' to let others shine. It completes an EP that brims with energy and dancefloor dynamism, a hugely exciting first full record for De Vries on Afterlife.

Ed Banger records is proud to announce the release of LAURENT GARNIERís NEW EP

All That Music is proud to present our first Vinyl Only release from Yogi P. Yogi P has been on the All That roster since the birth of our label 2019, We are proud to have him on board with his first vinyl release on our imprint.

After several remixes by big DJs in the past, now DJ Koze and Ricardo Villalobos remixed 2raumwohnung's first single - Somebody Lonely and Me' of the upcoming double album - Nacht und Tag'.

2raumwohnung always moved between club and pop music - which is why their live shows always celebrate the nightlife roots of their sound. In the past big DJ names like Paul Kalkbrenner, Westbam, Paul van Dyk, Solomun etc already mixed their songs. Now DJ Koze and Ricardo Villalobos remixed the first single - Somebody Lonely and Me' of the upcoming double album - Nacht und Tag' - enjoy!

From his Innervisions debut four years ago, Aera’s productions have only become more complex and melodically inspired. With a title that speaks to the life force inhabiting all beings and things, his return, Prana EP, is imbued with the instincts of a storyteller across six sonically different yet interconnected micro-worlds.

For the next Mind Dance excursion Frank delivers Venom Viper; a five-cut genre defying ep full of raw emotion, gritty vocal recordings, obtrusive baselines and addictive melodies. For club use and/or home listening.

Jacob Groening’s debut EP for Kamai Music takes the listener on a trip
out into the wide open, a journey through wild sonic landscapes. The
title track - „Sulg“ (A1) sets the mood. A blurred picture rendered
through a minimalistic instrumentation of echoing saxophones, guitars
and piano. It oscillates around repetitive themes that range from oriental
sounds to reduced blues chords like in „Giom“ (A2).
The B-Side shifts away from this and shines its light on South American
influences as in „Sosa“ (B1) and the remix „Sulg“' (B2) by the Argentinian
producers„Kermesse“. Groening's approach to his productions, ranging
from down to midtempo, is characterised by its use of live recorded
instruments, well tempered minimalistic percussions and rich melodies
that take the listener on a voyage into the mind's very own comfort zone.

Originally released back in 2008 - Mosaic Classics is a beautiful selection of 5 tracks that were recorded in the late 90s by UK dub techno legend Steve O'Sullivan. Those were some of the tracks that shaped the house-techno sound in the early 00s and remain relevant many years later... timeless music! 15th Anniversary - Clear vinyl collectors edition.

repressed !

Kling Klong celebrates its 10. birthday with the selections of their biggest selling tracks & remixes from the past

Alexander Kowalski makes his debut on Vince Watsons Bio Music imprint with an awesome EP.
Berlin resident Kowalski has been at the forefront of the German music scene for many years, playing all the big festivals and events across the world for over a decade. With his huge discography, most notibly for his releases on the seminal Kanzleramt label, as well as his own imprint Damage Music, Alex has generated a massive following and fans will not be disappointed with this new EP. His recent collaborations with fellow Kanzleramt resident Diego are nothing short of mindblowing and Alex has taken that form forward into this new EP, Green Eyed.

Opening with Falling Down and the title track Green Eyed, both are a perfect blend of old with a modern twist of new and this is as good as it gets from Kowalski, taking his signature sound and tweaking them for that Bio influence. The Garden of SEM takes a different approach, and slows things down into a deep atmospheric groove which takes you on a real trip from start to finish. We only Wish Alex had released more tracks like this as its shows his true talent in making deep beautiful music.
Finishing off the EP are 2 digital only bonus cuts of Falling Down Spiral and Green Eyed Escape. Falling Down takes a similiar route as Garden of SEM, but Green Eyed Escape is a 5min ambient piece which matches beautifully with the rest of the EP to complete what is a quite awesome release from this very talented producer. Exceptional stuff. Expect to hear this on dancefloor and radio imminently.

Burnski brings it on home with a new drop for his label Constant Black, showcasing that chunky, dynamic tech house sound that he's made his own for decades now. From the driving immersion of "Process" to the skeletal machine funk of "Systems" and on to the rabble-rousing jack of "Long Train", this is Burnski doing what Burnski does best. He switches stance for EP closer "Effect", which brings a beautiful dub techno variation to this classy 12" with the inimitable voice of Paul St. Hilaire ringing out amidst the metallic chords and subby bass.

After "III" Dusty Kid is back with a new album that is a trip and homage through and for his native land, Sardegna. "The Arsonist" anticipates this trip from its most dramatic part, touching upon an issue that haunts the island every summer: arsons. Setting itself apart from the contemporary techno music trends 'The Arsonist Part II" delves into 90's trance, reminiscent of legendary Jam&Spoon and rave parties. An intense explosion of pathos reminding us of the glorious Loveparade to describe a dangerous situation, a desperate attempt to save the Sardinian land. The pathos peaks with "Doa" when the fire leaves behind utter desperation and desolation, ashes and smoke. "Doa" is another stage in this new journey for Dusty Kid. It is an emotional and melancholic stop, drenched in the magic of the spaghetti western genre, honoring Morricone that has always been the artist's idol. The track is dedicated to the date of July 18, 1983,  when in the north ofSardegna the worst arson happened; here 9 people lost their lives and 15 reported terrible burns in the attempt to extinguish the fire. This has later become the European date to raise awareness against forest fires. The EP ends on the balearic notes of "Serpentara', little abandoned island in the south east of Sardegna, that represents a small batch of land that is untouched by men, their doings and their fires. 'Serpentara' recalls the likes of "Sueno Latino', the summer of love '88 and Ibiza, when ravers wanted to take a break from the hysteric acid house and needed softer and dreamier sounds. Dusty Kid is back with a masterpiece that cannot be missed, a perfect soundtrack to the Summer of 2015.