House Vinyl New Releases - News

Sister label of HouseOnWax.

Inspired by the early white label house music releases.
Vinyl only, limited copies, no digital promotion.

The first Various Artists vinyl “H24001” presents European heteroclyte artists.

An exploration of different sides of the minimal music, based on organic, jerky and experimental rhythms.

An avant-garde universe composed of concrete and electroacoustic music.

Mimush - Timex - Groovy atmosphere in a transposed matrix.

Pedro duarte - Ion snow - Dynamic rhythm and groovy bass line, perfect combination for the dance floor.

Prajescu - Ynzsynj - Mythical journey in an universe without gravity.

Simon - Survive - Projection in an experimental break and vocal minimal shifted.

Taken from a Detroit Underground CD on FAMILIAR RECORDS (FMLR 001) first issued in 1999. Only available direct from DETROIT, USA as part of a very small run of self released CD's. All music is by local Artists. The original FORWARD Album was 10 tracks. We selected our favorites and remastered four tracks for release on the Preservation Sound label in 2020. The music spans Club Techno and Electronica. Cover Art are photographs of "Detroit In The Rain" by Chrissie Clees, who originally sent me a copy of the Album. Ltd Edition of 303 with Full Art Cover.

For our 6th release, we have a 4-track coloured VA from another batch of great artists.
Kreutziger - Max (Italy) - Ki.Mi. - DC Dubz

-Restricted copies 200 only
-Vinyl only
-No repress
-Coloured Edition

Belgium's favourite underground house DJ Red D celebrates the 10 year anniversary of his We Play House Recordings label with 6 vinyl samplers containing new tracks and some very wanted gems from the catalogue. Artists featured are San Soda, Fabrice Lig, FCL (featuring Lady Linn), Kiani & His Legion, krewcial, Reggie Dokes, Raoul Lambert & Nacho Marco, Art Of Tones and many more. Voices Near The Hypocentre
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About We Play House Recordings

We Play House Recordings - WPH - is the work of Belgian DJ & producer Red D. Started 10 years ago to release the music of his friend san Soda, the label had (and has) the aim to release house music in all its shapes and forms. WPH's house ethics date back to the days where house was just a name for music that was played in clubs. There is no such thing as tech house, no such thing as deep house or minimal, there is simply (house) music, good or bad.

We Play House Recordings is lovingly led by Red D (real name Bart Van Neste), one of Belgium's leading underground music figures. Be it in his role as DJ, A&R, promoter, music panel host or general nitelife instigator, Red D does things with passion, humor and a healthy dose of keeping-both-feet-firmly-on-the-ground...with a twist...

WPH was started in 2007, so it takes no math genius to know that in 2017 the label is celebrating its 10 years anniversary. Running from the spring till winter 2017 this anniversary will be celebrated with special vinyl releases, a triple CD, a digital compilation, a Spotify playlist and a series of label nights all over Belgium and beyond. True to form the compilation will have WPH classics but also a BIG bunch of new material from core artists of the label like Locked Groove, San Soda, Kiani & His Legion, Fabrice Lig and many more.

Repress

Joakim Cosmo is back with another record crammed with wonky and weird numbers. It's obvious right from the start that Joakim Cosmo has a passion for machines and it seems he's having a jolly good time churning out his own version of Chicago music from them. Fissens lockvral is the kind of track that makes me want to grow a big ol' moustache and join a motorcycle gang of leather freaks. Tough drums are being propelled forward by an even tougher bassline while FX sounds and bleeps are being ignited and thrown into a whirlpool of echoes. Gagarin is pretty close to the Norwegian disco we have danced to so many times but with distinct Chi-town influences. That cool Spanish voice sample that reveals itself in the break makes me think of Ramirez. Brugte Boner is going to set some dancefloors on fire! Perfectly shuffled drum machines with a ba-dom-dom voice bobbing along with them. I think this is what Fettburger refers to as basketball house is Cosmo is keeping it well rejuvenated. Vocoder nonsense is my best kind of nonsense and that is what Sabdoo Chimaa is all about AND then on top of that Joakim is jazzing it out on the keys. WHAT?! Before you've had time to contemplate that Mr Cosmo has already sent you on the next trip. This time to froggy space. How do you like that, huh? Sci-fi synths glide past like shooting stars while you are floating happily in the Milky Way bumping into echoed messages from the final frontier. CAN. NOT. WAIT. TO PLAY. THIS. OUT! / Yours truly, Sahpo Ripasso

Breakthrough British DJ and Producer Josh Hvaal touches down on the formidable Hot Creations label this February with two striking cuts ready to be unleashed on the world.

On The Sound a pumping kick and spirited hi-hats lead into a dizzying synth line, progressively more frenzied pulses of electronics are thrown in and collide to create dance floor pandemonium. Stan Smith features more lively percussion, classic rave stabs and bright samples to produce an anthemic melody that moves with bounce over a jacking bassline.

2020 looks set to be a big breakthrough year for 24-year-old Josh Hvaal as he makes his mark on the underground dance music scene. He has already amazed audiences with appearances at Stealth, XOYO, EGG, Lab11 and Lightbox.

His unique and extensive catalogue of high-octane club-ready music influenced by the likes of Paul Johnson, DJ Deeon and DJ Haus has already hit some of the most renowned clubs and festivals in the world, being played by Jamie Jones, Richy Ahmed, Latmun, Pawsa, Seb Zito and more.

After catching the eye of Jamie Jones with his original and unconventional productions, he was immediately signed for this debut release. With planned releases on Hottrax and his label Forum records still to come, expect to hear much more of Josh as the year unravels.

RED VINYL REPRESS X 300 UNITS

Mr. Fingers classics from 1986. Re mastered versions from the 'Traxbox' compilation.

Audio restoration by Arjan Rietvink's Digital Mastering. Released in conjunction with Trax / Harmless.

repressed !

Do you believe in conincidences

I don't - anymore. I used to believe in conincidences but I've learned that evertyhing happens for a reason. And that everything in life happens for you, not to you.

So, I have been busying myself with the idea of an remix album of classic tracks of mine for quite some time. But I struggled with the selection of tracks and which remix artist to pair with which track. Until certain people entered my life. Some of them I only - met through their music on social media and never in person, others I met briefly, like in a car to a festival and some I started to hang out with and they became real life friends. All of these people connect with my music and I feel drawn to their music and in many ways we insprire each other. As a natural result this remix EP took shape and I am excited to present it to you. The record contains four remixes of tracks from my back catalogue that cover a period of 20 (!) years, from my early days on Bush in the mid 90s to my first label Spiel-Zeug Schallplatten in the 00`s up until now, where I run Electric Ballroom from Berlin. With love. Thomas.

repressed !

It is with great pleasure that we welcome back Victor Ruiz to Electric Ballroom. This time the Techno Don from Brasil teams up with K.A.L.I.I.L. and the two serve us modern Techno of the highest order.
- I was so excited when Victor send me the new tracks, I am still playing Draco and Serpens from his first EP on Electric Ballrom and the new tracks are already stand outs in my dj sets of late"
(Thomas Schumacher)

After two strong releases from upcoming talents, Innellea and BOg the third offering on TAU comes from label heads, Adana
Twins. 'Risen' sees the Adana Twins signature sound delivered in the form of a 3-Track EP, aimed firmly at the dancefloor with
thunderous rolling drum beats and stabbing synth tones.
Simplistic in nature, the Adana Twins have stripped back their sound to provide an EP which at times touches on influences from Trance. Opening track 'Pavan' displays these features best, as the synth tones build into a firm and solid kick drum. The song was a highlight in Adana Twins' recent Watergate mix release and much sought-after by DJs and fans alike. Now the track is finally available. 'Maestro' delivers a more robust sound, with heavy bass line primed for the peak time hours. 'Ebrietas' showcases Adana Twins finer abilities to mix between the lines of Trance and Techno, incorporating the industrial nature of the duo's previous productions. The EP has been the Adana Twins secret weapon within their record bag for many months, delivering countless spine-tingling moments on the dancefloor. 'Risen' EP demonstrates that the foreword thinking duo are in tune with the times, whilst also pushing forward their own unique sound.

Friends with benefits: andhim follow up their exceptional ‘Duno’ EP with another Superfriends excursion. This time we’re heading west to the heart of South America as the German duo pay homage to the Argentinian capital with ‘Buenos’ and ‘Aires’… And more.

‘Buenos’ takes the lead with a dynamically layered percussive odyssey laced with a dizzying array of pipes and chimes that weave in and out of each other majestically and hypnotically while ‘Aires’ takes the same pattern but weaves a whole other narrative layer with Latin pianos and heavier percussive work. Tailored for pure mixing pleasure – you can swim between both versions to create the ultimate ode to one of house music’s most sacred spiritual homes.

And once you’ve done that, flip to ‘Last Dance’. A track that will enrapt a crowd from Buenos Aires to Brooklyn via Brixton or Berlin, the title speaks volumes. andhim describe it as “a real hymn.” and “a salute to all the dancers still being on the dance floor when the lights go on.” They’re not wrong; there’s a sense of unity, hope and warmth pumping through those stately chords as we rise and rise to the point of levitation. Last dance of the night… First dance of the morning. These are the sounds you make true friends to. These are the sounds you need this summer….

With his One EP still getting love from the likes of Spinna, Jamie 3:26, Joey Negro, Osunlade and many more, Jimpster strikes back with another release to lift spirits during these unprecedented times. Produced during the first few weeks of the worldwide lockdown, it was his intention to
spread a message of positivity and optimism which can be felt on title track Smile For A While. The overall mood of the track has a slightly ambiguous yet heartening tonality, with a filtered looping vocal sample taking centre stage whilst piano lines and analogue arpeggios layer up adding depth and texture. The subtle and seductive groove will draw you in and its warmth and soul will make sure you smile for a while.

Flipping over we have Echoes In My Head which takes a more percussive approach based around a rolling bassline and crunchy live hihats. Taking a slightly darker route, Echoes In My Head feels like Jimpster has successfully managed to get all his influences to meld together perfectly to form something cohesive and substantial. His love of 90’s ‘intelligent techno’, On-U sound, early US house, ambient, all going in the melting pot and forming a track which we’re sure will be something of a secret weapon for many DJ’s. Just the kind of track that can completely hypnotise a discerning dance-floor during the hazy hours.

Closing out the three track EP we have the Head In The Clouds Mix, which is an alternate version of Echoes In My Head which heads in a more soulful direction. Piano chords and a bending bassline grab your attention whilst a percussion-heavy groove and dubby elements create space and depth to draw you in and ensure you get lost in its heady confines.

Manchester native and distinguished groovemaker Josh Baker steps up and delivers another edition of the PIV limited series ongoing saga. The A side pushes 2 distinctly original cuts with "Immediate One" as the knockout blow for the pair. Flipside remixes done by the exceptional Michael James and label directors Chris Stussy & Prunk guarantee no regrets for anyone while creating crate space.

The time has come for us to surprise you guys again! We’re excited to announce our new release with 4 amazing tracks from our good friends. We’re pretty sure you’ve heard and danced on them at festivals before.. and we can’t wait to do that again, together! Enjoy!

Limited edition 12’’ club orange-coloured vinyl with transparent sleeve

Knock Knock Knock Knock Knock Knock Knock ...

Longtime friends and production partners Ali Çakir and Soren Jahan launch their new label Hörru with a 4 track EP. Hörru will focus on releasing vinyl from Düve as well as personal projects from Soren, Ali and friends. Konsekvenser is a reduced house banger for the club, 808 live jam style. Nej takes things a step back and with a little more attitude, saying no to you in the crowd. Uzay Kök is a hard dripping trance exploration. Beluc closes the EP with a dialog between voice, flute and Eliot Bates on the oud.

Jack Pattern ist ein Trio aus Zürich, welches sich analogen Soundmaschinen und dem Produzieren intergalaktischer Töne und Grooves, sowie dem gelegentlichen Auflegen verschrieben hat. Sie betreiben außerdem ihr eigenes Label Lust Poderosa. Diese Jungs lieben den Moment oszillierender Wellen. Es geht nicht um Purismus, es geht darum, das auszuleben, was sie fühlen: Liebe, Beschleunigung, dann Euphorie. Deeper acidoid-rauer Cosmic Disco und House, sowie düster-trippiger Techno zeichnen diese 4-Track-EP und ihr Debüt auf Drumpoet aus.

First release and sensory trip into flmmaker and DJ producer Paulo Chinatown's mind. An hologram of the Berlin crash experience rendered for your ears, eyes and hear.

2020 Repress!!

Cult underground crew BAR Musica return with more gold, this time from label head Bartolomeo with two original tracks and a super remix by Romanian wizard Priku.

Italian Bartolomeo has studied classical music all his life and brings his love of jazz, blues and plenty more to the electronic world. He has released on key labels like Claque Musiqe and Crosstown Rebels but saves this one for his own imprint.

Opener Castellammare is silky and seductive, with slippery synths and stripped back, rubbery drum programming really making for a hypnotic vibe. It is perfect late night dancing material with bumpy grooves while Proprio Tu is an inviting sound world of modulated synths, hiccuping drum loops and freaky vocal sounds. The devil is in the detail of this one which is designed to seep into your brain and stay there.

Closing things out is cult favourite Priku, who ups the ante with his corrugated drum lines and scattered synth effects on a fantastic remix of Castellammare. It's a heady track that oozes class.

Here are three high class, high quality house tracks for the ones who like it deep and heady.

Heavy weight Furthur Electronix artists compilation to celebrate the birth of label owner Anil’s daughter Vera. Limited copies..

Formed in 2007 by Jakob Seidensticker, Florian Schirmacher and Henrik Raabe, Wareika was accidentally gathered on stage for the first time at Hamburg's mythical Mojo Club. Since then, the german trio has built a very singular sound signature after a decade of playing together. Revealing the diverse influences and musical educations from all three individuals, the band's discography has been built over a solid live experience. Being academically trained in Jazz and Classical but also self taught through electronic music, Jakob, Florian and Henrik are able to sing, play guitars, drum machines, pianos, synthesizers, bass, percussions and way more. Concocting their stylistic blend with meditative Jazz, hypnotic Dub, meticulous Techno and subtle House, it leaves no surprise as you think about the high level of versatility of Wareika's musical spirit. Calling from King Tubby, Sun Ra or afrobeat master Fela Kuti, they develop a dazzling kaleidoscope of melodies and polyrhythmic patterns over four to the floor beats that is entirely unique in the electronic music scene. When it comes down to live gigs Wareika is putting a stress on quality and delivers an outstanding sound. As a trio of singular performers the band jumps on stage without computers, setting up an improvised dialog based on their original material but always handing over a unique piece taking form in the moment. Jakob Seidensticker on MPC arrangements, drum machine sequencing and mixing, Florian Schirmacher on vocals, synthesizer, percussions and Henrik Raabe on guitar, synthesizer and percussions, the trio holds the mastery of enhancing a crowd with a multitude of tools and elements, sometimes for more than four hours. Also occasionally rendering live versions of their own full-length releases, they always cross borders of their studio work to unfold their creations into a whole new level.

The bavarian dj and producer Anatol, who lives in Vienna since a couple of years, joins the forTunea crew this summer and presents his new 12 single called - Don't Go .
The original mix wastes no time in getting right down to business from the get go. Chunky kick drums are front and center alongside a monster bouncing bassline that will shudder the floors into submission.

On the B-side Precious K, one half of the Janefondas, teams up with Secret Crunch boss Roman Rauch for a remix. Unlike the original, their version is cool and laid back. A perfect tune for open airs and afterhours.

Already supported by Gene Farris, Tensnake, Jarle Bråthen, Red Rack'em, Chrissy, Vanilla Ace, Severino, Lars Berenroth, Alexander East, Chris Udoh, Makossa

For the third time, Bosnian DJ and producer Borgie has delivered an astonishing 4-track 12-inch to Electronic Emergencies. Transcending the here and now, he rockets into Hyper Delta Space, where desire, emotions, pain and memory are transformed into telemetric signals. The sheer distance, emptiness and darkness of the outskirts of space are intertwined in the tracks. Disco noir or dark techno, it's not an issue. Resistance is futile.

"DEFAULT makes its third release an impactful one with a range of talent in the likes of Chad Andrew, Cerec, Avidel, and of course label boss Exander.

Enigma commands attention. A pulsing analog symphony breathes life into its 4/4 structure and sends the listener into the most creative corner's of Exander's mind; creating a unique groove that ripples its way through time and space.

Chad Andrew's Elemental presents itself playful, energetic, and funk-infused. It lends itself to the nostalgic feeling of a well deserved night out and the familiar taste of a classic rhythm.

On the B-side, Cerec gifts us with Shinobi, a moody and wet display of engaging synths driven by a suspenseful cadence. It's depth is not for the faint of heart, as it has an affinity for unknown hours of the night and unlit dance floors.

Closing out the release is Avidel's Aguamenti. Juxtaposed against B1 with an uplifting melody, the Panamanian creates a track that is unobtrusively Latin and resoundingly celebratory"

Spaghetti Club launches with four tracks from Pierre Codarin, T. Jacques, Jack Michael, and Phil
Evans.

Opening up the release, British producer Pierre Codarin’s ‘Millenial’ is a stuttering cut with a bouncy
bassline, metallic hats and crystalline synths that continually evolve throughout. Following a recent
appearance on Tessellate, T. Jacques is next with ‘Terry’s Jambon’ which drives forward with its
mesmerising rhythm built on 909 kicks and intricate percussion as lively 303 squelches join cascading
arps.

On the flip, Orbital London boss Jack Michael takes things into trippier territories with soaring pads,
syncopated drums and otherworldly atmospherics in ‘Zero’. Tying it all together, Pager Records
co-owner Phil Evans dons his Electro hat for an ominous and scintillating number entitled ‘Tilted’.

For the fifteenth edition of "Parquet Most Wanted" we bring you another EP packed with four amazing melodic House & Techno productions, dancefloor-proved and worldwide supported by international tastemakers!

This time on board: Parquet labelboss Solee, global players D-Nox &
K.A.L.I.L., aspiring high-flyer Rauschhaus and talented newcomer duo
Room Service! 100% Must-Have!

BSP // Bispebjerg is a record label that presents music from Copenhagen based artists and affiliates. BSP is closely related to the Copenhagen Underground Posse, music and party collective that where active on the Copenhagen scene for the past 8 years.

Behind the label are Philip Jun Kamata, has been making music for nearly two decades, where he, among other things released the underground bass sex anthem "you dont know what love is" on Hyperdub. J Kamata is debuting on this V/A two new alter egoes; the 313 high tech funk inspired Jun Anthony, as well as his raw electro moniker Sequential Hill.

The other half of the label, Daniel Savi has been active in the club scene for a good while, primarily releasing on house labels such as Underground Quality and Tartelet Records. For this release he hits you hard with his bass alias Savi DJ.

With BSP we attempt to build a universe with Jungle, Electro, House, Booty Tech and their derivative genres. The first release is a V/A consisting of 3 different artists as well as remix from local hero Kasper Marott (Kulor, Axces).

Release comes in white discobags w. blue sticker on front and double sided foto insert.

Track descriptions

A1. Jun Anthony - 313 Garage. 06.38
Jun Anthony presents his groovy take on a garage track under a heavy 313- high tech funk influence.

A2. Jun Anthony - 313 Garage (Kasper Marott Remix) 05.53
The second cut holds a dubby, deep and groovy remix from Copenhagen rising star Kasper Marott.

B1. Sequential Hill - Jakd Oscillateurs - 05.29
Jun's alter ego Sequential Hill presents a punk approach to electro - Raw, but with a tiny soft spot for lofty strings and emotional pads.

B2. Savi DJ-Djungle (Slow edit) 06.08.
Savi DJ presents savvy bass grooves on this revivalist jungle cut, in a slowed down version for your mixing pleasure.

Having made a huge impact amid Carl Craig’s celebrated 2019 entry in Planet E's Detroit Love mix compilation series, Ataxia's anthemic ‘Oblivion’ arrives on vinyl for the first time alongside a new cut, ‘Michaelangelos’. Each track takes Ataxia’s notoriously detailed production techniques and applies them to a widescreen, enveloping template.

Constructed from rubbery basslines, wormholes of rave power and a structure that applies tension and release to killer effect, ‘Oblivion’ has continued to engross dancers since it’s digital release, transmitting an increasingly rare blend of minimal yet maximal rave pleasures.

On ‘Michaelangelos’, Ataxia further demonstrates a fluid ability to keep listeners on their toes, shuffling the deck but applying the same irresistible tricks to a rhythmic, tripping cut and the unexpected sample at its core.

Consisting of Eric Ricker and Ted Krisko, Ataxia have previously released on labels including Visionquest, 2020 Vision, Leftroom and Kevin Saunderson's KMS Recordings. They currently hold down long term residencies at the legendary Marble Bar and TV Lounge in their hometown of Detroit.

We are finally happy to share our next release on RELIKT.

RELIKT welcomes Argentinian duo Chapsenza with a massive three-track release, backed by a bomb remix from our good friends Kreutziger.

Vinyl only.
No repress.
Restricted copies 200 only.

Our first Belters record of the year is our third outing by our man from Ausburg, Dominik Marz, and this could well be his best yet - with 4 rock solid big room hitters. These have been doing the damage with Dixon, Ame and Solomun for the past few months and recently been given some airtime by the bold Pete Tong.

4 reinterpretations of Krystal Klear's summer singalong.

RE.FACE LIMITED opens the doors of its vast musical panorama to the Romanian trio of Los Bastoneros. Their entitled "Celestial Airwaves" EP features majestic dreamy progressions, tight grooves and emotional synths, drenched with meticulous research for the ultimate epic soundscape. The Romanian trio is not afraid of exploring all the facets of the spectrum, leaving, at last, the throne to Sublee, able again to create his own realm of smoothed sounds and fairytale atmospheres.