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Between the vast flatlands of Western Ukraine and the Pacific shores of Vladivostok, a new quirky techno underground has been racking up hefty grid rhythms below the radar. Initially free from the weekend routines of the established club circuit, producers from Etapp Kyle to Stanislav Tolkachev have been experimenting with the possibilities of shifting grids in their post-socialist bedroom studios. The interconnecting conduit of these geographically isolated minds has often been the radio show of Nikita Zabelin, a Moscow-based DJ mining the local torrents for treasures. Vladimir Dubyshkin is one premier example of how this culture yields wildly exciting finds. Listening to how sweepingly effective his de-centered vision of techno is, it's hard to believe that this actually is his first fully fledged vinyl release. Hailing from Tambov, a city of 280.000 souls 460 km southeast of Moscow, Vladimir Dubyshkin is a regular of Zabelin's show and has contributed tracks to two compilations on Nina Kraviz's TRIP label - another major force in bringing great techno from the fringes of the former Soviet Union to the attention of the world. The "For Various Reasons EP", coming in two separate installments, now shows the full picture of Dubyshkin's special talents. Highly energetic, rave-infested analog techno with de-tuned melodies rubbing against take-no-prisoners basslines. There is an intense emotional component present at all times, typically missing in Western grayscale techno. And once again, the great promise of participation of techno has been proved alive and well, with the freshest contribution coming from the least expected of places.

Her return was imminent. Now she's back, and like her current rise among the industries elite, Amelie Lens delivers an astonishing three tracker of her signature pulse pounding expeditions. Pair that with a massive remix from the legendary Perc and you've got 'Stay With Me', an EP headed straight for the charts. Right from the start Lens dives into the ethereal with 'Follow Me' which could be her deepest cut to date.

As atmospheric shimmers dance around endless spaces, her smooth and seductive voice coax you to follow her, close your eyes and give your trust before a booming low end and relentless percussion forge a dreamy trek into the unknown. Following 'Follow Me' is the perfect response as Amelie embraces her affinity for the heavy with 'Stay With Me' where swirling acid lines and gargantuan drums lead you into a trance like state of absolute frenzy.

Flipping to the B-Side we see the fabled Perc deliver an absolute monster remix of 'Stay With Me' as he tightly loops the vocal & lays it over a pleasantly brutal beat and dazzling rises of white noise to create a track that will demolish dance floors for eternity. Wrapping things up is 'Winter' named after Amelie's mischievous little feline who most know via social media as her 'studio partner'.

Like a cat 'Winter' retains a playful and energetic pace with a dash of frisky trouble all while maintaining the seriousness of Amelie's signature sound. All in all, this release is a monumental attest to
Lens' meteoric rise as one of Techno's most promising new faces.

We're glad she's back and we know you are too.

All track are written and produced by Alessandro Sensini and Carlo Battistini

Tracks Description:
A1 - Raining: Calma opens up with a hypnotic rumbler! Snaps and claps take us in, before the eery synths and floating pointesque keys punctuate and a squelqchy, distorted bassline rumbles beneath the surface, making you feel like you're at a party in a haunted church.

A2 - Cuattro: Calma takes us on a tropical trip, with an infectious sun-filled groove looping over incessant layers of beat patterns that weave in and out of the track teasingly, driven along by a banging bass drum to keep you nodding.

B1 - Mr Amarè: Calma shows his love for acid house with an epic, ever-evolving influenced roller that blends together nearly every percussion instrument you could ever dream of. Crashes, symbals and a cowbell drive it along, underscored by a seriously funky bass line and mysterious vocal sample that emerges halfway through tying it all together nicely.

B2 - Cuattro /Juju & Jordash RMX): Juju and Jordash take over the remix duties for Calma. The Dutch duo add their deep trademark sunshine inflected beats and sturdy basslines to the already tropical loop, while infusing swirling synths and strings that lead us in and out of the breakdowns and on to a late night, chilled-out dance floor.

For our next release we joint forces with our friends from the 31337 Crew. The three tracks from Echoton unite drifty grooves and organic minimal accents. The second and third piece are collabo tracks with Sven Laux and Pachyderme and they focus on laid back hypnotic groove - like a trippy somnambul session through badlands. Keep an ear on the creative output of these great guys! Yarn Records' third release comes hand stamped in a recycled paper bag with a sticker and a length of 27 minutes. Strictly limited to 300 copies.

It's all about hooking up our music to the emotional world of electronic music at the beginning of the Nineties, however, without falling for nostalgic references. We don't want to do cowardly Zeitgeist Techno, we want to have the heart to dare big sounds and more melodies. Sunrise scenarios, energy, revolution and kaput-ness, all these are parts of the Extrawelt.' (Extrawelt, 2008) However, don't panic: even if the aesthetics of the debut album of the two Hamburg born artists Arne Schaffhausen und Wayan Raabe is affected by the attentive observation of electronic dance music over the last fifteen years, the 'Schöne Neue Extrawelt' is above all this: Premium Techno 2008! The Hamburg-based producer team has been unmistakably imprinting the last three years' club sound with widely noticed releases on Border Community ("Sooper Track"), Traum Schallplatten ("Doch Doch") and Cocoon Recordings ("Titelheld") as well as with remixes for Gregor Tresher, Minilogue or Alexander Kowalski - last but not least due to an excellent live presence, that resulted in the second rank in the Groove Live Act Charts, even still without the accompanying long player. The work on 'Schöne Neue Extrawelt' started more than two years ago for Schaffhausen and Raabe. 'The initial idea was to present an album covering all styles of electronic music between Ambient, Breakbeats and Techno. When we had 25 tracks for the album ready, we had to realize that this approach did not work for us. Insofar, we finally decided to use the 4/4 bass drum in all tracks except in the little intermezzo 'Kurt Curtain". We have tested all tracks live over the last three months and constantly re-interpreted them. So, the 'danceability' is clearly in our focus, but the sound spectrum and the dramaturgy of the titles should not be solely functioning in the club. Our intention was definitely not to deliver an album full of superficial peak time hits.' Those nine tracks on 'Schöne Neue Extrawelt", all unreleased, are

LIMITED EDITION RED VINYL REPRESS

Another slice of essential Knuckles / Principle magic, here the duo's love of Italo and Euro pop records seems to collide with Chicago's darkened dance-floors and raw drum machines. Perfectly sleazy and insanely danceable, Jamie Principles voice was made for Frankie Knuckles pristine productions and their unique styles compliment each other endlessly,

Both tracks featured on this 12" take us into the subterranean night life of Frankie and Jamie's world, a world of yearning, heart-break, love and acceptance. A huge pairing of tracks on their initial release and still to this day some 25+ years later, "It's A Cold World / Bad Boy" was a total game changer, almost verging on pop but too "outsider" to gain the mainstream attention it so deserved, the record stands today as a true classic. Truly ahead of it's time.

Re-released for 2015, re-mastered and re-pressed with all the original Trax label artwork present in conjunction with the official rights holders / owners.

Three massive rollers by JTH from the golden era of (real) tech-house. All of them still sound fresh, organic and forceful. Just spin these dark gems and your crowd will be immensely grateful.

Of all the Network treasured relics set to be released this year to celebrate the 30th Anniversary of the label there’s nothing as appropriate as the Nexus 21 “Made In Detroit” EP - it was recorded in the 1990 starter year and has been stuck In the vaults gathering dust ever since.

Why the 4 tracks on the EP never got issued is partially shrouded in mystery as explained later on,

I first met Mark Archer at one of the infamous Thursday night House Music sessions at No 7’s Wine Bar in Burntwood. It was my local haunt,and I used to turn up with acetates and test pressings of just recorded Techno tracks from my regular trips to Detroit for DJ Neil Macey to give them their first UK plays.

Neil, who later came to work at Network, introduced me to Mark and we got talking about his partner, Chris Peat, and their recording project Nexus 21. They had released a pioneering U.K. Techno meets B-Boy album “The Rhythm Of Life” on Stafford label Blue Chip which had gone out of business. I was intrigued by the idea of working with fellow Midlanders making music I was used to going to Detroit to find for the Kool Kat label I co-owned.

For their part, Mark and Chris were beguiled by my Detroit connections. especiallythe fact I was managing their Techno idols Derrick May, Kevin Saunderso and Juan Atkins. A brief courtship was consummated when they signed to was to become our new label, Network, and our music publishing outfit Kool Kat Music.

Network bought the rights to the Blue Chip recordings, and tapes of the standout track “(Still) Life Keeps Moving were instantly despatched to Detroit where Kevin Saunderson conjured up a magical remix - at mates rates compared to what I was charging the majors record label majors for a rework by him -
and he also threw in the first remix ever done by an unknown kid called Carl Craig!

This Stafford-Detroit connection seemed such a winner that my Netwotk partner Dave Barker and myself agreed we should send our new signings to Detroit to record. Not surprisingly there were no objections from Mark or Chris! Our bank manager would have probably had a view, but we never asked him anything.

We flew over in April 1990 and tracks were recorded at Kevin’s KMS Sudiio. Derrick May’s Transmat set up was upstairs in the same building, and Juan Atkins Metroplex operation next door. Mark and Chris were in Techno heaven. Four tracks were recorded “Don’t Do It Like That”, “Nexus”, “No Statues” and “Together” with a young Marc Kichen supplying percussion. Jay Denham added bits too, and Kevin supplied his engineer Chris Andrews working the desk where Inner City’s mega hit “Good Life” has been recorded a few months earlier.
For good measure you can hear Kevin talking on the outro to the instrumental mix of “Don’t Do It Like That.”

The stay also involved Mark and Chris hanging out with Detroit Techno royalty Derrick May’ Juan Atkins, Ann Saunderson, Chez Damier and Octave One plus for good measure overcoming “but we’re British” trepidation and performing at revered Motor City Techno venue Club Taboo.

All in all an epic trip. I can remember flying back to the UK with the guys absolutely delighted with the recordings and planning World domination. So why didn’t the recordings - apart from “Together”- never get released? I would love to give you a detailed explanation but I can’t!
I vaguely remember a plan to add “Nexus” and “No Statues” to the Nexus 21 tracks later released on the excellent “Progressive Logic” Network EP, the idea being that this would be the basis of an LP which we believed would establish Nexus 21 as electronica giants.

As for “Don’t Do It Like That” with those beguiling sassy vocals by Donna Black, we had hopes of a Pop crossover hit once the (never released) album came out. In the middle of all this not very well defined but optimistic plotting, our World turned upside down when Mark and Chris turned up at the Network office one day with what ended up as the first Altern 8 tracks, We all went on a Rave mission, and the Detroit tracks were put aside for another day.

We never thought that day would take 30 days. . .

The latest release by the Mexican avant-garde label Akumandra is
founder Sainte Vie’s three track auditive voyage: From Desolate Places
and Forgotten Times. Going beyond previous experimentation with
sound assemblage and sampling from non-western musical traditions,
Sainte Vie crafts his signature mesmerizing soundscapes by
combining dreamlike synth textures, monumental drops and vibrant
melodies that feel deeply melancholic. Insistent arpeggios and
expansive build ups bind the tracks together in an ebb and flow of
dynamic energy

Libertine turns 10! An Outstanding compilations that showcase all the shades of Libertine music concept, from electro to techno and trance inlfuenced tracks. Future classic!

FORTHCOMING

number 7 from keinemusik with remix by tiefschwarz !!! great baby !!!

Big support by:
Tim Green, Nic Fanciulli, Timo Maas, Gregor Tresher, Dj Hell, Dj T, Einmusik, Martin Eyerer, Peter Kruder, Sebastian Lutz, Ahmet Sisman

East End Dubs returns to FUSE this August to deliver his highly anticipated ‘bRave’ EP, accompanied by label boss Enzo Siragusa on remix duties.

Easily one of house music’s most prolific producers, DJs and label owners, East End Dubs’ sharp rise as one of scenes most in-demand artists has seen the London-based producer make appearances across a slew of Europes most notable venues, including the likes of Amnesia, DC-10 and Benimussa Park (Ibiza), Watergate (Berlin) and Village Underground (London) in 2019 alone. Following on from his collaborative EP alongside original FUSE resident Rich NxT back in June, August will finally see the release of the long-awaited ‘bRave’, one of the most requested tracks of the year having been championed heavily by label head Enzo Siragusa and Jamie Jones across recent months, alongside two further originals and a hefty remix from Siragusa himself.

Fusing trademark slinking drum grooves, rumbling sub bass and tripped out lead lines accented by infectious vocal snippets, ‘bRave’ quickly shapes up to offer up a commanding slice of peak time gold typical of the producers ever-impressing output, whilst ‘Trancendence’ introduces wandering, spacey synths amongst airy chords and regimented percussion. Next, ‘Warped Riddim’ takes cues from its title as hypnotic, twisted rhythms snake amongst off-kilter metallic drum licks, before Enzo Siragusa’s ‘Back To 93 Remix’ packs low-end groove in abundance as the label boss flips the title track to offer up a driving, garage-fueled interpretation to round out proceedings in style.

Fideles take over! "The Border EP" features four consistent tracks of deep and driving melodies combined with modern day club grooves to win the floor.

Foureal Records start Vinly series In the past release Japanese Artist only release 1st release Artist Miruga released Ethereal Sound,BlanceAesthetic AudioRawthenticity 3tracks of characteristic of his atomospheric&emotinal This tracks use from morning of open air party to club in early time.modan Japanese techno

'SHRR02' is a 2-track compilation EP consistanting of music released by Ronan O Ciosoig on One Louder Recordings between 2001 - 2002. A peculiar and short-lived Irish label, One Louder recordings only released two records, both of qhich are now highly sought after and practically begging to be repressed. Remastered for both a vinyl and digital 2019 release, we hope to make this music accessible again.

Mint Condition - A record label focused on excavating the outer fringes of classic House and Techno. Unreleased mixes, classics and overlooked gems mined from the last 20+ of contemporary dance music are the order of the day. From Chicago, Detroit and New York to London and beyond, Mint Condition have got their expert digging hats on to bring you exclusive heat and those rarer than rare jams that have been on your wants list for years! Dig in....
Part 2 of 2 - Two Full Minds are back, Bushwacka! & DJ Vorn dropped this incredible EP in 1996. It's very rare that you come across music from this time period that still sounds so very contemporary. Super original, amazing sonics, and guaranteed to smash out a dance, all of the cuts on 'Michael's Path' are insanely good. Chock full of sick drum programming, abyss-deep basslines and wigged out, spacey melodies these jams are here to stay... in your record bag! It's got everything you want really, it's the sound of truly original and underground heads doing their own thing. One can only imagine the impact these cuts had on the late 90's dancefloor?! Not sounding like anything else out there, even today. This is one tough record to cop, and it goes for a pretty penny online second hand too, nice of Bushwacka! to let us reissue it for you all isn't it? Make sure if you see him about to say a big 'thank you' - top man!
'Michael's Path' has been legitimately re-released with the full involvement of Matthew B / Bushwacka! for 2019 and remastered by London's Curve Pusher from the original sources especially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your favourite reissue label - Mint Condition!

Diving head first into 2019, we are adamant to continue our pace of never slowing down in our quest to release cutting edge, timeless music and with our first release of the year we turn to one of the most sought after names in todays scene to guarantee it. The one and only Butch graces us with two stellar cuts and both tunes are uniquely crafted cuts that only Butch could make work on the dance floor. 'Bepsi' kicks things off with organic percussion where groove reigns supreme and an ethnic vocal sample provides the lead creating the perfect balance of sincerity and humor only Butch himself could pull off. The second tune; 'Yallah' takes cues from the previous but cranks up the pace and infuses indigenous instruments and energetic atmospherics to create a wild ride perfectly suited for any dance floor moment. As if those two weren't enough, a remix of 'Bepsi' from one of the recent years hottest new faces; Waff and Butch's own dub version of 'Yallah' forging an undeniably strong bundle of modern dance floor antics. Enjoy!

Minor Notes Recordings are proud to present, a beautiful collection of experimental feelings from the north hearth of Russia - Saint-Petersburg. An EP embodying the soul and mind of Minor Notes new man in the team, Hoavi.

Throughout 'Until Tomorrow', Hoavi takes you on dreamy, deep and melancholic trips, interweaving analogue synth textures, fluttering drum hits and exploratory rumbles, built from scratch to create otherworldly soundscapes.

Equally as deep, yet with the dancefloor in the forefront of the mind, Ray Kandinski remixes 'Daytones' into a club ready, late-night, Detroit leaning techno powerhouse - the perfect addition to this standout release.

Timo Maas's Rockets & Ponies returns after the sellout Moby "porcelain' remix release earlier this year and looks to kicks off its tenth year in action with a huge new package. Featuring two originals by James Teej & Silky and a sure to be massive remix from Tiefschwarz, this is set to be other winning offering from the imprint.

Luca Lozano is back on Super Rhythm Trax with another EP, this time a vibrant 4 tracker channeling influences from the under celebrated year of 1990, a period where house and techno began splintering off and for a while, the sky was the limit, before the beast of Hardcore swept everyone up and fed them to Jungle

Here, Bleeps, Breaks and Bass collide in an explosion of colour sounding super fresh for 2016.

Special remarks : 12' Vinyl +Downloadcode Tracklist 12: A1 Take A Moment A2 Action And Reaction B1 Eye Contact Info text: Dub and acid are the words as Marlon Hoffstadt goes deep on 'Simple Communication' the sixth EP in his Midnight Themes series. The Berlin producer has maintained a busy release schedule in 2018 and is intent on carrying through into 2019, starting with three tracks that fly the flag for his current sound: deep, dubby and subtly euphoric. Opener 'Take A Moment' is a finely tuned piece of weighty dubbed out techno with whiffs of vintage pool parties and a lonely acid line creepin'n'bleepin on the horizon. 'Action and Reaction' harks back to the 90s, rolling out waves of pads and melodies that ascend and descend while a mean old bassline keeps proceedings on track. Clocking in at 11 minutes, the two act play of 'Eye Contact' closes the EP on a blissed out note.

Vital Sales Points: Satoshi Tomiie pushes his all hardware / modular jam sessions forward and delivers another EP featuring improvised tracks recorded in one shot. This time teaming up with Tokyo's DJ / modular synth master Rintaro.

Second collab is from our good friends Alessio Viggiano & Akyra with their 'Feeling' EP, four super cool house cuts

Limited Repress, be fast to secure your copies!

"Nowhere is nothing waiting for us. You always have to bring everything with you."

Toby Tobias has been at the coalface of the British leftfield house movement for many years now, releasing, without fuss or fanfare, on an array of fine releases for labels such as ESP Institute, Delusions Of Grandeur, Rekids and many more.

Tobias opens up Futureboogie’s 2020 account with ‘Trippy Steve’, a trio of spaced out dance cuts, which come complete with a remix from Fantastic Man. ‘Trippy Steve’ blends energetic and raw disco rhythms with wide eyed and transcendental deepness, a powerful dubwise bassline that really drives the energy here. Australia’s Fantastic Man (Superconcious Records), keep’s the proceedings
lively on his remix here, a rasping b-line and rolling beats thrust forward at a pace, dubbing out the vocal samples and opening up the bass for some wiggy acid business.

‘Cosmic Slang’ charmingly chugs with reverb soaked piano chords and ascending synths, whilst ‘Deo Mort’ is loose and carefree, with a myriad of classic samples cropping up amongst fragmented beats and a cap doffed towards the Sheffield bleep sound of old.

repressed !!

In the year that Leipzig label Moon Harbour celebrates 15 years in operation, it is not slowing
down its new release schedule. Here comes the third in as many months, and it is another
stunner from Re.You, aka German talent Marius Maier with a remix by Butch.

Mayer debuted on the label in 2014 and also frequents the likes of Mobilee and Souvenir. His
slick and slinky sound is perfectly suited to the label as it makes people dance as well as
offering off kilter samples and sound design, and that's exactly the case again here.

His one great original is 'Very Very', a prying house track with well defined drums tumbling over
paranoid bass. Firm claps and tough hits add muscle to the weird synth sounds and all sorts of
squelches, water droplets and weird voices ensure it will make for some freaky moments on the
dance floor.

Butch, the hugely prolific German Turk known for his tracks on Cocoon and with Ricardo
Villalobos, boils the original down to a steamy brew of drums and percussive layers that takes
you deep into the night. Finally, "Try" from Re.You is a beautifully drunken sounding track with
bulbous synth drops, blurting machine sounds and pixelated chords that add texture and main
room energy to the cantering, pinging drums. It's another real winner.

Once again here Moon Harbour have unearthed some fresh tech beats that are sure to
soundtrack your summer in memorable style.

Coastal Haze welcome the new decade with one of the most exciting artists to come out of the UK of recent in Adam Pits. Known for his intricate productions, this will be Pits' first release on the label having already gained support from the likes of Ciel, Batu and Call Super. "International Wafter" offers up four club weapons, two peak time whompers and two ethereal burners.

Nathan rouses his Cambria Instruments label for his first album since 2017s ‘Providence’. ‘Blizzards’ is a returns to a clubbier sound, whilst keeping the melodic depth and rewarding narratives that have entranced his fans worldwide since his early records on Border Community and his seminal track ‘The Sky Was Pink’. Using a similar setup to his slamming live show, the album’s track were mostly recorded in one take with a deliberately limited hardware selection.

Words like soulful techno, real techno and true techno are easily thrown around these days but what really is a 'true techno' record? Arguably we could put Nu Era's debut 1994 "Beyond Gravity" album in that bracket.
"EVOLVE" follows in that footpath and in some ways goes back to an earlier techno sound, pretty hard to do that while still sounding futurist. EVOLVE does just that, its Nu Era still evolving without loosing formation. From the opening track "Metal Butterfly" the 909 drum machine powers through classic Marc Mac (4hero) chords and melodies, that 909 kick drum and baseline work in combination to deliver a more edgy techno belter on "Flying Colours".
The 4x4 kick is broken up on tracks and electrified on "Theme From Joe Smoke" the yin and yang forces provide a haunting but uplifting electro master class. "Closer To Mars" creeps into a fusion style tech workout, with jazzy, soulful keys and melodies intertwining, EVOLVE is complexed but simply soulful with big influence from Detroit and has all the hallmarks of a classic in waiting.

Electrecs produziert und verlegt elektronische Tanzmusik. Das Label präsentiert dabei einen Mix aus experimentellen Klangerlebnissen, feinsten Kompositionen sowie tanzbarem Clubsound. Das jüngst erschienene Album ‚way to weekend’ nimmt den Zuhörer auf eine musikalische Reise durch die Woche... – während die einzelnen Tracks die jeweilige Tagesstimmung widerspiegeln... Viel Spaß auf dem Weg ins Wochenende...

Raven has collaborated with many well-respected artists including Kate Tempest, Paul Weller, Mica Levi, Kwes and Bullion. His music upholds a balance between the orchestral and electronic, abstract and conventional. Parallels can be drawn to the artist Arthur Russell, in terms of their diversity, creating tracks you can dance to, but also songs and music for reflection. Drawing inspiration largely from the people around him, Raven explains "I find people really inspiring, it’s amazing what can happen after a good conversation, it can give you a different perspective on things. I guess I’m always trying to get a new perspective in one way or another, I find that really creative." Combining this with an interest in dance as an art form and movement, Raven came to create Jeté. Having recently worked with some incredibly talented choreographers and dancers, Raven looks to explore the creative freedom, emotion and human connection within dance with his new record; the EP title Jeté literally translates as the French for "jump" and the cover art was a photograph taken by Raven's father of dancers back in the 80s.

"Rough House Rosie starts its year by introducing Area, a project that has seen action on adventurous underground labels like Idle Hands, Sequencias, Ethereal Sound, and UMHS. The moody four track EP opens with sinuous acid house and a rubbery bassline techno stomper, then gets raw and abstract on the B side. Visceral and varied electronic music for the soul."

Returning to Cadenza Records after two previous singles ('The Motorglider' EP and 'Precursors' EP), Eduardo De La Calle drops 'The Methodical Machines EP' this December on Luciano's imprint. Across two pieces of vinyl, and five tracks, Eduardo flexes his unique sound design of minimal and soulful grooves. Heavily indebted to the classic sounds of the Detroit techno visionaries, Eduardo has built up a solid reputation through his Analog Solutions label, and also through his film production career (check the electronic music documentary 'Beatz' for some insight here). A staunch supporter of all things analogue, Eduardo manages to tease out some highly emotive and melancholic music from the machines. The sci-fi vibes of opening 'Gajapati' build gradually over the brooding and spongy production, whilst 'The Namuci's Mistery' is soaked with pitch bending synths and rasping acidic stabs. Eduardo brings into play his jazz influences on 'Concierto De Aranjuez', floating some freestyle keys and wandering waveforms over a body popping beat whilst the sparse beats of 'The Demigod's Control' are brought to life with the stuttering electronics and rising pads, as ever filled with heaps of emotion and soul. Quickly becoming a key player in Luciano's Cadenza stable, Eduardo continues to produce unique and inspiring electronic music, a quality that the label always strives for, and can be found in abundance on 'The Methodical Machines'. Select DJ reactions Matt Tolfrey (Leftroom) - Some great tracks here, very trippy Osunlade (Yoruba) - Digging this vibe, very personal in sound and approach Eric Cloutier (Bunker NYC) - Another insanely good release from Eduardo Zak (DSV1) - Eduardo, always dope!

Second release of the Flash Forward Unreleased Series, still Emanuele Luzzi & Man-D.A. Flash Forward is proud to release another beautiful gem from the italian producer Emanuele Luzzi, who shined in "Stolen Moments" and "A Tone Colour Of Onirico" as Onirico and Oneiric.For the first time after 26 years, Flash Forward is been issuing the alternate take version of a 1991 UMM gem by Onirico, "Tribal Echo", a hypnotic-tribal-surreal tone recorded live into the DAT tape, a new terrific version of one of Onirico most exciting tracks. Listening to it, you could enter some kind of trip through the darkness, a very emotional journey in which imagine the sunset rhythm fighting with flashing shadows, the neverending battle between good and evil. Let's start the voyage ! As in the first issue, the other side is produced by Man-D.A. , "Not A Dream" was also conceived many years ago but only today is released after being revised, modified and remastered ! Past and Furure classic !

In anticipation of the full re release of the seminal 1994 Sound Patrol album "Sweetened No Lemon" in September, we are releasing a super limited sampler 12" with 2 previously unreleased gems from Derrick Carter's vault. The full album re issue will come complete with a bonus 8 unreleased tracks penned at the time of the original release.

I'm very happy to present you the second release of Get Your Copy Records produced by Steve Murphy an amazing producer originally from Mira a little town on the suburban area of Venice in Italy. Steve has been djing and producing for many years now, he released few EP's on labels like Chiwax, Wilson Records, Lobster Theremin or Muscle Records. He is now part of the family with this great 2 house tracks. The side A «A Everything U knowA» is growing slowly with a nice techno drums and sub bass then the chords are coming to balance the groove and the final touch of this side are the vocals that give the track a really nice vibe.
The side B «A InfiltratorA» is more groovy with a nice heavy melodic bass and has some nice rave-dance synth. Hope you will enjoy rock the dance floor with those 2 dance floor peak time tracks."