House Vinyl New Releases - News

Roche Madame's 1st Various welcomes Arapu, Giuliano Lomonte, Alexis Cabrera and Kamran Sadeghi.

Introducing this debut release on Reptile Dysfunction from Aniche. A
super exciting Graduate of Doorly's Orbit DJ / Production Academy
project and new member of the Reptile Dysfunction clan.
Taking inspiration from his cultural background of old school Hindi
cinema and 90s Dance music, his sound is what happens when Eastern
philosophy meets Western electronica. This unique approach is what
makes Aniche a niche.

Butane's second release of 2018 drops this June, with the US DJ/producer unveiling his 'Body Of Work' EP as the fourth installment in his impressive Extrasketch series.

In its fourth release since emerging onto the scene in July of 2017, Extrasketch has become a staple label for may of the industries leading names - with support from Laurent Garnier, Guy Gerber, Jamie Jones, Danny Tenaglia, Kenny Glasgow, Ryan Crosson and Carlo Lio on the last EP alone. Following on from his varied and dynamic 'Techno Mafia' EP, here we see Andrew Rasse aka Butane deliver yet another expertly crafted, workman-like four-tracker that's set to make waves on peak time dancefloors and hazy afterhours thoughout summer and beyond.


Rasse kick starts EX04 with his 'Rumpus mix' of 'Ultramax'. The original featured as an off-kilter B2 cut on EX02, here he re-works the original's vocals amongst a deep yet bouncy and rugged low end to provide a fresh and entrancing interpretation for 2018. Next up, 'Dark Forces' is a hypnotic and stripped back effort, guided by an evolving lead line and regimented claps, perfectly encapsulating the refined and deft characteristics the San Francisco producer executes so well in his work.

'People' opens the B-side and quickly introduces crisp, skipping hats and a rolling organic dubby tech house groove to reveal a cut designed to keep the morning dance floors moving. 'Getting Nowhere' rounds out the package, as a cheeky remix of his 2012 hit 'We Long To Move The Stars To Pity', released on his own Alphahouse imprint and licensed as the opening track on Dubfire's Essential Mix that year. Here Rasse returns to his trademark blend: a grooving bassline, well worked percussion patterns, and hooky vocal shots. As always, this is a must have package from one of House and Techno's most talented producers, on a thriving imprint that's set to make an even bigger stir throughout the year ahead.

Fresh from his and Elizabeth Wight's widely supported Pale Blue debut on Crosstown Rebels, New Jersey renaissance man Mike Simonetti returns to Correspondant with a touching cyclical trip.

Fuelled by emotion thanks to an on-point sample of a barbed spoken word, 'I Love You Mom' is characterised by shimmering hypnotic cathedral cascades that fully arrest the senses. Symmetrically bookended by the equally overwhelming 'I Love You Dad', where the same chords and sample take a much darker acidic trip, Simonetti also treats us to the icy ricochet subversions of the chime-binding riser 'Let's Go For A Walk' and the purring electroid bass prowler 'No Gods, No Masters' along the way. Pregnant with restraint and well-tempered emotions but knowing exactly when to pop, it's another certified odyssey from the perennial troubleman. Feel the love.

After - Necessity' Rampa marks an entire number in Innervisions' catalogue and presents his Hall Of Violence EP revealing the richness of his productions skills.

Very limited copies and vinyl only. No repress!

It's with the arrival of Looping State Of Mind that you finally realise that, for The Field's ambient techno explorer Axel Willner, the loop never stops. While fans and critics alike point to 2007's phenomenal debut From Here We Go Sublime - included in Pitchfork's Top 100 albums of the 2000s - and 2009's equally stirring follow up Yesterday & Today as standalone points of the Swede's music; it becomes clear that they appear as mere snapshots of what, for the producer, is a continual cycle of revolutions.

New Dub Compilation by "Avant Roots".

Featuring DJ Spank Spank & Lothario Lee(Phuture),Fast Eddie and Houz'Mon, Acid House Legends from Chicago.
This title is 4th EP of Bigfire, electronic music band in Tokyo / Japan, including one of posthumous works of Earl Smith Jr. a.k.a DJ Spank Spank died this past September.

Moreover, this is his last works with Lothario Lee who has supported Earl as Phuture for a long time. But his familiar Acid House style is well in the disc. And Minimal Remix suggests that challenging spirit of these Phuture's members still has not been lost.This title has more two Chicago House remixes. One side is the creator of Hiphouse music, 'King' Fast Eddie. His remix is contemporary and universal House music every one demand.
The other side is Houz'Mon known as aclose friend of Earl. This underground style with his awesome vintage Roland sounds should be called Ghetto Acid, one of tidemark of House music. Last but not least,original track is ingenious Future Electronic Rock Opera.We can say this as the originality of Bigfire.
'General of the Universe IV' compares favorably with previous work.

Our music has come a long way of flowing into multiple flows to unpack this closed box finally, so finally, the long anticipation is over to present this gorgeous release for your consideration.

We're delighted and honored to welcome always unpredictable French trio dOP.

With the rich background of mesmerizing discography with labels as Life & Death, Circus Company, Watergate, Crosstown Rebels and Diynamic, the band has certainly been firm on the extracting the very best of each production, which their heads and arms have ever produced.

dOP is always delivering the message beyond time, standards and cliches, which is can be clearly seen in their music and their bright live performances.

'Carousel' is the debut release we've collected with this undoubtedly gifted band, where all the mixes are worth of deeper look and being present on vinyl.

The title 'Carousel' track is done in the manner, characterizing guys at it's best: sharp synthesizer sequences and live percussions of Luis Miguel 'Cuchara' Jaramillo are utterly merging into the stable and guaranteed floors smasher, which is beautified with Jaw's tender vocals on it.

US-based duo Bedouin, which was patiently bearing their rare and individual trend sound for years, is the first to lay the rework onto 'Carousel'.

Having released numerous successful records with Crosstown Rebels, Supernature and All Day I Dream, as well as classy remixes for Black Coffee via Ultra or for &ME's & Fink's via Keinemusik, Bedouin have been running their Saga residency for a few seasons, so their appearance on the label is fully welcome and desired.

Bedouin's remix is the elegant and trippy interpretation, performed in a very eclectic, calm and melodic manner, emphasizing the best of the original's harmonies and vocals.

B-side meets Jennifer Cardini - the ideologist of Correspondant label and the true unity transmitter of the 'dj-crowd' connection, which has been firmly proved by her long and broad dj-ing career.

Jennifer's remix is a more energetic and weighty one, pleasing the likes of indietronica lovers together with the proper house feeling through it.

Very dramatic and edgy 'Heart Signs' speaks better than words: classic dark & atmospheric pianos, mysterious violins, and warm vocals are perfectly flowing into the end of this story.

Be sure not to miss it, as boundaries are not needed here.

As usually.

Microtonal welcomes Drehkontrolle. This guy is a real working machine and already made it on Labels like Terminal M, Baroque Records, Plattenbau Music and many more. This release is coming up with two Tech House Originals and remixes from Alec Troniq (Ipoly Music, Broque) and Blaues Licht (happy to present their vinyl debut) for the harder & freaky players out there

Played & supported by Paco Osuna, Stephan Bodzin, Anderson Noise,
Marc DePulse, Wehbba, Ingo Boss, Patrick Lindsey, Kolombo, Alec
Troniq, David Keno, Oscar and many more.

Following the success of 'Vamp' last year, Rejected co-boss Edwin Oosterwal returns to the controls for two more pristine, floor-focussed late night grooves.Consummately covering two completely different shades of the night with two cuts beginning with B, Edwin has delivered some A* cuts right here. Reject them at your peril.

Following the success of 'Vamp' last year, Rejected co-boss Edwin Oosterwal returns to the controls for two more pristine, floor-focussed late night grooves.



First up is a homage to Chicago's deepest foundations and the warehouse-shaking legacy of Jesse Saunders' Dance Mania. Lean and direct; 'Bleep' is all about the relentless jack, palpitating sub and crazed lead tone that tweaks and freaks with visceral effect. Its minimal construction but hooky riff ensure slay-status at festivals and Ibiza this summer.



As with previous Oosterwal dispatches, contrast is key. Keeping his sound firmly in the US but travelling due east to Jersey, the warm organ-primed tones of 'Babe' soothe the 'Bleep'-sizzled edges of our soul as a driving, loopy vocal sample and shimmering synths develop more and more momentum, developing into a deep hypnotic heads-down groove.



Consummately covering two completely different shades of the night with two cuts beginning with B, Edwin has delivered some A* cuts right here. Reject them at your peril.

Simple Body Sould Music Since 2010. That’s all.

Spiral Tribe member Ixindamix on the next Libertine Traditions... Underground Anthem Alert!

After a long silence ÈTÈ returned with a new release from Juliche Hernández.

Three solid tracks from Stockholm-based Matilda, a space zoo of techno with plenty of nerve and tension, layering drones and field recordings over ever evolving drum patterns. This is the duo's first full EP together, but they are far from rookies. Vicky Zissou has been making waves for years both as a producer and as one of Stockholm's most interesting DJs, and Hampus Bogren aka Skóll already has a couple of highly acclaimed releases to his name.

Riku Sugimoto,as know as a member of ATM which plays live set with electronic devices based on Tokyo, starts his own label named ‘chatty chatty mutant ‘. His first release includes four original tracks influenced by early Detroit techno,Chicago house,90’s UK house and a lot of music.

After the first 2 Phil releases that both sold out in the first days we have Phil 002 ready. Simon Hinter delivers another amazing record thats prooves that not everything has to be retro to be cool!.

More multi artist comp action from Dublin's Jheri Tracks. Limited runs again, so pre-orders are advised..

The new Dalzochio sounds loud ! Good production , fat sound, a perfect !

The first track is a mesmerizing progressive house tune with a future retro hi nrg bass line and a hypnotic dreamy arpeggio worth of the early 90’s italo techno & house heritage, in the style of artists like Mystic Force, still with a contemporary attitude both in the house groove and in the sound choice, truly uplifting! “Trail Of Bones” is a badass ravey jam with a crazy and prominent fat bass line going all along the track, inspired by some old school acid trance aesthetics with a funkier feeling

On the flip side “Nove Code di Cristallo Grigio” sounds like an intergalactic trip to some other techno galaxies lead by uncoordinated synthetic structures. “Gattonero” closes the ep with its quirky mood, essential and with a bouncy groove that makes it a super efficient tool for the floor.

Dispel any evil spell !!

'Points of View' from EMG explores in Relative 009 old and new aspects of electronic music. Past Present and Free interpretation meet together through elements and influences... 4 live tracks recorded on 1/4'' tape for a deep sound experience. Vinyl only!

L/F/D/M is from London and studied art with Dom from Factory Floor, who encouraged him to work on music production. But his musical influences range from jazz, exotica, afrobeat, disco, post punk - you name it.

'I guess all the music you soak up just filters through one way or another. Music production is often about exploiting chance and about decisions made in that moment. I'm always trying to reach that magic point where you can remove yourself from what you're making, and the music starts to trigger an emotion rather than just being blocks of colour on a computer.' - L/F/D/M

Pyramids. Jagged Teeth Pushing Through Immaculate Skies. The Ever-changing Light. The Expansive Sense Of Freedom. The Wide Open Spaces. The Textured Landscape Seen From Above. Mountains. Watchful And Immobile For Thousands Of Years, Weathering Seasons, Transcending Change.
It's December 2016. I've Left The London Madness To Hit The Reset Button And Compose New Music In A Tiny Village In The Swiss Alps. I'm Over 10,000 Feet High, It's Minus 15 Degrees And The Snow Is Scintillating Under A Rich Blue Sky. I Turn Around And Suddenly This Gigantic Pyramid-shaped Peak Is Towering Over Me, Staring Me In The Face. Mind Blown. Senses Overwhelmed. Perspective. Lightbulb Moment. I Have My Album Concept.
I Wanted To Put Into Sound My Cathartic Experiences Of The Mountains. Every Track Title Was Chosen Before Composing. The Title Would Be A Catalyst For Visual Memories, Narrative And Overall Vibes. I Continued Developing The Tracks On Occasional Trips To Switzerland, But Mainly Back In The Gritty Habitat Of London's Hackney Wick. The Urban-nature Contrast Had An Impact On The Music Too.
I Use A Lot Of Found Sound, Stuff I Have Collected Over The Years, And A Lot Of Resampled Guitar Sounds And Textures. I Love Imperfections In Sound. Detuned Synths. Distortions And Glitches. Rhythmic Flutters And Percussive Frenzy. 'manual' Cut-ups. I Love Moving To House And Disco And Getting Lost In The More Melodic Side Of Techno. I Love Polyrhythms And Melodic Counterpoints. I Love The Energy And Rawness Of A Live Rock Band. I Channel All This To Create My Own Sonic Palette.

Artwork By Jimmy Turrell, Graphic Artist And Video Director Who Combines A Love Of Handmade Collage, Drawing, Screen Printing And Painting Alongside Digital Techniques. He Has Worked For Universal Music, Nike, Lexus, Levis, Mtv, The New Yorker, Intro, Capitol Records, The New York Times, Green Peace, Beck, The Prodigy/xl Recordings, Channel 4, The Guardian, Gq, The Times, La Times, Newsweek, Getty Images, Adidas, Sony Music, New York Magazine, Wired, Glastonbury Festival, And Vanity Fair Amongst Others.

The Debut Album 'pyramids' Comes Out Worldwide On Limited Double, Green Vinyl (including Download Code).

Poker Flat return with their ninth label compilation featuring no less than 10 new exclusive tracks, uniting some of the brightest talents from their label roster, and also inviting some new names to join their mischievous posse.

Repress

Stop"press" an extraordinary Radio Slave donation for Running Back! The man like Matt Edwards took care of a matter near to his and our heart: an EP dedicated to the crafty DJ Duke, his infamous Power Music label empire and those massive sounds dat ruled di Sound Factory nation.

Repress

It would be a waltz to call ìSalty Daysî just a treaty of deep house. But it is much more than
just that. The co-owners of Hamburgís most gentle record store and label Smallville - Just
von Ahlefeld and Julius Steinhoff aka Smallpeople (please see Discogs for ramifactions and
further reference) ñ wouldnít be the romanticists they are, if it would be that simple. The
debut album of these two young lads with baseball hats not only honours and delves into a
sound that already peaked some fifteen years ago, it also hones and elevates it, without ever
falling into the Reynoldsmania trap (please see Retromania for further reference) or being old
gold retold.

Record label based in Belgium / Vinyl only

HRDvsion – Stroke implies different things. Different strokes for different folks. Not to spoil, but there is a Luke vs. Darth dynamic here. So let’s just keep it at that. Bring it on Death Star!

Joannes – Ow_kay, Joannes got that Wagwan thang going on. Rolling thunder under the hood, sprinkled with some breaks and reverbed. Yeah, it’s that hands in the air moment. Package includes a big phat breakdown.

Orson Wells – If War of the Worlds had a contemporaneous soundtrack, this would be on it. Electro-breaks, tunnel vision, planets colliding. Do not fear us, we come in peace.

Rydim (Part of ItaloJohnson Trio) – This got that nasty boompty. Think of Derrick Carter remixing Gemini remixing Derrick May. Can I have a bump, to straighten things out? Mit ein kleines bisschen acid?

Alphonse continues his 'chuck it all in the blender' approach to music making with the 'Brainstorming EP' on Klasse Wrecks. Imagine a world where the best parts of early 90s dance music meld together woozily, taking leads from Detroit melancholia, Chicago stomp and Breakbeat swagger. Nothing is as it appears in the world of Alphonse and tracks often take a sharp left turn, leaving the listener dizzy with confounded expectations.

Cosmic Rhythm is proud to release 4 cuts of superb piano house found on an old cassette tape recorded years ago and believed lost.

Limited Edition Box of

SCL001 + SCL002 + SCL003 + SCL004 + SCL005!

Following our dubby vibes, this time are our friends from Switzerland Mikhu & Fulvio Calà, as usual, no digital promotion and limited edition.

On their 6th vinyl release, indie techno label YozMaz brings you Nine-tails Ep: four 4-on-the-floor compound techno tracks with deep bass club mixes skillfuly blended by UK Producer Dave Campbell. Mastered by Curve Pusher.

A1 Siege of One reveals its Hi-Ryze DNA with exuberant chords and tight programming, followed by Un-belo-vid’s breathtaking melodic techno rush at 125 bpm.

On the flip side, City Fox starts the party with a bouncy tune feat. chopped up vocals and synth wave beats. Deep techno tune Location Unknown closes the jam with a slowed down 120 bpm sonorous bass mix.

Mike Huckaby, Rick Wade, Rick Wilhite and Norm Talley on Third Ear records after the label just released the massive Kyle Hall Must See ep. All new tracks by these , could we call them house veterans~. Comes with total cool artwork and Proper Detroit house music straight from the source!!

Bangers and Ash is back. The rough & ready series of records that spawned the wider Styles Upon Styles imprint has always challenged artists (Clay Wilson, Certain Creatures, Best Available Technology to name a few) to work their sonics for both the club (Bangers) and the clouds (Ash), now welcoming Contakt to the family in 2018. A native of Michigan and a long-time resident of Brooklyn, Contakt cofounded the boundary-pushing club night TURRBOTAXr with previous releases on Argot, Icee Hot and "Second Shift" and "Detritus" feature on the Ash side with a spacious wash of atmospheric analog synth constructs, while "Shut Off Notice" and "NDO" are Bangers that divebomb deep into classic Detroit techno. Each record has been screen-printed, stamped and stickered by Contakt and SUS, with mixing by Phil Moffa and mastering by Josh Bonati."

Standalone debuts it's first wax release with none other than Laughing Man. Four lucid heavy hitters with a phenomenal collaborative appearance from Kepler make this EP a journey to remember.

300 copies available - grab yours while you can.