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VINYL ONLY

Housemates make their debut on NAFF with a blinding prog-house anthem conceived last summer at Casa Di Ruffino, Montreal. The ultimate dollar bin jumper, Soul Value shines with the sax magic of regular collaborator Emmanuel Thibau. Remixes by Florist and Lamusa II appear on the flip to round out the trip. Pure house energy for every dance floor on and off the planet. It just works!

Big with Loco Dice, Richie Hawtin, Italoboyz, Lauhuas, Kabale Und Liebe, Paco Osuna, Someone Else, Anthony Collins, Dj W!ld, Renè, Alex Picone, Andre Crom, Meat

Remixes of Moby's classic Porcelain pressed on 12 Inch vinyl stamped & hand numbered.

works with a old house classic !!!

It was in early summer 2014 when Kling Klong released the first Nerdjack single and finally we have the possibility to continue our common journey. Now with the help or great remixes from Matt Sassari & Wollion this is smsahing peaktime techno at its best, perfect to rock any open air stage.

Frole Records is back on vinyl with the italian talent St. David. Four analog house cuts in limited edition to 300 copies. Dont miss it ! already supported by DVS1 , Fog, Sascha Dive, Lahrs Behenroth , Ricardo Miranda , Carlos Sanchez , Cinthie and more...

They come from Livorno, Italy but these four young men seem to have landed from Detroit in the mid-90's. Raksasa is the debut ep of the Talkin' Robots who have been remixed by the dextrous brain of Jerome Sydenham who has once again shown immeasurable talent with Soul Research.

Analogic and definitely old school, is the sound of the original mix while Sydenham's mix is dark and refined: deep techno for all hours.

Oops, he's done it again! Titonton Duvante is coming back to Soul Research with a second volume of work entitled Recapitulate. The American producer, whose sound was born between Detroit and Chicago in the early 90s, loves to mix Motorcity techno with the Windy City's house vibes.Recapitulate, Part 2, is the worthy conclusion to his first EP: dry and addictive beats, synth and pad directly from Detroit.Get a Glimpse represents a dancefloor soul with stunning basslines.The ending of the Ep is melodical in Take Me Down: an ethereal voice and the ideal atmosphere for 'Soul Searching'....

Limited 300 copies pressing - VINYL ONLY !
3rd release on Modernism and again a full analog sound with solid 909 grooves and fat dubby chords already played and supported from those who know

For the second release of the parisian label, nifo gave the keys of the spaceship to Bassam who composed a very balanced EP where house music lovers of all kinds will be pleased. Face A reveals two tracks produced in solo : a lovely trip called Wicked Journey and a tastefull track with acid lines, Cosmic Loukoum. On face B you'll find a banger featuring Kizoku and a very well produced breakbeat remix by Gab Jr.

Music by dBridge & Radioactive Man. Drawings by Craig Richards

Chewed up and spat out the other side of the UK's Acid House scene, Neville Watson was bitten hard by the house music bug and has not looked back since. His brand of deep, raw and jacking house has been released on labels like Clone, Dissident, Rush Hour and Creme Organisation.
Neville says 'I kind of like music that sounds like it's all about to start falling apart at any given moment. There's plenty of clean music that I do like but as a rule I like it rough'
Music by Neville Watson / Drawings by Craig Richards / Mastered by Keith Tenniswood / Vinyl 180 Gram

Five artists. Five tracks. Four countries. One 12’’. Live Ones is back with a belting new EP featuring five deep and sultry cuts. Windows (formally DJ Windows XP) kicks things off with their familiar dusty and melancholic drive, pulling all the right heart strings on ‘I Wanted To Share My Feelings But You Kept Talking’. Label owner Lorca’s ‘Sirens’ follows this on a similar, ravey vibe with stomping kicks, breaks, breast beating string samples and bleeps. The flip side sees the talented and experienced Intr0beatz in amazing form utilizing rich, orchestral strings and his signature house grooves to produce the infectious ‘For The Love’. Keith Lorraine (also known as Baby Rollen) of London is up next with the emotionally rich ‘Wild Flower’. The track builds nicely into the final cut ‘Dreams’ from Canada’s Mathew Ferness. Here we see the artist at his best, using looping vocals and piano stabs to great effect, completing an EP that will work just as well in your headphones as it will on the dancefloor. We’re in it For The Love.

Killer release on Craig Richards's label (featuring his own artwork too) as Vrsion releases a bassline-led classic house groove complete with a stunning remix from Trevino!

After the organic and natural-sounding debut, Denis Rodd was inspired by Greek mythology and modern cinematography for his second EP. In the opening track, the label founder of Cochlea Music grasping the Tim Burton's fantasy fairy tale Charlie and the Chocolate Factory and replaces the chocolate with acid and the beat works nicely.

The energetic density increases, in the track 'Slow' the drum machines and plug-in sounds push the vocals forward, which in any case aren't slow at all. Or is it the exact opposite Tribal magic emanates the 40s and 50s Blues in the vocal samples, a touch of African ancestral culture, jazz trumpets - the minor scales are hypnotically similar to the techno scales.

In the title track Minotaur, Denis Rodd finally transforms the bull-headed monster from the ancient legend into a hybrid with a fidgety techno skull, and body and soul made from warm Deep House. Bittersweet, melancholic and yet joyful is the captivity in Minotauros' labyrinth of BPM, melodic murmurs, small surprises and contrasting sound events.

repressed !

JAY LUMEN, one of the most quickly developing producers and known for his dynamic, pulsating grooves and pleasant vocalic tunes is back again on 100% Pure. After having caused mayhem with his eleven earlier releases, he has proven to be labelled as one of the most famous and internationally appreciated artists of the electronic dance scene.

Jay first became inspired by his love of classical music but has been scorching the international dance scene with his unique fusion of different genres for many years. Be it techno, house or tech house, Jay always creates something special with a distinct sound, containing all the Jay Lumen trademarks: originality, dance ability and energy.

Now our hero is back to save the day with Elysium EP', with Street Stuff ((D.T.T.H)' bringing some old-school house sounds back to the dance floor, and the signature Lumen' style rolling Techno groove Elysium'.

repressed !

Cologne duo Andhim look to kick off 2012 in the same blistering fashion as they did last year, with an exclusive new ep for Terminal M. The duo's "Like A Wirsing" was the catalyst for a successful twelve months and a run of releases and remixes that lead to Andhim on the way to the top of the tech-house peak.

The fourteen installment of Multinotes comes from the elusive Cornucopia and his world of intriguing melodies and textures.
“Before Anyone Else” and “Bats & Birds” are two perfect example of Cornucopia’s music statement but at the same time they sounds like the seeds of a new direction in his musical estaethic.

Rize radical returns with the 2nd part of Alton Miller's Inner8 remix package (first part was on the Clone X serie and sold out in the first week!). Here the original version and the remixes of Literon and Steve Azzara.

2 heavy underground bombs on limited hand stamped wax...

Two cuts from Moon King's Voice of Lovers re-imagined by SOBO friends and family.

BTAIM resumes its line of raw techno templates with a pair of stripped-back but funked-up floor killers. Promising Berlin-upstart Tecture draws inspiration both from his hometown as well as Detroit, delivering two highly effective yet emotive club weapons. Their bold basement vibe may seem grim on the surface, but they glimmer with hope underneath. It is this very interplay between murk and melancholy that embodies the record with dynamic textures and a narrative. In similar fashion Trevino pairs imposing low end rumble and bright arps, reworking the title track into his own DnB-reminiscent signature style. With the addition of BTAIM006 to their catalogue, both artist and label have placed themselves on this year's watch lists for sure.

Number 3 and sometimes they say that third parts are never good but we can promisse that this What We Like Vol.03 is one that you will like if you are a lover of underground house sound with some deep vibes. New aka for one of our main artists O Rem is coming a vinyl only alias that you will see now in many releases , for the second cut another alias of Rodrido DP , Rigzz More house more groove , third one to our resident artist Frink and last cut to a newcomers Los Reynoso fromTijuana that are doing very good stuff so this 4 cuts are what we like and what we have for this 2018

The House Music Institute is the new label by Pete M.. A recognized face on the Madrid underground scene, Pete M. has been making the city dance for the past two decades mixing House with Future Disco and Techno.

His first EP, LOFT 301 - Fourth World' includes two original tracks plus a remix by Jonny Sender.
Pete M. created two original tracks with a late night vibe using a classic groove and 4/4 rhythms combined with 808 analog sounds and beats.

Pete reached out to Jonny Sender for a remix who's recently released a number of original productions and remixes. Sender, bass player in the legendary band KONK, was part of the early '80s downtown scene in New York City as well as being a long time DJ. Jumping off from the original track, Sender brings some jazzy early '80s flavor while keeping the vibe strongly rooted in the present.

Blue Mondays is a project of Alex Ferrazzi and Keemani. Both vinyl collectors and involved within the Italian Underground scene from the beginning of the early 2000s, they grew up cultivating different backgrounds; Alex was always into disco and old school house music while Keemani was more into new wave and rock vibes. Merging their backgrounds inside the studio, they come to you with a dance floor oriented sound spanning nu disco to techno, based on dope beats, smoked out samples, deep basslines, and uplifting vibes.They have already released music on Manocalda (Pastaboys Record Label), Sonar Kollektiv and Snatch! Records; In 2014 the release of 'Concept Track #1' on Rebirth and 'All cats are blue', their first LP on Memento Records.
'Everything' is their brand new single, a soulful tune made with an undeniable inspiration from the classic New Jersey sound, and a twist for every kind of dance floor. Michael Baumann, aka Soulphiction and Jackmate, delights us with a spacey, warm melodic modern old-school version and a dub mix, adding a strong round bassline and raw beats that work a treat.
Bassa Clan, the duo made by Dino Angioletti and Fabrizio Maurizi, deliver a subtle hypnotic remix, with dubby chords and a more techy vibe. Pure quality music for our ears.....

Coming soon from Petra Digital/Vinyl Recordings is the 'Chimes' EP from Turkish producer Hemi. No slouch, Hemi is a multi-disciplinarian who has worked as a promoter and a film maker, in addition to DJing and producing. Having previously released music under the monikers Paradisko (a collaboration with Hakan Özkan) and Pineapple Pop, he has decided to start using his own name for his music. His latest, the three tracker 'Chimes', is to be released on Petra Digital who are already off to a fantastic start in 2018 with the release of Georgi Barrel's 'Rhyme Goes On' and Doruk Guralp's 'Caspian'.

'Chimes' brings together 'Chimes', a Hemi original, and two remixes. The original mix gets us started, a bouncing, synthy house track. There is a prodding synth figure with more atmospheric layer underneath moving through the chords. Filled out by the layered beat, another big synth carves out the songs melody from the fabric of the track. A truly stunning track, the different figures are sustained when they need to be and dropped when appropriate.

The remixes come next, one from Kiwi and one from Mijo. The Kiwi remix is an early-in-the-night, out-on-the-floor track. You could be anywhere in the world listening to this, but you'd definitely be partying and you'd definitely be dancing. The Mijo remix is the hardest of the three, getting straight away into a driving beat. Following an extended break about a minute in, the track kicks back in full force. For a guide on how to approach the one track three different ways, look no further than 'Chimes'.

This October will see Canada's Mathew Jonson join forces with Visionquest co-founder Ryan Crosson for a two track EP in the shape of 'Robots Of Dawn'.
Canada's Mathew Jonson has quite the impressive career under his belt having co-founded the revered Wagon Repair label and heading up Itiswhatitis Recordings as well as performing under his own name and various guises such as Cobblestone Jazz, The Modern Deep Left Quarted, and his new project Units & Measurements alongside Hreno and The Mole. Here we see the synth aficionado joining forces with Visionquest's very own Ryan Crosson, who's carved out an equally impressive career to date and will soon drop his second long player alongside Cesar Merveille focused on intricately musicality and an intriguing approach to electronic music via the Visionquest imprint.
As you'd expect from such a pairing this collaboration packs a bunch, opening with 'Tempelhof' named after the now defunct airport in Berlin and laid out over thirteen minutes of gradually unfolding and retracting acid swells, resonant synth whirrs, mind bending arpeggios and dynamic, baroquely evolving rhythms.
Title track 'Robots Of Dawn', featuring added help from Cesar Merveille and new upstart artist Isis, captures an old school electro feel via an 808 drum workout, vocoded vocal murmurs and funk-infused wandering bass lines whilst modulating synths spiral through the depths of the composition.
Mathew Jonson & Ryan Crosson's 'Robots At Dawn' EP is out on Visionquest 20th October 2017.

Entering into a new year, Priori and Ex-Terrestrial announce the birth of a techno-focused sub-label, Garmo. Launching on 6th March, the pair come together under new alias, Ntel, to release ‘Dilution Effect’ EP. Garmo is music of the microbiome, uncompromising rhythms of the Natural-process. Artwork by Jesse Osborne-Lanthier.

4-track collaboration project between UK producers Ossie & Greymatter. Dancefloor house, techno and disco with distinctive raw, lo-fi sonics. Between them they have released on labels including Hyperdub, 2020 Vision, WOLF Music, Brownswood, Black Butter, Exploited and many more.

Greymatter is also a key figure at the legendary Mr Bongo record label. This release follows on from Greymatter's third full-length album 'No Blood Without', released in April this year to critical acclaim. 'Video Freaks' was originally penned for the album project, held back for this project. Ossie continues the momentum off the back of two EPs this year - "Space Odyssey" on his label SuperCali and "Milk" via Exploited Records.

Special shout to Matt Neale and Stu Clark for making this project happen.

Rising phoenix-like from a cultural choke hold of nanny state finger-wagging and colonial privilege comes phile. The dynamic live duo from Sydney debut on their own imprint with a five-tracker balancing confrontational, f'ck y'all attitude with surprising textural nuance and an attention to detail generally lost at these high temperatures. This marks the first release from Deep Seeded Records.Don't be fooled by the distortion and hard angles of 'Found In Blood' or 'Govern This' - the fine print betrays a knowledge of Dozzy-school headfuckery and concrete mise-en-scene. Meanwhile, Karina Utomo's blood boiling vox on 'Abhor' and the unlikely appearance of bass guitar and string quintet on 'Marauder' reveal that Hannah and Gareth (thankfully) have pedigree beyond the often stifled confines of good ol' dance music. Most would place this in the ""dark"" category but it's really just a source of strength.

Here we go with the "Eine Stadt frisst ihre Helden" e.p., four rough and raw techno machines down from the evil subsea dungeons by the label head himself aka Syntax Error. Every track
tells a story out of the snorky life from Christian in Snorkcity Giessen! "El expreso de cerveza", do a beer pub tour in Giessen and you definitely know that this means. "Mad insomnia causing insects" contains samples which are provided by Mad Matze from his South America holiday, real monster quadrills noice! If this is not freaking you out, the "Freak Wave" will do, breaking over your head that crashes you on the deepest underground as possible. If this is not enough, enjoy some "Döret Talk" from the backstage! More dört that you can expect! This e.p. absolutely says "eat my shorts and go fuck yourself! To be or not to be
snorky! That´s the question!

One could say, &ME is following quite big footsteps when naming the A1 on his new
keinemusik-release 'Purple Rain'. On the other hand: Prince's shoe size might measure a
decent 4,5. That's not even big enough to collect the plaster that will crumble from the ceiling
after igniting this very floor epiphany. With this tune, &ME is following the path of reduction
and straightness, he already opened with his preceding releases. We'll find explicitness in its
lyrics, claps as gratifying as in an enduring spanking session and a carpet of white noise that
could be modeled after the addressed rain shower or maybe even after a smearing broom,
that's clearing the traces of sweat and the juice of arousal 'Purple Rain' most definitely will
leave on the dancefloor.
With 'Glaced' on the flipside, &ME is taking three minutes to build it up spectacularly, just to
change plans abruptly and throw it into another, quite unexpected direction. The then
occurring and ongoing bassminiature won't leave your head for some time to follow, that's for
sure. Let alone your legs.

Mint Condition - A record label focused on excavating the outer fringes of classic House and Techno. Unreleased mixes, classics and overlooked gems mined from the last 20+ of contemporary dance music are the order of the day. From Chicago, Detroit and New York to London and beyond, Mint Condition have got their expert digging hats on to bring you exclusive heat and those rarer than rare jams that have been on your wants list for years! Dig in....

From the turn of the millennium comes this stellar 3 tracker from London tech-house hero Affie Yusuf. 'Dreamin' is it's name, and late night or early morning manoeuvres is it's game, this Surreal slab ticks a lot of boxes. If it's the deepest of rollers you're after, Affie has you covered. for example, the A1 'Nice Dreams', is wonderfully stripped back in all the right ways, unfolding as it goes, is exactly what your DJ bag needs. Just follow that cowbell, and all will be well! The other cuts, 'Nightmares' and 'Magnificent' showcase Affie's style well, bass heavy, minimal and funked out jams that will get major spin and sound killer on a big system or rig, thanks to some top shelf remastering. An essential release from the tail end of the last millennium right here, London style, rare as hen's teeth on OG 12", one for the dancers, tweakers, freakers and spinners.

'Dreamin' has been legitimately re-released with the full involvement of Affie Yusuf for 2019 and remastered by London's Curve Pusher from the original sources especially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your favourite reissue label - Mint Condition!

Music collective, concept and podcast series OsloGround sets out on their first flight as a label, starting out with their own A:G and his fittingly named Metamorphosis EP.
Where two different parts of the journey's title deliver floating and mind lifting atmospheres built on a firm layer of broken beats and sub vibrations, and the flipside delivers more of a dub inspired minimal house groover with foot feeding bass and juno sweeps for those 5AM moments, this EP is made with love for the dancefloor in mind.

Italian artist Anfisa Letyago debuts on Rekids delivering two captivating cuts, including two brilliant remixes from Mark Broom.

For over a decade, this Neapolitan DJ and producer has been renowned for her hard-hitting techno tracks on labels like Redrum and Intec. She now debuts on Radio Slave’s Rekids, following the likes of Laurent Garnier, Spencer Parker, Hybrasil, P.Leone, and SRVD.

‘I’d Rather B’ starts with shaking percussions into soul styled vocals, fading out to deeper and darker tones, before ‘Pump It’ progresses into a smooth acidic background completed with a subtle groove undertone. Warp Records and Cocoon artist Mark Broom returns to Rekids with two remixes of ‘I’d Rather B’.
The first leads with a stomping bass and rupturing sirens, generating an atmospheric aesthetic from start to finish, whilst the second focuses more on the groove – introducing piercing claps, rattling hats and small bursts of vocals cries as the track continues to build.

Keinemusik is back with its 25th release, the fifth edition of its annual labelcrew-Sampler ‚Workparty', this time logically named ‚Workparty Five'. As alyways featuring one track by every Keinemusik producer, you'll find cuts by Rampa, David Mayer, &ME and Adam Port. And there are some special guests as well. Adam Port teamed up with the english House legends Stereo MC's to lay down the closing track - Place'.

Five years of Keinemusik. Workparty Number Five. The twentyFIFTH KM release in total. Release subsequent to the FIVE labeltour.

Before anybody could come to the conclusion, there might be higher powers or math pro's involved in this, check out this information:
on the release, as it has been with all the previous Workparty joint ventures of the Keinemusik collective, you'll find four cuts.
Contributors are again: Rampa, David Mayer, &ME and Adam Port. Using the anniversary as an opportunity, the tracks have been spread over two vinyls.

Leading us into the ring is Rampa's 'Mod' on A. A crossing of analogue and digital methods, recommending this piece as the
unmistakable floor offensive within the batch. Realizing how percussive slaps and the central synth-motif are escalating in call and response, it seems obvious that 'Mod' is not to be taken as the shortcut for 'moderate' in this case.
David Mayer's 'Smoke' on B is going for a dry and percussive approach itself, although executed in his typical signature sound -
intent on the details and all about the subtlety. 'Smoke' is a genuine grower. Crackling and rolling in seductive coolness and puffing one or another ganja-cloudlet into the air.
Yet more percussive spleens to be found on C, when &ME is unrolling his 'Birdland'. Compared to the two predecessors, he is
opening up to a pronounced songwriting architecture and almost tenderly implemented analogue elements like bass runs and piano chords, that are dramatizing this piece until it is consolidating to an impelling floor-affair.
For the grand finale, Adam Port is getting the legendary Stereo MCs on his side. Just for Rob Birch's vocals, 'Place' has to be seen as the most anthemic moment of this EP. But Port's sensitive instrumentation, all the deep sentiments within the beat and the effective sparing of the bigger gestures, are doing their bits to help shaping this one to be a foreseeable classic for the emotional peeks on a dancefloor.

Not unlike the first chapter, Workparty 2 mirrors the status quo within the Keinemusik camp.
Featuring Rampa, &ME, David Mayer and Adam Port, it covers all of the crews producing
stakeholders, starting off with Adam Port's '86'.