House Vinyl New Releases - News

Already supported by : Sepp, Arapu, Nu zau, Nima Gorji, Cesar Merveille, Suciu, Janeret, Vincentiulian, Traumer, Vinyl Speed Adjust, Romar, Crihan, Funk E, Adil Hiani, Cosmjn, Lizz, Rowlanz, Vlad Arapasu, Primarie, Herck, Alan Castro, Dragutesku

Goodbye 2017, hello future! Monaberry proudly present their final release of the year with the one and only Upercent. New to the label but no stranger to our record collections, the Valencian artist has made a name for himself over the last few years on labels such as Diynamic, UponYou, Snatch!, Sincopat and Culprit among others with a spell-binding sound that's consistently rich in emotion and hypnotically heavy in weight... A sound that fits the Halle house label perfectly.

Proof is in the listening, 'Fastic' is an eight minute mystical movement that ripples with layers and dynamics. The shimmering percussion, the bluesy guitar twangs, the far-away vocal yearns, the gentle enveloping ebbs and flows with elements of tribal, tech and prog and fat dollops of cosmicity.

'Badarra' flips the groove coin with a much denser bass/kick relationship. Palpitating, pumping and progressively developing momentum element by element, key transition points include the molten chimes, the scattering percussion, the strange humanisations and the black hole breakdown that sucks deep deep deep into the silence before catapulting you back into the insistent pumps and added Spanish strums. Weighing in at almost nine minutes, once again it's an open and shut case of full immersion. And Monaberry wouldn't have it any other way.

The first artist other than label head Patrick Topping to release on TRICK , his Geordie compatriot Adamson delivers an eclectic mix of tracks. The EP opener and title track, ‘Electric Acid Tater Tots’ is an acid-soaked techno slammer, strung together by Elliots own robotic vocals. Skream then steps up to deliver the labels first ever remix, a trippy, high-energy workout, before the Electric Acid Tater Vox offers a stripped-back vocal version which is available exclusively on the vinyl. Over on the B-side, ‘NYC Dada’ is an infectious disco-house edit destined to fill countless dancefloors, then ‘11am in Brisbane’ delves into melodic techno waters.
“I don't recall writing the lyrics, but I like to believe they appeared in the notes in my phone delivered by some divine spirit via the medium of an Apple iPhone XR - cheers Steve,” Adamson jokes. “About four instrumentals existed for about four weeks and I would often find myself standing on the table at parties singing out the lyrics excitedly trying to explain that 'this is my song.’” - Elliot Adamson The record is also accompanied by two exclusive bonus tracks. Lesgo Lesgo Lesgo is a true techno odyssey and bonus purely for digital copies of the EP. Then, there is the Electric Acid Tater Tots (Acid Mix) , a secret dubplate that has only been sent out to a select number of DJs. A true weapon for the warehouses.
“Elliot had to be the first artist, other than myself, to release on TRICK!” Topping enthuses. “ I’ve been championing his music for years and this release has been a long time coming. He’s now helping me A&R and is a resident at the label parties. His EP genre-hops and this is what TRICK is all about.” - Patrick Topping

Amsterdam based Luuk van Dijk is welcomed into the Hot Creations fold this July with his heavy-hitting Parallax E.P. Chicago production wizard DJ Skull is also on board to rework the B-side.

Title track Parallax is set to cause a serious stir at festivals and clubs alike this summer. The smattering of high-hats elevate the track as the space-like beeps and blips add another facet. On the flip, Dimension applies an ominous vocal stab as the bass rumbles perfect for low ceiling basement raves. On the remix, DJ Skull adds a touch of Chicago class via some softer vocals, dubby chords and a pounding bass. At the tender age of 22, Luuk van Dijk has been signed to acclaimed labels such as VIVa Music, Roush, Food Music, Sanity and Lost Records. Championed by stalwarts such as Steve Lawler and Eats Everything, he has taken his sound to some of the world's most prestigious events.

Ron Maney aka DJ Skull became known for being one of the first DJs to play the new sound coming out of Chicago, honing his craft at the infamous Music Box and Power Plant. Releasing records since the early 90s, he later launched his own labels Hypnotic Tones and Wax Candy Records. Recent releases have appeared on Chiwax, Domina Trxxx and Mentha Records.

London duo Damian Daley & Danny Dixon aka OdD return to FUSE sister label Infuse to follow up their breakthrough Cold Fusion EP with a four-track EP titled 'Tones Of The 90s'.

Lead track 'Tones Of The 90's' brings together the core elements of the London underground scene. Snappy hi-hats combine with subtle tones and garage-like vocal samples and plenty of bass. A2 'Phone Home' starts with the famous ET sample. Once again it's the snappy hi-hats that take centre stage, working alongside a well-programmed loop that bubbles throughout underneath the surface.

On the flip, loopy drum patterns dominate B1 'Yes Yes' before the EP comes to an end with the pick of the bunch 'Pressure'. Low-end frequencies combine with a dreamy synth line, signing off the release in typical Infuse style.

Fast-rising Balcan newcomer Reblok presents his scintillating Hot Creations debut single Smile, released this October on the acclaimed label. The fist-pumping groove of Smile opens the release, driving hi-hats are introduced, bounding into anthemic pop-rap vocals, alongside playful keys that add colour to ignite the dance floor. On Roots the sense of fun is continued, snare-rolls combine with mouth-watering filtered synth and springy samples, creating a heads-down, hands up tool. Originally from Croatia but now residing in Serbia, Goran Paradinja also known as Reblok is one of the best newcomers to the scene. He has released an already impressive back catalogue of music on some of the biggest labels including Elrow, Viva Music, Suara, Toolroom, Repopulate Mars, Sola, Abode, Stereo Productions and Material. As well as recently touring across the globe in Mexico, Colombia, Brazil, Germany and the Czech Republic, his music has been played by some of the most respected DJs such as Jamie Jones, Steve Lawler, Marco Carola, The Martinez Brothers and Seth Troxler. The rapid rate in which Reblok’s career is growing looks set to continue as the world discovers his incredible productions and DJ sets.

Default Records has returned with its second release after compiling a roster of artists who are committed to establishing presence in the scene by pushing boundaries and pursuing excellence. Camelia starts us off on the A side with *Transferring*, which presents itself in a light and airy atmosphere. Its playful percussive notes are juxtaposed against its hypnotic groove making for a warm and easy listen. Macarie follows with *Flu*, a vibrant and dance-inducing sludge of gritty, piercing elements that seamlessly blooms into an emotional melody that is driven by its tantalizing rhythm. Label boss Exander shows the heavier side of his creative spectrum on the B side with *Odyssey*. The fullness of this cut accompanied by its intriguing and directive vocal is only enhanced by its delicate features and attention to detail. Closing out the compilation is Lulla's *Distort Time* which reveals all its insides with a symphony of glitchy bleeps and blops all reinforced by a cadence of drums and groove that stirs it into an electric soup.

Thomas & Tassilo melden sich zurück mit 3 Cuts intensivem Techno, die allesamt die harten, dunklen und psychedelischen Momente wilder Club- und Warehouse-Nächte verkörpern und dennoch ihr Ziel stilistisch und technisch auf unterschiedliche Art und Weise erreichen. "Radio Berlin EP" - ein neues Highlight in der reichhaltigen Diskografie des Berliner Duos.

No Rush label founder Simone Adinolfi inaugurates the first release with a 3 tracker, including two tracks from himself and one remix from Sublee.

Road To Rome opens with crunchy sharp drums, a groovy bass line and melodic elements in a beautiful blend of micro-house.
Hide And Seek gives the EP a darker taste with punchy kicks, stripped back drums and trippy melodies, keeping the tension up before the romanian Sublee closes the EP with a superb minimalistic groove, composed by organic percussion arrangements, airy pads and atmospherics texture that guide the production through twelve minutes of deep celestial essence.

VINYL ONLY

Early support from: Priku, Barac, Sublee, Lizz, Janeret, Cosmjn, Viceversa & more..

This one is just for the vinyl heads - no digital promo. Pure house vibes from friends and fresh talent from around the world!

After ten years of not taking themselves too seriously the Groningen creative collective KopjeK thought it was high time for the next step. Their residents have grown from local-pub-DJ’s to (inter)nationally acclaimed DJ’s and producers, so starting their own record label feels felt like a logical move. KOPREC001 is the debut solo-EP of Nathan Homan and features two originals; the breaky, spacey and pacey club banger “CUL8TR” on A1 and the more smooth, sexy and laid back house stomper “Wapperwang” on the flip side. The EP is completed by two remixes; one slow paced, highly emotional and arpeggio-heavy rework of “CUL8TR” by Tjade, the producer who recently rose to fame with his “Koi Jaye edit” on Bordello a Parigi, and a heavy drum and acid infused rework of “Wapperwang” by Mathijs Smit, the latest addition to the KopjeK talent pool.

Photonz is the alias of Marco Rodrigues a DJ, producer and driving force of Lisbon's underground scene. For little over a decade now, he's been crafting his own deeply personal style of Portuguese house and techno. As a DJ, Photonz grew a reputation for deep crates and intensely euphoric sets and in 2017, together with Violet (co-founder at his Radio Quantica) and Lisbon's own Rabbit Hole collective, he started the now infamous Mina parties - a monthly, sex-positive, queer and intersectional-feminist techno party aimed at using the dissociative potential of intense raving to create a temporary space of suspension away from patriarchal expectations. 'Nuit' is Photonz?s debut album and a simultaneous reference the Egyptian Goddess of the Stars or Night. Marco was really swept away by the concept of ?freedom of form under the night sky?, the accepting embrace of Nuit. Ancestral, but also socially advanced and utopian; a deification of the night time. These ideas manifest themselves as eleven songs spread across two LPs that wax and wane like the moon. Photonz channels early techno, Drexciyan rhythms, balearic & atmospheric house; layering sounds, creating moments. All songs have been mastered by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in a royal blue and neon yellow jacket with duality/birth symbolism and trance-hieroglyphs designed by Eloise Leigh. Each copy includes a glow-in-the-dark sticker and a postcard with notes

support by: Joris Voorn, Solomun, Reboot, Robert Owens, Steve Lawler, Luciano, Dubfire, Shir Khan, Huxley and many more...
While Robosonic's extraordinary OFF debut - Worst Love' was paying homage to a specific underground rap record by the Dilated Peoples (actually without sampling the record itself), the follow-up now takes it way over the edge: consciously, of sound mind. Since their early vinyl bootlegs (2005) under various aliases and their critically acclaimed first album as Robosonic (2007), Cord and Sacha incorporate a certain sense of irony into their undisputed world class production work. For their next episode on OFF, the boys cut slices of hiphop sample history and flipped them into seriously soulful house music joints. Functional arrangements with plenty of musical references to golden eras and past times create the emotional depth of Robosonic's modern - hi-tech soul'.

- OVER' with its intimate feel seems less obvious than the famous hookline of - THE EDGE'. In fact Dr. Dre was not the first beatmaker to cook it up, so Robosonic probably aren't the last either. They just do what they like doing best. Funnily enough our praised creators anticipate critics and let Talib do the talking: - These cats ain't real.'

finally repressed !

full support by: Monika Kruse, Karotte, Nic Fanciulli, Format: B, Hanne & Lore, Joris Voorn, Slam and many more.

As the title suggests 'On Flute' shows us how diverse Tenderlonious's musicianship is as he embellishes each song with his signature flute sound. 'Ghana' sets the pace of the record with up-tempo afro beats, complimented by keys, strings, a distinctive lead synth and of course a soaring flute solo. 'Autumn Leaves' follows with a more UK broken-beat flavour, revealing a darker sense of atmosphere. Side A closes with 'Oedo Bushi,' a comparatively stripped back tune, a simple conga rhythm with flute and xylophone solos weaving in and out as if in conversation with each other.

Side B starts strong and steady with 'Song For My Father', an upbeat number fusing funk and disco to create the perfect dance floor filler that builds to a climax with one of Tenderlonious's wild flute solos (one of my personal favourites!). 'In A Sentimental Mood' follows and, as the title suggests, shows the listener how this producer came by his name. Tender flute inflections and sensitive lead synths, backed by quiet whispers make this the perfect accompaniment to an intimate candle lit dinner. The EP finishes with 'Dale's Corner,' another broken feel on this one with delayed Rhodes supported by tasteful flute lines throughout - it leaves the listener feeling uplifted and wanting more.

Terrence Parker (known to many as "TP") born and raised in Detroit, has become legendary for his quite uncommon yet skillful turntablism style of playing House Music. TP has also become widely admired because he uses an actual telephone handset as headphones. Terrence has performed as a DJ in 40 countries throughout the world and has released more than 100 recordings on his Intangible Records label and various labels including Sony, Defected, Nervous, Kingstreet, and Purple Music.
Terrence has top 20 hits with his songs "Love's Got Me High", "The Question" and albums like 'Life On The Back 9' and "Detroit After Dark". Terrence is also making his mark as a techno producer with his 'Alarm The Sound' track topping the 2016 Traxsource Top 200 Techno Singles chart at Number # 3.
'GOD Loves Detroit' is Terrence Parker's new album due for release June 30th on Planet E Communications (Detroit). This new album features TP collaborations with Coco Street, and additional projects with Merachka (who co-produced, co-wrote, and sings on the first single entitled 'Don't Waste Another Minute' which also features a remix by London's As I Am) released in February 2016.

Before an upcoming album in 2020 on Heavenly Sweetness, Mama is the first single. A track in which the balafon’s woody resonance, the meditative flute and the female choruses return to the Creole roots of David, recall the memory of his Caribbean grandfather exiled to New York but, above all, a title dedicated to his grandmother, who after the last soaring electro-disco, she comes to declaim the text on the ultimate measures. David Walters will have thought of it, conceived and realized in close collaboration with Patchworks. Then, in the wake of the single Mama released in the month of each of them took the title, isolated himself in the studio with instruments and machines to come out only with a total reinterpretation, but especially personal, of the title. Hammering bass drum and snare drum bursts, David has entrusted the direction of operations to the rhythmic, and it is one after the other that digital elements were invited to transform the original maternal softness into a boiling soundsystem. Synths their strings on the hum of the bass, the hypnotic power of the riddim remains.
Two remixes, two atmospheres. The Patchworks scene is set in a jazz-funk setting, an heritage from Roy Ayers and Lonnie Liston Smith. Powerful drum, enrobing bass, the Fender Rhodes becomes a soloist, motivated by this irrepressible groove, first become a soloist. And that the meshes leave the hands of the balafon player to pass in those of the vibraphonist.

Dutch underground acid-techno act Random XS strikes again with two rugged and authentic dance floor rockers. After a long awaited re-release of their Djax-Up-Beats classic 'Give Your Body' last year on Delsin, they return with a pair of fresh and unheard acid jams on the closely related MOS Recordings. Both tracks recorded in the early '90s, but only recently finalized and improved for heavy club impact. It's an EP full with gurgling 303 grooves and raw energy in the traditional and energetic Random XS way.

unique trax 003 is in charge of an artist who does not need introduction, the Russian tripmastaz gives us two strong pieces for the dance floor plus a remix with housy sensations by ariel rodz.

Ritter Butzke celebrates it's ten year anniversary! In the last decade the colourful and diverse night club grew to a considerable and international renowned institution in Berlin. For this occasion we are more than happy to welcome Booka Shade, Dominik Eulberg, Digitalism and Dapayk & Vars on our Ritter Butzke Studio label. We hope you'll enjoy our „Ritter Butzke – 10 Years“ as much as we did and still do!

CUT-UP AND SELLOTAPED-BACK-TOGETHER HOUSE MUSIC IS THE NAME OF THE GAME AS DEAD HORSE RIDE AGAIN!
THE MYSTERIOUS RIPPER AND CHOPPER OTHERLOVER LEADS THE CHARGE WITH HIS JACKING AND TEASING CUT 'NEED YOUR LOVE'. THEN UP JUMPS THE LEGENDARY DJ NATURE TO FLIP 'MOVE TO THE MUSIC' INTO A LATE NIGHT SLEAZY TREAT.
ON THE FLIP, IT'S A BIG FINISH WITH A TRULY EPIC, DISCO-FLAVOURED OUTING BY DICKY TRISCO AND LOVE DROP THAT WILL SET YOUR FLOOR ON FIRE. WARNING! EXPECT TICKLY BITS AND SERIOUS BODY MOVEMENTS.

Mysterious acid rhythms, creeping from South America. ‘Eterna Procrastinacion’ has taken shape via the sounds of, Michelle. Off the back of her recent LP on ‘My Own Jupiter’ it is now her turn to show her cards on London’s OPIA. Accompanying her on the release is talented live artist and producer, Muten. Head first in to the deep end with ‘Virtual Analog’, no holds barred from Michelle, delivering a pacey number straight off the bat. Setting the tone for what is in store. Do not be fooled by the floating tones of ‘Clavia’, shortly in to the trip you will be transcended by an abrupt bassline, reinforced by a distinctive groove. Falling in to the dramatic synths of ‘Anomalia Armonica’ is an easy mistake to make, it simply can not be helped accompanied with the broken drums and acid rainfalls. A package coming from far outside the box is ‘Vlad’, Muten’s solo output on the release. An intriguing insight of his capabilities here. ‘Roll Tubes’ sees the pair explore new realms together, twisting and turning through the dark depths of ‘Eterna Procrastinacion’. No escape from this one.

Italian pairing Ruff Stuff have been living quite a charmed existence of late. Known individually as Nanni & Francois, this house-loving pair have rocked up on a host of well-renowned labels, including Quality Vibe, Neovinyl, Berlin Bass Collective, and King Street Sounds. However, it's their work on their own label, the aptly names Ruff Stuff Music Ltd, for which they're arguably best renowned. Their latest release, the sixth on the label, is arguably one of their best yet. Channeling classic house vibes throughout and calling on a remix from British man-of-the-moment Harrison BDP, it's an intoxicating listen that keeps the listener n their toes throughout.

Kicking off the release is the sounds of 'Ain't No Buddy'. The sort of up-tempo jam that would make Kerri Chandler blush, this one bares all the hallmarks of a classic Strictly or Nu Groove jam. Feeling a wailing diva vocal at its core, this is trippy house of the sort that's most definitely been made for the dancefloor. Absolutely spellbinding stuff.

The A side is then rounded off courtesy of another original, 'Last Chance'. The boys cleverly keep the energy intact on this one, with another banging track that follows a similar framework to what's arrived before. Another high energy cut with a raucous baseline, this one too is sure to elicit complete pandemonium on the dancefloor. The aforementioned Harrison BDP then gets the B side underway via a remix that's a far cry from the original. More restrained and atmospheric than its predecessor, it serves up a neat interpretation that nicely compliments the merits of the original.

Closing off the bumper package is the sounds of Ruff Stuff's 'BrainTrust'. As is often the case, the B2 here is an absolute weapon - and one that's sure to win the boys plaudits aplenty. A refined, timeless-sounding gem, 'BrainTrust' has 'class' etched firmly on its side. A stunning array of tracks that showcase just what this duo is about, the label's sixth release is definitely one worth savouring.

The Beeyou crew are back with an EP spring loaded with groove, soul and rolling baselines, Mystery men Xhz take control of the A1 with a timeless master piece, Jake Flory is the main behind the grooves on the B side. B1. 14th Groove is a beautifully pieced melodic roller & the B2. Distress is a striped back swing infected track perfect for creating an atmosphere.

Curtea Veche kicks off its LTD series with a 2 track Ep by Disuasiv. 2 moody originals and a super remix by Cally
12" Vinyl Only / Full Cover Art

Last summer during an evening spent with my friend Dj Topha, we came upon the everlasting subject of old versus new. 'I'm finding so much great music right now, and not just digging back in time but exploring our own timeline geographically too,' he said, 'The level of production these days is rising fast. You have to check out these snippets from a new label based in Casablanca.' m Not long after, in an interesting twist of fate, Driss Bennis and I began to exchange music: I shared his Soundcloud for the first Casa Voyager release, and he sent me a promo copy which I played out a lot. It seemed only logical to ask him for music for Basic Moves. Later that summer we met in Paris for a convivial back to back at Dawidu's shop, Te Iubesc Records and Sapology. It was as simple as that, and in a few weeks Basic Moves 04 was ready. Night Train and Overseas blew me away by their quality - the tracks are retro-esque yet fresh, and stem from a loose approach to electro. Their arrangements are very smart; not everything is revealed the first time round. The more you listen, the more you understand that the power of the tracks lies in the details. Together with Ailsa's artwork, Stefan's cut and Chris' mixes the release fell so smoothly into place.
I have come to realise how important it is for the scene to release recently produced music as well as treasures from the past. You can't build a community by only playing old records. It's about a combination, about finding gems that glide together. Old and new. And for that, I think both these DJ Booth tracks really fit the bill.

Ritter Butzke celebrates it's ten year anniversary! In the last decade the colourful and diverse night club grew to a considerable and international renowned institution in Berlin. For this occasion we are more than happy to welcome Mathias Kaden, Oliver Schories, Mollono.Bass and Township Rebellion on our Ritter Butzke
Studio label. We hope you'll enjoy our „Ritter Butzke – 10 Years“ as much as we did and still do!

Legend has it that Brian Eno's concept of ambient music came to him while laid up in a hospital bed after an automobile accident in the '70s. A friend brought him some records, playing them too low to be properly heard, and Eno couldn't get out of bed to adjust the volume. While the record spun softly, Eno's idea for music you could ignore as easily as you could give it your full attention, like a sort of sonic wallpaper, was born. It's in that spirit of quiet isolation that Ghostly International, in association with Adult Swim, shares Ghostly Swim 2, our way of giving listeners a space to get away from the manic holiday bustle.

For those keeping track at home, Ghostly is wrapping up its 15th anniversary as an Ann Arbor/Brooklyn-based indie. 2014 has seen the company soundtracking video games (Playstation's Hohokum), collaborating with awesome companies like Warby Parker and VOID watches, and clearing 300 releases of forward-thinking music with records from Tycho, Com Truise, and HTRK. What better way to end this banner year than to revisit one of our favorite partnerships from the past decade and a half Released in 2008, Ghostly Swim was praised for its adventurous survey of exploratory dance and pop music. Our curatorial focus has shifted this time around, moving further inward (spiritually) and outward (as far as our roster goes) to reflect the electronic underground in all of its hazy and vibrant experimentalism. Ghostly Swim 2 is a document of textured ambient zone-outs and woozy, granular house and techno that will help you find some downtime away from The Most Wonderful Time of the Year. So sit back, lower the volume, and enjoy our selections.

Repress:

A² returns after a couple of years and serves the "Resurgence EP".

Hailing from Ibiza, Beeyou makes its first outing as a label with a strong selection of up and coming talent. Laidlaw is first on the scene with a crafty little minimal number that certainly sounds tailored to the up all night crew with its heady atmosphere, playful swing and micro samples. Ben Ulrich's "Bedun" is equally seductive, playing a trade in stripped down electro that shuns obvious dancefloor moves in favour of pure hypnotism. Kesh holds down the B-side with two more maximal offerings that still align with the inventive, sleek aesthetics of the A-side tracks. "Enebodiom" is a feel good jam without ever resorting to cheesy melodies or vocal touches - it's a jazzed out variation on positivity in house music. "We Love You Michael" completes the record with a quintessential skittering, swinging house cut that keeps the freakiness in abundance and the drums as funky as possible.

On their 15th offering Maeve present you two originals from New Jackson, each backed with a remix by label head: Mano Le Tough.

After five years Patrice W. returns with a new vinyl on Delude Records. On these release are four brand new tracks with a lot of new fresh techno and tech house grooves.
On the A side are the track GRAVITY and SOLAR, very good techno tracks with nicely arranged tech house elements.
On the B side are the tracks RADIATION, a nice melodic tech house hot stepper with good synthesizer sound and COSMIC, a very beautiful dreamy track in PATRICE W. style.

200Stk. // Limited // colored Vinyl // Vinyl Only // No Repress

Moon Harbour kick off 2016 with a very special collaborative EP featuring two essential tracks. They have been produced by label boss Matthias Tanzmann and fellow Leipzig-based artist Daniel Stefanik, and it is the first time in almost a decade the esteemed pair have worked together.

Stefanik is a someone who produces everything from main room techno to much more intricate and elongated tracks of minimal percussion, and he has done so most often on Cocoon as well as
Moon Harbour and Cargo Edition over the years. Coming together with esteemed tech tastemaker Tanzmann brings out some truly infectious grooves from both parties on this tidy package.

The excellent 'Volta' is first and is a lively cut with busy, bobbing drums making for a loose limbed, booty shaking groove. Edgy synths and smart filters add real drama and dynamism to the track as it twists and turns over the course of seven essential minutes.

The brilliant b-side is 'Swamp' which is a deeper, more firmly rooted and physical track. Wobbly snares come coated in reverb, curious stabs add a certain freakiness and rubber drums roll on
and on below. Some cut up vocal sounds and subtle diva cries add a human element to this most effortless fluid and groovy dance floor bomb and ensure that it will send all hands skyward when dropped into any set.

On this evidence, Matthias Tanzmann and Daniel Stefanik need to collaborate more often, because both tracks here are immediate modern classics.

Crosstown Rebels welcome Tochno Techno label owner Yulia Niko to release her first full EP, Paradise, a captivating three track EP featuring jazz bossanova vocalist Sil Romero and Italian talent Cioz on remix duty. Opening track Caminando encapsulates Yulia’s inspiration from walking on the White Isle of Ibiza where she spent the last year living. The hypnotising deep house melody of swirly synth pads and Sil Romero’s beautiful dreamy vocals wash over skipping percussion in an emotive composition. Cioz puts his own melodic stamp on the remix, creating a progressive club piece with bright keys over a reshaped bass line. Paradise continues the warm, ethereal atmosphere of the EP, bongos dance on hats as lush, relaxing tones fade in and out. Russian-born DJ, producer and label owner, Yulia Niko learned her trade in the clubs of her hometown before moving to the US to work as a resident DJ at Verboten, Brooklyn and Heart in Miami. Now touring the world, she is based in Berlin and runs a vinyl only label, Tochno Techno. She has also released on other esteemed labels such as Get Physical Music, Nervous, Heisenberg, Natura Viva and Dee-P-erfect.

finally repressed !

Feliks peels off the skintight dolphin costume, looks deep into Mathias' eyes and says: "Halle Saale." The birth of the second album of these two guys from Halle is just as beautiful as the tracks themselves.

After "Heimatmelodien", intended almost exclusively for the dance floors of this and other parallel worlds, accelerated the pulses of the 4/4 Electronic Music fans, the pair are now venturing on deeper and more picturesque paths with their new album - and sometimes even disappear into the forest to pick some Pop. The needle captures the first mountains and valleys and can hardly wait to pass them on. A soundscape of unknown proportions begins to emerge. Opa Herbert breathes the first vocals into the vastness of space; we embark on an endless journey, accompanied by bells and fresh whole milk. What do we learn from this trip Cryptic titles which, after a while, become crystal clear to us and a cover that could not be more disturbing. A setting in which there are no rules. Neither time nor space is respected here and viewing habits are trampled on. If we follow the path that leads inside this setting, we will find the two at their favorite pastime and will never be able to tear our eyes away from them again. The laboratory, full of boiling and bubbling vials: Such was the nursery of the two astronauts Feliks and Mathias before they quit their jobs as air traffic controllers in order to amaze us time and again with their skills as a DJ act. For almost 30 years they have been one of the top acts on the electronic club scene and never grow tired of reinventing themselves and trying new things. Halle, also known as the diva in gray, was the model for the second album and reveals herself in all her facets. We are enchanted by her siren-like voice, carried by Lilou and Ponybande. She shows us her dirty thoughts and sends us back to the department of dairy products with a headbutt...

Third Son returns to 17 Steps for his diverse 'Avril' EP. Bringing Electronica and Acid soundscapes alike, the 4 tracks highlight the endless benefits to his vulnerable, raw and unconstrained production technique.

Renowned Frankfurt-based producer Anthony Rother delivers an otherworldly release on Rekids offshoot, Stranger in The Night.
Very few electronic music artists stand the test of time but German electro pioneer and visionary, Anthony Rother, is one of them.

Whether running labels like Psi49Net, Stahl Industries and Datapunk or working alongside the likes of Sven Väth, DJ Hell and Kraftwerk’s Karl Bartos, Rother’s legacy stands tall. Having made recent appearances on DVS1’s Mistress or Danny Daze’s OMNIDISC, Rother now connects with Stranger In The Night, joining a tight roster of luminaries including King Britt, Fred P and label boss Radio Slave.

‘We Are The Future’ opens the package with sci-fi synths, a decaying vocal and arpeggiated highs, before ‘Super Future Metropolis’ continues the theme with ultramodern vocoding and industrial drum patterns.

Following on, ‘The Message’ sweeps in with laser-like stabs and a leading lyrical sample until two new perspectives conclude the package: the multi-layered ‘We Are The Future (D-Cut)’ with it's intricate keys and a ‘Space Mix’ of ‘The Message’ which widens
the audio journey with lightly flowing pads.