House Vinyl New Releases - News

One of Italy's most revered producers on the global scene, Bottin is always ready with an invigorating palette of sounds and rhythms that stem from his endless thirst for invention. This new release continues that diverse legacy with Balearic-infused pair of Italo cuts. "Waterland," is a buoyant disco number. Its bass ebbs and flows with wave-like consistency, polyrhythmic drums percolate beneath, creating a type of suspended animation that propels motion with a tempered energy. The slow-burning crescendo of Respirare' begins with an airtight blend of tick-tock rhythm and minimal then the pace picks up and the synths pile on. Bottin takes the blissed-out enchantment of the Balearic and infuses it with the kinesis of Italo without the music losing its easy-breeze stride.

War Jacques Greenes Debütalbum "Feel Infinite" (2017) der Soundtrack zum Vorglühen, so ist sein Nachfolger der Reflektionsmoment nach dem Rave, hochempfindsam, voller latenter Möglichkeiten. Gleichzeitig ist "Dawn Chorus" sein bislang kooperativstes Werk, an dem Filmkomponist Brian Reitzell ("Lost In Translation") und Cellist Oliver Coates teilnahmen, während Ambient-Künstlerin Julianna Barwick, Rapper Cadence Weapon und die kanadischen Sängerinnen Ebhoni und Rochelle Jordan Vocals beisteuerten. Statt Clubmusik macht Jacques Greene Musik über den Club, er remixt Radiohead, produziert Katy B und Tinashe und tourt mit The xx.

Recorded at John's last night at The Vagabond Nightclub in Downtown Miami during this year's Miami Music Week, 'LIVE IN MIAMI' features 37 tracks and nearly 4 hours of the very best underground electronic music, spanning across more than two decades.
Showcasing a wide selection of new and classic records ranging from as far back as 1992 (Secret Knowledge - Sugar Daddy) and 1993 (Nicole - A Small Entrance To A Large Spectrum and Laurent Garnier - Acid Eiffel) Digweed's latest opus effortlessly takes us through a vast array of sounds, eras and genres from what was an incredibly special night back in March of this year.
From some major reminiscent acid moments of the early 90s right through the years to the upfront house and techno soundscapes of present day, John Digweed blends tracks from some of the most notable producers into one seamless mix that truly captures the spontaneity and vibe of the crowd in one of the world's coolest, most intimate and unorthodox clubbing destinations.

Speaking about the forthcoming Bedrock release John Digweed said:
'I can honestly say that some of my best clubbing nights have taken place in this intimate, magical room. Tucked away off the beaten path in Downtown Miami, The Vagabond truly is one of Miami's best-kept secrets. I really believe this Live album captures the electric and eclectic vibe of the Bedrock / Creations annual event, with tracks reaching back to the early 90`s right up to the latest forward-thinking releases"

Savor Music is proud to announce Alexis Cabrera's debut album!!! An absolute opera prima from the Argentinian artist based in Berlin.

The album articulates a delicate balance between the classic sounds of Detroit and a more contemporary fresh take with many touches of cypherjazz and breakbeat rhythms.
In this timeless piece, it's absolutely noticeable Alexis musician spirit mixed with his craftmanship on modular synthesis.


Make sure you get your copy, this will still be futuristic in a lot of years!

This limited bundle contains the Dream House Remixes Part I & Part II as well as a limited coloured vinyl edition of Ame's Dream House album.

4 Track EP from IULY.B on the 14th release from Constant Sound.

After 2 years of crafting his sound and traveling in the external as wel as in the internal world. Julian Alexander his chapter continuous on SlapFunk Records with a 6 track solo EP. Julian shows off his experimental side on 'Realms of Jozani.' Experimenting with psycho-acoustic recordings from the rain forest and heavy modulation. Followed by 4 heavy weight club tracks, with a serious approach on minimalism. Closing off with 'Move on' which will take you back on a journey at when Julian started producing electronic music.

After 2 years of crafting his sound and traveling in the external as wel as in the internal world. Julian Alexander his chapter continuous on SlapFunk Records with a 6 track solo EP. Julian shows off his experimental side on 'Realms of Jozani.' Experimenting with psycho-acoustic recordings from the rain forest and heavy modulation. Followed by 4 heavy weight club tracks, with a serious approach on minimalism. Closing off with 'Move on' which will take you back on a journey at when Julian started producing electronic music.

The debut ep on constant sound from Pakzad. His infiltrate ep found its way into the bags of Raresh, SIT and Rhadoo.

An urgent, headstrong body of work, the LP uses the music as a mechanism for delivering ideas central to the group’s moral and political ethos. Vargas explores themes of power, identity, surveillance and environmental justice atop Rochman’s raw mix of rave synths, acid basslines, breakbeats and dembow rhythms.
While at times unpredictable, the album is unified in its fast and loose approach. A Mí Me Juzgan Por Ser Mujer (‘I Am Judged Because I’m a Woman’) is an anti-machista anthem, stylistically nodding to NY house. Though Vargas doesn’t identify as a woman themselves, they understand their experience as a woman in an imbalanced patriarchal society that excludes women, femmes and non-binary people. Habla Tu Verdad (‘Speak Your Truth’) emphasizes the need to overcome the stigma around discussing sexual harassment, offering courage and strength to those who may need it. Asegura (‘Secure’) deals with the unprecedented power of Big Data, which monetizes a surveillance based economy through its users’ data and behaviours. These themes are set to fierce unrelenting bpms, nods to gabber, and samples of a reality show where young men compete in a prison fitness contest. Caderona (‘big hips’), features a hardline perreo-tinged beat that carries Vargas’ vocals with refreshing ferocity.
Inspired by a cumbia song, Caderona offers a counterpoint to the male gaze, acting as an opportunity to demand space. Aquí describes the reality of a global corporate domination, where capitalist insatiability meets government inaction as we sit on the precipice of a mass extinction of our own making. Pelada hope to inspire critical self- reflexivity through engagement, building power, demanding space and action. Or as it is written in their liner notes: ‘ABRE TUS OJOS, LA BESTIA SE ALIMENTA DE LA EXPLOTACIÓN’ which translates to ‘OPEN YOUR EYES, THE BEAST FEEDS ON EXPLOITATION’.

Umwelt allies with Midnight Shift for the release of the mini-LP Superior Life Forms, featuring six devastating tracks on the vinyl release. Limited edition marbled vinyl with full printed pencil-drawn artwork on thick cover. Artwork by Aeropalmics

Between the vast flatlands of Western Ukraine and the Pacific shores of Vladivostok, a new quirky techno underground has been racking up hefty grid rhythms below the radar. Initially free from the weekend routines of the established club circuit, producers from Etapp Kyle to Stanislav Tolkachev have been experimenting with the possibilities of shifting grids in their post-socialist bedroom studios. The interconnecting conduit of these geographically isolated minds has often been the radio show of Nikita Zabelin, a Moscow-based DJ mining the local torrents for treasures. Vladimir Dubyshkin is one premier example of how this culture yields wildly exciting finds. Listening to how sweepingly effective his de-centered vision of techno is, it's hard to believe that this actually is his first fully fledged vinyl release. Hailing from Tambov, a city of 280.000 souls 460 km southeast of Moscow, Vladimir Dubyshkin is a regular of Zabelin's show and has contributed tracks to two compilations on Nina Kraviz's TRIP label - another major force in bringing great techno from the fringes of the former Soviet Union to the attention of the world. The "For Various Reasons EP", coming in two separate installments, now shows the full picture of Dubyshkin's special talents. Highly energetic, rave-infested analog techno with de-tuned melodies rubbing against take-no-prisoners basslines. There is an intense emotional component present at all times, typically missing in Western grayscale techno. And once again, the great promise of participation of techno has been proved alive and well, with the freshest contribution coming from the least expected of places.

Will Saul is a key figure in UK dance music. Approaching his twentieth anniversary as a DJ, producer and label founder, Saul has helped break the career of key artists such as Leon Vynehall, Midland and Dusky via his Aus Music label, has himself played some of the world’s finest nightclubs and contributed to !K7’s storied ‘DJ Kicks’ mix series, which he also curates.

Finally returning to the production fold himself with his first full-length album in thirteen years, ‘Open Too Close’ is a condensed trip through the influences, discovery and sense of history that have helped shape his career and drive a forward-facing, unblinking passion for new music. The record’s concept reflects Will’s enormous skill and knowledge as a DJ, and as it’s title suggests, “"represents what I play in a club if an 8 hour set was condensed into 10 tracks.”

Having held residencies and made regular appearances at some of the world’s finest clubs including The End and Fabric in London, Panorama Bar in Berlin, Trouw in Amsterdam and Robert Johnson in Offenbach, Saul is uniquely qualified but this refreshingly straightforward approach. Eschewing the lingering, almost cliched expectations for a dance artist to create an album “that sounds good at home, as well as in the club”, ‘Open Too Close’ instead draws on the timeless futurism at the heart of the music that drew Saul into electronic music culture. Simply put, futuristic, melancholic sci-fi soundscapes meets stripped back raw sample driven house music, all executed with the precision and panache of an artist who truly understands how to move a dancefloor.

Dixon Avenue Basement Jams feel extremely honoured and stupidly excited to finally be able to announce this! After his first three EPs on the label, the much talked about debut album from Glasgows Big Miz is ready to drop on Dixon Avenue Basement Jams! From start to finish Build/Destroy really showcases his effortless feel for the weird funk. From the tweaked out organ solos on "Hammond Groove" and the live bass jam of "Straight Thru Cru" to the straight up brain rattler of "Gear Tension". This is Big Miz at his undiluted best and cements the fact that he is one of the UKs most exciting raw talents. 2018 move aside, the big man has already owned ya. A word from Big Miz:
"Build for the club, Destroy for the afterparty, all tracks written in my bedroom. Inspired by all the buildings getting torn down all around Glasgow"

The fourth installment on Idealistmusic

South America scene raises hands with this two tracker EP of Castelar Discos. From Uruguay to Argentina, Martin Teysera and Alan Castro deliver two serious dancefloor bombs in the third split of the argentinian label.

The second release of the relatively newborn, Berlin-based Italian label Autarchy Records offers yet another various artists release, as for the first output, the label gives light to Autre and D Roots - both producers are near to the label - and invites relevant figures of the scene to reinterpret the original tracks, specifically Hiver and Juju & Jordash.

AU002 starts with a banging tune by Autre, a slow crescendo that turns right into an emotional synth parade - Autre is a Berlin-based Italian house DJ/producer, who recently released on XDB's Metrolux. Dekmantel affiliates Juju & Jordash rethink the 'Prima' track, revisiting Autre's dreamy concept adding some industrial-ish elements.

A whole different scenario appears when you flip the record on the B-side. Deep house Italian rising talent D_Roots drops a nostalgic flavour with the house-oriented 'ASMR', anticipating a solid, colourful closure of the EP which see Hiver's rework of the track, a yardstick that rounds things off just to the beginning of the A-side.

Marking a milestone for their fledgling label, Adana Twins present the very first Various Artists compilation to be released on TAU. ‘Spektrum’ comprises eight fresh cuts from a diverse lineup of artists representing the Twins’ community of friends and musical acquaintances. In keeping with TAU’s ethos there are lesser-known talents side by side with more established exponents of the underground. The VA kicks off with the Adana Twins themselves, delivering the melodrama on a cut named ‘Jumanji’. The rhythm is simple yet deadly, with a juddering low end and spinetingling synth lines. The tension builds gently, until we reach a crescendo towards the end of the track. Innellea is next with ‘The Things We’ve Accomplished Together’, a dark cut underpinned by a dour atmosphere. The main riff feels familiar as it increases the pressure, rousing you into a state of ecstatic energy. Ede & John Falke take us into dark wave territory with their moody cut, which feels as though it’s come straight from eighties synth heaven. Next we take a trip into the humid canopies of the jungle with Santiago Garcia & Speaking In Tongues. ‘Lost In A Jungle’ features a myriad of exotic sounds, tribal rhythms and percussion straight out of the Amazon. Enchanting mysticism and wild allure make this one a very special cut indeed.
Track 5 is Mulya & Sobek’s ‘Upfront Venture’, a simmering journey into the depths. A modulated low end grumbles and snarls, increasing the tension alongside a dainty riff. Steadily building into a breakdown that will send shivers down your spine. This is followed by more tribal-inspired music, this time from Nenor & Eyal Rob who use indigenous vocal clips and organic-sounding drums to create a mesmerising composition on ‘Odehya Nbiya’. Luis Junior plays with our minds on ‘Tuning Instruments’, a playful motif forms the main body of this cut, which is twisted and warped during an epic breakdown, before we’re treated to a soothing bassline. Last up, German don Daniel Bortz takes us ‘Down To The Moon’ with an exquisite roller full of dreamy atmospherics and laid back vibes. A fitting finale to an excellent collection of music.

Hand Stamped, Vinyl Only! The fourth Coffee Pot release shows the different sides of the italian duo, from the A-side groover 'Spread The Message', to the trippy 'Melody Drone', to the deep hypnotic 'Nuevaera'.

Early support from Paul Ritch, Luca Agnelli, Drumcomplex, Greg Gow, Don Rimini, 2000 And One, Gel Abril, Carlo Lio, Duncan Gray, Daniel Sanchez, Depthon, Gemini Brothers, Brother's Vive, Last Waltz, Marco Effe, Mental Resonance

Roya is project of Sohrab Karimi (Ahu) and Rasul Gafarov (Lenta) presenting the live recordings the two made as they met in studio during two different summers. All tracks are extracts from long jam sessions in which they played previsouly released & unreleased material live and with no rehearsal at all. In fact, Siah Mashq itself means rehearsal or practice.

The mighty Philomena is back.

Diynamic setzt seine "Picture" 2x12" Serie mit dem Hamburger Duo Adana Twins fort, das uns anhand sechs brandneuer Produktionen seine reichhaltige Stilpalette von entspannten House-Vibes bis pulsierendem Techno präsentiert. Der Durchbruch gelang den Twins in 2012, erstklassige Releases auf Labels wie Watergate, Exploited und Diynamic, Remixes für Fritz Kalkbrenner, WhoMadeWho, Kaiserdisco und Nic Fanciulli, Residenznächte im Berliner Watergate Club und eine eigene Ausgabe der Watergate-Mix-CD-Reihe prägen ihren Weg.

After a quick sold-out of the first Colors of Crocus release with a remix from Alex Pervukhin, our label invites him once again. This time for a solo EP. Three house jams that Laconica’s owner made with his analogue setup (Oberheim Matrix, Alpha Juno, MPC, etc.) are dancefloor ready cuts for every moment.

«Late Run» is an excellent example of a contemporary deep house with locked groove, oldscholish melody and vibe. «909’s Dreams» is a deep trip for an afterhour sets. Final from Alex is «Next Week», a tune with driven beat and analogue pads, classic signature of the authour.

Last but not least is Kirik remix of «Late Run». Colors of Crocus boss transformed original vintage vibe into a real dancefloor bomb that suits perfectly for nearly every moment.

As previously – very limited copies and vinyl only. Support by Sepp.

Enjoy these three brilliant new versions from Spartaque, Gorge & Hybrasil of Martin Eyerer's sensual techno trip featuring the unique voice of former Archive singer Craig Walker!

Sehr geehrte Damen und Herren, zur Veranschaulichung erhalten Sie Einsicht in unsere methodisch aufgebaute Abhandlung der ersten Nachtamt Publikation: -Retardierung im fortschrittlichen Prozess -Konsumieren ohne Ausbeutung -Kontemplative Reflexion im Geschwindigkeitsrausch -Signale setzen ungeachtet aller Widerstände -Repetitive Unruhen, doch nichts endet.

The 'Deepsounds' imprint sees the continuation of Red Ember's exposé of global underground music. Featuring vinyl debuts in Cheslon Hunter, Rohan Golestani and Andrej Laseech with special guest Jason Hogans (Planet E / Moods & Grooves). We come together for one unified mission ... the pursuit of underground electronic deepness ... house music and beyond.

Vinyl speed adjust debut on constant sound. Great remixes curtosy of Mike Shannon and Doubtingthomas.

The J Room opens the doors of its world. Leave all hope behind but do not be afraid, because the scene will be shocking but unforgettable. The room has no limits, no walls, the music is master and will guide you along a journey of visions and enjoyment.
The first to enter is a new one: JALE is his name and he begins his adventure with us with the verve of his minimal rhythms and his seductive cosmic vibrations; with him Cosmjn and his visionary elegance. The beginning couldn't have been better, now it's your turn. The J Room is open, place the stylus on the wax and enter without fear.

Lemmi Ash is a Swedish duo comprised of producers Samo and Martinou, and their debut EP with ESP Institute, 'Osmin Uratoma', has been a long time coming. Samo has been a friend of the family since prior to the institute’s inception — dropping in on us in NYC, occasionally as a guest DJ at The Stallions’ residency in Chinatown — and ever since those halcyon days in the late Noughties, we’ve been slowly circling a moving target, poking at his potential contribution to the label. It wasn’t until recently, when fellow Stockholm depth-charger Martinou stepped into the picture, that stars finally aligned and Lemmi Ash was born. Now a steadily growing lovechild, the collaboration displays a finely balanced ratio of the duo’s DNA, complimentary in both aesthetic and character. Across four seemingly disparate tracks, we can sense Samo’s penchant for Dub is subliminally leading the way — from minimal organ stabs and off-kilter hi-hats on the relentlessly pounding 'Apsu', to the hybrid-Dancehall rhythm box and hazy familiar vocal snippets on the late night stormer 'To Dare Is To Do' — while Martinou’s masterful brush is a bit more broad and subtle, shifting the shape of Lemmi’s arsenal into a deep and ethereal Techno head-space full of warm pads, softened percussion and sub bass on both the iconic 'Lemmie Ash Theme' and the EP’s melancholy closer, 'Horror Vacui'. The artists explain that this music was “made with birds in mind” — a somewhat poetic and abstract notion which (to us) symbolizes their stoned veil of indifference, a carefree fluidity of influences, and an ease of traversing stylistic positions — alluding to the rewards of an effortless and non-compulsory collaboration, a genuine creative simpatico.

After the first EP, that you must have heard in clubs across the world - Laconica is back with its second. As with the first one, this release is all about the three solid cuts, which are made especially for the dancefloors. The first track 'Who Gave You Dis' is a deep groove in tandem with whispering vocals and powerful drums. 'This for B' is a perfect minimalistic tool for after-hour sets. Last but not least, 'Lil' Souvenir' (B2) is revolving around the Chicago house feeling with some classic vocals in it.

The sun rises and through the eye of rain the seraph appears to announce the third coming.

KlangKuenstler first made his debut on our SUM 5 VA with his massive track ‘Continuum’ and now returns for his first solo outing on Second State with two absolute bombs primed for decimating any dance floor they encounter!

Moby is a true electronic music pioneer. He redefned rave on
singles like 1990s Go,' then slowed down to explore its aftermath
on the multiplatinum Play LP. Decades later, the man is still fring
off pointed, personal salvos and dance music curveballs from his
LA studio—and, in a most ftting partnership, he's enlisted Fool's
Gold to remix his iconic catalog on the diverse new Black Lacquer EP. Treasure Fingers, Madeaux, High Klassifed, and FG co-founder Nick Catchdubs each put their own spin on Moby hits like Natural Blues' and Porcelain,' bouncing from industrial experiments and futuristic techno workouts to late-night house and zooted club bass.
Black Lacquer isn't the Moby you've heard before, but a surprising collection that keeps his trailblazing spirit alive. Sleeve by Wax Studios.

Die zweite Remix-Auskopplung aus Moderats neuem Album "III" beweist einmal mehr das Händchen der Band für brennend heiße Clubmusik. Sowohl Shed als auch KiNK übersetzen "Running" in absolute Primetime-Banger mit der markanten Hookline als Leitmotiv. Der bulgarische Produzent KiNK umschmückt sie mit einem verspielten House-Groove und einer voluminösen Bassline. Das Ergebnis seiner berüchtigten Produktionskünste klingt nach dem Sommerfestival-Hit 2016. Ganz ohne irgendwelche dezidierten Anwendungsgebiete im Hinterkopf, bringt Shed unberührt die Kickdrum gleich zum Anfang des Tracks. Sein kompromisslos treibender Techno warpt "Running" mit seinem stoisch stampfenden Beat in eine tödlich effektive Dancefloorwaffe. Mit dieser Platte werden Moderat die Clubs, aus denen sie kommen, im Sturm erobern. Aber sowas von.

With the ethos 'Quality House Music Never Betray', Eureka! is a driving force in the evolution of quality house music.
Produced by Pablo Valentino, founder of Faces Records with MCDE, this fifth release features collaborations with Kez YM and Simbad; a Eureka! debut... The A side kicks us off with 'Bananas', with its edgy house groove and up-tempo piano riff, followed by the more downtempo chillout jazzy track, 'Inspiracao'.
Side B's 'Space Tribe' brings our journey into the lo-fi, featuring the beautiful echoing synth sounds of veteran London producer, Simbad. ※Pablo Valentino - Space Tribe released digitally only.
*Artwork by Kouhei Asakura *Mastering by Hideo Kobayash

London-based artist and label boss Rich NxT returns with remixes from Oscillat co-owner Malin Genie and Argy, who most recently released on Moscow Records.
Graduating onto its sixth release, NxT Records celebrates by looking back through its catalogue while serving up some new, refreshed cuts from two of Rich NxT’s favourite artists. Both have been given free rein to choose from the back catalogue and remix a track of their choosing. First up Malin Genie is on fine form effortlessly showing why he is one of the kings of groove, taking on ‘Attery‘ from NXT004 which was championed heavily last year by Jamie Jones. Genie’s free flowing rhythm takes percussive and bass elements, gliding and rising all the way through.
On the flip the incredibly versatile Argy remixes ‘Sauna De Plastico’ from NXT002, rightly identifying the old DC10 feel as a starting point for a modern reinterpretation, bringing his influential sounds from the time bang up to date. Finally Rich NxT’s original of ‘Sauna De Plastico‘ is also included after it’s sell out second release, giving a second chance at owning this on vinyl only.