House Vinyl New Releases - News

Introducing a new label and musical direction for Lee Renacre from 100Hz with, PUSHER. His aim is to push the boundaries of electronic music by using different time signatures and poly rhythmic patterns, and by not using 4/4 patterns and the standard hat clap beats it’s possible to create a different style of mood and dancing which is deep loose and skippy. Pusher has a bold new Techno sound and also a gentle side with tracks of deep emotive strings and melody’s.

This Series of tracks is called Drug Music, a stripped down funky style with unusual beat patterns and poly rhythmic elements best enjoyed and fully understood when in an euphoric state, always recorded from a live studio jam where Lee’s improvised sounds come to life with some unexpected results. Lee also collaborates with artist and good friends for some extra depth and to mix up this unique style of electronica.

The first of the Pusher EP’s is a thumping minimal and full on affair with infectious killer acid riffs in odd time signatures. Crisp funky modulating hats monster bass lines and dramatic interplanetary sounds with live tweaks, twists and turns. Also some seriously deep and intense music is coming from this live jam situation with a thrilling string track to round off the Pusher experience.

Since launching back in 2017, London label NorthSouth Records has released a quartet of EPs showcasing tracks from the likes of Christian Jay, Bilal, Rob Amboule and Henry Hyde. Here they return for the first time in 2019 with another action-packed, multi-artist extravaganza. Voigtmann kicks things off via the deep space chords, funky electronic motifs and intergalactic tech-house grooves of "Separation Attitude", before The PGA offers up a bass-heavy peak-time roller rich in retro-futurist riffs, watery electronics and crispy drums. Label regular Chris Geschwindner opens up side B with an attractive blend of two-step garage grooves and spacey tech-house melodies, while Henry Hyde delivers the synth-bass-propelled, electro fired melodiousness of "Hello Spcshp".

DJ Pierre’s legendary Jack Trax Records returns with a delicious set of raw acid tracks from Finnish producer Type-303, who made his 12” wax debut on Posthuman’s I Love Acid imprint, with a release on Lobster-distributed ProForm this past fall.

“What is the Time?” kicks things off with a jacking beat reminiscent of the classic Chicago acid house sound, answering the question with “it’s time to jack”.

Next up is “Sound of Future”, alluding to Phuture’s classic “Acid Track” with a tough, driven beat and acid line that builds up to a psychedelic frenzy of claps, snares, and rides.

The title track, “Ghost in the 303”, follows suit with more of Type-303’s punchy percussion, interjected by moments of frenzied 16th claps, paired with an eerie, otherworldly pad taking the listener deep into the soul of the machine, the classic TB-303.

Last is “Control”—filled with dreamy yet slightly dissonant pads and a wispy breakbeat-inspired snare line that provides a deep, introspective conclusion to this acid laced journey.

Pedro Goya continues his personal series with this gem from his and Magazino(previously Del Costa) back from 2003.

16 years later, "Freaky Mike" continues to make wonders on the Dancefloor, still being played worldwide by names like Anthea, Apollonia, Del Garda (and many more).

On the B Side you will find the first demo mix and never before released version of "Freaky Mike" which sound as actual as if it was produced today.

On the A Side you will find the original cut that was released in 2003 by Exun Recordings.

This is a must-have release."

Coming from "somewhere in Michigan" - as he declares his current situation - Thomas Rooge's first output is a strong midwest styled house and techno set.

Straight from the East, druzhba001 presents three original tracks by the Bucharest based talent Triptil. The release also includes a groovy remix courtesy of the Berlin resident Patrice Meiner. Limited to 300 copies. Tip!

Following on from the success of the most recent Moscow drop ‘Waisted’, Archie Hamilton’s next release is ‘Make the Difference’ with New York’s Sole Channel Music and Muzik 4 Tomorrow founder aka Mr V.

‘Make The Difference’ in its original form is a mesmerizing and slice of anthemic vocal house laced with the spine-tingling and sumptuous tones of Mr V.

A track tailor-made by Archie for those life-affirming dance floor moments, Mr V’s vocals home in on the core values of house music in its purest form, unity and sanctuary in the freedom of expression.

On the flip is two club tools, Mr V’s acapella and Archie’s VIP mix, a fast tempo techno-driven banger geared for peak time energy.

The Daydream family is truly honored to present its latest various, this 7th release is a special one as it brings together forces who've previously released on the imprint.

Casey Spillman opens this new chapter with a poetic and powerful piece, followed by Kepler. who delivers a very deep and nervous cut.

On the flip, Le Louche launches an impressive rolling bomb, while MJOG closes the various by a solid and dubby odyssey with a delightful acid touch.

Track by track, sounds after sounds, this new various gathers everything that make our signature, it's family business!

vinyl only !

Bristol stalwarts October & Borai join forces once again for their second outing on Happy Skull. The pair join the dots between sleazy EBM and rugged, hardcore atmospherics.

Lead track 'Fatal Rumba' is a titanium plated slab of latin funk for freakier, late night dance floors. On the B-Side 'Swipe Left' drops the tempo but turns the pressure up to boiling point, a chugging drum machine workout complete with pulsating 303's and dub techno chords. To round things off, Conch bosses Bash & T give 'Swipe Left' the full UK treatment, flipping it to a mutant funky roller.

Welcome back Nick Curly on 8Bit Records. With his "Zero Love EP he delivers a strong two tracker. First track Zero Love shows his talent to seamlessly combine melodies, while staying hypnotic, groovy and powerful. With - Blashkiboo he is rounding things deep off, for some late night underground action.

Long time unsung UK techno artist Aubrey is to release Gravitational Lensing, a first artist album since 2001 and his third in all. It lands in early 2019 on Out-ER and across 12 tracks it finds him getting more personal and instinctive than ever before with jazz, techno, broken beat and house all colouring this most coherent of musical adventures.
Aubrey s discography dates back to the early nineties, when he was a key part of the UK scene on labels like Solid Groove, Textures and Mosaic. Up there with the greats from Chicago and Detroit, he has turned out a steady stream of music that marries perfect dance floor functionality with real musical invention. Always inspired by anything deep with a good groove, everything from synth band Japan to funk king George Clinton, electro break beats to Jean Michel Jarre all inform his work.

As a DJ, he cut his teeth playing the biggest raves in the UK with names like Carl Cox and Eddie C having been swept up by the acid house records that hit English stores when he was just 15. Add in a love of jazz, ambient and US house, and you have all the eclectic influences that this criminally under-the-radar artist has drawn on for his latest album.

It is one that finds him really put his personal stamp on his sound. It s a chance to be more who you are and what you feel without pressure to conform to a particular sound, it s a chance to be free, says the artist of the album process. It was partially produced at Out-ER s studio in Nard , Lecce over the course of a year s worth of studio jam sessions, and is his finest and most cinematic work to date.

Things kick off with the ambient synth modulations of Aerglo Visible before exquisitely loose jazz drums and sci-fi pads suspend you in the cosmos on Floating to Rigel. There is an experimental feel to the off grid drums, rippling chords and drunken keys of Doctor Portia that keeps you brilliantly off balance, and the first deep techno trip is Journey To the Blue Planet , which has gorgeous ambience swirling over rolling, dubby kicks and soulful Detroit synth work. Carrying on through more lush, musical synth work and inventive drums, there are moments of heads down dance floor power and hi-tech soul, serene techno landscaping and chord-laced deep house that is superbly cerebral throughout the album.

In all, it makes for a complete and storytelling record that draws on a rich variety of genres and reworks them into something deep, multi-layered and hugely emotional that works as well in headphones, at home, as it will in the club.

incl Cassette and signed Cover !

Who said that da new Long player must consist by Intros, Outros and Off-Tracks – that all lies in the eye of the beholder and depends on his perspective. It must be honest and has to odd pictures in the heads. DOMPE succeeded that in a perfect way. At the beginning of May, he will release his latest album named HIPPIE CRACK on his own Label JACKRUIT RECORDINGS.

HIPPIE CRACK – music is our drug – it makes us happy and gives us the chance to flee from the gray and ordinary daily routine. These 12 Tracks are highly addictively. Close your eyes, dance and time can be forgotten. Back to the roots – back to good old house music tunes, simple but not easy produced. The DOMPE Style has not to be described on more details; Again, and again full of different facets. These tracks are as always full of summer vibes und carried by lots of samples with plenty of old-school-sounds.

All tracks from the Album tell a story, can be listen to at home or also in the club. It starts with love and full of harmony, before it changes the chill mood the clubbing sounds. All in all, the complete package is very atmospheric. Like a good gig the sounds it goes harder step by step and at its best it comes to an end.

From the front till the back a project with a high intention – one of DOMPES heart wishes was a cover designed by BRINGMANN & KOPETZKI. The result is a perfect comic version of DOMPE and that's a banger. So, HIPPIE CRACK isn't only a musically hot shit, but also a visual highlight.

A fresh and exclusive collection of music compiled by Gerd Janson. Music For Autobahns 2, Ambient Race Car Music!!
So, what awaits you on the second edition of a compilation that claims in a winking to present 'ambient race car music' Exactly what it says on the tin. A fresh and exclusive collection of music that hopefully sounds as great in a car as it will in the comfort zone of your own living-room or during dusk and dawn in your favorite club environment (see Bicep and Fort Romeau for further reference). But first and foremost it is truly inspired by many trips on the Autobahn between Frankfurt and Heidelberg. Going to and fro from one club to the other, was the way to spend countless hours of adolescence in excitement instead of tedious purposelessness. But I will not bother you with droll stories of my youth.

Musik for Autobahns 2 is the result of a collective effort by dear friends and esteemed colleagues who picked up where the first one ended, while paying attention to the prevailing theme. From Leon Vynehall and his profound research of the BAB 5 to Joy Orbison's 'A 213' or Lauer's heartfelt and wry Kraftwerk pastiche, all of the tracks have a certain compatibility in common or just sound great, while having a drive. 'Breaking' by AKSK for instance made the stop-and-go traffic in the blazing heat of Los Angeles so much more bearable (the vintage Volvo helped as well). Also, you will meet freshmen like Orson Wells, whose idea of traveling exceeds the boundaries of our planet, next to a grey eminence like Orlando Voorn (on the compact disc edition of this at least) or elusive characters like Disco Nihilist. All bringing their special skills and imagination to the table.
Gute Fahrt,
Gerd Janson

Newcastle via London label Jaunt Records revisits its 10 year anniversary EP from 2017 with a series of great remixes by Inland, Jonas Kopp, Jasper Wolff & Maarten Mittendorff and Stojche. This is the first of two EPs planned, and it offers up a timeless mix of heady techno and slick electro.
Berlin based Brit Inland tackles Jaunt resident Blackhall & Bookless's 'Spirit' and serves up a heavyweight wedge of warehouse techno. On the same side, Jonas Kopp flips 'Itria' into a sci-fi tinged bit of dub techno and long time studio partners Jasper Wolff & Maarten Mittendorff from Indigo Aera offer widescreen synth work and blissed out pads all tethered to rolling and rubbery drums. Stojche's take on Gian's track is a fantastically crisp and futurist piece of electro that will get anyone on their toes. This is a classy EP that showcases the sort of sounds you will hear on any Jaunt dance floor.

Who is Boelja? Who is Sebastian Mullaert? Who are they really? Are they the finite body and a collection of thoughts? And who are you? Are you your memories or perhaps your projections of the future? Or are you this present moment?

What is silence? Is it solely the absence of sound? Or are all sounds springing out of silence and falls back into the same? And what is sound without context? Is it just nonsense? Or is there something more universal to it?

Where did the second vinyl go? Is it sitting in an attic or warehouse somewhere waiting to be discovered? Is it being played as you are reading this? Is all of this just a game? Are YOU being played?

Did someone make this music or did the music just happen? Where does the process of creation start? Where does it end? And who is the listener? How does the listener affect the music? Is there really any separation between the creator, listener and the music? Are they all one and the same?

What is next? Where is all this going?Is there an end? Or are your actions just another event happening in this never-ending stream of consciousness? And to whom is it happening?

The third release in line of the two producers own imprint 10YEARS. On one side each, we find stripped down rolling Scandinavian machine music, released on 250 hand stamped vinyls.

Just under a year after their last big impression on Rekids, Private Press are
back with four more of their brilliant big room techno cuts.

This Polish pair hail from Warsaw and are focused on producing high energy and
dubbed out techno. Already this year they have released on the Ziema label and
had a strong 2018 two EPs on the highly regarded Indigo Area. Their powerful
sound is a perfect fit with the no frills Rekids label and these four tracks all do
plenty of damage.

Opener ‘Traces to Nowhere’ is an impossibly bristling track with razor sharp synth
stabs and jostling drums that are redolent of the masterful Shed. Part old school,
part a vision of the future, it is impeccably produced.

‘Paper Clip’ is a haunting, high speed dub techno trip with eerie chords and sound
design that keep you on edge, and ‘Wet Moon’ is a broken beat masterclass with
sirens, tense breakdowns and icy hi hat ringlets that is archetypal club weaponry.
Last but not least, the warm, atmospheric and unrelenting banger that is ‘The
Struggle’ sweeps you up and carries you away on a classy techno vibe and rolling
drums that you could listen to for days.

This is a devastating EP of high impact, high quality techno.

Libertine Industries is the new output dedicated to new talent and Libertine resident djs... Sbri is in charge of the first release with an outstanding double EP.

Joining the WCF imprint with his 'Distorted Time EP', the Manchester based Transcode brings his driving sound to Egg LDN's in-house label to showcase his versatile approach to production. 

With the vinyl press being released at the beginning of November, followed by the digital version, which includes the bonus track 'Backlash', due out on 14th December, the EP includes two remixes by the club's close friends Secret Cinema and OC & Verde. 

'Timewarp' opens up the release, immediately setting a tripped out tone with its distorted vocals and a slightly menacing melody, which bubbles under the surface throughout the track. 

'Rotation' is a slightly darker and dubber production complemented by crisp hi-hats and well-rounded drums. It is a perfect intro to building up an extended set. 

Secret Cinema leaves his stamp on 'Timewarp' with an ominous Remix of Transcode's Original. Again, it fits into the shady feel of the EP but the Dutch producer brings an enchanting feel to the track, with a twinkling melody laced throughout. 

Manchester based OC & Verde bring their stamp to the release with their remix of 'Rotation'. Using a blend of drawn-out synths to build up a powerful lead, packed with raw percussions, it certainly shows the sonic direction the duo has been working on over the last year. 

Completing the digital edition with a bonus track, Transcode rounds off the EP with 'Backlash'. A punchy and unrelenting track, it's a peak time tune which is one of those tracks for a heaving dance floor to relish in what the Mancunian producer is all about. 

One of the most sought after latin american labels, Savor Music, is back with a triple compilation called Unami.

This release gathered many interesting artists from all around the world who together deliver a colourful sound palette.

The third vinyl slab starts with a mega minimal-house jacking bomb by Martinez... groovy, sexy and full of swinging drums. Jorge Savoretti's has a sick boogie bassline counterbalanced with ethereal atmospheres, an essential track for any modern dancefloor. On the last side of this triple pack we have Mariano, who managed to balance elastic percussions, hypnotic melodies and of course, a killer funky bass. B2 is a mega space bomb by the talented Guti, who this time joined forces with Livio & Roby. Together they've built a super spatial driving track with a subby bassline that will blow any sound system.

Enjoy the flavours!

MR087

THE BLACK MADONNA - Nice!
FRANKY RIZARDO - Funky! dig it
RICHY AHMED - nice vibes
MARK JENKYNS - Very cool!
MATTHIAS TANZMANN - Will try, thanks!
TOWNSHIP REBELLION - Good good job!
PAOLO MARTINI - Dark Side is super!

The relentless MOTHER RECORDINGS keep up a high quality rate of release diet yet again with another bit of dance floor dynamite. We say hello and warmly embrace young gun RUBEN MANDOLINI with his debut EP - Dark Side . With releases on NicFanciullis Saved or Josh Butlers Origins Rcrds we are more than happy to welcome such a talented and humble person to our MOTHER family.

Opener - Dark Side has perfectly swung drums bringing a New York feel, with razor sharp hi hats and big warm kicks powering it along. Ducking and diving as it goes, the dynamism will sweep up the floor and then busy vocals and taught synth twangs help ramp things up.

The brilliant - Take It Back on the flip is another vocal house banger, with lots of filters bringing the tensions, sweeping synths rising you up and heavy drums keeping things rooted to the groove.

These are two more hugely effective cuts as ever from MOTHER.
-
MR086

1. TURN ME AROUND (ORIGINAL MIX)
2. BUY ME A DRINK (ORIGINAL MIX)

Woah, what a amazing summer for our Italian duo SUPERNOVA with tours at US, Columbia, Peru, Mexico, Australia/Asia and great outputs on Elrow and Flashmob. They are back at Berlin ´s MOTHER Recordings with their second full release - Buy Me A Drink EP. First up is - Turn Me Around , which is seven minutes of happiness and floor filling House beats. A dirty kick drum, a crispy snare, whipping claps paired paired with catchy vocal samples help add fire to the groove and it ´s easy to see this one is doing some serious damage on the dance floor, pur feel good House! Next is coming the headline track - Buy Me A Drink a deeper and more filthy one. It is a playful, rolling deeper House tune with driving bass line and a gnarly break. Party vibes and fun feel and make it a sure fire winnner. - Ok, party people are you ready in the house! . :)

The new series opens with a new various artists compiled by the home team Unknown Collective, Bronxy & Consep and Felipe Bravo.
Limited copies and no repress.

With Labelrelease # 53 Monaberry presents three masterpieces of Oslo-based Finnebassen. Finnebassen welcomes us with Sekvens, a track full of atmospheric density and a humming synth arpeggio. Melodically underlined breaks pave the way to an intense and all senses touching out-of-body experience. Monochoir resembles a magical journey through valleys full of juicy grooves and ethnic drums as well as cinematic suspense. In addition, Wide Open literally radiates lightness, deep synths and invites you to a spiritual experience in the vastness of the groove cosmos. To make this trip perfect, "Jos & Eli" take Wide Open and build from the warmth of the original a gliding remix spaceship.

Once upon a time, the footjob crew moved into a new studio space in their hometown Darmstadt. This location was previously used by a religious community that found its purpose in the worship of Shiloh. Phonk D and Sascha Ciminiera have somehow absorbed the spirit and created this EP as if by magic. In order to enjoy this spiritual journey even more, they asked Johannes “the wizard” Albert for his support. He was immediatly hooked, threw a few herbs together and brewed them a tasty remix.

Old school New York and Chicago referencing house from The He-Men and Dawl. Think Da Posse, Todd Terry, Frankie Bones and you're halfway there.

All killer no filler.

qulity house by selected by this party crew from
Frankfurt

Make Mistakes head honcho Roy England teams up with pianist AC Jones to deliver The Shadow Gallery, a sprawling, hypnotic love letter to the dance floor. Music for the modern dance floor, with classic flare, and its heart on its sleeve.

From High On You, to Wayfaring at the end, The Shadow Gallery delivers a cohesive, focused musical journey. But, We Can Make It delivers best on the albums promise. Classic house grooves and bass propel the track forward, with AC’s piano weaving a melodic counterpoint to the relentless dance floor hustle.

While the front half of The Shadow Gallery begs for the afterhours sweatbox, the back half delivers peak hour party cuts for lovers. Anchored in the middle by the title track, The Shadow Gallery, a tune that would sit comfortably in any epic house journey. By crafting such a smooth progression through the collaboration, Shadow Gallery works just as well as sit down, and listen to some true pros bringing their skills together in a way that feels evokes the ghostly spirit of dance music’s past, while creating a modern sound for discerning ears.

Get some.

“We have no idea, now, of who or what the inhabitants of our future might be. In that sense, we have no future. Not in the sense that our grandparents had a future, or thought they did. Fully imagined cultural futures were the luxury of another day, one in which 'now' was of some greater duration. For us, of course, things can change so abruptly, so violently, so profoundly, that futures like our grandparents' have insufficient 'now' to stand on. We have no future because our present is too volatile. ... We have only risk management. The spinning of the given moment's scenarios. Pattern recognition”

― William Gibson, Pattern Recognition

Our first release features four talented artists from Frankfurt. "Beignet Chichi" by "House is OK" member Janis is a jazzy & upbeat dancefloor jam, bringing back your best summer memories. Le Rubrique delivers a nice 'n fluffy piano h...

French producer VENDi delivers four originals in diverse moods at one record. All together make it smooth and complete EP ready to enter your bags....

Our latest release on what Came First has been produced by Italy's newest export, Knowhat, who has delivered two original works blended with shades of uplifting house and tech house rhythms.

The original track 'Feel it' is a high-spirited, house-infused creation with soulful vocals and punchy drums, showcasing the artist's ability to shy away from the driving tech house sound he's usually known for.

'Make My Body Groove' is a sultry, alluring piece with infectious, groove-tinged percussion. Suitable to captivate any dancefloor worth its salt from the beginning to end.

Frankfurt based producer Basti Grub is also featured on the EP, re-working the title track. Having touched it down with a minimal techno bass-line, Grub has artfully kept the male vocal hook rolling throughout the mix.

We're delighted to share this record from the Moscow-based recording artist OL aka Oleg Buyanov. His most recent work, the double LP "Height Difference" on the seminal Gost Zvuk label, saw him transmit his research in soviet sound heritage into a range of genres and tempos. On "Dismeteo", we see him inhabit a similar atmosphere, refracted through a different lens of influence. In Buyanov's own words, "The tracks are like concrete blocks & buildings lost in the woods. It's a point where correct geometry and mathematical constructions meet with organic forms.

Northern star Denney returns to Hot Creations with his West Coast Revival EP - a
full power nod to the early days of his career, inviting Liverpool’s latest export
Melé and Denver tech-house pioneer Hipp-e to provide the remixes.

Club Bad founder Melé makes his first appearance on the label with his remix.
Heavy on the percussion, he creates a tribal ambience with a deep and driving
bass that pushes it into peaktime party territory. With almost three decades in the
business, Hipp-e is widely regarded as being one of the pioneers of the West
Coast scene. He co-founded H-Foundation, which held a residency at fabric for
eight years. His version steers the track into darker territory, creating an insatiable
late-night aesthetic.

2018 was a huge year for James Denney, aka Denney. He produced a slew of
releases for top imprints including Saved Records, Relief, Knee Deep In Sound,
Moon Harbour and Pete Tong’s FFRR. His skills as a DJ have seen him tour
globally taking in Brazil, Argentina and Australia as well as Europe and North
America, where he held down a residency at Miami’s infamous Heart. He has also
been a regular figure in Ibiza at DC10 and Amnesia. In 2019, Denney’s pace
shows no sign of slipping with plenty of releases in the pipeline as well as plans to
launch a series of events in his hometown of Middlesborough and his own label.

For the first time Relief and Material delivering a vinyl together. Legend Green velvet temas with Mihalis Safras for their own 12inch. HOT

Liviu Groza's « Say Something » is a minimal & complex architectonical piece of music with emotions.
Building up the track on a very efficient rhythmical basis, the producer introduces a dubby touch through trippy synths napps, an ethereal voice, discrets claps & creates a singular & hypnotic atmosphere which brings listeners/dancers to an introspective state of consciousness between euphoria & nostalgia.
Nicolas Duvoisin's remix is a kind of deconstruction game of the original between excellent micro-house & groovy deep tech: mental (the atmospheric & dubby elements are still present in the background) & dystopic, with a heavy bassline, this track is a dirty sincere invitation to dance & celebrate sweat on a dancefloor

Gel Abril : bomb remix from my boy Nico!
Lauhaus : Both versions sound dope. Thanks
Quenum : Beautiful tracks full support
Jey Kurmis : Duvoisin remix for me! thanks
Nicolas Duvoisin: very happy to be on this project!
Julie Marghilano : Love this release and Liviu is a rare talent! well done!
Dachshund : Good Job
Julien Chaptal : nice one
Roustam : Remix does the job for me
Liviu: nice release.
Nils Twachtmann : love the duvoisin remix
Noah Pred : Digging Nico's mix, thanks."
Patrick Kunkel : "great one! I like
Patryk Molinari : Top remix will def push and support

iggatunez debuts on Times are Ruff and splits a 12inch with the label owners. Both share a Berlin connection through their studios located in the same building, something unknown at the time the first contact was made. Unsurprisingly that became the theme for this joint effort of music. Both sides contain serious dancefloor intended tracks, in signature style of the label, where beats and groove take the lead, but keeping the soul.

Brazilian label Not For Us has really hit its stride of late, with original from Davis and remixes by L_Cio and label bosses, Rods Novaes and Wender A., marking them out as ones to watch in 2014. Their latest release arrives courtesy of a 3-track original and remix compilation, with one of the label's most emphatic moments to date, Davis´s Love and Lost', proving the basis for three very different - but equally beguiling - interpretations, with a great bassline and vocal bring more 2 remixes from L_Cio with na atmospheric vibe and a more Techno and Dub from Wender & Rods, enjoy this very special release!

And he is back! After the successful last EP on Terminal M, Metodi brings us again a funky 4 track ep in his very own Hristov style. Enjoy. (Monika Kruse)

One of Stephan and Marc´s biggest tunes ever, Kerberos comes along with brand new remixes.

Diynamic´s Solomun teams up for the first time with Johannes Brecht and their debut convinces with driving beats, fresh sounds and a composition of synth lines which won´t leave your brain anymore.

On the flip side you can find two versions by André Hommen, who has been responsible for countless club weapons on labels like Objektivity, Poker Flat and These Eyes plus Dublin´s poster boy Matador who recently delivered a master piece with his legendary remix of Oxia´s - Domino'.

Dixon Avenue Basement Jams are proud to present "Rainbow Body" by Nightwave on their new sub-label Neutralizer Records.

New music from Nightwave is what life is all about.

Check out her new fantastic release for Dixon Avenue Basement Jams’ Neutralizer sub-label if you’re in any doubt. Rainbow Body EP is 4 tracks of Detroit influenced dance floor damage, taking in and breathing out lush melodic techno, driving ghetto beats, steppin’ authentic electro and bold yet synthy house music. It’s a release that does it all and with such style and confidence. You’d be a fool to miss out.

Limited Hand Stamped Vinyl and crazy story inlay included