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House Vinyl New Releases - News
An Italo Disco rarity from 1985 now available again on color 12“ Maxi Single:
Karl Olivas - Follow Me ...!!!
Side A contains the rare original version and as a highlight we proudly present two new and exclusive remixes by Flemming Dalum and F. Ricci on side B.
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Mitch Wellings invites you on the fourth outing of his interplanetary travel service. Flanked by Jhobei of Felon5 at the controls, they journey to the exploding planet, loaded with weapons of mass abduction.
Bass Tours brings all the swagger of a live band on acid, setting the tone for a groove driven trip.
Jhobei delivers a classy approach to the remix, continuing with the fun of the original, splashed with new flavours and intelligent arrangement.
Space Wars dishes up more odorous bass guitars and spaced out acid lines, served up with an in your face vocal, sitting on chunky but funky breaks.
Whether hurtling through space or sailing the high seas, Speed Boat is guaranteed to rock any ship at high speeds. All aboard.
How I Feel, takes you on a deeper journey to round off the trip. Intricate drums, gliding pads and that signature Space Tours B side depth.
Another planet visited and another swiss army knife to add to the record box of any discerning selector.
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After the great success of Italo Brutalo´s debutalbum „Heartware“ it was quite obvious to let some of the hottest artists around rework some of the songs. Kafkactrl, who released some great EPs on Vortex Trax took „You are welcome“ to another – his very own dimension. While the original is quite straight his remix is dominated by electro beats paired with his stunning micro editing. „Reach Horizon“ has been remixed by CYRK, who are without any doubts one of the best live acts these days. Mufti from Mexico made a very dancefloor-ish remix out of „Dream Machine“, which will be heard at festivals athis summer for sure. None other than one of the two Slow Motion Label heads, Fabrizio Mammarella, made a great dancefloor version of „Into a sampler“. South Korean´s Shubostar created a great cosmic disco remix of „Heat of the Knight“, that can be played any time in a cool DJ set. Last but not least Italo Brutalo´s longterm friend Kris Menace turned „Into a Sampler“ into a powerful bass-inyour- face version.
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2023 REPRESS
This is just the sort of jam that Best Records Italy love. Asso originally released his slick cover of ''Do It Again'' by Steely Dan back in 1983, and it's a faithful version that simply injects a little disco magic into the impeccably composed bones of the track. It received plenty of play back in the day, and it's highly worthy of its own side of wax now. Meanwhile on the flip, ''Don't Stop'' is an even more essential a slab of club heat, tapping into the heady atmosphere of the Paradise Garage at the time that disco merged with boogie.
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After whetting our appetites with the new italo "classic" Volevi Una Hit repress, Bottin and his Cristalli Liquidi project team up with the French-Italiano electro pair Deux Control (aka Justine Forever & Rodion) for a double take of this sweaty song about the colour red and the gentle carnal forces of nature. You might want to pick up some Italian to enjoy the lyrics. Along with two entirely different main versions, Bottin's sped-up dub and Deux Control's vocally sparse mix will serve electro-funk heads and low-cheese/high-energy italo lovers alike.
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2023 Repress
Best Record lights up a surefire classic from the annals of Italian dance music, made courtesy of Italo-Disco heavyweights Klein & MBO, who were not a company looking to get rich, but just 2 individuals: Tony Carrasco (USA), Mario Boncaldo (Italy), in one word... LEGENDARIES! with something burning inside to share. Italy certainly had a huge influence on the nascent Chicago house scene which embraced the best jams of Italo-Disco and created a movement of those simple yet complex sounds like those of "The MBO Theme", beautiful song, smooth and sweet, to give you time to think about some amazing dance moves and bring back very beautiful memories. The song was originally a hit created by the likes of Ron Hardy thanks to his punchy synth bass and captivating European vocals. So this was the first house song ever made and it's from the '80s, loved from the beginning by Derrick L. Carter, one of the pioneers of House Electronica in Chicago and Farley "Jackmaster" Funk, who broadcast on WBMX-FM of Chicago as a member of the DJ team Hot Mix 5. Pure Italo-Disco! Simple analog drum machine (sounds like a TR-606) and analog synthesizer, which in the case of Klein & MBO, is most likely a Sequential Circuits Pro-one. Italo's first purely minimal songs from the early 80s. This sought-after dancefloor gem has been given a faithful remastering touch, as is the Best Record method, which also brought out a previously unreleased edit of the track called "Italian Version", which extends the club qualities of the jam to the maximum impact of the party.
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Amsterdam Italo Diva and art phenomenon Maxime Duvall is back!
She releases a new smashing TOPHIT “Creatures of the Night” on her brand-new label “Disco Total Tophit Records”.
This first release is produced by Machinegewehr and comes as double A-side with an intense Italoconnection remix on the flip side.
Maxime Duvall is known for previous hits “All Night” and “Raining in my Heart ” released on the Bordello A Parigi label. Her outstanding and hysterical sing-along performances made her into a local celebrity with a huge fan base via her Disco Total parties. Her new label “Disco Total Tophit Records” aims to combine the best Italo Disco with visual- and performance art.
With “Creatures of the Night” Maxime Duvall brings a melancholic and energetic Italo Disco inspired song with her trademark lyrics and an extremely catchy chorus. The song is driven by a solid arpeggiated bassline and builds up into euphoria with melodic and lush synthesizer melodies.
On the flip-side, Italoconnection transforms the original track in a slow-burning, multi-climaxing and ecstatic mega track reminiscent of Giorgio Moroder.
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Together with the reissue of Jackie Touche – “Watch Out”, Vintage Pleasure Boutique is raising the temperature and re-releasing the second famous and idolized Made Up Records classic: Claudia T – Dance With Me. In 1988, this tune created a sensation on the dance floors of Europe and Japan. Fans of Michiel Van Der Kuy’s talent cried heavy tears of joy as they placed this record on the turntable and put the needle on it. The combination of high energy, Laser Dance sounds and Claudia Robbens’ seeet vocals was a hit. The song has become a permanent part of the canon of electronic dance music of the 1980s. The reissued release, in addition to restored and re-mastered original versions, also includes new remixes in the same genre. Prospero, A.P. Mono and Chris Van Buuren are responsible for the new versions. You simply have to have this wax.
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Australian producer Kate Stein brings her mesmerising sounds to TAU with the Death Stocked EP, her debut with us. Currently based between New York City and Los Angeles, Kate merges a variety of styles to produce captivating cuts that embody the ethos of dance floor liberation and self-expression. A confident performer who has appeared at House of Yes, Mayan Warrior and Cityfox Experience at Brooklyn Mirage, among many other notorious spots, Kate is also carving out her own lane with her productions. On Death Stocked we get two original cuts, with a bumper selection of reworks...
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Dan Lacksman is a Belgian electronic music pioneer who co-founded the Electro Pop Dance formation Telex and is credited for their classic 'Moskow Diskow.' He also worked under the Transvolta name but put out only one single, 1978's impossibly hard-to-find classic 'Disco Computer.' Dan himself has carefully remastered the original for this special 12" reissue. It's still a retro-future sound all these years later with the signature talk box vocals and sleek drum machines under cosmic synths. On the flip is a long version of 'You Are Disco' which is a similar vibe but with a slightly more lively groove and vocal. Two serene dancefloor gems by any standards.
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Volta Recordings – a brand new label digging in those much-prized vaults that hold some of the creme de la creme of Italian house, officially licensed, remastered and reissued for a new generation to indulge in.
First up an absolute classic club stomper from the early '90s. Peaktime piano house, produced by the prolific Luigi Stanga under the one-hit and out, S.L.D. moniker. Pure ecstasy bubbling up through those joy-filled chords, fizzing synths, choice vocal samples and grooving basslines. Too right we’re getting hot.
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Pablo Bozzi drops a second compilation on his new label, Second Sight, with the various artists "Unknown Prospect Vol. 2". The title says it all: boundless and vast, Second Sight's intent is to promote the talents of innovative producers who defy genres in the pursuit of their own idyllic aesthetic.
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After humble lo-fi beginnings in the Australian Art-Pop Underground, Donny Benet has expanded his cult-like following across the Globe with a resonant Array of danceable Repertoire dealing with Love- and Affection. New album "Mr Experience" marks a new chapter, informed by a wealth of musical- and personal development.
For Mr Experience, Donny envisioned a Soundtrack to a Dinner-Party- Set in the late 1980's. While his earlier Recordings drew Inspiration from DIY Pop Conspirators such as Ariel Pink & John Maus, Donny channelled the Stylings of Bryan Ferry & Hiroshi Yoshimura as the Impetus for new Material, evident on the Intimacy found on ‘Girl Of My Dreams’ and it's lush production- with a soothing whistle-along Chorus for good Measure!
Sincerity has been a key component of Donny Benet’s output since the beginning. His songs deal with genuine Emotion served on a kitsch Platter. An alter-ego manifested in the beginning of the 2010's, Donny has blurred the Lines of Artifice to create a back- Catalogue that can embrace- and challenge, often simultaneously, - the notion of Irony in Art.
"Mr Experience" moves further away from ironic Notions as Donny explores lyrical- and musical themes which embody Observations of Maturation in his audience, his tightknit musical Community- and himself. While ‘mature’ is a term that often rings hollow as an album descriptor, the term couldn’t be more apt for Mr Experience.
Previous album The Don was created with the luxury of time. The phenomenal Response to that Album across Europe- and the United States - fuelled by accompanying Music Videos clocking in Views in the Millions- meant that there were scant Windows of Opportunity to write- and record a follow-up.
With a legacy in Sydney’s music community, working with Sarah Blasko, and tightknik collaborators Jack Ladder & Kirin J Callinan, Donny Benet is accustomed to collaboration on the Stage- and in the Studio, mostnotably on the 2014 full-length release Weekend At Donny’s.
“There is such immense talent evident in every aspect of the Donny Bene experience - the vision of the character, the steadfast adherence his narrative and the musicality of Benet himself all combine to makesomething truly genius.” - Double J, Australin.
“Donny Benet makes feminine music for everybody” - Vice, Netherlands.
“The Don does not sound like amusical copying machine”. - 3voor12 National, Netherlands.
“The set was punctuated with virtuosic solos and exquisite harmonies, and added another layer of genius to the show.
We almost couldn’t handle it... Donny for president!" - Indie Berlin.
“Everyone loves Donny Benet” - Feature in Gonzai, France.
“Phenomenal Australian Showman... Offers Top-Class Dance Music with Virtuose-Bass Guitar- and Keyboard Parts & incredible Sound-Colour feel.” - Podujatie.sk, Slovakia.
Donny has toured Europe five times since the start of 2018 and has played in the UK, Austria, Germany, Slovakia, France, Netherlands, Spain, Portugal, Belgium, Denmark, Switzerland, Czech Republic, Greece and Sweden. The Don will revisit Europe twice in 2020, once for his own headline shows in May then back again in August for festivals!
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Initially released by Materiali Sonori in 1985, San Giovanni Bassista's 'Don't Go' EP embodies what made the alternative italo disco scene of Florence so thrilling. Fresh, packed with humor and ahead of its time in so many ways, these three tracks are thoroughly modern and are definitely still dancefloor burners.
Famous for 'Don't Go', it did not take long for the audience to fall in love with the other two tracks of the EP: 'Summer Sweat' and 'Hot Socks'. To pay hommage to his dear friend Claudio Bonaiuti, who passed away suddenly, Alexander Robotnick re-released the EP in digital format on his very own Hot Elephant Music label in 2010.
Fast forward to 2016 Bordello A Parigi is pleased to bring you this release on our beloved vinyl, remastered with refreshed artwork.
All in cooperation with mister Robotnick himself who also supplied us an edited version of Hot Socks. Sit down, lay back and enjoy the sun while drinking a cocktail on a beautiful beach and mumbling the silly blend of English and Spanish lyrics!
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Marc Mac back with another high grade Bruk, Electro Boogie monster. This is the fourth and final piece of the series. From Africa to Jamaica, Brazil and now Japan Marc Mac has explored the international fusion and cultures that has been an influence on his style of Broken Beat. The four track EP is under-pinned with Jazz/Funkiness and a hint of Jungle in the subs can be felt on "Kambei". 'Yasuke Soul" and "Tokyo Nightlife" feel like a head nod to Ryuichi and Akiko, so buckle up and get ready for a Journey eastbound. Brilliant cover art is supplied by Mitchy Bwoy.
arigatō
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repress!
Wolfsheim were a synthpop duo of Markus Reinhardt (music) and Peter Heppner (lyrics and vocals) from Hamburg, Germany founded in 1987. 1991 single “The Sparrow And The Nightingales” produced by Carlos Peron of Yello. Reinhardt says the lyrics were inspired by ‘onomatopoeic tension’.
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Starting his career with appearances on BBC Radio 1 and signing with Elton Johns label as a teenager, Maldwyn Pope's presence in music has been rich and productive from an early age eventually leading to working with people like Cliff Richards, Art Garfunkel and Bonnie Taylor. However, his presence in Italo-Disco has been quite scarce, but completely on point. "Altered State" is a masterpiece amongst enthusiasts and collectors of dancefloor sleaze and downtempo wellness. Heavy rock influence meets Rimini with this one off experiment from the seasoned multi instrumentalist. Original instrumental remix done by none other than Alessandro Novaga, the entity responsible behind one of Ron Hardy's favorite DJ tools (Faces Drums). B-side features an 11 minute excursion into a completely new altered state of dubby delayed trance, for special cosmic holes only. Re-issued with new full artwork.
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The fourth Planet Tapes record has a very deep meaning for us to which we are emotionally linked.
It will belong to the hosts Two Opposites. "Astro Collector EP" can be interpreted as a mixture of raw and emotional sounds.
Let's try to go into details about each track.
Make Contact; sets the tone with its dark groovy lines and reverberated vocals that transport you to a world of pulsating energy and endless possibilities.
Reversal Motion; you hear deep synth bass melodies and infectious rhythm.
Starslalom; a fusion of classic electronic sounds and contemporary sensations that create an atmosphere of future nostalgia.
Mirror Dreams; you enter a world full of groove, harmony and caressed by a bleep synth with sparkling rhythm.
Siana Vision; the romantic note of this record which with its emotional sound will make you explore the boundaries of imagination.
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A hard one to put in a box when it comes to genre, floating somewhere between italo and synth pop, originally released in Switzerland in 1985. Written by German pop group Hongkong Syndikat, both tracks with a very distinct and soothing sound that's hard to forget.
"Underboard" is very cool paced downtempo number that builds up with layers of subtle percussion lusciously adorned by some heavy saxy reedsmanship and mysterious vocal accents with no real message - 100% chill o'clock served on ice.
Cedar Of Lebanon picks up the tempo a notch, once again setting the scene for the reeds to shine as the catchy melody is presented, beautiful 80's instrumentalism from a golden age, clearly not made in Ableton. B side features a respectful DJ tool style remix by Anatolian Weapons. Remastered at Manmade mastering in Berlin.
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Sound Metaphors' collaboration with Constantino Paolini opens the Italian classics vaults yet again to bring back two more anthems of Italian dancefloor history. This time a selection of two Instrumental versions of the productions done with Patrizia Pellegrino. Spray Orchestra's “Transilvania” is the instrumental version of Patrizia Pellegrino's “Il Mondo Da Una Nuovola” and Max Manuel's “Energy”, an abstracted instrumental version of Patrizia Pellegrino's “Automaticamore”, both highly coveted in digger circles and originally released as 7”. Now brought to your collections in hefty 12” 45rpm remastered versions. Complemented with a slowed down acid remix of “Transilvania” by DJ Asshole.
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Round three of Rebirth’s bonus EP series that follows on from the massively popular Ciao Italia. Generazioni Underground compilation. Digging deep to reissue some of the most treasured Italian dream house tracks out there, volume three goes one step further unearthing two unreleased treasures.
Highly sought-after cuts, EP Tre brings together two certified gems on the A side in the form of the piano laden, Paolino & Gianni Bini - Love (Classic Mix) and Sasha’s blissful ‘Key To Heaven’. On the flip side, two previously unreleased tracks via Paramour & Adrian Morrison – Transmutation and Open Spaces - The Far Side Of The Mood, finally get their time in the limelight.
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Celebrating their 10th release, Tresydos presents a two-part special edition featuring artists that are already part of the family along with some new faces.
For this second part, B.Love debuts on the label with Video Soul, starting the EP with a funky tone, followed by tresydos family member Arnic with the dreamy and bouncy “I’m Into You”. On the B side, Neik is finally back with a timeless track that shows a different side of the Argentinian producer’s usual style. Atree closes the EP with his characteristic punchy basslines to give the perfect ending to this special edition of tresydos.
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Real Velour's debut EP on Blaq Numbers comes to us from an unknown source in the early eighties. Its playful melodies and disco drum machines could be from mainland Europe, it's strange synth textures could be Japanese whilst its sardonic vocals could be from a post-industrial town in Thatcher's Britain; we just don't know.
What we do know is that in spite of its retro sound pallete, each track sounds fresh on any 21st century dance§oor. There is something inde¦nably new about these tracks; similar perhaps to the inde¦nable "Britishness" of 10cc in spite of their American accents and West Coast in§uences or the way Billy Childish somehow managed to make rock n roll sound alive again without changing it in any observable way.
Simply put: these are yesterday's sounds, tomorrow. And who better to hold Real Velour's hand as he tries to navigate this strange retrofuture than his two favourite sexy disco daddies, Donald Dust and Panthera Krause?
Donald Dust's remagining of the title track on Spaceship In Tokyo puts us in New York territory, rendering it less angular, less Teutonic. There are shades of LCD Soundsystem, the Peech Boys and other artists from the Mutant Disco/No Wave scene whilst Panthera Krause's wild reinterpretation of the single, People Make Me Wanna Scream, is a fruity cocktail of freaky contradictions. Metallic and industrial rhythms blend perfectly with haunting synth pop textures.
Panthera Krause ¦nds the ghost in the machine and makes it dance! The whole EP throbs with uninhibited glee. There is no coyness tobe found here toward those genres that sometimes ¦nd themselves locked outside the fortress of "serious" dance music. While some techno bros gingerly dabble with Italo, HiNRG or J-Pop textures in some restrained, tasteful way as if to say "I like it... but I'm straight!", Real Velour jumps in with both feet.
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- A1: FRED VENTURA - THE YEARS (GO BY)
- A2: DUKE LAKE - DO YOU (Short Edit)
- A3: DECADANCE VS ITALOCONNECTION - ON AND ON (FEARS KEEP ON)
- A4: WISH KEY - ORIENT EXPRESS
- B1: FELLI - DIAMOND IN THE NIGHT (Short Edit)
- B2: 23RD UNDERPASS - A CHASE
- B3: FLEXX - FOREVER STARS TODAY
- B4: NICO BAND - LET IT SHOW (Short Edit)
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Probably you might think, is this a cover version of the Patrick Cowley’s classic? Somehow it is, but add Paolo Gozzetti on the production and Fred Ventura on the vocal and you really a banger for the dancefloor. This is one of the time that the cover brings an extra to the original. The 12” includes also the track No Guilt No Pride
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We welcome the English creator from Manchester Mark Wilkinson aka Kid Machine to HC Records.This album of 12 songs on vinyl and 4 digital bonus tracks, already seemed historic to us at the time of closing the album, but now it seems like a real event as it is the last one that the artist will publish under the pseudonym KID MACHINE.
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Martin Brodin's venerated MB Disco label is back with standout remixes of his 2005 classic 'Semitone Shuffle' by Lauer and the boss himself.
Swedish artist Martin Brodin has been deeply involved in the global house and disco scene for decades. He initially founded this label in 2010 - and the MB Edits sub-label in 2013 - and has put out classics by Chicken Lips, Ray Man and Psychemagik.
His productions on labels like Nang, Southern Fried and Buzzin Fly have very much defined the modern scene, none more so than epic 2005 cut 'Semitone Shuffle.' Now, after something of a hiatus, big new remixes of the original mark the welcome return of the MB Disco label.
The first is from legendary German artist Lauer. He is one half of Tuff City Kids and Black Spuma, and an esteemed house producer for labels like Clone, Running Back and Permanent Vacation. His version is a melodic epic, a real house workout with pixelated pads raining down on the taught, arpeggiated bass. When some old-school chords arrive at the midpoint, the club is sure to take off.
Brodin then steps up with his fantastic Hulabaluba Remix, which is a much more party-starting and disco-fried version. The drums loop down low, the luxurious chords are warm and full of colour and the whole track exudes class.
These are two very different but equally effective new remixes from the revived MB Disco.
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ZYX Italo Disco : Flemming Dalum Remixes Vol. 2 shines due
to 8 remixes carefully selected by the Italo Disco legend from
Denmark.
The remixes of Flemming are outstanding thanks to a modern
and perfectly produced sound, but are still close enough to the
original to convey the typical 80s Italo Disco feeling.
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PREVIOUSLY UNRELEASED ON VINYL. Syntech’s second album “Atmospheres” originally released in 1991 is entirely composed and produced by Edwin Van Der Laag. On this album, Edwin breaks away from danceable space synth formula and moves towards strongly electronic, ambient, distant, extra-galactic spaces with his Atari 1040 ST. The music from this album had a huge impact on electronic music enthusiasts and remained an inspiration to many young artists.
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