Next up, a luscious cut from two of London's freshest producers, Ollie Rant and Malaika. Dreaming EP capers gleefully between buoyant garage house, old school jungle, soulful deep house and undulating electro. Each track offers a fresh take on a holistic mood, warmth and playfulness radiate from every corner. This one is perfect for almost any situation whether it be a sweaty dancefloor or a solo bedroom rave.
“Preparing Singularity” is the debut album by Berlin-based EBM act Transhuman Rebirth, currently a one-man side project of renowned German synth-punk artist Ben Bloodygrave.
Already instantly recognizable on the European synth/wave scene and touring circuit with his high octane aggressive minimal synth, Bloodygrave started this new project over the past few years focusing more on classic, first-wave EBM, moulding the nine tracks on “Preparing Singularity” into a sound that’s recognizable to fans of the starting foundations of the genre. While retaining a sound that’s unique and solely its own, elements of minimal wave and synth-punk are fused in these propulsive tracks, with nods to old idols such as Deutsch Amerikanische Freundschaft, Front 242 and Absolute Body Control.
Transhuman Rebirth is subjectually futuristic to dystopian, interspersed with political statements. The lyrics focus on topics that are current and modern, including science, technology, surveillance and artificial intelligence — all delivered through Bloodygrave’s well-known vocal style with a sound that is much rougher and with compositions and sound designs that are more complex than his main Ben Bloodygrave persona.
Repress!
Following his debut on the label with last year’s ‘The Pob Routine’, Jerome Hill returns to AccidentalJnr with another absolute stonker of a release which we’ll let him describe in his own words...
“After my last EP for Jnr I spoke with label boss Matthew Herbert and he challenged me to write a track for the next EP, containing only sounds I'd recorded 'in the wild'. I was about to spend a little time on an organic Vegetable farming co-op just outside Munich, 'Kartoffel Kombinat' which I'd previously nicknamed Potato Land, so I brought my recorder and during my stay made lots of recordings, carrots being bitten and snapped, various gardening tools clattering around, voices and even the big tombola-like machine that cleans the freshly picked vegetables. The resulting track was Potatoland and the only non-organic noise in it is the kick. Various 'Potatoland’ elements also make guest appearances in the other tracks, although they are less easy to spot.
'Quibble’, was also written specifically for the label and was influenced by Herbert who I've been a huge fan of for decades... I wanted to make something suitably wobbly and humorous that shuffles along but then really slams when the kick comes in. Add in the Dance Mania influenced ‘Chicken’ and the final track ‘Bleeper’ and that's the EP... Very happy to be back!!”
Fukuinn's 3rd release on vivid blue color vinyl. A1 is edgy electro sounds from Bristol's "Lost Signal" resident trackmaker Fazack. A2 is a deep and floating track by Relaxant. He's released an EP on Florklang Records and is one of the hottest young artists out there. On B1, Böhm, known for his acid and bleep sounds, surprises with an acid-heavy masterpiece. His successes and releases in recent years have been very inspiring. Lyon's genius, Foreign Sequence, played the best bizarre sound with pleasant melody on the last track.
Close your eyes and merge into Benedikt Frey’s 'Fastlane'. Imagine sitting in the driver’s seat of a an automobile, one with exceptional horsepower and torque, as you stare out the windshield at the red light, warping in fata-morgana a mile down the road. It’s a straight-away, a black top with two lanes, and against your better judgment you decide to floor the gas. No hesitation in your muscle, your ankle or the ball of your foot, which you now realize is some kind of universal pivot, the first point of contact fusing your body with the will of machine. In this moment you’re in awe that you, a human, an animal, grew from pond scum into something so advanced as to engineer this thing, a mechanical beast capable of overwhelming power and exhilaration. But you also feel a seductive dread, an outside force diverting you from caution toward a dangling carrot of curiosity, asking yourself, ‘How far can I take this thing?’ The dread, now a constant, is numbed, equalized by an adverse intoxicating gratification. You feel both sensations in real time, however, rather than take responsibility for yourself, friends, family and innocent bystanders, you cement your foot to the floor and lean your head back. Noise around you fades to mute. Smell the benzene-scented air, feel the wind on your face, the menacing vibration of the vessel you control beneath you and every grain of asphalt under its tires. This mile has now lasted an eternity and you’ve left your body for some objective view, as if watching climax of a film. Past the point of no return, you embrace abandon and lean into fate. The film becomes slow motion, a crawling pace so mesmerizing you convince yourself of an option to eject yourself from this madness, but as you finally let go of your last morsel of fear, you run the red light head-on into the nucleus of a fantastic glistening sculpture of torn metal, glass, oil, broken dreams and heartache. 'Fastlane' may be just drum machines and synthesizers if you’re timid, but listen harder and know the catastrophic reality of existence, a wreckage so gruesome we dare not rubberneck, but afterall it is our nature to stare.
For our first release, we took 4 strong and different personalities on board.
Inspired by a poem by Lourene (the talented dj/vocalist) Marcos warms us up by bringing a summery touch to a techno/house beat.
Heimyl rhymes with spatial. On a 90's vibe beat, he gradually takes us into his folkloric universe.
The mysterious cosmonaut takes us into limbo on an electronic beat punctuated by vibrant percussion.
Acid Charlie takes us to a parallel universe with acid colors.
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Exceptional collection of Eddie Richards classics and rarities. A retrospective series of UK Acid-House pioneer. Played by Richie Hawtin, Ricardo Villalobos and Craig Richards to name a few.
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Jamal Moss, Takeshi Kouzuki, FLML and Mituo Shiomi take part in “Tracks From The Alley Vol. II", a Various Artists four-tracker E.P. which follows the imprint of the previous release of the Bologna based underground music label ALLEY VERSION. Here the jackin' and acid house/techno sonic palette is diverted in a raw, immersive and screwy signature.Rough vibes for freaky minds. Limited 12" vinyl.
In the summer before Covid, Lauren Flax and Posthuman played a b2b show at I Love Acid in London. A plan was hatched: “You remix one of my tracks, I’ll remix one of yours, and we’ll stick it out on vinyl” And here we are, two club jackers and two remixes. Hand numbered edition of 303 vinyl – clear wax but with wisps of pink and blue haze.
Picking up DJ support from Nina Kraviz, Josh Wink, Laurent Garnier, Anja Schneider, Scuba, Dusky, Luke Solomon, Martyn Bootyspoon, Vladimir Ivkovic, Nikki Nair, John Barera, Kindimmer, Mystic Bill, Harri, Ford Foster, Santaigo Salazar, Lo Shea, Ciel, Joshua James, Cici, Jackson Ryland, Kristian (Amé), Terry Farley, Dam Swindle, Paul Frick, Luke Sanger, Raw Silk, Hassan Abou Alam & loads more
Juliet Mendoza's official debut EP after first being introduced to the world as a feature on Julio Bashmore's 2015 LP. Since then she has shared the stage with artists the likes of Peggy Gou, DJ Heather, Hot Since 82, Osunlade, Dennis Ferrer and more. She was also one of Defected Records Unsung Heroes Contest winners in 2022. This is her first worldwide solo project.
Celebrating their 10th release, Tresydos presents a two-part special edition featuring artists that are already part of the family along with some new faces.
On this first part of the Number 10 release, Anderson is back with his signature sound giving a strong start to the EP. For A2, Tresydos welcomes Velvet Velour and his fresh take on house music. On the flip side, Babu also debuts on the label with “Luna” and its retro futuristic tones, followed by Penelope’s track “Gathering” which had already been released on Bandcamp and due to popular demand is now on vinyl format.
Stay tuned for part 2.
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Accomplished UK mainstay J1Mi launches the long awaited Beyonders label with a fantastic first EP that captures the eclectic nature of his sound.
J1mi aka James Hadfield has been making all manner of sounds for years - both solo and as one half of Lizards - from house to disco, Balearic to techno, and always on revered labels like MeMeMe, Not An Animal, Leng, Futureboogie and Phonica. He is part of the Beyonders collective that was started by Jason and Mark Goodings of 90’s pioneering breaks and drum and bass duo Hidden Agenda. The collective is now back after a hiatus following Mark's tragic passing in 2016 and is as fruitful as ever with members including James as well as Mal Sharp and Nick Grimes and now a new label.
James continues to host Beyonders Present events in his hometown of Newcastle and has played at the likes of Glastonbury, Stowaway and Pikes this year, as well as across Europe in the past. Luke Una and Man Power are big supporters of his work and this is the first EP from the collective and label, with the following four all mastered and ready to go over the next year.
The brilliant 'Sixes Now' has a menacing synth screwing about the mix before percussive grooves and elastic bass arrive to lock you into a dark disco groove full of menace and suspense. The thumping 'Modern Maze' is another hugely inventive sound with rickety rhythms, erotic vocal coos and wiry synths. A bewitching breakdown brings acoustic guitars and places the vocal front and centre before the punchy house kicks come back once more. 'Desire' featuring Crazy P vocalist Danielle Moore is an indie disco cut with jazzy chords and playful funk riffs that lift the spirits and cruise on smooth grooves. Closer 'Japanese Kipling' is a prickly brew with off-grid hots and vocal sounds, distant hits of melody and dubby rhythms that are wonderfully intoxicating.
This standout first EP very much sets the scene for what is sure to be a crucial UK
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theBasement proudly presents DÍAS DE CAMPO RECORDS, the Montanejos' boutique music festival 12” imprint. Valencia’ theBasement crew has created an enduring legacy, and the power of their impact is visceral in Spain. DDC Records is an opportunity to stablish the sound of the 6th edition of one of the best music festivals for vinylovers.
Días de D-D-D-D-Dope (DDC001) has the mark of the beast. OTIS, the berlin-based live performer and producer solo EP has been kicking around the best dancefloors and summer festivals. The music itself is beyond stereotype. A four track album featuring some of the artist genre choice: electro, breaks, house and progressive critically acclaimed hits including singles such as “Extra Dimension”, “E3rea”, “D-D-D-D Dope” and “Floxy”. But more than just some anthems, it is a freedom of thinking that extends beyond boxes.
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Italian DJ and producer Elisa Bee makes her full I Love Acid debut. Having previously remixed WTCHCRFT on the series and released a couple of 12”s on Balkan Vinyl, here she drops into full acid mode. Four tracks spanning jacking acid techno, classic house and electro, all with a hefty dose of 303 action. Elisa is in high demand right now - holding down a residency in Milan’s famous Tempio club, playing Berghain for their 303 Day lineup, and releases on UTTU, Ben Sims’ Hardgroove, and Truncate. As always, just 303 copies of hand-stamped and numbered heavyweight 180 gram wax, in a stamped card sleeve.
No digital. No represses.
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2 Tracker from Parisian, Kléo - pumped up machine music that doesn't hold back.. TIP!
Kléo has been earning her stripes over the past decade and a half as both a distinct visual artist and well-respected dj. Refraining from the mainstream narrative she always remained close to her heart to express the unsaid. As her path embarks on to the next chapter it’s with great passion that she presents the first outing on her newborn label Call 4 Rhythm. A mind dazing invitation to let go and sense the raw, the rough. As much as it’s an authentic yet rugged dance floor affair, it guards the spirit and virtue of honesty. Elements which have been the backbone throughout every form of art she has shared over the years.
Dial 1 for ‘Deep Agogo’ sets off nostalgically, lingering keys remind of long gone days while menacing lines of acid make their way through the surface to ease in between robust percussive beats.
The flip houses the devastating Chicago-infused version, a statement bewildered by forceful 303 execution. Don’t be surprised if ‘Let’s Agogo’ prompts filthy facial expressions along the smouldering moments of this jackin’ beat-down. Roughly eight minutes to soar in total let go.
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In the heart of Poland's electronic music landscape, a transcendent force has emerged in the form of Trance-Atlantyk, a entity devoted to cosmic tingled sounds of the electronic music universe which humans tend to describe as progressive house, proto trance, ambient house.
The creation of this new sonic organism can be traced back to two seasoned veterans that have not only witnessed but also actively shaped the evolution of the Polish electronic music scene for the last 20 years. For now they conceal their true identity under the nicknames of Pankoff & DJ Varius Trax.
Trance-Atlantyk is not just a dynamic and eclectic DJ duo that finds pleasure in all manner of progy, trancey, floaty, breaky and housey sounds that clocks in between 130 and 150 BPM; it's also a series of events and a record label that extends its influence across physical and digital realms. With a commitment to preserving the authenticity of electronic music, Trance-Atlantyk releases music on both vinyl and digital platforms. This dedication to the tangible and the digital reflects the duo's forward-thinking attitude, ensuring that their sonic creations reach audiences in diverse ways.
The very first release, which is also the creation of Pankoff & DJ Varius Trax pays homage to domestic pop seamleesly blending it with euphoric, uplifting and high octane club-oriented music.
The “Sound of Poldon” EP (“Poldon” being a slang word for Poland) kicks off with “I want to tell you”, an energetic, proggy house track that contains vocal snippets from one of polish most popular tracks of the last decade (which originally got released in 1979, but rose to prominence thanks to and edit that got released by The Very Polish Cut Outs in 2015). An anthemic chorus is pitched up & looped to the max for ultimate satisfaction. More experienced listeners will surely also recognize a few other notes in the background bringing back old-school trance memories.
“Moon Song” is a massive dj tool that evolves after the breakdown into a nostalgic and euphoric peak time anthem. The hypnotic vocal parts that are sampled from one of the biggest Polish hits of the 90s era by Varius Manx, will take you back to the glorious past with the kick going 130 beat per minute.
The B-side starts with a huge bop called “Punch Bowl”, a hip-hop infused & breakbeat-oriented acid roller providing hypnotic rap vocals from one of the most prominent underground anthems of the last decade. Dreamy synth stabs colide with cascades of snares and brokean beats and agressive acid elements. The whole tense and pumping track concludes with a soothing outro.
The EP ends with “Jeny”, an atmospheric and vibrant cut with a broad palette of different emotions. A heavy bassline is pushing the affair forward, with a chorus that is simply hypnotic and captivating, while synths and trancey elements add an impeccable flavour to the whole business. A massive club jam.
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Paul Wise aka Placid is the driving force behind ‘We’re Going Deep’ – a thriving online community and record label that’s showing no signs of slowing down as we pop, dip and spin into the spring season. As a label owner, Paul’s mission couldn’t be clearer - releasing new music for heads of all persuasions. Fresh cuts aimed squarely at the dance floor, your front room or even just the headphones. Rather than staying too hung up on the past, he continues to focus on serving up the best in new Acid, Electro, Techno, Deep House alongside scintillating slices of Downtempo music.
Sticking to the trusted format of 4 superlative cuts from equally talented producers, the quality and talent on show does not disappoint on WGD 007. Starting the dance with 303 maestro and label legend Tin Man, A1 “I Said Acid” is a tantalising twist on the classic combination of a Roland TR-707 and SH-101. As a metronomic pulsating kick carves out a squarely hewn path, slow opening filtered lead and hauntingly repetitive “Acid” vocals exert maximal pressure to create a sheer moment of joy. Balanced out by the dreamy atmospherics of A2 “I’ll Meet You On The Dancefloor”. UK Deep House supremo Rai Scott exerts her perfected knowhow: blending organically tinged percussion with profound melodic touches that meander across the borderlines of your consciousness.
On B1 “Necessary Order”, the machine mastery of Sound Synthesis collides in perfect harmony as Keith Farrugia demonstrates his deft turns of the dials that are becoming more in demand. A sprinkle of stargazing soul is woven around light touch acidic tweaks and snappy drums, echoing the twinkling embers of the cosmos. Not to be outdone, Dutch born German bred producer Roger Van Lunteren takes control with the final slice on B2 “Le Dee Trois Trio Prends Trois”. A wince inducing, sawtooth heavy jam that should not be taken lightly. As the saying goes, this one’s only for headstrong.
Always exciting when Klasse Wrecks comes with a new label project!! This one they do together with Kid Who and is a series of records showcasing previously unreleased house, techno, acid and more from the 90s Amiga Demoscene.
Created using early sample sequencers such as ProTracker, these tracks radiate the authentic energy of techno's golden era - and they've been hiding in plain sight in Demoscene web repositories for many years. It was during the long days of the 2020 lockdowns that Kid Who began to explore these archives, sifting through thousands of tracks to eventually amass a collection of several hundred of his favourites.
Curated by Klasse Wrecks and Kid Who in close collaboration with the talented artists behind them, the .NFO project aims to bring some of these finds to the broader dance music community via a series of VA 12"s and mixes. Tip!! Vinyl comes with A4 insert and stickered sleeve.
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Every once in a while, a musical collaboration emerges that defies convention and leaves you craving a sensory escape. “Liquor Store Cheerleaders” is that electrifying experience. The brainchild of Jonra and EMachinery, this musical endeavour is nothing short of a smash and grab jam that’ll have you rushing to the liquor store for a pre-party energy boost.
The compilation kicks off with “SICKNESS CAST AWAY,” an in-your-face track that’s both haunting and nostalgic, reminiscent of those moments waiting in line for your favorite smokes or a drink before a night out. With thought-provoking beats, it’ll transport you to the past and catapult you into the future.
Track two, “DROP IT OFF,” by HYMNS, is a suspenseful journey that keeps you guessing with its mental vocals and twisting melodies. HYMNS’ signature style is a captivating blend of suspense and surprise, and this track is no exception.
“STAY ON TOP,” the debut single from Living in Ghosts featuring Woolfy, exudes a feel-good vibe with a cheeky “lick it before you stick it” approach. It’s a monster jam guaranteed to set any dance floor on fire, thanks to the powerhouse vocals of maestro Simon James, aka Woolfy. Drawing inspiration from retro house and disco vibes, this track is an absolute must-listen.
Returning for a second appearance on this compilation, Jonra & EMachinery infuse a French electro twist into the mix. Their track is a mesmerising, creeping journey that moves your body and feet. With subtle echoes of Kraftwerkian influences, they lead you into a deep pool of sonic blankets, keeping the journey both synthetic and immersive.
And last but certainly not least, “RBF” by Resting Bitch Face is the perfect musical embodiment of that mean mug look you’ve received while leaving a store. With a pulsating beat and an attitude that matches the infamous Resting Bitch Face, this track is a powerful statement.
Keep an eye out for “Liquor Store Cheerleaders” – they’re not just on the dance floor; they’re taking the world by storm. So, watch out for these musical clowns, because they’re bound to leave an unforgettable mark.
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2023 repress.
For the second release of Cartulis sub label ALT delivers a VA with some of the hottest producers around. A1 is Prince de Takicardie's new aka. A rolling stripped back track with maximum effectiveness for the dancefloor. Uruguayan DJ/Producer Cabanelas delivers A2 with Sambu y Los Morsas. A techno/house infused track with a touch of romanticism on the back.
Cartulis resident and master of the craft Z@p brings the heat to the B side with what some would feel like a resemblance to his past work for Cartulis with Tracid. After hours tip!
B2 is a techno work out by old school producers Justin Drake and Paranoid London's main man Quinn Whalley that will keep any dancefloor engaged.
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Recut & Repressed!
Tbilisi based party series Pluto’s Plan launches a new label sharing the same name. To start the things off 3 local producers collabed to merge their sounds in 1 decent wax. A stellar VA compiled EP “Starship of Charon” consists of 2 pure house, acid pumper and slow breaks. A1 and B1 house joints were delivered by the label's own Hatsvali. A2 is claimed by a very good friend of a label Toke, family member of D.ko he delivers a masterpiece with pleasing acid chops fitting any party at any given time. B2 is an unheard side of Horoom resident Hamatsuki, a smooth slow burner for early heat.
First friendship, then unconditional love for the music and dancefloor. These are the secrets between the new label OCV, collaborative project between London’s OPIA Records and Cuneo’s Club Vision. From the first party together, to the endless travelling together. We knew there was only one way to go. Welcome to OCV.
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Producer Pantelis Theodoridis was introduced to us 10 years ago, when he and his band created the wonderful universe of Regressverbot, moving in minimal synth/post punk paths. Lately, under the alias Athens Computer Underground, he has been releasing compositions influenced by various electronic subcultures such as drum n bass, house and electro, introducing the acidic melodies of tb 303 as a central element of the instrumentation. Contrasting the well-polished computer music with the methodology and aesthetics of oldschool hardware sequencers and vintage synths, he creates a sound that evokes the underground moments of early acid house or the sound of labels like rephlex and breakin records.
His new 8-track album is titled To Filima (The kiss) after the eponymous poem by Maria Fili, which is included in the second track of the album and sets the tone for what to expect. Behind the d.i.y, grit-in-the-mix style production and distorted drum machines lies a divergent sensibility and upbeat yet elegiac instrumentals that make the album reminiscent of a melodic diary.
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The light is at the end of the tunnel. The light is shining bright because of love. The love is the answer to the darkness + the remedy for the experience which might bring unclearness and letting drown in the metaphorical swamp which every single human has felt during the journey they are on. The EP by the Switzerland based mastermind Dan Piu is dedicated to the love and to the love only. The tracks that were produced from the artist’s creative inflow are from the year 1995 to our present days and are telling the story of hope and compassion. Starting from A side we have a demonstrative rollercoaster which is ‘Selfish War Machine’ gracing before the ‘Made in Japan’ which is inspired by the early arcade machines and the ethos they were bringing with them. Side B starts with seductive house number straight up from the year 1995, followed by Robotic tool ‘Robota’ and finishing off on the perfect and soul caressing track going by the name ‘Equinox of Ceres’. This precise body of work which has found its home with Sakskøbing is pure and direct message of love, in a way when things are seem bleak the light can be sparked again. The answer how this spark gets obtained is the four-letter word which is mentioned frequently in this text
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White Scar, sublabel of Subterranean Odyssey, is back for its second instalment. The next feature is called the “The Judge’s Head” and true to the theme for White Scar it features four tracks from four different producers.
Eliaz returns on the A1 with “Spaceventura” which is more of the mayhem that you come to expect from the Slovenian given his releases so far. A2 is from Uruguayan producer Estef, with “Roto” a club-ready weapon which already has and will continue to tear up dancefloors upon release.
On the flip side, B1 is from Colombia based, Buraye, and true to form, he delivers “Towering Vortex” - a hypnotic techno workout. Finally, on the B2 is “Moon” by Nay, who is an up and coming producer from Liverpool, UK. Big things to come from him, you will no doubt hear much more from Nay in the future!
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La Karambole (bar, restaurant and art venue located in Paris), releases its first vinyl record featuring the renowned tunisian producer Hearthug alongside parisian artists Nemo Vachez, Solal Reyes, and Noiro, to express the unique vibe of the place.
The four track various EP oscillates between acid, house, and progressive music. It blends the energy of the artists and highlights the eclectic style of the local parisian music scene which La Karambole showcases.
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LASMO is a Polish duo composed of Smolny and Lachowski, currently they taking bold steps in the world of techno music.
They made their first moves together on the native music scene in 2017. In April, they conducted and played on the TECHNO Conference in Lodz and continued on the second edition of Lodz Electronic Music Festival DOMOFFON, performing alongside Jonas Kopp, Anthony Rother, Dopplereffekt and others.
The infamous TELUM has finally dropped label 3 of the series, Novum. The story begins with 4 chunky rolling house cuts from the talented philly trio, Post Play. Each track is ready to raise the heat on any dance floor which has already been proven with worldwide support from Raresh, tINI, Giammarco Orsini, Praslea, Janeret, Cosmjn, Cap, Reiss, Arapu and more. This record is already an essential for any ones collection! Pre order now!
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Carl Finlow keeps on keepin' on. Not only is Finlow one of the most respected names in electro, a producer who boasts a sprawling catalogue that takes in a wide variety of aliases, but he's also spent recent years establishing himself as a mainstay for Sheffield's Central Processing Unit label. Soft Robotics, the new EP from Finlow's Silicon Scally project, is the fifth Silicon Scally release in five years to boast one of CPU's instantly-recognisable black-and-white covers.
The reason that Silicon Scally and CPU keep linking up is simple; they're a perfect fit for one another. Central Processing Unit has established itself as a haven for post-Drexciya producers since launching in 2012, and there are few artists better than Finlow at building on the Detroit group's sound. The union bears fruit once more on Soft Robotics, an EP of lithe machine-funk jams that will both do damage in the dance and also reward more concentrated home listening.
Things begin at a steadier speed than one might expect. Rather than barrelling off with the kind of sinewy roller one associates with the CPU name, Soft Robotics' title-track takes things at mid-pace. The groove reveals itself without hurry, Silicon Scally adding or subtracting elements - twitchy modular loops, pensive pads, the occasional blurt of low-end - atop the chugging bass/drums groove. It's a track which wins you over with guile rather than force.
As the name of subsequent cut 'Jitters' intimates, this one picks things up a little after 'Soft Robotics'. The tempo is higher here, the central beat more nervy. At their cores, though, 'Jitters' and 'Soft Robotics' are kindred spirits. Here, another slyly insistent bit of drum programming comes swirled up with all sorts of extraterrestrial tones, from little nuggets of melody supplied by the keys to electrifying synth stabs and percussive squelches.
Things limber up further still on first B-side 'Spin Ratio'. The track's 808 kicks are punchier than those of the A-side jams, and there's a dizziness to the bass tone which gives 'Spin Ratio' an intriguingly off-kilter feel. Atop the booming beat we find ourselves hypnotised by cells of melody and harmony interlocking or moving apart - particularly the staccato module at the track's heart. Sure enough, 'Spin Ratio' is the Soft Robotics joint which cleaves closest to Drexciya, invoking other Detroit disciples like Jensen Interceptor in the process.
After Soft Robotics picks up speed in the middle, closer 'Super Fluid Tones' brings us back to where we started. This track returns to the more measured delivery of the record's opener - there's a steady pulse to the drums, and once again Silicon Scally packs the mix with so many intriguing whizzes, bangs, blips and blurts that it's impossible not be won over by this tune's construction. 'Soft Robotics' and 'Super Fluid Tones' bookend Soft Robotics very nicely, and Silicon Scally's smart pacing gives the EP a lovely ebb and flow.
The ever-excellent Carl Finlow drops a Silicon Scally release via Central Processing Unit for the fifth year running. Like its predecessors, Soft Robotics is an excellent and deftly-crafted collection of modern machine-funk.
RIYL: Drexciya, Jensen Interceptor, Fleck E.S.C., The Advent
Caucasian Boy (Previously Strictly Rhythm, Skint & Music For Freaks) Present's three energetic, straight-up house bangers!
'A-Side 'Phuture' the Remix is a homage to the roots of Acid House; 'We Are Phuture' by Phuture, released initially on seminal Chicago label Trax Records in 1988, the track has now had a radical makeover and remix.
B.1 ‘Bounce’ is a peak time floor filler with catchy vocal hooks and infectious rave inspired keyboards and a bassline to die for!
B.2 'Gimme A Beat' is an in your face, 303 acid monster! Pounding drums and a driving bassline...Classic acid house for a new generation.
DJ Support :
Lolu Menayed
Scottie Canfield A.K.A. D.J. Red Eye
Terry Francis
Danny Rampling
Sarah HB
Marvo
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theBasement proudly presents DÍAS DE CAMPO RECORDS, the Montanejos' boutique music festival 12” imprint. Valencia’ theBasement crew has created an enduring legacy, and the power of their impact is visceral in Spain. DDC Records is an opportunity to stablish the sound of the 6th edition of one of the best music festivals for vinylovers.
Días de D-D-D-D-Dope (DDC001) has the mark of the beast. OTIS, the berlin-based live performer and producer solo EP has been kicking around the best dancefloors and summer festivals. The music itself is beyond stereotype. A four track album featuring some of the artist genre choice: electro, breaks, house and progressive critically acclaimed hits including singles such as “Extra Dimension”, “E3rea”, “D-D-D-D Dope” and “Floxy”. But more than just some anthems, it is a freedom of thinking that extends beyond boxes.
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The Chemical Brothers - one of the most acclaimed and innovative electronic duo in the world - have announced details of their tenth studio album For That Beautiful Feeling.
Recorded in the band’s own studio just near the south coast, this is a record that hunts for and captures that that wild moment when sound overwhelms you and almost pulls you under yet ultimately lets you ride its wave, to destinations unknown. It’s a record that pinpoints the exact moment you lose all control, where you surrender and let the music move you as if pulled by an invisible thread.
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4 years after the release of his EP ‘Nights’, TAOS is back with a debut concept album ‘Reflection’, against the tide of an industry reserving this format for artists whose fame is well established. Above all, it is an overflowing creativity and a raw talent that animates Fabian, TAOS, and which draws him to the heart of ‘Reflection’. An instinctive mix of genres between electronica, abstract hip-hop and jazz, stories in the story and without worrying about labels and trends.
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Fastforward 2023, back on the highway with four twisted tracks from Rupert Marnie. The Hamburg based producer with a weakness for spicy japanese food and science fiction novels is part of The Press Group label and Remoto Recordshop, which both has been close to the LV musical mind and hearts – delivers the stuff we want to play with. Fail we may, sail we must.
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Adrien Calvet delivers a 4-tracker EP for the launch of his new vinyl-only label Stay At Home.
The young producer's style on this project is characterized by his use of minimal, stripped-down electronic beats and rhythms, with a repetitive hypnotic quality.
The Frenchman is known for his unique and unconventional production techniques, and for his ability to create deep, immersive, and soulful tracks that resonate with listeners on a deeper level.
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Brian Kage returns on Michigander with the, 'Best Kept Secret EP.' Kage once again provides three deeply emotional dance tracks filled with his signature warmth that immediately draw connections between personal memories and Michigan's natural splendor. Best Kept Secret starts the record off with tones of hypnotic bells that cascade down from within minor chords that hypnotize the listener until they are met with swelling strings to tie the infectious grooves to intelligent vintage percussion. Lush vocals continue building into an atmosphere of nostalgia and eventually gives way to that moment of intimacy that can only be felt outdoors while exploring with a person they love. Lost on Old Free-soil Road features a detuned analog synth-line that winds up and down over a bed of spooky night-time forest field-recordings which are encompassed by a jackin' 909 beat . Suddenly, juno stabs straight from the 80's pierce through sending the syncopated grooves back the direction they came from taking dancers along for the joyful ride. Cruise Control on US-31 rounds out the record with an infectious blend of pitched wooden toms, warm mid-range bass, deep 303 lines, and a smoky pad straight from a vintage rhodes. All these elements help keep the composition positive & relaxing, while expertly conjuring the feeling of sun on your face. This tune is the perfect tool for any DJ interested in luring day-partiers to a space where they can't resist bobbing their heads and enjoying their summer outside.
Another preciosity from the amazing Exist Dance catalogue made readily available to your record collections in newly remastered format. On the A side, “We're Go” is a 3 stage piece of breaky prowess developing throughout a total of almost 13 minutes spiraling around a catchy cosmonautic vocal sample. B1 brings a quintessential Rave energy to the table with samples from live crowds echoing over high octane break rhythms, would be hard to stand still for the duration of this - highly effective on a dance floor. B2 takes a turn towards more introspective moods as it brings in psychedelic elements intertwined with “world music” samples. Very much characteristic of the distinguished Kandel/Chasteen Exist Dance sound. West coast early 90's rave at its best, can't go wrong. “Recorded in Heaven, in 1991, according to the label.”
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The stage is always set for the next phase with Corni’s music, and with his record ‘Cables Wynd House’, a new pattern of his audial language begins to take shape, and its a very beautiful one at that. Continuing on with Corni’s love affair with all things Leith, the title of the EP refers to the iconic ‘Banana Row’ housing estate that towers up within the district of Edinburgh, a brutal and gorgeous structure which binds lateral lines with social interaction and everyday living. Much like the impressive structure it is paying homage to, the record itself is, in our eyes, Corni’s most complete work to date, with his already accomplished sound spread out and explored to its absolute limits on this 4 tracker. Kicking things off with ‘Closed (Zarkoff Poetry Vocal)’, the immediate context is filled with his classic drum patterns, with the bass following soon after, and then the chords kick in. The space is filled with this beautiful harmony, a floating etherealness that strikes right through the heart, and as the vocal sample slides into view, everything just makes sense. Try listening to this one as the warmth of the sunset occupies your world view. ‘Body Techno’ comes next, and this cut contains some of the evolutionary work which Corni has displayed significantly in his previous works, with a dense mid section giving rise to rich acid tones and heavy set bass notes and cymbal patterns. ‘Glue City’ evokes the same feelings as the opener, building upon an expertly crafted rhythmic and bass sequences with sublime melodic overtures which once again find a wonderful balance between one another. ‘Pills’n’Drills’ lands at the end, and this one is glorious, reminding us of that very specific early to mid 90s Detroit House and Techno feel, with a steady yet fast paced beat leading the line as life affirming synths roll across the top. Sheer bliss is achieved in these 4 tracks, that speak of life and its many twists and turns, along with a reflective sense of emotion and what we feel transposed alongside what the music is conveying to us on the same level.
So why not join us as we meander through essences, flavours and meanings, joyously walking along to a soundtrack that gives over so much and fuels our imaginations with passion - its House in its most glorious form, raw and undulating, clean cut and tender, and never ever wavering…
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Sohan Wilson is a very talented composer and arranger from Switzerland . He’s also half of Keys of Lynx duo that delivered an awesome ep 2 years ago on Visions Inc.
This is his first solo single project taken from his forthcoming “ Love is the key “ album due later this year .
Sohan is into soul, jazz funk and grooves . On the A side he delivers a killer dancefloor journey into future jazz funk fusion playing keys , piano and a mad bassline with attitude and grace. Followed by Brazilian maestro Zopelar on the remix duties and you got already a dope first taste of what s coming soon on the album.
On the b side Sohan collaboration with Dwight Trible is just a perfect combination between soul boogie 80’ s vibe with a jazz feel . Then Alex Attias took the stems and made his version between a remix and an edit and the single is now complete with two mellow jams for the ears and legs .
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Shortly after the thrilling bombs he dropped on Funky Shirts Records, Keymono undertook a new series of experiments resulting in the exhilarating and unapologetic “Piano Jams & Acid Leaks EP”, a powerful reaction of keyboards, synthesised chemicals and solid 4-on-the-floor beats. From vivacious house flavours to deep, soulful vibrations, this all-rounder marks the embarkment in a vigorous adventure carried by the newborn label Monocturne.
In this first issue:
- A1 will cause immediate physical sensations as well as a giggly and animated mood.
- A2 will deliver stimulative, energising cerebral and body effects with proven medicinal properties known for treating dance anxiety.
- B1, an unknown crossing intended for subtle head high, will provide both functional relaxation and a late-night buzz.
- B2 is a mentally uplifting hybrid which will rapidly spread to your inner soul while causing turbulent vibrations on your hips and feet.
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Relative newcomer Recut Music wasted no time generating serious measures of heat with their three previous Disco-fuelled releases. On the controls once again is the talented old school DJ producer who returns on his own Vinyl only imprint with 4 House, Disco & Acid-tinged tracks inspired by the early sounds of Chicago. For the first cut in this project Recut dusts off his shelves and diggs deep into his collection to Re-Edit forgotten warehouse banger 'It's All In Your Mind', he effortlessly refreshes and transports this gem into 2022. Next up 'House Intensity' does exactly what it says on the tin with its warm and percussive bassline & hypnotic arpeggios which will take you to a cosmic dimension. 'Disco Chicago' is the track that gives the project its name, it has an ensemble of drum sounds from the 808 and 303 to create this authentic Acid House gem that will fill any dancefloor. 'Mickey On Acid' closes the EP with a fun fusion of Latin, Tropical and Acid of course. Recut Music, Fun for Djing ! Limited stock available. So be quick!
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Hot suite of crucial HOUSE. TIP!
NYC's Sweater on Polo delivers a hammering six track mini lp for L.I.E.S. indebted to the sounds of early-90s psychedelic Chicago house, names like Gherkin and Pierre come to mind but the young producer tastefully and effectively puts his own vision to the forefront with this release.
In the confused world of modern dance music production, Sweater on Polo, throws all trends aside and sticking to the bare essentials...letting the 808s,303s,727s do the job and making this one of the most crucial modern House records to come out of New York City in many years. Many producers these days stake a claim to this music and it falls short, plain and simple, Sweater on Polo is the most promising young producer in the city these days and this record puts it on display. Highly recommended!
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Vernacular Records is proud to announce the release of its 3rd record, Canyon 211 EP by Vernacular Orchestra. Just like the first release of this series, we invited an artist we love & respect for his work on the remix duty. On this one, we choose Casa Voyager boss, Driss Bennis aka OCB.
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We are delighted to finish off the last full EP on the Telomere series with a new Artist you may or may not be familiar with.
Aspetuck, a US based DJ and producer. has his vinyl debut with a well rounded and stacked four tracker.
This EP blends the many genres of electronic music while leaning towards the deeper and melancholic sounds of electronica. Tart Jam, is a real Jam that will get the dance floor movin’, groovin’ and smilin’!
Very limited black copies as always with a few colored copies available via the Wex bandcamp, be quick!
We are delighted to finish off the last full EP on the Telomere series with a new Artist you may or may not be familiar with.
Aspetuck, a US based DJ and producer. has his vinyl debut with a well rounded and stacked four tracker.
This EP blends the many genres of electronic music while leaning towards the deeper and melancholic sounds of electronica. Tart Jam, is a real Jam that will get the dance floor movin’, groovin’ and smilin’!
Very limited black copies as always with a few colored copies available via the Wex bandcamp, be quick!
The fast rising FUTURA imprint from Leon, releases its new release from Mexican DJ Producer Mike.D with stellar remixes from Len Lewis and Do Or Die to complete the package .
Salomon Records founder Mike.D hails from Juarez Chihuahua, and is considered one of the new generation talents of DJs and producers from northern Mexico. His music selection and mixing abilities have given him the opportunity to play at the legendary Mexican venue Hardpop for many years. As a producer he’s released on labels like Kanja Records, Kina Music, The Lab, Dream Culture and more which has cemented his place in the scene. His music is regularly supported and played by the likes of Arapu, Sepp, Cosmjn, Maher Daniel, Mihai Pol, Sublee, YokoO and more.
For his debut release on Futura, he drops 2 originals the first of which is the title track ‘Mente Trascendente’. An edgy minimal deep tech house track with a grooving electronic bassline, deep atmospheric pads, classy beat pattern all combining to create an elegant 8 minute journey. The second on the package is Len Lewis’s remix of ‘Mente Trascendente’. Len Lewis released his first track back in ‘93 on Jumpin & Pumpin, which then led to records on the likes of the legendary Swag. Lewis’ designated name for his sound is, SiTH, Sinister Tech House, claiming its mysterious name after a Mixmag reviewer used this description for his music many years ago. His remix fits this name perfectly, powerful low bassline drives the track effortlessly, and smooth breakdown combining with eerie incidentals and pads, treated vocal cuts providing the signature hook for the track. This is a remix that’s perfect for the heads in the scene.
Next up we have ‘Sendero Interno’. The original mix is a pure minimal work out right from the outset. The stripped back and delicate beats use popping sounds for filling the frequencies, and work perfectly against the backdrop of the brooding pads and synths make this an classy introspective underground track, which is everything the Futura label is about. To round things off we have the final remix which comes from My Own Jupiter DJ Producer, Do Or Die. Well known for producer techno and electro the fast rising producer, delivers an acid house sci-fi esq work out on this remix with punching beats cutting through the mix, whilst retaining the brooding synths and samples from the original and adding in some special vocal cuts to keep this remix unique and perfect for the floor.
Tibor Kocsis doesn't take a minute to introduce himself on his first EP for 030303 records; he presents himself with a slap in your face from the very first second. Title track Delta Ophiuchi is heavy duty dancefloor material... reminiscing of the very best of K Alexi Shelby's early works, just a little more focused and to the point maybe - an instant rush and an instant classic! Second track Nekorb is a little sweeter and more for the after hours. The remaining 3 tracks keep that same flow; a wonderful blend of Chicago, psychedelic British acid house and electronic minimal wave.
SPHERART WAX presents its first release, a V.A. full of groove and a great selection of artists that will make the dancefloor explode with their incredible sounds with an artistic collaboration of the painter GAAP from Barcelona.
Following on from the standout second Ciao Italia compilation, the mighty Rebirth bring together another collection of tracks that surf between the past, present and future, highlighting the importance and continued influence of the Italo dream house world. Alternate versions, unheard gems, certified classics and pure class as you’d expect from the likes of Oneiric & Vortex, GNMR, Populous, G-Connection, Snare Dream and TiEs.
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Caposile Music is back again with another stunning Ep by its regular monthly guest Manuel De Lorenzi.
Manuel is with no doubts a technical student at the old school’s sound. After his almost 20 years of productions, he always searches the perfect combination between grooves from the past with a future attitude and this time he landed on Caposile Music with 3 groovy tunes perfect for any moment of the party. Accompanying by the rising star T. Jacques who gives another dancefloor’s touch to the title’s track.
This is “You Freak Me EP”
On the A side we have the title’s track “You Freak Me” who has a strong percussive groove with crunchy vocals and nice chords.
Then the other one “Residency” is more uplifting with a killer bassline.
On the B side we have the solid remix of “You Freak Me” by T. Jacques who delivers us a fat groove and rolling bassline with Manuel’s rolling percussions.
To close the release, we have “Spice The Gap” on B2 Who is an anthem to rock dancefloor, always accompanying by Manuel’s touch with raw percussions, deep stabs and crispy vocals.
With this Ep Manuel wanted to create something unique, fat and raw sound and we think this is gonna be a solid one.
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The Chemical Brothers - one of the most acclaimed and innovative electronic duo in the world - have announced details of their tenth studio album For That Beautiful Feeling.
Recorded in the band’s own studio just near the south coast, this is a record that hunts for and captures that that wild moment when sound overwhelms you and almost pulls you under yet ultimately lets you ride its wave, to destinations unknown. It’s a record that pinpoints the exact moment you lose all control, where you surrender and let the music move you as if pulled by an invisible thread.
Thirty years ago, British youth culture was changed forever. The Summer of Love in 1988 saw House music spread like wildfire over the country, with thousands of young people dancing in fields, clubs and any spaces they could find. One of the tracks that truly encapsulated this magical time was Stirling Void's 'It's Alright'. Originally released on Chicago's seminal label DJ International, the spine-chilling lyrics of positivity resonated in the hearts and minds of the Acid House generation and are more relevant in today's climate than ever. To celebrate 30 years since the Summer of Love, Toolroom is proud to present a monumental remix package of this all-time classic, alongside the fully re-mastered original. First up on remix duties is one of house music's most intriguing artists. Adesse Versions has a back catalogue of highly sought-after records, and he's treated this remix with utmost respect, keeping the track's essence and identity, but adding a new layer of raw warmth and subliminal melody. Next up, House legend DJ Spen has stepped up to the plate with his own interpretation. His jazzy, soulful keys have added a layer of polish and musicality to the track, which combine beautifully with Paris Brightledge's iconic vocals.
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The 007 EP is shaken, not stirred by Bizarre Trax’s own Jhobei. Four colourful and animated cuts which you can expect from him, teased with the trippy elements we love at MW.
Three for the floor, and one for the chill, straight from the archives of the MI6 headquarters.
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The 2nd release from TABBY TRAXX is an exciting mix of acid house, jackin' house and tech house. The title track "STALKER" gets a special Chicago style acid house remix by MATTHEW BRIAN. "FLASHBACK" on the flipside pays tribute to the early days of acid house and gets a remix from label boss MIKE MAPES.
Glasgow’s iconic and highly influential progressive house label Limbo Records celebrates it’s 30th anniversary. An incredible compilation across two 12”s in an expertly designed gatefold sleeve with a poster insert that takes a look back at some of the biggest tracks that graced the label over the past three decades.
A true collector’s item, showcasing the power and presence of this Scottish stalwart, lovingly remastered by Davie Forbes and reissued for a whole new generation of listeners. The compilation kicks off with Havana - Schtoom, the record that started it all given the remix from legendary Scottish duo Slam, before the party anthem ‘Buruchacca’ from Mukkaa aka Kiltie and Crichton gets a signature remix Apollo 440.
Elsewhere Gypsy hit with undeniably one of the highlight tracks in the Limbo catalogue ‘I Trance You’ and Sublime serve up another of Limbo’s classic releases, the dance floor banger ‘Transamerican’ which topped all the charts at the time.
Take to side 3 and you’ll find the second release on Limbo a percussive drum laden epic from Havana entitled ‘Shift’ that planted Limbo firmly in the must buy section of record shops across the UK. Another highlight on side 4 sees legendary Glasgow DJ Harri of Sub Club fame with his debut on Limbo – a superb slice of hard to house.
All in all, this is a serious slice of history that every collection should have nestled in its racks.
Repress! The spooky vibes are back!
After three sold out releases Voodoos and Taboos are back again on their own printing label. Housy vibes with electro and disco influences. Don’t miss this one!
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Finally the wait is over and after the appearance of some mysterious red dubplates, comes the fully fledged vinyl release. DJ Gamba makes his wax debut “Infinity” with 3 electric house tracks complemented by a hypnotic remix by Paolo Mosca, with each and every one designed to nuke the dance floor.
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Pluto’s Plan is back with another carefully selected four-tracker EP, featuring Man/ipulate, Marcos Coya, Existencia Pasajera & Mati F, and Lorenzo Slider. Hard-hitting grooves and pure nostalgia guaranteed.
After an extended disco nap your friends at rong music have awoken from our slumber and just in time to celebrate our 20th year of doing this rong thing. How will we celebrate? The only ways we know how. Put out a bunch of new music, unearth some weirdo classics, and DANCE & PARTY.
For our first new single to be released in celebration of our 20th anniversary, we bring you some bangers for the club, rave, your ride, warehouse, the playa, or home disco. The title track, Love’s the Meditation is a classy piece of melodic acid funk (?@$!wtf) whatever that means, with an epic extended mix by our fearless leader DJ Spun... We could hear some of our favorite new techno DJ’s playing Spun’s mix of SSM and Do You Feel the Love and 303 & me have a classic acid HOUSE vibe that is our type of thin. Enjoy!
Exceptional collection of Eddie Richards classics and rarities. A retrospective series of UK Acid-House pioneer. Played by Richie Hawtin, Ricardo Villalobos and Craig Richards to name a few.
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Mix vinyl. Tracklist:
A1 Bassline Boys– War Beat
A2 Bizz Nizz– We'Re Gonna Catch You
A3 Wood Allen– Airport 89
A4 The Menz Club– Burn The House Down
A5 WestBam– Monkey Say Monkey Do
A6 Mickey Oliver– In-Ten-Si-T
A7 Fax Yourself– Sunshine 89
A8 Cappella– Helyom Halib
A9 Technodelia– Technodelia
B1 Jovanotti– Gimme Five
B2 Tatjana– Awaka-Boy Boy
B3 Sabrina– All Of Me
B4 Justian– Shake
B5 Tina– Boom Boom
B6 Fancy– Fools Cry
B7 Various– Short & Radio Version
LOCUS returns with its latest VA ‘LOCUS Trax Vol. 3’, welcoming label debuts from Jamahr, Mehlor, Project89, Manuel De Lorenzi and Giacomo Silvestri.
Now established as a standalone label in its own right, FUSE’s sister imprint LOCUS continues to prove itself as a go-to stop for forward-thinking and fresh house music with minimal-leaning influences from both established and emerging talent. Returning with the third instalment of its VA series ‘LOCUS Trax’, April brings five new names to the label as Captea boss Jamahr, Leeds-based DJ/producer Mehlor, and Dutch talent Project89 serve up fresh singles alongside a slick collaboration from Italian pairing Manuel De Lorenzi and Giacomo Silvestri.
Jamahr opens the package with an impactful combination of slick drums, resonant vocals and warped basslines across ‘Night Tales’, while Mehlor’s ‘BSOD’ offers up off-kilter electronics, skippy percussion and woozy low-ends. On the flip, Project89’s ‘What’s Going On’ delivers a peppy groove accented by atmospheric pads and spaced-out aesthetics, before closing via the tight, rolling grooves of Manuel De Lorenzi and Giacomo Silvestri’s ‘Sit Down’ as the two unveil a heads-down, hands-up terrance anthem.
LOCUS Trax Volume 3 drops on 26th May 2023 via digital and physical formats.
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Part 1[12,98 €]
Gear up, get down & flip shit! IT’S PARTY TIME!!! San Diego, California’s Peak Geeks brings it in the form of real-deal west coast BREAKS, like actual f’n BREAKS!!! - for all the ladies, homies & heads far & wide, from street 2 shore!
VINYL ONLY !! NO REPRESSES!! Snooze = lose & cry the blues. Get the goods at One Eye Witness.. NOW!!!
