Terr’s debut LP 'Consciousness As A State Of Matter’ arrives on green and orange split double-vinyl, limited to a pressing of just 400 copies, housed in a sleeve of hallucinatory artwork from designer Sebastian Ofuszak.
Across eleven tracks, Terr continues a long, fulfilling journey in electronic music with a visceral, vulnerable full-length statement inspired by tireless and timeless innovators in the history of electronic music such as Giorgio Moroder, Wendy Carlos and Phil Oakey. Achieving a delicate, wide-eyed chemistry between the catharsis of the dancefloor and the ever-renewing promise of pop, 'Consciousness As A State Of Matter’ includes and expands upon the vision of singles ‘Only For Tonight’, ‘Tale of Devotion’ and ‘Layers’.
House News
Four months after his first EP, Generation Next is back with his second single release. You may know him as Lil Strick from the track 'Childs Play' on Big Stricks debut album 'Detroit Heat' on his own label, 7 Days Ent. Generation Next also made four tracks (Sequence 11, Windsor Nights, Slow Ride, and Metro) on Big Stricks Resivoir Dogs album. After his first self titled EP, Generation Next has gotten nothing but positive feedback. Next's new EP is titled 'Medication', which features 3 tracks that are inspired by the streets of Detroit City. Sum Light is the first track off of the 'Medication' EP and starts us off with an exuberant acid bass line followed by a truly original 808 drum pattern. His next track, Generic Current, is a smooth flowing, simple house track. The bass plays, the drums knock, and that claps excite. The last track, Acid Alcohol, is slated to be a classic acid track. Just listen to it and you'll see why.
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Heading up the release is Barcelona based beatmaker - Vince Void, a fitting return to the label. His “Explorer” EP is crammed with dynamite dance floor enthusiasm, moving elegantly between dusty breaks, slick house and space infused electro grooves. Taking care of the remix in a fine manner is Mario Liberti, the Deep In Dis founder bringing the high energy funk for the small hours of the night!
First up is “Phase Finale”, setting things up in a playful mood, the elasticated groove drives the track as otherworldly pads and synths wander blissfully around the heart of the production. Classy club room action from Void ready for the summer floors. More of the same in title track “Explore” quirky samples flash in and out as the journey unfolds, another certainty for the record bag. Mario Liberti’s remix immediately gives you a nostalgic rave vibe, huge broken drums, rave stabs and sub heavy bass make this a modern day anthem.
On the B side Void’s innovative collaboration with Alex Garcia takes the helm - “Access Denied”. Seductive spoken word draws you into the meticulously arranged trip, unexpected twists and turns continue to appear before you. Driven from the get go is the final track “The Vision”, tinges of acid conversing with the explosive and chunky drums patterns.
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The fourth Planet Tapes record has a very deep meaning for us to which we are emotionally linked.
It will belong to the hosts Two Opposites. "Astro Collector EP" can be interpreted as a mixture of raw and emotional sounds.
Let's try to go into details about each track.
Make Contact; sets the tone with its dark groovy lines and reverberated vocals that transport you to a world of pulsating energy and endless possibilities.
Reversal Motion; you hear deep synth bass melodies and infectious rhythm.
Starslalom; a fusion of classic electronic sounds and contemporary sensations that create an atmosphere of future nostalgia.
Mirror Dreams; you enter a world full of groove, harmony and caressed by a bleep synth with sparkling rhythm.
Siana Vision; the romantic note of this record which with its emotional sound will make you explore the boundaries of imagination.
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While this may be the first release on Sheffield's Central Processing Unit from Global Goon, the one known to friends and family as Johnny Hawk brings a whole heap of experience to the Nanoclusters mini-LP.
Hawk started dropping Global Goon records on the legendary Rephlex Records back in the 1990s. The project's subsequent releases have taken in imprints as esteemed as WéMè and Balkan. Factor in a whole host of other aliases which have delivered missives via the likes of Planet Mu, and you know even before you press play on this witty, wily record that you're dealing with a master at work here.
The confidence with which Global Goon approaches Nanoclusters shines through in Hawk taking much of the mini-album at midtempo. Cuts like 'Khroxic Mould', 'Metallik' and 'Syntheseers' sound like Bochum Welt heading down a dark alleyway. The former in particular is a seasick lope, the tuned synths lurching around like sailors on deck in a storm as bass ebbs and flows underneath the mix.
The influence of Kraftwerk comes through prominently at times here, particularly in the way 'Calcula' and 'Digit Six' play pensive, slightly sombre synth chords off some simple but effective forward motion in the drum programming. That is not to say that Nanoclusters is not full of invention, though. None of the productions are overly flash, but this approach allows the little details to shine through more clearly, from cleverly panned hi-hats to hissing synth counter-melodies which flit in and out of the mix. Enthralling and packed full of ear candy, they're further evidence that Nanoclusters is the work of an expert craftsman.
While the pulse of Nanoclusters remains relatively steady throughout, it's still a rather lively record. Plenty of these tracks will get the dancefloor moving if deployed correctly - though whether they're heard at home or in the dance, it's the attention to detail which makes them stand out.
'Snapterisk' is as perfect an example of machine-funk as you're likely to find - the drum programming is razor-sharp but rubbery with bongos, the bass a lithe burble, and those wobbly stabs of keys that put a bit of wiggle in the beat? Delightful stuff. Elsewhere the ever-looping arpeggio of 'Metro Esc' has hints of Frankie Knuckles' house classic 'Your Love', though an array of interesting sonic nuggets - snippets of vocal, radar-like bloops, a gently insistent low-end pulse - soften the track's clubbier elements with a pillowy sheen. And Hawk throws us a curveball right at the end of Nanoclusters, tapping back into that old Rephlex sound for the fizzy, braindancing 'Metal Glass'.
Global Goon doesn't need to show off on Nanoclusters - from brilliantly slick machine-funk to Kraftwerkian reveries, the CPU debutant lets the music do the talking here. It makes for a confident and vivacious mini-LP, one which wears its expertise lightly.
RIYL: Cardopusher, Bochum Welt, Cygnus, D'Arcangelo
Join us as we explore the electrifying second release from Amsterdam's Locked-In label. Noiro and Riku Sugimoto combine their talents in the vibrant EP titled "L8 M8," taking us on a thrilling journey through the realms of house and techno. The EP opens with Noiro's captivating track "Viens Dormir," instantly igniting a dancefloor reverie with its infectious grooves. On the A2 Riku delves deeper underground with "City Sleep," intertwining trippy vocal samples with punchy drums and pulsating bass tones. On the flip we have "Semicircular," where Riku creates a mesmerizing soundscape with evolving recurring motifs. Finally, Noiro concludes the EP with the sonic gem "Hey Man," embodying the spirit of the dancefloor and setting the stage for a night of pure bliss.
Delkom's only known previously released album. Originally released in 1990 by the wonder duo consisting of Saba Komossa and Gabi Delgado. The album is released as a continuous mix with each track delineated on the grooves.
Imagine Berlin in 1990, the wall is about to come down, no social media, no CDJs, new drugs are being standardized and this is the soundtrack to your night out in this debaucherous capital, exploding with energies that anthropology PhD students still haven't been able to fully describe. The entire record sounds like a dub mix that almost wasn't allowed to be released by the record label, unorthodox in its methods, too experimental for most studios yet highly effective on the best of dancefloors. All killer, no filler. Sexually charged lyrics, driving percussive rawness over heftily synthesized bass lines, all boxes are checked for total club mayhem. Pioneers in their own right, clearly marking their territory in Berlin dancefloor culture from its early post reunification days.
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Part 1[14,50 €]
Shadow Child returns with his Connected collaborations album.
Album sampler 2 of 2 features his official rework of The Future Sound of London's seminal 'Papua New Guinea', 'Err' offering it's bouncing bassline and skippy 909 hats with Huxley and finally 'Gacid', which is possibly the friendliest Acid tune you'll hear with the elusive Supertanker.
Borgo Dora is a multiethnic neighborhood located in the centre of Torino. A perfect example of inclusion between different people from (mainly) the Mediterranean area and home to Porta Palazzo, the largest open-air market in Europe.
In 1991, a newly born studio located in the middle of the district guided by Biagio Puma decided to give birth to a dance lp called Teknoafro with the support of local Techno dj Bart Spinelli. The title almost speaks for itself, mixing the Italian "Afro" dj culture and the new Akai samplers with 909-driven Techno rhythms. The result was impressive, giving birth to a quite unique recording that reveals many aspects of the '90s Italian dance creativity and tapestry.
Dualismo Sound comes with a fully remastered selection of 6 tracks taken from the original lp.
Introducing yet another sonic tale by Moving Pictures coming from the overseas. Our forthcoming record marks label's 10th vinyl release and welcomes Philadelphia based artist Alex Burkat to the roster.
The EP features two original tracks by Alex Burkat and Hungarian musician Kin Teal, including slow-burning remix from Los Angeles based artist Dean Grenier. Last but not least, label's in-house power duo Aerial join in on remix duties and deliver a hypnotic closing track.
After “Papua New Guinea” in 1992, The Future Sound Of London recorded under a number of guises and were active as writers and producers, working behind the scenes with celebrity artists and on film scores. Along the way accumulating revisiting music from their vaults and enhancing to bring fans a series of albums, “From The Archives”. In 2007 a collection of the most popular titles from the range on CD came together on one double LP but went out of print soon thereafter. Those original pressings now exchange hands for over £100. For Record Store Day 2024, a limited run of 1200 individually numbered copies are being made available again on double LP vinyl.
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OOO002 - second, vinyl-only release debuts dark, galactic grooves featuring heavy bass lines and experimental elements from artists Chad Andrew and Len Lewis.
A1: “Battle 303”
Inspired by the soundscape of the 90’s techno scene, Battle 303’s punchy bass drums hold you captive as its sine wave bounce lures you into hypnosis with a progressive rhythmic beat. The track’s rolling 303, pyramid’s a myriad of elements before awakening you to the crisp subliminal vocal, just shy of the midway point. Battle 303’s multidimensional fury of movement refuses to slow its pace, inducing pure cardio for both the mind and body, inspiring peak dance performance.
A2: “Area 15”
Area 15 intros the swirling ambiance of dark, atmospheric, easy listening as it gradually accelerates into a journey of the unknown. Utilizing distortion effects, eerie drones and chimes, coupled with the rhythmic pattern of arpeggiated synths brings about a sense of intrigue that lends the listener the flexibility to determine their personal musical trajectory and experience.
B1: Battle 303 (Len Lewis S!th Remix)
Battle 303 (Len Lewis S!th Remix) is an introspective, sonic journey that slings you through a brooding origin story of tribal, galactic funk that echoes iconic samplings spanning over 5 decades seamlessly merged into one futuristic bop. Maintaining it’s old school, breakbeat roots with a driven, heavy bassline, claps and snares, Lewis remains true to his S!th style, by altering path and speed with his signature, unexpected musical transitions, highlighted by timely breaks and experimental elements. Be prepared to move and groove as this track reaches hyperspeed early on, stimulating intense movement and journey from start to finish.
B2: Battle 303 (Len Lewis G.H.M. Remix)
Battle 303 (Len Lewis G.H.M. Remix) leads with traditional, minimal components and a suspenseful bassline, laced with piercing elements and garbled synth vocals, creating a sense of awareness and urgency that gradually builds in intensity before throwing you into punchy, sinister darkness.
This groove, set against the backdrop of deep space and all its musical element oddities, mimics the drive of the original 303’s rolling bass line while seamlessly exploring Lewis’ S!thstylings of metallic synth scales and spooky drone effects, keeping you captivated as you strut the dance floor
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After his sought-after debut 12” on I Love Acid last year, which sold out in less than an hour, notorious Brooklyn DJ & producer WTCHCRFT returns with a full EP on Posthuman’s Balkan Vinyl imprint. Four tracks of hyper-energetic acid & jack, direct gear for the dancefloor and already heavily club tested. Title track “Drugs Here” sets the pace for the whole EP, with “No Time To Lose” bringing WTCHCRFT’s signature vocal edit style. B side banger “Uhmm” recently featured on TSHA’s Fabric mix compilation. Hand numbered edition of 666 copies, randomly assigned to either red or blue marbled heavyweight 180g wax.
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Today we have a piece from Kharkiv. Yes, THAT Kharkiv, the hometown of the Ukrainian dynamic duo of Komponente and Kurilo with their Trance Pandemic label, also the city on the frontier of the Russian/Ukrainian war. Living in a much calmer city in Ukraine, it’s really hard for me to imagine making any production plans there, in this case, it means nothing but honor and respect for the guys. Red and black colouring was changed to yellow and blue (the colors of the year), the music is still great.
Back in stock!
Presence Unknown is a new vinyl and digital label curated by longtime producer and DJ, Neil Keating aka Controlled Weirdness. Neil has been behind the decks and deeply involved in all aspects of club and underground sound system culture since the early Eighties. He has released his music on numerous underground labels and performed all over the world, from plush clubs to dirty warehouses. Worth a read are a couple of published articles by Neil regarding his experiences on the dance floor of underground clubs in London and New York in the Eighties. See links at the bottom of this page for these as well as a detailed biography and discography. There is also a link to a recent 40-minute interview with Distant Planet TV that explores his cultured rave history.
The second release on Presence Unknown contains four future-retro house grooves from Controlled Weirdness crafted using a variety of analogue and digital hardware in his South London studio.
Berlin-based and London-raised Revivis heads fresh into 2024 with the second release on his own Santo Tomas imprint. Successfully launching the label in 2023, the rising British DJ and producer’s new body of work showcases his maturing and expanding taste in electronic sounds.
Rooted in house fundamentals, Dance State is aimed squarely for the dancefloor. Its four solid groovers draw inspiration from punchy '90s house, early acid-flavoured trance, and the driving, bouncy, golden-era sound of British progressive.
A1’s "All Over" uses the late-night Levantine soundscapes of Berlin’s Neukölln district as its main melodic inspo, while "Queen of Chaos" on the B1 is a straight-up homage to euphoric '90s piano moments. B2’s "Sophia" playfully wrestles with the question of AI and musical creativity by sampling Sophia, an AI entity, as it reflects on its emotions. Finally, the EP’s A2 namesake is an acid-tinged redemptive roller built to soundtrack those deeper, dancefloor workout moments that Revivis’s sets have become known for.
Sleeve photography by Stephanie Elizabeth Third.
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THE THIRD ADULT ENTERTAINMENT RELEASE COMES BY INSERT NAME HERE.
IS IT ACID? IS IT HOUSE?
IS IT ELECTRO? IS IT TECHNO?
IS IT LEFTFIELD? IS IT LO-FI?
IS IT DETROIT? IS IT CHICAGO?
IT'S MUSIC FOR ADULTS!
21+
MUSIC SPEAKS FOR ITSELF!
Black Vinyl[10,88 €]
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Since our beginning, Manny Cuevas a.k.a. DJ M-Traxxx has been a big supporter of Snuff Trax. In return, we totally dig his amazing radio shows and podcasts. This man's heart is beating for Chicago House music and you can feel the impact on all of his productions.
Snuff Trax is very happy to present a whole Manny Cuevas record: - Thee Jackin' Zone E.P.'
For - You'll Never Know (Twisted Fantasy)' Manny invited the amazing DJ and vocalist Josh Caffe. Together they created a seductive tune that takes us back to the golden era of House. A truly irresistible affair.
With the tracks - A Matter Defined (Acid House)' and - Thee Jackin Zone' Manny captures the wild pulse of the dance floor. Sincerely raw, that's all we need.
2023 red + gold mixed vinyl Repress
Pressed on the classic "LT Records" centres, Nice Archive Traxx Vol. 1 is a lesson in raw, hissing house from the Concrete resident and one of France's finest new talents. Stronger Than Me has been bothering mixes & radio for a good year now and takes pride of place on the A1. Skipped snares, wailing sax and clear vocal hits slot together around an NY house core. You Don't Really Want Me heats up the production just that bit more on the grill and adds in some serious Chi-town acidic flavour. 303's running riot from the midway. On the B, Raw Thoughts takes a similarly blown-out production sensibility and drives it straight into laid-back electro territory. Elements of boogie spliced with sultry synth soloing and glacial pad ripples. Ice cream parlour chill jams. Rounding out the EP are Acid City - a soulful deep house number overrun with grumpy, growling acid lines - and hyper beat-snippet You Do - a breaks-y beat track showcasing the other side of Sweely's enormous talent. Proper dredgin' beats from the raw!
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Marseille based French selector, Jo SZT from Atipik Crew launches his new label. Komplices kicks off 2024 with this first EP, navigating between, house, acid, tech, deep and electro sounds, fully produced by his friend Atree from Berlin. You will discover something special at the end of the last track "relaxane"
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Vitamin for ears proudly presents "Keeping In Touch With Lord Lucan" E.P. by Anthony Boninsegna aka Nine-L.
This is a follow up record of "Looking For Lord Lucan" E.P. that was released ~ 28 years earlier !
The E.P. formula was developed in one of the production laboratories in UK. Vinyl is enriched with a balance of acids and dreamy rhythms. 4 tracks are perfect for club usage as well as for group home therapy.
................................Warning! .........................
Before listening, consult Your DJ.
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Step into Simplexia's new adventure, where MOOD presents a journey that will take you to feel the freedom to play it making the dancefloor explode in pure ecstasy.
Crucial EP contains 3 original tracks and 2 remixes.
We love all tracks for his unique, whimsical sound: catchy melodies, House/Break-Beat/Electro drums, and an irresistible sense of party. Naux picks up the essence of ''Oblivion'' to transform it into a Bomba, bringing out its strong roots in French House.
Adrià transforms ''Electric Tribe'' into a mix very different from the original, making his Electro influence very present.
This release is a must have in your collection.
Snuff Trax is back on wax! After a loooooong forced break full of exhausting twists and turns, we finally can go on with our little label.
We are so grateful and glad that most artists kept waiting with us, even if it took some years to come back. Now we are super excited to bring you Snuff Trax 20, the „Twilight E.P.“ by our dear friend and long-time supporter Moralez, including dope remixes by the great Etcher.
Those 5 house music and acid house gems will be released on vinyl only, limited to 100 copies, distributed by Melting Pot Records from Madrid. Better be quick!
Been a long time coming for some of these tracks. We've had many requests for each one and hyped to share them on vinyl for the first time! You might also recognise from mixes including last years HOR appearance.
Skippy, trippy, breaky, housey belters from all corners of the world - Buenos Aires to Paris, Sydney to Forres, London to Oslo (via Delhi)
The debut album from the mighty Parisian electronic music crew Acid Arab, who have been putting European festival and club audiences under a spell with their intoxicating blend of sharp Western electronic music with Eastern sounds and vocals.
Also available as 140g vinyl with deluxe packaging and download card included.
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Day by day is back with a massive four tracker from South Korean producer & DJ, Six Dreams!
These tracks blend trance, techno and progressive beats that will blow the roof off your dance floors! Strap yourselves in for this extra bumpaty bumpin’ ride!
We hope you enjoy these as much as we do!
Available via vinyl & digitally via the Wex Bandcamp.
Release Date: December 15th 2023
SPF 50 returns to Professional Music with 'Secret Technology', a diverse 5-track EP of playful, sonically rich material aimed at the dancefloor. The record explores some of the the core staples of the dance: bouncy grooves, rippling, psychedelic synth lines and a few cheeky vocal chops.
Heavily inspired by golden era tech-house, but with an ear for modern sound design, the music comes in with bad-boy energy but hints at something deeper bubbling beneath. Heavy kicks and sharp hats mingle with complex, modular basslines. Dusty breaks and euphoric vocals jiggle over top of lab-concocted acid. This one is for fans of serious fun.
Repress!
Jamie 3:26 Basement Edits Vol 2 Featuring Acid Whump and Bostitch Time... Coming Soon!!! Limited Edition Red Vinyl Pressing!!!!! Massively sought after reissue of this double header that originally came out in 2011 on Strobelight Honey records. Rare as hens teeth, people have paid £40+ for NM versions on Discogs. Act fast, these won't be around for long!!!
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2023 Repress
it was in february 2015 when japanese producer and sound designer kuniyuki takahashi, sometimes known as koss, releases with the ep 'newwave project '2' a record, that tapped some roots of his musical education: new wave, german electro punk from bands like a daf, ebm from acts like front 242 as well as industrial music.
styles, about kuniyuki claims that they are his 'favourite music'. now, nearly two years after his first newwave project ep, he drops an album that is leaning towards his musical love from the past. compared to his former work, that was rooted in worlds of classic, jazz, house, ambient, and electronic song-writing, his new tunes are full of melodic drifts and rhythmical shifts.
as usual all is loaded with tones and rhythms straight from the heart that filter and modulate human emotions without losing their natural source. to get a sound that is fresh but still leaning to the 1980ees, he used some old synthesisers like a roland jupiter 8, a juno 60, a korg ms 20, an old tape echo machine but also new instruments like the roland aira. furthermore, his modular synthesizers talk too.
instead of having a masterplan, kuniyuki just made sound, drifted on his machines and moved into a territory, that his far away from his former sound. also the use sampled voices and other alienated sound sources of unknown origin inject his new tunes otherworldly atmospheres.
his skills as a fine instrumentalist is evidence as kuniyuki also played the piano, percussions or flute, if he felt their warm sound is needed for his freely grooving tracks. some dance in a house or techno outfits.
other slam like a mix of funk and ebm. tunes like 'puzzle' or 'body signal' are twisted treasures that bemuse deeply. in-between you hear the echoes of cosmic spheres, the darkness of the cold war days and some bewitching tribal jungle vibes. a new, moving, unorthodox and yet catchy side of kuniyuki takahashi.
it is not totally novel to him, as he already released some industrial, ebm and electronic with the project drp in 1990 on the belgium label body records. but for his listeners, that know him for detailed house, jazz and classic or that love him as a man of collaborations who already worked together with artists like innervisions jazz house heavyweight henrik schwarz, the famous japanese pianist fumio itabashi or the british synth-pop protest spoken word icon anne clark, the 'newwave project' sheds a light on a different artistic side of kuniyuki takahashi.
it is diversified, has many rhythmical and atmospheric turns but stays stirring and compelling in all twelve tracks. a true new wave, formed, played in and envisioned with a view on the past that was filtered through the now while feeling the future. the cover art work comes from the swiss artist augustin rebetez - a man who also loves to generate unknown poetic universes in his drawings, sculptures, videos and installations.
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Repress.
DJ Sneak returns from Dance Music sabbatical with massive new Chicago House EP on Parisian imprint Frappé.
The 4 tracks on the Frappé EP are crafted in Sneak’s signature uncompromising and gritty style. The title track "Chicago House" brings the purest of filtered sampling, a Sneak tradition and a firm blast from the past packaged up neatly for both the veteran and new clubbers alike.
"I need you" is all about that house groove. Layered chunky drums, smooth vocals and sweet synth pads lay the foundations to another classic cut.
“When you dance” has a bouncy, looping melody that utilises driving drum loops and mesmeric vocals to deliver an instant hook. This is a pure cut, engineered for dancefloors.
“A little Acid” completes the collection on a more electronic tip, with Sneak tweaking the 303 in his ever so distinctively funky way.
The record will be out exclusively on vinyl for the first 6 month complete with a special colour cover of different Sneak visuals on the back and front, it's likely to be flying off the shelves quickly!
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Oscillate / verb – to move or swing back and forth in a regular rhythm. Alexander Flood has developed and refined a strong, progressive voice and style on his kit through his 17 years performing and studying. Previously graduating top of his year, he has been the recipient of many prestigious awards including Australia's Best Up-andComing Drummer in both 2012 and 2016, The John ‘Slick’ Osborne Scholarship in 2017 and the Helpmann Academy Jazz Award for Top Overall Graduate in 2018. In 2020 he signed with 6x Grammy nominee Christian Scott aTunde Adjuah to release Alex’s debut LP “HEARTBEAT” and “The Space Between” in 2022. 2023 finds Alexander aligning w/ Berlin’s Jakarta Records to release LP “Oscillate” - a blistering, hard-hitting meld of infectious rhythms, pulsing keys, and a swingin’ groove that melds into a genre-defying conglomeration of creative compositions and collaboration. In mid 2022 Alex travelled from Australia to Berlin, where he assembled a dream team crew of creative innovators featuring Hungarian keyboard player Àbáse, Australian bass guru Horatio Luna, and Brazilian flautista Paulo Cedraz. Together the group cut six unique dance tracks at Berlin’s iconic Jazzanova Studios, engineered by Grammy nominated Axel Reinemer. From the shuffling broken beats and dancing flute melodies in title track “Oscillate” to the experimental uptempo “Deja Vu”, the momentum of the music ceases to stop. “U R THA 1” features a driving jungle sound of repitched drums, vocal chops and 808 bass, and “Berlin” captures a classic funky 90s house feel powered by 4-on-the-floor kick and melodic basslines from Horatio Luna. Paulo Cedraz shines on flute in the Caribbean influenced “Ginealach”, and the LP finishes with the head-bopping “Hüpf” giving the listener a taste of some down-tempo beat music atop a bed of Àbáse’s lush rhodes. From top to bottom, the unique voices and powerful musicianship of each band member is obvious. Australian influence is at the core of the sound not only through the bass and drum chair, but through the punchy characteristic mix by Melbourne’s Lewis Moody and master by Gareth Thomson. The final piece of the puzzle was bringing in Alex’s childhood drum and percussion teacher Joel Prime, where they overdubbed additional percussion parts together in London. Artwork was stunningly put together by Robert Winter (Suff Daddy, Bluestaeb, K, Le Maestro) with visualizers put together by the stalwart KARL-F. Jakarta is ecstatic to share such a high-water mark of an album, out everywhere physically / digitally May 12th. Check the accompanying Press Sheet for Campaign Schedule and more. Besides online promotion from the label and artist profiles, the album will further be promoted by external agencies within the US and UK.
2019 marks thirty-five years that DJ PIERRE has been DJing and creating acid housemusic.This seven-part series of 35 remixes of ACID TRACK by PHUTURE is a celebration of the first monumental record for DJ Pierre and the spark for a new genre and movement in dance music history. “35 - 004” will be the fourth volume in this series and will feature 5 remixes from Paul Johnson, Marko Nastic, Zombie Nation, Shinedoe, and N.U.D.E.
In 1987 the first acid house record, “Acid Track”, was released by the Chicago group Phuture—DJ Pierre, DJ Spank-Spank and Herb J. It was DJ Pierre who thought to play and twist the knobs on the Roland TB-303 in such a way that it created an entirely new (and at that time, totally bizarre) instrumental sound often described as “squelchy”, trippy, psychedelic, futuristic, and out of this world. Spanky laid the beats and together “Acid Track” was born.
The legendary Ron Hardy, a resident DJ at the Music Box in Chicago, gave this strange track a listen and played it not once but four times on the dance floor until it created a frenzy.
News of the Acid “squelches” quickly spread around Chicago and then across the Atlantic, inspiring the next wave of pioneering acid artists in the UK to create their own. From here the Acid House movement began, known as the Second Summer of Love (1988). It was this movement that spread across Europe and the world, becoming the rave and festival scene we know today. Thank you DJ Pierre for your legendary contribution and innovative spark to dance music. This world would not be the same without “Acid Track” and acid house. Here’s looking forward to another thirty-five years.
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Channeling her innermost depths, Oshana reveals her widest body of work to date, “Disciples of Dystopia;” a multi-faceted expression of the emotions, influences, and sounds that have guided her on her musical journey. The album aptly marks the fourth release on her very own, Psionic label, and is the first double 12” in the catalogue.
As you lift into orbit, “Disciples Of Dystopia”, seduces your senses with an ominous vocal of what lies ahead. The opening track simmers gently with a progressively rising atmosphere as the down tempo vibe flows inside you-Automatic connection. “Mind Over Matter” is a futuristic breaks experience, familiar nostalgic hip hop scratches flash in and out, winding into a spiraled synth labyrinth that introduces you to dimensions unknown. Slowing the pace down a notch is “Labor Of Love;” emotional chords and floaty melodies work their way around the steady and pitched down body of the track.
As we coast into the B side, “Embrace The Wave” offers some italo energy; clean disco kicks meld into retro synths; this one cruises on a loose, irresistible, and unrelenting groove. “Take Me Away” sweeps you right off your feet and includes a feature from long time collaborative partner, Anthea. Anthea’s transcending vocals set the tone for a harmonious quest, enriched with positive and imaginative energy; the type you want to absorb as the night concludes. However, the night is far from over.
As we coast into part two, we’re introduced to “Odyssey,” a slow rising track that takes you from the intergalactic ocean all the way to the techno tides. As the track progresses, all of the mechanical cogs converse in absolute harmony. Who doesn’t enjoy a “Heated Moment?” Crisp and punchy drums drive the track as a trance bassline ripples throughout, making an impression on the most discerning of dancefloors.
Riding a squelchy, arpeggiated acid line from the start is “Astral Flight”, a psychedelic club room charmer that revolves around warm and direct bass. The closing track of the LP “Automated Beats,” is a raw, animated affair structured around chunky 808 arrangements and hip hop percussion; playful with a pinch of ghetto booty charm for good measure.
“Disciples Of Dystopia” is more than just an LP; each of the tracks feed off of the next, and Oshana’s never-ending creative energy shines as she bends through genres with effortless ease.
Trans World Railways creates a new line between Casablanca and Tbilisi by welcoming Cobert - one of Georgia finest producers - for a special limited 7inch edition. The two tracks are eagerly awaited since they've been featured on Casa Voyager label of the month mix on Resident Advisor. Kiev Stollen Story is an energetic peak time track while Office Junk is a more playful electro party starting track. Tested and approved. Vinyl Only.
repress, blue marbled limited version
The label imprint of the beloved Berlin based club Paloma delivers its eighth release, and it was created by none other than a vogueing encyclopedia of musical and club culture knowledge (plus a cherished Paloma resident DJ). The disco professor: Daniel Wang.
It is his first original production under his own name in many years, and you can easily tell that this is not a tool to join in with dancefloor conformity (after all, his first album was called Idealism for a reason). Daniel Wang had already evolved from innocently enthusiastic sampling to synth wizardry during the heyday of his legendary Balihu label, and while studying the masters, he became one himself.
DSDN is an ode to nocturnal Berlin and its party community, a city that never left the centre of international attention for its vital and influential scene. Daniel Wang is a part of it since twenty years, and he was influenced by what he experienced as much as he left his mark on many nights, both as a DJ, and as a producer.
Of course, this release follows the traditional structure of a Disco EP by using a main tune DSDN with complementing dubs and instrumentals. Four to be exact, because four is the magic number with this format. DSDN reflects the internationality of the clubs across town in English and German words and pays homage to all the districts, and it effortlessly manages to unite sounds of both 80s NYC and Italo disco, 90s NYC and Italo house, synthpop and rap before it became too successful, balearic vibes before they became a mere excuse, and then it just majestically unfolds into both a charming summer hit and a complex opus magnum, but all an aural sunbeam that blows a kiss to those who emerge from recent sensations in clubs, bars, parks, and streets. Alone or together, happy or sad, resolute or irresolute, tired or energized, or all at once.
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There's a buzz building around Australia’s Featherstone and his debut EP for the UK's Gated cements his reputation for acidic, emotive electro. These four tracks see the Adelaide-based artist with one eye on the dancefloor and one on pulling as much soul as he can from his gear. This is glassy-eyed stuff, deeply melodic but punchy as hell, with all four tracks hitting hard
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Tone Def are the original Bournemouth ravers with some absolute classics released in the early 90’s on Moving Shadow. Rog from the band is also the founder of Void Acoustics, the ultimate in club and festival audio equipment, a hobby that became a huge business empire for him.
This EP was written during 1990 to 1991 and had been lost for 30 years until recently, when Rog was checking some of his old ¼” tapes that he took out of storage. These are 4 original UK acid breakbeat rave tracks, encapsulating the raw DIY ethos of the era, of kids messing about in their bedrooms, writing music with no boundaries or templates. Never heard before, never released before… until now.
Acid Boom is a sister label to the Vinyl Fanatiks family. A vehicle to release that early 90’s acid sound that would later morph into rave. High energy 303’s, 808 and 909 drum machines, synced up to rolling breakbeats. Whether music from back in the day or new music that’s been created to emulate that early warehouse sound, Acid Boom is here to take you on a rush.
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After a vigorous start from the freshly formed Alzaya label, next up is the Chilean rising talent Paula Tape who has teamed up with Volantis for the new brand release ‘Octava Dimension’, including the remixes curated by the prince of Netherlands, Elias Mazian and the Australian icon Tornado Wallace, masters like few others.
Paula Tape has developed a signature style in front of listeners eyes and ears with her drum patterns and her voice samples. After ‘Agua Congas EP’ on SOBO was welcomed warmly around the world and opened the door for club-oriented releases on Rhythm Section and Permanent Vacation. The original track channels electro and dreamy vibes carefully crafted by Volantis with Paula Tape’s hypnotic voice, all blending together for a single summer heater.
Remix by Elias Mazian, that recently pleased us with a sophisticated electronic pop release, kicks things off with a beautiful, melodic, overwhelming tune.
Tornado Wallace revisited the original version with his spacious sense of deep house groove and an unique, relentless drum programming.
EP 3[11,13 €]
"When you cut into the present, the future leaks out" William S. Burroughs. Third Ear are proud and excited to release a new Brendon Moeller project exclusive to Third Ear... Ultra Random Analog Orchestra. The project kicks off with 13 tracks released on vinyl over 3 individually released 12" and a digital album with 16 tracks. The music ranges from deep, wide-screen Techno to Ambient and beatless, that pushes the limits of the sonic palette. Artwork by The Designers Republic. Brendon says, "the ability to sculpt an audio collage in realtime employing techniques of randomness is one of my favorite pursuits using a Eurorack modular system.
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After four years, De Lichting is back with a new double album: Drie Nul Drie!
This fresh addition to the infamous compilation series revolves around a central theme: The 303 Acid Bassline.
The double LP format has always been the weapon of choice for the crew when it comes to implementing diversity in their musical story.
Despite the 303 being a rather limited concept, everyone within the collective finds a unique way to approach this classic element that has been rinsed for decades.
From the typical techno bomb of “MJM002” to the sneaky after hours tech gem “5421”, or the Detroit influenced chill-out cut “Tool”, the album bursts with playfulness and creativity, while coming together logically sound wise.
During our journey in outerspace, something catch our attention. It is a little star with several hills that they call "Hills of visionaires". Here the lights, colours and music, take shape and life, you can touch them and dance with them.
Let Eliaz & Lapucci drive you into another dimension.
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Tbilisi based label Domain Records launch new, only vinyl series! Cobert, label’s dear friend and one of the best in game returns on Domain Records with his solo EP. Finally, we are happy to share 5 tracks that are perfect definition of “Mind and dancefloor music”. Dedicated to the childhood idol...
Restock
Greek genius DimDJ is no stranger to a live jam, pushing his machines to produce gritty dancefloor stompers since the heady days of 2004.
Following a 2019 album of trippy arpeggiated techno – appropriately named Recurring Patterns – here he makes his Gated debut with an EP of uncompromising 303 workouts, once again driving those silver boxes to produce addictive, floor-focused DJ tools.
But it's not all heads-down squelch, with a final track squeezed onto the B-side that brings a surprisingly punk twist to an EP that's also appropriately named... Acid Tracks.
Josh Baker returns to You&Me Records with maybe his biggest release yet, ‘Work It Out.’
The title track sets the tone for the whole EP, made up of 3 weighty tracks which have been doing the rounds over the last 6 months. The lead track offers a hypnotic vocal hook along with a baseline that you won’t forget. Following on from that Pardy Hardy carries on the peak time club theme with a wobbly bassline combined with all sorts of glitches and playful synth lines. Rounding off the EP is Counter House. This once feels slightly more laid back, with hints of early 2000’s house vibes in there, but still works in them club situations.
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repressed !
Justin @Cudmore's 'Are You Ready' is the track that's making you stay at the party long after you started saying you should really get home. Justin tells us that 'Are You Ready' is the result of some early experimentation with the studio setup in his old apartment and one of the first white label acid tracks he began playing out, even before his popular debut for The Bunker NY, 'Forget It' was released. 'The elements came together quickly in an afternoon session -- I had been recently inspired by a trove of acapellas I'd come across. I would say this is when arranging the track really clicked and I started truly assembling it with the dance floor in mind.' Over the next two years, the track became a secret weapon that made its way into the hands of DJs like Craig Richards, Mike Servito, Jackmaster, Derek Plaslaiko and Gerd Janson, becoming something of a sleeper hit.
Gestalt Records is turning 5 so we've teamed up with Asphalt DJ & Gzardin, Opal Sunn, Salomo and Clint for the annual anniversary sampler, spanning 4 club-ready cuts of tech, acid and prog.
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On a mission to share and release new music via Placid's label, you’ll only find the best selections in Acid, Electro, IDM, Techno and Deep House for the dance floor, front room or your headphones making the cut. For the next (and penultimate) edition of his various artist series, he turns to the talents of 4 superlative UK based producers. All of whom make equally excellent contributions to this latest missive.
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Four killer tracks of high grade electronic soul from James Baker AKA REKAB. A fantastic EP showing both breadth of style and respect for the roots and traditions of the music from this artist.The first, Locked on Dodge, is a driving deep Detroit techno track with a hypnotic arpeggiated lead and filtered atmospherics to lose yourself inside. Don’t get too comfortable though, it’s capped with a surprise electro switch in the breakdown to keep the floor on their toes! The second track, We Need to Care, delivers a cool clear synth sound design over Chicago influenced house tempo beats and lush pads. Simultaneously groovy and comforting, this is a track for those special moments. Jacking with your eyes closed and a big grin on your face.
Third we have a clear tribute to Drexciya with In Search of the Deep Sea Dweller. Tough 808 beats and laser zaps punch through a bed of evocative strings whilst a filtered single note loop rises and falls like the tide. An abstract robotic voice presides over the track, adding atmosphere whilst giving it a sense of mysterious machine driven intelligence.
Lastly, Too Much Time gets its space boogie on. Electro funk beats jump round staccato synth chords and a simple but effective Moog-like bass line. Once the scene is set, a writhing 303 joins the proceedings accompanied soaring pads and beautiful melodic leads that make you feel like you’re being lifted into the cosmos.
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ReKab aka James Baker from the UK started Djing in the early 90’s. Later on he started playing around with music. Finally the ReKab sound was established in 2019 with his first release on Where We Met records. Other releases followed soon on Móatún, Withhold, Intellitronic Bubble, We’re Going Deep and Fourier Transform.
His music is very deep and full of emotions and influenced by his love for Detroit.
Radio Slave returns to his Rekids imprint this October with the perfectly balanced ‘Acid Dip’ single.
The titular track on ‘Acid Dip’ sees Matt ‘Radio Slave’ Edwards in particularly strident form. Riding a broken, stuttered-kick rhythm, ‘Acid Dip’ is a jabbing, insistent slice of UK techno shot through with hardcore and, whilst not skimping on raw power, still maintains the hypnotic nature that inhabits much of Edwards’ work.
On the flip, ‘Armani’ takes off down a dubbed-out, futuristic Italo-infused house workout that, throughout its eleven minutes 28-second span, shows a more dense, layered side to Radio Slave production.
Another triumph of a single from one of modern electronic music’s most consistent talents, Radio Slave’s ‘Acid Dip’, is released 15th October via Rekids.
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- A1: Jhobei - Slippery Nip
- A2: Dolly - Black Sugar Fresh Milk
- B1: Sweely - Gedup (And Move Your Butt)
- B2: Velvet Velour - Breeze
- C1: Gene On Earth - Piranha Club
- C2: Garrett David - All Night (Opulence)
- D1: Tini - So High
- D2: Will & Batty - The Goose
- E1: Rancel - Futuristic Flair
- E2: Duowe & Picasso - Spill The Tea
- F1: Huerta - Freak Emotion (Steve’s Limo #2)
- F2: Darren Roach - I'm A Visitor
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From past to present of Italian hero Ivan Iacobucci (with his well known alias A.T.). This 2 tracks Ep is a mix of acid and house melodies with tumbling drums and huge basslines. After more than 25 years from "1996 Shoots" this sound is more alive than ever and the unreleased "2023 Revamp" is the perfect follow up of this legacy.
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Italian-born artist Riva Starr collaborates with New York-based DJ and producer Todd Terry on This Is The Sound. Previously, the pair have remixed each other’s solo productions, but their joint project on Hot Creations signifies a new beginning for the acclaimed producers.
Together, the pair bring Riva’s vision to life on the title track, weaving a classic-house-tinged melody with crisp claps, penning an irresistible groove. Peak-time in every sense of the word. Riva Starr serves his solo offering on Creator, evoking a darker vibe. Chugging drums thump between a squelchy acid melody, paying homage to the birth of acid house in the late 80s, chopped with more contemporary textures.
Based in East London, Riva Starr’s roots lie in Naples, Italy. Having moved to London in 2008, Riva immersed himself in the UK tech house scene, playing across the country in Printworks, Motion, and Orange Yard to further afield in Pacha, Watergate and Space Miami. As a multi-dynamic producer, Riva’s discography boasts remixes of work by Dennis Ferrer, Fatboy Slim, and Claptone and solo releases on Defected, Black Book Records and his own Snatch!Records imprint. Grammy Award-nominated artist Todd Terry is a stalwart on the global house scene, breaking through in the mid-90s with the classic house heater “Keep on Jumpin” ft. Martha Wash and Jocelyn Brown. Since then, Todd has produced a colossal body of work on Defected, Inhouse, Freeze Records and several others, keeping his sound aligned with his New York heritage and reinventing it with a fresh flavour.
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Madben's superb Troisième Sens album is remixed again, as new mixes from Josh Wink and AVNU join previous offerings from Alinka and Avision on this standout EP.
Kicking off this fantastic package is Ukraine-born but Berlin-based Alinka. She is now right at the cutting edge of the scene after big releases on the likes of Rekids and Live at Robert Johnson. She is a regular at iconic spots like Berghain/Panorama Bar, Circoloco and Smart Bar and flips 'Addicted' into a heavy house cut with thumping drums and lithe baselines. Acid sprays about over warmer synths to make for a real peak-time weapon. Next up is Josh Wink, a legendary electronic artist who heads up the Ovum label and has consistently crafted some of house and techno's biggest tracks. He flips '1AM At A Rave' into seven-plus minutes of scintillating electronic deepness with trippy leads and real synth intensity building to an explosive peak.
NYC DJ and producer Avision has released EPs such as ‘Innocence’ on this label while also getting support for his new school techno from Adam Beyer and Chris Liebing. His remix of 'Circuit Breaker' is a chunky and textural affair with seriously weighty drums. Stark synths rise up through the mix next to bubbling acid to make for a heart-of-the-dance-floor classic. Scottish artist AVNU is another label regular who dropped his ‘Tough To Love But Worth The Effort’ album here last year. He flips '1AM At A Rave' into a dark and atmospheric cut with flashes of strobe-lit synth and zippy leads that rip up the crunchy electro-tinged drums.
This is a vital package of varied reworks that bring plenty of new direction to the superb source material.
Our forthcoming release from Roma Khropko has a story behind it. After producing some tracks for his girlfriend, she liked them so much that they were included in a mix for the Club Vision POOORCast Series. We loved the tracks so much that we asked for the ID and now, here we are, releasing them on our label.
CV08 is real connection. Music is connection.
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2024 Repress
Recorded in 1989, this is one of the rare and sought after recordings by Larry Heard. Never been available since 1990 and a departure from his more familiar style that he released as Mr Fingers, Fingers Inc. and The It). Gherkin has been an outlet for his more experimental and techno-orientated productions. 6 tracks on this record, and everyone seems to have their own favorite... but worth mentioning are the dramatic opener ''Meltdown'', the cosmic ''Saturn V'' and the incredible extra terrestial ''Strange Creatures''. Tracks that are the foundation of the house we live in! - essential!
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After a stellar release on Saoirse's label trUst—which caught the attention of DJs like Ben UFO, rRoxymore and dBridge—Ryan Aitchison aka Mella Dee is back on the dials for another outing of quality tech ‘aus fodder.
Rug Cutters Vol. 1 kicks off a slew of upcoming dancefloor weapons from the Warehouse Music boss. Visually underlined by his own original artworks, the EP shows off Mella Dee’s signature flair for whipping up raw, no-nonsense ingredients into irresistibly infectious grooves.
Vol. 1 starts strong with ‘Cutting Snakes (Keep on Moving)’, a track that screams instant classic with its shuffling beat and fat, sassy synthline. A2 track ‘Bumps (You Say)’ dives deep into those bassbin vibrations—it’s big, rude, and dead set on shaking up even the swampiest of dancefloors. Together, these cuts are not messing around.
On the flip, ‘Cutters (They Don't Get It)’ plays with the more futuristic, percussive end of the techno continuum. Drum breaks slither over each other, while a minimal vocal and bass hook locks everything down. Finally, ‘Pay No Mind (Who Am I)’ pulls the EP back to euphoria. This one will have the club cruising to its cocktail of flirty chord stabs and soulful house vocals—you’ll never want to go home.
Luckily, it won’t be long before we get one more tune from Ryan Aitchison—with plenty on the horizon, ‘Rug Cutters Vol. 1’ is also a taste of what’s to come. Stay tuned!
















































































