House Новости

Introducing new London label Premature Recordings, founded by Ben Galyas, focussing on 'progressive electronic music'.Obuscule is the debut release from South London based artist, homas9000. Two tracks, produced in early 2017 using modular synthesizers and DIY recording techniques: the meandering Veolia, all hazy reverberation and distortion; and the industrial Droid, with defunct drum machines, screeching pads and twisted breakdowns.

Ready for next drive?
For this second release Badam Music open the doors to long time house music lovers Broz Inc. Parisian duo brings all his creativity
and maturity with an original track called Body Fresh. Dancefloor weapon that will instantly sounds like a classic to your hears! On B
side US legend Johnny Fiasco is on remix duty and show all his talent and delivers a more acid oriented version definitely inspired
by Chicago sound. A great dancefloor record, essential must have!

2019 has sparked a new evolution for the transient broken beats of London’s Itinerant Dubs.
The enigmatic imprint has been running in silo since 2013, providing the final strongholds of the underground with innovative bass aesthetics and an intoxicating electro swarm. In fact, “It’s Magic” opens the A-side with a cold, bruising cut of metallic percussion wrapped around lonesome, dystopian bleeps and form-shifting synths. Minimised and stripped-back to its core functions, guided by bold infusions of breaks. “Oh She Dance” is the duo’s most playful construction yet, mashing up a loose jungle flow with more rigid breakbeat science to form a deathly machine-gun of sonics. Bullets keep spraying across “Salsa On Mars” - a raucous, percussion-heavy slice of dubbed-out house - albeit with a moodier, more introspective groove that takes its ammunition from London’s inimitable jazz arsenal.

We are excited to release a 6-track EP from San Francisco based DJ, producer, and remixer Sepehr Alimagham. The San Jose native has been a fixture in the Bay Area house and techno scene for quite awhile now — on the dance-floor, behind the decks, in the studio, or all of the above. Early influences like Boards of Canada, Aphex Twin and post-hardcore bands later in high school started his affinity for off-kilter, underground music. In 2017 he began performing live PA sets, utilizing his immense production backlog to perform vivid and electric sets, from potent dance music to psychedelic and esoteric soundscapes.

"Body Mechanics" is six tracks of acid drenched dance music that ebb and flow from floor filling club thumpers to more cerebral soundscapes. Inspired by the new wave of the acid sound as well as nostalgia from his formative years in the San Francisco music scene, 'Body Mechanics' takes a functional, yet psychedelic approach to 303 styled techno and electronica. Attention demanding basslines, indiosyncratic structures and hallucinatory atmospheres provide an effective framework for Sepehr's vision. The themes of the track titles take root from a series of dreams Sepehr had with a common atmosphere of strange characters and textures, akin to scenes from David Lynch's 'Twin Peaks'. All songs have been mastered by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in a jacket featuring a dark and inviting cyborg hand holding a rose designed by Nicole Ginelli.

Originally released via Terraform Records in 1995, ‘Systems E.P. 1’ was certainly too ahead of its time to meet with success back in the day. That said, as years went by, so swelled the reputation of this sextet of visionary, alien-engineered jams, soon turning the once $1 bin find into a highly sought-after item on the second-hand market. Much to the displeasure of hardline speculators but for the greatest joy of skint ’90s sound lovers, KOC reissues the Systems experience in full force and effect.

Harbouring a trio of submersible ambient-tech and 303-driven breaksy weapons, Red Shift’s own dedicated A-side has lost nothing of it's soul-fulfilling appeal. Getting the ball rolling, ‘3rd Moon’ skippers us to brightly hued sound niches, where trancey acid motifs merge with slo-moving ambient pads and uptempo breakbeat on a frenzy. Laced with a hint of bleepy abstraction, the more lascivious, piano-laden ‘Audity’ then shifts the scope to further introspective depths before ‘Himalayas’ takes us on a mind-expanding ride across imaginary snow-capped summits and lushly forested slopes.

Flip it over and here comes Ether and their mightily explosive ‘Detonator’ – a wild and woolly acid number that shall not go without conjuring up memories of the early Prodigy’s mid-nineties rave exploits. Not to be confused with that of his contemporary Australian counterpart, Escape Artist’s ‘Rain Eternal’ evokes the soulful RnB suavity of Sade’s classics, adorned with otherworldly organic warbles and addictive piano stabs. Constants of Nature vibey closer ‘Slow Symmetry Breaking’ rounds off the journey on a further distinctively atmospheric note, perfect to muster up the energy and drive to take it on the lam from our crazy world.

It's no big secret: The elements of trance music have always played a vital part in the music of Prins Thomas. In fact, there are scholars who argue that these stylistic attributes were the ramp that shot his disco into space. But let's not pour hot coffee onto the cold one. When the king they call Prins sent a loose bunch of tracks to Gerd Janson to get some sort of feedback, it was like an epiphany: the calling for the missing link between "Logic Trance" compilations of yesteryear and the honey for the strobe light bees of today has finally been answered. Naturally, it's not all ice cannons and glow sticks, endorphins and euphoria. The private and poetic Prins stands just one step behind the sweaty one - in alphanumeric track list order. If there has ever been something like thinking-(wo)mans-trance, this is the album for it.

Braindance hardware don Chevron arrives on Posthuman’s I Love Acid series. Five tracks of 303-infused breakbeats and playful electro awash with bleepy melodies and daft samples of politicians and cookery TV shows. Cut by Radioactive Man.
12” vinyl. No digital. No represses.

First release brought by Funky Shirts Records. Expect some heavy dance-floor material, yet high versatility on this collaboration EP by Dumbmachine and Keymono.

A1 is a mover. A2 is a hitter. B1 is a killer. B2 is a banger.

Disclaimer: The Funky Shirts Records crew recommends special caution when deploying this weapon and is not to be held responsible for any kind of material or personal damage occasioned from playing this piece of wax. Use it at your own risk.

New DJ QU percussive killers, limited press

Both noted for their powerful and inventive electro tunes (recently released on Return To Disorder or Nocta Numerica), L.F.T. and Raymond D. Barre are two of the most interesting producers of the moment. On that new split EP, the punk sensitivity from Hamburg meets the braindance influence of the parisian : here are five fucked-up acid bombs for all the 303 trainspotters !

BinarySound is back and welcomes three new faces to the imprint.

On the A-side, Frankfurter duo Cedric Dekowski and Felix Reifenberg from the infamous HardWorkSoftDrinks crew join the French label. They deliver a masterclass in sound crafting with the future classic Neptuning, that will tear any dancefloor, anytime. Pichler offers a warm sound designed for the afterhours, promising a trip back to everyone’s favorite Offenbach wood floor.

On the B-side, Dj Void signs his first appearance on a vinyl imprint with 2 heavy bass and energetic dancefloor bangers, infused with a melody you can already hear blaring through the club’s speakers.

Back in the game, Fantastic Man returns to Kitjen with a powerful EP of mind-bending, acid workouts. Solar
Surfing is a concise example of the Australian artist’s panache for psychedelically inspired house music with two
dance-floor heavy cuts preceding a contemplative, baseline driven slow jam. The hypnotic and fast paced title
track locks in and moves ever forward, whilst Native Power features the classic sound of Fantastic Man’s 303,
coupled cleverly with the sound of an extraterrestrial bird-song. A drop in tempo rounds off the release with
Avocado Conception, an expertly delivered exploration in slow, chugging nostalgia.'

Long awaited VAKUM009 is finally here. It's an inside project since the record is the first collaboration of VAKUM founders - Disrupted Project & Borut Cvajner under the D.P.B.C. name. Four diverse cuts ranging from ravey and distorted electro to 4/4 spaced out drivers and trippy soundscapes. As always, it's a very limited vinyl series powered by the mighty Analogcut Mastering from Berlin.

Kerri Chandler's Kaos Theory returns with the musical minds of Voyeur providing the heat via two new originals, alongside a thumping tech house remix from man of the moment Desert Sound Colony.

‘Acid Test’ is a pounding 303-laden warper, laced with wiggling synths and lo-fi vocal samples. On the B side ‘Bits’ is full of low-end weight, bumping kicks and contorted melodies as Desert Sound Colony rounds things off with a trademark techy remix of ‘Bits’.

Having begun in spring 2019 with the Moment EP, featuring her international hit ‘Starry Night’, Peggy Gou continues the story of Gudu Records with an EP from one of dance music’s most prolific artists, DMX Krew. Closely associated with Aphex Twin’s Rephlex label, Ed DMX emerges once more from the underground with four sublime tracks of charismatic electronics, as potent and unmistakable as any music produced across his three-decade discography. For the uninitiated, opening track ‘CJ Vibe’ is the perfect, floor-focused distillation of DMX Krew’s timeless studio powering into psychedelic life, as a spaced out, playful synth line holds fort through a detailed house music trip. ‘DXIOO’ heads further down the techno wormhole - a rich, deep ballad of entangled DX100 and TR909 that expands to overwhelming machine funk. On the flip, ‘Don’t You Wanna Play?’ strikes immediately to deliver the EP’s most suitably playful cut, pairing irresistible modulations with sharp toms and hugely satisfying hits of cowbell, revisiting the frantic atmosphere imprinted within the carefree rave heritage of the DMX Krew project. Finally, ‘110 Series’ dials down the tempo while retaining the high-spirits for an inspired composition that sees Ed take his numerous synths on a skilful and melodic moonwalk around the studio, then onwards to the dancefloor.

VA 4-Track EP - Tracks by Ashtrejinkins, Bataille, Dogpatrol and Pearla. A selection of dirty and powerfull tracks, combines the trible technoid soundscapes with rhythmic drum work.

Jacques Bon used to have a lovely record store in Paris called Smallville. It was there that Superpitcher hosted his 12 Sun-Oh-Bration release parties of his Golden Ravedays album in 2017. They were intimate gatherings, so legendary that the same furious old man from across the street complained at each one of them at exactly 9:47pm. Inspired, Jacques, a lover of the lyrics and music of Brigitte Fontaine and Jacno, produced the two reworks for this beautiful record. It has a brighter side with « Ah Que La Vie Est Belle » and a darker one with « Si Je Te Quitte » No complaints!

Multi-talent Joyce Muniz is definitely one to look out for. Initially starting her career as a vocalist, she now took over the global house music scene within no time as a deejay and producer as
well. Exhibiting her talent with previous releases, it's not surprising that she's on the roster of prestigous labels such as Exploited Records and 20/20 Vision Recordings.

Next year she will
release her single "Toxic People" on International Deejay Gigolo Records featuring the singer, songwriter and producer Demetr1us. "Toxic People" is a vibrant and raw sounding electro house cut featuring grimy synths and vocals, that lend the track a cold and distant atmosphere.

The artwork for "Toxic People" was created by Leipzig-based artist Silvia Trost, whose forth lies in oil and acrylic paintings. She now frequently collaborates with glitch art artists and loves to mix
materials and techniques, both analogue and digital.

The B-side "Dreamz" is another great production by Joyce Muniz. The playful groove and eclectic ambient makes it a cool package.

We are happy to announce our next release which is coming from RR. He is running the vinyl label Story About You from his homebase Bielefeld and he's the first ''external'' artist on our platform. The 003 is a classical house 4-tracker with a modern twist, containing quite different vibes. Expect a wide stylistic range between the peak time bomb on A1, the acid-spiced stomper on A2 and the flipside, which brings the charming roots-oriented house motives to that special release. B1 was created in collaboration with studio partner Biroll, who provided that lovely piano. The artwork is contributed by Madlen Strebel from Mainz this time.

Featured on the Telomere 00 VA, we are honored to share Sherman C's first full EP in over 10 years. This five tracker blends acid, breakbeat, electro, minimal and techno morphing into a wicked record for all hours of the evening. Limited to 150 copies. Be quick!

Keeping it weird for the summer 2019 DJ Fiskars returns with two edits from the deeper end of the distribution. 'Cabin Weirdo' fuses hippie disco with acid vibes while 'Bats' might work for a techno dj who also plays italo (or vice versa).

The godfather of acid house, DJ Pierre, is back - bringing four heavyweight Chicago cuts to the fore, two of which, 'Pinball Machine' & 'The Spirit' are unreleased, exclusives.

'Sexy Aquarian' showcases Pierre's unique style putting his trademark spin on this classic vocal, combining it with a bumping bass and dizzying acid lines, to trigger old memories whilst giving you something new for your mind, your body and your soul.

Next up 'Pinball Machine' goes in heavy on the percussion - filling those speakers with a barrage of weighty toms, crisp hats and crunched up snares. The frenzied synth line bounces around relentlessly, pinging off the sides of your brain like a sonic arcade.

Take to the flip for a lesson in how to take jackin' house to another level. 'Whats Mine is Mine' delves beyond the beat, mixing sassy vocals and spiritual organ stabs, with a touch of swing reminiscent of an era long gone.

Closing out the EP, 'The Spirit' utilises another treasured vocal layering it behind punchy drum programming, a rumbling bass and atmospheric touches that add an ethereal tinge to the track.

DJ Feedback:

The Black Madonna - We Still Believe / Liaison Artists - Excellent!

Eli Escobar - OH yes.

PBR Streetgang - 20/20 Vision - classic

Andy Caldwell - Nettraxx / Cr2 Records - Ooh so so sublime. Good shit here!

Tony Humphries - The Zanzibar / New York - Nice peak time banger.

Danny Howard - BBC Radio 1 / Nothing Else Matters - Aceeeee. Wicked vocal!!! Love the vibe

Greetings from Baba Osman: NO BOARDERS

The Nugs are back in business. For this second EP we joined forces with two Italian artists. On side A, Robbenspierre delivers two amazing tracks, A1 has a solid bassline followed by an oldschool vibe, A2 brings an hypnotic groove pointed straight to the dancefloor. Side B belongs to the promising duo, Dormald. B1 is a mysterious House track with a touch of acid, B2 has a strong minimalistic rhythm separated by a sequence of breaks.

The dynamic duo of ROTCIV and Das Komplex are back on Luv Shack Records to finish off what they started with the "Magic Silk #1 EP" in 2019.

Das Komplex' "Jak Mo?na Nie Mówi? O Pesymi?mie" (wich translates to "how can you not speak about pessimism") is boasting with psychedelic effects, polish spoken words and a plethora of funky disco tropes, all cumlinating in a 10 minute super disco jam.

Hot on the heels comes ROTCIV´s remix of Das Komplex' "Silk" from the first Magic Silk EP. The "Transmix" comes with a driving 4tothefloor groove and an italo-esqe synth bassline at the heart of the mix, while still maintaining the pittoresqe atmosphere of the original with layers of heavily mangled effects.

On "Space Explore", ROTCIV constructs a complex slow burner, setting up an eerie atmosphere of digital soundbytes, vocal snippets, ghostly strings and fat synth pads on top of a cosmic disco groove.

Lastly, Das Komplex remixes "Your Highness", adding a classic disco groove with lots of analog

An outsider in the Detroit scene, Jared Wilson's meandering acid jams have always sounded more Cornish than American. His brand new EP for the Netherlands' 030303 Records continues on that spacey tip. Sea Friends starts warm, bassy and laidback with upbeat and frenetic melodies taking over later on, lifting the tune to another level. Seeing is Forgetting is a melancholic, beatless acid trip, drenched in a strange field recordings setting with waves, vocal snippets and bird sounds all present. Potentially referring to Detroit's legendary record label and distribution company is Submerge the Ship, the most layered and mesmerizing jam on this twelve, a track that truly sends you off to the depths of the deep sea. Closing track Yogacamp is the fastest one on the record and with various eerie melodies battling for dominance, a great once for the darker dance floors.

Rotciv is the Brasilian born, Berlin based man behind Mister Mistery records. This prolific producer has been out there for quite a long time and you might remember "The Rimshooters", the long lasting collaboration with Massimiliano Pagliara himself. Now it is time for Rotciv to offer a piece of his synthesisers' craftsmanship to Funnuvojoere Records. This five tracker EP expresses Rotciv's skills with harmony and music progression. A1 AWAKENING starts off with a piano house arpeggio and slowly evolves into a trance acid-tinged explosive motive. Organic feeling drums develop giving it a disco touch that will put a smile on the crowded dance floor. A2 GOOD SPELL combines a pure cosmic style with a New Beat-like dissonance and uplifting vocals. B1 KNOW THE UNKNOWN keeps the experimentation levels high with distortions and an 8bit dialogue that drifts into a progressive-kind of sound. Deeper than the rest B2 puts on stage a dark landscape that reminds of a black and white vampire movie. B3 INTERMISSION follows up and gives the final ambient touch to this delightful EP.

After A Few Years On Hiatus, One Electronica Has Gone All Out In With A Heavy Debut 4 Tracker From New Member - Thought Camera. The Young Belfast Born Producer Who Has Been Very Busy In The Studio Putting Together An Arsenal Of Electronic Weapons Has Also Enjoyed An Increase In Popularity And Profile In The Local Scene Due To His Hard Work And Commitment To The Cause. With Such A Strong Release About To Drop In The Next Few Weeks And With More Unreleased Material On Its Way This Guy Is Worth Keeping An Eye On As A Rising Talent.

Without Using Too Many Bullshit Analogies - This Is Release Is Simply Dancefloor Bliss And A Djs Dream That Will Be Keep At The Front Of A Record Box For Years To Come And Could Be A Favourite Among Various Styles. The Title Track Astral Pilot Comes In Strong With Spatial Glitchy Electronic Chatter And Tubular Echoes That Are Pretty Damn Haunting. Headspace Comes In On A2 Which Is The Antithesis Of Serenity And Meditation That The Name Suggests. This Acidic Jack Track Is Upbeat And Laden With Bass Bleeding All Over The Place. Flip It Over And You Have Lifeforms On The B1 Which Is The Most Technical Track On The Release Which Ebbs And Flows Between Solemn And Sombre Leaving You Emotionally Twisted Yet Intrigued - This Is One To Look Out For!!! Obsession Which Aptly Depicts This Track, A Stalker In The Night, Haunting, Imposing, Friday 13th Shit. Not For The Faint Hearted.

Presenting a fully legit, remastered and repackaged reissue of this extremely sought after, cult 12" from the Addis Posse featuring unreleased and previously unheard music. Brand new style for 2020.

The Addis Posse was one of the main outfits on this cult label. Featured on this very special EP is the much sought after 'Pirate Acid Mix' of this original breakbeat masterpiece, which has been a huge festival winner with the likes of Peggy Gou, Palms Trax and Josey Rebelle amongst others this summer.

Joined also by a previously unreleased, pulled from DAT tape Alternative Acid Version which has never ever seen or heard before - this is a real treat and one DJs will want to sweat! Across the EP’s 4 cuts are all the 'definitive' versions of this absolute dance floor bomb - WD fashion - right and correct! Essential business, right here!

London's Warriors Dance label was a unique operation and a pioneering London label during the late 80's acid house phenomena. Home to an assortment of DJs, MCs and soundmen, they went on to make their own original and indelible mark on the rave scene from the infamous 'Addis Ababa' studio on Harrow Road on the North-West side of the city.

A former reggae and soul studio that was instrumental to the output of influential artists like Soul II Soul and more, a steady diet of reggae, bass, hip-hop, house and techno kept their edgy, and diehard UK sound and style right at the cutting edge of the dance music underground across the globe with the top DJs and producers of the day celebrating the label. The studio, helmed by label owner Tony ‘Addis’, acted as an incubator for artists whose names would go down in the history books.

The Addis Posse ‘Let The Warriors Dance’ EP is the pure unadulterated WD vibe, featuring original label artwork tweaked by Atelier Superplus and lovingly remastered by Curvepusher, UK.

Special thanks to Nicky Trax & Tony Addis. Proudly distributed by Above Board distribution - 2020 -

Ritmos is the alias of L.A. via Honduras music producer Roberto Espinosa. The Ritmos EP features the magic touch of Detroit keyboardist Jon Dixon on “Finding Who You Are”. The second track “Starseed” takes us on an abstract journey where polyrhythms and moody chords collide. “Words of Fire” �nds the legendary Lee “Scratch” Perry contributing vocals to a primal body mover with it’s fusion of original dub riddims and style over a 4/4 �oor �ller. Finally, Yaxteq’s own Nomadico strips down “Words of Fire” for a retro-futuristic Dub Techno remix .

LA’s Cromie joins Detroit imprint Clave House to release four mesmerizing cuts entitled ‘Root Bulb’.

A familiar face in the Los Angeles house scene, Nikola Hlady aka Cromie has established himself through his talents and graft in the studio showcasing his distinctive deep house rhythms, clever chord progressions and focus on charismatic sound design. His previous releases on Material Image, Amadeus Records and These Things Take Time join hypnotically driven atmospheres with captivating rhythms creating forward- thinking yet classically-minded sonics. His ‘Root Bulb’ EP sees the LA producer join the Clave House family accompanying artists such as Ali Berger, Pascäal, 外神 deepspace, Appian, Gerald Norton, Segv and Berndt.

Cromie's ‘Root Bulb’ EP picks up where his 2018 releases left off, taking inspiration from the Southern California landscape that surrounds him, with its juxtaposition of endless expanses of concrete amidst its staggeringly diverse flora and famous sunshine.
‘Root Bulb’ kicks things off with absorbing pads layered over rough and raw percussion with angelic textures in the distance before ‘Lilac’ delivers breaks-tinged drums, a catchy, buried sample, infectious synth notes and warming melodies inviting the listener’s focus.

‘Aristocrat Motel’ maintains the enrapturing ambience by fusing pulsating bass shoots, alleviating tones and charming, earworm keys offering a club-focussed yet introspective track until ‘Root Bulb (Grove Mix)’ rounds off proceedings with downtempo broken-beat grooves, tantalising vibrations and undulating, cosmic elements.

CHIWAX welcomes Daniela La Luz! We've had already the honour to present this outstanding Lady on
RAWAX & HOUSEWAX. Now it's time for some Acid House on CHIWAX. Come Into My Land is a very
promising EP including 4 club tracks with the remarkeble touch of Daniela.

Jules Etienne, formerly known as J.E.E.P. is an imaginative multi-instrumentalist. The french artist has been collaborating different times with label owner Massimiliano Pagliara and you might remember "Egyptian Nipples", their duo project that came out on A personal Music not long ago. Funnuvojere is proud now to present his "Biscotte" a little jewel of beautiful harmonies. This EP takes its inspiration from a range of disparate elements.If the funky house groove of the title track and A2 "MS20 (The Answer)" stage a colourful dance party winking to Klein and MBO's glitterballs; B1 "Pyongyang Blues" dives deep into the night with an acid throb embellished by bells and cosmic pads.The EP closes up with "Thyle II" a calming luxuriant balearic composition. An ear pleaser in pure Funnuvojere style.

Steinzeit concludes the MRT grey series. The duo is comprised of Hansruedi Schn¸riger, one half of Echo 106, and Bjorn Magnusson. They recorded these three tracks in a weekend's time inside Magnusson studio, which is an abandoned factory in the middle of nowhere, in Switzerland, using bare concrete walls as an echo chamber. The pace is slow, atmosphere is bleak, tone is melancholic, drums are evil. It reflects how Switzerland feels in winter. Lonely, and this is true, like the name of the tracks.

Following on from his standout album on Nite Grooves, Jozef K is back with more of his underground brilliance on Lost City Archives Vol.3.

RAWAX is very honoured to welcome a true House legend to the family. Mr. Roy Davis Jr joined forces with us to present some of his greatest releases re-mastered & back on vinyl! Now it's time for "The Wild E.P. Pt.2"
Added on board the Chicago house production team Phuture, as a replacement for DJ Pierre, Roy Davis Jr. later followed his mentor to New York and worked at Strictly Rhythm, recording his own singles for Force Inc., Big Big Trax and Power Music. Originally born in California, Davis moved to Chicago's south side early in his childhood. After being turned on by legendary acid-house pioneers like Phuture and Lil' Louis, he became a DJ and began producing as well, with his first single, "20 Below," recorded for the Jack Trax label.

Roy describes the music that he makes as "soul electrica"; soul music mixed with electronics. His style has changed and grown up through the years as he has been going back to his spiritual roots in house music, away from the sound that he once was associated with - Phuture's "acid" and "wild pitch." The sound he is working on is expanding more on the soulful side combining an unmistakable deep funk sound of Chicago.

After the huge success of their first collaboration, Doorly and El Prevost are back for part two: this time the world touring Doorly serves up a hot original that gets remixed
by Red Rack'em and El Prevost, while El Prevost also serves up an original of his own, all on his own No Speakers label. The first EP, featuring a Lee Foss remix, gotsupport form the likes of Paco Osuna, Solomun and Groove Armada and this second instalment is set to be just as big this summer.
Doorly is a dance heavyweight who headlines clubs like Space Ibiza on his globaltravels, releases on Cajual, Hot Creations and Dirtybird and is no stranger to hitting high places in the charts with his big and infectious sounds. As a DJ he is energetic and can make a mark on any dance floor, and so will this new tune, 'Sonder.' It is six superbly deep and atmospheric minutes of warm, rolling drums and searching synths that bring an intergalactic feel next to twinkling keys. Jostling percussion brings a little loose funk and the whole thing is sure to lock in dance floors.
El Prevost then steps up to remix after 15 years of putting out killer cuts on labels like Third Ear. His music has made its way into the record bags of tastemakers like Steve Bug, DJ Hell and Steffi and this excellent remix shows off his singular style again. It is a little tougher and more energetic than the original, with sprinkled hits, rumbling bass and pixelated synth lines dancing about up top.
Then comes Red Rack'em, the Bergerac boss who had a huge hit with 'Wonky Disco Bassline Banger' last year. It was one of the tracks of the year and has been followed by an equally brilliant album by this esteemed house veteran. His remix here is big, bouncy and off kilter thanks to its coarse hi hats and punchy rubber drums. Great vocal treatment adds more wonkiness and broad synth strokes flesh things out into another sure-fire party starter that sounds like little else.
Last but not least, El Prevost offers up a solitary state mix of his own 'Temper Mental'. It's a hugely inventive track with great synth modulations burrowing deep into your brain as dancing hi hats and whirring bass encourage you to cut loose and shift freaky shapes.
This is a strong EP that really packs a punch across four standout tracks

Repress!!

Sushitech's sub label Pariter has already released timeless records from the likes of Delano Smith, Steve O'Sullivan, Baby Ford and Norm Talley to name a few and this new release of the Romanian group Lisiere Collectif is no exception!

Unknown Credentials is a project of 5 tracks released on 2 single records. A sides on both parts are absolutely massive, acid lines and hypnotic chords peak time tracks that will shake any proper sound system with some serious bass extension! B sides are deeper and have more modern, fresh electroish vibe that we love!

Fans of Ricardo Villalobos & Craig Richards b2b sets are going to find it gold! Don't sleep!!

Dj Silvers 2nd Release On His Own Imprint.

RED VINYL REPRESS X 300 UNITS

Mr. Fingers classics from 1986. Re mastered versions from the 'Traxbox' compilation.

Audio restoration by Arjan Rietvink's Digital Mastering. Released in conjunction with Trax / Harmless.

First release and sensory trip into flmmaker and DJ producer Paulo Chinatown's mind. An hologram of the Berlin crash experience rendered for your ears, eyes and hear.

Hot on the heels of their proud new charity project and first ever compilation ‘Freeride Millenium presents Queer Base’, this agenda setting label returns with an evocative new EP from Brazilian artist Rotciv, also appearing on vinyl in collaboration with Pauls Musique. DJing since 1996 and Berlin based since 2010, Rotciv has been playing places like the acclaimed Panorama Bar, Frankfurt’s legendary Robert Johnson club and the Cocktail D’Amore parties for many years. He runs Mister Mistery, a label focused on house music, while also releasing himself on Luv Shack, Unterton (Ostgut Ton) Skylax and many more. All this comes alongside his The Rimshooters project with Massimiliano Pagliara. He kicks off this fresh EP with ‘Number of Names’, a rugged roller on the border between house and techno with a phased bassline and rolling chords that get you in a meditative state. The more upbeat ‘Glutamate Transmission’ gets you shifting shapes with its daubs of acid, crisp percussive flashes and busy bassline, then ‘True Colour’ has an old school Chicago feel with its chatty claps and acid lines. The moods continue to evolve with style on ‘Bubbles The Chimp’, a tense cut of broken techno, futuristic machine sounds and lively synths. Beautiful ambient closer ‘Soundwaves’ is a lush comedown amongst the stars. This is a fully formed and journeying EP of fantastic underground sounds with artwork by Daniel Rajcsanyi.

Heavy weight Furthur Electronix artists compilation to celebrate the birth of label owner Anil’s daughter Vera. Limited copies..

It is with great pleasure that Public Possession and Cascine present to you the debut album of Bell Towers. Elev-en singles deep into his catalogue, his first LP is finally ready, an „Ode to escaping into (and out of) the emo-tional pits of dance floors – about finding a place in one night’s fantasy¹”. Musically it’s all we’ve ever wanted from a Bell Towers production: ear worm melodies, sharp baselines, wild cross-references in between genres and at last sees him explore his abilities as a singer/songwriter to full extent. Junior Mix is the sort of pop music that one is always looking for, but rarely finds - bright, charming and a little bit mad.

We sincerely hope you enjoy.
PP, Nov. 2019

¹Hayley Morgan, Oyster Magazine 117

Chicago's House Music royalty GU AKA CVO & BOO WILLIAMS attack the studio hard with a classique antidote of futuristic sound & excellence. The CVO side features "ELI OPUS OMNIS" & "MYSTIC FUTURISTIC". The BOO side features "CHI-TOWN ATTACK" & "TST WRECK". Classic SJU music that inspired the world.


B A2. GU aka CVO - Mystic Futuristic

Raw Level presents its very first Various Artists vinyl release. Ciclos Noturnos brings well known minimal flavored sound with strong deep house and tech elements.

Sector deliver four rare gems for his Macula Orange EP.

Cignol returns to Lunar Disko after his two outstanding EPs on the LDRX series. Four more electro-acid gems gravitating onto LDR from the futuristic world of Cignol.

After the successful debut album by Roland Sebastian Faber 'RSF' on Closing the Circle records RSF is returning with a new EP. We are not Friends! Double A side vinyl release with remixes by Benedikt Frey, Kinky Roland and Keen K. Including download code.

On the heels of the success of their very sought-after Edits EP
ALMA & MATER are providing their first full-on solo EP for Ancient
Future Now. And they have an urgent message they like to convey:
PLEASE DON’T INTEND TO LET YOUR INTELLECT DOMINATE YOU, freely
adapted from a quote by the one and only Susan Sontag. And
the music follows suit; no heady over-complication, instead we
get no-nonsense basslines and grooves and marimba melodies that
will surely dominate your feet.On the flip we have ADA
(Pampa, Areal)and HADE for two very different but equally charming
remixes, which perfectly complement each other.

Bengoa's B2 Recordings returns with its third release this June, this time the inaugural release from newcomer Zaq, entitled 'Magic Silver' and backed with a remix from the label-head himself. B2 Recordings : ''Zaq is an analogue machine expert and upcoming bright new talent in the scene. Collecting analogue gear from the age of 15, Zaq's output has influences from dub to italo, early 80s and 90s drum machines, ambient, reggae and acid house - his debut on B2 recordings is a personal statement and the start of many great things that are about to follow from the young artist.'' 'Body Waves' leads on the release, a tripped out dub infused cut drive by evolving ethereal atmospheres, echoing synth stabs and off-kilter drums. Following is 'Take Heed' which embraces a more tool like approach via bumpy beats and circling dub to keep things moving. On the flip, the original mix of 'Magic Silver' is up first, showcasing the acid house influences of the artist, blending together squelchy 303 licks with dub stab sequences and 808 drums. Bengoa's Club Reshape of Magic silver then rounds out the package and tips things into peak-time realms, fusing the original with a dynamic 909 drum workout and enchanting spoken word vocals.

The second release on Nothing But Nice comes once again from co-founder James Andrew. The ‘Mission Of Vision EP’ showcases the labels core identity; four cuts that transcend house, breakbeat and garage, made with the dance floor in mind.

Big basslines, punchy drums and subtle hints of acid feature alongside classic organs and floaty pads, to give the EP that signature NBN spin.

Classic, pioneering 1989 acid house track with new remixes by Serge Santiago, Mall Grab, Rebuke and Nathan Micay. The original featured Gary Haisman on vocals and reached no.3 in the UK Singles Chart in 1989. A truly legendary and genre-defining track - it was originally banned by the BBC and is a key part of the legacy of UK dance music. It was also no 1 in 1989 on the Billboard Dance chart.

Jan Schulte aka Bufiman drops a 12" of dubbed up drum versions of tracks from his‘Albumsi' LP (out earlier this year on Dekmantel).
Bendy ol TIP on this!

Under the pseudonyms 4 A.M. and Beat Per Bar, Lupos Sobre-Vega released two eccentric 12”s, of what, in retrospect, can be called vernacular house music. Both records are individualistic collisions of New Wave, Bass, Freestyle, Hi-NRG, Acid, and Sample House recorded in Sobre-Vega’s home studio in Orange County, Los Angeles. Using a Yamaha QX-5, Roland S-50, his mom's Roland Juno 60, EMU drum machines, and Yamaha DX-7, he put his nascent jazz chops to use and laid down the idiosyncratic dance tracks that he would self-release on his own label, House Hold Records, in 1988 and 1989 respectively. Although both 12”s were credited to groups, Sobre-Vega confirms that “the so-called band members were club friends. A couple were models and actors, or just plain good ol’ dancers. They were strategically picked by me, of course. So yeah, 4 A.M. and BEAT PER BAR are 300% me. There is no other.”

Despite working within the confines of dance music’s ready-made rhythms, Sobre-Vega’s sensitivity transcends the inarticulate 4/4 beat - vulnerable, idealistic and yearning. The timeless themes on the records reveal his youthful worries about money, intimacy, love and sex. Looking back at dance music history, it is luminaries such as Arthur Russell, Sylvester, Grace Jones, Theo Parrish, and Larry Heard, that stand out as enduring visionaries that transcended stylistic trends. Mixed Signals is proud to illuminate Sobre-Vega’s work in the constellation of dance music’s radical dreamers with this EP comprised of two songs from each his scarce and singular 12”s

As a special edition for the 25th release on Balkan Vinyl - six tracks selected from the label's back catalogue - four of them having never before released on vinyl, the remaining two from highly sought after out-of-print releases.

Includes the last ever track released by LFO I Love Acid', Global Goon's acid anthem Craehzrhd' from the very first Balkan release in 2010, and the opener from the late Andreas Gehm 12' on I Love Acid Heaven and Hell'. Luke Vibert, B12, and Plaid round off the EP with tracks that were previously only available as part of a digital download from the label itself (never in shops until now).

This is a vinyl-only release.

From the heart of Macedonia comes Herzel with his first EP for Uncanny Valley. The four tracks point him out as an expert for creating tracks on the blurred line between Rave and darkness. If you are listening on a proper sound system, it is almost impossible not to be moved by the mighty drones of FORMS that almost feel like tectonic shifts. GLIDE runs in similar veines and brings power to the dance floor with rolling bass synths and sublime pads. A little more straightforward is GLOWWORMS with sharp drums and an acidic synth theme only to finally merge into an elegiac climax. Finally, TWO hits hard with slapping synths and a dubby bass line, a gripping yet somehow nasty track.

Snuff Cuts Vol.1" is here! We're thrilled to announce it's debut and to pay tribute to the vinyl lovers out there with this compilation of 4 great tunes from the first 4 digital releases of Snuff Cuts.

Aaron J. Cunningham leads us off, pulling us into darkness with his hypnotizing "Blood In The Streets". Moralez then works the body with a groove monster called - Zardoz .

On the flip, Finland's fantastic acid aficionados Happo Pistoolit go crazy with their - Pikkujoulu Acid and Hughes Giboulay serves a wonderful and smooth blend of deep house,

named - Renaissance , to round things out.

Enjoy the music!

Killekill House Trax is going strong - this time with a 4-tracker by the incredible Andreas Gehm alias PUKEMASTER GEHM.
He sent us the music shortly before his death and said we could pick any of his artist names and his only condition was that the music was released on vinyl. Only after his death we realized that he had obviously already taken a decision then...
So we are releasing this record now as an homage to one of the most creative and funniest persons in the electronic universe of the last decade. We picked the artist name Pukemaster Gehm as it reflects his humor the best and also because it's the most suitable for the tracks we picked: The EP ranges from hard jacking Acid House over weirdo Electro House to old school Chicago-leaning Piano House. A timeless record for all situations.
May you rest in peace, Andreas, and thanks for still rocking our floors, even when you are long gone!

PE012 is a label friends & family junction, a 12” summoning the distant yearning of otherworldly sonic release. Ciel and D. Tiffany unite as new collaboration Psychedelic Budz, long time friends who share a mutual affinity for prog and a desire for elevated states; offering Faerie Stomp, it’s internal reworking plus remixes from Ludwig A.F. and Adam Pits. The aural synergy of the record is laced throughout, tripped out spooky tech-trance, evocative dark imagery conjured at different speeds and energies. Like most of the Planet Euphorique catalogue, these tracks can duly be heard echoing throughout the night sky through forest or bush, as bodies flicker and move in hypnotized, unleashed states.

The A side; the Origin Mix of Faerie Stomp and the Enchanted Mix by the Psychedelic Budz themselves sets the tone; tweaked atmospherics and field recordings, scurrying textures creating rhythmic collage. Drama and tension build through drones and bubbling 303 lines, villainous cackling and delay consuming the introduction in anticipation as the track develops into a stomping four to the floor promenade. Snares roll and chop in dizziness, encouraging your surrender to the lucid melodic synth lines, twirling in transfixion. The alternative mix could almost fit entwined into the original, slightly murked and more rhythmically rigid with metallic snares cutting through the denser timbre. Overall an expanded aura and creative opportunity for the deejays and those inhibiting dance space.

Flip to the B side for the remixes, firstly Ludwig A.F.’s Haunted rendition. Keeping the eerie attitude in check he morph’s Faerie Stomp into a bombastic bass heavy club anthem, playing with build ups and stripping back elements for effect, the track is always propelling forward, shuffling shakers and scratches making it impossible not to move with it. Adam Pits also maintains the essence of the original whilst offering a whole new translation for his Undergrowth Mix, gargling baselines and whip crack percussion - buckle up for a hard and fast trip to new heights. Sweet relief is brought from floating stabs and melodic subtlety, softer break chops rolling over the brutal low end before the end of the record dissolves down to the encompassing swirling modulation and charging drum work.

Four different devilish dance workouts for this unprecedented time. The power lies in the mesmerization. Lose yourself to the supernatural environment in the sonic texture.

pH 1 released his "Technicolor Vision" cassette album on Help Recordings in 2016, but is also part of the
group Hi Mount along with Central and DJ Sports. The three have released together on Regelbau. The
name pH 1 bear a less than subtle reference to the sound of acid, and his productions definitely reflects
early UK house and break beat with elements of acid jazz. He first crossed paths with Multiplex while
performing a live set in his hometown before Steen Kong was to DJ. The two quickly connected and we
are happy to welcome pH 1 to the Multiplex family.

Born and raised in Aarhus, Denmark but often traveling to UK where he also spent his teens. He started
playing guitar at age eight, but once he'd felt wax on a 1210, saved up for a pair of Technics.

His Lucid EP opens with "Time of Day" a beautiful house production, "Infinite Pressure" presents a deep,
cinematic journey, while "Bonafide Platter" is a playful, acidic tune. Titonton Duvanté delivered the
amazing Futurity EP for Multiplex in 1998 with four funky acid tracks, the perfect candidate to add to pH
1's universe. Titonton has remixed "Make Your Reality" on the B-side and the original mix of that track
gets the final word of the EP.

Inspired by the early white label house music releases.
Vinyl only, limited copies, no digital promotion.

Here is the 10th anniversary release from the irresistible AcidWorx producers, with more funky, squelching acid cuts for your brain.
This time we venture into the lands of Japan, Australia, Netherlands and Switzerland for our doses of acid supply. Njoi!

From the ashes of a devastated vinyl industry 10 years ago Paranoid London Records & Paranoid London the band emerged & immediately began bucking the trend in falling vinyl sales. With zero promotion, no interviews, no photos & no downloads their line in stripped down, dirty, sleazy tracks made directly for dancers & DJs caught the imagination of a scene bored shitless of the way things were.

The records started to become instant modern classics, going for silly money on sites like discogs. They would sell out before they even hit the shops leading to frenzied pre-orders & people squabbling over the few copies that made it on to the racks.

When they began to do live shows people began to get their first glimpses of the, until then, anonymous band. The atmosphere at those gigs was electric, the crowds surging forward with excitement as the show would start. The live show, like the records, was different to everything else on offer at the time. Combining a rare talent for dancefloor dynamics made with original analogue equipment spitting out often brutal shards of electronic funk with the Alan Vega/preacher -esque vocal rants of Mutado Pintado. Very quickly rising to the top of the disco chain they headlined everywhere from Panorama Bar, Block9 at Glastonbury, Sonar, Dekmantel as well as supporting bands like Fat White Family, The Chemical Brothers & Soulwax.

The first album outsold just about every other electronic album on vinyl that year, again with zero promotion.
Second album now complete, the secret well & truly out, new live show on the way.

Dawl + Sween are back on Klasse Wrecks with a follow up to their well received 'Rise of the Humanoids' EP from 2018. The UK DJ-Producer combo is back with more of the same classic Electro-Break sonics that had the fans of the first EP feinding so hard. The mantra seems to be similar too, no frills and direct to the point with equal parts Bleep and Rave thrown in resulting in a no brainer buy of a record. SWITCH!

Armec returns to Nebulae and chooses the Spirograph Nebula as the inspiration to deliver 5 gorgeous cosmic landscapes, where mellow textures combine with ghostly atmospheres, sparkling drum sequences and crunchy acid basslines.

For that 15th Acid Avengers split EP, we welcome two providers of acid music who know each other very well, as they're also associated in the duo Nite Vision.

On the A-Side, English producer Perseus Traxx, known for his raw house & electro bombs on Bunker, Solar One, I Love Acid or his own imprint Future Flash.

On the B-Side, Barcelona-based producer Mantra, also know under his aliases Myriadd or Acid Phreex, and responsible of several ravey bangers on Pinkman, Creme Organization, Bunker and Polybius Trax.

Two virtuoso producers for five acid pearls!

Purple Vinyl

Opening with "Absolut Bond (Sascha Müller My Name Is Acid Mix)" the pairs first collaboration effort weighs in a deep, hypnotic take on spiralling Acid music for strobe-lit underground raves whereas their second conjunctional joint "What I Mean (Great Evening Mix)" brings forth a darker, more pumping and minimalist approach whilst employing a creepy little motif that gets under your skin like the main theme from your favorite horror flic. On the flip we see Sascha Müller going on a double solo tip with "Work My 303", another masterly crafted Acid piece harking back to the finest twisted clubbing moments of the 90s, before the final cut "Generator Man" explores grinding, distorted Broken Techno / Wonky Techno realms, sucking each and every listener into a cold dystopian, post-apocalyptic future within seconds. Get this.

AKMÊ is now called RODMIN, nothing else is changing.
We’re delighted to present the first full artist-ep release of our resident. With good reason, of course, it could be asserted that this is a great, deep and timeless techno record, which never loses sight of the dancefloor but still is sophisticated enough to listen it outside the clubs.
The first track love has a good acid drive, which—because of it’s echo chamber—will feel more at home at larger floors. The second track of the A-side reflect is a rather introvert and very hypnotic one and according to really lives to its name.
Coins opens the B-side with a heavy peak time breaker, which gives and demands everything! With his riot version, ALEX.DO puts the pressure even higher.
Rave on, ravers!