House Vinyl New Releases - News

The Crooked Man returns to Bitter End with another in the limited pre-release series...

Long time collaborator and compadre Roisin Murphy lays down the beautiful 'Incapable' on side A, the most uplifting hymn to emotional thick-skin you're ever likely to hear
On the flip we get the incendiary caribbean frug of 'Princess' paired with exceptional Jazz dancer 'Feeling You Feeling Me'

Once again Bitter End rips up the rule book, and crafts a whole set of new, better ones in which freedom reigns

Light years ahead !

For the fifth release of Selva Discos, the label returns with another volume of the Brasingles series. It's another tried-and-tested dancefloor burner: Edson Conceição's "Filhos de Gandhi", a homage to the "Carnaval da Bahia", on its beatless original version and the drumtastic Mike Burns edit on the flip, featured on Selvagem's Boiler Room set.

This song is originally featured on Edson's album "Quem Tem Fé Não Sai" from 1977, which has been a very sought-after LP for the past 4 years, and its almost spoken-word nature tells the legend about the Filhos de Gandhy carnival group, one of the most traditional of Salvador (the capital of Bahia state), while an entrancing Afoxé vocal chant takes over the chorus.

A few years ago, Austrian DJ and digger Mike Burns did his own version of it, taking "Filhos de Gandhi" to a different level, adding to the original storytelling the power of drums, and it can take dancefloors to different levels as well with its uptempo and contagious rhythms, turning any party in a Carnival party.

"Filhos de Gandhi" marks the third volume of the BRASINGLES series, the Selva Discos' series dedicated to releasing loud 12" singles with the original song on the A side and a rework on the B side, to please both the DJ and the listener – the one that brought the Wolf Müller edit of Barbatuques' Baianá on vol. 2.

After his stunning debut on Fuck Reality 03 and an excursion on Full Pupp, Frantzvaag from Oslo is back- delivering 4 shimmering house cuts
to present his very own vision of Norwegian dancefloor deepness. Essential!

Despite of his young age, Saile from Berlin found his trademark sound already, delivering 3 timeless house cuts for eternity- backed by with a bumping remix by one of Smallville's mainstays- Christopher Rau. Original drawings and typography by Stefan Marx. Curated, hand-stamped and distributed with love as always by Julius Steinhoff.

All producers on this timeless EP known for their contribution to NuDisco/Deep House Music. 1 Life records has enlisted the services of top talents. U.S deep house veteran Vincent Floyd wrap drifting deep spheres, lilting electronics & warm synth rhodes chords around a chunky groove on his fine beat interpretation for a brighter & breezier deep house vibe on a remix that benefits greatly from a squeezable synth bassline & some undulating TB-303 style acid motifs, while Rico De Almenda deliver a driving chunk of dub-disco/deep house fusion rich in sparkling synthesizer lines, sun-kissed chords & his own rubbery post-punk bass. Studio don Vincent Inc always bring unforgettable impressions & inspiration for mind, body & soul. 4 tracks came together to tell music stories about hypnotic deepest stuff, depression, happiness, loneliness, love, miracles & magical experiences. And now we're asking other's to join the sound conversation

Our secret agent in Oslo returns with another urgent communique in the Norsk Tripping series...Six more tracks selected from a private vault of dance floor dynamite, which takes in modern Italo, solid gold punk-funkery, synth-outs, outsider pop & 80's obscurities.
All given the sonic once-over for maximum playability...
As always, a VERY limited run.

Limited edition unreleased 12" containing two italo disco and proto house classics anthems : Who, What, Where, When & Why on the side A and No Promises on the flip side.
Both taken from the Magic Spell Album produced by Mario Boncaldo & Tony Carrasco in 1983, the same guys from Klein & MBO, Plastic Mode, Amnesie and Ris. This unreleased 12" contains for the first time the extended disco versions of these two precious gems taken and re-mastered from the archive collection of the legendary Tony Carrasco.

HOMAGE goes from "out here" to "really out here" with their sixth release from Mr. Sunshine, a brand new duo from London artists Danvers and Luke Campion. Just like sunshine, this combo pack of techy rollers and UK bass really lights up the dance floor. Starting strong with "U Don't Know Me," Mr. Sunshine aim straight for the dome with a heaving house bomb that might blow up your summer. A cut deeper than the rest, "My Knife" is a slice of UK bass with speaker rattling capability for peaking crowds. Rounding out the project is "God Chord" a breaks influenced bass track equipped with cheeky vocals and a stuttering acid line. Bringing everything full circle is NYC treasure and rising star, Justin Cudmore, who's flipped the standout "U Don't Know Me" into an equally massive club weapon. Folks get down in the sunshine!

DJ Feedback

Danny Tennaglia:
"This Sounds great! Big support. We're liking the Cudmore mix. "


Jimpster:
"My Knife is an absolute heater for the bigger parties! Proper sweaty rave tackle that'll get people going."


Luke Solomon:
"My Knife is HOT."


Maeve:
"Both the original and the Cudmore rmx are deadly groovers. Very nice!"


Psychemagik:
"Yeah, I'll have it!"


Prequel:
"Love this, especially My Knife!"


Kristian Raedle (Innervisions):
"Very nice indeed."


Dj Rocca:
"Like the EP... my favorites are God Chord and the remix too."


Craig Smith (6th Borough Project):
"My Knife is the standout for me."


Artwork:
"My Knife is a banger."


Willie Graff (Pacha):
"Great house/garage/bass fusion on these tunes. These will do some proper damage! Favourite tunes are 'U Dont Know Me' original and Justin Cudmore Remix."


HI FI Sean:
"Cudmore dub all the way here... funky as funk."


Graeme Park (The Hacienda):
"Oh yes please!!!!"


Soft Rocks:
"Yes liking the Justin Cudmore Mix and will play for sure & maybe God Chord when getting down with the kids."


Sancho Panza:
"Loving Mr Sunshine - U Don't know me... that's a Tech Garage Bomb. Is that a thing... it should be!"


Jacques Renault:
"Hot hot hot."


Jef K:
"Great EP. Especially like track B1."


Moody Manc:
"My Knife all the way for me here thanks!"


Groove Armada:
"Wicked, love the Justin Cudmore mix!"


Peter Oakden (Fifty Fathoms Deep):
"I'm into God Chord."


Tensnake:
"Loving the original and Cudmore remix thanks."


Alex Handley (Weapons Of Desire):
"Magic! the Justin Cudmore mix is the one I prefer the most and would play. Full support from me!"


Noel Watson:
"I'll have a download of that!"


Gareth Sommerville (Athens Of The North):
"Justin Cudmore mix for me."


Jonna (City Fly):
"Gritty vibes... the you don't know me original will get some spins from me."


Fish Go Deep:
"I'm feeling my knife nice and weird and twisted I'll give it a spin on radio show next week."


Marc Meisnere (Sol Power Sound):
"Homage boys are on a roll! Def 4 to set off the room but B-side wins for me."


Chris Massey (Electric Elephant):
"My Knife is all kinds of ace! Speed garage meets stripped back house... lovely wobble bass hits giving some serious heads down vibes."

Rick "The Godson" Wilhite is back on Stilove4music for a split EP with a fantastic Chicago guest: Tim McAllister of Mc Edits fame! This one is all about the Nu Bang Clan and it's the real sound of Chicago and Detroit. 4 edits for the cats that know wassup....

DJ Rocca returns to Roam Recordings with two new originals backed by an all star set of remixers. The title track Slide to Unlock is a pretty tune that builds a swirling arpeggio under a beautiful electronic melody. In contrast, Uros is a huge gritty track with attitude.
Up first on remix support is the legendary I:Cube who takes Uros into hypnotic ethereal territory in a perfectly woven masterpiece. Rounding out the EP is another legend, The Emperor Machine, who twists Slide to Unlock into a beautiful electronic disco version full of bounce and analog goodness.

All four tracks combine into a diverse yet cohesive EP of stunning dance music electronics.

"Promised Land" is a hands down Acid House anthem. Fact.

Released in 1988 on Chicago's DJ International label it became one of the first crossover "hits" of House music.

Transcending electronic music's boundaries it entered the worlds minds & ears with it's positive lyrics & Chicago House rhythms.

This 2014 reissue brings together 4 definitive remastered original mixes of this all time essential classic.

Michael David is a musician from LA California best known as one half of Classixx. The sunshine drps off these three tracks. Melona is a blissed out summer jam with 80's guitar chords and sweet keyboard notes. One wish is a slower dubby groove while Two Voices chills out further for a real sunset melt. Chris Massey adds some weight to Melona giving ia slight nod to Shaker songs. Lovely ep all round

Turkish mystery man Ali Kuru is fast becoming one of our go-to artists. Since joining the label in early 2016, he's released two superb EPs, with a debut album of evocative musical blends - think dub, disco, downtempo grooves, humid exotica, and authentic middle eastern instrumentation - dropping in July.

Ahead of the album release, we have decided to hand over the parts to a clutch of Kuru's tracks to a hand picked team of remixers. Predictably, all have delivered, serving up versions that retain the essence of Kuru's atmospheric productions, whilst taking the tracks in a variety of beguiling new directions.

First to feature are cosmic disco pioneer Daniele Baldelli and production partner Dario Piana, fresh from dropping an inspired EP of their own on Leng. Their version of 'Ashoka' successfully wraps feverish Persian instrumentation and vintage synthesizer chords around a rock-solid rhythm track and bold electronic bassline. The result is not so much 'Afro-cosmic', as 'Arabic-cosmic'.

Next up is long time friend of the label Craig Bratley, whose hypnotic, chugging interpretation of 'Zurna' - all crispy snares, dubbed-out electronic motifs, exotic vocals and snaking lead lines - recalls the finest moments on his essential Magic Feet label.

On the flip, you'll find a pair of revisions from artists who made their name on Multi Culti, a label specializing in the kind of global dancefloor fusions that are near impossible to pigeonhole.

First up is Nicola Cruz, who successfully transforms 'Return To Paradise' via an intoxicating blend of loose cumbia rhythms, dub bass, lilting guitar lines and deep space effects. If Ali Kuru met Adrian Sherwood in Columbia for a jam session, it would probably sound a little like Cruz's fabulous rework.

Peter Power travels further towards the atmospheric depths on his version of 'Lost Bedouin'. More horizontal and clandestine in town, the producer makes great use of Kuru's haunting flute lines and evocative field recordings. The resultant remix is gentle in tone and tempo, but also ethereal in its' druggy, early morning outlook. Like the other three tracks, it's a very fine remix.

Fast emerging artist Kincaid has unveiled a new collaborative record with the respected British synth-pop act Blancmange. Set for release on the 22nd March, 'Big Fat Head' will land on Moscoman's famed Disco Halal imprint. Clad with percussive textures, the release marks a father and son team-up with Kincaid (Joe Arthur) and father, Neil Arthur, via the Blancmange project. Accompanied by a remix from Moscoman and Trikk under the Nucat moniker, 'Big Fat Head' is turned into a chugging synth-wave melody. The record marks the first original production from the pair, who have previously collaborated on a string of remixes for Blancmange's 'What's The Time', 'Distant Storm' and 'Not A Priority' - taken from the acclaimed albums 'Wanderlust' and 'Unfurnished Rooms'. Based in Berlin, but firmly rooted in the diverse and forward-facing musical scene of Tel Aviv, Moscoman's Disco Halal label hails from beneath the minarets of the Holy Land. The imprint exists to present a tightly-knit and growing community of musicians and producers, each transmitting their unique musical identity, yet each united by a unique sensibility, as well as a harmonious balance of rhythm and experimentation. Encompassing elements of downtempo, new-wave and alternative pop, stitched together with a leftfield dancefloor throb, Disco Halal's back-catalogue, filled with efforts from the likes of Simple Symmetry,The Organism and Moscoman himself, has seen the imprint rapidly emerging from the once-overlooked nightlife and club scene of Tel Aviv into the worldwide spectrum

the first collaboration of kuniyuki and japanese legendary jazz pianist fumio itabashi, it's originally released in 2009,recorded for kuniyuki's third album 'walking in the naked city'. kuniyuki and itabashi invited henrik schwarz as vocalist,maybe you remember henrik&kuniyuki's house version. itabashi said river is one of the best song which i have produced.

finally available on vinyl!

Glitterbox is proud to present Purple Disco Machine's debut compilation Discotheque. Released on the 19th of April and available on 2CD and vinyl, this extra-special release features a collection of records from a decade-spanning repertoire of golden-era disco, newly released vocal house and guaranteed party-starters. A leading light of contemporary disco and a key resident for the nightlife phenomenon's internationally renowned parties, Tino Piontek aka Purple Disco Machine has distilled his acclaimed headline DJ sets into two mixes, 'Purple Disco Day' and 'Purple Disco Night'.

Who said that da new Long player must consist by Intros, Outros and Off-Tracks – that all lies in the eye of the beholder and depends on his perspective. It must be honest and has to odd pictures in the heads. DOMPE succeeded that in a perfect way. At the beginning of May, he will release his latest album named HIPPIE CRACK on his own Label JACKRUIT RECORDINGS.

HIPPIE CRACK – music is our drug – it makes us happy and gives us the chance to flee from the gray and ordinary daily routine. These 12 Tracks are highly addictively. Close your eyes, dance and time can be forgotten. Back to the roots – back to good old house music tunes, simple but not easy produced. The DOMPE Style has not to be described on more details; Again, and again full of different facets. These tracks are as always full of summer vibes und carried by lots of samples with plenty of old-school-sounds.

All tracks from the Album tell a story, can be listen to at home or also in the club. It starts with love and full of harmony, before it changes the chill mood the clubbing sounds. All in all, the complete package is very atmospheric. Like a good gig the sounds it goes harder step by step and at its best it comes to an end.

From the front till the back a project with a high intention – one of DOMPES heart wishes was a cover designed by BRINGMANN & KOPETZKI. The result is a perfect comic version of DOMPE and that's a banger. So, HIPPIE CRACK isn't only a musically hot shit, but also a visual highlight.

Vinyl only!

After Prins Thomas’ Ambitions album (released in April) follows a series of 12”s with remixes from the album! On this first release Prins Thomas gets remix treatment from Lauer on the album’s vocal track Feel The Love. 

The track is based around a sample of the track "Feel A Love" by one of the biggest pop-stars in Norway in the 70s and 80s, the late Alex (Naumik). The 12” contains a Prins Thomas Diskomix, album version and two remixes from Lauer.

Wow !

A bona fide genius from the formative 12" remix era of NYC's Disco explosion opens up his secret vault !!

These are previously unreleased versions of classic cuts from one of the pioneers
Super limited...

Fresh from recent remixes for The Golden Filter and Perel we're proud to present the debut 12 from Cooper Saver backed with remixes from Matt Karmil and Prins Thomas. Cooper Saver is a Los Angeles based DJ and producer responsible for Far Away - a roaming party, cassette mixtape series, and radio show on Dublab. Over the last 6+ years, Cooper has consistently brought unique and underrated talent from abroad to LA for his late-night warehouse party, split between time traveling the world as a DJ. On the production front, he's spent a handful of years developing his sound as a busy remixer - most recognized for frequent remixes for DFA Records. It's only until now that his own original work is beginning to surface - starting off with his debut 12'' on Internasjonal.

With Necessary Ruffness DJ Nature presents some of his finest works recorded as 'Nature Boy' during the early 90's. Real, Whatchusay and Philly Bound come in the original versions. But for this re-issue we chose to go for a previously unreleased version of Euro Disney. With its slightly different break and tighter sound, this version is a bit more powerful. All tracks are remastered from original '92 session tapes. Big Tip!

Heist is first and foremost a label dedicated to quality house music with an eccentric angle. Promoting great music from the Netherlands comes as a close second. After presenting a lot of notable artists from our country, it’s great to showcase another young Dutch talent with our latest release: Perdu.
You might know him from his solo debut on Let’s Play House or the follow up on Optimo Music last year. Perdu’s music gets played by the big ones in the game like Hunee, Optimo and Palms Trax to name a few; and obviously, by us. We’re proud to introduce you to his “Skye EP”. His new release includes 3 varied originals and a rave anthem made by none other than our fun loving Ozzie friend DJ Boring.
The A side kicks off with “Jane’s World” and is the track that made us fall in love with this EP when we heard the demo. It’s a worldly tinged house monster, filled with harmonized drum rolls, a counting Frenchman and a funky arpeggio for good measure.
“Sacramento” takes a more introverted approach, leaning on a broken beat and atmospheric pads. The consistency of the kalimba with the vocal gives it a certain swing that got our ears longing for more.

The B-side starts with “Morbid”, a life-affirming electronic anthem, where Perdu shows his mastery of creating a proper build up. Over the whole course of the track, there’s a lead that slowly but surely opens its filter. There’s bells, harps, hand percussion and rides that all build up towards a lovely climax towards the end, while the track never feels like it’s forcing itself upon you.
Where the 3 originals are all, to some extent, quite introverted and modest, DJ Boring’s remix is anything but that. His version of “Jane’s World” is all about ravey leads, powerful percussion and huge breakdowns, which will do wonders at any festival or club closing set.
We hope to pleasantly surprise some of you, and as always, make a musical impact on your moment in the club, at home, or wherever it is you enjoy the music of our new Heist release.

Yours Sincerely,

Maarten & Lars.

epress of the Killer Italo Disco Funk Holy Grail released on 45rpm single in 1979; now available in 12' includes previously unreleased instrumental versions and two alternative versions of "Samedi Soir" by PATRICIA & TOP SECRET and OLGA MELCHIONDA.

All tracks are from ORIGINAL MASTER TAPES.

"Samedi Soir" is full of funky tropical percussion and basslines, dramatic disco strings, cosmic synthesizers and infectious piano with seductive male and female vocals sung in French over a very catchy wha-wha and P&P disco funk popping rhythm. "Sexy Banana' is a superb crazy euro disco groovy track with rhythms in a jungle groove and funky percussion breaks; vocals also sung in French.

Continue the rediscovery of Italian pearls of the 70s and 80s by Mondo Groove Records after the legendary compilation in LP PHANTOM RECORDS (MGOP01)

Whiskey Disco #50 marks the return of label head, Sleazy McQueen in an homage to the disco dads and daddies.
5 tracks meticulously tuned ranging from deep house to peak time, heartfelt disco before softly lulling you to sleep with a sweet cover of Lost In Music in a lullaby style.

Hauke Freer flying solo on Pen & Paper 03 for the first time since his infamous XK XK. Well, not entirely, as austrian beatsmith Sam Irl took PART 1 on to his Studer Console, equipping the beautifully trippy composition with that exact ammount of sonic glitter and gold. On the B, Hauke drags us far out into an enchanting chord progression, as the seductive 4G demonstrates filigree elegance to an almost fragile degree - bewitching we say.

Club, Open Air & Ibiza Essential! Hit on the A side, vinyl on the B side!

Paramida's Love On The Rocks imprint readies its eighteenth release, in this, the year of our lord, 2018 - the latest instalment on the ever-evolving, hard-to-define label is a decidedly non-dancefloor oriented, melancholic/euphoric instrumental number from promising Lon-don/Lisbon producers Elles & Violet.

Elles, fresh from her Netil Radio & Rádio Quântica residences, alongside Violet, with a string of releases under her belt on One Eyed Jacks , Cómeme, Paraíso, Snuff Trax and her own imprint, Naive, deliver big time here with A Life Lived In Fear Is Like A Life Half Lived, a warm and bubbling acid future closing time jam that has all the feels of watching the sun rise over the city with your best friends on ecstasy.

Backed with 4 heavyweight remixes from Love On The Rocks fam Kasra V, Prins Emanuel, Etbonz and Massimilano Pagliara. Pure love.

We've got some good news for those hip shakin', booty breakin' lovers of bumpy house music: Fouk are back on Heist. Their new Truffles EP is packed with swinging goodness and comes with a jazzy Hugo LX remix. After a busy period last year, Fouk have taken the time to experiment in their studio, focusing on expanding their sound and releasing only a handful of tunes. Their 'Mating Call' EP on their own label Outplay saw them explore the deeper side of things, while remixes for artists like Joey Negro on his own Z Records alongside Ron Trent saw them show off their production skills with a superb hi tech funk track. Nearly 2 years after their 'With Lasers' EP, we now give you the 'Truffles' EP. The A-side kicks off with the title track and instantly shows you a new side of Fouk. 'Truffles' is their take on what ravey piano house should sound like and it's funky as hell. Meanwhile, 'I'll be down' is about as Fouk as you can get. With their ever so sexy percussion, a moody vocal and synthy sprinkles all around, you hear so much of what makes their music so energetic and inspiring. On the flip, 'Need my Space' sounds like something you'd hear if Pépé Bradock and Charles Webster would get together in the studio: dreamy synth lines, lovely textures and weird electronics over an ever so sexy bassline. The remix on this EP comes from Parisian artist Hugo LX, whose love for soulful electronic music and jazz are perfectly presented in his remix of 'I'll be down'. His version is filled with shimmering leads, synth hits and some lovely horns for good measure. For us, this is a case of jazzy deep house at its best. Enjoy the music and if you like it, let us know! Yours Sincerely, Maarten & Lars.

Dancing has been an intrinsic element of cultural development in every society on Earth, and has existed in multitudinous forms since time immemorial. For many, it is a pure expression of joy, a release of inhibition and a communal act of passion and celebration. For others however, it can induce self-consciousness and social anxiety which, combined with peer pressure or societal expectations, can lead to distress. Fortunately, there is a solution to this predicament, thanks to the tireless efforts of a Copenhagen based Groove expert in the early 90's. After extensive studies of dance styles throughout history, Rune Weise Kofoed was able to isolate a dance move which was not only as culturally universal as laughter, but also induced no adverse effects in even the most severe cases of dancer's anxiety. He called this move "Dorsi Plantar", and it instantly became so popular that it was commonly performed by those who had never heard of it. Its versatility was so great that it was appropriate for every genre of music, and its execution so straightforward and intuitive that it could be achieved by dancers of all ages and skill levels. For all these reasons and more, Dorsi Plantar is now the single most common dance move anywhere in the world, and is generally recognised as being "Perfectly Normal Behavior." Following the success of this dance revolution, Rune has gone on to create a musical movement of the same name. Like the dance move, this music has been developed through an exhaustive search of historical material, which had been carefully recorded onto vinyl for posterity. These records were collected and combined under the name Dorsi Plantar to create a new rhythmic creation with the same universal appeal and ease of enjoyment which made his infamous move such a huge success. Now, for the first time, Kyoku Records have been given the opportunity to present Dorsi Plantar's phenomenal creations as a collectible vinyl pressing, featuring an exclusive remix by Paxton Fettel. Simply place Dorsi Plantar's "Perfectly Normal Behavior" EP in an appropriate player and we guarantee that you will perform his signature move entirely by instinct.

Singer, songwriter, composer and multi-instrumentalist, Desmond Coke's supremely rare, privately pressed, lo-fi, synth-soul fusion, Let's Chase The Sun is represented here in edited form. Painstakingly remastered from the original tapes, this self taught pianist, drummer and sax player condensed his musical experiences and dreams in to an opus on love and togetherness.

Desmond Coke alias 'Fatfingers' - named by fellow musicians due to improvisation and interpretation skills - began playing keyboards by ear at 15 and went on to a music career playing with the likes of Alton Ellis, Prince Fari, Barrington Levy, Dillinger, Don Cherry and Shara Nelson, as well as a gamut of the On-U Sound label's projects, including Creation Rebel, Dub Syndicate, Singers & Players and Mark Stewart + Maffia.

With an interest in reggae, dub, jazz, soul, meringue, gospel and garage, his sole album was a true fusion to create a brand new sound. Composed, arranged and produced by Coke, he worked with an array of seasoned musicians, including his own sisters Winifred (percussion / vocals) and Paulette Coke (percussion / DX-7 & M1 synthesisers).

Pressed on his own Saterlite Entertainments in 1989, Coke describes the album's purpose, "to get the message across to have focus, ambition, to dream and 'chase the sun'. That relationships are important, 'I need somebody' and naturally the chemistry is 'you and me'. Great relationships are about friendships and that it's ok to 'mesmerise a friend'. The most natural thing is to enjoy each other's company and to 'make a love child'. These good intentions and meanings, where love is the key." Some thirty years later Desmond's thoughts are as resonant today as then - Let's Chase The Sun.

KASKADEUR #3

Masaala is a new label exploring all things South Asian. Launched in 2019, the debut release sees a mix of edits by Mancunian upstarts Adesi and Raheel Khan.

LIMITED TO 50 WHITE VINYL
Produced by the great Nick Martinelli together with Terri Jeffries, the first release of Dance Lover, back in 1985, immediately resulted in a local release on the Dutch Rams Horn label. Leading US Music-magazine “Billboard” wrote, back in ‘85 regarding Dance Lover: “An easy D-Train style combination of soul and electronics, with a good duet interplay and a well-structured dub”. Now made available again by Dutch High Fashion Music, manufactured from the original mastertapes and including re-edits by Joey Negro and Faze Action.

There are records you want and records you NEED. Here is one containing 2 massive re-edits from the master himself Danny Krivit. Side A sees him tease the massive Let Me Down Easy (known as the main riff for David Moraled Needin You) to over 8 minutes of uptempo disco bliss. On the B side, things get a little spicier as he pumps the Fatback Band percussive "Spanish Hustle" to a peak time monster. First time for both tracks on 12" - very limited edition from the people who delivered the HOMEHIT 7” series.

The word House goes through the veins of this project born in 2016
as a result of the passion, respect and admiration of its founders Iban Montoro & Jazzman Wax for House Music.
#MoodyHouse has its own flow that goes beyond a way of
understanding leisure, party or music.

It is a concept of community; a brotherhood tailored to anyone who
vibrates with the authentic sound of house.

A Classical and current sound, but that flees from labels, classes,
music genres and origins.

#MoodyHouse only believes that music is the magic of life, a
universal language that connects us.

With this premise, it adapts its format to day or night. to a club. a
festival. after work or a beach club.

Inspired by the urban scene of House like New York or Chicago.
The aim behind it is to push new talents and well established forward thinking producers. Expect slamming Underground House, Deep and Jackin cuts from some of the most exciting talent in the scene.

Label support from: Josh Wink, Mark Farina, Phill Weeks, Loco Dice, Terrence Parker, Sylvester, Dj Heather, Tyree Cooper, Miguel Migs, Jesse Saunders, Jose Padilla, Hector Moralez, Justin Harris, Homero Espinosa, Full Intention... DJ Mag, Ibiza Global Radio among others.

We have artists like Javi Bora, Tommy Largo, Melohman, Milty Evans & Brian Boncher, Pinto (NYC), Robb Swinga, Angelo Ferreri, Bonetti, HateLate, El Funkador, Arturo Garces, Doc Link, Cockney Lama, Housego, Filta Freqz, KPD, 4Peace, Jr From Dallas, Ggdex,
Greenbay Jackers, Esteban De Urbina, Planktom, Ander B, Hamdi
Ryder, Ritmo Du Vela to name a few... 

This record was made thinking about those who lost their homes.

Wewantsounds is delighted to announce the first-ever official vinyl reissue of ZiadRahbani's mythical Lebanese Disco 12" "Abu Ali" originally issued in Lebanon in 1978 on his label Zida Records. A highly collectible album, it will get reissued by Wewantsounds with its original artwork, remastered by Colorsound Studio in Paris. ZiadRahbani is a cultural icon in Lebanon. The musician, pianist and producer is also a renowned playwright and a political activist, one of the most important exponents of the lebanese left-wing counterculture to emerge from the 70s. Coming out of an illustrious artistic dynasty (his father is the famous composer and musician AssiRahbani, member of group The Rahbani Brothers and his mother is the legendary Middle East Diva, Fairuz), ZiadRahbani started his music career during his late teens, composing music for his mother. Rahbani quickly spread his wings further. He started producing his own music co-founding the labelZida in 1978 at age 22 in the processs and started releasing records under his own name. Among these was "Abu Ali" recorded in Greece at the EMIStudios in Athens with a full orchestra (there he also recorded his mother's album "Wahdon") and released it as a limited run EP for the lebanese market. Legend has it that the album was only pressed at 500 unit hence itsrarity The result is a fabulous New York-meets-Beyrouth Disco.