House Vinyl New Releases - News

After a long Pause Full Pupp are finally back - and with New Oslo Talent Supreme.
Jaeger Club´s resident Ivaylo returns here to Prins Thomas' always on-point Full Pupp label for a release defined by its imaginative take on contemporary house and techno. Featuring three peak-time dance floor tracks, Syklon is a release that speaks to discerning dance floor connoisseurs in emphatic fashion.

MB DISCO IS BACK After a break. we're ready with new releases. After heavy demand, we decided to press this little gem on vinyl. It features the stellar remixes from Psychemagik.

Named after an 80s French cartoon, this single is the product of Turkish producer Alico and his shady cohort, Cagri. The tune is a straight-up salad of vintage Eurodisco with lashings of Italo dressing. Evoking the likes of 'Droid' by Mito, Vangelis and anything by Hipnosis, this laconic sprawling synth-fest is saved from total retroville by a crisp modern electro-house bounce.

Emotional Rescue returns to the Caribbean with the music of Glen Ricks and his infectious Jamaica meets Boogie goldmine that is I've Been Waiting For You.

A performer since the age of 7, Glen Ricks (born Ricketts), established a reputation for his singing range and ability to seamlessly shift from tenor to soprano, going on to sell over a million records around the world.

Having immigrated to Canada as a child, after teaming up with his first band The Fabulous Flames Ricks returned to Jamaica to create his first records. Moving effortlessly from reggae to lovers, and dancehall to soul, R&B, disco and boogie, Ricks established a successful career and he continues to perform to this day.

I've Been Waiting For You is indicative of that cross-pollination of style and sound. Released on 7" in 1983 on the short lived Seraff label, the mix of Ricks' soul voice with laid back boogie groove creates a sound full of lazy JA swing.

Now highly sought after, this special 12" reissue includes the stand out vocal and is backed with an instrumental that builds on the interplay between bass, drums, piano, guitar, keys and finally, backing vocals. To seal the deal - and in true label style - LA's rising star DJ Duckcomb presents the perfect Discomix, seamlessly cutting between both versions with some respectful dubbing in the mix.

Italian House music pioneer LTJ releases two funky edits and hosts a lush rework by Canadian heavyweight DJ and producer Eddie C on London label untitled (recs) for the second installment of the imprint's u(r)blue series. 2 sides, 2 heavyweights groovers!

LTJ has been DJing since the late 80s in his hometown of Bologna and has since then developed a cult following garnering international acclaim from his peers. His productions are notably regulars in Moodymann's tracklisting.

The opener 'Street' is an edit of 'Street Dance' by funk/disco American group Fatback band. A2 is an exhilarating rework with acid undertones of 'Black is The Color' by legendary funk guitar player Wilbert Longmire. On the B side, Eddie C goes head to head with LTJ by producing an edit of the same Longmire track fueled with his own signature deep & dreamy production.

Summer is coming sooner this year, and you can tell from the heat of the two latest releases from Slow Motion: yes ladies and gents, Italian Dance Wave Compilations are back! The first of the two, “Italian Dance Wave Disco Sette”, is here to delight you: starting from a half Italo and half Asian influenced Altieri track, killing it with a dancefloor belter that will make you sweat the night away, raving sensations guaranteed. Lukebox (Fabrizio Mammarella and Umberto Saba from the duo Loudtone) will serve you a slightly more downtempo, modular, weirdo beast that will make your head bang without you even notice: banger. Back on your turntables, is also Robotalco who is providing some proto-house extravaganza and adding some charme to the dirty, chunky beats of the compilation. Last but not least, José Manuel, delivering a touch of biting deep house and electro tribal feels to close the gap, and make us scream “hell yes”.

Introducing this first look at The Vision; a Bristol Boston collab with a locker of funk ready to go. Dusted up from endless years digging this pair of record enthusiast’s productions are full of the flavours of original disco and soul. This debut outing sees the pair dive deep into their record collections and add their unique stamp on personal house & R’n’B classics.

This could be the anthem you are looking for. Here is the official Alan Dixon remix of Frank Bookers Gospel Anthem Rise and Shine that will tie any room together like Lebowskis carpet. The flip side has Alan Dixon s house stomper What Cha Gonna Do feat Meleke and a remix by Chief Lumberjack Marcel Vogel. Positive vibes all around.

incl Cassette and signed Cover !

Who said that da new Long player must consist by Intros, Outros and Off-Tracks – that all lies in the eye of the beholder and depends on his perspective. It must be honest and has to odd pictures in the heads. DOMPE succeeded that in a perfect way. At the beginning of May, he will release his latest album named HIPPIE CRACK on his own Label JACKRUIT RECORDINGS.

HIPPIE CRACK – music is our drug – it makes us happy and gives us the chance to flee from the gray and ordinary daily routine. These 12 Tracks are highly addictively. Close your eyes, dance and time can be forgotten. Back to the roots – back to good old house music tunes, simple but not easy produced. The DOMPE Style has not to be described on more details; Again, and again full of different facets. These tracks are as always full of summer vibes und carried by lots of samples with plenty of old-school-sounds.

All tracks from the Album tell a story, can be listen to at home or also in the club. It starts with love and full of harmony, before it changes the chill mood the clubbing sounds. All in all, the complete package is very atmospheric. Like a good gig the sounds it goes harder step by step and at its best it comes to an end.

From the front till the back a project with a high intention – one of DOMPES heart wishes was a cover designed by BRINGMANN & KOPETZKI. The result is a perfect comic version of DOMPE and that's a banger. So, HIPPIE CRACK isn't only a musically hot shit, but also a visual highlight.

one of the most wanted japanese early 90’s house music 12inch is finally reissued. it was limited to 300 promo copies. four unique very club friendly tracks. don’t miss it!

Kito Jempere. Don Pietroburgo. Capo Del Branco. Fka Lany. La Russia Dall'inno D'amore. Drakon. Nuova Meraviglia Dell'onda. Vogliamo L'amore Tutto Intorno !!

Prelude Records is easily one of THE most influential Disco labels of all time. The label released classic upon classic and launched the careers of many now influential artists and producers and engineers. Names like Francois K, Shep Pettibone, Tony Humphries and more were all intrinsic to the Prelude story. The music this label released throughout it's life has shaped modern day club culture and continues to do so....

1977 saw the release of one of Prelude's most sought after, desired and rare offerings. A 12" promo that features 2 insanely deep cuts from the labels impressive repertoire. Bill Brandon & Lorraine Johnson's split DJ promo '‎We Fell In Love While Dancing / The More I Get, The More I Want' - 2 megaton Disco bombs that will have your dancefloor in a frenzy. This essential release has changed hands for hundreds of pounds on the used market and has never been legally reissued before, there are sub-standard boots around and they sound awful. This official reissue has the full unedited versions of the tracks and has been repressed from the master sources and with the full involvement of the licensors to provide 2019's clubs with a true Disco rarity, as it was way back in '77!

DJ SUPPORT:

Gilles Petersons "Worldwide" BBC6 Music

Kevin Beadle "Mind Fluid" Totally Wired Radio

Kalita's obligatory Record Store Day offering is something rather special: synth-funk visionary couple Emerson and Leora Sandidge's mythical unreleased album finally sees the light of day, following Emerson's sole private press seven-inch single release way back in 1988. Those two tunes ("Sending All My Love Out" and "Why Are You So Cold?") make the cut on this belated debut set, alongside six other previously unreleased recordings from the same sessions. Their take on electrofunk, boogie and '80s soul is colourful, soulful and synth-heavy, with the included tracks veering from up-tempo club workouts (see "Raw Deal Cocaine Kills") and fizzing dancefloor pop workouts, to sugary ballads and seductive slow jams. In other words, it's a more than tidy selection of rare and unheard gems.

Hugo Mari, formerly known as Books, has been receiving a lot of welldeserved love of late, and for good reason. Even though the London-based producer has been delivering respected dance-floor cuts and Edits on labels such as Omena, XVI and Sound Of Speed, his most recent release on Detroit Swindles’ Heist has really helped put him on the map. Having remixed Dele Sosimi and been remixed by Laurence Guy and Kai Alce, Hugo is moving in the right circles and it’s only a matter of time before he really gets the recognition he deserves.

His debut EP for Freerange is aptly titled Unalloyed Pleasure and consists of three originals that will give you and the dance floor just that. The lead track manages to meld slamming kicks, distorted bassline, deep, cinematic strings, disco hats and cut up spoken word into something fresh and unique.

Raise It Up sees Hugo go full on euphoric disco mode with an uplifting slice of sun-drenched soul just perfect for the summer months ahead. Lush Philly strings and vocal sample bring a classic vibe and catchy hook to the party.

Closing out this brilliant EP we have Just A Memory, a jazzier and more pensive slice of deep house music with upright bassline and familiar Rhodes sample taking centre-stage. Snippets of vocal float in and out of focus whilst the rolling, percussive groove brings an immersive energy that locks you in to it’s seductive mood.

Infodump, A Label Run By Testa, Releases White Ep Consisting Of Re-edit Works Of Japanese Songs By Anonymous Producer Collective Mondo Dump. Limited 100 Copies Of Red Coloured Vinyl.

Acid Pauli and Nico Stojan’s inimitable imprint Ouïe sees the long-time collaborators return with their second EP on the label since its 2016 launch. Inaugurated as an experimental space for left-field artists, the burgeoning label has secured a coveted reputation for issuing story-telling, evocative cuts which blur genres and challenge dancefloors. With this stirring, three-track outing, the duo once again steer Ouïe as being a valuable source of essential electronica for open-minded music lovers. The atmospheric ‘Flying Lizard’ is a stunning masterclass of dreamy, emotive soundscapes, with rousing drums beating the terrain while the track soars with an enrapturing melody. ‘Huch’ has listeners craving dancefloor heat with goading afro drum rhythms taking the lead before an elevating synth line weaves in some much-welcomed euphoria. Closing the EP is ‘Alambic’, a track equally as provoking in its afro-inspired drum pattern and percussion, and it’s one certain to invoke a positive response as pulsing pads drive momentum up a notch.

Johannes Klingebiel's Positional Play is a masquerade of shape and texture, a carbonated collection of capers to stray and sway with.

The Cologne-based producer, DJ, and Ancient Future Now label-boss dispatches four tracks of angular, emotive acid house destined to be intensified by the reception of perspiring dancers and exultant listeners around the globe.

"Positional Play" combines the gentle whiplash of splashing snares with a delirious, flourishing arpeggiated melody, while "Nah" draws the ecstatic inward to its essentials, opening with the sparse chime of bells, faraway metallic percussion, and plaintive piano pluck before accelerating into a chord-busting frenzy.

"Five Dimensional Coffee Cup" is the real rave up of the bunch, though, offering an energy alloy with pure, psychedelic force. Finally, "Please Please" pares down to swinging percussion and pleasing / pleading melody, overlaid with soft, swelling chords.

The latest 12" in a new chapter of Beats In Space Records, Johannes Klingebiel's Positional Play comes in a sharp dressed sleeve, bumper-stickered and ready to rip under the needle's sturdy pressure.

The new Outplay release is by young and upcoming dj/producer Cleanfield, or 'Jelle' as his mom calls him.
Hailing from Arnhem, the Netherlands, it's always great to see another talent pop up in the Dutch scene!
He has made three super catchy tracks for us, perfect for the summer season!

First up is the title track 'Haute Cuisine', warm bouncy bass topped with a super infectious lead melody and percussion. If there is a track more suited for the festival season it's this one for sure!
'Hot Wheels' races on with a deep rolling groove, fuelled by wah wah rhythm guitars, warm synth chords and arpeggios.
'Conflict With Clayton' brings another solid groove to the table with scattered vocal samples and multiple synth layers. Scorcher!

So imagine dancing your ass off to this EP in the sun and feeling fantastic, we sure are!

Once upon a time, the footjob crew moved into a new studio space in their hometown Darmstadt. This location was previously used by a religious community that found its purpose in the worship of Shiloh. Phonk D and Sascha Ciminiera have somehow absorbed the spirit and created this EP as if by magic. In order to enjoy this spiritual journey even more, they asked Johannes “the wizard” Albert for his support. He was immediatly hooked, threw a few herbs together and brewed them a tasty remix.

Welcome to the Future Disco. A technicolour space where you let your senses run free and immerse yourself in a nocturnal journey of musical discovery. Every collection is inspired by the past, but perfectly curated for tomorrow's dance-floor - this is disco’s future.



It’s been ten years since Future Disco arrived with the seminal first edition ‘A Guide To 21st Century Disco’. Since then they have gone on to release over 20 albums and countless worldwide parties and radio shows. So to celebrate ten years in the Disco forefront Future Disco have provided a new artistic direction alongside a brand new album in the series.



While the outside may have changed the inside is exactly the same. An eclectic selection recapitulating the sound of today and tomorrow, with firm nod to the past. Future Disco has always managed to weave that line of interesting and party starting and on this album, it’s no different. Disco has always been about uniting the dance-floor and Future Disco embody this spirit with a cross selection of sounds and artists.



They find plenty of future rising stars with New Zealand’s Flamingo Pier and Paris’s Yuksek all comfortably sitting alongside more established names such as Jamie Jones, who reworks the legendary Teddy Pendergrass, Metro Area’s Darshan Jesrani and the original destroyer of Rock and Roll, Mylo.



There’splenty of exclusives on this album. One exclusive coming from superstar dance producer Mylo, one from cult hero Kiwi and a Future Disco edit from head compiler Sean Brosnan. It also see’s a number of tracks being pressed to vinyl for the very first time including the aforementioned Jamie Jones remix of Teddy Pendergrass, Galaxians, The Funk Hunters and Bertrand Burgalat.



The entire mixed album has as always been edited and mixed for dancing pleasure. For the first time the album will be available as a heavyweight limited vinyl edition, with 300x limited edition pressed to pearl white.

Jasper Street Co. has cemented its reputation through the years as one of
America’s premier medium for quality soulful and gospel-based house music.
With the release of the “Rejoicing” double vinyl album on Nervous Records,
Jasper Street Co. is now going next level in presenting songs and productions
that will be peak hour/hands in the air timeless anthems.

Jasper Street Co. consists of vocalists Randy Roberts, Vonita White, Richard
Burton and super producers Teddy Douglas and DJ Spen. Teddy is one of the
founding and core members of The Basement Boys, a monumental production
team behind multiple hits including the 1991 gold single “Gypsy Woman (La Da
Dee, La Da Da)” – arguably one of the greatest house music productions of all
time. The Basement Boys earned maximum respect from the music industry and
fans worldwide as they always remained true to the roots of quality house, but
still were able to bring that house feeling to productions with pop artists like
Michael Jackson, Lenny Kravitz and Erykah Badu, while still making hits for core
dance artists like Ultra Naté and Martha Wash. DJ Spen also has a storied
connection with the Baltimore music world. From his days in the early 80s
making mix tapes for local Baltimore radio shows to his experience as a founding
member of a group called Numarx that originally recorded “Girl You Know Its
True,” which eventually was a number one worldwide hit for Milli Vanilli, to his
eventual work with The Basement Boys, Spen has solidified his position as a
major figure in the American house Music Industry.

This double album includes the Number 1 Traxsource Charting single “My Soul Is
A Witness,” a cover version of the seminal Ultra Naté house music anthem
“Rejoicing (I’ll Never Forget)” featuring vocals by Dawn Tallman, and the gospel
house stomper “Praying For You.” Other guest artists include Byron Stingily and
Norma Jean Wright on “Paradise,” musical contributions from Charles Dockins on
“Happy Song” and arrangements by Tommy Davis on “You’re My Latest, My
Greatest Inspiration.”

It all started with words, and a project for an art book with a CD, acronym for Corps Diplomatiques as a tribute to a special diplomatic elephant called Abul Abbas. A few mundane terms, picked randomly, then coupled with frequencies chosen in a spontaneous way for their presupposed properties or synchronicities, whether in space, orbital rhythms, color spectrum, or electro-magnetic fields. Those free associations became the foundation for a written composition, the reprogramming of recordings of computer improvisations, and a dialogue with the visual elements of the book. It is also based on the deconstruction of the first LP I did and its reconstruction under the auspices of echoes of a joyful brouhaha from a dreamed speakeasy, including the true voices behind the charade. The freedom is given to the listener to connect the dots and name the tracks according to their own state of mind, mood or interpretation. All further informations are in the book !

After S3A's 'Deep Love' contribution last year we are stoked to present you this great collection of music! Coming from the French underground S3A aka Max Fader is absolutely no stranger to the scene. With releases on Local Talk, Quartet Series and his own 'Sampling As An Art records' he is deeply rooted in House, Hip Hop, Disco, Soul and Funk serving residencies at Paris clubs 'Concrete' and 'REX' he has become a local favourite as well with his DJ and Live sets. We are more than excited to release this special debut album that showcases some older and recent work, with live acoustic songs from early 2017 recorded at the Paris 'Red Bull Music' studios to new sample based House and Disco infused tracks in the signature 'S3A' style we got to love so much in recent years. 'Fever", 'Friends, 'Joint No. 5 and 'Greed' are all funk fuelled jams composed by Max, re-played and recorded again in several live jams with fellow musicians Nicolas Taite, Raphael Vallade and Pierre Vadon and edited in the studio by S3A afterwards, they breath this special Soul and Funk love Max got into by listening to 'Masters at Work' and old Disco jams. The latter 'Greed' has a special story, it is a cover of an early 'Laurent Garnier' track that got reworked by 'Avril' in the early 00's, here Max wanted to present his own Jazz and Funk perspective on that same track. The club stompers 'First Day With Lucien", 'Lockwood", 'Clarence J. Boddicker' and 'Leaving 19th' are the true party business on this album and range from Deep House to more classic edit style Disco tracks with live improvisations played on top of them.

Do It Again Label Presents 1st Release Limited Press For 2 Gems Revived By Twice And Volcov Masters. As Usually... Serious Diggin'.

The Master Thunders ! Quality Vinyl And Perfect Pressing For True Dancefloor.

Five years after his track 'Mr. Croissant Taker' appeared on Soulwax's Grand Theft Auto V radio station, Belgian producer Transistorcake releases his official debut release, the 'Future Plans' EP on Eskimo Recordings. Featuring 4 tracks of hazy electronica that would sit neatly alongside early releases on Aphex Twin's Rephlex label or recent excursions by the likes of Palmbomen and Betonkust.

Opening tracks 'Future Plan I' and 'Future Plan II' sets out Transistorcake's stall nicely. Swirling synth melodies, an ever evolving bassline that leads you down a labyrinthine maze and diaphanous strings and pads all add up to create an ecstatic yet at the same time melancholic quality to the music that manages to sound both ancient and modern.

"Future Plans I and II are constantly changing routes of ideas, improvisations and coincidences," explains Transistorcake, "nothing is a constant in the two numbers, outside the pulse of the drums. You can see them as two possible versions of the future or as an old version of the future alongside its current variation."

Whilst cut from the same cloth as the previous tracks 'Ribbles' has more than a touch of the Nordics to it. Sparkling, playful melodies glitter like snowflakes caught in the flash of a strobe light before a pulsing disco beat rockets the track into the stratosphere. In his own words the track is "an ode to spontaneity and dancing without braking. I pictured it being played by a live band next to a pool at an LA cocktail party in the '80s."

Closing the EP we have 'Kluts', driven by a stuttering, head-nodding, rhythm that recalls that rapping sound of a woodpecker in the forest, the track is gently swaddled in a warm embrace of synthetic stings that gradually develops and asserts its dominance over the course of nine, all-too brief as it happens, minutes. For all its gauzy textures there's also an undeniable solidity to these tracks, an underlying organic quality and nostalgic warmth that permeates them.

Having previously studied jazz composition and played in several bands over the years, Transistorcake brings a sense of spontaneity to the often all-to-structured world of electronic music. This EP just capturing a snapshot in time of these songs that can be endlessly reworked and reimagined in his live set, where live bass and drums, are added to his collection of vintage synths to an endless back and forth between man and machine.

Atangana Records presents its 4th releases, beginning a new collaboration
with Henri Debs & Fils imprint.
This record is a first tribute that Atangana Records and Henri Debs & Fils
wanted to give back to the great Guadeloupean producer Henry Debs.
With this compilation EP, gathering rare and unpublished titles, Déni Shain
and his team aim to dust off the archives of the label and allow as many
people as possible to discover the pearls of the French Caribbean Islands.

Red Rack'em launches a new series called Disco Banger. Following on from his Wonky Techno Banger monster, it's time for Rack'em to show his summery side with 3 killer vibes on a soulful tip. Tip!

New Edits from Magic Wand label

4 cuts of fine disco grooves. All have been road tested in recent sets with Labor Of Love's tune being one of my biggest from last year.

DJ Support:

Fingerman, The Funk District, Dj Osmose, Hotbox, Get Down Edits

Elossa Records proudly present it’s second release; PEU 2! PEU is Scandinavian Italo-Disco from Espoo, Finland. Emotional, serious and powerful music, produced by Lassi Jahnsson and Teemu Keisteri.

DJ Nature follows up 2018’s ‘Ultimate Delusion’ EP with another set of pure heaters for Futureboogie.

The Bristol born DJ and producer, also known to many as Nature Boy, comes with an exemplary track record, but that’s to be expected from one of the scene’s early pioneers. Releases for Golf Channel Recordings, Jazzy Sport and Ruff Disco Records are considered true classics, and rightly so!

Breezy MPC house jams of the highest quality, ‘Flutter’ manages to fuse David Lynch style pads and earthy vocals with a marching rhythm, whilst ‘A Moment’ gets cosmically charged with a spiralling modular lick over a chugging guitar hook and spacey chords.

NB’s Mix of Siliconada goes straight for the jugular, with looping disco rhythms and off kilter jazz licks, whilst the Original Version lays heavy and disorientating synth work down for a killer techno injection.

As always, DJ Nature delivers a unique and distinctive sound that is often imitated but never bettered!

The track Blind by Rheinzand first came to the attention of Music For Dreams label honcho Kenneth Bager after he heard the track being played by DJ Harvey at Mercury Rising, in Pikes Hotel, Ibiza last summer.



Amonth later he got the soundcloud link to an album by Belgian trio Rheinzand and suddenly "Eureka moment” yes there it is! Kenneth jumped on a plane to Belgium to meet them. Rheinzand got signed and have just finished their superb debut album, which will be released later this year on Music For Dreams.



The first taster of the album is the bouncy and balearic Blind. Reinhard from the band explains "The original of "Blind" started as a very rough 4 chord progression within a half hour before leaving to the studio to record some other stuff, with the intention to have the bass player and the drummer jam over it, so we could take that home and make it into a proper song. It had a very harsh and irritating synth on that initial version, so everybody kind of hated it at first. It was only after the vocal by Charlotte came in, that everybody started to see the potential of the track. From zero to hero, so to speak "



As part of the limited 12” is an excellent Dub Version.



Rheinzand is a collaborative project between the creative masterminds Reinhard Vanbergen, known from 'Das Pop' and Mo Disko, from the renowned disco duo 'The Glimmers'. Their tracks are a blend of psychedelic funk, disco-rock infused with some wild electronics. Joined by the lush vocals of Charlotte Caluwaerts they played many a festival over the last 4 years. Live on stage they are accompanied by the likes of Stéphane Misseghers (dEUS, Disko Drunkards) on drums and Bruno Coussée (MannGold) on bass.

After the shift of consciousness in 2012, generations collided as Charlie and Eli from Soul Clap made contact with another very special duo; Chuck “Da Fonk” Fishman and Sa’D “The Hourchild” Ali. Chuck and Sa’D are one tentacle of the cosmic octopus which is the world of George Clinton / Parliament-Funkadelic.

This vitally important limb touches down in the worlds of Funk, Rock and R&B but also into Disco, House and the electronic beyond. Together with a roster of collaborators including Grammy-nominated producer G Koop, original Funkadelic bass player Billy “Bass” Nelson, Talking Heads and Sting vocalist Dolette McDonald, Midnight Magic’s Morgan Wiley, Philadelphia’s One Era and Michael The Lion, Angeleno Oz “Ozgood” McGuire, Bostonian Chas Bronz, Jamacalian David Marston and more, a supergroup of producers was established representing Funk, Style and Quality better known as FSQ! Lead by the mind of Chuck Fishman the FSQ remixes and reworks have always gone above and beyond.

Soul Clap launched the group in 2014 with the FSQ debut EP, “Zulu Congo Call” which got 9/10 in Mixmag and DJ Mag. Their remix work for other artists can be found across a variety of labels?—?Midnight Riot Records, Jalapeno Records, Wolf + Lamb, Bastard Jazz and many other dance music indies. Their full length album will be released in the winter of 2019 on Soul Clap Records.

Sa’d “The Hourchild” Ali unfortunately passed away in the early summer of 2018. “The Remix Special” an album compilation of unreleased FSQ remixes of their Soul Clap Records label mates was released in Sa’d’s honor with all proceeds going to his family.

Walk Don't Walk And !k7 Records Presents 'age Of The Ego' - The Immaculately-crafted Eighth Album By Dance-music-national-treasures Crazy P. Following 30 Million Steams For Their Previous Album, Sold-out Headline Gigs In Manchester And Percolate In London, Supporting Chic And Chaka Khan, Plus Shows For Bluedot, Festival No 6, Love International And Boiler Room In Bali, The Nottingham/manchester Band Are More In Demand Than Ever. Fans Of Fleetwood Mac, Peter Gabriel, Grace Jones, Arthur Russell, Jam Hammer, Prince And Bobby O Will Find Much To Like, But This Is Clearly Modern Music, Where Heavy Clubs Beats Are Layered-up With Perfectly-placed Arrangement, Ace Playing And Stratospheric Soundscapes. Musically, Crazy P's Breadth Of Studio And Writing Experience Shines Brighter Than Ever, And 'age Of The Ego' Has Their Unmistakeable Stamp Of Quality, But Is Now Augmented With A Broader Palate, And - Like Many - A Feeling Of Upset With The State Of The World.

New Special Edition release from Rune Lindbaek on the Magic Wand label

All producers on this timeless EP known for their contribution to Deep House Music.
Kerri Chandler & Joey Negro has been injecting soul & funk into music since the early 90s, making them one of house music's originators. With a career span of more than 30 years, Spen & Karizma has become one of the most sought-after DJs in the US. Studio don Vincent Inc always bring unforgettable impressions & inspiration for mind, body & soul. 4 tracks came together to tell music stories about hypnotic deepest stuff, depression, happiness, loneliness, love, miracles and magical experiences. And now we're asking other's to join the sound conversation

Dan Shake is back again with two tracks on his label Shake. Keeping with his usual sample heavy style, the tracks are made for the dance floor and guaranteed to get people shaking.

A7 Edits is back with its second instalment from JD Twitch (Optimo). Following in the fashion of the first record by Stefano Ritteri, Volume 2 offers two edits alongside their sought after original counterparts from Africa Seven favourites’ M’Bamina and Tala AM.

The A-side sees JD Twitch take on M’Bamina’s 1982 ‘Kilowi-Kilowi’, from the group’s third album ‘Reflexion’. Twitch takes this already dance-friendly number and stretches it out, producing a a laidback disco groover with added effects for good measure. A delightful organ line pops us near the beginning, reappearing throughout the edit, often taking turns for centre stage with the vocals or the horns, whilst the funky bass keeps the pace and style throughout. Following Twitch’s version is the original which starts with a rather trippy, meow infused intro before slipping into the type of groove that M’Bamina became known for.

On the B-Side we have Tala AM first up re-edited in classic Optimo eclecticism. ‘Arabica’ was the lead track on Tala André Marie’s 1978 album on Fiesta records. JD Twitch goes large with his version, amping up the already powerful original into overdrive with heavy drums, plenty of reverb and some trippy Frankie-goes to Hollywood-esque effects glittering over the top. It’s not what you expect, but exactly what you wouldn’t expect from a man like Twitch, and definitely works on the floor. The B-side closes with the original version, more disco but all the same power behind it.

So WOW... Jiraffe - Out'a the box. Well what can I say, when I first heard this record I just melted... On the first few bars and the tempo already was a fav, my ears pricked up and then woahhhhhh... That bass came in and oh god how that went through my whole body and shook me like a thunderstorm..those synths and percussion just left me floored... Probably one of the most cherished re-issues that you will buy... Don't know about Out'a the Box,... If you don't already own it, you will and it will be IN the box for a lifetime...

With their latest 'International Disco Mafia 2' release getting love from the likes of Marc Grusane and Jacques Renault, these Dublin based modern discotheque messers are on a roll.

Their latest sees Yorkshire based machine squelcher Perseus Traxx coming heavy on the A side with 'Pump It', which grinds a crashing jack track in and out of some choice disco snippets to create a relentless floorburner for 2019.

Sir Leon Greg is another of the Traxx-man's many pseudonyms, and 'Shakey' is an acid house tinged makeover of an old Northern Soul classic he made a few years back.
Fatty Fatty head honcho Pablo supplies his 'Warehouse Mix'Â of the track, which strings it out into a wild 10 minute trip that teases and caresses you before the strings and that chorus send you over the edge completely.

Last but not least, 'Last Days' will be, to some ears, the pick of the bunch - a rich, ever circling slice of funked up house music that will touch you in all the right spots, rounding off the package in some style.