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special double pack for all you Every lovers out there - contains two classic releases

every002: 123 vs. romanthony - romantic fuck
every003: justin solveig - i like something better

London duo Jynx provide the next chapter to Kidnap Kid's 'Birds That Fy'; an imprint quickly building a slim but effective catalogue.
This two tracker is a true fusion of sound, entangling vibrant UKG percussion, emotive vocals and charmingly quirky production.
Altogether it creates something beautiful and unique, echoing the individuality of the label itself.

Kalabrese is back with another blues. "Rock Your Duby" - the dub-house track is about missing the lady on the dancefloor. One
day she will return; that's the Swiss producer's hope.

The Secret Squirrels are non-stop in their search for irresistible, raw and tracky Disco-tinged grooves that are primed and ready to slay your dance floors.The first offering here works the chunkier and funkier side of the woods, while the flip gets all late night, dirty and ecstatic on you.
Don't feed the animals when you can make them dance.

Taking one track from each of the Under the Influence CD compilations, and feat unreleased tracks and an exclusive Joey Negro edit of Sweet Talks "Do The Beat".
DJ Support:
JimmyTheTwin, Pete Haigh, Faze Action, Nowicki, Mudd (Claremont 56), Señorlobo (Lovemonk), Red Greg, Paul Phillips

Whiskey Disco continues to explore the boundaries blurring the lines between original and edit, disco and oddity. WD47 is helmed by Dutchman, Olivier Boogie, an artist known for strengths across the spectrum, in previous releases, we've seen his editing on display, No Goodbye is a fine balance between original synthesis and editing panache. Thoma Cher is a newcomer to the edit scene, but has been heavily involved in a disco and house renaissance occurring in Shanghai over the last few years.
His club chops have honed an acute ear, we love what we're hearing from him and can't wait for more.
The B-Side is everything a B-Side should be: weird. Label staple, Alkalino guides us along a cosmic journey of boogie-down grooves. Arps, baby.
We love em. SF crew, JP Soul & Anthony Mansfield have been attracting serious attention of late between outings on Roam Recordings and sightings at the famous Burning Man camp, Disco Knights. To say they are ravelords is an understatement.
Their pedigree is on full display in Warlord, equal parts Arp energy and HUGE (HUGE) lead, the right balance of fun and cheese.

For the first time ever on vinyl after 36 years, the most wanted Susana Estrada track, Espacial, only previously available on the lost "Machos" cassette, and featuring two new remixes.
Susana is possibly the most acclaimed superstar of the Spanish "destape" b movies era and this was the "soundtrack" of one of her most famous sexy live shows, hence probably only distributed on site and therefore very rare.

Vinyl Only

Fernando Pulichino is no stranger to Leng Records. The bass guitar-wielding Argentine made his first appearance on the label five years ago via the cosmic disco/psychedelic rock fusion of Blue Impala, returning two years later with the similarly inclined brilliance of Giant Desert. Pulichino then resurfaced on Leng late last year with a superb, digital-only three-tracker called Natural 77.

Now he's back on wax, buoyed by the success of the acclaimed Shining EP on Is It Balearic
Recordings. This time round he's in Search of Indigo, shaping hazy, sun-baked soundscapes around his distinctive basslines, echo-laden synthesizers, meandering Fender Rhodes solos,
gentle dub vibrations and glistening, early morning jazz guitars. This is music for the heads, hips and feet, soaked in Fernet and left in the afternoon sun to slowly ripen.

Arguably the most arresting of the four cuts is the title track, a head-in-the-clouds vocal number rich in bubbly electronic riffs, laidback electro beats, ricocheting percussion hits, swirling wind
effects and rubbery funk-rock bass.

Pulichino's penchant for intergalactic disco shufflers once again comes to the fore on killer Sundown Visions', a saucer-eyed chugger that simultaneously throbs, pulses and sparkles
thanks to sparring synthesizer motifs and eyes-closed space rock guitars. We suspect Daniele Baldelli and Andrew Weatherall would approve.

Elsewhere, Pulichino indulges his passion for sofa-surfing jazz-funk on solo-laden EP closer Frontera', a relaxed and undulating jam rich in cascading electric guitars, fluid electric piano, delay-laden flourishes and deep space synthesizers. You won't know whether to lie down, dance enthusiastically or wearily shuffle, either way, play at sunrise or sundown for maximum
enjoyment.

The EP also boasts a first vinyl outing for the title track of last year's digital-only EP, Natural '77'. Seemingly partly inspired by legendary West Coast funkateers Steely Dan, it's a lazy, low-
slung affair full of languid guitar solos, freestyle vocal improvisations, bongo-laden drums and one of his most inspired and elastic basslines to date.

Opening the EP, Black Magic sets an optimistic tone for what is to come from this new label. Intoxicatingly hypnotic and full of warmth, this track reminds us that it is always summer somewhere.
If Black Magic is essential in warming a party up, God Bless Atheism is the perfect way to bring us softly down on the other side. A modern Balearic anthem in the waiting, this is best enjoyed looking out to new horizons.B1 Street Sunbath sees Ponty exploring more-techy territory whilst still retaining the hopeful feeling that forms the backbone of this EP.
Closing the EP, Hidden Object has a strong tribal feel which hooks the listener. Using vocal chanting samples and simple repetitive melody lines, this is a perfect example of how less is often more in connecting with the dancefloor.

Whiskey Disco #49, Rabo & Snob's 3rd EP on the label, is further proof that this Tel Aviv duo has their finger on the pulse of modern disco production.Energetic arrangements perfect for tension building at any tempo. This duo have also recently released affiliated projects on Mahogani, Strictly Rhythm - not to mention their previous work as Soulico.

Third in the vinyl only DJ K series see's three more fantastic edits by the Japanese based artist

1x each customer!

2 unreleased SYLVESTER disco mixes of cuts dating back to 1978 as part of a special Japanese DJ programme! "OVER AND OVER" on the A side with its non-stop bassline action has been masterfully extended and feels like a MAW classic. On the flip "GRATEFUL" in this full 12 minute form is an absolute scorcher!

Toy Tonics going Afro House. The MUSHROOM HOUSE compilation series part brings 4 unreleased tracks. Including two of the most relevant names of the growing scene: AUNTIE FLO from UK and mysterious producer HYENAH. Hyenah is a favourite of the scene's main man Black Coffee and DJ's like Dixon and the Innervisions circle are heavy fans. Also on this EP a new track by Toy Tonics very own ZHUT & KAPOTE. Kids from Berlin with a good buzz right now. Inside their track Afro Rico an Senegalese child choir meets some Zappaesque Marimbas going crazy... And as a bonus track you find Munk's Nigerian Jam: A Nigerian Funk band rolling over an heavy disco beat. Very deep, but very effective.

It takes a very special record to be christened a 'classic', 'timeless', 'legendary'. Heatwave's 1976 smash 'Boogie Nights' is one such special record, it undoubtedly deserves all the cache it has received over the decades since it's original release.
Written by the late Rod Temperton (who went on to work with Michael Jackson, George Benson, Chaka Khan, Quincy Jones and many others) this proto-Disco anthem still influences today and is renowned as an all-time classic dance record. 'Boogie Nights' was a hit in the USA, peaking at #2 in the charts in early 1977. Not bad for a group of Europeans with no connection to the hustle and bustle of NYC, or the grit and glamour of Detroit, Michigan with Temperton even calling Cleethorpes, Lincolnshire 'home'!
Now, in 2017, Brookside Records present part 1 of a very special 2 x 12" package indeed. NYC mix master Mike Maurro has stepped up, armed with a fistful of master reels from Epic's vaults and has undertaken the task of remixing this all-time classic and it's B-side 'Too Hot To Handle' in fine fashion. As usual, Maurro turns in respectful, faithful versions, made from the point of view of someone who has lived with this music all their lives. Much care and love has been taken with these new mixes, and new life has been breathed into Heatwave's music. Both mixes utilise some previously unheard studio ad-libs and instrumentation to fantastic effect, shining some new light on tracks that are engraved in the psyches of millions of dancers, DJ's and music lovers, no mean feat, but Mike Maurro pulls it off beautifully.
Again, Brookside bring us another set of cult Disco cuts reworked beautifully for 2017's ears, essential stuff for all lovers of this kind of music, this release is simply unmissable. The record comes with lovingly reworked Heatwave artwork and these remixes are exclusive to this release and are fully, 100% legit, licensed and sanctioned by all relevant rights holders.
Simply put, another set of essential mixes from a modern day master!
File under - *Essential Disco*

Periodica Records family member Filippo Colonna Romano aka Modula (Naples, IT) drops a weirdo, tropical, G'd up Yamaha PSS 780 fonk EP. RIYL Dam Funk, Prince B-sides, twisted dancers and cosmic oddities. First 10" format on Firecracker for some time!

RECORD EXCLUSIVELY TO PLAY ON YACHTS AND IN OPERA HOUSES.
These songs were not born in the club, nor were they written by producers' algorithms. So where did these hits come from Maybe from poolside changing rooms (Aldona Orlowska is the Polish champion in butterfly style swimming) Or maybe from opera singing lessons with Professor Olga Olgina, the melodist born at the beginning of the 20th century in Tsarist Russia She feels as good in performing on yachts as in beautiful churches. Aldona marries the virtues of an opera singer and a disco star. She creates together with her husband, an outstanding instrumentalist and unconventional producer. They don't care about trends, they go where the music is. For a quarter of a century they've been splitting their lives between Malmö
and Mallorca, Swedish piano houses and beaches. Aldona Orlowska. WOW!

12 Inch Vinyl hand stamped label & Sleeve with old school promo feedback sheet insert.

collecting orders for repress

Dortmund based producer ''Mr. Fries'' comes up with a soul'ed out 4-track EP for the Soul Notes imprint (11th installment in the main series).
''Norightnowrong'' is a cut that thrives through the use of the catchy vocal cut and the Rhodes that come in on various occasions.

For the A2 ''Datkoollook'' which features fellow North Rhine - Westphalia artist ''Kandinsky''. This track is a more uptempo disco tainted club track which showcases a great guitar solo.

On the B1 we find ''Change''. This is a thrilling piece of work with a some short chords that cut throughout and nicely fitting vocal cuts.

Cologne based Soul Notes usual ''Adryiano'' comes up with a very club oriented version of ''Norightnowrong'' in his signature style.

Phonk D presents his second Solo EP on Footjob and it's a Goodjob once again. Four sample-based tracks are cutting up Disco and Funk and bring it back as classical partystompers.

Andre Sebastian, a young chef with musical ambitions, delivers our second offering. Two tracks with enough carbs to keep you going and a sweet treat to finish off the meal.
Label Info: Take Away delivers music for you breakfast, lunch and dinner. It's not trendy or rare.
Just the music you really want to hear, in your own home, whenever you want.

Last year's On the Corner underground smash release, the 12' EP Santuri's Embaire Umeme, introduced Uganda's Mugwisa International Xylophone Group (M.I.X.G) to the world.
The recordings center on the Embaire, a giant xylophone native to Ugandan folk music, which is dug into a pit for a natural, earthy bass resonance as gargantuous as the instrument itself. The instrument performs a key role in village life, with ceremonial playing sessions lasting for hours on end.
These recordings may be esoteric in nature but they add important context to the Santuri's Embaire Umeme 12' and are a vital documentation of the Iganga village's culture, as well as that of Uganda. Jones has artfully chopped the epic session into a series of short evocative chapters to create a pioneering masterpiece. Remix duties are led by Griot House innovators, The Diabolcal Liberties, who have raved-up some Sun Ra frequencies for the cosmic junglist crew.
Last but never least, Victoria Topping has created beautiful artwork using the session photography taken by Jones during the recordings

Initial listens to Inre Rymden (Swedish for 'Inner Space') reveal it to be a curious combination of slow-motion house music and salubrious New Age funk. In this case, first impressions are accurate, and they should intrigue you enough to dive deeper into the paradisiacal vistas Tommy Awards paint here. The opening track 'Prometheus' introduces that feeling of sundown deliquescence that very few musicians can summon, as it locks into a laid-back groove that induces utmost serenity, buoyed by sublimely mellow guitar vibes that should make fans of Manuel Göttsching's Ashra and Phil Manzanera's solo output spring to attention. 'Draget' conjures the sort of exquisite elegance and preternatural chill last heard on Roxy Music's 1982 LP Avalon — but somehow it's even more blissed out than that boudoir classic.
And so it goes for most of Inre Rymden: Among the six tracks, only 'Rexy' hints at tension, courtesy of a bass line that sounds like it should score a prisoner's walk to the electric chair. But that's tempered by guitar sighs of radiant melancholy, not unlike those lofted by Popol Vuh's Daniel Fichelscher. Even when Inre Rymden gets relatively uptempo, as on 'Hans Logan,' it still glides like gilded, glazed, Balearic house jams, urged on by subliminal bongos and dappled with pastel guitar shimmers far off on the horizon.
'Music is love and love is our music,' runs Tommy Awards' slogan (a sentiment beautifully echoed by David Crosby on his revered 1971 album If I Could Only Remember My Name), but one could also argue that it is medicine — a balmy ear massage that spreads healing frissons to all areas of your body and mind. Tommy Awards continue their miraculous act as Scandinavians channeling the tropics with stunning audio verisimilitude.

Following up right after its first vinyl release, Todh Teri returns with Volume 2. Todh Teri's retrospective continues to reimagine the golden era of Indian cinema. Sampadan chaar revisits a Bollywood ballad with a light breeze of acid thrown on. Next up, a homage to a legendary Indian producer, with a retouch to his classic 1980's tune. The final edit on the EP takes on a sensuous super hit from a Pakistani-born disco queen. Giving it a little soul, and a lot of groove. Making this a significant release that proves the artist will continue to produce top notch reworks. Once again Todh Teri recreates memories of the legacy Indian music directors & singers left behind. A tribute that's fresh & definitive. In the past, Todh Teri has brought this style of music to Berlin's well known night life like Voll Schoen & Wilde Renate.

So the SHAG edits hits volume 6 and again welcomes in new talents to the Roots For Bloom roster. Ethyene delivers a sample laden vocal sprung straight up house classic. LK slows the pace but replaces with soul and crystal clear percussion. Georgi Barrel opens up the b side on one to please any daytime party with great use of his well equipped studio and a sample to die for. David Moran seals off the EP in true shag edits style, no barriers, great sampling and all with a great party In mind. Followers of the shag edits will not be disappointed.

House and it's children, music of celebration. Few can attest to having witnessed, first hand, the evolution of 'celebratory music" (let's put it like that) for the past four decades... but Black Tulip founder Joseph Salvador has seen it all since it started. From the first summer of love during the hippie revolution to the acid house festivities in it's second coming and up until the present moment, Salvador has been writing songs, tweaking knobs, patching cables, heating valves and welding circuits.

Since the first incarnation of TINK! Records in the late 80's, Black Tulip has been Salvador's pet project. It was created as a tribute to the great New York vibe, inspired in the spirit of the legendary Paradise Garage soundtrack and applying the principles passed on by the greats: Cheren & Levan, Sly & Robbie, Arthur Russel, Patrick Adams and, of course, François K... and it has survived, untouched, until today. Over many releases, Black Tulip has endured and advanced as a symbol of house and garage culture and it's new release is an amazing accomplishment that attests to it's author's coherent vision of said 'celebratory music'.

For Black Tulip's most recent release, Salvador called young yet experienced producer Ka§par to aid him accomplish his vision for 'Better Days'. Both conceptualised a common idea: the sound one could expect to hear in a would-be universe where the Garage was still rockin' with Levan at it's helm... with this in mind, they crafted the astonishing Portland dub. The result was a mid tempo, pulsating, african influenced arpeggio trip, with a super tense arrangement and filled with discrete jazz chords... To top it off, Inner Life front man and Prelude, De-Lite, Salsoul singer Wendell Morrison rips through the electronic backdrop with a huge vocal performance, singing Salvador's mysteriously spiritual words against Ka§par's tight tropical boogie bleeps. This means House music.

To complete the release, remix duties fell upon Social Disco Club who drives the track onto that place where classic rave meets deep house, for an amazing and long rendition where a bubbling 303 melts MPC beats, drenched in moist Juno atmospheres, possibly one of SDC's most amazing remix moments in recent times. Japanese house expert Setsuo Morikawa turns the track on it's head and manages to go all Strictly Rhythm on it, making a pure New Jersey jacker as if evoked from the mid 90's, with sharp, clattering hats & snares, and deep as it gets bass... perfect floor material.
The 1990's original take was cut at the infamous Portland Sound Studio in Amsterdam with the original Black Tulip formation, Joseph Salvador, 'Groovemaster' Johnson, Rik Zwaan, Bob Pieck and Wendell Morrison on vocals and only released on a EMI/TINK! Records CD sampler Dance Cuts Vol. 1.

All in all "Better Days' is TINK! Records' return to amazing form, a collection of three perfect mixes that stand on their own, against a timeless original of 1990 that is sure to please the widest possible audience. Get it while supplies last, this will fly off shelves.

Next up on our album manoeuvres we head back up to Sheffield. "Hiem" are back with their 3rd album, the galactic cornucopia that is "Hotspace". It is a fine follow up to the 2013 "Escape from Division Street" released here on Nang. "Hiem" consist of dynamic duo of Nick Eastwood & Bozzwell (he was the live vocalist for "The All Seeing I" who scored a worldwide hit with "The Beat Goes On" in 1998).We have always thought of Hiem as one part grown-up dance pop, one part fine 80's tinged songs and one part slightly weird and quirky. The third album doesn't disappoint managing to cram all those descriptions (and more) across ten fine songs.Things open up with the recent single, the high fashion disco stomper "High Life". Pure Nang sound distilled down into one song. Driving bass, snaking sax and snazzy keys. Next it is a breather in the form of part one of the "Hotspace" song quadrilogy. Part one is a sombre scene setting piano piece sounding like a long lost Eno B-side from 1978. Next things kick off with the sparking night time shimmer of part 2, "Hot Space" itself. Percussive bass guitar and shimmering guitar wrap around the sci-fi themed tour de force.Keeping things stratospheric we next slow things down for some sub-orbital slow-synth grooves with "Oxygene". To close off the Hotspace segment "Telepath" looms large with its pending-alien-invasion groove and slow pulsing basses. After a quick flip of the vinyl we slip and slide with a slow snaking groove of "My Evil Friend". Channelling some 10cc Dreadlock groove the pair next give us "That Girl She Made Me Cry".On every Hiem record there is a that section of light relief. This time "Monkey Office" fills that space with a cautionary tale of 9-to-5-ism. To close off the album first is the Bowie-esqe low minimalism of "Gortlizer Park" and the slow perc-groove funk of "Sign Of The Times".Album three, locked and loaded. Check out the lovely red vinyl version!

Expansion's most successful and longest running compilation series returns with a 2017 edition. The concept remains the same, fifteen must-have modern soul room gems taken from the year's biggest dance floor spins on the soul scene. While tracks here have topped UK soul charts, many have not been available in all formats. Once again, attention is paid to the 'flow' of the 15 gems chosen here from shuffling beats to boogie to more soulful house as played at modern soul events. Participants this year include Omar with Los Charly's Orchestra, Tawatha Agree (voice of Mtume's Juicy Fruit') with Aeroplane, Kenny Thomas with Thames River Soul produced by and featuring Incognito, and both Wez and The Groove Association formerly members of Brit Funk group Second Image. Leela James is here after her stint in a US realty TV show R&B Divas: Los Angeles', other guests including Amp Fiddler, Faith Evans, Trina Broussard and Lifford.

Los Amigos Invisibles are successful music exports from Venezuela creators of the disco love-funk ensemble "gozadera" - an irresistible fusion of Latin rhythms with fiery funk and house music. Signed for their first international breakthrough by David Byrne and produced by the likes of Dimitri from Paris and Masters at Work they have built a successful career full of world tours and various Grammy nominations. Fellow Venezuelan disco specialists Apersonal Music teams up with the band to press this vinyl-only special release packed with 2 original cuts from Los Amigos Invisibles plus the unreleased instrumental disco versions mixed by Ray Mang.

After a short break in the African wilderness, Black Rox return for part 4 of this acclaimed series. 'Date With The Rain' sees Soft Rocks turn in an 11 minute 'One For The Lion King' manipulation of a joyous and uplifting jam that fuses traditional rhythms (think a humm-ba-ba) and vocals that are underpinned with a strong 4/4 kick.On the flip side,Roots Unit perform some major surgery with a 'Pump Up The Jam' reconstruction on 'Le Beat Is Technotronic'. Crazy percussive jungle rhythms and wonky vocal hooks rule the roost until it merges into a future 'techno-techno' Amazonian world.

For ANMA's fifth release, Reekee aka Italy's Riccardo Masi has produced a classic cut of uplifting house, quintessentially jamming a thunderous rolling groove with soft jazz piano. Ecstatic synths unleash their primal screams throughout before the Hammond steps up and raises the bar! Remixer Ricardo Miranda cooks up a veritably frantic electronic jungle of idiosyncratic pulsing square waves and marimba voodoo soup, before Vick Lavender takes over the B-side with nigh on ten minutes of organically blissful jazz and groove experimentation. Vick's Mix comes rooted with percussive breaks and a solid evolving rhythm section and is brim-filled with sleazy vibes, tender electric licks and rapturous synth pads swelling us into elation!
Lovingly pressed on 180g vinyl, hand stamped and labelled.

Claudio Coccoluto continues the return of his The Dub imprint this with 'THEDUB108 EP, including three original tracks from the unmistakable Italian artist.

2016 has been a good year for re-editor Evil Smarty and here pops up on Tonbe's Disco Fruit imprint for the first time on vinyl.
""This Is"" is a low-slung disco shuffler turned into a toughened-up house roller.
""If It Feels Good"" sees him in a celebratory mood (think sing-along disco funk with swinging new locked-in drums).
""Feel The Fire"" is a superb re-cut of the Osmonds' ""I,I,I"" that benefits greatly from some fresh new acid lines and
""The Get Down"", a killer, 98 BPM funk revision that makes great use of the source material's urgent, impassioned vocal, bluesy guitars and wild synthesizers.

Following on from 2016's excellent 'Birsk' single on Futureboogie, Philipp Lauer returns to the label with a new three track single. The 'Las Brisas' EP kick starts with the mechanical funk of 'Pile'; acidic notes drip over heavy EBM drums whilst a hovering 'Resse' style bassline dominates, the influence of early house and industrial dance are ever present here on this belter of a track from the Tuff City Kids and Talamanca System player.
More acid pressure can be found on 'Clipper', a blazing and dynamic slice of anthemic Balearic dance. Searing pads and lustrous melodies pour over the robust drum machine workout, that'll have dancers reaching for the skies! Real stirring stuff from Lauer, which continues with closing track 'Tyco'. Ricocheting stabs and cowbell hits bounce off a sturdy kick drum as the track flourishes with more on-point melodies and a snaking bass. Dripping with emotive refrains, Lauer brings his very best to the table here, and rounds off an EP that's most definitely all killer and no filler!

Neon Finger strikes back! Release number three starring Midnight Runners is here! A full time ultra delicate piece of synth funk and boogie where the Indonesian band, headlined by Munir Septiandry, will take our minds away, flying through misterious landscapes. A mandatory release for all weird funk lovers!

DJ GLC makes his debut with his first solo ep , inspired by 90's deep house roots , Gianluca dj & producer since 10 years in the business offer a complete EP touching every kind of nuance of house Music. Feel the rhythm original mix is a dreamy concept, pads filtered take you into a trip , Simoncino rmx is a dance floor killer with straights pattern and magic atmosphere . Paradise house is inspired by infamous Italian deep house of 90's , vintage sounds selected and hardware used to make it . Move on is a different view not in 4/4 but break patterns , samples and deep bass line . A complete view of actual house landscapes.