House Vinyl New Releases - News

In almost ten years of existence, Throne of Blood has cultivated a diverse family of musical talent spread across the Americas and Europe, refusing to settle into any particular sound or scene. Foremost among this crew of almost-impossible-to-pigeonhole producers is Dissident veteran Hardway Bros aka Sean Johnston, known to many as Andrew Weatherall's partner in A Love From Outer Space.
His third EP for the label, 'Pleasure Cry,' is characteristic of Sean's style : a modern sound with sly winks to his rich history in electronic music.
The proceedings kick off with 'Pleasure Cry', an ode to submission featuring the exotic talents of vocalist Sarah Rebecca (formerly known as SR Krebs) anchored by a classic 'Reece' bassline. Possibly not suitable for work but we suggest you blast it at the office to see what happens. The tune gets the remix treatment by Gerd Janson and Philip Lauer aka Tuff City Kids, piling on the pianos and cutting up the vocals in a very Saundersonian fashion.
'Argonaut' was originally written for an ALFOS gig on the Adriatic sea, and pays homage to the sounds of early 90's Balearic house. It's perfect for sunsets AND sunrises, we'll let you pick which works best for you. The self explanatory titled 'My PNO' is Sean's take on piano house, steering clear of throwback clichés. Its hook, however, should have a similar arm raising effect on dancefloor revelers.

Australian digger and producer, George Hysteric don't stop to release stuffs. After 2 Ep on Public Possession, recently on Fuego International and now on Edits Du Plaisir. 4 edits of French Italo, brazilian new wave, Sexual disco and wonderful indian love song! It's better than chilli, Better than spice !

The return of Konigs Jonny 5 ! Vollkreis liebe. Deja-vu nein Beats in Balearic Space. Schlagen bass, guitar himmel. One more time !!! Sirup vocal, groove funk. Das ist Last Trrrrraaaaain. Late-night-romanzen Uh-O Uh-O Miami kilter schlagzeug. Eindringlichen refrain. BababaBASS !! Finale Grazie ist Slow Bodies. 100 bpm, Arp kopfes. Und weiter. Panzer Peoples Funk Esel !!!

Glow Worm'/'Aloha Ice Jam' is the third release from O'Flynn, and follows two sell out releases on Blip Discs.
Described by Boiler Room as 'one of dance music's most prosperous newcomers,' O'Flynn is quickly establishing a reputation as a bright young talent and has already had his releases supported by Ben UFO, Gilles Peterson, Bonobo, Pearson Sound, Bradley Zero, Joy Orbison and Four Tet to name but a few. A-side 'Glow Worm' was premiered by James Blake on his BBC Radio 1 residency show and showcases a contagious synth melody that is underpinned by a percussive house groove.
In a similar way to both his previous releases, the flip side takes things into a whole new territory, and in this instance the infectious disco-tinged 'Aloha Ice Jam' takes aim squarely at the dance floor and doesn't miss.

Earlier this year, an email dropped into the Claremont 56 inbox. It was from a producer in the early stages of his musical career called Simon Peter, and contained a joyous slice of languid, organic Balearica entitled 'Arc of Lark'. Suitably impressed, Claremont 56 boss Paul Murphy had no hesitation in snapping up the track right away.It marks a new stage in Simon Peter's career. He made his debut in February 2014 with the Double Up EP on Silhouette Music, which contained the shimmering nu-Balearic disco of 'Espacio Temporal'. While that was laden with sun-kissed synthesizers, 'Arc of Lark' is a much more organic affair. Blissful electric piano keys, hazy guitars and fluttering flutes cascade over an undulating live bassline and shuffling, bongo-laden beats. Warm and humid, it's a slice of audible
sunshine to brighten up the grim winter months.Long-time friends of the family 40 Thieves handle remix duties, turning Simon Peter's picturesque original into an effects-laden chunk of slo-mo dub disco goodness. 40 Thieves member Layne Fox loved the track so much that he's also contributed an additional remix that focues the action around a loose, languid, dub reggae influenced groove, spiralling electronics and Peter's mesmerizing flute line. It's a fitting conclusion to a magical label debut.

Opilec Music is proud to bring you the first ever remix album of San Francisco's cult synthesizer-punk legends, The UNITS! One of America's first synthesizer bands and pioneers of a genre now known as synthpunk, The Units were notable for their use of synthesizers in place of guitars, and multimedia performances featuring multiple projections of satirical, instructional films critical of conformity and consumerism... predating MTV and 25 years before the birth of YouTube! This is a definitive collection of over 24 of the band's original songs written between 1977 and 1984 and remixed for the dance floor in 2010 by a renowned and international cast of over 40 DJs, producers and bands active in the contemporary club scene. This project celebrates the futuristic Units along with the innovative DJs that first played them. Like COSMIC DISCO pioneer Daniele Baldelli, who remixed early 7" Units records "live" on the dance floor as early as 1979, ELECTRO ITALO DISCO pioneers and contemporaries of The Units, like Klein & M.B.O., N.O.I.A. and Alexander Robotnick, along with Nu-Disco and contemporary club scene trend setters like Gianluca Pandullo of I-Robots and Nemesi ...All of whom did remixes for this project! Tracks include remixes/reworks of The Units most sought-after early singles and selections from their first LP, Digital Stimulation, along with remixes culled from The Units early demos, recordings made for art happenings, film, and more.
This remix album is a view into The Units' seminal years, as well as a tribute to the early DJs and Clubs that played their records in creative ways ... giving you a glimpse into how the innovative music that ended up on the dance floor was often an unintentional collaboration between DJs and bands, inspiring each other and cheering each other on. "CONNECTIONS" is a collaborative step from the past & present ... into the viral remix culture of the future of electronic music and videos ... and the fantastic clubs they are played in.Units songs that are remixed/reworked include High Pressure Days, Warm Moving Bodies, I-Night, Cannibals, The Right Man, Go, Zombo, I-5, East West, Run, Red, Bird River, Bug Boy, More Alike, That Funky Thang, We Need a Doctor's Son, Passion of Patterns, One Man, Life is Good Now, Moving Bodies, Contemporary Emotions, Tight Fit, Cowboy, Straight Lines and more...

Joining the dots after last years reissue of Plus Instruments early 80s post-punk music on the Bodies EP on Emotional Rescue, Especial now looks at their return to recent music production, taking the song Love Is Enough from the recent Trancesonics album and giving it the all encompassing label remix treatment.

Returning to releasing music after over 30 years hiatus, the now solo, multi-instrumentalist and vocalist Truus de Groot, showed she had lost none of the unique off-kilter dance inflicted avant-pop observations.

With the release of Trancesonics things come full circle, bringing Truus' right back to her roots. On hearing Love Is Enough's thumping 4/4 kick, sliding hats, white noise and mind-worming vocals seemed in tune with what Especial is about - warped, tripped -out, dub inspired dance floor music that retains an ear for melody and at times, pop leaning, it was a calling not to be ignored.

Richard Sen then, leads the way with a trademark killer Chicago inspired bump'n'strings cut that takes Truus' vocals to the horror chamber. Next, Khidja show why they are names to watch with their retake, mixing double bass and vibes interplay, trippy fx and haunting refrain, all wrapped in a killer groove that signal a duo totally on their game.

On the flip, it was a perfect fit to get Luke Solomon in to do one of his special 'mad-hatter' skat style remixes. Jumpin' and bumpin' across the floor this is Music For Freaks. Finally, homeboy Jamie Paton does it again with twisted, bubbling dub, riding snares, arps on arps, a multi-layered, live on the mixing desk work-out for mind and feet. Is Love enough Maybe. Or it could be Dub is enough Time will tell. Dot to dot.

Music For Swimming Pools proudly presents it's first release, and who better to get the ball rolling than Reverso 68. Pete Herbert and long time musical partner Phil Mison come together with three new tracks and a rework of their first ever release Piece Together. Originally released on Specialist Interest Recordings and then promptly picked up by Eskimo Recordings who gave the Part Two version exposure to a wider audience, we thought it was about time Part One was given a new mixdown and polish.. and the results were superb! .. a freshly served version of this seminal mid tempo afro/80's inspired classic. And onto the new productions, first up Red Day heads straight down italo alley with chunky slo mo drums and some infectious synth action. Buzara heads into typical Reverso territory, and a nod to Frontera Del Ensueno with grainy flamenco guitars, loose percussion and old school house synths for the dancefloor.. and finally Orange Sky rounds things off with a lush hypnotic afro percussive work out. . We recommend you test the water.

Shelter invites you to visit his secret and mysterious island through two tracks : a balearique travel between psychedelic rock , Asian and African music, with disco and house influence.

After their initial 7" back in 2015 the boys have been riding' high, riding' low and put together 2 more tracks of West Coast psychedelic blue eyed soul...Galloping percussion ride through 'Tear It Down' while the harmonies build around the lead vocal that is backed by a wonder Rhodes accompaniment that takes on a life of its own and the track builds to crescendo before opening up and allowing the vocal to come back for a final outing...'Sugar Rush' is a more downtempo number, tripped out vocals of acid adventures and wonderful big strings to create a trip through mustard yellow fields, purple skies and forests of candy green trees...The flip side see's the cosmic capers of Dan Wainwright twist 'Sugar Rush' into a 9 minute epic trip designed for the dance floor...A true progression of subsonic vocal refrains that coax the early tastes of the electronic goodness that is to come, this version is destined for big things for those that know and the correct dance floors...
Think early evening Beach stages or early morning Sunrise sessions in far flung corners of the world...
Dos Palos is the alter ego of Robin Lee from Faze Action.
Dan Wainwright is a psychedelic eclectic scouse music producer living in Manchester. Over the past years he's worked edits for El Diablo's Social Club's To Rack and Ruin.
More Balearic offerings for Kelvin Andrews cult Creative Use record label. Collaborated with Chris Massey as Sci-Fi Systems for Christian Woods Manctalo label Red Laser, released a 12" for Is It Balearic records and most recently a 12" with Felix Dickinson remix on Hungarian Hot Wax .
Currently Dan is teamed up with Balearic Beat originator Trevor Fung and also creating music under the name Incredible Sound with his partner Melodie Forester.Dan's always pushing his own ideas of what dance music is with his own productions.

Here are some plain and simple cuts by yours truly Credit 00 that push just the right buttons to make people move. The tracks were made exclusively for his live set but they are too good to keep them back. Without superfluous frills these four bangers scream "Party" in every note but as usual with Credit 00 there's also a melancholic side somewhere behind those tricky beats. House is a feeling!

Aimed straight at the late-night dancefloors, Disco Bits continues its policy of tweaking dancefloor classics for maximum Disco Power! On the A-side:
A1 'Disco Power' - first up is a relatively unknown Afro Disco number by Bomp. Here it's beefed up and re-arranged with extra drums, extra breaks, proper bass and proper Disco Power!
A2 'I Wanna Thank You' - The Alicia Myers original has always needed a re-arrangement. The Disco Bits boys take a small scalpel and re-imagine this with a proper verse and chorus taking the classic break and turning this track from an uncut diamond into a finely cut gem On the flipside we have:
B1 'Let's Do It Again' - a classy edit of the Nightlife Unlimited favourite, which builds a deep groove from the bassline up, adding layers of keys and vocals and climaxing with the original's hooky chorus. B2 'Tighten It Up' - The BLT original gets a similarly bass-centric treatment, the evolving groove underpinning the refrain of 'drinkin' wine and wastin' time' as the track builds to reveal its familiar verse and chorus towards the end

Introducing Kon's forthcoming compilation album 'Kon & The Gang', we are delighted to present this 12" sampler featuring two incredible cuts taken from the LP, as well as an exclusive remix from Caserta. Opening track 'Timeless' could hardly be more aptly named. Sublime, smokey piano touches on the intro give way to an uplifting, languid disco track, jammed full of sunshine. Catchy vocal snippets, rock solid bass and guitar licks build up the groove beautifully alongside Kon's trademark staccato, squelchy synth chord stabs. On the flip-side Truccy (better known as Compost's Rainer Trüby and Corrado Bucci) present 'Closer', another sun-drenched groove with definite Balearic touches. Jazzy chords and touching vocals (performed by the duo themselves with assistance from Nicolas "Michael Ellis" Rogoll) lend the track a distinctly 'live' feel. Boston producer and mix engineer Caserta closes out proceedings with his remix of friend and musical collaborator Kon's 'Timeless'. Highlighting piano loops and synth stabs from the original version,
his rework moves the track seamlessly into Deep House territory, with smoothly rolling percussion and a hypnotic arrangement. A delicious taste of what's to come from 'Kon & Gang', this limited 12" is surely going to be essential listening this summer.

For fans of:
Opolopo, Joey Negro, Sadar Bahar, Dimitri from Paris, Rainer Trueby

Finally. A taster of what we have been waiting for a long time; four tracks from Motorcycle Boy's upcoming album - Squalo. With a quad of dancefloor ready tracks at your disposal this 12" has something for everyone. Need to kick your disco-dance party into touch No problemo! Mutant house and dischord disco sit alongside girl friendly drum workouts and emo disco. It's disco, but not as we know it. Look out for Squalo in the later part of this year, but don't miss your chance to get in on the action early. This 12" is not to be missed. Did we say essential

Golf Channel Label Boss Phil South interviews Aaron Coyes of Peaking Lights about his new project PLSD

True Romance label boss Tensnake channeled the disco gods once again and brings us his brand new 3-track Freundchen EP. A frenzied, sun drenched package filled with dance floor magic. The title track Freundchen features a raw and infectious bassline, filtered funky loops, thumping rhythms and blissful vocal stabs all blended into an irresistible disco bomb. A future Tensnake classic, it has been spawning serious contortions wherever it lands. Heavily road tested by the man himself. On the flipside, Tazaar brings the heat up with a killer African groove brilliantly combined with classic house vibes. While No Fool plunges into the depth of the nights going into a darker hallucinatory trajectory with its minimal pumping kicks, dreamy synths and echo-drenched vocals.

The fifth installment of the munich based label Musica Autonomica, the Adversario EP, is a compilation showcasing various tracks by young and talented producers from Italy, France and Germany.

Finally A Visitor From Another Meaning returns to earth, and vinyl. The Viewlexx veteran is back on our world with Lost Encounters I, four cuts from the vaults. Beamed in from a distant galaxy is the blazing brilliance of Dance of the Happy Shadows'. Past film score greats immediately come to mind. Vangelis. Carpenter. Moroder. I Rarely Talk to Strangers' pulses with crisp beats and rumbling arpeggios, cloudy skies ready to rain on a polluted L.A. in 2019. The blue dot is left behind for the elation of J is for Jupiter'. The stars are the place to be. J is for Jupiter II' drifts from cosmic currents before illuminating the heavens for the lead out into end credits

At 21 years old, Mathis Ruffing has already managed to craft a signature sound, elegant and mature with a focus on melody and texture. Rewardingly diverse, the EP touches on several genres and influences, ranging from cosmic to earthy dancefloor cuts, acid, grime, proper electro, IDM and ambient. The common thread on this record is the search for balance between heartfelt melodies on one hand and on the other a form of immediacy, raw and almost industrial. Ruffing has no trouble finding this balance and adding five terrific tracks to the Banlieue catalogue.

Over the course of just four releases, the Palms & Charms label has quickly established itself as a purveyor of fine original music, enjoying support around the globe.
Their fifth release sees Tokyo magician Max Essa drop one of his hottest EPs to date.Have you ever wondered what it would be like to be truly footloose and fancy free
Have you ever dreamed of another way of life - free from the constraints of your current existence
Well, here it is The Blame it on Rea EP will elevate you to a completely new way of understanding - not just of yourself, but the world!
Forget the trials and tribulations put upon you by 'the man' and enjoy the beauty and wonder proferred by 'The Man' â€' Max Essa.Available for a limited time only - seek and ye shall find!

This new 7" from TUGBOAT EDITIONS is a modern funk all star collaboration with the East Coast's SAUCY LADY on vox, Tokyo's YUKI MONOLOG KANESAKA on production, San Fran's K-MAXX on shredding guitar and vocals plus SoCal's THROWBACK ZACK on the talk box. This munster mega piece will keep you feeling like Saturday all week long... Until you get to the flip side... straight Sunday Morning Vibes, whether getting in OR out of the sheets! Comes with a pic sleeve.

VELVET SEASON & THE HEARTS OF GOLD return to Resista after last years best-selling 'Long Black / Love Generation' and they certainly don't disappoint.

Originally released on PLANET E in 1998, "EXSTASOUL" was recorded in Paris and Detroit and fuses Electro-Funk with Deep House grooves and a touch of sampling. PLAYING FOR THE CITY's OLIVIER PORTAL adds keys on the title track. This 4-tracker is a definite testament to ALTON's eclectic sound!

ONLY 1 PER CUSTOMER !

"THE BIG SCORE": A stellar HOUSE JAZZ FUNK'D journey into the mind of none other than BOO WILLIAMS of SJU MUZIC. GLENN UNDERGROUND provides additional percussion along with a remix on the flipside. Strictly limited (only 100) advance color vinyl.

For the past four decades, a growing cult of soul music collectors have sought two obscure LPs and a handful of extremely rare 45s released on the vanity record label LAD Productions, Inc. between the late seventies and the mid eighties by the mysterious South Side Chicago singer/song writer Larry Dixon.
Larry's raw songs capture the transition from R&B to boogie-down as disco was rapidly becoming extinct.
They also perfectly illustrate Larry's ability to overcome his environment and discrimination, transcended by his determination to write and produce music. With the support of his faithful musicians, Larry's success was only hindered by lack of airplay and promotion, but his talent shines through.
This is the story of Larry Dixon, his label LAD Productions, Inc., and his friends and family throughout four decades of music in Chicago's toughest neighborhoods.
Jerome Derradji is proud to reactivate Past Due Records - the boogie funk division of Still Music to release this fantastic archive - what many consider to be the Holy Grail - of Chicago Funk, Boogie and Soul.
'Star Time' will be released in a limited 500 copies 10 X 7" Box Set, a limited 500 copies 4 LP Box Set, DCD and Digitally - all faithfully reproducing the vision of LAD Productions, Inc.
It features each and every Larry Dixon's releases from 1971 to 1987, including the ultra rare 'I'am So In Love' LP recorded live at the Copherbox Club in 1980 and the ultra rare boogie funk 'Can't Price Love' LP, each carefully re-mastered from the original tapes and a lot more!
Many unreleased songs (some mixed by Jerome Derradji) are also featured. Each format includes a unique booklet with the story of Larry Dixon and his friends, written by Jacob Arnold, along with numerous pictures and documents previously never published. Artwork is by Al Kent from Million Dollar Disco.

The Legion of Boogie Down take their disco torch deeper into the depths of late night discos. Restoring their energy with a muscle work out that will leave many a man and woman flexing their arms in time to the muscle groove. Think Supertramp meets HI NRG - think Jane Fonda in the meat packing district with the Foot Patrol on each arm. The Legion of Boogie Down's mission is to guide you out of a formulaic world of dance music and bring you well and truly back to a modern day disco dancing moment.
Long live the Legion. "Flex your arms to the muscle groove.

Aboutface is firstly a composer/live performer and secondly a DJ, hailing from East London he steps up for the next release on Amirali's newly founded imprint Dark Matters.

Drawing upon both the sociological and environmental landscape as creative inspiration, Aboutface uses his background in fine art and painting to help inform his productions.

All the last three years music has been inspired by a thousand mile plus journey through Eastern Europe and around the coastal regions of the UK; each song using the environmental recordings of a different region or city as the creative starting point.

He says "I like to combine field recording, acoustic and analogue sounds to articulate small stories in each song. My creative influences range from Pierre Schaeffer, Hans-Joachim Roedelius and Claude Debussy, through to James Holden, Four Tet and Boards of Canada.

The complexity and broad fields of influence are evident in The Hazy Path To Misunderstanding.

The EP is made up of three tracks, The Hazy Path To Misunderstanding is a meandering and laid back percussive track whilst My Benevolent Shackle exudes a darker intensity.

Lastly Tin Man steps up for a remix of The Hazy Path To Misunderstanding adding more frenetic energy to the track and upping the pace.

Aboutface's compositions are intelligent, and with a debut album planned for next year slotting into the eclectic Dark Matters' growing roster, the future looks bright.

Not much is known about this mysterious artist from Istanbul other than the music he produces draws heavily on the heritage of his home city and its melting pot of east meeting west. 'Luna' is a deep, multi layered late night dance floor instrumental with exotic eastern flavours while 'Araf' features haunting female vocals and guitar workout over a deep baseline and crunching beats with a clear electronica soundscape. Fantastic for the late night floor.

With summer just round the corner, Hell Yeah come up with some essential—and fully, officially licensed—new cuts from Balearic Gabba Sound System edit master Enzo Elia. He touches up some historic Italo house with his usual masterful touch and will have you yearning for boat party season before the tracks have even finished playing.If you loved the Italian's take on Soft House Company What You Need, you should go crazy for this new offering. Up first is italo-piano-house classic Morenas's Hazme Sonar, which is eight minutes of diva vocal athletics, big synths and pumping retro drums that will make you punch the air. Fun and fulsome, it is a sure fire classic house winner this summer.
Jazzy Doll's Ladybird is next and in Enzo's hands becomes a rubbery, ducking and diving house cut with big hand claps, bubbling bass and loose limbed percussion that is ripe for raves on the sea.

New Vinyl Only off shoot label from Hotbox Music.......
Dubbed out disco edits made with love!

Three years on from the release of the critically acclaimed debut album, Undergrass, Mushrooms Project return to Leng with a two-track taster or their forthcoming follow-up full-length.
In the intervening years, Giorgio Giri and Marco Lentano have hardly been slacking, further exploring their unique blend of glistening Balearica, dubbed- out disco, Italian Afro-cosmic and psychedelic nu-disco via EPs for Horn Wax, Uber and Hell Yeah! Recordings. Their latest two-track missive is undoubtedly amongst the Italian duo's strongest work to date. The A-side boasts 'Dirty Bolas', an effortlessly summery groover destined to soundtrack sultry evenings and sun-baked afternoons. Its' rolling, percussive funk groove and undulating electric bassline keep the action moving, but it's the tumbling guitar solos, toasty
keys, humid electronics and atmospheric feld recordings that catch the ear. Flip the 12' for 'Sunset Ballad', a near ten-minute epic that more than lives up to its' name. Soft, delay-laden acoustic guitar passages and yearning electric piano fourishes set the tone, before the Parma-based production duo
gradually ups the pressure via a shuffing groove, whispering acid lines and quietly bubbling synthesizers. It's undeniably rich and life affrming, but best appreciated while lying fat on your back.
Dirty Bolas will be featured on the duo's second album, which is slated for release in the fnal quarter of 2016. For now, you'll have to make do with these two slices of seductive, sun-bright brilliance.

Powder is a young producer raised in rural Japan, now living in Tokyo. She wakes daily at 6AM, squeezes onto a packed subway and commutes to a bland office building where her day is consumed by the electronics industry — a banal world of blank stares, uniforms, data entry and soliciting phone calls. She cherishes her lunch break, a solitary hour of astral projection where her daydreams cull inspiration for another life, her nocturnal routine. At 9PM the day closes, as her co-workers flock to the Izakaya for beers, Powder rushes to her micro home-studio to exorcize her daily demons, constructing a tropical temple to house her immaculate vision. She slaves away, unabashed until sunrise, when her routine begins again, however, today's lunch break is an escape into her headphones where she will revisit her soundtrack inspired by lights, colors, hometown memories, and the imaginary worlds where the fruits of her labour will live.

In times where a compilation of 12-inch bangers passes as an album, Telephones "Vibe Telemetry" opts for a different approach. Without being a departure from his 12's for Sex Tags Ufo, Full Pupp and yours truly or his brilliant remix work for José Padilla and Vangelis Katsoulis, the Norwegian producer from Bergen who calls Berlin his home, hones sound, skills and aesthetics on his debut long-player.

"Vibe Telemetry" is inspired by the pure feeling of listening to house, disco and techno, prior to knowing what it actually was: ambiguous, euphoric, mystical and melancholic. Sonic and physical experiences, which names and origins were yet to be discovered.

This Is How It Started' focuses heavily on the early days of the Chicago sound, especially in the formative years at Ron Hardy's Music Box. Vinyl Sampler 3 of a comprehensive journey in the essence of Chicago House Music, features Gene Hunt, Chicago Blues Orchestra, Yam Who & GG

Adesse Versions coming on Toy Tonics! After some heavy releases on Numbers, Local Talk, Make Love In Public Spaces and his own white-label imprint, Kevin Gorman brings us four new raw, heavydriving, superfunky cut-and-paste- House tracks. Killers! Adesse Versions started as a re-edit project while Kevin lived in Vietnam. It grew quickly, getting him big fame for being the guy playing just dubplates with unknown crazy music only he had. (Check his Boiler Room). Gilles Peterson, Derrick May and Larry Heard are fans. Adesse Versions is all about paying tribute to his musical idols and creating timeless music. Through rough sampling and raw emotion and as a DJ and collector. He is an artist that has toured the world many times over. Exclusive edits are a staple, alongside a wide selection of music that comes from a deep knowledge and love of what he does. To hear this in action, check out the monthly Adesse Versions show on Rinse FM.

Mysterious DJ & Producer, Roy Comanchero, follows up his largely successful debut EP on Running Back and a recent 12" comp contribution to deliver his second EP on the Mysidian label.
The signature sounds created with the budget hardware in Comanchero's first offerings continue on Beach & Parasol.
From the opening listen, a beautiful atmosphere with a mellow, bright & clear theme to the record ensures that the EP is accurately titled. No matter the season or the weather outside, Beach and Parasol will take you to the tranquil seaside of your mind's desire. Super limited US imports