House Vinyl New Releases - News

Following releases from label founder Palms Trax, a reissue of eighties Chicago House innovator Rog’e, and a pair of cassette mixtapes from Berlin-based selectors Enchanted Rhythm and Budino, CWPT looks to the North-East of England for its next release, live and direct from REES.

Hot on the heels of a twelve-inch on Bordello A Parigi and underscoring a slowly simmering reputation as one of the brightest stars of his community, REES’s debut on CWPT is a classy and globally informed perspective on house, disco and acid styles.

Undistilled rhythm is at the heart of Rees’s vision of club culture; on title track, Devils Club, it’s effect makes itself known immediately, driving a channel of lively percussion towards a series of tasteful breakdowns that are both propulsive and alluring. On ‘Magic’, a confidently raw, loose drum loop accelerates into a glossy, psychedelic speed-chase that’s pure Miami Vice reimagined in Middlesbrough.

On the flip, two versions of ‘The Spirit’ tastefully expand beyond REES’s musical borders and into warm, cinematic territory, blending tropically tinted instrumentation with (and then without) an entrancing vocal sample.

Limited edition of 300.

Brussels based master tastemaker & DJ (and producer), soFa deliver his first ever solo EP “All My Friends Are Witches”, tipping Planet Trip records into double digits.

Take a head first dive down the wormhole of soFa’s dubbed out triiips made even more special with incredible vocalist collaborations with Saeko Killy, Ank and Nyati Mayi, plus a mind bending remix from fellow PT extended family Mogwaa to close out the EP.

One to hold close.

Recorded by soFa & friends during the first covid lockdown at Rocket 23 Studios Molenbeek - Brussels
Written and produced by soFa
Mixed by Mick t-woc
Mastered by Nick Arks
Artwork By Johann Kauth

Debut release of Tigerbalm on Ubiquity Records, featuring remixes by heavy weights Mang Dynasty, Max Essa, Massimo Lamagna and Guinu & Cardaci.

Some artists strive for years to develop a distinctive trademark sound, stumbling between projects while trying to find their voice. It’s not an accusation you could level at rising star Rose Robinson, whose Tigerbalm releases are infused with a trademark sound that’s alight with infectious (and often thrillingly percussive) rhythms, vivid aural colour and nods to a dizzying array of sounds and styles from around the World.

It's this hard-to-pigeonhole personal style, allied with an instinctive grasp of what works on the dancefloor – a by-product of over a decade spent DJing around her home city of London and well beyond – that’s at the heart of Robinson’s first Tigerbalm release for Ubiquity Records, ‘Kete’, and the subsequent single and debut album that will follow later in the autumn.

Like the rest of that album, the appropriately titled International Love Affair, ‘Kete’ was inspired by Robinson’s travels around the world – in this case, the unique musical culture of Bali, where Indonesian-influenced rhythms and instrumentation sit side by side with imported nu-Balearic beats (a style Eric Duncan once dubbed ‘Bali-eric’ during the period he was a resident on the island), nu-disco and sundown house.

Blessed with the stylish, queen-of-the-night vocals of Berlin-based singer Joy Tyson, also known as Snake Milk and a member of the Farafi Band, ‘Kete’ is a locked-in late-night treat. Originally recorded as an instrumental, which Tyson then wrote lyrics for and added her vocals to, the track a wonderfully low-slung chugger laden with slowly creeping chords, weighty dub disco bass, flashes of fuzzy psyche-funk guitar, echoing percussion hits (provided by long-time friend and collaborator Patrick Dawes), whispers of Indonesian instrumentation and of trippy effects.

The release of ‘Kete’ comes accompanied by a beautiful, stylish video. This was shot in Berlin, directed by photographer and video maker Roberto Zanrossa and art directed by the song’s singer, Joy Tyson with background visuals from Kubma Dobrowolski.

‘Kete’, then, is a single that sets the agenda for the Tigerbalm releases to follow, both musically and visually. It’s a strong sonic sentiment from a producer hitting her artistic peak.

Repress !

Harvey Sutherland's latest 12 marks the inaugural release for Clarity Recordings, an imprint established by Sutherland for modern Australian records.The first new music from the Melbourne producer since last year's cuts for MCDE, the double A-side Priestess / Bravado features his live trio Bermuda at full tilt, with an ensemble of hand clapping friends. Self-described lounge room disco burners, the record summons the groove experiments of Patrick Adams, Bill Laswell and Arthur Russell, while retaining Harvey's soulful tones and club-ready arrangements.
Priestess evolves slowly, a nine-minute mind dance that ultimately reaches a celestial state. Sutherland's piano lines bounce off drummer Graeme Pogson's unwavering four-on-the-floor, while one-man string section Tamil Rogeon travels skyward. Live standout Bravado is played with determined precision, locking into a tough backbeat that only breaks once Sutherland's warbling lead solo approaches its resonant peak.
Harvey Sutherland and Bermuda will release Priestess / Bravado 12 and digital worldwide on 4 November 2016, via Clarity Recordings and Above Board Distribution.

Celebrating 10 years in the game this year and after a slight covid-induced pause, Dixon Avenue Basement Jams are back with fresh new summer heat straight from the depths of the colosseum on their Neutralizer sub-label. Longtime friend of the DABJ crew Delphi (who is also one half of Tiger & Woods alongside Marco Passarani) joins up with four shining examples of forward thinking machine driven funk, the type you can only expect to hear from the eternal city of Rome.

Strictly limited hand stamped edition on Carmine Red vinyl. Don't Sleep on this one, people.

Russian Indie Dance / Nu Disco and House label Soviett return with the 4th vinyl release of their club-friendly series «Plastinka»! Ranging from 108 to 124 BPM this time, all four tracks are full-length DJ-versions exclusive to this vinyl and never been available before. «Patchouly Indonesiano» by Saint-Petersburg-based Pavel Korzhensky, aka Ksky, is a lively piece of modern analogue electro. Alexander Prosvetov, aka Marco Lazovic from Moscow, delivers an atmospheric tech-house track with a strong retro feeling of the 80s and 90s dance music scene; it emphasizes how deeply Lazovic explores the roots of electronica. Street Choice is a Russian duo of Artyom Vasiliev and Alexander Rodakov; the guys present a classic house production with a humming rhythm section and a memorable piano line on top. Buzz Compass is Andrey Bychenkov and his «Make A Baby» is a perfect laid back start to an evening pre-party with lots of live instruments and no rush. Plastinka 4 is a proper addition to your current vinyl DJ-set or personal listening pleasure!

Mr.G returns with a brand new 3-track effort for his Phoenix G series. 3 very deep jams with mesmerizing vocals and spaced out chords. A true house record straight from the master himself.

The 1979 Jimmy ‘Bo’ Horne gem, “Spank” was an essential DJ tool from back in the day. It was then dubbed out by Brooklyn Express in ’81 and called “Sixty Nine”, with it’s alternative on the flipside being called “Change Position 88”! Fast forward to recent times this gem’s been operated on by Dutch big hitter, HP Vince (Midnight Riot, Tropical Disco, Masterworks, Samosa, King St etc) where he stays true to the original.

On the flipside present-day Nu-Disco royalty the Dr Packer (Glitterbox, M2MR, Salsoul) presents his new version, never before available on vinyl. The Dr revives and prescribes jams like no other and delivers yet another party monster.

For its 2nd vinyl release, Hi! Energy has gathered 4 of the finest Underground House Artists ! Melting Jackin House & funk infused
chopped samples with the new generation of deep and Garage sounds. Each track is a HIT!

The first EP of L'Impératrice, signed by Cracki Records in 2012, is finally proposed in its vinyl version!

The opportunity to rediscover "Le Baron Rouge" or "1998" and relive the beginnings of the group that has become today unavoidable.

L'Impératrice is beautiful and cruel. Maybe not even real, a Venus with graceful movements, whose haughty look burns with the heat of summer. She rules the groove as well as the hearts, and will know how to bend you to her desire. The first opus will sound like a revelation, meteor sneaking in between funk, 90′ French house and hip-hop. Here the joyful references to the sound of our childhood, there the melancholy of journeys far from the earth, and always this bass more powerful than the Black Star, a brilliant sound, a ray that pierces the immensity of our shady minds. Don't be afraid anymore, join the Empire.

New Resense stuff for the advanced dancefloors. "Lalo Shuffle" is a rework of the main theme from the original movie "Planet Of The Apes", written by the great Lalo Schifrin while "Magic Hancock" pays a funky tribute to the great Jazz composer Herbie Hancock.

2LP Gatefold with colored vinyls

Locked down and furloughed, Vitalic went back to his synths and beatboxes, resulting in his fifth album "DISSIDÆNCE" - the title of which is a whole story in itself - destined to be released in two volumes. He describes it as a return to the roots of his sonic identity, a kind of reinterpretation of the rock energy of his early albums. "More than anything, it was a question of timing. While composing I realised that eight tracks felt like too little for an album, and sixteen was really over the top, so I decided to cut the whole thing in half! The main reason though is that I felt I hadn't been able to express everything I wanted to on the first volume - like something had been left unfinished."

The two episodes of "DISSIDÆNCE" - navigating between pop and hardcore, sweat and tenderness, melancholia and anger - are a sort of boiling down of what the artist knows how to do best, after twenty years of creating, from filthy whirlwinds that make your mind explode on the dancefloor to bubble gum pop songs about love that transport us elsewhere. On these two volumes of "DISSIDÆNCE" that now form one, the powerful beats and galloping sequencers translate the social and political anger of the global pandemic, and Vitalic looks into the past, channelling his love for off-kilter synth sounds, skew-whiff pads, heady refrains, distorted vocals and heavy beats. Above all, this dancefloor marathon expresses his obsessional passion for dance music and the primal need to dance. "DISSIDÆNCE" should be taken as both a celebration of celebration and a journey back in time to an era that maybe does not exist right now, but which will - and this album is the dazzling proof - be reborn from its ashes to burn bright once more, its BPM let loose and rage still blazing, because more than ever, to dance is to live.

2001: Guillaume Atlan is nominated with 'Starlight' at the MTV Awards in the best French artists category. 20 years later, the first generation French Touch (Modjo, Demon, Cassius, Stardust, Etienne de Crécy etc.) is almost gone. Among the few still active, The Supermen Lovers, who will release his fourth studio album, 'Body Double', end of May.

A reference to Brian de Palma's film and its perfect plastic, the disc bears witness to the many artistic encounters and tumults of love that feed Guillaume during his trip to Kyiv from 2018 to 2020. Love can move mountains but can also destroy a man. Demons and emotions will make him go back to the studios, firstly in Kyiv, which reminds him of Paris in the 90s : strong energy, a thirst for discovery, creation and pure spontaneity. Straddling 2 musical bodies, the heart of Body Double balances between vocal electro-disco and clubbing, without forgetting this analog/digital jumble dear to Guillaume. He is an electro producer, a DJ, but above all a multi-instrumentalist. Machines in contact with “real” instruments…

Three generous portions of blissful beats on the Electric Shrine imprint, kicking off with the downbeat (in BPM terms) but lively 'Solar Visions' coming on like a dub mix of a lost Chic classic, 'What You Love' more like prime-era John Carpenter remixed by a mischievous Orb and 'Un Amore Supremo' a slow motion (one of the slowest we've ever encountered) reverb-fest, designed for more eccentric chillout rooms. And that's all before the opera singer pitches in.

JB Edits the edit project of UK & Australia based house DJ & producer Jerk Boy. Off the back of the success of his first two releases “EP Number One, EP Number Two” and most recently “EP
Number Three ” which gained love and support from an array of taste makers and DJs around the globe including Axel Boman, Skream, Tensnake, Elliot Adamson, Moon Boots, Soul Clap, Jimpster, DJ Aakmael, Auntie Flo, Boris Dlugosch, Peter Kruder, Robert Owens, Harri, Terry Farley, Kiko Navarro, Nuno Dos Santos, Tilman, Fred P, Bill Brewster, Kassian, Ryan Clover,
Souldynamic, Joshua James, DJ Supermarkt, Yam Who?, Clandestino, Llorca / Art Of Tones, Carlo, Doctor Dru, Jad & The, Nightmares on Wax, Dom Servini (Wah Wah 45's) & Jacques
Renault to name but a few along with multiple premiers on Youtube / channels like Gaz696, Maslow Unknown and Ben Gomori’s Turned On.

With the first two EP’s selling out of its first press in weeks across stores like Rush Hour, Phonica, OYE and many more. He’s back with a new 3 x tracker… “EP Number Four”….. let’s not make it
complicated….we’re just keeping it chronological, boogielogical and discotastic.

Back in stock on 05/09/22

NYC Disco legend Danny Krivit returns to the editing block on behalf of seminal Miami Disco powerhouse TK Disco. With 45 years in the DJ game under his belt and having played endless gigs all over the world during that time it's safe to say Mr.K knows exactly what he's doing when it comes to the re-edit thing! With unprecedented access to TK's vaults Danny has been turning in some stellar reworkings as of late and the cuts included on this latest instalment keep the quality sky high!
The Ritchie Family's sunny 1977 b-side 'Summer dance' is a roof raising soulful stormer of the highest degree! 100% Disco heat, a record that would have gotten numerous spins in the 'real' Disco clubs and dance-floors upon it's release. It has it all - soaring string arrangements, driving percussion breakdowns and of course, top shelf vocals from Cheryl, Cassandra and Gwendolin. With those super crisp drums upfront in the mix, punctuated by orchestral stabs this edit is perfect for the DJ's, and will be a welcome go-to cut in the booth! Don't snooze...
Wild Honey were a soul trio from Texas, here their 1976 number "At the top of the stairs" - a deep vocal track - gets the Mr.K treatment with Danny editing the vocals out and giving us a rolling, string laden stomper. With a respectful, slight rearrangement he manages to bring a new slant on this already well loved underground Disco jam pushing it into the stratosphere! Pretty heavy stuff indeed, not for the faint hearted but for the dancers! This one is sure to ignite any club lucky enough to hear it bursting out of the speaker stack! Another essential edit!
Of course, Danny Krivit's edits are always done in the proper manner, from the point of view of someone who has lived, breathed and played this music for the best part of 50 years. 100% legit re-edits, from Danny's personal collection, remastered and released in conjunction with Henry Stone Music / TK Disco - Miami FL.

150 copies only

The great return of Flexi’s sublabel “Incognito Trax”, dedicated to mysterious vibes, unexpected remixes and strictly party tracks.

Enjoy these 4 dancefloor gems, printed in super limited vinyl only copies.

1988: Six years after entering the music scene, and just a few months after the release of the teen, 80s earworm, “Bonne bonne humeur ce matin” by Tristan, the producer and arranger, Michel Bassignani, recorded “Tu me tues” in Belgium. Dissatisfied with the result, Michel went back to the drawing board at Waldbery Studios in Paris recording all instrumentals (except sax). After hearing his new work, Dominique, a high school pal, proposed to sing for Bassignani. Dominique's stage name became Maureen, and in addition to the single and extended versions, the duo recorded a “Dance mix”. We asked Jkriv to express is talent to produce a new version of this classic music track. Pardonnez-nous, but check it out!

Round two for David Jackson! Just born in the heydays of the "Airport Disco" David provides us with the future of Italo Disco and beyond. Mr. Jackson makes music for mirror balls, strobe lights, fog machines and Richard Long sound systems. The title track "Airport Disco" is a heater at first sight. It will make you whistle along or go bang straightaway. "Oohhyyee" is a modern piece of uplifting, breaky & airy UK vibe and hits just the right notes and spots. Some folks claim the only good system is a soundsystem. Well "In My System" appears with powerful synth chords and yes, believe me you want to join this system too. For the advanced customer (vinyl only that is) you will find "Berlin" on B2. A bit of Schlager-Disco with a laissez-faire message. Another top artwork courtesy of Julian Bender. Now get into magic!

Rebirth of Gerberdaisy is the 5th Boof longplayer. 10 track double vinyl released on Running Back in collaboration with Bubbletease Communications. Produced by Maurice Fulton.

repress

Ilija Rudman adds his outstanding touch to these two Classics - reworking and editing a pair of pearls on either side of a 7”. Favourites of many in their original form, ‘Classics – Versions EP’ sees Rudman strip down the arrangements paying special attention to the essence of the vibe.

A new lease of life injected into the grooves, just like those versions were done in the studio way back when - as special B-sides for special moments.

Peggy Gou’s Gudu Records presents a landmark EP of original music by Dea - a legendary Indonesian DJ and artist who counts DJ Harvey, Mr. Scruff and Gilles Peterson (who famously claimed that Dea was the best DJ he’d seen in a decade after watching him spin in 2017) among his admirers.

Making his name in Indonesia’s Sun Down Circle collective, Dea has gone from one of his country’s best-kept secrets to one of the world’s most respected diggers and DJs. His EP for Gudu is his most extensive collection of solo music yet, backed with a transcendent remix by I:Cube - the few-more-acclaimed French artist famed for trading remixes with Daft Punk in the 90s and decades of brilliant solo music since.

Limited DJ Promotional 12" featuring four previously unreleased Talking Heads demo's from Fear Of Music sessions. Never before available on vinyl.

Volume 11 of the Masterworks Music journey comes in the form a four track e.p. of edit gold from Russian producer, Valique.

'It's Hot (Heavy Boogie Edit)' opens up proceedings, laying down a guitar driven, synth boogie gem, heavy on the squelchy top lines, weighty bass and full-frontal female vocals. 'Think About It (Not Too Long Edit) then takes you into peak time disco territory - sun drenched, beefed up, filtered and phased for maximum dancefloor vibrations.

Flip it over and you're hit with an infectious guitar lick and bumping bass from the off on 'One Chain (Makes No Prison Edit)', before that killer vocal joins the party. Finally, rounding off the e.p. 'Hypnotizing (Wanna Be Free Edit)' treads a more late-night path with a hypnotising vocal sample coupled with panned cosmic pads and percussion, sure to entrance any crowd it's put before.

More Late 70s/early 80s Westcoast Yachtpop you can almost dance to!
Buoyed by the incredible love felt for TSTD Vol. 1 in summer 2014, Berlin's renowned pop archaeologist, that master musical excavator DJ Super-markt, has leapt straight back into the soft-top and been out digging for the lost gems you'll find here on Volume 2. This is another perfect collection of missing-in-action, late-70s/early-80s smooth, singer/songwriter, AOR-paced, yacht-based pop and blue-eyed soul. Every song brims over with that West Coast sunshine, and for Volume 2 we've dug even deeper into obscure corners of LA, London, even Cologne, to create an even more potent soundtrack to that lost world that's somehow always with us. So join us on another sunset trip as we soundtrack summer 2015 in the company of these lost luminaries. Bask in every detail of that glorious over-production, and recall an era when the music industry had the time, money and sheer musical talent to make everything BIG. Pay no mind to the cynics, the cooler-than-thou-erati, or the buzz kills of the sincerity police. These are big tunes that deserve to be hits, even if it's taken 40 years to get there, driving slowly up that winding California coast road in the wonderful warm summer air.

repressed !

After continuous requests for the edit of Alicia Myers' I Want To Thank You, Earls BOOOM!!! Edits will finally see the light of day on wax. It will also consist of 3 extra Reworks of heat from yesteryear, specifically designed for the dancefloor

Los Angeles disco producer LUXXURY's Be Good 2 Me 12" kicks off with the title track, a muscular, bass guitar-powered song (as heard in Forza Horizon 4 for XBOX). Evoking that 1979 moment where rock bands like Kiss and The Rolling Stones made their token 'disco song,' the tune was inspired by the melodic punk basslines of The Clash's 'The Magnificent Seven' and Hot Chocolate's 'Every 1's A Winner. "I Need You" (8.5, DJ Magazine) is an honest-to-god love song featuring funked-up bass from Fitz' and the Tantrums' Joe Karnes, while "Feel the Night" (as featured on Hedkandi Beach House, Toolroom's Poolside Ibiza and more) is a rubbery dancefloor destroyer just begging for falsetto sing-along. 'I wanna be EVERYTHING' is an unabashed love letter to 70's dancefloor culture audaciously recalling the sexual hysteria of peak time Studio 54: Loleatta Holloway, Chaka Khan and all four Gibb brothers rolled into one.

Strangely Enough is the long awaited label project from Matthias Meyer. As an artist Meyer is renown for his storied, emotion laden DJ sets, regularly linking multiple genres with considerable aplomb. His new moniker is an effort to transmit this recognisable style to his musical productions. From deep house to breakbeat,
Meyer will indulge his varied tastes all the while keeping it under the umbrella of his distinguished style.
The label kicks off with two original productions from Matthias himself, Strangely Enough and Fantazy.
The title track Strangely Enough is a quintessential Matthias Meyer effort. Combining a dark, vibrant groove with haunting vocal snippets, it perfectly encapsulates his mission for the new imprint. As a composition, it sits in that indefinable space between the dance floor and the after party, a powerful weapon in the right hands.
Fantazy, the B side of the EP, follows no fixed form. It is a jaunt from breaks to driving house with an emotive breakdown which prompts thoughts of escapism from the structures of modern music. It is often remarked that fantasy is the creative measure of a man, and in this cause that assertion runs true, with
Meyer showcasing his wide musical palate.

500, 12" 180g, hand stamped, individually numbered records, single press only.

The Louisville space-cadets, Cosmic Incantations, return with coded messages and heat-signals from far, far, away. Partner Music leads the way with ‘Lena’ a tactile euro-disco thermal-detonator. Four One Five is back folding space, reminding you that the downtempo must flow on ‘RBHA’. Finally The Jambonies reassemble with the help of ‘Pulses N’ Proteins’ a monster made entirely of foliage from a tropical planet!

What's crunchy, sweet and simply delicious? Right, it's the new "Disco Biscuits" series on Luv Shack
Records! Volume one features four club-ready, no nonsense dance tracks, all tied together by a touch of 80ies nostalgia.

On the A side we hear Endrik Schroeder laying the foundation with a modern italo banger by the name of "Heather", followed by Jakobins synthpop-house hybrid "See Me Through". The B side features "Tonight", Lee Stevens' definitive homage to mid 80s John Carpenter soundtracks, and ROTCIV´s foray into proto-house psychedelia "Hypnolove".

The wonderful LINE EP by Viktor Talking Machine sees the light of day with a new remix pack. andhim shoot a magical remix into orbit and convert JOKO into a stunning dreamcatcher. Detailed, fruity and mind-blowing down to the last meta-level. Till von Sein jumps with LINE on a well waxed longboard, experiences bubbly groove tubes and refreshes us with warm Hawaiian vibes, luscious percussion and a unique character from the first to the last beat - sun for the soul.

More heat from OTE on their fifth release featuring reworks of two highly sought after afro gems. TIP!

Uk`s finest vaccine. Works in any way.

Following the collaborative releases with DJ Duckcomb, Emotional Rescue teams with “discodub” specialist NAD aka Dan Tyler (Idjut Boys) in the continual documentation of the crucial role played by the Caribbean diaspora in Britain’s music history.

Of the many who have made a mark, Clifton “Sonny” Roberts maybe one of the most unheralded. Upon arrival in the early migration from the Caribbean, Roberts used his carpentry vocation to build and operate the first Jamaican recording studio and then black owned record shop in the country.

Working alongside and sharing offices with a young Chris Blackwell and Trojan founder, Lee Gopthal, Roberts’ trailblazing through his Planetone and Orbitone labels were pivotal in bringing first Ska, then Reggae and on to Lovers Rock to prominence, as well as releasing influential Afrobeat and rising Disco sounds of the day.

It is on the sub-label Cartridge that the mega-rarity I Want You appeared in summer 1982. Teaming up with vocalist Joseph “Remy” Martin, the original 12” is a wonderful mixture of all their influences; soulful vocals, unrelenting boogie groove, afro keys, all pinned by reggae bass.

A heavily saturated Discomix is then created by Dan Tyler aka NAD. A dub masterclass with live desk filter passes and flanging, all running through spring reverb for a true Tubby disco-rockers ride, this is a sound system treasure with more to follow soon.

Set those filters to stun and get the glitterball rotating, because Italy's Giuseppe Scarano is back with some serious glitzy disco gear on his Cardiology label. 'BEK Again' boasts a hefty house undercarriage on which the brass, handclaps and funk are transported, a Jackson-esque vocal hook proving to be the cherry on top. 'Remember Da Name' and 'Know About Me' are a little sparser, with a garage beat not a million miles from some of Van Helden or Roger Sanchez's late 90s work, the musical gloriousness squashed down by filters until it's finally allowed to peak and soar. 'New Funk' completes the four track package, a tad slower and funkier with a sublimely wriggling bassline the central factor.