House Vinyl New Releases - News

Ministry of Sound’s Origins series is taking us right back to where it all began, with the sound of the 1970’s Disco, emerging from the US nightlife scene. This 2x LP release explores the origins of the genre from its early beginnings with likes of Barry White, The O’Jays, Chic, Earth, Wind & Fire, The Jackson and many more. You will be taken on a colourful journey filled with dancing that we all still relish today.

Magic Feet are back after an extended break with a various artist EP.

On the EP you will find the bona fide modern day Balearic classic, Femi Vs KCRW - ‘Eh Oh’, The 6th Borough’s remix of Craig Bratley’s - 'Birdshell', Rich Lane's fantastic cover of New Beat classic ‘Flesh’ and for the first time on vinyl, Craig Bratley’s remix of Billy Cobham’s’ ‘One More Day To Live'.

Disco Modernism is back for summer 2020 with the brand new solo single of the singer Francesca Gastaldi, well known for her constant appearances on Italoconnection productions. Produced and mixed by Fred Ventura and Paolo Gozzetti, the 12” features two new songs perfectly combining energy and melancholy together with Francesca taking the leading role with attitude and feeling.

In the spirit of cultural pride, Rune Lindbaek provides the audio tour guide into the unexplored back streets of Norwegian Disco

His deep knowledge of Disco delicacies from the frozen north may be a revelation to those who've heard his more mediterranean outings,
however here we have an extended EP on untapped treats, leading with three hefty slabs of late seventies, matured Brunost on the A &
moving into more obscure territory on the flip, where the sought after I Dekning is followed by two more idiosyncratic jams, which possess the dancefloor heft of a well roasted reindeer shank

SUPER LIMITED !

Mono Han are brothers Alessandro and Davide, who collectively have a deep and long understanding of electronic music. Davide is a co-founder of N.O.I.A, one of Italy’s first electronic live acts to perform and record with drum machines and synths as early as 1978. He was also behind seminal Italo outfit Klein + M.B.O and proto-house hit “Dirty Talk”. Alessandro, following in his brother’s footsteps was inevitable and he too became hooked on the incredible new sound palette emanating from the early electronic machines.

Since then they have released under an array of aliases, have clocked up numerous club hits and this project brings them back to their 80’s roots.

James Greenwood of Manchester DJ collective, Supernature Disco, launches his new, vinyl only label, Semi-Skimmed Edits.
A label dedicated to the traditional style of re-editing. Nothing added, just precision sliced disco for modern day dance floors.
Edits for the underground.

Three outtakes from the mix CD with mixes by Pachanga Boys & Rebolledo and an exclusive Rebolledo track
It surely must be a pretty special DJ mixtape if a label sees the need for a regular release - in this age of total download overload, it's just something you don't do anymore. But along comes REBOLLEDO and proves everybody wrong with the MOMENTO DRIVE mix CD, a persuasive plea for a nearly forgotten format and a high point for a vanishing art form. In fact, we were so enamored with the exquisite selection that we decided to take three extra rare cuts from the mix and put them on vinyl for the MEMENTO DRIVE EP - an intimate look into Rebo's secrecy-shrouded DJ crate and a dream come true for any aspiring deck shark.

Gator Boots returns with two dancefloor ready edits of African legend Fela Kuti brought to you by Rudimental member Piers Aggets’ new Rotate38 project.

Low-slung house with that dusty sampled soul on one side and a disco house pumper on the other, JARC Sounds return with another double header you need in your life.

‘Brooklyn Baby’ hits all the right chords from the off. With that New York skyline in sight, jazz infused keys, dream-like pads and swooning vocal snippets take you to a rooftop blowout looking out over the Kings County.

Flip it over, for a thumping, disco channelling, house belter aptly named ‘Love Ecstasy’, that’s sure to become a staple across the scene.

Originally written and produced as the centrepiece to his 2014 FabricLive compilation, Erol Alkan’s ‘Sub Conscious' arrives on 12” vinyl and to streaming platforms for the first time, accompanied by two charismatic remixes from Manfredas.

Shimmering and undulating, the original cut of ‘Sub Conscious’ was designed with Fabric’s cavernous main room in mind, taking full advantage of any finely tuned soundsystem with a patient, rhythmic trip. Remastered here, the track evolves out of hazy darkness towards halcyon euphoria in a uniquely Alkan style.

Resident at Opium Club in Vilnius, cult DJ and producer Manfredas provides two hugely creative and alternative takes on ‘Sub Conscious’. The first works hallucinatory magic with a supple bassline and much of Alkan’s original stretched and repurposed around vampish oscillations and a westward vocal sample.

On the contrary, the ‘Stream Of Consciousness' mix sees Manfredas pitch down and strum the bones of ‘Sub Conscious’, unexpectedly delivering a lovingly lethargic, bottom-heavy jam that’s pure dub-side pleasure.

Giorgio Records is really proud to present the first official reissue of the experimental project GAG, from 1983, which includes two very different songs. Flyin’ Bolero is spacey and hypnotic while P.T. Dance is lively, and perfect for disco nights. Unknown and obscure, these two tracks are cataloged as Italo Disco tracks but go further. As always, Giorgio Records enriches the reissue with two remixes. Flyin’ Bolero has been entrusted to Armonics, Bari producer and great artist. P.T. Dance to Kid Machine.

Bogota based venue Kaputt kicks starts the label side of things with seven track compilation featuring Alejandro Paz, Nuclear Digital Transistor, Eddie Mercury & Mijo, Rodion, Kabinett, Damon Jee & Ravintsara, Alvaro Cabana & Julian Sanza.

Born from the new Bogota based club who’ve invited the likes of Call Super, Axel Boman, Kornel Kovacs and more, Kaputt launch a brand new label from the enigmatic streets of Colombia’s capital.
Bogota is a place where the underground scene has recently built a new sound of resistance, a sound that sets the local scene alight through unity and community and is now moving on to break down
international borders.

First up is Alejandro Paz, a Chilean musician and DJ whose music is characterized by vocal displacement and musical selection, full of dark Latin American material. His track 'Bogotá' is a lively
dark disco cut with rugged bass and angular rhythms that are finished with some acid melodies. Eddie Mercury then links with Mexican Mijo for the frazzled bass and dystopian bleep-disco cascades of the
excellent 'Chundify.'

The Nuclear Digital Transistor duo is two DJs from the Bogota scene, Pal and Pizarro, who have released on the Ombra International label run by Curses. Their 'Borrador 9' is cosmic groove with crisp
boom bap drums, hits and plenty of stepping arps that reach for the skies. Rodion is from Rome and is regarded as the “new genius of Italian Dance music” after releases on Gomma, Eskimo and City
Slang. He shows why with the chugging dark disco anthem and freaky vocals of 'Processare.'

Critical Monday boss Damon Jee has released on the likes of Correspondant Records, Roam and Hafendisco and is well regarded by from the likes of Joris Voorn to Chris Liebing. Here he links with
Ravintsara for 'Medea' which is filled with post-punk energy, tense synth progressions and real dance floor darkness. Next up is Kabinett, the darkest side of Colombia’s Nicolás Saavedra, co-founder of Nomada Records and someone who offers up 'Don Kebab' here - a skyward track with big disco arps and twisted bass all gliding along and getting the floor under its spell. Last of all, Alvaro Cabana &
Julian Sanza link for 'Psychedelic Advise' which is moody and haunting, with stark hits and metallic synths that ride over rugged and macho drums

2020 sees Future Disco release number 13 in the eagerly anticipated compilation series. Displaying a fresh cover from the new artistic direction as part of their 10 year celebration in 2019, the album Visions of Love also shows off fresh sounds and exclusive tracks from a selection of exciting talent.



Visions of Love is for everybody seeking something new and exploring exciting opportunities. Future Disco has always managed to weave that line of interesting and partystarting and on this album it’s no different. Disco has always been about uniting the dance-floor and Future Disco embody this spirit with a cross selection of sounds and artists.



They find plenty of future rising stars with Stockholm’s Kornel Kovacs, Chicago’s Chrissy and Paris’s Yuksek all comfortably sitting alongside more established names as Kenny Dope remixing Moon Boots, Lane 8 and Kraak &Smaak.



There are plenty of exclusives too. Three Future Disco edits from head compiler Sean Brosnan and three exclusive tracks, one from Future Disco’s very own Ekkah, familiar names Lifelike & Musimeci and one from newcomer Gruvee.

Disco deliverance of the highest order once again from Moton Records Inc. Diesel and Dave Jarvis work their wonders on these three cuts with the A side taken in full by ‘US Lover’, a sleazed up, foot stomper of a boogie workout that’s straight sweltering from start to finish – just listen to that bass!

Flip it over to find two jazz funk gems made up of the beaming pinball concoction that is ‘Hysteric Glamour’, and the raw grooves, jaunty jazz keys and synth touches of ‘Marabou’. Essential, as always.

Whether you are still locked down, meeting close friends or gathering with small groups of party people in this new post-corona world, you will find plenty to love in this new package of vinyl-only remixes from Hell Yeah. Keeping mellow acid lovers happy are Calm's Still Dreaming mix of his brother Kenkou's 2004 cut 'Everlasting Dreams' and then his very own Extended Mix of Deadbundy's 'Lorenz'.

Of course, Calm is Japanese artist Fukagawa Kiyotaka, someone who has been making deep house, ambient and downtempo grooves since the late nighties. He is a legend of the game famous for his deeply dug out and immersive mixes and his current Oasis @ Home series is vital for lockdown listening. He is compiling a collection of contemporary Japanese meets balearic jams due for release next year, when he will come over to Europe to tour in support of it. But first, this…

The a-side is a psychedelic balearic guitar jam for the evolved and mature DJ and it is steeped in gently acid lushness. Over 11 minus it washes away all anxiety and douses you in rippling guitars and sun kissed rhythms that transport you to the Med in an instant. The b-side is a remix of a cult cut by Japanese band Deadbundy from Gifu. Calm flips it into an unbelievably groovy and chunky number with great pop hooks. The rubbery drums do their thing down low to make you move, while the warmth of the bass and the funk of the riffs oil the groove. It's open air, hands in the air, heart swelling music for good times.

Vinyl only release.

You think you’ve heard anything? Strap yourself in and get comfortable for the journey! Payola’s first release is ‘Ugly Freedom’ (TOKA Remix) a collaboration between two adversaries – VEE VV and TOKA.

Two specialists in their own right, they have produced something special, something spellbinding, something entirely unique and uncompromising.

Still sitting comfortably? You shouldn’t be! An amalgam, a spark, a blistering fusion of purpose conjoined, sending shards of rhythmic shrapnel into the stratosphere. Pounding sub-bass, seamlessly executed edits of live drums, boiler-bass, searing guitar, soaring keys and vocals featuring a scintillating, lyrical dexterity and skilful phraseology delivered with a poignant authenticity. A totally unapologetic perspective on today’s social mores, “Sentiment, humanity, have no right to reside in this Betfred economy!”

Don’t take our word for it!

Disco-boogie benchmark release from the West End deep vaults. Mixed by Larry Levan this is a bonafide classic from the era.
Originally released in 1981 - this release has been digitally remastered for 2015 and releases in conjunction with the West End rights holders.
"My heart beats for the one I love"

Hibernation's over and deep cover resurfaces in these strange times with two tested tweaks from a fan beyond la manche... a sublime striped steed needs answers but the well's run dry in the big apple. zut alors!

Written in 2012 using just a MicroKorg and a mic, “Penguins Can’t Fly” is a magnificent slice of italo disco and a tribute to the Ghent based italo night Pingwing. It became a bit of a local underground hit which lead to Club Mayz performing it live at one of the parties at SMAK Ghent – once. The track never saw the light of day before so we’re stoked to announce this 7inch containing the original version backed with a powerful instrumental on the flip.

Techno, Disco, Italo, Electronics, House, Library, Cosmic and Ambient frequencies - These are the bedrocks of the Midnight Drive ethos and sound. A label shining a light on overlooked or unheralded creations and respectfully reissuing them for the contemporary audience. A label that respects and understands the connection between these disparate and sometimes forgotten forms of musical expression and celebrates them. Midnight Drive are extremely proud to present this most beautiful and unique of records - Makers 'Don't Challenge Me' - A truly idiosyncratic early 70's electronic oddity that has long been a coveted and highly prized piece of music by obscure music lovers for many years.

Makers was the moniker for another studio project by legendary euro-disco pioneer Boris Midney. Midney, a Russian ex-pat, explored his own sonic world and in the process crafted some of the biggest records during the most fertile times in the disco period, he created numerous projects including Beautiful Bend, USA-European Connection, Caress and many more.

A classically trained musician and jazz artist, his trail-blazing studio work meant he was one of the first producers to embrace the capabilities of multi-track mixing in a most creative way. Listening to this 45, a limited release on his own 'Midney' micro label, you can certainly hear genius at work, it's mind boggling that this record was crafted when it was (1972) as it sounds totally ahead of it's time and sounds exciting and original to this day. Truly one of the scarcest records of it's kind we were extremely humbled to be able to work with Boris and his organisation on this very special reissue that has been a collaborative effort all the way. This reissue has been repressed from Boris' own masters and every care has been taken to ensure that this lo-fi oddity sounds as good and clear as possible and the label artwork is a close rendering to the original as a respective nod to Boris and the Midney imprint by our friends Atelier Superplus. This is the very first time this record has ever been reissued (it was included on the most incredible 'Personal Space' compilation from a few years ago) and people will be very surprised to hear the b-side for the very first time - 'You're Shy' - A sweet soul number that almost recalls The Staple Singers and could easily have been released on Stax or any familiar labels of that ilk that somehow manages to retain the strange and overall DIY aesthetic of the 'Makers' sound.

Remastered by Optimum Mastering, Bristol UK. Artwork and design by Atelier Superplus. Reissued in conjunction with Boris Midney / Midney Records. 2018.

Rick Holmes’ breath-taking track, ‘Remember To Remember’ gets its first ever officially licensed, remastered reissue on Gold Mink Records. With prices of the original topping £60 this one will be a welcome sight for many.

Title track, ‘Remember To Remember’ is a celestial, emboldening downtempo cut. Beginning with the timeless line, ‘Pass the information, extend the knowledge…’ Rick dives into a spoken word stream of inspirational black artists and key figures whose most memorable words and song titles are framed into snippets of wisdom that get ever more significant the greater in number they become. A powerful monologue, in Rick’s warm reassuring tones, shining a light on those men and women who have made ‘strong contributions to mankind because of their compassion and humanitarianism’, laid over instrumentation you lose yourself in just as easily.

‘Remember to remember, to never forget.
How Long… how long… how long will it take man?
For us to come together.
It will take us as long as you make it…’

Words that ring just as true today, as they did 40 years ago, yet with a new sense hope in the air and prospect of progress approaching.

The B side houses another of Rick’s mesmerising monologues – ‘To The Unknowledgeable One’ motivational, moving and smooth as you like.

Licensed from Uno Melodic Records, Inc, courtesy of Expansion Records.

repressed !

MOTHER RECORDINGS has built a amazing relationship and great connection to
Latin America. The latest signing from the region is fresh Ecuadorian talent
ORDONEZ, resident of the world famous Lost Beach Club. THE SPELL EP
is definitely one of the biggest releases of 2015 so far, which says a lot as it has been
an amazing year so far!
THE SPELL
Smooth grooving percussion pushes this track along while ORDONEZ weaves in the
melody from a gritty Rhodes organ and adds to the magic with spiracles of electric
piano. But then, the seductive vocals come to the front and the whole track opens up
to become one of the catchiest tunes of the year. The drop after the long break is
just... no words can describe it! House Music all night long, yeeeah!
HOW YOU DOING
Next up is a funky sample-lead house burner. Nice earthy drums and a catchy guitar
riff offer a warm vibe for smiles and laughter on the dance floor. ORDONEZ clearly
has a very creative mind and this is demonstrated here with his intricate and creative
use of sampling and arrangement. Another very strong offering from the newest
member of the Mother Recordings family.

SUPERLOVER - the man who brought us Steam' - one of last year's biggest
tracks on MOTHER RECORDINGS - is back in full force this summer with a
new two-track EP. The Berlin born and based producer has brought us
another solid release that is perfect for the outdoor festival season. The
tracks LOVE FLUTE' and LOVE MACHINE' bring together melodic deep
house and disco for sunny, funky grooves and peaktime pleasure.

LOVE FLUTE' radiates with warm summertime joy to get the floor grooving.
A hypnotic, melodious hook keeps the wave of love rolling. Its positive,
anthem-like character gives it big hit potential.
LOVE MACHINE' has a super catchy guitar riff and funky house beat. The
tension mounts as vocals chime in for an ecstatic embrace of love and
happiness, driving the pumping energy that is infectious from the start.

Back in 2009 My Rules label owner Justin Van Der Volgen released a mix cd done completely with his own edits titled Try To Find Me Vol 2. The mix was received incredibly well and had fans scrambling for years to try and spot the track list. It earned a 4.5 review on Resident Advisor, and had a certain rather known and respected DJ opening their sets with it. Since then the status has only grown and is now considered by some one of the best mixes of all time. So to mark the 10 year anniversary Justin has decided to finally release two of the most requested edits from it.
On the A-side you get a high powered vocal cut from Peggi Blu which comes on like a lost Chaka Khan anthem.
Flip over to the B side and you'll find Gregg Diamond's charging string-laden disco trip stripped back into a hypnotising euphoric roller. Two peak time cuts not to be missed. Fully licensed.

Setting out to make some 'happy music', Sophie Lloyd produced Calling Out' in a dreary January as an antidote to the pervading doom and gloom of the news, summoning the power of the most joy-filled sound of all, gospel. This no-holds-barred anthem radiates all the live atmosphere of gospel worship in mid flow, with full instrumentation, keyboard breaks and understated kick drum pulling it all together. Bringing in the uplifting voices of soul trio Dames Brown to re-record some old gospel samples was the icing on the cake, adding the last element of authenticity. A new member of the Classic family, Sophie Lloyd's impeccable knowledge of disco, soul and house shines through in this sparkling record, available on 7' for the very first time.

Vinyl obsessive, renowned DJ and leading light of
the global edit scene, Kon knows a thing or two
about good music. His latest project, Kon & The
Gang, introduces a selection of tracks, remixes
and edits that the Boston native has lent his
golden touch to over the years. Featuring artists à
la mode Truccy (Compost's Rainer Trueby &
Corrado Bucci), Eli Escobar, Seven Davis Jr,
Medlar and Thatmanmonkz, the album gives
newcomers to the scene a fantastic taste of the
DIY disco / throwback house revival which is
currently taking the underground by storm.
A mixture of effortlessly cool, slow slung disco &
boogie and deftly edited dancefloor gems, 'Kon &
The Gang' is sure to delight fans of soulful music
old and new.

Moiss Music is pleased to announce it's first vinyl release, VA - 'Strawberry Jam', with four tracks of disco & funk goodness.

Kicking off the A side is The Funk District - 'Play The Game', what a way to kick start this vinyl release with its hooky vocal, funky chords and driving disco vibe perfect for the dancefloor.

Next up is Munky Fike - 'Oh Disco Baby' the title says it all... Bringing back that old disco vibe, beautiful keys and percussion with a vocal which flows through the track to give you that disco lift feeling with a catchy baseline.

Flipping over onto the B side we have C. Da Afro - 'Groove Definitio', funky guitar riff to get your feet stomping with a pulsating baseline groove and a guitar solo to fall in love to.

Finishing up this perfect first vinyl from Moiss Music is Alexny - 'Take You There' driving beat, disco filters and pumping vocal will take leave you wanted to play this track again and again

In 1982, Donna Summer’s ‘I Feel Love’ - which had re-defined dance music on its original release in 1977 - was remixed by Patrick Cowley and became a huge dance floor anthem once again.

The extended “Mega Mix” version, running to over 15 mins, has long been celebrated as one of the most essential dance music cuts of all time and now, for the first time since it's original release, we are proud to reissue this amazing track as a 12” single.

And to make this the best 12” single you could ever own, we have coupled ‘I Feel Love’ with another towering classic of the genre.
From 1979 we present the full 8-minute plus version of the breath-taking ‘Boogie Wonderland’ by Earth, Wind & Fire with The Emotions.

It's one of the best loved disco tracks of all time - and in its extended version here - not only is it a huge floor filler but it’s also a truly euphoric celebration in music. ‘I Feel Love’ the Patrick Cowley Mega Mix, and the extended version of ‘Boogie Wonderland’ together for the first time on one 12” single.

... Two essential anthems for every music collection.

“Soul is My Salvation is a collection of dance friendly gospel songs. The mission is to simply uplift your spirit through music and word. Dance floor’s around the world mirror the reactions of Churches from the 70’s and 80’s when experiencing these recordings.” - Tone B. Nimble.

Released as a series of eight limited vinyl-only 45, when assembled together the covers reveal a beautiful design courtesy of designer Charlotte McCrae. A true collectors item.

One side contains a boogie-infused cut from The Gospel Miracles, ‘Building Up Myself’ housed on their hard-to-find 1985 LP ‘The Lord Has Been Good To Me’. The other shines a light on the funk-heavy, gospel joy of Serenity - Don’t You Worry from another rare and pricey gospel LP, Serenity - ‘Like It Is!’

limited to 300 copies
New EP by Alixander III. After AZARI & III have finally split up, main man Alixander III joined the Toy Tonics records crew. Like his first TT release also this new one consists of raw and heavy machine funk. It's techno - but with a heavy dose of soul! The one that makes you swing. Not stomp! 'Heavy Friends 2 is a collaboration featuring guest vocalists and producers from his hometown of Toronto, Canada. A tight package of vintage, old school, Detroit soul techno. Bulging with hooks and unusual textures. A vast soufflé of bittersweet melancholy, a polished yet irreverent statement that congeals the far-reaching influences and intricate techniques that have defined Alixander's work since long before Azari & III met the world.

Five years ago, Cute Heels brought his unique blend to Schrödinger’s Box with Nepotism. The Colombian now returns to the Glasgow label, this time with a mini-LP packed to the rim with stone cold quality.

Steady kicks give way to juddering bass and epic strings in the dynamic changeling that is “Beyond The War.” Shadows are cast by the EBM stained “Er Ist Nitch Du” and the smoky “Present Images” under the alias of Syndikat Komando Klub 98. Yet, despite these darker shades, the 12” is filled with brighter tones also. As Victor M Lenis R, “Breath of Freedom” beams with synth-disco laden lines. “Strange Forces” takes a similar path, chords shimmering against aquatic pads that bask in warmth. An italo streak enters with the playful melody and sun- soaked keys of “The Awake (Mexico City Mix), radiant notes countered by strong pulsing percussion.

Beyond The War is a record as diverse as its creator. Traversing a spread of styles, Cute Heels has created a 12” that blurs perceived genres whilst maintaining the energy and zeal of the club.

The motorcity boys are back with LOVEiT003 a fresh sounding 4 tracker strongly reflecting the diversity of styles found at their parties. lds kicks thing off with 909 To Heaven, a jacking and balearic workout with a rootstrax, Chicago style bassline keeping the floor hypnotised until the small hours of the morning. Snares, Kicks & Rhodes is a more laid back jam. Lazy warm pads and a slow winding sub bass rise and fall intermittently only to be interrupted by a lo-fi distorted bass that snaps you right out of that trance. Nico Brun opens the flip side with an absolute banger, hazily reminiscent of that 90's warehouse rave. lds and Nico Brun close the EP with an atmospheric collaboration perfect to start or end the night with. Splashy beats keep up the footwork whilst pulsating synth sounds slowly wind together and drop with a beautifully crafted sample that's guaranteed to bring some sexyness back to the dance floor. This EP will definitely be a regular addition to your record bag to spread those warm summer party sounds. - Bruno Farace Early Support: XDB (Echochord / Dolly): "Debut ep" Congrats! End Monologue is my favourite.

New York vocalist Kosmo Kint joined the Toy Tonics crew. Born in Trinidad and raised in New York City, Kosmo has been part of the recent Brooklyn scene, singing in several projects in NYC before moving to Berlin two years ago. To find like minded people to create new lyrics driven dancemusic.

In Berlin he teamed up with the Toy Tonics boys and now TT boss Kapote and the crew are working with him in Berlin Kreuzberg to find a new R&B & Disco influenced style of electronic dance music.
The first release is a collabo between french talent Mangabey and Kosmo Kint - produced by Kapote.

This two songs have a chilled L.A. G Funk Vibe that makes you think about certain Dr. Dre productions from the 90's combined with some broken beats and 4 to the floor house vibes. The song might remember some french touch tracks too and some might think about that West London early 2000 „Dego“ Vibe maybe. ... Anyway, its new and there is not a name yet for that style. Let’s see where the TT crew will bring Kosmo Kint sonically over the next years.

"Don't Touch My Sister" is Romain Azzaro's Rouge Mécanique début Album. Cinematic hazy instrumentals and a heady mix of post-punk, Italo disco, ambient and noise shine through Azzaro's dedication to his signature Telecaster slide-guitar, bringing acoustic life to electronica. Citing the visual realm as a strong influence on his music, Rouge Mécanique's releases are often accompanied by short films and hand picked design. The 'Prelude' video for 'Don't Touch My Sister' was born of a collaboration between Romain Azzaro and the film maker Louis Vignat, as inspired by the cover artwork of Les Beaux Arts de Paris artist Jeanne Briand.

What's Amore? Amore is a lifestyle, it's a feeling, it's an attitude.
Amore is cruising down sunset boulevard in a pink Cadillac. Amore is drinking Long Island ice tea at a baby shower. Amore is high octane. High risk. High reward. That's Amore!

The first release on Kon's, new KonTemporary imprint.. sees the crate diggin selector, producer and remixer extraordinaire reworking George Duke's late 70s jewel "I Want You for Myself."
Kon's masterful arrangement highlights the desirous pleas of lead vocalist Lynn Davis while showcasing the very ahead of its time instrumentation (there are even hints of Larry Heard to be heard here) of Mr. Duke's musical masterpiece Carefully breaking down and building up the arrangement, Kon even pulls out previously unheard vocal gems from George Duke himself hidden in the original stems giving the listener a glimpse of the studio vibe during its recording.. This release also boasts the original version taken directly from the studio masters of the highly sought after 12". All in all floor stomping disco magic from one of the world's best remixers further sonically enhanced by Boston native Caserta on the mix.

Live & Direct from the club to your speakers: 'Mango Hill Records' Proudly Presents The debut of Miami Songstress, Funk & Boogie sensation Mia! The Chilean/Afro-Cuban born and raised in Miami, Florida native directs influence from the night life scene here in
Miami and her brief time in New York City.

With a musical upbringing by her father who's been producing
Dance and R&B titles since the late 80's, The multi-Instrumentalist projects songs of love, passion and ecstasy as she tells her story on "Something 'Bout Your Love". Instrumentation by Childhood friends M.J., bring you a deep bassline, synthetized keys and a deep nasty groove that can't lose.

Mastered By The Legendary Alex Abrash (Fania-Allstars, Marvin Gaye). Enjoy this instant Miami, Classic by Mia!

Oh, Juan! We love thee, we love but thee with a love that shall not die ‘till the sun grows cold and the stars grow old.
Once in a blue moon, there is a star for whom we see limitless possibilities, whose inevitably long and fruitful œuvre all but insists we do everything in our power to nurture and provide support.

We diligently examine that sky, seeking rarefied meaning from an often desperate and banal universe, and over this past decade you have surely proven one of the brightest, most wondrous and tenacious cosmic forces we’ve encountered.
Your kaleidoscopic wealth of personality, your emotionally urgent storytelling, your obsessive-compulsive weaving of voices siphoned from the pop culture æther, your ability to synthesize teachings from the Atlantic Northeast, Caribbean and Fatherland to pen an ever-evolving musical autobiography; these superhuman strengths are not lost on us.

The 'Oxford House' EP is particularly special, as 'Fahrt Im Himmel' was our fateful introduction to your work, and though that meeting in a writhing maniacal pit of half-naked sweaty bodies was nearly five years ago, it still lives romantically close to our hearts. We just know the world will fall in love and 'Let It Go', just as we did.

It’s exciting to see you merge a musical adolescence with the now evolved Juan Ramos of 'Oxford House', recognizing your significant coming-of-age and never shying away from your roots, but rather confronting and embracing them at your every turn.

We will continue to champion your creative process and output, in hopes of fueling your inherent quest to illuminate uncharted regions of your vision.
... With all our love, always and forever, the ESP Institute.

Kolja Gerstenberg serves up a funky four track lo fi House and Disco EP for Lumberjacks in Hell. The German drummer has previously released on Suol and Smile for a While.

Phillipi is set to release his debut solo EP ‘Amadurecimento’ on November 29th via DEEWEE, the multi-faceted label and creative space operated by brothers David and Stephen Dewaele (2manydjs, Soulwax).

São Paulo duo Phillipi & Rodrigo dropped their beautifully uplifting debut album ‘Paciencia’, which earned the backing of an eclectic array of supporters including 6 Music, Mixmag, DJ Mag, PAPER, Tiga and Joe Goddard + more.

While ‘Paciencia’ pulsated with a euphoric beach party vibe, Phillipi’s solo project explores much darker territory. By uncompromisingly maximising the bass alongside a relentless beat, lead track ‘São Paulo’ is immediately oppressive and ominous. That intensity only amplifies as it’s blown open with tribal percussion, almost whispered vocals and glitchy synth stabs. ‘Vibe De Verao’ then takes a more progressive approach, with minimalist techno constantly evolving in surprising and inventive ways.

The EP’s second half extends Phillipi’s impossible-to-pigeonhole approach. In complete contrast to the preceding tracks, ‘9000’ is cinematic in scope and lighter in tone, feeling like the score to a lost ‘70s sci-fi cult classic that’s been reworked for 2019. And ‘Gelo Seco’ caps an unorthodox sonic adventure by setting a spliced, stuttered vocal simple around a dancefloor-friendly soundscape - making the title, the Portuguese phrase for dry ice, entirely appropriate.

As with all DEEWEE releases, ‘Amadurecimento’ was recorded, produced and mixed at the label’s inspiring headquarters Ghent, Belgium.