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Advanced Style. It’s only human. Bell Tower’s most intimate musical output to date. Promoting thoughtful, subtle, tongue in cheek electronic pop music since 2005.
This 10 Track LP has it all, deep & ecstatic (goofy many) moments.
Life is too short not to listen to this Album, still if you don’t it doesn’t really matter.
Or does it? Life’s a mystery…

repress !

Bianca Binky only ever made a handful of records, the majority of which have long been forgotten by all but the most dedicated fans of late-‘80s European synth-pop and crossover house. ‘Tabu’, her final solo single from 1990, is different: a gorgeous, tactile chunk of piano-sporting Balearic house from the time when dancing under the stars at Amnesia was a rite of passage for clubbers from all over Europe, has undoubtedly stood the test of time. Something of a sought-after classic, with keen collectors willing to spend hundreds of Euros on an original 12” single, ‘Tabu’ remains a loved-up, life-affirming dance-floor gem.

It also happens to be a firm favourite of NuNorthern Soul founder Phil Cooper, who has gone to great lengths to produce a deluxe reissue of the hard-to-find Balearic anthem. Original producer Felix B Mangione, head of Blanco Y Negro Records, had long since lost the original master tapes, so Cooper flew from Ibiza to Barcelona to pick up one of the only mint copies still available, before forwarding high-quality digital transfers on to Robin Lee for remastering.

The results speak for themselves. The original mix, a breezy, sun-soaked fusion of synthesised marimba melodies, spine-tingling piano riffs, dreamy chords, Chicago-style TB-303 bass and Binky’s sensual spoken word vocals, naturally opens proceedings, and is joined on the A-side of the 12” by the original, alternative ‘House Mix’ - more club friendly version that beefs up the beats, emphasises the undulating bassline and offers occasional blasts of spacey synth.

This reissue edition also includes an exclusive, never-before-heard re-edit of the legendary ‘Caribbean Dub’ – first featured on the flip-side of the original release - from Manchester’s finest, Ruf Dug. Tough, effects-laden, bass-heavy and positively epic, Ruffy’s version is arguably the ultimate version of a piano-laden, TB-303 driven Balearic house classic: ten minutes of rising and falling, saucer-eyed dance-floor bliss that’s surely destined to be one of the most-played tracks of summer 2022.

Back in stock soon...


An oddball fantasie by Bulgarian brainiac Puma & The Dolphin out now on a newly born Brussels imprint

Afro-Finnish band Maajo return with their third album, "Water of Life," a fluid celebration of various influences. Supported by two preceding singles, "Better Days" and "Unelmissani," the album is the group's first release with the Brooklyn, NY-based tastemaker label Wonderwheel Recordings. Maajo's signature Afro-Balearic sound meets late eighties new age and fusion, with touches of modern soul. The addition of two band members, Waina and Gilbert K, as well as featuring artists Issiaka Dembele and Ismaila Sané, has rooted the album's stories in a diverse range of backgrounds, featuring vocals in no less than six different languages.

Gilbert K's drum grooves pay tribute to the late Tony Allen's legendary heritage and the percussion experiments on a more melodic and atmospheric tip. Cold synth pads and 303 squeaks blend with warm guitars, fretless bass, and Issiaka Dembele's sublime kora harps and balafon mallets. "Water of Life" shows a band at its maturation point, reaching the cross-cultural coalescence of Finnish-African sound that's ready for the dancefloor or home-listening.

The three vocalists take centre-stage on the album: Waina hails from Zambia and sings in Nyanja, English and Finnish; a renowned musician in Zambia for over two decades who now calls Finland home, Waina wrote a song that reached the finals of the 2020 Afrimusic contest. Gilbert K primarily sings in his native Mauritian Creole while comprising part of the percussion line. He made his way to Finland by way of South Africa and China, eventually winning the Voice of Finland show. Gilbert K has played with such legends as Tony Allen, Andy Summers, Diana King, and Suzanne Vega. Ismaila Sané is from the Casamance region of Southern Senegal and sings in Wolof (a widely-spoken language in West Africa) on "Ndekete," and in Jola (a smaller language in Casamance) on "Èwàn".

Maajo is a sonic, linguistic, and cultural melting pot that has come together in Tampere, Finland, like a tropical breeze from the cold north. Their musical explorations lead from equatorial soundscapes to the woods and moods of their native Scandinavia. African influences, electronic beats and organic rhythms, ethereality and the sounds of nature all make up the patchwork sound of Maajo.

Not only is Maajo's music a way of travelling to faraway places, the songs themselves have travelled all over the globe. Maajo has evolved from a sample-based electronic music project to a full-sized band, including African vocalists and musicians. The group has put out two full-length albums and three EP's on Queen Nanny records, in addition to a release on German label Permanent Vacation. Maajo has received the remix treatment from artists such as Luke Vibert and Call Super, and has toured festivals and clubs internationally. The band has built a dedicated international following having been championed by the likes of Gilles Peterson (Worldwide FM), Tom Ravenscroft (BBC Radio 6), and Tim Sweeney (Beats In Space), while they've been featured by KEXP (Song of the Day), Resident Advisor, Ransom Note, and Pan-African Music.

"Water of Life" is out on Wonderwheel Recordings October 14th, 2022, both digitally and as an exclusive, limited-run 2xLP.




d 04: Better Days (Kumba) feat. Waina & Gilbert K

A DJ and production duo from Gdansk, Poland, have clocked up multiple appearances on the likes of Polena Recordings, The Very Polish Cut Outs, Transatlantyk Records and Father And Son Records, but have waited until now to drop their debut album. DJs Jakub Sautycz and Filipiuk draw inspiration from everyday life on the Baltic coast, and the unpredictability of Baltic weather, and yet one senses their productions are, mentally at least, languishing in the sun on a beach in Ibiza. The eight tracks show inspiration from the classic early indie dance remix culture of Weatherall and St Etienne, but also touch on trip hop and the purity of new age, ultimately making for a supremely horizontal but original offering.

(Hardway Brothers, Break Mode, Justin Robertson, Mr BC mixes)

The Brightonian Balaeric scene is very much in the spotlight here as South Coast label Higher Love Recordings join forces with Perry Granville, aka Hotel Pellirocco's Dave Sibley, for six sizzling bits of wonky dance floor action. Tow of the tunes have been released digitally before but here they get polished up and pressed to wax alongside a couple of remixes. 'Sailing Ships' is a textural, dark and heavy chugger that Hardway Brothers flip into way more dubbed out and spacious. Then come four versions of 'New Arp' - the acid-laced Break Mode remix, an icy electro original, a mind-melting Justin Robertson Deadstock 33s remix and a biker disco bumper from Mr BC.

After learning her craft at an after-hours club in her hometown of Santiago de Chile, a pivotal move to Milan at the end of 2015 proved to be the ticket that would propel Paula Tape into the European club circuit. Six years later Paula has made a name for herself as a purveyor of eclectic selections, stomping Italo beats, percussive balearic excursions and synth-heavy rarities, both through her international DJ sets and shows on Worldwide FM and Milan’s Radio Raheem.

With two EPs under her belt via Alzaya & SOBO, collaborations with Project Pablo, Tornado Wallace & Elias Mazian to boot, and standout singles on Permanent Vacation, Ransom Note Records and Rhythm Section International’s highly regarded 2020 ‘SHOUTS’ compilation, we welcome the announcement of a knockout four-tracker from the Chilean producer on the same Peckham-based label. In the last 12 months she’s taken the Mixmag Lab & Boiler Room by storm, and with a slew of international tour dates and forthcoming releases lined up, 2021 looks set to be Paula’s year.

“When I started working on the Astroturismo EP I didn't know the music I was writing was going to shape into an EP. Finalizing the first track "Body Nature" helped me a lot to orientate the correct use of all the music I have been producing during the lockdown months and Rhythm Section team was constantly supporting me to make me feel free to explore musically without needing to stick to club music. "Body Nature embodies strong energies, in a very personal way: I noted down those silly lyrics and kept singing the melody in my head for days, in the end, that drove me to create a groove that would work and transfer the mood I was feeling. This track is about feeling relief with dancing, whether in a private moment like I did in those days or in a public space, few easy moves to trigger positive energy and improve your emotional state.” ~ Paula

WRWTFWW Records is so happy to announce Poly-Time Soundscapes / Forest Of The Shrine, a brand new release by Japanese producer Taro Nohara (Yakenohara). 8 tracks of pure environmental ambient bliss available on LP housed in a heavy 350gsm sleeve with an artwork from the artist himself.

Based in Tokyo, Taro Nohara is a producer, beatmaker, DJ, and music activist who made a mark with his electronic / ambient unit Unknown Me ( (of Not Not Fun Records fame). His new solo project, Poly-Time Soundscapes / Forest Of The Shrine, is a unique and modern take on Japanese environmental music, a free floating re-interpretation of the sub-genre made famous by Midori Takada, Hiroshi Yoshimura, or Satoshi Ashikawa (and more!) fused with subtle nuances of various origins: downtempo, hip hop, sound design, chill-out, experimental.

Conceived as a two-part adventure of contemplative peace, Taro Nohara’s organic soundscape takes you on a mind-soothing walk through time (or memories) and the beautiful mysteries of luscious forests - don’t resist, let yourself go, explore!

2022 Repress

Milagros del Ritmo is the third release of Harmonie Exotic, a label focused on reissues and compilations of obscure tracks.

The producer Jose Manuel, already known for his releases on Optimo Records, Music for Dreams and other labels, has selected ten rare tracks from 1988 to 1991. Starting as a DJ, Jose Manuel has developed over the years a passion for vinyl collection. This passion has also turned into work by creating the above mentioned label with the aim of bringing back the art of the past.

Milagros del Ritmo starts with the sexy voice of Debbie McKayle in "Necesito tu Amor". Her vocal mood reminds us "Sueño Latino " . The compilation continues with "Abadan" by Mondo Bagdad, who combined Arabic sounds with New Beat. Also in "Zena" (Dub) there are middle east and the first Chicago house influences. The next track "Mescla Del House", released in very late 80's, sees the Spanish vocal with the drum Roland TR-808. Then the compilation moves from Synth-pop with "Radio Arabesque" to the belearic downtempo with "Waves" by Ambionix and to EBM sounds with "Yoshua" by Danton's Voice .

In short, a brilliant selection of ten obscure, but at the same time floor killer tracks. Highly recommended!

Music For Dreams signal the summer with the debut LP from Ibizan royalty DJ Pippi & Willie Graff, released digitally on May 27th with the physical version following on the 8th July. The latest bounty from the Danish label’s long and fruitful relationship with the White Isle, Follow Your Dreams is a twelve plate tapas packed with the assorted styles and flavours of the Balearic sound - a complex blend delivered with a warmth, feeling and tone which bring it all together as a whole.

Collaborating on and off over the past fifteen years, with resulting singles gracing the likes of Compost, Leng and Archipelago, DJ Pippi and Willie Graff posses a unique combination of Balearic heritage; one an Italian export who helped originate the sound and style of the genre through his legendary DJ sets at the likes of Pacha and KU in the eighties, the other a trailblazing talent born on the island, who started his residency at Pacha in summer 2000 at the tender age of 17. Their intergenerational entente speaks to Pippi’s unyielding passion for sonic progression and the musical maturity of Graff, as well as a shared love of the soulful side.

Always fun house craftsman Ali Renault secured another big tune with his 'Piano For The People' which is a chuggy groover that locks you in with its rich atmospheres. Now it gets offered up with remixes from, firstly, Aikhi, who flip it with laidback downtempo drums and some classic and well known chords. Calm then brings his Mellow Acid Dub to sink you in even further and last of all Double Geography bring some more crunchy drum textures and psyched-out synth sounds with echoing vocals and dark, late night sense of mischief.

Last year's 'Will We Ever Dance Again' 12" was a big one for Coyote who now follow it up and impress once more. First up they do so on 'Baka Re-Rub' by paying their respects to the iconic Jon da Silva remix of The FADS track. It's steamy, tropical, full of loose drum energy and jangling synths that lightened up any club. On the flip you find 'No Entry' which is a big house anthem plenty of classic tops, uplifting arpeggios and pianos, and dramatic strings next to big acid lines. It's an all out, hands in the air gem that brings the good times.

Is It Balearic finally offer up four cuts from Coyote's fantastic The Mystery Light album. First up is Dan Lissvik on the remix of 'Simpsons Sky' with its loose-limbed Balearic drum funk and tropical synth work. Then come Reverso 68 who layer in some superb arpeggiators for the silky piano sounds of sunset gem 'Copacetic.' Japanese downtempo boss Calm brings his signature mellow acid lushness to 'Outsider' and last of all Chris Massey reworks Coyote's 'Cami Sa Valeta' which was a tribute to Tony Pike. Here it is a go-slow, blissed out and cosmic star-gazer.

Since slipping out a decade ago, Fürsattl’s sole 12” on Claremont 56 has become an in-demand item, thanks to a mixture of its’ undeniable quality and the patronage of several high-profile, well-regarded DJs. Because of this, the label has responded to demand for a reissue of those two tracks and announced the release of a double-album of the krautrock-inspired trio’s works for the label.

Presented in a gatefold sleeve sporting Mark Warrington’s original 2012 artwork and limited to 400 copies, the 2022 album edition of Rheinlust not only tells the tale of the band’s now decade-long association with Claremont 56, but also features a previously unreleased track from the archives, ‘Für Paul’. Tucked away at the end of the LP, the track is amongst the most atmospheric in their catalogue – a slowly building number in which celestial synthesizer chords, ambient textures, echo-laden electric piano chords and lilting synth strings rise above a rubbery bassline and Jaki Liebezeit style drums.

It provides a superb conclusion to a genuinely evocative album of music you can get lost in, but it’s by no means the only highlight. Fittingly, the album’s first slab of wax boasts both tracks from Fürsattl’s hard-to-find debut 12”: title track ‘Rheinlust’, a driving but deep and hypnotic krautrock masterpiece full of elongated chords, restless bass, twinkling motifs and cascading electronic melodies, and the wonderfully epic ‘Links Der Pegnitz’. Clocking in at just under 15 minutes, this sublime excursion features band members trading glistening guitar and colourful synthesizer solos over a funky but laidback groove that sits somewhere between krautrock and cosmic funk.

The album’s second slab of wax showcases Fürsattl’s lesser-known tracks for Claremont 56, alongside the previously mentioned unreleased cut. These two workouts were originally featured on the label’s Claremont Editions compilations and further expand on their now trademark krautrock sound. There’s ‘Leerlauf’, a breathlessly up-tempo, weighty and immersive chunk of low-slung dancefloor creepiness that you’ll want to get lost in time and again, and the twangy and buzzing ‘Haru’, a birdsong-splattered affair that sounds like their tribute to krautrock originals Neu! and Harmonium. Like the rest of the album, these are seriously seductive outings that slowly build towards impactful, emotive conclusions.

Repress!

In the midst of a global pandemic that has seen gigs, club nights and festivals cancelled, and tens of millions around the world in some kind of lockdown or quarantine, the need for musical escapism and aural daydreaming is greater than ever. It was this search for creativity and positivity that led to the recording of Sunday in June, the gorgeous and sun-kissed debut album from Hillside.

The outfit’s origins lie in the ongoing friendship and musical relationship of guitarist/bassist Alex Searle, percussionist Patrick Dawes and Claremont 56 founder Paul ‘Mudd’ Murphy, a trio who have been playing on each other’s records since the dawn of the millennium. They began jamming and creating instrumental music together for what would become the Hillside project a few years back, but the pace of production increased during the pandemic year of 2020, with multi-instrumentalist, composer and arranger Michele Chiavarini (an experienced solo artist and long-term member of Dave Lee’s Sunburst Band) coming on board to help shape the sound of their eight-track debut album. Built around warm, languid grooves, expansive musicality, simmering strings – arranged by Chiavarini and played by Pete Whitfield – and seductive solos provided by a handful of guest musicians (most notably flutist Tamar Osborne and violinist Mike Piggott, who has previously worked with Ralph McTell, Pentangle and Bert Jansch), Sunday in June could be considered an imaginary soundtrack to a long, lazy drive down the U.S West Coast.

The collective’s intent is exemplified by stunning opener and title track ‘Sunday in June’, where soaring strings, eyes-closed guitar solos, expressive keys and subtle percussive touches seemingly dance atop a sun-soaked groove that sits somewhere between jazz-funk and vintage West Coast rock. It can be heard, too, on the low-down hustle of ‘Trinity Strut’ – think Steely Dan doing Blaxploitation movie funk and you’re close – and in the languid drift of ‘Aguila Negra’, with its heart-aching orchestration, jazzy guitars and sunset-ready synths. Sunday in June has many subtle twists and turns. Check the swelling, flute-sporting, organ-rich breeze of ‘For Daniel’, a track written in tribute to an old friend of Murphy’s who passed away in 2020, and the kaleidoscopic, smile-inducing positivity of ‘1939 Grand Avenue’, whose title references the address of a favourite San Diego hang out. There’s also room for recent single ‘Walpole Days’, a gorgeous downtempo odyssey, and a new album mix of the combo’s most Steely Dan-esque cut, 2019 single ‘Hidden Port’. Rounding things off is a rather impressive bonus cut: a previously unheard ‘Spiritual Healing Mix’ of ‘Walpole Days’ by the great Joaquin ‘Joe Claussell’. Whereas his previously released versions of the track were largely percussive and dancefloor-friendly, this interpretation takes us deep into the world of weightless new age ambient, with Hillside’s impeccable instrumentation slowly rising above immersive chords and pads.

As usual with Claremont 56, the album’s artwork is every bit as detailed and painstakingly crafted as the music, with the stunning cover illustration coming courtesy of regular label collaborator Mark Warrington. His vibrant vision is naturally a perfect fit with Hillside’s colourful and emotion-rich music.

Following releases from label founder Palms Trax, a reissue of eighties Chicago House innovator Rog’e, and a pair of cassette mixtapes from Berlin-based selectors Enchanted Rhythm and Budino, CWPT looks to the North-East of England for its next release, live and direct from REES.

Hot on the heels of a twelve-inch on Bordello A Parigi and underscoring a slowly simmering reputation as one of the brightest stars of his community, REES’s debut on CWPT is a classy and globally informed perspective on house, disco and acid styles.

Undistilled rhythm is at the heart of Rees’s vision of club culture; on title track, Devils Club, it’s effect makes itself known immediately, driving a channel of lively percussion towards a series of tasteful breakdowns that are both propulsive and alluring. On ‘Magic’, a confidently raw, loose drum loop accelerates into a glossy, psychedelic speed-chase that’s pure Miami Vice reimagined in Middlesbrough.

On the flip, two versions of ‘The Spirit’ tastefully expand beyond REES’s musical borders and into warm, cinematic territory, blending tropically tinted instrumentation with (and then without) an entrancing vocal sample.

Tracks are a natural Evolution on of what Visions Recordings is constantly developing, a sound that goes from jazz to deep techno mixing the new generation with the veterans producers.

The ep starts with a Broken house jam by ALEX ATTIAS featuring the magical keys of SOHAN WILSON, a mix between broken and house rhythms made with the MPC 2000xl and some lovely keyboards and Rhodes by the one an only Sohan Wilson taking you onto a jazzy journey . On the same side, LIFE RECORDER is back on VISIONS and delivers here a melodic deep techno house track for the late nights filled with soulful vibes and wonderful warm percussions .
On the B side, JUNE JAZZIN, known for his deep house releases, offers here a soulful deep house track with lead solo to make you dance and fly high into a killer journey into house music. The beat is groovy and the bass is dirty and this will for sure make people go mad on the dance floor . Last but not least, MARK E is serving a deep and moody slow disco deep house cut with a perfectly mastered sound that only Mark can provide. Subtle sounds and groovy rhythm with pads and atmospheric sounds.. Delicious

THE EVOLUTION – PHASE FOUR is an essential collection of grooves. Do not sleep it is a limited vinyl release!

12” Reissue of proto Detroit techno and jazz dance anthem – Favourite of Floating Points, Theo Parrish, Gilles Peterson etc.

Vive La Musique is proud to present the first record in a special series, celebrating legendary French musician Jean-Luc Ponty and his influence on electronic dance music. Ponty is a prolific composer and virtuoso multi-instrumentalist, with over thirty albums to his name, exploring a wide spectrum of jazz, electronic music, and later, West African sounds.

Originally released in 1989, “In the Fast Lane" is a rich and vibrant composition, with Ponty's rhythmical Synclavier keys and uplifting violin melodies dancing over a driving offbeat groove. The track is a firm favourite of an endless list of underground heavyweights including Theo Parrish, Floating Points, Gilles Peterson, Patrick Forge and many others. Championed by influential Detroit radio DJ the Electrifying Mojo, Ponty is dearly loved in the Motor City and is cited as a key influence by many of the pioneers of the techno movement. The track also lit up dancefloors in the UK jazz dance scene which started in the late 80s and is one of the all-time classic tunes from the Dingwalls sessions.

Vive La Musique brings this unique work to the 12" single format for the first time, beautifully remastered by Atjazz and cut loud at 45 rpm. The release also features a brilliant cover version from Opolopo. He faithfully recreates the original synth lines around a deep and jazzy house groove, producing a modern dancefloor masterpiece, which highly impressed Ponty.

The 12" is presented with stunning artwork and liner notes written by Ponty himself, telling the story of how the track was composed and recorded as well as exclusive photographs that have never been published before.

Following a CD-only release in Japan in 2021, legendary downtempo producer Calm finally releases his “Before” album on vinyl and digital courtesy of Hell Yeah. The 10-track record is a slow-burning Balearic beauty.

Calm aka Kiyotaka Fukagawa has never been to the White Isle, but he sure knows how to capture its musical essence. He has done so over a long and storied career that has taken in 17 albums and some 35 EPs on many labels including this one over the last 20-plus years. His unique blend of ambient, jazz and leftfield was last showcased on this label in 2018 with his By Your Side album, and now he does it again with another timeless and escapist offering.

The record was written, arranged, mixed and produced by Calm, but with gorgeous musical embellishments, trumpets, flutes, saxophones, violins, bass and keys played by friends and guests like Shiba, Sinsuke Fujieda, Fumiko Takeshita, Tomokazu Sugimoto, Yuichiro Kato and Toshitaka Shibata. Tracks from it have already had support from Cosmo Coleen Murphy on Worldwide FM, while Phil Mison says it is "100% reminiscent of an old Café Del Mar or José Padilla record." He is not wrong.

As soon as the opening chords of 'Beauty on Earth' wash over you there is no escaping the naturalistic charm and beauty of this record. 'Long Summer Dream' layers mystic wind sounds and gentle percussive patterns into suspensory bliss, 'Blue in Void' is a plaintive moment of sombre sax and pensive piano, then 'Liminal Moment' awakens the soul with its gorgeous flute lines and looping arps.

There is perfect horizontal sunset house on 'I Love You,' 'Feel It' picks up the pace with seductive saxophone motifs and psychedelic synth loops and 'Before Sunrise Blue' is crushing downtempo melancholia. 'Kunpoo' reawakens you with leggy bass and expansive synths that reach for the heavens, while 'Freedom Sunset' is an epic 10-minute journey out to sea. Lastly, 'Let's Make Harmony' is super slow motion jazz-funk that swells the heart. Before is a superb album that is well-deserving of this double vinyl pressing and is sure to become a Balearic classic.

DJ Support:

Phil Mison, Colleen Cosmo Murphy, Chris Coco, Buena Onda Crew

Rome’s own disco wizard L.U.C.A. aka Francesco De Bellis is back for his second LP Terra, hot on the heels of his Venus 12” EP earlier this year. In this far-reaching album, the Edizioni Mondo founder explores the deteriorating relationship between Man and Nature, and the dire consequences. The album is split into two themes - part one is Consacrazione (Consecration) and side two is Coscienza (Conscience) - as L.U.C.A. charts a trip through mankind’s psychic universe, and imagines worlds beyond our physical dimension.

The opening composition Cities is an uptempo number that slowly comes into focus, as dreamy drum machines emerge from the urban bustle, before settling into a soulful groove as keyboard, upright bass and guitar figures dance across bright percussion. As it builds up a head of steam, the piece gives way to an ambient, tribal breakdown, which is also echoed in the following song, Drum Talk. This second tune sets up in a fourth world dreamscape of drums, synths, and abstracted echo effects, and is peppered with word fragments from the bush of ghosts. By the time we’ve reached the third track, Congiunzione sounds like travelling at singularity speed, beaming in from a future where human consciousness and gaia can finally dance on a cosmic plain.

Part two of Terra details how revelation of the spirit can guide the mind, as Time Spirals rises out of a drum motif with a nod to classic ragas, as a disembodied voice asks questions on the nature of corporeality. The sound design is just as front and centre as the sitar and fretless bass, and the song gives way to a richly-layered soup that sounds like the vast space between atoms. It’s this shift from composition to ambience that is the dynamic core of Terra, giving L.U.C.A. plenty of space to showcase his next-level audio and arranging skills. Midway through part two, Giallo Assoluto begins with reverb tails and choral voices before expanding in brightness and texture until the audio field is practically levitating your hi-fi speakers, vibrating them with drones, twinkling keys and shards of digital noise. The closing composition Ritorno al Domani is a perfect balance of optimism and mystery. Tension and release collapse in on themselves as waves of ambient pads crescendo and then break over stretched-out sonic turbulence, before reversed synths bring the listener to a closing door, and the end of the journey.

It’s a mind-expanding musical exploration of other worlds and parallel universes which are surely all around us, and in many ways serve to remind us of the marvel that is our own planet.

Huss EP marks the debut release from Anwei Huss. The EP boldly carves out a unique stylistic space for itself within the landscape of contemporary electronic music, and sits between 'armchair' and 'club' music. The record draws upon organic soundscapes that are at once ethereal and balearic, and thoughtfully counterbalanced with deep, melodic rhythms and crisp, driving percussion. Acoustic and electronic instruments are blended with home and field recordings, creating a textured and dreamlike musical journey through comfort, disquiet and reflection.

Pressed using 100% recycled vinyl granulate in a zero-waste factory, with a recycled kraftpack sleeve and eco-friendly labels and ink.

Rebirth of Gerberdaisy is the 5th Boof longplayer. 10 track double vinyl released on Running Back in collaboration with Bubbletease Communications. Produced by Maurice Fulton.

Melbournian Kayroy artfully blends varied influences to deliver a stunning, dynamic and exciting EP, venturing deep into the depths of fizzy prog & cyborg disco.

Lehult Buddy Dj Assam Delivers A Shimmering 4-tracker On Julius Steinhoffs Down By The Lake Imprint - For The Dancefloors And Above. Hand-stamped Artwork On Offset Disco-sleeves- As Always Drawings And Typography By Stefan Marx.

Sean Johnston has put together some righteous compadres to form a new project - The Summerisle Six. Featuring Jo Bartlett (Yellow Moon Band) on vocals, Andy Bell (Oasis and Ride amongst others) & Duncan Gray on guitars, Kev Sharkey (That Petrol Emotion, The Undertones, Elvis Costello to name a few) on percussion, Mick Somerset Ward on Sax (Clock DVA, Was Not Was, Crooked Man). This Is Something is a driving pop groover reminiscent of a late 80's early 90's Indie Dance anthem. The Dub mix invites the OG mix to ALFOS, turns the lights off and presses the smoke button for a chuggy heartwarming trip across the dance floor. There are no words to describe Rico Connings mix other than to say this 10 min journey has to be heard to be believed. A genuine Balearic gem.

The Neapolis label brings us two slices of sun drenched house with a distinctly European feel and a dubby twist, as Partenopes from Naples offer up the beach ready 'Nella' before Craig Bratley takes the track and turns it on its head. His remix is a slow burning acid affair set to leisurely, breezy hip-hop beats, tailor made for that hour when the sun goes down and the tempo goes up. Magical.

Zapatilla, better known as Louis Hackett, is a founding member of Brownswood 's Owiny Sigoma Band and key collaborator on Eska's Mercury nominated debut album, but has a neat side hustle making house music with one foot in the gentle melodies of Balearic beat and another in the irresistible energy of Afrobeat. It's a recipe that he continues over onto this fine four tracker, which opens with the smoothly grooving but lively 'Like Dat' before 'Zimzimmer' builds up around a gently frenetic Afro guitar riff. On the flip, 'Disco Facial' is slower and more retro, with a synth line that could be from a lost John Carpenter soundtrack. 'Self Isolated' completes the package in its most esoteric fashion, another synth work rooted in the past, this time perhaps echoing the approachable experimentalism of Jean Jacques Perry.

Following up the first release quickly with Detroit native Paul Alan, who now resides on the sunny west coast. Paul Alan aka DTCHPLNES, delivers the smooth latin driven car cruiser "Provider" and the sun blissed slow skate vibes of "Charlevoix", which also sounds great on 45. The two track 7 inch is wrapped in a treasure map jacket with a compass foil stamp and includes a postcard

"Mysticisms’ present a 2 x 12” DJ Double pack of the music of Toyko Offshore Project. Featuring the productions of Simon Lovejoy, Frankie Valentine and Kiyoshi Myaura. T.O.P released a series of EPs from 1990 to 1994, recorded in London and Toyko.

This “best of” selection of released and unreleased tracks covers the nascent UK / Japanese house sound through to Afro, Ambient, Balearic and Street Soul, a compilation that brings this evolution of electronic music back on to vinyl for a new generation...

Winter 1990. London, airport. Whisper.

Frankie arrives from the club. Simon waiting, making grooves on Roland 202. London-Alaska-Tokyo. Aerotek.

Passport stamped, motorway gliding to Future City. Hotel, Kiyoshi awaits. 32 floors, room service, refresh. Solitaire (TokyoLove).

Trip to Nara. White gloves, Taxi! Video, minimalist, walking. Noddle man. Borrowed smoke. Bullet train. Zen temple prayer. Running Thunder.

3am City recording. Street sounds, phone booth, vending machines. Record stores, flyers. Magalenha.

Studio, booth, synths, tuning. Vocals, staring, waiting. Magic Melody.

Breakfast, Atari, stroking Cornelius.

Past harbour lights, buying DAT Walkman. Hostess, singing, filling glasses, Geisha girls. Airport, goodbyes. Thailand incoming, recharge. Chilren Of The Rainbow.

Travel the Mystery."

Colleen ‘Cosmo’ Murphy presents Balearic Breakfast Volume 1. An eleven track compilation of gloriously transcendent genre-hopping music inspired by one of the most listened to shows on Worldwide FM; most tracks impossible to find on vinyl.

How does one make a Balearic Breakfast?

You need to obviously start with one part blissful sunshine, rising over one part white sand, set to the sound of the sea looping back and forth. But what else - that perfect, idyllic backdrop aside - sums up that most important time of the day, specifically when spent right in the heart of the most glorious archipelago in the western hemisphere?

Luckily, DJ, broadcaster and producer Colleen ‘Cosmo’ Murphy has perfected the recipe.

Colleen has been mixing together Balearic Breakfast shows on Worldwide FM for the last few years after starting in earnest during the first pandemic lockdown. Her shows offer a remedy to the pressures of the outside world; each is curated with the admirable aim of trying to “create a musical atmosphere for escape”, be it from bad weather or bad vibes.

Inspired by formative experiences at The Loft in NYC and on the terrace at Space, Colleen’s Balearic Breakfasts are endlessly eclectic and always inspiring, pulling together - in her words - a “hodge-podge of chill out, spiritual jazz, deep soul, percussive house, quirky disco, indie-dance and what may ‘traditionally’ be called ‘balearic’ (whatever that may be).” Basically, the kind of music you want to hear as the sun breaks over the horizon.

For her first Balearic Breakfast album (lovingly compiled for the ever-visionary Heavenly Recordings), Colleen has put together a set of songs that allow the listener to drift with her between myriad genres and join the unseen dots between them. The journey takes in shooting star ambient sounds, deep soulful hypno-house, ecstatic Neu-esque locked grooves, ethereal sea-shore jazz and Southern Hemisphere starlight disco, with tracks by artists such as Friendly Fires, Mildlife, Linkwood and Lady Blackbird (a track praised by Elton John, who called it “a groove that blows my mind”) and producers such as Andrew Weatherall (under his Asphodells alias), Ashley Beedle, Coyote, the late, great Phil Asher and Cosmo herself.

Flowing together, the tracks perfectly create that musical atmosphere for escape - a recipe for daydreaming yourself into a Balearic Breakfast state of mind. Tune in and leave the everyday behind. The sun’s rising overhead and the waves are at your feet, whatever time of day it is wherever you might be in the world.

The memory of a look, a touch, kept your mind awake last night, trapped in a state of confusion. A lingering melody in your head, souvenir of this mysterious stranger. How is it that intuition leads us to the most unexpected of places? No more bittersweet echoes from the past, this feeling brings the soothing promise of an oJAZZtherworldly love...

Bienvenue Recordings is proud to present the first recording of Secret Witness. Created in winter 2020, the band brings together producers Gabriel Rei and Gene Tellem, singer/songwriter Laroie, and drummer Pascal Deaudelin. ‘Volume I’ is presented as the fruit of this reunion, an ideal pairing for seekers of dancefloor influenced reflection. Night tunes to best capture the driving and soulful essence of deep house, with lyrical play to help you imagine. Recorded between Saint-Sauveur and Montreal, this six track mini-album reaches for sophistication, playfulness and romance... we can all agree that it is a useful three

The unique sounds of Ray Phiri's Stimela are showcased on this gem of a 12” EP from 1986. It was originally released only in South Africa on Gallo / CBS Records, although a 12" featuring the track 'I Hate Telling A Lie' was previously released on Plum Records in 1983. It has now become a sought-after item due to its addictive and original-sounding Balearic disco / cosmic boogie-esque nature.

Stimela were a popular and successful Mbaquanga / fusion outfit led by the guitarist, vocalist, songwriter, producer and arranger Ray Phiri; who was previously a member of the legendary band The Cannibals. The musicians would go on to gain global fame after featuring on Paul Simon's iconic 'Graceland' album and the mega tour that followed.

Kicking off the EP is a magical track that floored us from the first moment we heard it and one that has since become a Mr Bongo firm favourite. ‘I Hate Telling A Lie’ is a slow, infectious building groove that sits somewhere between lowdown jazz-funk, soul, reggae and gospel with shades of new wave pop and Balearic. It’s a truly stunning track that is hard to pigeonhole and all the better for it.

Another highlight from the EP is the monster instrumental, synth-boogie sound of 'I Love You'; championed by DJs such as Jeremy Spellacey (Crown Ruler). This hypnotic groove bubbles to perfection and is a slo-mo chugger extraordinaire.

We hope you dig it as much as we do.

Warm acidic oldschool techno and balearic downbeat from Italy.

Italian translation of 'acid'

Word Frequency acid ˈæsɪd

For the label’s next release, the team at Leng Records has decided to offer-up something a little bit different: a 12” compilation of little-known and hard-to-find Balearic gems selected by friend of the label Paul Beckett.

Plucked from the dusty corners of his collection, the five tracks on show are quietly colourful, tactile and musically rich excursions that effortlessly blur the boundaries between genres and sound terrific blasting from speakers on a humid Mediterranean or Adriatic afternoon.

First up is Ray & John’s languid, subtly disco-tinged ‘Day By Day (Instrumental)’, which originally featured on the flipside of the Italian duo’s sole single from 1984. Rich in rubbery bass guitar, sequenced synth-bass, sharp disco guitar licks, Fairlight stabs, dreamy chords and occasional chanted vocals, it sounds like Please-era Pet Shop Boys reclining at a Rimini pool party after copious amounts of happy pills.

It’s followed by Angel’o’s ‘Angelo’, a turn-of-the-80s gem picked from the band’s long-forgotten album, Dream Machine. Marked out by warming electric piano motifs, squelchy synth-bass and hazy lead vocals, the track successfully mixes krautrock and space rock sounds with the then fresh sound of synth-pop.

Next up is All Trouvee’s ‘Darling’, a thoroughly overlooked 1987 single whose minimalistic sleeve artwork lists each of the now-classic – and then cutting edge – synthesizers used to make the sun-soaked blend of mid-80s synth disco, AOR pop and sunset-ready jazz-funk piano solos.

Equally as impactful is Angel’s ‘Tomorrow Night’, a classic – if little-known – chunk of glossy, laidback synth-pop from 1980 that sounds like something you’d hear on AM radio stations in the early hours of the morning. Its’ sound – all delay-laden Linn drums, synth-horns, Nile Rodgers style guitar licks and echoing lead lines – was actually far sighted for the time but would become more familiar to listeners as synth-pop boomed in the mid 1980s. Those who buy the digital version of the EP will also have access to a longer, club-style mix as well as the short version featured on the 12”.

Rounding off a fine package is ‘Feeling Action’ by Eggs Time, a deliciously warm and woozy chunk of fretless bass-sporting Italian pop/West Coast jazz-rock fusion plucked from a real since of buried treasure: an Italian compilation called – for reasons that aren’t clear – Moby Dick. There’s certainly a tinge of both yacht rock and blue-eyed soul about the track’s gorgeous blend of FM synth sounds, eyes-closed jazz guitar solos, unfussy beats and sweet female lead vocals. It provides a fittingly horizontal finish to a collection packed to the rafters with long-overlooked, sun-baked treats.

Emotional Rescue completes the reissues of International Noise Orchestra with a final 6 track EP celebrating this true multi cultural project that takes elements of Afro, Balearic, Dub, Indian, Jazz, Soul and a touch of Pop in a global fusion.

The switch between pop and heavy drum jamming is showcased on opener, as the band take Lennon & McCartney's Come Together and create a club meets Arabic mix. Pre-dating the post-Acid House "World Dance" years, Richard Strange returns with his unique delivery over a percussion meets rock guitar love in.

Returning to the band's earlier Internationales Gerauschorchester incarnation, the soft piano opening of Vit Quai Non from their 1983 debut, gives way to Wolgang's climbing solo acoustics alongside Joel Allouche's masterful tabla.

Savage Progress's Glynnis Thomas returns with her distinctive vocals over one-drop drumming for the encompassing title track, Marching In Time, before returning to their debut and the overlapping drum solos of Bum Bum Krach.

To close, the band revisit their signature shuffle, a now languid Groovin Up Slowly is delivered as some leftfield Japanese Gagaku solo. All Will Be Changed sees Richard Strange close with a fitting mantra to this 80s MIDI pop meets avant-garde artistry finale. Listen!!"

The rarefied music of Ramuntcho Matta returns to Emotional Rescue with the first ever reissue of his album, 24 hrs. Recorded in 1986 - the same year as his influential Ecoute... - the album finds Matta working in a less playful, more experimental framework but with the same ground breaking results.

Again collaborating with a selection of accomplished players, 24 hrs sees Matta (electronics, guitars, marimba, melodica, sanza, vocals) work again with Cacau de Queiroz (flute and saxaphones) and Elie Meideros (vocals), plus Guillermo Fellove (trumpet), Ahmeed Kawa (tablas) and Polo Lombardo (konks) to deserne 6 pieces as part of a performance of Labyrinth by Joan Baixis' (backing vocals) Teatre de la Castra, Barcelona's acclaimed puppetry and visual troupe.

Centred as before, on Matta's guitar, the approach is playful, inventive, a foundation for a texture of musical aphorisms. Against a background of tabla, the elegance of versatility builds, intertwining the players via moods and textures of various traditions in a unique way that is his signature.

An album to be appreciated as one, this archival offered up additional surprises when the Master tapes were examined and so presented here is a longer form, unreleased version of Before Sunrise, as well as the previously unreleased Ramon (Digital only).

After his strong debut on our label last year Idan Hana is back with a very special follow up! This spring, close after his release on Berlin’s “Aterral” label , he celebrates a deeper and more open, eclectic side of his sound. This EP consists of a wonderful journey into jazzy, electronic spheres. The opener Moon Desert is a floating piano house track with ever evolving rhythms and melodies, showcasing the vast creativity happening in Idan’s LA studio during many late night shifts.

Placed as a short break is the cinematic and joyful “Galaxy One Two Three” interlude, sustaining the mood and setting the tone for the last track on the A side called “Far from the Sun”. This break beat joint is reminiscent of classic trip hop combined with atmospheric deep house grooves, organs and synthesizer flutes, topped with a distinct vocal sample.

On the flip there is a very special extended remix of one of Idan’s debut EP tracks “Lo Fi Hi” by none other than Chicago’s finest Ron Trent.
He reworked the original in his unique style and arrangement and elevates it to new heights by adding beautiful strings, guitar and keys.
We couldn’t have dreamt of a better remix for this track and are so honoured to have him featured on our label and this new Idan Hana EP.

All tracks have been mastered by Salz Mastering in Cologne. Art & Photography by Break 3000

You can always count on Magic Wand to bring a classy edge to any edit they press, and their latest batch of re-rubs is no exception. There's a downtempo slink and Balearic haze to the tracks on offer here, leading in with RSS' Clandestine Dub' of 'Somebody Told Me' before Baz Bradley takes over with the piano-powerd paean to tripping, 'Acid Love Bath'. Secret Soul Society slip into something more comfortable as they sample Whitney Houston for 'When The Night' and then the CC edit of What I Am does some magic with an eternal Wham! banger.

New Magic Wand Various edit 12.