Pop & Rock Vinyl New Releases - News

Well before Shuggie Otis (Born Johnny Alexander Veliotes, Jr.) cut his debut album, musicianship and performance had long been a part of his life. The son of rhythm and blues legend Johnny Otis, Shuggie learned to play guitar as early as the age of two, and performed professionally with his father's band at eleven. Throughout his long and illustrious career he'd performed on records for the likes of Frank Zappa, Al Kooper, Etta James, and George Duke, to name a few. In spite of all this, widespread mainstream success eluded Shuggie for much of his career, though he'd penned the Brothers Johnson hit "Strawberry Letter 23", and would experience a resurgence in 2013 with the reissue of his most famous album, Inspiration/Information. His career as a session musician stretched across many years, but his solo career started in 1970, with his full-length debut Here Comes Shuggie Otis. The album was produced and contained contributions by his father Johnny Otis, plus a potent roster of session greats like Wilton Felder, Stix Hooper, Leon Haywood, and Al McKibbon, to name but a few, with Shuggie himself at the helm, performing lead vocals, guitar, and various keys instruments. Here Comes Shuggie Otis is a hybrid of lush, baroque harpsichords and strings mixed with bouncing, hard edged funk and blues, reminiscent of a combination of 60s chamber pop and the best elements of Stax Records. Gritty and wild, while also lush and sprawling, Here Comes Shuggie Otis is a solid benchmark of production flair and improvisational aptitude.

Bus Vipers is the moniker of Canberra-bred, Sydney-based multi-instrumentalist and producer Daniel Ahern. A new signing to Future Classic, Bus Vipers comes fresh with a new live band and EP, Federal Highway. Sounding like a mix between Unknown Mortal Orchestra and Silversun Pickups, this indie rock project is prone to hooky vocals, punchy drums and strong guitar riffs. In 2013, triple j Unearthed ranked him #20 in the '50 Most Played Artists' of that year.

* 180 gram audiophile vinyl
* Includes insert

100 broken Windows is raw, rough edged punk yet traditional in lyrics with tight raging tracks. These 4 Scots neglected everything that was happening in the music business at the time and went down their own path, producing intense rock songs about growing up in the working class inspired by the greats from late 80s and early 90s such as Nirvana and REM, Sonic Youth and The Pixies.

This album definitely deserves a prominent place in any discerning music-lover's collection.

* 180 gram audiophile vinyl
* Includes insert

Hope is important is Idlewood's debut album recorded in 1998, the first full length release filled with distortion, Roddy Woomble's screeching vocals and utter chaos. This transitional album marks the beginnings of boys becoming men. A raw emo-punk album full of energy, laying out the path this band is going to go on in the future.

Some bands just know how to hit the sweet spot. Elder's second full-length Dead Roots Stirring, originally released in 2011, was an hour of fuzzed-out goodness, a plethora of uplifting psychedelic riffery that remains for many fans the band's defining album. The strength of some bands lies in their ability to churn out record
after record, never stepping outsideof their comfort zones. For others,such as Boston's Elder, it is a constant evolution that trademarks their sound. Beginning as a stoner/ doom band adept at equipping the styles of others, Dead Roots Stirring showed the young band emerging with their own unique take on heavy music.
The album's five long cuts unfold organically, never lacking in depth or ambition, guitarist Nick DiSalvo's infectious riffs are equal parts uplifting melody and crushing fuzz that remind the listener more of majestic landscapes than bong sessions,
while Jack Donovan (bass) and Matt Couto (drums) form a
solid core of rhythm, never losing a beat. Listeners will pick up on Following the release of Dead Roots Stirring - which came out as
the trio were just barely entering their twenties - Elder began touring both the United States and Europe, winning a reputation for themselves as an incredibly tight and powerful live band. Their second record continues to be a fan favorite and no live set is complete without the opening track Gemini', a headbanger of a song complete with thick grooves, flashy solo runs and a momentous ending - in short, everything great about Elder's music: a journey within each song full of valleys and peaks.
Dead Roots Stirring is available on Stickman Records on colored 180 gr. double-vinyl (including download) and CD, remastered for the first time since recording by Carl Saff. Highly recommended for all fans of heavy rock!

Elder's self-titled debut album from 2007 was an impressive offering of psychedelia-tinged stoner rock and doom that set the tone for the band's later progressive developments. This delux reissue features an extra LP of songs from the band's first ever recordings, never before seen on vinyl. In 2006, three longtime friends and members of the small music scene anchored in the port city of New Bedford, Massachusetts got together with the mission of making music that was heavier and more brutal than anything happening around. The first version of Elder was an interesting beast, combining sludgy riffs, primitive black etalvocals and Genghis Khan-themed lyrics. After toiling in these murky waters for a year, band members Nick DiSalvo (guitar), Jack Donovan (bass) and Matt Couto (drums) shed their extreme metal origins and emerged with their first proper album, Elder, an album that would already establish the band as some of the best riff-dealers this side of Birmingham.
As more recent works have demonstrated, Elder is no stranger to
blending and bending genres to their will, Elder proves that the
three teenagers were already dab bling with this idea in their incipient years. Imagine the massive riffs from bands like Sleep, Electric Wizard or Fu Manchu reconstructed to build epic psychedelic soundscapes and you're on the right track.
Growling, delay-soaked vocals and spacey keyboards add further
touches of uniqueness to Elder's brand of stoner doom.
To celebrate the record's 10 year anniversary, this reissue comes
with a second LP containing the band's first ever recordings from
their early days. Originally released as an MCD in 2006, these songs have never before been given a proper release - a welcome addition for any hardcore fan. The entire package has been remastered by Carl Saff and presented on colored 180gr. for your listening pleasure.

7A Records are proud to present a brand new album from Micky Dolenz - Out Of Nowhere'. Recorded in April this year with the sublime 30 piece American Metropole Orchestra, Dolenz sings
all of the Monkees' greatest hits along with some outstanding deep album cuts. The orchestral backing adds a real unique depth to the recordings and Dolenz's voice is as good as ever. To quote Dolenz in his own words: Words cannot express what a magical night it was. You really had to be there and thanks to this recording, you can be!'

All hail the debut release from The Stallion! The Stallion is Ben Wallers and Alastair Mackinven of the Country Teasers. For two years they labored at the legendary Hit Factory recording studios in London as their schedule allowed. The project at hand was their long-planned / often-threatened The Dark Side Of The Wall — a song for song interpretation of Pink Floyd's 1979 album The Wall. At long last In The Red is proud to unveil the results. It should surprise no one familiar with Ben Wallers's work or re-cord collection that he would choose this particular album to honor.
The Wall's influence has been noticeable in his music before (see Spiderman In The Flesh' from the Country Teasers' Empire Strikes Back album). The man likes his Floyd—he even rates The Final Cut as brilliant'.
It should also surprise no one that Roger Waters's compositions from The Wall take a morbid and twisted turn in the hands of Wallers and Mackinven.
What was already a fairly dark and bleak piece of work becomes much darker and bleaker here. It's also longer. Pink Floyd's original contained 26 songs spread across four sides of long playing vinyl which, by comparison, was the same number of tracks as Pink Floyd's four previous studio albums combined. The Stallion's take on these same 26 selections spans six sides of vinyl. Mackinven says, it's longer so it's better, right'

This is a beautiful piece of work both aurally and aesthetically.
Packaged in a gorgeous heavy duty double gatefold, this limited edition triple-vinyl package won't be around long.

Two songs by the LA-based former Corners frontman. "Protect Your Head" recently used in DC Shoes/Thrasher skate video,
First LP Subterranean released on Burger Records in Feb. 2016, new LP A Place for Nothing and Everything in Its Place out
Oct. 2017, also on Burger.

Don't let the name fool you: Weedpecker are not just another stoner rock band'. On III, the four-piece group from Warsaw conjure dreamy psychedelic soundscapes and melodic fuzzed out riffs into a blissful, swirling haze.

EVANESCENCE return this fall with SYNTHESIS, their fourth studio album, slated for a Fall 2017 release. The group today, August 14, announced the Synthesis Live' tour will launch this fall beginning October 14 on the west coast (confirmed dates below). Like the album, Synthesis Live' will feature a reimagining of some of EVANESCENCE's best-loved songs with the spotlight on full orchestra, electronics combined with the band and Amy Lee's virtuoso piano and voice.

This is a total passion project for me. There are so many layers in our music, underneath the huge drums and guitars,' explains AMY LEE of EVANESCENCE. I've always wanted to shine a light on some of the gorgeous David Campbell arrangements and programming elements in our songs, and that idea snowballed into completely re-doing them with full orchestra, not just strings, elaborate programming and experimentation. This will be our first time touring with orchestra and I'm so excited to perform this way-really focus on the vocals, and the emotion and the story we've built over the years. I'm also really excited about the new material on the album. Besides the two new songs, there are some really beautiful instrumental in-between moments. The whole thing flows like a big, dynamic soundtrack.'

The two-time, GRAMMY® Award-winning group is currently in the studio finishing the new album through August with producers Will Hunt and orchestra arranger and composer David Campbell. In addition to the re-imagined catalog songs, the forthcoming SYNTHESIS album will feature two new EVANESCENCE songs.

2017 promises to be the biggest year for EVANESCENCE yet, as their intense live performances and timeless songwriting combined with a powerful live orchestra and electronics will truly deliver a transcendent experience.

Emotional Tattoos' is the sensational new album by Premiata Forneria Marconi (aka PFM), Italy's most legendary progressive rock band! PFM is a very eclectic and exuberant musical group with a distinctive style that impressively combines rock, progressive, and classical music into one mesmerizing sonic entity. Formed in 1970, the band quickly gained a prominent place on the international scene by making it to the Billboard charts (for 1973's Photos Of Ghosts'), and winning a gold record in Japan while constantly ruling the charts in their home country until today. PFM was honoured with position #50 in the UK Classic Rock Hall of Fame' of the 100 most important artists in the world as well as being awarded two gold records in their home country in 1971 and 1997. Emotional Tattoos' marks the return of the band's trademark sound after two rather experimental releases. The new album takes a melodic rock route while offering surprising musical twists and turns including moody synths, orchestral arrangements, straight-forward guitar-driven passages and wonderful ballads. Gatefold black 2LP + 2CD (The Special Edition 2LP (english) +2CD Digipak (includes both the English & Italian version of the album).

This US initially comprised Steve Hayton (guitar/vocals), Cliff Carrison (drums) and Kurt Palombaki (bass/clarinet/vocals). The Trio spent its early months on a farm in New York state, before moving location to New Mexico. The promise of work in films brought the group to Europe in 1969, and although such plans were later aborted, they decided to settle in England. Daddy Longlegs showcased their appealing brand of good-time, country-influenced rock before the line-up was expanded to accomodate vocalist Mo Armstrong. Both he and Hayton then left the group, following which the drummer and bass player were moine by Peter Arneson (piano) and Gary Norton' Holderman (guitar), the latter of whom had worked with Carrison in Slim's Blues Band. Oakdown Farm was released on the renose Vertigo label, but progress was ampere by further changes in personnel.

Free Will was a legendary band from Upstate New York who formed in 1968 and signed to RCA Records in 1971 after a name change to Jukin' Bone. Led by vocalist Joe Whiting and lead guitarist Mark Doyle, the band also featured George Egosarian on second guitar, John DeMaso on bass, and Tom Glaister on drums. This was the line-up that recorded their first album for RCA, Whiskey Woman,' although earlier members included Bill Irvin on rhythm guitar and Barry Maturevitz on bass. By the time of their second lp, Way Down East,' Tom Glaister had been replaced on drums by two drummers, Danny Coward and Kevin Shwaryk.

Both albums featured original compositions by Whiting, Doyle, and Egosarian in various combinations, and were hailed by Creem magazine as seminal classics of 70's hard rock. While signed to RCA, the band toured with ZZ Top, Freddie King, The Allman Brothers, The Kinks, John Mayall, and Three Dog Night, among others. They disbanded acrimoniously in 1973, although Doyle and Whiting went on to record several fine albums on the Blue Wave label.

That should have been the end of the story, but the band was honored at the Syracuse Area Music Awards in 1993, resulting in them playing together for the first time in 25 years. Never fond of the name that their record company gave them (and all the attendant misery that it grew to represent for them), the boys reclaimed their original name, Free Will, and gathered together every few years to do major outdoor concerts in Syracuse, even putting out a live CD, Free Will Live On Stage' that captured the band playing all of its classic material at the top of their form.

Most recently, Jukin' Bone was inducted into the SAMMY'S Hall of Fame in 2017 and have started work on their first new album of original material in 44 years. The band has also signed an exclusive licensing deal with Akarma Records in Italy for the release on high quality vinyl and digital downloads of five albums' worth of early Free Will titles.

What transpires from this album, besides the psychedelic blues with a touch of jazz and sometimes a component of garage (for example the fantastic arrangement of River Deep, Mountain High') is the great technical preparation of the music performers. Listening to these songs today it's hard to believe that they've been recorded in 1969 and what's even more surprising, in addition to the guitar strings and the beautiful singers voice, is that the arrangements of the songs are perfectly fused into that genre of heavy psychedelia that was all the rage in those years. Maybe Free Will were too ahead of its times

Free Will was a legendary band from Upstate New York who formed in 1968 and signed to RCA Records in 1971 after a name change to Jukin' Bone. Led by vocalist Joe Whiting and lead guitarist Mark Doyle, the band also featured George Egosarian on second guitar, John DeMaso on bass, and Tom Glaister on drums. This was the line-up that recorded their first album for RCA, Whiskey Woman,' although earlier members included Bill Irvin on rhythm guitar and Barry Maturevitz on bass. By the time of their second lp, Way Down East,' Tom Glaister had been replaced on drums by two drummers, Danny Coward and Kevin Shwaryk.

Both albums featured original compositions by Whiting, Doyle, and Egosarian in various combinations, and were hailed by Creem magazine as seminal classics of 70's hard rock. While signed to RCA, the band toured with ZZ Top, Freddie King, The Allman Brothers, The Kinks, John Mayall, and Three Dog Night, among others. They disbanded acrimoniously in 1973, although Doyle and Whiting went on to record several fine albums on the Blue Wave label.

That should have been the end of the story, but the band was honored at the Syracuse Area Music Awards in 1993, resulting in them playing together for the first time in 25 years. Never fond of the name that their record company gave them (and all the attendant misery that it grew to represent for them), the boys reclaimed their original name, Free Will, and gathered together every few years to do major outdoor concerts in Syracuse, even putting out a live CD, Free Will Live On Stage' that captured the band playing all of its classic material at the top of their form.

Most recently, Jukin' Bone was inducted into the SAMMY'S Hall of Fame in 2017 and have started work on their first new album of original material in 44 years. The band has also signed an exclusive licensing deal with Akarma Records in Italy for the release on high quality vinyl and digital downloads of five albums' worth of early Free Will titles.

What transpires from this album, besides the psychedelic blues with a touch of jazz and sometimes a component of garage (for example the fantastic arrangement of River Deep, Mountain High') is the great technical preparation of the music performers. Listening to these songs today it's hard to believe that they've been recorded in 1969 and what's even more surprising, in addition to the guitar strings and the beautiful singers voice, is that the arrangements of the songs are perfectly fused into that genre of heavy psychedelia that was all the rage in those years. Maybe Free Will were too ahead of its times

Free Will was a legendary band from Upstate New York who formed in 1968 and signed to RCA Records in 1971 after a name change to Jukin' Bone. Led by vocalist Joe Whiting and lead guitarist Mark Doyle, the band also featured George Egosarian on second guitar, John DeMaso on bass, and Tom Glaister on drums. This was the line-up that recorded their first album for RCA, Whiskey Woman,' although earlier members included Bill Irvin on rhythm guitar and Barry Maturevitz on bass. By the time of their second lp, Way Down East,' Tom Glaister had been replaced on drums by two drummers, Danny Coward and Kevin Shwaryk.

Both albums featured original compositions by Whiting, Doyle, and Egosarian in various combinations, and were hailed by Creem magazine as seminal classics of 70's hard rock. While signed to RCA, the band toured with ZZ Top, Freddie King, The Allman Brothers, The Kinks, John Mayall, and Three Dog Night, among others. They disbanded acrimoniously in 1973, although Doyle and Whiting went on to record several fine albums on the Blue Wave label.

That should have been the end of the story, but the band was honored at the Syracuse Area Music Awards in 1993, resulting in them playing together for the first time in 25 years. Never fond of the name that their record company gave them (and all the attendant misery that it grew to represent for them), the boys reclaimed their original name, Free Will, and gathered together every few years to do major outdoor concerts in Syracuse, even putting out a live CD, Free Will Live On Stage' that captured the band playing all of its classic material at the top of their form.

Most recently, Jukin' Bone was inducted into the SAMMY'S Hall of Fame in 2017 and have started work on their first new album of original material in 44 years. The band has also signed an exclusive licensing deal with Akarma Records in Italy for the release on high quality vinyl and digital downloads of five albums' worth of early Free Will titles.

What transpires from this album, besides the psychedelic blues with a touch of jazz and sometimes a component of garage (for example the fantastic arrangement of River Deep, Mountain High') is the great technical preparation of the music performers. Listening to these songs today it's hard to believe that they've been recorded in 1969 and what's even more surprising, in addition to the guitar strings and the beautiful singers voice, is that the arrangements of the songs are perfectly fused into that genre of heavy psychedelia that was all the rage in those years. Maybe Free Will were too ahead of its times

Authors of one sole album produced in 1971, Ilmo Smokehouse made a name for themselves during the early seventies thanks to their incessant gigging, often sharing the stage with names like MC5, Big Brother & The Holding Company, The Amboy Dukes, Brownsville Station, James Gang, Sugarloaf, Crow, The Flock and BB King! Thanks to their aggressive and captivating sound-a mix of heavy rock with blues/psych/jazz influences -- they were always well received. Ilmo Smokehouse was started by Craig Moore, bassist and singer for the legendary Gonn, whose "Blackout Of Gretely" was one of the most popular garage tunes of the late sixties. This reissue also includes seven previously unreleased bonus tracks! Akarma. 2006.

Authors of one sole album produced in 1971, Ilmo Smokehouse made a name for themselves during the early seventies thanks to their incessant gigging, often sharing the stage with names like MC5, Big Brother & The Holding Company, The Amboy Dukes, Brownsville Station, James Gang, Sugarloaf, Crow, The Flock and BB King! Thanks to their aggressive and captivating sound-a mix of heavy rock with blues/psych/jazz influences -- they were always well received. Ilmo Smokehouse was started by Craig Moore, bassist and singer for the legendary Gonn, whose "Blackout Of Gretely" was one of the most popular garage tunes of the late sixties. This reissue also includes seven previously unreleased bonus tracks! Akarma. 2006.

The Music Emporium were a little-known Southern Californian psychedelic band of the late '60s, somewhat unusual in that they featured a four-member lineup evenly split between men and women, In most other respects, they were a more or less typical psychedelic act. Carolyn Lee's vocals sometimes bring to mind the United States of America or (more distantly) Jefferson Airplane, some of the tunes have a nice gothic/classical touch, and the lyrics are excessively cosmic (principal songwriter and organist Casey Cosby is the chief culprit). Their self-titled album is highly valued by some psychedelic collectors.

This home-made and self-produced platter was issued by Roy Buchanan (guitar/vocals) after being rejected by Polydor. The six-piece backing combo are deceptively tight and likewise a perfect foil for both Buchanan's nimble fingers and acutely soulful leads. The opening cover of Don Gibson's "Sweet Dreams" alternately shimmers and sears behind the band's nimble waltz. The languid and drawn-out "Down by the River" is nothing short of a seminal example of the riveting command that formed around Buchanan's solos. Of even greater value are the originals "Since You've Been Gone" and the truncated "The Messiah Will Come Again," which is joined in progress.

Back in the '60s, when every town in America seemed to have its own burgeoning music scene, Austin was strangely quiet.

Not much at all -- save for one group that all but dominated the scene from the late '60s to the early '70s. That group was the electric, country-fried psychedelic outfit known as Shiva's Headband. Leader, violinist, guitarist, and vocalist Spencer Perskin was (and still is) the quintessential Austin hippie, who not only lobbied for city-based cultural support for local artists but also put Austin on the world-wide music map with the release of Shiva's first major-label effort, Take Me to the Mountains on Capitol (the first ever major-label release by an Austin band). The album is formidable, and its influence on the "galactic cowboy" genre was as great as, say, Love's Forever Changes was to the West Coast rock scene. It laid the groundwork for psychedelic twang and brought the world's attention to the creatively diverse (yet firmly rooted) music that was beginning to blossom back in those Texas heyday.

Back in the '60s, when every town in America seemed to have its own burgeoning music scene, Austin was strangely quiet.

Not much at all -- save for one group that all but dominated the scene from the late '60s to the early '70s. That group was the electric, country-fried psychedelic outfit known as Shiva's Headband. Leader, violinist, guitarist, and vocalist Spencer Perskin was (and still is) the quintessential Austin hippie, who not only lobbied for city-based cultural support for local artists but also put Austin on the world-wide music map with the release of Shiva's first major-label effort, Take Me to the Mountains on Capitol (the first ever major-label release by an Austin band). The album is formidable, and its influence on the "galactic cowboy" genre was as great as, say, Love's Forever Changes was to the West Coast rock scene. It laid the groundwork for psychedelic twang and brought the world's attention to the creatively diverse (yet firmly rooted) music that was beginning to blossom back in those Texas heyday.

Harvey's merger with Tear Gas, a faltering rock band, was the smartest move of his career. With a heady mix of theatrics and driving rock, SAHB quickly made a name for themselves across England, releasing this album along the way. Harvey struts and yowls and gets raunchy (prefiguring the SAHBversion of "Delilah") while Zal Cleminson rips up the territory with some astounding guitar work. A great debut and a hell of a rock album.

Quite a rocking live gig from Toad, Almost as superb as their 'Open Fire - Live In Basel 1972'. Tunes that definitely make the grade are "Cause You're Not", the ass-kicking title cut "Yearnin' And Learnin'", "Behind The Wheels" the awesome "Tomorrow Blue", the inspiring "I Wish You Were Here" and the band's two extremely well-played Hendrix covers - "Purple Haze" and the nine-minute "Red House" closing out with a must-hear drum solo. Must-experience '70's Swiss hard rock. Essential.

Quite a rocking live gig from Toad, Almost as superb as their 'Open Fire - Live In Basel 1972'. Tunes that definitely make the grade are "Cause You're Not", the ass-kicking title cut "Yearnin' And Learnin'", "Behind The Wheels" the awesome "Tomorrow Blue", the inspiring "I Wish You Were Here" and the band's two extremely well-played Hendrix covers - "Purple Haze" and the nine-minute "Red House" closing out with a must-hear drum solo. Must-experience '70's Swiss hard rock. Essential.

Quite a rocking live gig from Toad, Almost as superb as their 'Open Fire - Live In Basel 1972'. Tunes that definitely make the grade are "Cause You're Not", the ass-kicking title cut "Yearnin' And Learnin'", "Behind The Wheels" the awesome "Tomorrow Blue", the inspiring "I Wish You Were Here" and the band's two extremely well-played Hendrix covers - "Purple Haze" and the nine-minute "Red House" closing out with a must-hear drum solo. Must-experience '70's Swiss hard rock. Essential.

In September, 1970 the band went into Electric Lady Studios in New York City to start recording their second album with famous engineer/producer Eddie Kramer at the helm. They were now signed with Warner Brothers, as Probe had folded, Kramer had worked with some of the top names in rock, such as Led Zeppelin and especially Jimi Hendrix, with whom Kramer had an extremely productive relationship. Going Back to Colorado was a great improvement over Zephyr being a more song-oriented and polished, while Zephyr offers more raw exposure to Tommy's guitar work.

- Playing Cal Jam 17 with a swag of swell bands on October 7th
- Long deleted on vinyl
- Original artwork faithfully reproduced

First album originally released in 1990 by BABES IN TOYLAND.

Spanking Machine was recorded in Seattle by now legendary Jack Endino at the now equally legendary Reciprocal Recording Studio.

Spanking Machine was the record that kicked down many doors for BABES IN TOYLAND.

Personally asked by Thurston Moore to support Sonic Youth on their European tour promoting Goo, appearing in the documentary 1991: The Year Punk Broke, fixtures on the John Peel show among much more.

Ellas McDaniel (aka Bo Diddley) was a true American original. He originated a rock beat that has been used by everyone from The Who, to Bruce Springsteen, to The Smiths, had a teenaged Marvin Gaye working as his valet, toured with The Clash, and was in a series of popular Nike commercials. Not to mention the fact that, oh yeah, he wrote and recorded some of the most important rock and roll music of the mid 20th-century. And that guitar, that iconic guitar, which is prominently featured on the cover of this classic 1962 LP. This is the first LP to feature his popular female rhythm guitarist sidekick, The Duchess, and while not featuring the chart-toppers of other release is a stunner of classic R&B influenced rock and roll that's essential for any Diddley fan.

"Heroes" limited edition 40th anniversary 7" picture disc

- 180 GRAM AUDIOPHILE VINYL
- GATEFOLD SLEEVE
- REMASTERED AUDIO FOR VINYL
- MOST IMPORTANT A SIDES FROM THEIR HIT SINGLES, AMONGST OTHERS SEASONS', MAYBE TOMORROW, MAYBE TONIGHT', THE HITS STORM AND THUNDER', MEMORIES', WEEKEND' AND A SELECTION OF B SIDE SINGLES LIKE HAZY PARADISE', THEME FROM ATLANTIS' AND MANY MORE POP SONGS

Earth And Fire was formed by Dutch brothers Chris and Gerard Koerts on guitar and keys respectively. The first classic line-up featured vocalist Manuela Berloth, who was later replaced by Jerney Kaagman with her recognizable voice, and included bass player Hans Ziech and drummer Ton van der Kleij.

After becoming the supporting act for Barry Hay's The Golden Earrings a crucial time arrived in their career, the George Kooymans' written "Seasons" provided Earth And Fire with their first hit and an album filled with own work followed.

"Ruby Is The One", "Wild And Exciting", "Storm And Thunder" and "Maybe Tomorrow, Maybe Tonight" and "Memories" were impressive and successful singles and cracked the Dutch Top 10. Following their philosophical lyrical albums they scored the biggest hit of their career with "Weekend" which not only scored big in the Netherlands but had similar results in Germany, Switzerland, Belgium and other European countries. Next to the hits, there are a plethora of B side singles "Song Of The Marching Children", "Theme From Atlantis", the seven part "Excerpts From To The World Of The Future" and many more to be found on the double vinyl album.

The Golden Years of Dutch Pop Music is a new Music On Vinyl series of compilation albums by Dutch bands that were not only ground-breaking and successful in the sixties and seventies in the Netherlands but also far beyond the Dutch borders. Each double album collects the most important original A sides and a selection of B side singles. Remastered audio for vinyl, redesigned artwork, including English liner notes and where possible the albums are completed with relevant album tracks.

- 180 GRAM AUDIOPHILE VINYL
- GATEFOLD SLEEVE
- REMASTERED AUDIO FOR VINYL
- MOST IMPORTANT A SIDES AND HITS LIKE MAMMOTH, STARLIGHT DANCER', RUTHLESS QUEEN', PLUS A SELECTION OF B SIDE SINGLES LIKE THEME FROM SPETTERS - PART II', GOLDDUST' AND MANY MORE

Kayak was formed in 1972, around composer and keyboardist Ton Scherpenzeel, and revealed themselves as trendsetter in the symphonic genre. Scoring hit singles with Mammoth', Starlight Dancer' and delivering very convincing albums with Royal Bed Bouncer, The Last Encore and many more, they are still active more than four decades after their fresh start in the seventies.

After a couple of years there was a change in formation, a new bass player, a new drummer, a new male vocalist and expanding with two female backing vocalists. This revised crew worked on Phantom Of The Night which was one of the first ever albums to be recorded in the then new Wisseloord Studios in Hilversum. The album sold very well and gained Kayak the mention from Record World magazine as the most promising newcomer of 1979.

Continuing the success resulted in the band delivering music for Paul Verhoeven's controversial film Spetters in 1980. Theme From Spetters', was written especially for the movie. Lost Blue Of Chartres' and Anne', the latter reaching the national Top 40, are also included on this double vinyl album. Try To Write A Book', Golddust' and six more B side singles give a nice overview of their career.

- 180 GRAM AUDIOPHILE VINYL
- GATEFOLD SLEEVE
- REMASTERED AUDIO FOR VINYL
- MOST IMPORTANT A SIDES, MURPHY MC- COY', WANG DANG DOODLE', L.B. BOOGIE', BLACK LISA', BOOGIE WOOGIE WOMAN', AND A SELECTION OF B SIDE SINGLES AND RELEVANT ALBUM TRACKS

Livin' Blues was founded in the late sixties in The Hague by Ted Oberg, other members were Nicko Christiansen and John Lagrand. The band's sturdy blues rock had an almost universal appeal and they performed for crowds in Poland, England, Switzerland and of course all over the The Netherlands.

Former Golden Earring's drummer Jaap Eggermont as producer and guitarist George Kooymans provided Livin' Blues with their first single Murphy McCoy'. Their style was beefy blues rock, tough and swinging which further developed with Wang Dang Doodle', L.B. Boogie', Boogie Woogie Woman' and resulted in working with famous producer Mike Vernon who had studio time with celebrities like John Mayall and Fleetwood Mac.

On the double vinyl album included are B side singles like My Sister Kate', One Night Blues', album tracks Bamboozle', Diving Duck Blues' and many more Dutch blues songs taken from their vast repertoire.

The Golden Years of Dutch Pop Music is a new Music On Vinyl series of compilation albums by Dutch bands that were not only ground-breaking and successful in the sixties and seventies in the Netherlands but also far beyond the Dutch borders. Each double album collects the most important original A sides and a selection of B side singles. Remastered audio for vinyl, redesigned artwork, including English liner notes and where possible the albums are completed with relevant album tracks.

Formed out of the ashes of the legendary UK mod-pop group, The Action, Mighty Baby kept much of that group's soul-inflected pop-psych sound but upped the psych ante quite considerably. Mighty Baby stands as one of the most cohesive and coveted of 1960s UK psych. It is the complete package, blistering guitar work from Martin Stone, studio trickery, amazing songwriting, great vocals, this record is the real deal and fully deserving of its reputation. The band would go on to record with legends like Keith Christmas, Sandy Denny, and more, as well as record a second album in 1971, but nothing can surpass the pure psych perfection of their debut.

Whether you're floating free to antipodean ambience or toasting the sunset with a Baltic beauty, you can always count on Growing Bin to take you someplace new for a while. Swapping bucolic Poland for the buzz of the Big Apple, the Hamburg imprint reaches a magnificent seven in the company of synth-pop dreamer Shy Layers (JD Walsh to his mum) and his sublime self titled debut.
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Over the course of ten emotional pop serenades, the New York musician recalls lost days sofa surfing to the lounge electronica of Air, Mellow and early Phoenix or the swooning lo-fi psychedelia of a pre-MD Simian. Shy Layers welcomes us aboard with the shimmering pads and soothing soft synths of 'Black & White', a drifting soundtrack to a John Hughes-directed episode of 'In The Night Garden'. From there we swerve into the wistful synth-pop of 'Famous Faces', locking into the rattling Tears For Fears groove while the West Coast guitar licks and vocoder vocals f loat off into the distance. 'You Won't Find Me' shuff les through afro-tronic keyboard lines, Beta Band breakbeats and loose funk guitar before the sweltering 'Stabilized Waves' dips a toe in the Med, swaying gently to the fluid bass, acoustic strumming and cascading electric guitar. Swapping continents to close the A-side, 'Too Far Out' finds Walsh working highlife guitars and fuzzy sanza sequences into a pie-
ce of perfect off-kilter pop. The B-side begins in glitchy fashion with the flying hats and seesaw synths of 'Holding It Back', before 'Playing The Game' offers sprinklers over summer lawns, dub
fx, jangling guitars and cooing vocals. The afrobeat influence shines through once again on the rhythmic 'Bees & Bamboo' before 'SEG' sees Shy Layers don Mario's Red Wing cap for a chip-set
safari through the bright blue sky. Playing us out with the same cinematic splendour with which we began, Walsh conjures a woozy, sun-dappled mood for the sumptuous '1977'.

Fusing French pop, glistening Americana, 80s AOR and afrobeat into a hazy vision of balmy mor-nings, long evenings and lazy days, Shy Layers has served up the soundtrack to your summer.