Pop & Rock Vinyl New Releases - News

Since 2008, TAKE OVER AND DESTROY has been relentlessly pushing the boundaries of heavy music. With an amalgamation of eclectic tastes: death metal, classic rock, doom, death rock, black metal and horror scores, TAKE OVER AND DESTROY has established itself as a truly unique entity, both sonically and aesthetically. The five members' collective obsession with cinema results in their incorporation of the moody undertones of classic film scores into the raw power and energy of heavy metal and rock and roll. Stereogum did their best to describe this sound as vintage horror-movie/swinging black-mass ambience.' A headbanging punk metal opus for fans of Turbonegro, The Misfits and the rock'n'roll black metal elements of Satyricon. The band has toured extensively, as well as being selected as direct support for Agrimonia on their recent US tour as well as Year of No Light on their only US tour to date. The group has an arsenal of releases that it has independently circulated, including a split with sludge act Drone Throne in 2009, 2011's Rotten Tide' EP, a split with black metal legends VON in 2012, 2013's critically-acclaimed Endless Night,' and 2014's list-topping Vacant Face.' The band's releases have garnered praise from a multitude of publications, including Noisey, Pitchfork, The Needle Drop, Stereogum, New Noise, Metal Sucks, and Metal Injection, among many others.

Since 2008, TAKE OVER AND DESTROY has been relentlessly pushing the boundaries of heavy music. With an amalgamation of eclectic tastes: death metal, classic rock, doom, death rock, black metal and horror scores, TAKE OVER AND DESTROY has established itself as a truly unique entity, both sonically and aesthetically. The five members' collective obsession with cinema results in their incorporation of the moody undertones of classic film scores into the raw power and energy of heavy metal and rock and roll. Stereogum did their best to describe this sound as vintage horror-movie/swinging black-mass ambience.' A headbanging punk metal opus for fans of Turbonegro, The Misfits and the rock'n'roll black metal elements of Satyricon. The band has toured extensively, as well as being selected as direct support for Agrimonia on their recent US tour as well as Year of No Light on their only US tour to date. The group has an arsenal of releases that it has independently circulated, including a split with sludge act Drone Throne in 2009, 2011's Rotten Tide' EP, a split with black metal legends VON in 2012, 2013's critically-acclaimed Endless Night,' and 2014's list-topping Vacant Face.' The band's releases have garnered praise from a multitude of publications, including Noisey, Pitchfork, The Needle Drop, Stereogum, New Noise, Metal Sucks, and Metal Injection, among many others.

TesseracT vocalist Dan Tompkins comments "It's been fantastic to re-visit & re-work the vocals to some of the Polaris tracks from a different angle and with the benefit of time and space. The normal process of writing TesseracT songs starts with the creation of the music followed by the lyrical content, this time Acle and Aidan have stripped away the music and re-created the songs based around the vocals. As a result this has allowed much more breathing space between both and also highlighted much more detail in the performance"
Along with the new song interpretations the cover art for 'Errai' sees the 'Polaris' artwork having a 2016 make-over by artist Dan Mumford.
'Errai' will be released on 180g heavyweight clear vinyl with enclosed MP3 download code.

After the phenomenal success of their own headline tour in support of 'Polaris', TesseracT have confirmed they will be returning to North America as main support to Gojira between 21st September & 23rd October. Over the summer TesseracT will be appearing at various European festivals.

Press comments on 'Polaris':

"Polaris is, at last, the platonic ideal of a TesseracT album, the one where they get everything just right. It's drama- bringing, supremely melodic and riff-heavy." - Revolver Magazine

"keeps impressing with every release, going with different ideas and compositions while still keeping their identity"- Outburn Magazine

"is best defined as a sum of the group's polished production smoothly colliding with an offensive onslaught of vocal and instrumentation virtuosity." - Metal Injection

"start to finish, Polaris is affecting, captivating and bloody gorgeous" - Metal Hammer 9/10

"'Bold and brilliant. This might be their best album to date' - Prog Magazine

"Killer third album of ultra-tech brit metallers" - Kerrang 4/5

A tapestry of delicate melodies and dreamlike textures' - Total Guitar Magazine - 4.5/5

The origin of this collaboration began two months prior to the Fukushima disaster in Japan. Dakota Suite had been touring Japan with their friends from the Japanese band called 'Vampillia' and had been in several coastal locations in Wakayama as well as places near to Fukushima. The tsunami was very upsetting for Chris Hooson and David Buxton from Dakota Suite who then set about making music to reflect this overwhelming sadness and loss for Japan.
They approached Vampillia to work on these somber reflective songs for the sea. Vampillia is next alternative music from Osaka. Guitar, Noise guitar, Bass, Piano, Classical Strings, Velladon on Opera, Mongoloid on the dark metal vocals alongside twin drummers Talow the Tornado (NICE VIEW, TURTLE ISLAND) and Tatsuya Yoshida (RUINS). From this lineup of 10 (sometimes more) comes experimental and beautiful dark music. Besides the new work with Dakota Suite, they have previously collaborated with acts such as µ-Ziq, Merzbow, Nadja and Lustmord. Their intense experimental style is the perfect fusion with the Dakota Suite aesthetic.
The songs came from a desire to reflect the phases of the disaster, the rising violent seas, the destructive power and loss preceding sorrow at the devastation which followed. Chris Hooson was haunted by images of floating pieces of wood which had once been someone's ancient dwelling. The music Dakota Suite & Vampillia have recorded on The Sea is Never Full seeks to provide a mechanism to deal with this pain cathartically.
Various short pieces were passed between Dakota Suite and Vampillia, who added strings and the distinctive throat singing of 'mongoloid' from Vampillia. Japanese throat singing speaks to an ancient method, called rekukkara. It is tonal rather than melodic. As Hooson says "It seemed an appropriate way to convey the sadness we felt at the horror of Fukushima, which knows no words to express it accurately."
After basic recording had been completed, David Buxton, in an act of pure genius, took apart every note of the music and created a two-part suite. It is hard to convey the seismic shift in this project after David presented this music in the form that it now stands. Hooson on his Dakota Suite band colleague Buxton "It has been the highlight of my recording career so far and David would not like the attention I give him, but I believe that this work in particular deserves to be heard as it is a work of beautiful and tragic choreography, it is a tribute to his mastery of music."
This type of art cannot be written or envisaged, it can only be received and interpreted. Listening to this project continues to engender enormous sorrow in the listener, but the true beauty of such art is that it can take this sorrow as a cathartic force to help one manage these feelings. The Sea Is Never Full marks another momentous release for Karaoke Kalk. Together with Vampillia they have sculpted a truly epic record spanning musical styles from ambient and experimental to post-rock and neo-classical. Suffice to say, the result has nothing short if a breathtaking emotional impact.

The origin of this collaboration began two months prior to the Fukushima disaster in Japan. Dakota Suite had been touring Japan with their friends from the Japanese band called 'Vampillia' and had been in several coastal locations in Wakayama as well as places near to Fukushima. The tsunami was very upsetting for Chris Hooson and David Buxton from Dakota Suite who then set about making music to reflect this overwhelming sadness and loss for Japan.
They approached Vampillia to work on these somber reflective songs for the sea. Vampillia is next alternative music from Osaka. Guitar, Noise guitar, Bass, Piano, Classical Strings, Velladon on Opera, Mongoloid on the dark metal vocals alongside twin drummers Talow the Tornado (NICE VIEW, TURTLE ISLAND) and Tatsuya Yoshida (RUINS). From this lineup of 10 (sometimes more) comes experimental and beautiful dark music. Besides the new work with Dakota Suite, they have previously collaborated with acts such as µ-Ziq, Merzbow, Nadja and Lustmord. Their intense experimental style is the perfect fusion with the Dakota Suite aesthetic.
The songs came from a desire to reflect the phases of the disaster, the rising violent seas, the destructive power and loss preceding sorrow at the devastation which followed. Chris Hooson was haunted by images of floating pieces of wood which had once been someone's ancient dwelling. The music Dakota Suite & Vampillia have recorded on The Sea is Never Full seeks to provide a mechanism to deal with this pain cathartically.
Various short pieces were passed between Dakota Suite and Vampillia, who added strings and the distinctive throat singing of 'mongoloid' from Vampillia. Japanese throat singing speaks to an ancient method, called rekukkara. It is tonal rather than melodic. As Hooson says "It seemed an appropriate way to convey the sadness we felt at the horror of Fukushima, which knows no words to express it accurately."
After basic recording had been completed, David Buxton, in an act of pure genius, took apart every note of the music and created a two-part suite. It is hard to convey the seismic shift in this project after David presented this music in the form that it now stands. Hooson on his Dakota Suite band colleague Buxton "It has been the highlight of my recording career so far and David would not like the attention I give him, but I believe that this work in particular deserves to be heard as it is a work of beautiful and tragic choreography, it is a tribute to his mastery of music."
This type of art cannot be written or envisaged, it can only be received and interpreted. Listening to this project continues to engender enormous sorrow in the listener, but the true beauty of such art is that it can take this sorrow as a cathartic force to help one manage these feelings. The Sea Is Never Full marks another momentous release for Karaoke Kalk. Together with Vampillia they have sculpted a truly epic record spanning musical styles from ambient and experimental to post-rock and neo-classical. Suffice to say, the result has nothing short if a breathtaking emotional impact.

[strings]

[original version]















[YL] CD3 07. Starcrazy [(irst demo)


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[rehearsa












[ZG ] CD4 13. New Generation







LATER (14.12.96)



MERCURY MUSIC PRIZE 1997
[28.8.97]

Demon Records are pleased to announce a new
subsidiary, Demon Records Deluxe. Demon Records
Deluxe will be the new house for a premium
collectable range of vinyl.
The first title in the range is the classic 'Coming Up'
album by Britpop band Suede. The album is the band's
most successful release to date, entering the charts at
number 1 and spawning five Top 10 singles. This new
release will be the original album reissued on 180g
yellow coloured vinyl, along with a bonus LP of b-side
tracks. All housed in gatefold packaging.

Siam, one of Israel's pioneer new wave bands from the 80's, get a steamy Red Axes rework for their underground killer Tel Aviv Downtown on the a side, and a re-master for their anthem In the realm of on the B-side.

This 2016 version of 'Twice Born Men' has brand new cover artwork and also features sleeve notes written by current vocalist Jana Carpenter.

The 8 track LP will be presented on 180g heavyweight black vinyl.

2015 saw the UK's unsung heroes of experimental art rock London based Sweet Billy Pilgrim, join the Kscope roster and release their label debut & fourth album 'Motorcade Amnesiacs' to critical media acclaim.

Following on from the release of 'Motorcade Amnesiacs', Kscope began the re-release campaign for the band's earlier albums with their 2005 debut 'We Just Did What Happened And No One Came', 23rd September sees the release of the band's 2009 Mercury Prize Nominated album 'Twice Born Men'.

The trio - Tim Elsenburg (singing, guitar, producer, mixing), Anthony Bishop (banjo, bass) and Alistair Hamer (sequencing, drums) caused quite a stir with their, navigating the delicate path between self-referential art rock and melodic folk rock. Their follow up in 2009 'Twice Born Men', originally released on David Sylvian's Samadhi Sound label, saw the SundayTimes awarding it 5 Stars and CD of the Week as well as an inclusion in their Top 100 Albums of 2009.

Twice Born Men' is at heart a melodic beast complimented by the exquisite swooning shiver of Elsenburg's vocal, ultimately, a beautiful album, which will appeal to fans of alt country and art-pop and should also be appreciated by lovers of great music everywhere.

The incipient incarnation of Atomic Rooster with Vincent Crane (organ/vocals), Nick Graham (vocals/bass), and Carl Palmer (drums) was together just long enough to document its 1970 debut. Prior to the last-minute addition of Graham-- the only bassist Atomic Rooster ever had -- the band emerged from the remnants of the then recently defunct Crazy World of Arthur Brown.
The material was primarily courtesy of Crane and consisted of heavy and versatile sides. The versatility is evident throughout the impressive array of styles ranging from the folk-inspired pastoral songs via bluesy horn arrangement and contrasting driving rockers and jazzy spells. Lyrically, Crane reveals his penchant for dark imagery. Support at the time was bolstered by strong live appearances, positive word-of-mouth, and significant BBC Radio sessions.

As his wife Susan Tedeschi joined Derek Trucks later in 2010 for the Tedeschi Trucks Band, this double live album Roadsongs might just be the last album for this version of the Derek Trucks Band.
Recorded in support of 2009's Grammy-winning album Already Free [MOVLP1395], this set contains over 100 minutes of music from across his recording career. The recording is full of dynamics and a warm, present sound while capturing the raw, spontaneous energy of a live show. The set list puts the emphasis on tracks from Already Free but also includes other originals and covers, revving it up with not only excellent guitar phrasing but also incredible percussion, blazing horns and deeply moving vocals. Available on vinyl for the first time!







[G b]3. Afro Blue

Originally released in 1962, Twist Uptown, is the first LP from The Crystals, released on the heels of their singles chart successes with "Uptown" and "There's No Other (Like My Baby)". Produced by Phil Spector and featuring numerous tunes from the legendary Brill Building team of Cynthia Weil and Barry Mann, Twist Uptown is the epitome of the early 60s teenage sound. The LP also includes the original version of "On Broadway" which would be a massive hit for The Drifters the following year. Essential 60s American pop R&B from the master.

Oh My (Lost Songs 2006-2016) is Pajaro Sunrise's first album since 2013's Kulturkatzenjammer
The album features previously unreleased tracks, alternate takes, home recordings, bespoke songs, and cover versions of tunes by The Beatles, Bruce Springsteen, Johnny Cash, Bill Withers, The Whitest Boy Alive, and The Penguins
His music was featured in advertising campaigns for big brands such as Vodafone and McDonald's, and in TV series such as Castle and The Big C
In 2015, he translated Greg Milner's Perfecting Sound Forever from English to Spanish In 2014, he soundtracked the poems of actor, poet, comedian and former boxing champion Hovik Keuchkerian It's been ten years since Pajaro Sunrise's first release Pajaro Sunrise is Yuri Mendez. Yuri Mendez is a prolific guy. Over the past ten years he's produced albums for other artists, translated a book from English to Spanish (Perfecting Sound Forever, by Greg Milner, the first edition of which sold out pretty quickly, while the second one is well on its way to do exactly the same), made music for large advertising campaigns (Vodafone, for example), soundtracked the poems of actor, comedian and poet Hovik Keuchkerian, and, most of all, wrote and recorded a large amount of songs, many of which featured on his four albums. And yet, Oh My is his first album since Kulturkatzenjammer, which came out in the autumn of 2013. The release coincides with the tenth anniversary of Pajaro Sunrise's first album, and, as its subtitle explains, features a collection of songs that have not been released officially until now - twenty-two tracks that have been on the shelves for some time, but are now saved from oblivion. Quite a few of those tunes are new, recorded by Yuri because, well, writing, playing and recording music is simply a basic need to the man. Others have different origins: "A Different Scene" is a song written for a beautiful animation made in 2012 for a UNICEF fundraising campaign; "Reel Of The World" was a bonus track on the Japanese edition of the first Pajaro Sunrise album; some titles are alternate takes on previously released songs featured on previous albums; and there's a handful of cover versions - tunes that have been important to him over the years, enough so that he decided to make them his: Bruce Springsteen's "I'm On Fire", "Earth Angel" by The Penguins, The Beatles' "Girl", "Swingin' Party" by The Replacements, Johnny Cash's "Guess Things Happen That Way", Bill Withers' "Just The Two Of Us", and "All Ears" by The Whitest Boy Alive.

London's noisiest folk-rock six-piece The No Sorrows release their long-awaited, self-titled LP this autumn via King Bill Records. Taking the earthy melodies and celestial harmonies of the British psychedelic folk boom and placing them against a driving drone-rock backing, The No Sorrows were described by the NME as sounding like 'a mix of early Fairport Convention and Dinosaur Jr in full flight'.

Formed eight years ago in leafy Stoke Newington, The No Sorrows have been mutating and developing ever since, adding soaring violin and rich multi-tracked harmonies to the basic guitar, bass and drums setup. They've supported the likes of The Clientele, Alessi's Ark, The Magnetic Mind and their good friends The See See, and recently hit a major career high playing on a bill with Mike Heron of The Incredible String Band.

The No Sorrows' first LP was recorded in unusual circumstances: in a tumbledown farmhouse in France's 'diagonal of emptiness', the remote and rolling Limousin valley. The band carted all their gear down from London and set up in the living room, letting the rustic surroundings soak into every musical note. As frontman Tom Huddleston says: 'It was like Exile on Main Street' without the drugs. Or the hookers. Or the piles of money. But otherwise it was exactly the same.'

The result is a record that takes the listener on a journey, to a hazy, sun-kissed country where it's always 1972. Which isn't to say there's not a hint of darkness lurking in The No Sorrows sonic palette as well: jagged guitars and thundering drums are a key part of their unique sound. 'We've never placed any limits on what we can or can't do,' Huddleston explains. 'Imagine being only a folk band, or only a psych band, or only an indie band It'd get really boring! We're fans of everything from Anne Briggs to The Beach Boys to Neil Young to My Bloody Valentine, so why shouldn't our music reflect that'

Unsurprisingly, the band have chosen to release their record exclusively on vinyl and download - a CD could never do justice to the fireside warmth of The No Sorrows. And this is an LP that'll only improve with age: ten years from now, when the vinyl has picked up a few pops and crackles, it'll sound even better.

(RSD special etched 10")I will, I swear had a few spare hours in the studio while recording their debut EP and invited Hydrogen Sea over. They came up with this beauty.

September 9 will be released "KALEIDOS", the disc of unpublished NICCOLÒ BOSSINI, that three years after his last solo album, is back with a new album. The album, which was preceded by the single and video "The Life Now" currently on the radio, will be divided into a number of colors that the singer wanted to associate with each song to create a homogeneous and well-defined path. The second single and video simultaneously with the release of the album will be "You Would you let me die, too." Niccolò Bossini will present the live album on September 17th with # ACASAMIA2016 - "KALEIDOS", a big party where enchant you and will make the public dance to the tune of the songs of the album contents. NICCOLÒ BOSSINI is a guitarist, singer and author of Emilia. Since February 2005, he is part of the band of Luciano Ligabue, recording with him the album "Full Name", "Goodbye, Monster!" And "world vision" and took part in all the tour of rocker Correggio, from Campovolo 2005 Campovolo 2015 . In 2012 "QBNB" comes out, his first solo album, which debuted at number 37 of the Fimi ranking. In 2013, the second single from QBNB, "Paul", arrives at number 15 of Italian songs most played on radio. Also in 2013 comes #SecondoLavoro that is supported by #Acasatour, successful tour that Nicholas, in 2014, leads directly to the house of his fans throughout Italy.

The Million Dollar Quartet featuring Elvis Presley , Jerry Lee Lewis, Carl Perkins & Johnny Cash. The original Sun Record Company recording has been newly-remastered in 2016 and pressed as an audiophile-quality double LP on 10-inch vinyl.

"It's like eavesdropping on the jam session of the Gods" RECORD COLLECTOR

The original Sun Record Company recording has been newly-remastered in 2016 and pressed as an audiophile-quality double LP on 10-inch vinyl.

Never has the legendary Million Dollar Quartet session taped at Sun Studios on 4th December 1956 sounded better!

The striking Deluxe Gold Metallic Gatefold Sleeve features in-depth notes by Martin Hawkins, period photos and recollections of the historic event from Sun Records founder Sam Phillips

(limited picture disc lp edition) Trixie's sophomore album is an introspective expedition into the depths of her creative identity, culminating in her resolve to fearlessly let go of gratuitous baggage, not needed on future travels.

Form Hell is the debut release by Victims, the collaborative project of film composer Timothy Fife, and Video Nasties member, Chris Livengood. Mainstays in the darkest, most obscure netherworlds of the New England underground scene, the work of these individuals has circulated over the past decade only amongst the filthy hands and minds of those in the know. Together as Victims, the two make synthesizer music inspired in equal measure by the highest and lowest expressions of the medium. For every nod to Subotnick and Mort Garson there's a indiscrete wink aimed at Marcello Giombini and Walter Sear. "Form Hell" finds the two minds meeting and melting at their most damaged point: the holes torn open by repeated viewings of the most filthy of films, setting forth a pulsating kosmiche geyser of shimmering cinematic sounds. Perhaps if Tangerine Dream geared up and jammed immediately after their 12th consecutive viewing of Burial Ground: Night of Terror, it might sound something like this. If Michael Hoenig had scored The Gate before abandoning his analog synths, those fleshy little minions would've been dancing to the arpeggiated menace of Form Hell.

Limited to 1000 copies on opaque white vinyl - 34 mins 45 secs of music - Angry Love Productions proudly announces the release of Alienist, the new album by Psychic TV. Alienist is the follow-up to 2014's highly acclaimed Snakes which in part, explored Genesis Breyer P-Orridges foray into African Voudoun culture, the title track of which will be used in the forthcoming documentary Bight Of The Twin, which focuses on Genesis' explorations in Benin, Africa. Alienist in part explores drummer and Psychic TV's co-producer Edley ODowd's fascination of Psychic TVs long-time reinterpretation of contemporary rock classics - this time tackling Jump Into The Fire' by the late Harry Nilsson as well as Genesis' teenage favourite How Does It Feel To Feel' by '60s British psychedelic rockers The Creation. Original tracks include the haunting yet emotional Looking For You'. An epic journey in which Genesis lets Lucifer himself know that his 'time is over' as well as the title track 'Alienist'. A delightful fusion of dance grooves harking back to PTVs Acid House days and the Genesis and the bands current love of heavy psychedelic rock. Look for plenty of live dates in support of Alienist including a major concert at the O2 Shepherd's Bush Empire on November 7.

Billie Marten is very pleased to announce details of her debut album, "Writing of Blues And Yellows", released on 23rd September through Chess Club Records/RCA.
Recorded in both her native Ripon and in London, the production duties of the album were shared between Rich Cooper and Cam Blackwood. After a busy run of festival dates this summer, October sees Billie embarking on her first headline UK tour, including two nights at London's St Giles-in-the-Fields.
Hailing from the cathedral city of Ripon in North Yorkshire, seventeen year old Billie Marten has music in her blood, growing up listening to the works of John Martyn, Laura Marling, David Bowie, Portishead, and Loudon Wainwright. At the age of eight, given a guitar and taught four chords by her father, Billie wrote her first song.
Nine years later, the thirteen songs that form 'Writing of Blues And Yellows' are as remarkable for their folksy beauty as they are the age of their creator. Intimate and wise, and allowed the time and space to breathe, each song spins with those unhurried, enchanting lyrics that linger long after they have left Billie's lips via her pure, otherworldly voice.  It's a record that signals the introduction of a very special young British talent.
Billie's current single 'Lionhearted' follows the success of last year's 'Bird' and 'Milk & Honey', which saw Billie sell out her debut London show, appear at Radio 1's Future Festival, and make her US debut at this year's SXSW. 
Billie Marten appeared on the BBC Sound of 2016 short list earlier this year. 

Pink, the landmark 2006 album by Boris, which earned widespread critical praise including Pitchfork's Top 10 Albums of 2006 will be reissued in a deluxe edition to commemorate the album's 10th anniversary.
LTD 3LP with 6 page booklet in a die-cut cardboard box. Includes original version of Boris' classic album on LP1 and LP2, plus 9 previously unreleased Forbidden Songs recorded during the Pink sessions on LP3. PINK Vinyl has original Japanese track list and extended versions of tracks "Farewell", "Pseudo-Bread" and "My Machine".
The deluxe 3LP box set and 2CD features an entire album of previously unreleased tracks recorded during the Pink album sessions in 2004-2005. The bonus Forbidden Songs collects 9 tracks of the same hyperactive, accessible and aggressive caliber of the original album, available here for the first time, mixed (with additional editing and arrangement) in 2015 and mastered in January 2016. Like the original U.S. vinyl release, the Pink (Deluxe Edition) LP set has three longer edits of songs that were truncated on the original CD issue ( Farewell', Pseudo-Bread' and My Machine'). Otherwise, both the LP & CD versions have the same audio as the 2006 release.
Pink (Deluxe Edition) also features the artwork of the original Japanese release, made by the band members themselves.
In 2006, Pink was Boris' 10th album and a major breakthrough that earned new fans outside of the underground metal community — the track Farewell' was even featured in Jim Jarmusch's classic film The Limits of Control. The album landed on countless best of the year' lists from underground metal sites to mainstream rock magazines. And the praise was certainly well deserved for its more accessible sound and explorations into shoegaze and ambient structures alongside brutal noise, searing psychedelia and apocalyptic doom. Pink succeeds at what most bands cannot do: swiftly changing styles from song to song, while always sounding distinctly like themselves. The seamless, explosive set of fan favorites from the classic longtime lineup of drummer/vocalist Atsuo, guitarist/vocalist Wata and bassist/guitarist/vocalist Takeshi still sounds as mindblowing as it did a decade ago. And, Forbidden Songs continues with the same unbridled creativity and ferocity. These songs aren't outliers, they're rather more like the director's cut version of the original album.

1+2











LP 3: Pink Sessions "Forbidden Songs"

The co-writer, guitarist and musical director with Morrissey and founding member of the Polecats presents his new longplayer with guest artists including Eddie Argos (Art Brut) and more! Boz Boorer is back with an epic new solo album, "Age Of Boom" - his first proper LP of fresh recordings in ten years, featuring an array of top-drawer musical guests.

Boz can rightly be described as being at the heart of the British music scene. This brilliant guitarist, songwriter and producer has been known to music fans the world over as co-writer, guitarist and musical director with Morrissey, for over two decades, as well as being a founding member of legendary neo-rockabilly band, The Polecats. On top of this, Boz produces promising newcomers in his Portugal studio, writes songs for many other artists, and works with long-time collaborators and friends such as Edwyn Collins and Adam Ant.

The new album "Age Of Boom" has taken shape over the last four years in Boz's Studio in Portugal, and forms a cross section through the entire musical Boz Boorer universe. On the one hand it feels intense, energetic, and raw, but there is also style, melody and humour aplenty, reflecting the artist himself. With this new album, Boz Boorer again demonstrates his incredible versatility and outstanding skills as a songwriter, multiinstrumentalist and frontman. For some of the 14 songs, Boz has handpicked high-profile guest musicians and singers for support, who help turn "Age Of Boom" into a true contemporary Gesamtkunstwerk.

"This is the first record I have made for over 10 years that was tackled as an album and not just a selection of songs. The collaborations and mix of styles were carefully planned out. The title song, "Age Of Boom", is a true story about an old bar fly who sits in a pub all day talking to anyone who will listen, and often to no one at all. He was one of the boom babies, born in the 50's but now with nothing better to do than to reminisce about a bygone age that has passed us all by - Boz Boorer, 2016

"Age of Boom is released in September 2016 on Fabrique Records, and features guest artists including Eddie Argos (Art Brut), James Maker, Tom Walkden (Wolventrix), Georgina Baillie, "Limey" Dave Dahlson, Sarah Vista, Tracy Vandal, Ben Mark and Alex Lusty.

PROFILE: Boz is legendary on the rockabilly scene. Among the many bands he has played with are The Polecats, Boz And The Bozmen, Ronnie Dawson, The Deltas, John's Children, Blubbery Hellbellies, Adam Ant, Sonny George, Imelda May, psychobilly band Jet Black Machine and has even toured Japan with all girl rockabilly band The Shillelagh Sisters. He is Morrissey's musical director, co-songwriter and guitarist since 1991.

The co-writer, guitarist and musical director with Morrissey and founding member of the Polecats presents his new longplayer with guest artists including Eddie Argos (Art Brut) and more! Boz Boorer is back with an epic new solo album, "Age Of Boom" - his first proper LP of fresh recordings in ten years, featuring an array of top-drawer musical guests.

Boz can rightly be described as being at the heart of the British music scene. This brilliant guitarist, songwriter and producer has been known to music fans the world over as co-writer, guitarist and musical director with Morrissey, for over two decades, as well as being a founding member of legendary neo-rockabilly band, The Polecats. On top of this, Boz produces promising newcomers in his Portugal studio, writes songs for many other artists, and works with long-time collaborators and friends such as Edwyn Collins and Adam Ant.

The new album "Age Of Boom" has taken shape over the last four years in Boz's Studio in Portugal, and forms a cross section through the entire musical Boz Boorer universe. On the one hand it feels intense, energetic, and raw, but there is also style, melody and humour aplenty, reflecting the artist himself. With this new album, Boz Boorer again demonstrates his incredible versatility and outstanding skills as a songwriter, multiinstrumentalist and frontman. For some of the 14 songs, Boz has handpicked high-profile guest musicians and singers for support, who help turn "Age Of Boom" into a true contemporary Gesamtkunstwerk.

"This is the first record I have made for over 10 years that was tackled as an album and not just a selection of songs. The collaborations and mix of styles were carefully planned out. The title song, "Age Of Boom", is a true story about an old bar fly who sits in a pub all day talking to anyone who will listen, and often to no one at all. He was one of the boom babies, born in the 50's but now with nothing better to do than to reminisce about a bygone age that has passed us all by - Boz Boorer, 2016

"Age of Boom is released in September 2016 on Fabrique Records, and features guest artists including Eddie Argos (Art Brut), James Maker, Tom Walkden (Wolventrix), Georgina Baillie, "Limey" Dave Dahlson, Sarah Vista, Tracy Vandal, Ben Mark and Alex Lusty.

PROFILE: Boz is legendary on the rockabilly scene. Among the many bands he has played with are The Polecats, Boz And The Bozmen, Ronnie Dawson, The Deltas, John's Children, Blubbery Hellbellies, Adam Ant, Sonny George, Imelda May, psychobilly band Jet Black Machine and has even toured Japan with all girl rockabilly band The Shillelagh Sisters. He is Morrissey's musical director, co-songwriter and guitarist since 1991.

Corre Caballo iquickly kicks into a driving Latin funk groove building to a hypnotic swirl of guitars & funky organ. "Roberto's Lament" serves up flavors reminiscent of Chile's soul psych rockers, Los Angeles Negros. Pic sleeve CV

III Sides To Every Story is the third album by the Boston funk- metal band Extreme, originally released in 1992. It was the follow-up to the very successful Pornograffitti (MOVLP793) album. III Sides To Every Story was the last album with the band's original line-up: Gary Cherone, Nuno Bettencourt, Pat Badger and Paul Geary.

The album is structured as a concept album in three sections labeled as sides' — a play on the notion of different sides to a story' and that of sides' of a vinyl album. The sides, mentioned in the song Cupid's Dead' as three sides to every story' are named Yours', Mine' and The Truth', and each features a distinct musical style and lyrical imagery.Most of III Sides To Every Story was recorded at New River Studios, Ft. Lauderdale, Florida, and the orchestral parts were recorded at Abbey Road Studios, London. The single Rest in Peace' reached #1 on the Mainstream Rock chart.

Agent Provocateur is the fifth studio album by American/ British rock band Foreigner, originally released in December 1984. The album reached the number one spot in the album charts in the United Kingdom, and it reached the top 5 in the United States.
Agent Provocateur contains the band's biggest hit single, I Want to Know What Love Is', which was a #1 single in the UK and the U.S., staying at the top spot for three and two weeks respectively. The follow-up single, That Was Yesterday', also proved to be a sizeable hit. The album was certified Platinum in the UK by the BPI, and triple Platinum in the U.S. by the RIAA.

Afer releasing the album 4 in 1981, Foreigner’s fans had to wait three years for its follow-up. Luckily, Agent Provocateur turned out to be worth the wait. The album reached #1 on the UK album charts and #5 on the US album charts. It features two of the band’s biggest hits: “That Was Yesterday” and “I Want To Know What Love Is”. The latter features guest performances of the Thompson Twins and became an instant evergreen after becoming a #1 hit in both the UK and US. Agent Provocateur was certified Platinum in the UK and triple Platinum in the US.

Agent Provocateur is available as a limited edition of 2000 individually numbered copies on silver coloured vinyl and includes an insert.

Fuchsia's 1971 LP is a lost gem of experimental British progressive rock (in the vein of Henry Cow and Comus). Fuchsia was formed by lead singer and guitarist Tony Durant during his days at Exeter University. Wanting to write songs outside of the standard pop format, Durant had the innovative idea of bringing in an all-female string section, which included fellow Exeter students, Madeleine Bland (cello), Janet Rogers (violin), and Vanessa Hall-Smith (viola). Fuchsia's self-titled first (and last) album was recorded in summer of 1971, and the band (all students) was determined to tour during their next holiday. But the best laid plans often come undone, and Fuchsia soon dissolved with Durant eventually moving to Australia. Limited edition of 500 copies on 180 gram pink vinyl LP with 3 bonus tracks.












Side B:

Geschrieben und aufgenommen über eine Zeitspanne von 4 Jahren zwischen Las Vegas und seinem Wohnort in der kalifornischen Wüste, ist "Callus" zweifellos Gonjasufis radikalste, seelenentblössendste und kathartischte Songkollektion, entstanden aus der Verinnerlichung von Schmerz, Verzweiflung und Wut. Oder wie die SPEX schreibt: "Pein und Drangsal und kaputte Trommeln. Gonjasufi spielt mit seinem neuen Album Callus gewohnt kratzbürstig zum Weltuntergang auf." Produziert von Gonjasufi selbst, wurde "Callus" über weite Strecken mit dem ex-The-Cure-Gitarristen Pearl Thompson aufgenommen.

Jett Rebel, perhaps the most unique and talented musician in the Netherlands today, is back with a brand new album.

For the first time, Jelte (Jett) is accompanied by fellow musicians, Kees Schaper on drums and Xander Vrienten, son of Doe Maar's Hennie Vrienten, on Bass. The result Don't Die On Me Now is an old school rock 'n roll album.

Jett is rocking and will be for a long time coming.

In his own words,

My most important goal in life is to develop, as a human and as a musician. Ever since I was a child, I sensed that real music is slowly dying. I grew up in the 90s. I basically survived, because a 9 to me was always like a 6'... maybe I am making too much of a fuzz and let everyone enjoy the plastic music of today, but I just can't.

I can only hope that kids of future understand what has happened with music for the past 30 years and eventually save real music, but most of all I hope you enjoy this record'.

Whenever you get the chance to see Jett Rebel and band perform live, go for it. It is a unique experience and one that will stick in your head for a long time.

Also available:
VENUS & MARS 2x 10' (MOV10013)
HITS FOR KIDS (MOVLP1265)
TIGHT LIKE A BABY TIGER (MOVLP1537)
TRUCK (MOVLP1641)

Joanne Shaw Taylor has spent the spring writing and recording her fifth studio album 'Wild' in Nashville and is ready to release it on September 30th.
Recorded at Grand Victor Sound Studios, Nashville TN, 'Wild' has been produced by Kevin Shirley (Joe Bonamassa, Aerosmith, Journey, Iron Maiden) and features members of Joe Bonamassa's band who Joanne met whilst performing with him. Bonamassa has in the past described her as A superstar in waiting'.
British blues star, Joanne says: Recording at Grand Victor was incredibly inspiring. It is quite the legendary studio. Dolly Parton cut Jolene and I Will Always Love you here. And Chet Atkins worked here. Basically, if there was a hit record out of Nashville, it was made here. I am very proud of this album, and I can't wait for everyone to hear it.'

Joanne Shaw Taylor has spent the spring writing and recording her fifth studio album 'Wild' in Nashville and is ready to release it on September 30th.
Recorded at Grand Victor Sound Studios, Nashville TN, 'Wild' has been produced by Kevin Shirley (Joe Bonamassa, Aerosmith, Journey, Iron Maiden) and features members of Joe Bonamassa's band who Joanne met whilst performing with him. Bonamassa has in the past described her as A superstar in waiting'.
British blues star, Joanne says: Recording at Grand Victor was incredibly inspiring. It is quite the legendary studio. Dolly Parton cut Jolene and I Will Always Love you here. And Chet Atkins worked here. Basically, if there was a hit record out of Nashville, it was made here. I am very proud of this album, and I can't wait for everyone to hear it.'

Joanne Shaw Taylor has spent the spring writing and recording her fifth studio album 'Wild' in Nashville and is ready to release it on September 30th.
Recorded at Grand Victor Sound Studios, Nashville TN, 'Wild' has been produced by Kevin Shirley (Joe Bonamassa, Aerosmith, Journey, Iron Maiden) and features members of Joe Bonamassa's band who Joanne met whilst performing with him. Bonamassa has in the past described her as A superstar in waiting'.
British blues star, Joanne says: Recording at Grand Victor was incredibly inspiring. It is quite the legendary studio. Dolly Parton cut Jolene and I Will Always Love you here. And Chet Atkins worked here. Basically, if there was a hit record out of Nashville, it was made here. I am very proud of this album, and I can't wait for everyone to hear it.'

Joanne Shaw Taylor has spent the spring writing and recording her fifth studio album 'Wild' in Nashville and is ready to release it on September 30th.
Recorded at Grand Victor Sound Studios, Nashville TN, 'Wild' has been produced by Kevin Shirley (Joe Bonamassa, Aerosmith, Journey, Iron Maiden) and features members of Joe Bonamassa's band who Joanne met whilst performing with him. Bonamassa has in the past described her as A superstar in waiting'.
British blues star, Joanne says: Recording at Grand Victor was incredibly inspiring. It is quite the legendary studio. Dolly Parton cut Jolene and I Will Always Love you here. And Chet Atkins worked here. Basically, if there was a hit record out of Nashville, it was made here. I am very proud of this album, and I can't wait for everyone to hear it.'

Nick Cave & the Bad Seeds' new studio album, Skeleton Tree, will be released globally on vinyl, CD and across all digital platforms on 9th September 2016. This follows the Bad Seeds' most critically and commercially successful release of
recent times, Push the Sky Away (2013).
The LP comes in a rigid sleeve with thick black lined board and includes a download card. Skeleton Tree began its journey in late 2014 at Retreat Studios, Brighton, with further sessions at La Frette Studios, France in autumn 2015. The album was mixed at AIR Studios, London in early 2016.
The first opportunity anyone will have to hear any of the songs from the album will be to watch One More Time With Feeling, directed by Andrew Dominik (Chopper, The Assassination of Jesse James by the Coward Robert Ford, Killing Them Softly). The film will screen in more than 650 cinemas across the world on 8th September 2016, immediately prior to the release of Skeleton Tree the following day.

Ray Charles Robinson was a top vocal star, songwriter, leading jazz piano player and composer.
He was sometimes referred to as The Genius' and was also nicknamed The High Priest of Soul'.

This compilation features some of his best songs from his early Atlantic years.

I've Got a Woman' combines a mixture of gospel, jazz and blues elements that would later prove to be seminal in the development of rock 'n' roll and soul music.
Also included are hits like This Little Girl of Mine', A Fool for You' and Hallelujah, I Love Her So'.

The Art of Rebellion is the sixth studio album by American crossover thrash band Suicidal Tendencies, originally released in 1992. The album maintains its position as the band's most commercially successful studio album to date, and the songs Nobody Hears' and I'll Hate You Better' have the distinction of being the only top 40 hits in Suicidal Tendencies' career.The songs on The Art of Rebellion show the band's continuing experimentation with funk that had begun on this album's predecessor, Lights...Camera...Revolution! (MOVLP749), as well as more progressive song structures, a somewhat more alternative atmosphere, and even pop- oriented sounds. This helped the band not only outride the explosion of alternative in the early 90s, it also helped them gain a fan base within that community. Nonetheless, the album still stays true to the band's thrash and punk roots on many of the songs. The Art of Rebellion has achieved gold status and peaked at number 52 on the Billboard 200.

Also available:
CONTROLLED BY HATRED / FEEL LIKE SHIT..DEJA-VU
(MOVLP1653)
LIGHTS CAMERA REVOLUTION (MOVLP749
STILL CYCO AFTER ALL THESE YEARS (MOVLP 812)