Following the great success of the release of “Singles Collection 2001-2021”, Indochine release the companion release “Singles Collection 1981-2001” Promo: Features London Macadam, L’Echo, Le Petit Journal Reviews: L’Echo, Mojo, R2, London Macadam, Fireworks, le Petit Journal Ads: R2 , London Macadam, L’Echo. Available across 6 formats: 3CD SET / 4CD DIGISLEEVE SET / 5LP SET / 2 Cassette / LIMITED EDITION COLLECTOR'S BOX 4CD Digisleeve / VERY LIMITED COMPLETE COLLECTOR'S BOX 7CD Deluxe DIGISLEEVE 4 CD 1981-2001 And Deluxe DIGISLEEVE 3CD 2001-2021
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"Since their formation in the latter half of 2023, Berlin’s Industry have quickly emerged into the foreground as one of the more exciting groups of the European DIY punk scene. Having released their 2024 debut LP, touring and playing festivals all over the continent, they are now back with a follow up record that’s every bit as bruising and bleak as the first.
Much has been made of how ‘on point’ Industry sound - a mid-paced cocktail of heavy toms and churning riffs recalling ‘No Sanctuary’ era Amebix or classic Killing Joke. But Industry use these sounds as a springboard rather than a template, utilising the form for genuine expression where others are tempted by retro cosplay. Their sound is pared back, pulsing, relentless but danceable. But it’s the words that result in a listen that’s engaging from start to finish, an album that’s both expressive and polemic. Just as people often describe Discharge’s lyrics as Haiku, Industry uses the band’s repetitive grooves as a wide-open canvas on which their exasperated observations are given space to land with precision. The litany of criticisms are familiar to us all - violence exacted on the poor and vulnerable by those in power, the ongoing industrialised slaughter of humans and animals, the disastrous consequences of colonialism, the list goes on… The world in 2025 is fucked, and even though they say they ‘can’t even look’, this band has got their eyes wide open."
Only two years after its inception in 2023, the ominous entity hailing from Germany has come up with their first full-length. Consisting of 6 songs with the first one being an instrumental intro, "Fiery Paths" is a very convincing effort on all levels. Notwithstanding the fact INFERNAL PRESENCE has only been active for 2 years, their hybrid of Black and Death Metal sounds as if it had been composed by a seasoned band. Unlike many outfits whose songs consist of a salad of riffs randomly thrown together, INFERNAL PRESENCE are apt at cleverly composing their material by frequently alternating between different tempi and moods. Fast tremolo picked riffs akin to DISSECTION or MAYHEM are alternated with palm muted Thrash riffs or atmospheric slow-paced arpeggios reminding of WATAIN or ONDSKAPT.
In so doing the two-piece creates dynamic songs that succeed in truly capturing the listener's attention. Just listen to standout tracks like "Eternal Exodus" or the exceptional "Tomb Procession" with its slithering groove and you will see our point proven. Although, only sharing certain musical elements with said bands, the suffocating atmosphere of "Fiery Paths" reminds of NEGATIVE PLANE's first album or early SECRETS OF THE MOON. Fortunately, the production fits the material just splendidly, too. While being gritty and raw, thus emphasising the album’s ferociousness, it's still polished enough so that no detail gets buried in the mix.
INFERNAL PRESENCE unleashed a record suffused with unrelenting darkness! If you consider yourself a fan of some of the bands mentioned above, do yourself a favour and listen to this beast of an album!
Shouter Nathan James und Drummer Phil Beaver stellen die britischen Hardrocker Inglorious neu auf. Mit Danny De La Cruz (Guitar), Dan Stevens (Guitar), Rob Lindop (Keys) und Vinnie Colla (Bass), spielten sie das erste Mal in dieser Besetzung neue Songs ein. Das ganze geschah mitten im Covid-19 Lockdown in Cardiff. Mit Einhaltung von Abstandsregeln und hygienischen Bedingungen, schafften es die Mannen um Nathan James, die 11 Songs des Albums fertigzustellen. “The writing for this album was honestly the most pleasurable and relaxed experience I have had as a writer,” sagt Sänger Nathan James. “We had so much fun and made sure not to force the songs that weren’t working. One of my favourite songs, ‘She Won’t Let You Go,’ was actually written by Danny and myself before he was even in the band.” Soweit die Stimme der Band zum neuen Album, die Powerröhre James und seine Mannen wollen unbedingt wieder live auf die Bühnen der Welt....we (all) will ride (again) !
Inhaler melden sich mit der Indie-Rock-Hymne „These Are The Days“ am 30. September auch in physischer Form zurück.
Die irische Band hat inzwischen weltweit über 140 Millionen Streams erreicht und ihr Debütalbum war ein zertifizierter britischer Durchbruch (Albumcharts #1), von dem weltweit über 120.000 Stück verkauft wurden. „These Are The Days“ ist der erste Track, der aus den Sessions für Inhalers kommendes zweites
Album stammt.
Inhalo, the first signing on Construction Records, is an emerging band that is taking the prog scene by storm after the release of their debut album ‘Sever’ in 2022. The album became IO-Pages' 'Album Of The Year 2022', Aardschok Magazine's 'Eremetaal' and Heaven Magazine's 'Album Of The Week' to name just some feats of arms.
The recording sessions at the prestigious Wisseloord Studio have captured the true essence of Inhalo's musical talent. Every chord, every note, and every lead- and backingvocal has been meticulously captured, resulting in an immersive listening experience.
Furthermore, the seasoned expertise of Forrester Savell can be heard in the mix of the record. His subtle adjustments ensure that every sound element on the 10-inch record sparkles and comes to life, including that of the grand piano and the sarangi used for this recording. Inhalo's new 10- inch record ‘Live At Wisseloord Studio’ is a gem you cannot afford to miss.
Punk Slime Recordings are proud to present the debut album from Stockholm quartet Initiates. Initiates is the new project from Swedish post-punk act Holograms’ Andreas Lagerström, taking inspiration from shoegaze and ‘90s alternative rock with loud distorted guitar textures and dreamy melodies. Joining Lagerström is Oliver Brink on guitars, Joakim Andersson on bass and Adam Hansson on drums, with Lagerström handling vocals and guitars. For their debut LP the band teamed up with producer Martin “Konie” Ehrencrona (ex Viagra Boys, ex Les Big Byrd) for a 26 minute long collection of nineties infused alt-rock, complete with Lagerström’s signature vocals.
After seven years and three records with Holograms - the fi rst two of them released on Brooklyn’s Captured Tracks - Lagerström was ready to try something new. He already had the kernels of new song ideas
percolating, although they would never have fi t within the punk confi nes of Holograms - instead, they harked back to shoegaze and nineties alternative. “My biggest infl uence has always been Swirlies,” he says, referring to the cult Boston indie rockers. “I wanted to something that was outside of the Holograms box,
that would be a little bit more laid-back, and that didn’t feel quite so serious.” What began as Lagerström’s own vision has evolved into something else entirely, with all four members bringing their own skillsets to the table; Andersson’s an ex-member of the death metal outfi ts Maim and Morbus Chron, while Brink’s interests lie chiefl y with post-punk outfi ts like The Sound. Hansson, meanwhile,
has already served apprenticeships in underground outfi ts Kerosene Kream and Caligulas Mamma, and the resulting amalgam on Esoteric Pop is a raw, 26-minute maelstrom of distorted guitar, woozy sonic
textures, and reverb-drenched melodies.
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Overgrown Eden is the debut album from Essex rock band InMe. The album was released in the UK in 2003 and produced four singles: ""Underdose"", ""Firefly"", ""Crushed like Fruit"" and ""Neptune"". The highest UK Album Chart position was No. 15. However, it reached No. 1 in the Rock Album Chart. For the first time, Overgrown Eden is expanded with an additional bonus LP featuring 10 non-album tracks.
Overgrown Eden (Expanded Edition) is available as a limited edition of 666 individually numbered copies on translucent green coloured vinyl and includes a renewed insert with lyrics.
How could a combo named the Insect Trust be anything other than eclectic? Hoboken Saturday Night (1970) is their second studio album. The core of the band consisted of multi-instrumentalists Luke Faust, Trevor Koehler, Robert Palmer, Nancy Jeffries, and Bill Barth. The rhythm section was fleshed out by a sizable and equally diverse range of session musicians such as jazz legend Elvin Jones, Bernard Purdie, Donald MacDonald, William Folwell, Ralph Casale, Hugh McCracken a.o.
Originally released on 22nd April 1991, ‘The Beast Inside’ was Inspiral Carpets’ second record and reached #5 in the UK album charts, featuring the singles ‘Caravan’ & ‘Please Be Cruel’. This release sees ‘The Beast Inside’ re-issued on vinyl for the first time since its original release 30 years ago and will be housed in a widespine 12” sleeve on limited edition double 140g purple vinyl.
Inspiral Carpets announce Burn Like The Sun - their first studio album in 12 years. The album marks a major new chapter for Inspiral Carpets following a period shaped by loss, reflection and renewal. An extended hiatus left the future of the band uncertain, and the return to writing and recording became something deeper than simply making another record. What emerged is an album rooted in endurance, connection, and forward motion. At the centre of that story is the return of original frontman Stephen Holt, whose rejoining of the band reconnected Inspiral Carpets with their earliest creative identity while opening the door to an entirely new era. Rather than revisiting the past, the band approached Burn Like The Sun determined to create something fresh, relevant and emotionally honest - a record that acknowledges their history without being defined by it.
With half the band having left their native Texas for New York, Readjusting the Locks is the first Institute album written across the country. Despite the distance it sounds every bit as cohesive as if they were all still hanging out every night in the same Austin dives. The newly NYC-based Moses Brown and Arak Avakian flew to Houston in October 2018, where they joined Barry Elkanick and Adam Cahoon to demo the entirety of the new album in a single day. In December, the band got back together in Brooklyn to record with their longtime producer Ben Greenberg (Uniform).
Where the previous Institute albums often wandered into the experimental, Readjusting the Locks strives to be economical, its 13 tracks clocking in at a tight 29 minutes. The band has seamlessly incorporated more ’77 rock n’ roll into their sound, some songs feeling like they could’ve been a Stiff Records single. This sound is emphasized by Greenberg’s expert production — crisp but still blown out and dirty. Lyrically, Readjusting the Locks moves away from the traditionally personal words of frontman Moses Brown. Rather than attacking the internal workings of his brain or its socialization, as on previous records, this album attempts to address the societal atmosphere in which his agita exists.
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With half the band having left their native Texas for New York, Readjusting the Locks is the first Institute album written across the country. Despite the distance it sounds every bit as cohesive as if they were all still hanging out every night in the same Austin dives. The newly NYC-based Moses Brown and Arak Avakian flew to Houston in October 2018, where they joined Barry Elkanick and Adam Cahoon to demo the entirety of the new album in a single day. In December, the band got back together in Brooklyn to record with their longtime producer Ben Greenberg (Uniform).
Where the previous Institute albums often wandered into the experimental, Readjusting the Locks strives to be economical, its 13 tracks clocking in at a tight 29 minutes. The band has seamlessly incorporated more ’77 rock n’ roll into their sound, some songs feeling like they could’ve been a Stiff Records single. This sound is emphasized by Greenberg’s expert production — crisp but still blown out and dirty. Lyrically, Readjusting the Locks moves away from the traditionally personal words of frontman Moses Brown. Rather than attacking the internal workings of his brain or its socialization, as on previous records, this album attempts to address the societal atmosphere in which his agita exists.
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Die Besten Jahre by International Music, released 31 January 2025, includes the following tracks: "Du Hund ", "Cool Bleiben ", "Mont St. Michel ", "Pfeffer " and more.
This version of Die Besten Jahre comes as a 2xLP.
The vinyl is pressed as a opaque disc. Another vinyl is pressed as a opaque disc.
"Still in shape, my methods refined", singt Paul Banks in "Toni", dem Eröffnungsstück und der ersten Single von Interpols siebtem Album "The Other Side of Make-Believe". Mit dem diesem Album betritt die Band Neuland: Parallel zur Erkundung der düsteren Unterströmungen des Zeitgeists sind die neuen Songs von Interpol von Sehnsucht und Anmut durchzogen. Daniel Kesslers Signature- Gitarren-Sound, Samuel Fogarinos messerscharfe Percussion-Präzision und Paul Banks sonore Stimme strahlen eine Verletzlichkeit aus, die viele langjährige Fans der Band überraschen dürfte. "Es gibt immer ein siebtes Mal für einen ersten Eindruck", so Banks darüber. Die Aufnahmen zu "The Other Side of Make-Believe" begannen im Jahr 2020 aus der Ferne heraus. Anfang 2021 trafen sich Interpol erneut, um in einem angemieteten Haus in den Catskills an neuem Material zu feilen, bevor sie es später im selben Jahr in Nordlondon fertigstellten. Dabei arbeiteten sie zum ersten Mal mit der Produzentenlegende Flood (Mark Ellis) zusammen und taten sich anschließend wieder mit dem ehemaligen Co-Produzenten Alan Moulder zusammen. Der Titel von "The Other Side of Make-Believe", das Cover und der lyrische Hang zu Fabeln, Nebelkerzen und der Wandelbarkeit der Wahrheit spiegeln Banks Abscheu vor den Verwerfungen des Informationszeitalters wider. Das Album wird sich im Bewusstsein der Interpol-Fans bald ebenso vertraut anfühlen, wie es für die Band bei den Aufnahmen zu der Platte der Fall war. Das Trio-Noir hat fast sieben Alben und mehrere Besetzungswechsel besser überstanden, als irgendjemand hätte vorhersagen können, und sich dabei nie selbst verloren. Heutzutage sind Interpol eine der am markantesten klingenden Rockbands des 21. Jahrhunderts. Seit nun mehr einem Vierteljahrhundert verfeinern Interpol ihre Methoden, womit sich dann auch der Kreis zum ersten Song des neuen Albums wieder schließt.
After two years of seemingly endless tours, the quartet returned in early 2004 to Peter Katis's Tarquin Studios in Bridgeport, Conn., to record their second album. They had already debuted a handful of songs earmarked for Antics on the road: "Length of Love," "Narc," "C'mere." Meanwhile, having revisited - and reinvented - the material from Bright Lights night after night, they discovered new strengths. There was more room for experimentation in these songs, for toying with arrangements and intricacies of individual parts, than on their debut. With Antics, Interpol has delivered a disc even more engaging than its celebrated predecessor, without sacrificing any of the depth that has made them such an important band for so many. The songs are at once catchier and more variegated, revealing themselves over time to a degree heard on few current releases, and nothing is ever obvious. Frontman Paul Banks describes, "A lot of time, there are specific topics or events that that inspire the songs, but it's not explicit in my lyrics." Indeed, with Interpol, things are rarely what they seem.
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Out Love to Admire is the third studio album from Interpol released 2007. It was the first record of the Band on Capitol Records. And now the Album is rereleased on Matador.
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Out Love to Admire is the third studio album from Interpol released 2007. It was the first record of the Band on Capitol Records. And now the Album is rereleased on Matador.
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The debut album from the NYC quartet is a filler-free, fully realized statement of intent. From the driving ""PDA"" to the monumental ""Untitled"" and the haunting ""Say Hello To The Angels"", this elegant and rich collection is a triumph of fin-de-siecle melancholy and youthful force.
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The classic sophomore LP, available in a specialwhite vinyl pressing.
After two years of seemingly endless tours, Interpol returned in early 2004 to Peter Katis’s Tarquin Studios in Bridgeport, Conn., to record their second album. They had already debuted a handful of songs earmarked for ‘Antics’ on the road: ‘Length of Love’, ‘Narc’, ‘C’mere’. Meanwhile, having revisited - and reinvented - the material from ‘Bright Lights’ night after night, they discovered new strengths. There was more room for experimentation in these songs, for toying with arrangements and intricacies of individual parts, than on their debut.
With ‘Antics’, Interpol delivered an album even more engaging than its celebrated predecessor, without sacrificing any of the depth that has made them such an important band for so many. The songs are at once catchier and more variegated, revealing themselves over time to a degree heard on few current releases, and nothing is ever obvious. Frontman Paul Banks describes, “A lot of time, there are specific topics or events that that inspire the songs, but it’s not explicit in my lyrics.” Indeed, with Interpol, things are rarely what they seem.
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The masterful progressive sludge metal outfit Intronaut (USA) released their fifth album in 2015. This long sold out piece of underground art now makes a quick comeback in a limited-to-999 copies edition on double purple vinyl, wrapped in a gatefold jacket.
Intronaut from Los Angeles have for years been at the vanguard of progressive underground sludge metal. Their 2013 album Habitual Levitations has been sold out for years, and is now making a comeback as a limited-to-999 green double vinyl edition, wrapped in a gatefold jacket
Teramo, Italy's Inutili, return with their fifth full-length album, "A Love Supreme." It's a departure from the band's last albums After a long lockdown, Inutili discovered the pure pleasure of playing music together. In their own words: The album was made simply and naturally through free and psychedelic jam sessions in the band's rehearsal room. A declaration of love for music, just a holy respect for music without schemes: A Love Supreme! Inutili is Alessandro Antinori (bass, guitar), Pietro Calvarese (guitar, vocals), Giancarlo Di Marco (guitar, bass) and Lorenzo Mazzaufo (drums, percussion, vocals). Special Guest: Francesco Gaspari (synthesizer, programming)
Giving title to two separate collections in as many years, 1984’s Dekadance was originally released as a cassette compilation only in Australia. The seminal compendium of extended & re-mixed tracks from ‘The Swing‘ album is set to see its first ever official vinyl release to celebrate the album’s 35th Anniversary. (180 gram vinyl) Dekadance features six extended & re-mixed versions of songs from “THE SWING” album. These six songs are “ORIGINAL SIN”, “I SEND A MESSAGE” & “BURN FOR YOU” – all Nick Launay re-mixed versions & all released as twelve inch singles previously. “DANCING ON THE JETTY”, which is the re-mixed version released as the albums fourth single. Then there’s two rare extended/re-mixed versions of “LOVE IS (WHAT I SAY)” & “MELTING IN THE SUN”. As a bonus to all this, there is a seventh song included on the LP. The cover of the Nancy Sinatra / Lee Hazlewood duet “JACKSON” – performed by the band together with QED’s Jenny Morris duetting with Michael Hutchence on vocals. All of these lovely goodies are cut to a heavyweight 180-gram vinyl LP, featuring artwork replicated from the ultra-rare 12″ Dekadance promo gifted to Australian Radio stations in 1984.
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When Iong-time INXS manager Chris M. Murphy took on the task/responsibility of being on the creative team for forthcoming already critically acclaimed documentary “Mystify - Michael Hutchence” he had no idea of the emotional rollercoaster that was coming his way. Working with his old friend Mark Edwards, the duo worked to produce something more than just a soundtrack, as the name suggests the listener goes on a journey where rare, unreleased tracks mix with snippets of dialogue, massive INXS hits and hidden gems from both Michael and the band’s back catalogues. The album is divided up into four sections; Side A, Side B, Side C and Side D all of which mix into each other giving the listener a more profound dreamlike experience than the usual soundtrack.
Chris M. Murphy takes up the story: “Over four weeks, Mark and I would work through late, spooky nights together dealing with Michael’s past work while turning it into new work, a new body of work. There were plenty of tears of remembrance along with tears of joy as we were doing something Michael would love. Late one night, Mark called me from the studio yelling: ‘Mate, there are ghosts everywhere flying around the room”’. He described: ‘every time I could not decide if Michael would like the direction of a track he would get down on his knees to pray to Michael and God’ and he said, they would always answer him.”
‘Mystify – Michael Hutchence’ is a feature-length documentary about the troubled heart and soul of Michael Hutchence directed by filmmaker Richard Lowenstein who collaborated extensively with the band throughout their career directing eighteen INXS videos as well as three for Hutchence solo projects and Michael’s acting debut ‘Dogs In Space’. A single screening at the Tribeca Film Festival in New York made headlines around the world. Screen Daily has lauded the film as showing that Hutchence ‘Belongs in the same company as Mick Jagger, Jim Morrison, and Robert Plant’, and that the film ‘is a more than worthy tribute.’
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It's music for afternoons where the sunlight perfectly touches the windowsill, as iogi has returned with an album that is straightforward in its loveliness. For the process of the LP, iogi wrote and produced its entirety, playing nearly every instrument down to the string arrangements.
A dreamy, nostalgic album which is an instant classic; somewhere in the
realm of dream-pop-indie-rock, in the most heavenly sense of the mix
iogi does it again with another beautiful album, "everything's worth it".
'The Ceiling' is Iogi's debut solo album, featuring himself on all
instruments
The album introduces iogi's compositions and lyrics, his smooth vocals and his
unique approach to music. A nostalgic 60's vibe, with influences from Connan
Mockasin, Paul McCartney, Beach House and the like. The album was produced
together with Nomok, and it features a few guests - Nomok, Sefi Zisling & Amir
Bresler. Vinyl edition includes bonus track.
ionnalee performed in KONSERT on Sep 2, 2020, live from Fjuk island in Sweden. the online concert was streamed for free with guest performances from Imogen Heap, Zola Jesus, TR/ST, Vander Von Odd, Tungorna, and others. KONSERT celebrated 10-years of ionnalee | iamamiwhoami and was watched by over one hundred thousand fans worldwide.
Basierend auf der mittlerweile sehr begehrten LTD Split 7"-Serie, die Ancient Grease Records vor ein paar Jahren rausgebracht hat - diesmal für Plattenläden überall. Auf jeder Seite eine süchtig machende Heavy-Rock-Rarität aus dem Jahr 1971. Für Fans von Black Sabbath, Led Zeppelin, Budgie, Deep Purple, Captain Beyond, Cactus, Grand Funk, King Crimson, Pentagram, Kadavar, King Gizzard & The Lizard Wizard.
GEP to release The Wake on vinyl for the first time since 1985. IQ’s second album made a big impact when it was originally released in 1985 and became a milestone in progressive rock circles. Long since deleted in vinyl format, GEP are finally reissuing the album pressed on 140g purple marble disc in a sumptuous gatefold sleeve featuring Peter Nicholls’ original cover art together with brand new supporting artwork, complete with lyrics.The Wake will be the first release in a series of reissues of IQ’s studio albums on vinyl.
Mike Holmes: “Over the past couple of years we’ve seen many of the IQ vinyl albums go for stupid money on sites like discogs and eBay and we’ve had many requests for a vinyl repress. Quite a few of these albums only had a limited run at the time, so we’ve decided to do a special edition of all the albums on vinyl, starting with The Wake as that’s been unavailable for the longest time. Next in the series will be ‘Dark Matter’, available early next year, which ties in nicely with the album’s 20th anniversary”
GEP are very excited to announce the release of ‘Dominion’, the longawaited new album from IQ.
Peter Nicholls: “Hot on the heels of ‘Resistance’ six years ago! Yes, it’s been
a long time coming (we couldn’t be accused of rushing these things!) but
we‘re confident this album is really strong and has been worth the wait. To
be releasing a new IQ album in our 44th year feels genuinely exciting”.
Mike Holmes: “We did actually write a lot more material for Dominion, but
this choice of songs (and the running order) feels like a cohesive album to
me. Even in this age of streaming individual songs I still approach a new
album with a ‘side one’ and ‘side two’ thing in my head and the selection and
placement of songs for Dominion just feels like a classic album should (I
know, I’m using ‘old people’ speak!).
The original intention was to have a second disc of other material but that
would have taken a lot longer to put together and we figured six years was
quite enough. It does mean that there’s already quite a bit of stuff ready for
the next one”.
With a 44-year history, IQ are widely regarded as one of the world’s most
highly respected progressive rock bands. 2025 sees the release of
‘Dominion’, IQ’s 13th studio album and one of which the band are justifiably
proud. The year will see them promoting the album by playing an
unprecedented number of live shows around the world, including UK,
Europe, Canada and the prestigious Cruise To The Edge in the USA.
