Pop & Rock Vinyl New Releases - News

Absolutely essential 1982 proto house Italo burner back on repress as part of Emergency / Unidisc's 40th anniversary series of releases.

Electra's 'Feels Good (Carrots & Beets)' is one of those hugely influential cuts that shaped modern dance music as we know it. It's a record that has been absolutely caned around the world, from Detroit to London to Rimini and beyond. An anthem on 1000s of mixes, tapes and shows on the likes of influential radio stations like Chicago's infamous WBMX where it helped pave the way to the sound and styles of numerous early house pioneers such as Frankie Knuckles (the track was a major inspiration for 'Your Love') and Lil Louis. This is truly a must have record from the Italian production power duo of Sergio Cossa and Franco Falsini (Shannon, C.O.D. etc). An unmissable classic officially reissued from source by the Unidisc / Emergency records family, fresh for 2021.

For all Italo Disco and Spacesynth fans the album „FROM THE
DAWN OF TIME“ by KOTO is an absolute MUST HAVE!


This re-release of the original album from 1992 will bring great
joy not only to the sworn fan community. Also for all those
who feel like cranking up their disco laser system in the party
cellar, this album offers the perfect sound to do so

Disco legend Sylvester comes to Dark Entries with Private Recordings: August 1970, an intimate collection of vintage jazz, blues, and gospel. While Sylvester is best known for his chart-topping collaborations with producer Patrick Cowley, such as “You Make Me Feel (Mighty Real),” this release reveals his passion for the sounds of the 30s and 40s. In 1970 a 22-year-old Sylvester had moved to San Francisco and found himself involved with the Cockettes, the infamous psychedelic performance art troupe. Among this milieu was Peter Mintun, a pianist and record collector living in a commune devoted to retro culture. According to Mintun, “We were like hippies who lived in the twenties. We lived in a house that didn’t have anything modern in it. Nothing in it was made after World War II.” Mintun and Sylvester bonded over their love of Black singers of yore and were allotted a slot during Cockettes performances reviving the music of the Prohibition Era. One afternoon, Sylvester and Mintun recorded a number of their shared favorites using a high-end microphone a friend had acquired. Private Recordings features 9 songs from this session, including standards like “Stormy Weather,” “Happy Days Are Here Again,” and “God Bless the Child.” Sylvester’s unmistakable falsetto brings depth and a dash of camp to these familiar tunes. The recordings are casual and intimate, even capturing banter between Sylvester and Mintun; their brief rendition of “When My Dreamboat Comes Home” has the duo working out a melody in real time. In addition to their sonic explorations of decades past, Sylvester and Mintun also staged photographic shoots in vintage couture. Private Recordings comes with a 16-page booklet on firm cardstock featuring images from these never-before-seen shoots as well as liner notes from Mintun detailing his friendship with Sylvester and their experiences recording. All this is housed in a metallic silver sleeve designed by Eloise Leigh featuring a 1920’s Art Deco aesthetic. The record will be released on September 6th which would have been Sylvester’s 76th birthday, and all proceeds from Private Recordings will go to the two charities that Sylvester left his royalties after his death: Project Open Hand and PRC (formerly AIDS Emergency Fund). This essential release documents the earliest known recordings from one of disco’s greatest talents.

Diese Vinyl ist für alle Ken Laszlo Fans ein Must-have.
Nachdem wir bei der “Greatest Hits & Remixes“ Vinyl einen
Überblick über die Maxi Versionen verschafft haben, gibt es
auf Vol. 2 die original Radio Versionen.

Fast 50 min. Hörgenuss für alle Vinyl-Liebhaber mit Hits wie
“Don’t Cry“ , “Hey Hey Guy“ , “Tonight“,
“Glasses Man“ uvm.

For all fans of the Italo disco and synthdance pioneers KOTO, the two hits THE KOTO MIX and JABDAH are now available on a coloured vinyl.

Go and get this strictly limited feast for the eyes and ears from 1987, which should not be missing in any vinyl collection!

Running Back introduce a very important Mastermix /Mastercompilation (2LP GATEFOLD 24Pg BOOKLET) project centering around FRONT,

a legendary piece of german club culture and their music.

Eponymous Resident DJ´s Klaus Stockhausen and the later on globally known Boris Dlugosch and Running Back take a close look back at that Time, guide you through the early beginnings and absolute key moments on (House Music) Club Culture.
37 (!) legendary Tracks - many of which have not been on sale forever and a day - that mark the masterclass sound of that Era and could be an essential start or - end - point to any great collection. In Addition , the - stunning - Mixing brings back the "Front" itself and must be heard by old and , most of all, new fans , all over.


amburg's Front club was already the stuff of legend, when it was still open. When I was teenager on the outskirts of Frankfurt in the very early nineties - and before the name Klaus Stockhausen rang a bell - Boris Dlugosch was not only at the helm of said club, but also one of Germany's finest purveyors of house music. Front was his home as well as the playground for a colourful bunch of club kids from all walks of life. Its roots went back to the eighties as a gay club and it branched out to anyone who couldn't - even dance straight '. 
The rumours about this club were strong enough to get people like Playhouse's Ata on a road trip and have youngsters like me fantasizing about it. The musical menu during that time was the monster house sound from the US and the UK that rotated deepness with hysteric glamour.  
Of course, Front's sound was finely nuanced. Boris Dlugosch learned his craft from Klaus Stockhausen, who stopped his DJ career in 1992 (because - as he told me in an interview about ten years later - - every Bratwurst wanted to be a DJ all of a sudden') to pursue a career as fashion editor and stylist.  Stockhausen's thing as a resident (which actually meant to play at ONE club EVERY week during that time), was a mixture between electro, US-American R&B, British street soul, new wave and the emerging house sound. If you manage to dig up old recordings on the internet (a musical diet I lived on for a few years), there are striking similarities to the way classic US-American DJ would play, while adding a fierce uniqueness that won't let it pale in comparison. On the contrary, the sound of Front is one of the most interesting, you will ever lend your ears, too. 
So, why a Front mix and compilation 21 years after the club closed its doors On the one hand, because it's story hasn't been told yet and it's worth telling. On the other one, German clubs like Robert Johnson or Berghain - as divergent as they might are - both resemblance Front's spirit, diversity and musical open mindedness. And finally, because dancing is still fun.
Even, if putting a compilation like together this took over one year in the making, is peppered with licensing horrors and other obstacles to dreadful to share them here, we are happy to have it done. Spread over a double-CD and two compilation LPs that are mainly chronological, Klaus Stockhausen and Boris Dlugosch picked and mixed some of the club's most cherished records and sweetest moments. This is the sound of Front. And even, if I was never able to move my feet on its dance floor, I for one would be a very different DJ without it. I hope you enjoy it as much as I do. 
 
Gerd Janson

ZYX Italo Disco New Generation Vinyl Edition 6 presents 8 selected Italo Disco songs.

Look forward to songs by
Sauvage
Lars La Ville feat. Gauvey-Kern
Diego
Love Kills
Stockholm Nightlife feat. Helly
Soulya ID
Marc Fruttero & Alex Papale
Valerie Dore
Vinyl lovers, be invited to enjoy almost 50 minutes of iconic analog sound quality!

We are delighted to announce RE:WARM 010 in this very infectious South African House-infused Pop record from 1991 drawing on influences from some of the greats in the genre. Sounding like a long-lost Frankie Knuckles L.P or Something The Pasadena’s might have put out in the early 90s. Small’s, “Don’t Leave Me In The Rain” is an under-the-radar grail for all those seeking good time House music for the feel-good slot at any party.

For all those that enjoyed the releases, we put out from Lucky Mereki or Bibbi this one is going to be right up your street. It's more of the same from the townships of S.As 1990’s Pop, Bubble Gum, Kwaito & House scene of the time. The sound was sweet, the message was positive, the clothes were loud and they seemed to be having the time of their lives.

Officially licensed and remastered for this small release run, 500 vinyl copies in total, pick it up here rather than paying the extortionate cost of the rare and hard-to-find original.

Repress!

Yellow Vinyl

Celebrating Unidisc's 40th anniversary the might Claptone reignites Trans-X’s 80’s dance hit “Living On Video” with this epic remix.

Kalita are excited to announce the first ever re-release of "Adzagli (Jungle Funk)" and "A Song For You (Ayawa)", two phenomenal pieces of West African disco from Amsterdam"s Kofi Ayivor. Selected from his sought-after Nigerian 1981 self-titled debut album "Kofi", at last these two recordings see the light of day once more via a loud-cut remastered 12" single. In addition, Kalita enlists fellow Amsterdam resident, DJ and producer Mendel to create his own remix of each recording, using the original multitrack session tapes to rework both for the modern-day dancefloor.

The debut release from the new Studio 45 project features reworks of some classic Disco-infused blends from way back in the day, both remixed and refreshed for 2023, and available on a 45 for the very first time! First up, Del Gazeebo brings his own classic cut "Got to be Large" featuring Cheryl Lynn & Kool Keith up to date. On the flip, he turns his attention to LL Smooth K's "Can I Get a Soul Clap", breathing fresh life into Grand Wizard Theodore's old skool jam. Early support from Jalapeno Soundsystem, Nick Halkes (Disco Wonderland). And thanks to The Allergies for making it their "tune of the month" on this month's podcast.

Lost private press gem "The Swimmer" by Florida native Danny Morgan, is a cool and breezy, beguiling easy glide from 1987. It should've been huge. It still could be. It's a mellow marina masterpiece and quintessentially Balearic. Over the past few years, it's gathered a cult following yet the album from which it derives is virtually impossible to come by.

Finally available on a standalone, fully remastered 12", it's been backed by an instant classic "Seahawks Swimming Through Space Remix", courtesy of those beloved cats Jon Tye and Pete Fowler.

These won't be around for long, limited to just 500 copies for the world, so don't drown in procrastination.

One listen and you'll want to dive in.

Fans of the deeply entrancing, nautically and narcotically-enhanced cuts of Dennis Wilson or Michael Nesmith’s The Prison will be instantly mesmerised by the sheer beauty of "The Swimmer". After tracking Danny down, we wanted to know more. How does something so magical come about? The man himself answered thusly:

"At the time I was running many miles on the Sanibel Island beach and doing a bit of swimming in the Gulf Of Mexico. Keeping my mind busy on a long run, I imagined a “what if” movie scene. Almost every run or swim someone is sitting there on the beach watching what goes by. Back at my desk I started finger picking some chords and the picture in my head showed up. I punched in a rhythm loop and the song was on its way.

Adrian Belew and I had the same manager Stan Hertzman so I was listening to some of Adrian’s work. I was a huge fan of Joni Mitchel and the unusual chord changes and melodies in some of her songs. All of this influenced the sound on “The Swimmer”

I had a support band at the time living in my house on Sanibel Island so we practiced a lot. We came up with an arrangement of the song and we took across the bridge to John McLane’s Important Studios and recorded it. I played finger picking acoustic guitar and sang, Tim Miller played drums, Jeff Holck played fretless bass, Dave Dust played lead guitar and John McLane played keyboards and sang harmony."

Our deep thanks must go out to Jon Tye (MLO / Seahawks / Ocean Moon) for first hipping Be With to this stunner. We returned the favour by giving him the keys to the stems and requesting a strung out remix to go on the flip - he returned having conspired with Pete Fowler to conjure a cosmically copacetic rerub with the subtropical chug of the "Seahawks Swimming Through Space Remix".

Putting together the artwork for this 12" release was an enjoyable process. It was nice to be able to flip the original sleeve for the Beach Life album by using previously unseen photos, sent to us by Danny. We wanted to create something that looks like it would've gone with the LP sleeve. We think we've cracked it. Simon Francis remastered Danny's original audio and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 12" sounds appropriately outstanding. The immaculate Record Industry pressing will ensure this previously lost masterpiece stays forever found.

After a ten year pursuit, Efficient Space finally presents Late, Late Show, the last recordings of influential Sydney-via-Newcastle band pel mel. Taped in the mid-’80s, these charmingly unvarnished sessions pare the combo back to their core, producing blue-collar sophisti-pop to a danceable LinnDrum beat. From the funky disco-not-disco of ‘Mr President’ to the effortless pop perfection of ‘Fool’s House’, the six tracks reveal a creatively open and well-oiled pel mel before they inevitably disbanded.

Formed in early 1979 as a misfit sextet from steel and surf town Newcastle, pel mel were inspired by New York and UK’s post-punk imports. Cutting their teeth speeding through originals and Joy Division, Wire and The Buzzcocks covers every Friday night to a regular turnout of dole bludgers, students and the under-age, the band would also cross-pollinate with electronic-leaning support act The Limp. In 1980, they decamped to Sydney to join the city’s flourishing alternative music scene alongside the likes of Laughing Clowns, Tactics, The Reels, Wild West and the M Squared crew, making an indelible mark with two albums and several singles as the only domestic signee of Factory’s Australasian licensee GAP Records. Catchy and intelligently experimental without being noisy, their musicianship and enduring legacy continues to be lauded by peers.

Undoubtedly some of their strongest output, this previously unreleased demo suite documents pel mel free from the pressures of a commercial outcome, naturally elevating them to a class alongside Orange Juice, Antena and Young Marble Giants.

‘Over And Over’ is simply the greatest ever 7-inch disco edit, a nine-minute anthem which retains (or maybe even enhances) its appeal in the smaller format.

The tripped-out soul of ‘I Need Somebody To Love Tonight’ also has a great shorter version. Neither have been reissued since their original release.

Partyfine is now 6 years old, Yuksek’s label keep exploring things in and around disco and post-disco, featuring an unreleased by Dimitri from Paris and tracks from Get a Room, Rubin Steiner and several well known french producers.


This 5th chapter of exclusive compilations contains unreleased tracks from new members of the family, Dimitri for Paris offer a new song in collaboration with Aeroplane, and we know that an original track from Dimitri is a rare and precious gem, Jean Tonique is back on the roaster, together with Getaroom who joined force with Chloe from C.A.R., PoloCorp (half of Polo&Pan), Villa, Moonlight matters, Anoraak, Azur, Birdee & French toast are on the bill too.
Dombrance (part of DBFC with David Shaw) presents an Italo/electro track which is part of his surreal political new project.
More or less disco, disco or not disco, it’s always been difficult to see the boundaries of this mouvement and all the influences it infused on the electronic scene, Partyfine & Yuksek tried to answer the question and open the genre the wider they can.

A Danny Krivit and Harvey favourite, as sampled by J Dilla and Glenn Underground - a dubby disco cover of the Gamble & Huff penned O'Jays classic.

This sound was later pioneered by the likes of Arthur Russell and Larry Levan.

Replica original 7' artwork, official Mr Bongo reissue, mastered from our original DAT copy.

Prinz & Prinz is one of the most mysterious bands from 1980s Austria. It remains unknown who the two of them actually were. Their music has never been sold in shops, either. It only appeared on one of the obscure Youngers of Vienna-compilations, which were the outcome of a local band contest. If this was a one-off project, it certainly was a brilliant one. The first song on this 7“, “Kleine Segelschiffe” (little sailboats), does everything right in combining reggae rhythms and German vocals. The second track, “Einsamkeit” (loneliness), is a weird, organic lo-fi disco tune that amounts to the best Austrian take on Philly disco we have heard yet. Neither of the pieces disappoints. Both will make you want to find out more about Prinz & Prinz.

I Love It When A Band Comes Together…The one thing that has kept most artists sane during the pandemic is writing and creating.

In an attempt to apply this logic Red Ant Records maestro Pete Bones decided to recruit the talents of a bunch of cool cats he had met whilst traveling the globe and put a band together.

Having often wondered after 30 odd years as a DJ/Producer how the band would sound had he not been swept up by Acid House in the late 80s, six months later, plenty of file bouncing and numerous edits, and The Stones Of Convention are ready to wreak havoc; with Jeff Ward on electric guitar, Jeff Richey on saxophone, Pierre Davis on drums, Scott Anderson on slide guitar, Duncan Gray on bass and electric guitar,
Sean Q6 on acoustic guitar, and featuring the effervescent vocals of Laura Clarke.

Hailing from Galway, Orlando, Pittsburg, St Petersburg, Slough, San Francisco and Glastonbury respectively, band practice might be problematic. The album features 7 original tracks, 2 full vocal cuts, and a cover of the Talking Heads classic Pull Up The Roots.

Alle 7 Jahre veröffentlicht Johnny Jewel den Italians Do It Better Label-Sampler "After Dark". Die dritte Folge bringt 18 exklusive Tracks von IDIB-Künstlern wie Desire, Chromatics und Farah, aber auch frisches neues Blut aus allen Ecken des Planeten. Ein Blick hinter die Kulissen des IDIB-Sounds im neuen Jahr in bester spaced-out Cinema-Disco-Tradition. Die Tapete deiner Träume und der Sternenstaub der Zukunft. Triple-LP auf comic-violett-farbenem 180g Vinyl.

Ok here we go again boogie nuts!
The fourth volume of Full Beam's infamous "For Gees Only" series is finally upon us...

Another 8 nuggets from the depths of Pharaoh Brunson's pyramid suite presented in a super fresh screen printed gatefold sleeve...

You know the drill by now. One press - Vinyl Only - No digital - No tracklist - No sound clips - No problemo !

Strictly for radio and DJ use only.

Red Laser Corp.

Italo Disco classic from 1984 with Longdrink and Flemming Dalum remixes!

The Disco Express serves up five of its best tracks from its debut year as a record label with various artists spanning from across the globe…

A fresh re-press of an Italo Disco club classic: My Mine - Hypnotic Tango. My Mine were the trio of Stefano Micheli (vocals, keyboards), Carlo Malatesta (vocals, keyboards), and Danilo Rosati (drums, keyboards) formed in 1982. Utilizing new electronic instruments like the now legendary Roland TB-303, Danilo improvised a simple but effective synthesizer bass line and passed it through the Roland Echo until something magical came out.

“Hypnotic Tango” was released on Progress Record in 1983 and became an international hit across Europe and US dance clubs in New York, Detroit and Chicago, capturing the imagination of House and Techno producers. In 1987 legendary DJ Frankie Knuckles remixed “Hypnotic Tango” at Seagrape Studios in Chicago, with assistance from studio engineers Tommy White and Brett Wilcotts. Originally released on Danica Records as the “Powerhouse Mix” named after Knuckles' club the Power House, the mix has added vocals by Frankie.

This reissue also includes the “Hypnotic Mix” released in 1990 on Rams Horn Records. All songs are remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in a jacket with original artwork and includes an insert with photos and liner notes by Stefano Micheli.

Junei, the guitarist behind The Space Army Band, who would team up with his brother, General Lee, to form The Lost Weekend remains a pivotal character amongst the music scene of his hometown, Gary, Indiana.

Working closely with local indie groups & producers, such as Gordon Keith of Steeltown (Jackson 5's first manager), Junei would spend the 70s writing & recording whilst touring with artists such as The Emotions, Curtis Mayfield & Albert King.

Junei's calling card came to be in 1987, when he released his single 'Let's Ride' & 'You Must Go On' on local imprint, Pharoah's Records. The following year, he teamed up with Bernard Walker to produce a signature of that late-80s bedroom indie sound, cemented by the ideology & instruments used.

As Junei recalls..

"Bernard Walker approached me based on my reputation around town. He told me about this song that he wrote called "My Lover." Initially, he wanted to record a demo but I convinced him that I could do an actual finished production of his song, right from my small project "tape based, 8-track" basement studio. The sessions took place in Gary, Indiana in the basement of my parents home inside my small bedroom recording studio. The equipment used was a Fostex 1/4" 8-track recorder, Fostex 1/4" 2-track recorder, Fostex 12-channel mixer, Sennheizer vocal microphone, Korg DW8000 Synthesizer & a Roland R8 Drum Machine. As he sang the lyrics, I began composing what I heard in my head, then I recorded to tape each instrument one at a time (keyboards, drum machine, etc..) until we were satisfied with the production, then he laid down his lead vocals and I helped him sing the background vocals. Afterwards, I did some tweaking and then I transferred it to my 2-track reel-to-reel recorder, and that was it. He was totally pleased of the outcome."

A modern soul number that fits today's disco sound, and on 45, what's not to love here ?

"Sweet Maybe" is a driving slice of sassy modern soul. A honeyed, sizzling affair with proper live band delivering the goods and featuring Bart Davenport on vocal duties. Over on the flip, the Synthstrumental version is a party jam that romps along in full-on disco-funk mode.

If there's one thing that drives Casbah 73 as a DJ and a producer, more than anything else, it is his love for the music. An all-encompassing, life-consuming affair that gives shape and direction to the distinctive sounds he creates, whether on the dancefloor or in the studio. And he has been on fine form of late, with a superb string of releases combining craftsmanship, live musicians and dance floor suss.

Featured singer LA's Bart Davenport is an old Lovemonk friend of
The Loved Ones, Incarnations & Honeycut fame.

It's the date that Soul Intention Records presents, hot on the heels of the much acclaimed album release, their very first 12" single. And what a scorcher it is.

A brand new mix of "Get Into Your Life" by the legendary Tom Moulton, both full length and radio edits. Together with an extended mix of the album version.

When doing this mix, Tom said "you have no idea how much I LOVE "Get Into Your Life" ....." and regarding the finished mix "A lot of Heart went into it"

I'm sure you'll love it as much as we do and Tom does.

JARV IS... truly evolving. From its earliest recordings beginning
in an actual cave, via the enticing hypnotics behind the mantralike tracks ‘Sometimes I Am Pharaoh’ and ‘Must I Evolve’, the
exquisite yet candid storytelling of ‘Swanky Modes’ and timeless
anthem-turned-inadvertent lockdown soundtrack, ‘House Music
All Night Long’, the debut album of the Jarvis Cocker-led band
JARV IS... proved a standout swirl of creativity, invention and
vision on its release last summer.
 Yet ‘Beyond The Pale’ has continued to inspire long after the
sessions for the record stopped. Despite being divided by the
pandemic, audiences came together around the album, Jarvis
and co made a live film based on the album with pioneering
directors Iain Forsyth and Jane Pollard entirely underground in
a cavern, and intriguingly other musicians and producers have
continued to be intrigued by the songs Cocker and his band
created. The latter now has yielded an entirely new way of
hearing ‘Beyond The Pale’ as, for the first time in his career,
Jarv is releasing a remix album based on one of his records.
 Boasting re-imaginings and re-stylings from the likes of David
Holmes, Dennis Bovell and Greg Wilson among others, the
record is a collaborative mix that offers new focus and insight
on the music of one of this generation's greatest songwriters,
while also allowing the remixers’ own unique characters to take
flight within JARV IS... creative cave.
 Paving the way for JARV IS… ‘REMIX ED…’ is Hot Chip's
brand new version of ‘House Music All Night Long’, a brilliant
demonstration of the exchange at the heart of this project -
Jarvis Cocker and the London band have been frequent
collaborators over the years - as Cocker’s emotionally raw
vocals are relocated within a dazzling new disco wonderland
conjured up by Hot Chip. It not only captures the spirit of the
remix record and ‘Beyond The Pale’, but of the concept that
drives Jarvis Cocker’s band too, because thanks to the
creativity at its core JARV IS... anything it wants to be.

In 2020, Dance Music don, Ashley Beedle was approached to edit the unreleased track which had a UK 12” vinyl release in 2021 on the charity A's and Bees label. Having heard the track in all its glory, Ramrock Boss Lady, Jo Wallace immediately thought that a 7” edit would sound like a Blackpool Mecca classic that never existed!

And so, the editing process began again and, this time, the North Street Collective came up with ‘Superfine Feeling’ 7” Edits and, in the true tradition of soul tracks, named them Pt1 & Pt2. An exuberant, uplifting, Mecca Soul unreleased monster finally receiving the talcumed dancefloor love it deserves 44 years later!

• 1971 Invictus records release, The Glass House features the distinguished voices of Pearl Jones, Ty Hunter, Larry
Mitchell and Scherrie Payne. Each selected with great care to form HDH’s only mixed- gendered vocal group
• Scherrie Payne, sister of Invictus start Freda, who co-wrote many of the groups songs before joining The Supremes
in the mid 1970s
• ‘Crumbs Off The Table’ #7 in the R&B and Pop charts. Other stand out tracks include ‘Look What You’ve Done To
Love’, ‘If It Ain’t Love (It Doesn’t Matter) – a Payne/Hunter duet.
• Demon Music are proud to reissue the groups debut album on 180g heavyweight vinyl with printed inner sleeve

Former Mind & Matter bandmates James "Jimmy Jam" Harris and Michael Dixon teamed up for 1978's gospel-boogie banger "You're All I Need" b/w "You're Everything" on the private Mad label.

OG Razor-N-Tape crew right here! Having graced the RNT hall of fame for only their third release back in 2013, Frank Booker returns in style for round two.

Straight off the bat 'Be Yourself' takes you on a sensuous journey around the disco cosmos. Interplanetary echoes, stratospheric strings and a bass and brass beamed down directly from the outer galaxy are brought together with those heavenly vocals alluring any lost souls.

'More' follows up - a hair raising, funk fuelled edit combining luscious vocals, a badass bassline and the kind of guitar riffs that will leave you straight up salivating for more. This is peak time, delectable disco with an added umph and rhythms that are kind to the discerning DJs out there.

Closing out the EP Frank slows things down to galactic chugger territory, marshalling the funky starship to the underground with the pied piper of supercharged jazz flutes leading the dance.

A raucous return from the masterful Frank Booker.