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Repress

Barely disco and hardly jazz, Rupa Biswas’ 1982 LP is the halfway point between Bollywood and Balearic. Tracked in Calgary’s Living Room Studios with a crack team of Indian and Canadian studio rats alike, Disco Jazz is a perfect fusion of East and West. Sarod and synthesizer intricately weave around one another for 37 transcendent minutes, culminating in the viral hit “Aaj Shanibar.” Remastered from original analogue source material and issued with permission and blessing of the producers and performers.

The double vinyl containing the OST of music inspired by the docu-film "I RAGAZZI DEL COLUMBUS", these tracks just want to
tell the true story of an unrepeatable Era, of clubs, DJs and the generation that gave birth to the socio-cultural revolution which, starting in Italy between 1974 and 1985, it then spread throughout Europe, all with a passion for afro / disco /
funky music, which from the "Columbus" square in Riccione then spread everywhere. Thanks to djs and clubs

Incl. Michael Gray Remix

Ltd Edition!

Format: Clear Smoke Vinyl!

Gooey Editz #3

Welcome to the Mirrorball Motel - the shimmering nocturnal world of Future Disco from the NeedWant label. It's a 19-track exploration of the magical and escapist sounds of artists like Digitalism, Cinthie, Bondax, Reflex, Roosevelt and more. The Mirrorball Motel is a place that transports you to another place, a party you don't want to end and when it does, you'll feel it was all a dream. It’s where the magic happens, an evening without inhibitions, where you dance without thinking. Musically it's a mix of all forms of disco and house as represented here.

This bumper collection features five exclusive new tunes. Daisybelle & Tasty Lopez's 'Starlight' (Future Disco Ballroom Dub) has a classic disco feel from the two first ladies of the green. Italoconnection - 'All Over' (Future Disco Edit) brings an eighties vibe that reminds of Ibiza venue Pikes, whilst the mysterious Clive From Accounts 'You Understand' impresses with its soaring strings and house bassline. The final two exclusives are Charlie Hepworth's 'It's Satisfaction' with its full thrill house drums and acid flashes, and Boys Shorts's 'Suburban Love Affair' (Brian Ring Remix), which sounds like summer on the shores of Los Angeles in 1989.

Elsewhere is the simple but effective future disco of Bondax, a Brazilian via French disco cut from PPJ, and exciting and intricate grooves from the trio of Breakbot, Irfane & Yuksek. There is euphoric 90s house from Saison, challenging yet reassuring vocal work from the legendary Roisin Murphy as remixed to perfection by the wizard that is The Reflex and much more besides.

Future Disco: Mirror Ball Motel is a wide-angle view of a perfect dance floor, all served up with that famously characterful and vibrant Future Disco style.

Our good Parisian friend Max Fader aka S3A is back on Local Talk with a diverse four track EP that delivers on all levels.
It all begins with 'Premiere Rexidence', disco infected big room track that comes with some heavy vocal and horn samples.
Next up is 'End Track For a DJ' which is exactly what the title suggest and comes with old school house beats, classic Chicago piano riffs and some lush strings. Massive!

On the b-side S3A goes back to what he is maybe most know for, 'Searching Force' is an uplifting disco-funk house jam with big samples and jacked up beats.
Last, and possibly our fave tune is 'Deep Mood Vol 4', a supa deep house cut with low end theory chords and a bassline to kill for...raww!
Oh, and those Michael Watford vocal samples just adds to the deepness.

Red Vinyl

"CCR - Club Culture Rarities" the new record label exclusively dedicated to re-prints of cult and rare 12” taken form Expanded Music’s labels.

The 2nd release on "CCR - Club Culture Rarities" is a real deep house anthem produced by Andrea Gemolotto and Claudio Zennaro

Q BASE "Atmosphere E.P." originally released in 1991 on DFC 045.
Ask for it and stay tuned.

Boogie Butt presents (Just) Remember, our last mainstream 80's Funk project pressed on Limited series of Vinyl 7inch.

We are pleased to introduce our last discovery Ella May, born and raised in Sweden. In the early 90's, she worked as a backing dancer and singer for both Swedish and international artists such as Jazzy B, Papa Dee among others. Boogie Butt is currently working on our forthcoming projects featuring this gorgeous singer who has a grasp on Funk, Soul & Jazz. Her warm and charming tonality spectrum makes all the tracks really hot.

A side "Just Remember" is the original Funk version produced and arranged by Ian Ash as a tribute to Luther Vandross' mega-hit "Never Too Much".

B Side brings a massive remix by renowned French producer Magoo. He gives the tracks the boogie sound just like in D Train productions. His versions gets straight into Modern Funk, just like the best of Prelude Records.

“Lonely Tears in Chinatown” is a track from Modern Talking’s fourth album In The Middle Of Nowhere. The song is composed and written by Dieter Bohlen and was released as a single solely in Spain, where it peaked at #9.

In addition, this 12 inch Lonely Tears In Chinatown also features
“Give Me Peace On Earth”.

The 12 inch Lonely Tears In Chinatown is for the first time available for all European fans as a limited edition of 1000 individually numbered copies on yellow & orange marbled vinyl.

Repress coming soon!

Purple Disco Machine unveils sophomore album ‘Exotica’ in all of its disco glory.

With the release of his debut LP ‘Soulmatic’ released in 2017 via Sweat It Out, Purple Disco Machine gave us the first glimpse of what we could come to expect from the now world renowned producer. Responsible for a multitude of hit singles from the club world including ‘My House’, with the debut LP also birthing the massive successes of ‘Devil In Me’, and ‘Body Funk’.

Now the formidable producer offers a more intimate side to his artistry, inviting us into the world of his sophomore album ‘Exotica’. The LP pays homage to the 80s and the plethora of artists that inspired him to create and set him on the path of becoming the internationally acclaimed producer he is today. The 14 tracker boasts all the elements of his heartfelt favourites throughout the decade - the synth pop from the UK, Italo disco styles of Moroder, Milan & Munich, the funk of Prince, the R&B electro soul of Luther Vandross & Jam & Lewis, to influences from George Michael, and Quincy Jones. So ingrained in his musical identity, Purple Disco Machine’s artist name is a deliberate collage of the colour of his 80’s funk hero Prince and the uplifting fun dance beat of Gloria Estefan’s Miami Sound Machine.

The album encompasses all the grooves, signature guitar licks, and funky basslines that are synonymous with a Purple Disco Machine record, whilst having moments of light and shade inviting you further into his universe. Having already released a handful of singles from the LP, including the Sophie and the Giants collab ‘Hypnotized’, ‘Fireworks feat. Moss Kena & The Knocks’, ‘Playbox’ and more recently ‘Dopamine feat. Eyelar’, Purple Disco Machine has quickly gained a mammoth international following eager to hear more. ‘Hypnotized’ became an anthem the world over, having been streamed over 275 million times across platforms, whilst going triple Platinum in Italy, Poland and Switzerland, with the carefree stylings of ‘Fireworks’ quickly following suit with over 80 million streams to date, whilst dominating airwaves across Europe hitting #5 on the overall chart, and #1 across Italy and Germany. Further skyrocketing up the Shazam Charts, the single went to #1 in Germany, and #3 across Italy, Denmark, and Austria to become another certified hit for Purple Disco Machine.

The album opens with ‘Can’t Get Enough’ featuring Australian songstress Sahara Beck, and for all his fans across Europe, is the perfect follow on from ‘Hypnotized’- hitting all the same feels as the breakout single. Teaming up with long term collaborator Lorenz Rhodes once again for the release of ‘At The Disko’, the duo have created an instant and lively dance floor heater, incorporating the vocoder as they did previously on ‘Music In You’, and breaking into some seriously heaving piano chords and claps to keep that energy all the way through. ‘Don’t Stop’ is a return to his more traditional club leaning records, likewise, title single ‘Exotica feat. Mind Enterprises’, and the ‘Body Funk Part 2’ vibes of ‘Playbox’ which has been represented in video as a truly incredible cosmic journey. Also sitting on that club tip is ‘Loneliness’, his track with cult underground Italian producer Francesca Lombardo, which oozes a patient charisma throughout.

Taking time to slow things down on ‘I Remember’, Tino has collaborated with Elderbrook, who has become one of the most iconic singers in the electronic space in recent years - his transcendent vocals shining through, with soaring synths, and harmonic vocal effects, creating a heavenly slice of melancholy disco. Following through with another mellow jam is the album closer ‘Wanna Feel Like A Lover feat Ed Mac’, which is a true amalgamation of 80s flair even boasting the decade’s trademark sax solo! Moving further outside his contemporary disco template, Tino has teamed up with Ukranian / English duo Bloom Twins on ‘Opposite of Crazy’ colouring their unique blend of alt dark synth pop, with quirky and boisterous squalls of Prince-esque guitar throughout. Energy, soul, and pure fierceness shines through from the very first note of the anthemic ‘Hands To The Sky’ featuring the outstanding vocal talents of Fiorious and House Gospel Choir, and last but not least is the collaboration with Brooklyn disco hipsters Pink Flamingo Rhythm Revue, the uber funky ‘Money Money’ incorporates the slickest of all vocal lines reminiscent of the sassiest best of Big Apple boogie.

Now boasting over 1 billion streams across his catalogue to date, and over 10 million monthly listeners on Spotify, Purple Disco Machine continues to live up to the hype of #2 Beatport Artist of All Time. With a succession of notable remixes for Dua Lipa, Mark Ronson, Foals, Calvin Harris, Fatboy Slim, Sir Elton John, Royal Blood, Lady Gaga & Ariana Grande, Duke Dumont, and Diplo & SIDEPIECE, coupled with his continuous stream of original hit singles over the past four years, Purple Disco Machine’s influence on the global dance music scene will be felt for generations to come.

Italo Disco rarity from 1984 with Flemming Dalum and Longdrink remixes!

Florence getting funky....very exclusive & limited 7" Pressing.Vinyl Only as usual.

hand-numbered 500 copies limited edition

The word 'classic' gets thrown around a lot these days, often abused and attached to things that don't deserve the tag.
I think we can all agree that an outfit like Earth, Wind & Fire are truly deserving of such an accolade, since their first tentative steps in the early 1970's as an outfit the Chicago, IL pioneers have made themselves a force to be reckoned with and have sold over 90,000,000 units worldwide! Fusing together Jazz, Funk, Soul, African and Brazilian sounds EWF have been at the top of their game for decades, seeing them inducted into the legendary 'rock n roll hall of fame' at the turn of the millennium. Respect due. On this special, legit 12" reissue we are treated to 2 stellar reworkings by one of Disco and modern dance music's most respected names - Danny Krivit. Danny's tenure in dance music has almost been as long as EWF's themselves so it makes sense that he's on deck to breathe some dancefloor magic into their cult classics 'Brazilian Rhyme' and 'Runnin'. Both tracks are massive club anthems with them being generously sampled over the years and featuring in the playlists of too numerous to mention DJ's and selectors. Both of these amazing edits are extremely sought after and have been legally reissued by Above Board Distribution in conjunction with Danny Krivit and the legal rights holders - Sony Music Entertainment. This high quality repress features original Columbia white label Disco promo artwork and has been remastered from Sony's original sources by Optimum Mastering, Bristol UK.

ORIGINAL RELEASE: 1985

One of the most representative tunes of synth-pop 80's euro dance.

The Art of Sampling präsentiert neues Material von Parov Stelar, vereint mit einigen Tracks seiner letzten Alben, die die Thematik des Samplings und seine Arbeit wunderbar veranschaulichen Die erste Single Keep On Dancing feat. Marvin Gaye macht dabei den Anfang und legt ein von Parov Stelar gewohnt hohes Level vor. Recht unterschiedliche Features ergeben sich dabei aus der Zusammenarbeit mit dem Dänen Lukas Graham und Anduce aus den USA. Auch Heavens Radio mit den Vocals von Bessie Griffin aus dem gleichnamigen Gospel Song kommt in klassischer Parov Stelar - Machart daher. Der Bogen spannt sich mittlerweile zu Parov Stelar Klassikern gewordenen Tracks wie - Shine' und - Faith'über Standardwerke des Electro-Swing Genres (Jimmy´s Gang, 'Catgroove', 'Libella Swing', 'All Night') bis hin zum Sample-Feuerwerk Matilda und dem neueren 'Love (Remix)'.

Mit The Art of Sampling wird also insgesamt nicht nur so etwas wie eine erste Werkschau von Parov Stelars Schaffen der vergangenen (fast) 10 Jahre gezeigt, er lässt es sich auch nicht nehmen mit neuem Material Zeugnis seines unermüdlichen Schaffensdrangs abzulegen und mehr als nur den obligaten Bonus-Track hinzuzufügen.

Transparent-Blue vinyl 12” (500 copies hand-numbered)

A very warm welcome aboard to the splendid AMERICAN STANDARD label !!

Critical & hedonistic acclaim have already been lavished on this Charleston based sonic excavator of considerable note, so we won't bore you with an exhaustive biog, mainly because there isn't one.
The music is most definitely left to do the talking as this one man 'Folly Beach Psychemagik' fills the record boxes of the world's most discerning diggers with treasure beyond measure.

So, for this latest 3 piece for American Standard we're firmly in the FM synthesis musical district of early 80's planet earth.
70's session players still strung out from the previous decades' debauchery tried their hand at piloting these electricity powered units to wildly varying degrees of success.
Luckily for you, Jaz has been kind enough to find and reload three of the finest, more esoteric, obscure but eminently playable moments from this fertile era for some primo 'back to the future' frugging...

DJ Fitz ist dabei, mit Synthie-Edits gefundener Disco-Raritäten und elektrisierenden Gigs die Welt im Sturm zu erobern. Von koreanischem Synthie-Funk über Italo-Zeppelin ('Whole Lotta Love') bis zu 'Baltic Borsh' Disco und alles dazwischen. DJ FITZ CUTS VOL.1 ist eine Sammlung ausgewählter Edits, deren Originale er an den verschiedensten globalen Orten aufgetrieben hat, darunter türkische Basare, indische Teppichläden und Online-Digging. Fitz-Sets laufen auf BBC 6music, NTS und East Side, Gilles Peterson ist Fan.

It is no secret that Montreal had a bubbly disco scene, but there are still some under-the-radar gems. Sophie Stanké is one of them. The charismatic Quebec-Lithuanian actress, radio host and singer hung around with some of the hippest disco people of the 80s, and worked on the sexy boogie song "L'amour d'une diva" with no other than Geraldine Hunt. Scandalous at the time, it became a local disco hit. Famous french singer Daniel Guichard noticed her and signed the song – slightly rearranged – in France on his label Kuklos. Here is the rarest original Canadian arrangement that Stima reissued, in all its glory: long and instrumental versions.

The other side includes the more obscure and even more erotic "J'adore". It was issued in 1987 under her first name, Sophie, with synth-pop and new wave influence. An instrumental was missing, thus Baerlz delivers a new dub cover and now each song has also its “version”, in the purest 80s 12 inches tradition.

After ten years spent in France, where she worked with another star singer Nicolas Peyrac, Sophie is now still active in Québec's cultural life. Stima is proud to have her permission to reissue these 2 fresh 80s tracks to hit the modern dancefloors.

Originally released in 1983, this 12’’ from French-Haitian saxophone player Ulysse became cult – and extremely rare – within the French boogie niche. Both tracks wonderfully succeed in mixing political statements with dance-floor delights.
Boogie-pop track “Naïma” seems to be a love song at first, but actually says the impossible resilience of a woman who has grown up in war.
The heavy digital reggae song “Tiers Monde” warns us about the abandonment of Third World children.
This maxi single, where each track is instantly followed by its instrumental version for greater DJ use, is an authentic snapshot of the Paris mixed club scene of the 1980s. Really hard to find for a very long time, it’s a great pleasure for Stima Records to make this music
available again, in order to reach a well deserved new audience nearly 40 years later!

Stix Records is a sub-division of Favorite Recordings specialized in the exercise of producing covers with a Reggae twist. Acclaimed in 2013 with a first official single by Taggy Matcher Birdy & Nixon (STIX033), quickly followed by the first volume of Disco Reggae (STIX035) compilation, Stix is back in 2014 with a scorching Disco Reggae Vol.2.

Following the success of its first volume, the Disco Reggae series also expands with this 9 tracks compilation, composed with 8 new and exclusive versions by artists such as Taggy Matcher, 7 Samuraï, Mato, or John Milk, and the classic cover of Tainted Love' by Grandmagneto. But this time, if they still explore famous hits like Watermelon Man' by Herbie Hancock or Happy' by Pharrell Williams, they also dug within the home labels' catalog,
taking over some of the finest titles by Mr Day, Lee McDonald, Lucas Arruda or The Joubert Singers.

Again this time, their swaying renditions seem straight out of the smoky studios from Kingston or Montego Bay, while also remembering the 80s Pop-Reggae sound of artists like Grace Jones or the less famous Earons.
Everything is mastered and cut at Carvery Records (UK), known for their expertise in Caribbean and Disco music. The vinyl LP comes in a deluxe version, housed in an old-school tip-on jacket.

Let's get it straight: "This is" is THE album by Ghia. It catches the band at its peak and features 10 songs, including not only their impeccable hit, "What's Your Voodoo?" but a full arsenal of yet unheard, timeless, and soulful music without equal. The songs on the album, which were recorded between 1988 and 1991, could be considered forerunners of the downtempo genre, with one foot in the late 1980s street soul direction but sparkling with touches of synth pop and contemporary jazz-funk. Genre limitations aside, all that Ghia ever wanted to do was create music-good music-and you will hear this in the depth of the compositions.
The album starts with "Keep Your House In Disorder," which has yet again become another classic song from the band's catalog since it was featured as the B-side of the "What's Your Voodoo?" reissue. The song is about a relationship in which the woman has trouble adapting to her boyfriend's turn in life. He tells her to "keep your house in disorder," meaning don't take things too seriously, don't stand still, and you will do better to take the sideroads in life.

"This Is" continues with the downtempo numbers "Crystal Silence" and "Close to You." Both are deep, one-of-a-kind, and previously unissued street soul ballads. On these two tracks, you can still hear the band's roots in jazz-funk. Hence, as a follower of the band's output may have yet recognized, instrumentals of these two tracks can be found on their first LP, "Curaçao Blue." In fact, "Close to You" was one of the band's first compositions. Earlier recordings of the song exist with different singers and different vocals, but it wasn't perfect until Lisa laid down the final version and a choir was added. It's difficult for us to recall any late-80s soul tune as beautiful and intriguing as this one. The final section, which begins with "so much baby we can say," sounds ahead of its time, reminiscent of mid-90s contemporary R&B.

Next up is "Eskimo," an equally brilliant and soulful downtempo composition, but with more focus on synth sounds than the previous tracks. Once more, it showcases the creative lyricism of the song writers, Boberg and Simon, imagining a train ride during a rainy and cold night: "feeling like an Eskimo in an igloo in New York."

Eskimo leads to the aforementioned classic, "What's Your Voodoo?" Originally released in 1991 on the small Mikado label, it was reissued on our label in 2019. We already called this "one of the most wonderful and mystic slow motion synth pop tunes ever recorded"-and we still mean it! Let's face it: this was done before British bands like Massive Attack, Tricky, and Portishead laid the foundation of trip-hop. Dare we call Ghia's music "proto trip-hop"? As a special bonus, the digital version of the LP features a previously unreleased mix of the song, which includes added samples; this should clarify how close Ghia actually was to the sound of the mid-'90s.

"Angel On Your Shoulder" and "L O M E" are two more completely unissued and great tracks from the band's shelved works. Being a bit more uptempo than the rest of the album, they fall between contemporary soul/R&B and synthesized pop music. And of course, another downtempo hit needed to be featured on the album: "You Won't Sleep on My Pillow." It was the original A-side of their single release in 1991, and since then it has been featured on various compilations.

The album concludes with a really strong ballad entitled "I Haven't Got The Power." Here we hear only pianist and keyboardist Lutz Boberg with Lisa Ohm, without further instrumentation. Basically recorded in a live session, this showcases once more the talent and ingenuity within the Ghia project.

Whether you agree or not, "This is" may easily be considered one of the best German late 80s/early 90s soul pop and downtempo albums ever recorded. Cautiously, it may even be submitted as the missing link between mid/late 80s soul by bands such as Sade, and later trip-hop groups like Massive Attack. Let us celebrate Ghia and their music, which had been shelved for more than 30 years but has now finally been released on The Outer Edge.

3 more peak-time, good grooves from Semi-Skimmed !!.

Limited hand-stamped pressing !!

It was certainly unpredictable that a legendary jazz drummer would record one of spiritual disco's most revered songs twenty-three years into his career, but that's exactly what happened when Idris Muhammad laid down the epic "Could Heaven Ever Be Like This" in 1977. Hailing from New Orleans, Muhammad always had more than a touch of funk to his rhythms, and by the late '70s his collaborations with master engineer Rudy Van Gelder on recordings for the CTI and Kudu labels had gelled perfectly with the reigning jazz-funk sound of the day. Arranger Dave Matthews (famously part of the James Brown stable) collaborated with lyricist and former Long Island record store clerk Tony Sarafino on writing the song, which on the original recording unfolds over a nearly 9-minute build. Appearing at the crest of the disco movement, "Could Heaven Ever Be Like This" was an immediate hit with David Mancuso and the attendees of his loft parties, quickly spreading to other venues and even making a small climb up the Billboard R&B charts. For this new issue on Most Excellent Unlimited, Danny Krivit, whose own career as a dancefloor orchestrator from the DJ booth has paralleled the timeframe of the song's existence, has replaced the original loose introduction with a mix-friendly steady groove that maintains the unstoppable pulse of the song while maintaining the cathartic mid-song break and giving the track potential for even more momentum.

Another percussionist is responsible for our flip side track, "Magic's in the Air." Vince Montana was not only an in-house arranger and producer for Philadelphia International and other Philly soul labels, but was an accomplished vibraphone player. His talents are on display and doubly emphasized by Mr. K in this overlooked cut from Ronnie Walker, a falsetto singer who draws a rather strong comparison to the best songs of fellow Philadelphians Blue Magic with this uptempo, subtly synthy 1975 track. Never having appeared on a 12-inch, and indeed never having appeared even on a full-length album, Krivit's edit is the first extended mix of "Magic's in the Air" to date. Alongside "Could Heaven Ever Be Like This," itself notoriously difficult to find in 12-inch form, this latest from MEU's long running series with Mr. K is a bonafide must-have for the discerning DJ.

Re-issue of this Italo disco rarity from the year 1986. Side A contains the two rare original versions and as a highlight we present on side B two new and exclusive remixes by the Italo Disco legends Flemming Dalum and George Hysteric.

Ultra Limited Edition of 200 copies

Here's another goodie from The Outer Edge! This time we're presenting a very limited pressing of the cosmic outsider synth pop tune "Der Tanz ihrer Backen" by Wolffen. With a haunting mid-tempo drum machine pattern, a deep bass, and vocals in German, the track is already absolutely unique. But what will blow you away is when the mysterious Middle Eastern synth theme gets topped with a catchy chorus sung in the Arabic language!

Wolffen (or sometimes called Koppelberg's Wolffen) was a project based around actor and singer Thomas Koppelberg. Born in 1957, Koppelberg unfortunately died at the young age of 41. The track originally appears on the album "Wie zwei schöne Tiere" (translates to "Like two beautiful animals") which was completely produced by composer and keyboardist Peter Schnell and released privately in 1988. The LP remained completely forgotten until it was rediscovered by label owner DJ Scientist and was made public via the label's internet shop a few years ago. It didn't take long until this very special tune spread via social media and became an insider tip in record collecting circles.

"Der Tanz ihrer Backen" (translates to "The dance of her cheeks") is now available for the first time as an extended mix on a loud 12" disc. Side B offers a mostly instrumental edit by Cid Hohner (of OTTO) which leaves out the German verses but keeps the haunting Arabic chorus.

Only 200 copies have been made - all are numbered and come with a handmade picture sleeve plus additional Japanese Katta sleeve and sticker. Don't sleep on this rare gem!

The Berlin musician, visual artist, and label owner Lasse Winkler aka ACUD has attracted attention with titles such as MATJESFILET or VERBRENNUNGSMOTOR. He shows that electronic dance music can also have a sense of humor without ending in slapstick. Creaking basses and swinging rhythms meet warm synth chords and complement his bright voice. The microphone, always ready, replaces the notepad. Succinct, spontaneous keywords and sentences are created, snapping up everyday life. On the 10-track album VERDAMMT NOCHMAL, the musicians are accompanied over a creative period of three years.

Eine Italo Disco Rarität aus dem Jahre 1985 jetzt wieder als
farbige 12“ Maxi Single erhältlich:
Art Fine - Dark Silence
Auf Seite A gibt es die raren Original-Version und als Highlight
auf Seite B zwei neue und exklusive Remixe von
Flemming Dalum und DJ TinTin

Classic NYC 1982 boogie / electro cut which was originally released on Easy Street

OFFICIAL 2021 REISSUE INCLUDING LARRY LEVAN 1982 REMIX AND DIMITRI FROM PARIS "NIGHTDUBBIN" REMIX