Pop & Rock Vinyl New Releases - News

Obviously to attempt a cover of classic only works if you go down a different route with the track, the idea came from talking good lovers covers with friends, much to my surprise there was no 'Date With The Rain' cover which felt like it would have been perfect (someone please correct me and send me a copy if there is one). I had been chatting to lovers legend Peter Hunnigale often during the making of 'For The Love Of You' compilation and asked him if he would be up for doing a vocal on a cover, and he said yes, so we got to work, hope you like the result.

Was unsure if to do this Modern rarity on 45 due to there being no master tapes and the original pressing is really rough with loads of sibilance, but having had so many requests to put this out I thought fuck it, the end result came out better than the OG but nonetheless ill get crucified by the discogs police but ill take it :) and the rest of us can have this Modern banger in our box without having to sell your car.

What it lacks in audio quality, it makes up for in musicality ten times over, a genuine two-sided 7" of modern soul royalty, rare and good.

The STAR CREATURE vet returns for Part 1 of his 2022 Chicago/Cali/Minn/Moon combo venture this time around bringing MR. ZACKEY FORCE FUNK on vocals. This one spins round like the rings of Saturn. Intimate dancefloor funk. No matter how hard you throw it, it still comes back around.

Until recently, it was thought that we had heard all there was to hear from Saâda Bonaire. The German studio project's 1980s recordings had been compiled on the now cult-classic double LP Saâda Bonaire, released by Captured Tracks in 2013. Though the group had continued working until 1994, founder Ralph "von" Richtoven had firmly stated that all of their post-1986 work was lost. Released now for the first time ever, 1992 compiles the band's long-lost early nineties material. Produced between Bremen and New York City, the 12 songs presented here capture the group's attempts at steering their trademark fusion sound (reggae, afro-funk, Eastern music, and sultry German female vocals) into uncharted nu jazz, trip-hop, and house territories. It's no surprise, given both the time lapse and the fluid nature of the project, that these recordings differ sonically from the 1980s material. 1992 finds Saâda Bonaire folding new influences from the time (house, hip-hop, rap) into their eclectic sonic universe. Vocalist Andrea Ebert's soulful voice -the result of a church choir background and an early love of American soul and jazz music- offset Stephanie Lange's laid-back, more German-sounding vocals. This unique interplay bolstered the band's new direction - evident in their inspired takes on James Brown's "Woman" and Syreeta Wright and Stevie Wonder's "To Know You Is To Love You". The American influence was also made literal via contributions by renowned DJ Matthias Heillbronn and rapper Jimmy Lee Patterson, both of whom lent some stardust to the tracks at François Kevorkian's Axis Studios in NYC. Unfortunately, the demo recordings were considered too bizarre for 1990s record label standards, and as a result were never published. As with all things Saâda Bonaire, the discovery of these discarded recordings feels like a sort of magical impossibility. It's been nearly ten years since the release of the last compilation, and thirty since the recordings were originally captured. That they still manage to sound fresh and avant garde is a testament to Saâda Bonaire's flair for creating pop music for past, present, and future outsiders.

Spring 2019, Disco Milk drops the last release of the year on the label and it's a funky bom! Wrapped around a fat funk bass, Trust In the Super Paolo packs a real punch to the groove offering a slice of groovy hip hop for those that like their music with a distinct funky vibe!

Perfectly complimenting the Original Mix the one man production juggernaut that is LTJ X-Perience, J&M Brothers and David Agrella add his effervescent discoish touches to the track, blessing it with a silky smooth groove yet still retaining a dance floor moment with it's infectiously groovy melodic line!!!

The walls where of bare red brick and hung with pop art paintings, the button-back banquettes in olive green velour.
It's like sitting on a sofa in a front room circa 1983.

The ceiling has gnarled, thin wooden beams. It's a wealthy person's version of a humble farmhouse and it's magnificent...

Brooklyn-based musician, producer, and DJ Peter Matson returns to Bastard Jazz with a dance-floor ready 12" and digital EP, "The Right Way." The EP builds on Peter's 2019 release for the label - "Short Trips" - as well as his work as the bandleader for Underground System, and a slew of other solo and collaborative projects over the last two years.

Working from the ground up to produce a batch of 3 original tracks, Matson takes his sensibility as a DJ and musician and blends them into an unique whole, crafting sprawling arrangements into club-ready productions. With overall recording quality and ear for detail taking center stage, "The Right Way" boasts an impressive list of musical collaborators including a standout A-side feature from Ibibio Sound Machine's vocalist Eno Williams on the Afro-Disco workout "Call and Answer." Two beautifully conceived instrumentals on the flip-side dip into slow burning Italo ("The Right Way") and Balearic ("PB (Ça Va)") territories, while the UK duo Faze Action helm remix duty, pushing "Call and Answer" toward their signature Afro-meets-ProtoHouse & Disco vibe.

The EP weaves Matson's affinity for club music with the African influences for which he is known, culminating in a release that is both genre-bending and timelessly danceable. "The Right Way" is out digitally on Bastard Jazz Recordings February 25th, 2022, with the 12" to follow shortly after.

Pink Vinyl
It is with great joy that we present the Mr Bongo edition of Marcos Valle's 1983 self-titled masterpiece. A pure vintage that features the ultimate Brazilian-boogie cult-classic ‘Estrelar’ and iconic 80s cover art that sees a gloriously sun-drenched Marcos dressed in a pink v-neck t-shirt surrounded by a generous selection of deadly-looking neon cocktails.

The album was produced by the legendary Lincoln Olivetti and Marcos' brother Paulo Sérgio Valle. It showcases a real who's who of Brazilian music at the time, with stellar performances from vocalists and musicians such as Rosana, Serginho Do Trombone, Robson Jorge and Oberdan Magalhães to name but a few. This was Marcos’ second album, after having moved back to Brazil from his time living in Los Angeles, and that US influence is evident through its prominent boogie, soul and funk sounds. It also features collaborations with the US singer-songwriter, composer, pianist, keyboardist, and record producer, Leon Ware, who co-penned three tracks including 'Estrelar'. To complete the album there are tracks such as 'Fogo Do Sol', which is pure AOR / Balaeric vibes, and tracks that are more MPB and pop-inspired, making a well-balanced track list for both home-listening pleasure and dancefloor business.

What could we do to give one of Marcos' most celebrated albums the treatment it deserved and produce the most definitive re-issue possible? The answer was to enlist the services of Miles Showell, Abbey Road Studios Mastering and lacquer-cutting engineer and all-around audio-magician, to cut a special half-speed master edition. Miles had previously worked his half-speed magic on our Arthur Verocai album re-issue, and once again we are totally blown away by the richness which Miles has brought out in his mastering technique. He has enhanced the listening experience and taken this wonderful album to another level.

To celebrate the release we have pressed up several vinyl versions; both standard master, and Miles' half-speed mastering editions on Black vinyl, alongside special limited edition Rose and Mint-Green coloured vinyl variants that were inspired by the audacious-looking cocktails on the cover - sheer 80s excess!

Detroit/Chicago and odd techno/house sounds influenced French producers Marius Cyrilou and Popodi Venturi to come back with a new banging crossover project called MOTORBREMSEN. Marius and Popodi already had many digital and vinyl releases on various labels like People Potential Unlimited records, Omega Supreme Records, Outrun records and on their own labels, La Maison Venturi, Bazaar Records under the names of Spaced Out Krew, The Ceeofunk Band or
Westbrook (and many others more).
This 5 tracks EP gathers many influences such as Theo Parrish, Moodymann ("So Confused") or Drexciya-n sounds ("Sanctuary"). Some deep and dark bassy house mood concludes this ep ("Human Freaks" , "Riding Over The Darkness"). Besides this, the marvellous voice of Mae Rojas (The Ceeofunk Band) comes with a sensual touch on the track "Tiger Prey (Radio Edit)". This EP gives an instant deep feeling of a happy-to-sad mood, with mysterious and sexy moments.
On A1 "So Confused", Don’t be confused, this is music to drive by in the hood with your low-rider. Gangsta boogie house at his climax for fans of Moodymann, Theo Parrish and all the raw house music mood.
On A2 "Tiger Prey (Radio Edit)", with the help of Mae Rojas (Cee-O-Funk Band) on the mic, Motorbremsen keep pushing their unique vision of house music : soulful but raw, relaxed but not so slow, catchy but weird at the same time.
On A3 "Sanctuary", let’s get on an electro-funk territory here. The guys explore a sound that can be rooted in seminal Arthur Baker’s productions and Drexciya’s mood but this a strong psychedelic feeling that is truly unique. All this comes with the special Motorbremsen’s touch of course. One for the B-Boys on acid...
On B1 "Riding Over The Darkness", get in the D’s train for a cruise. Laidback house with a monstrous bass and this almost G-Funk feeling. Hmmmm… delicious ! One for the lovers.
On B2 "Humanfreaks", let's get a bit darker. What begins like a bumpy beat get you little by little in real moody trip in a hot warehouse. Detroit techno muscular funk-infused inna 2021 style (by two guys who never listen to a Transmat record of their lives).

BBE Music presents a brand new album celebrating one of Philadelphia soul music’s most iconic figures, Teddy Pendergrass, remixed by pioneering producer and engineer, John Morales. This exploration of 1970s Philly soul at its apex focuses on one of the era’s defining voices, Theodore DeReese Pendergrass. Born in Philadelphia in 1950, Pendergrass sang church music at age two, and was ordained a minister at ten years old. Having learned drums and played in local bands during his teens, at 20 he was hired as a drummer for the Blue Notes by group leader Harold Melvin. After being spotted singing along onstage, he was soon appointed lead singer, and the rest is history… The masterful, revealing remix work of John Morales affords these classic songs improved clarity, allowing each individual player more space to be heard and modernising the recordings without ever losing sight of the original spirit. The virtuoso quality of the songwriting, production, arrangements and performances shine forth anew, and so do some of the music’s subtler qualities and nuanced, sometimes conflicted, subtexts that might have been overlooked in the most conventional view of Pendergrass in his prime. Curated authoritatively, remixed with love and passion, John Morales’ collection revisits our relationship with Teddy’s and Gamble & Huff’s music as compellingly and immersively as when it was new. Teddy’s timeless force resides equally in his talent for portraying truthfully the joys and hurts, beliefs and doubts, blessings and challenges of our lives, and in the bravery of confronting them all with an honesty that is still utterly extraordinary.

HUGE 45!! after last months Memphis 7" (the same band) we have here 2 unreleased Homegrown Syndrome trakcs rescued from an acetate in Jerry Jones attic . Double sided Disco funk burners all the way.

Home Grown Funk was also known as "Homegrown Syndrome," a controversial name bestowed to them. Before heading to LA they gigged all over Memphis. Some of the members were from an earlier 70s group called "Brothers Unlimited" and had earlier ties during the 60s with the "Memphis Invaders" (a peaceful civil rights activist group).

With aspirations of pushing Homegrown further, a few members including Jerry Jones made the move out west. It was LA 1977 when they were introduced to Ike Tuner through a mutual friend "Ricky G". It was a casual meetup. Then one night Ike had his son Ike Jr. go check them out while performing at the Soul Train hangout spot "Maverick Flats". Ike Jr. praised their performance to Ike and he had them come out to his Inglewood studio. The group walked into the studio with a funky track already playing and that's when Jerry Jones improvised this opportunity and started singing. Ike then turned and said… "Who is that singing?" Jerry said, "Thats me." Then Ike replied " YOU BIG MUTHAF***A! You could be my new Tina." From that point the group cut bunch of tracks with Ike over the years up until they're feature on his 1980 album "The Edge."

In 1981 Perry Kibble (Keyboardist for Taste Of Honey) was at "Concerts In The Park" and heard Home Grown Funk performing. He linked up with the group and got them a deal with Arista. During this time they recorded their hit track " Confrontation." Perry suggested that the group change their name because he didn't want another group with the work "Funk" in it and hence "Homegrown Syndrome." They also use the Arista studio to cut an unreleased acetate with tracks "Got the love" and "Party Vibes" which we have here

Words by: Robert Garcia

Around a year ago, Jerome Derradji received a message from a well known record dealer out of North Carolina. He found a couple of test presses at a storage auction near Durham. In fact the two tests Daniel found were for a Lee Moore release scheduled for release on NYC’s LM Records in 1981.

The 12” featured a vocal and instrumental version of the same song - Bodywork - a mean boogie down joint featuring Lee Moore’s trademark heavy bass, gritty soulful vocals and mad synths …
So here it is pressed for the first time, a lost 12” from the mighty king of Memphis Boogie Funk: Lee Moore!

Lead by 17 year old Carlton “Dirk” Poward, San Francisco’s Monsta was one of many ephemeral late seventies funk and disco bands that haunt the dreams of record diggers worldwide. This is the only song Monsta ever released - on a 100 copies one sided test press - in 1979. But what a song. Produced by the late Bill Withers, Give Me Something Good Is an epic disco funk monster that has never been reissued to this day! This Past Due Records reissue comes with a full sleeve and the story of Carlton “Dirk” Poward, Monsta and how the mighty Bill Withers got involved in the production of this magnificent slice of boogie. Ultra limited release as always, don’t sleep!

One of America's finest guitarists, Gordon Banks is most well known as Marvin Gaye's tour bass player in the 70s and co-writer in the 80s (as well as becoming his brother-in-law). He has also played with New Birth, Edwin Hawkins & Gladys Knight & The Pips. Norfolk and Midnight love were Gordon's post Marvin (Passed in 84) local bands, these two tracks were recorded between 86-88. You can hear Gordon's writing skills coming through with a far more late 80s pop vibe, like late Marvin joints, which I love.

Personally it's an honour to work with such a huge talent, Gordon's bass playing on 'Life is For Learning' still give me goosebumps every time.

Moar's skilful hands and exceptionally well-trained ears combine beautifully on all of his edits, and this is no exception. Full of space and room to breathe, the A-side's 'i' is a deep house/disco number and is a sparkling gem of a track. I can't tell you what the sources are, but the xylophone layered and looped over the dubby beats is a sweet spot you'll want to taste over and over. It could be a warm-up track, mixed into a peak time set, and is most definitely one for the late-night set.

Over on the flip this huge classic funky song has been beautifully re-rubbed by Moar, this fattens and tightens an already phat and tight classic groove with some electro flourishes. A very respectful mix perfect for the dancefloor!

Hand stamped records & limited press.

Volume Three in the Mr Bongo Record club series. Another showcase of recent vinyl finds and favourites from our DJ sets and radio shows. This is an extra special one however, as it lands in 2019, the year that we celebrate 30 years since it all began way back in 1989.

Compiled by David Buttle and Gareth Stephens, assisted by Graham Luckhurst and Gary Johnson.

Andrzej Korzynski is, without a doubt, one of the most important, celebrated and influential Polish musicians of the XX century.
He wrote plenty of pop hits, created a very famous and extremely successful Franek Kimono project, collaborated with world renowned movie directors like Andrzej Wajda and Andrzej Zulawski, and played a key part in the legendary studio group Arp Life. Korzynski is also well known for his soundtrack for a cult classic for kids, "Mister Blot's Academy".

All in all, he's perceived as an extremely creative person, a real pioneer who helped introduce synthesizers to the world of domestic film and pop music. A true artist with many faces, a handful of projects, and a musician that cannot be pigeonholed. Without any doubt, he is really something.

So, with all that being said, no wonder that The Very Polish Cut-Outs' attention was drawn by the Master's work.

Without further ado, we have an honoor and pleasure to announce this release.
Four remixed tracks from the very rich artistic output of Andrzej Korzynski. All the tracks were carefully picked by the composer himself, out of a dozen proposals. It is worth adding that such a release was a personal dream of Zambon, the TVPCO's founder, especially given the fact that his very first edit was "Baby bump", a cut by the aforementioned Arp Life group.

"Niezle Numery" EP consists of four top notch edits and remixes brought to you by a well-known pack of producers closely related to the label with the famous rooster logo.
Holiday 80 guys take over the A side having expertly cut original material by Zenek Czubaty (the predecessor of the legendary Franek Kimono studio output), finishing off with two thumping peak-time heaters with infectious vocals.
On the flip you can find a more relaxed and reflexive take with a downtempo twist. Pejzaz adds his trademark sound to "Monika", a piece deeply immersed in slo-mo vibe, while Karol Aleksander's "Welwet" is a nu-disco tinged groover with a personal touch. This EP is strictly dedicated to the lovers of hidden dance floor gems and die-hard collectors of rare stuff.

The outstanding cover was designed by long-time collaborator, Bartosz Szymkiewicz.

Following the first 12" of mother imprint Dusky Adriatic,
Dancing Tramonto is ready to release its 12" chunk of
summer. This time all 5 tracks by Italian producers only:
A1 "Wind Live Jam" is a funky disco house ride with DJ
Rou, D'Arabia & Jimbo all together behind the wheel and
on the mic, the trio keeps the Bolognese sound on a high
level with this super catchy track with a vocal hook that
will rock the dancefloor. A2 "So Hot For Your Love" is a
powerful disco house tool by Brine, the London based &
Bologna raised producer comes to Dancin' Tramonto with
this track adorned with a super vocal by himself echoing
certain Talking Heads sound and house edits. B Side starts
with a chicagoish house gem made by S-DM under one of
his various alias, you'll love its powerful bouncing bass,
will lose yourself in its tom & conga groove and its soft
pad. B2 is a lost gem coming from HIll studio straight by
the sea of our riviera, tropical 626 drum lines, a fresh
classic sounding lead melody and juno bass delivered by
the seaside for the seaside.
Last but not least we have "Unity House" by Manuold, a
deeper but still fizzy house track with mellow pads and a
gentle acid line.
This comes from the sea, the sun & the sand, from every
riviera of the world, from all those common yet special
moments lost in the sunset. Music for a never ending
summer

For the next release we head to Barbados and 1985 for the first official reissue of ‘Exit’ by Fire Flight. The best reissues succinctly capture a moment in time and this album provides a snapshot of Island life in the Caribbean region of the America’s in the middle of the 1980’s. The LP encompasses new wave, funk and early house rhythms with a backbone of calypso.

The idea for Fire Flight started with Carl “Beaver” Henderson, a musician, arranger and producer who initially provided back up band services for the Royal Bank of Trinidad & Tobago’s annual staff Calypso competition. In 1981 the idea quickly evolved into the 15 piece band that was Fire Flight who took Trinidad and Tobago’s performance spaces and annual carnival by storm with their electrifying life performances. The band also travelled to Toronto, Montreal and New York for their annual carnivals. In 1984 the band entered the now defunct Coral Sound Studios in Barbados to record their debut album. The driving force behind the LP was the band’s main songwriter Francis Escayg’s desire to explore alternative avenues of recognition for the band and to perform and thrive in the carnival off season. Highlights from the LP include the slow new wave funk of ‘Best Shot’ & ‘White Horse’, the melting pot of calypso, zouk and reggae influences on ‘Hard Life’ & ‘Mornin Lovin’ and the tropical proto house of ‘Wantin U’ that was a highlight of the Fire Flight live show.

The LP is pressed on heavyweight 180 Gram Vinyl with new full sleeve artwork from Bradley Pinkerton.

Killer trip into unknown South-East Asian Melayu & Pinoy Funk - Rare Groove -Deep Soul - Disco & AOR!

Few groups of musicians would be brave enough to tackle such an iconic jazz funk classic, but the Incognito guys under the guise of Citrus Sun and in the capable hands of their producer, Bluey, have pulled it off. This rendition of the Lonnie Liston Smith masterpiece from 1975 was recorded in 2020 and became the title track of an album, further to which it has brewed on the underground dance scene building an insatiable appetite for a release on 12” vinyl. So here it is in all it’s glory, coupled with an original instrumental jazz funk creation “Hard Boiled”. Grab one while you can. This 12” version comes in straight on the bass line.

Another entry into Unidisc's mammoth 40th anniversary celebrations is this sublime prime piece of 1983 boogie pressure from Ingram, boasting a refix from the mighty Mark Knight & Michael Gray.

James Ingram's evergreen jam was an anthem at 80's soul weekenders in the UK, as well as being a crossover record that found favour with B-boys and ravers alike with it's easy electro funk groove. A true classic in every sense of the world, 'DJ's Delight' is one of those tracks that just doesn't stop - watch that bassline! In the spirit of celebration, Unidisc has invited remix heavyweights Knight & Gray to bring their vision of the track into the year 2021 with their modern peaktime version appearing here in both extended and single versions alongside the OG mix. Absolutely essential repress, beautifully presented by your friends over at Unidisc.

"For Volume 5, we looked to a broad church - from Brazil to Cuba, Ghana, Jamaica, Japan, Mauritania, South Africa, Sweden, Trinidad and Tobago, the UK, and the US. We pulled songs from the 70s up to the present day and feature a stellar cast of artists. There’s an exclusive track from Sven Wunder which was recorded solely for this compilation. We also have a track from Admin which was released as a private press 7" at the start of 2021 and one we felt was far too good to only be available for the lucky few. You’ll also discover one of our most treasured Gyedu Blay Ambolley productions, a full-force African disco colossus! We hope you will enjoy this selection of seventeen eclectic songs as much as we do."

Here are 2 Tons of driving disco gospel Edits circa 1980 from NY's legendary Walter Gibbons.

Walter is heavy on the groove with a live turntable mix & intensifies the message with an impactful Edit. These artefacts are a glimpse of the personal Edits & unique creations that came from Walter's Room, highlighting the raw talent of this Disco pioneer.

Label Info:
Take a journey to the dawn of DJ culture with Sunshine Sound, the NY imprint that through a series of genre defining Disco Edits became recognised as the 'Birthplace of the Edit'.

These 'Disco Adjustments' would become the hottest tracks in a DJ's crate, spawning countless bootlegs & imitations since they first appeared so many years ago.
As influential as these recordings were, most only appeared as acetate discs individually cut in mono & sold direct to DJs.
Some of these were cut in such small quantities it could be debated as to whether they ever really existed at all.
40 years later and all that remains are remakes & rumours...

...or so it was thought.



Sunshine Sound rises again to bring you a series of classic, legendary & mythical Edits.
Travel back with us to re-discover monumental works that helped shape the sound of dance music as we deepen the textures of history with a series of exclusive Digital & limited Vinyl releases selected from the vault.
Sunshine Sound releases are distributed by Moonshine Sound, bringing you antiquities of historical Disconificance.

Red Vinyl

A Leftfield journey of rockin' sleezy disco edits! It feels like something weird and sinister is going to happen from the moment you drop the needle and keeps that energy throughout. Limited Heavy weight colored vinyl. Fans of DJ HARVEY, RON HARDY, PATRICK COWLEY and THEO PARRISH take notice

If you have any of these Insanely rare tracks then a nod of the hat to you. This LP includes tracks from the 2 70s soul 45s and the best tracks from the schizophrenic and wonderful self titled super rare LP from Melvin miller and Finley Martin's band known as Premonition and Premonitions. Deepfunk, Deepsoul, Disco and More. A seriously excellent listen end to end.

Explorations in Tradition, Technology & South African Dance Music (1983​-​1991)...

In the last decade, the breadth of plugged-in African music has become increasingly apparent. Samplers and synths have spread across the continent; nowhere is this more striking than in South Africa, where the end of apartheid coincided with the gradual move away from funk and soul-based township sounds and the emergence of electronic styles.

Enter Shangaan Electro, a seminal compilation released in 2010 of 180-plus bpm South African dance tracks; its rapid dispersal through global dance channels introduced ecstatic audiences to a previously marginal scene.

Shangaan Electro has its own prehistory in electronic variations of neo-traditional Tsonga music (Tsonga has replaced Shangaan as the favoured designation since the 1994 national elections). A new style materialised, pioneered in the early 1980s, integrating Western elements with electrified neo-traditional sounds, known as Tsonga Disco.

Tsonga Disco emerged at a time when apartheid-dictated radio censorship laws exerted near-impenetrable control over radio airwave access. Despite the restrictions, a raft of Tsonga musicians rose to national prominence.

Tsonga Tremors highlights a small but necessary sign of an emerging future. A stunning example of home-grown magic; something both organically arrived at and politically expediated through a cross-wiring of local rhythms, imported dance-pop, cultural censorship, emerging technology and limited means that became the catalyst in shaping the future of South African dance music, paving the way for Shangaan Electro’s international emergence nearly two decades later.

This compilation seeks to revive an important moment in Tsonga music history. These 18 tracks compiled by chOOn!!, a label specialising in obscure, archival and forgotten releases, should serve as a necessary starting point. Featuring early Shangaan-influenced dance music from legendary producers Paul Ndlovu and Richard Siluma alongside lesser-known Tsonga Disco and neo-traditional rarities from South Africa (1983-1991), they offer a disorientating and frenetically accelerated rhythmic bricolage of programmed drum patterns, cascading percussion, squeezebox keyboard lines and truncated vocal interjections sung in rich harmony. Infinitely absorbing and tangled with rhythm in a knotty osmosis between beat and pitch. The effect is both ecstatic and unusually elegiac, a DIY brand of pastoral neo-traditional soul, amplified minimalism and infectious body music.

Mastered for vinyl (2LP) and digital by Josh Bonati. Artwork by the acclaimed book designer Luke Bird.

Limited Edition hand numbered 12” – 1000 Copies: 40th Anniversary 12” release of much sampled “Baby Don't You Know” by fusion flautist, former Blue Note jazz artist Bobbi Humphrey, produced by Roy Ayers.re-created on original Uno Melodic art. Bobbi is from Texas who came to Uno Melodic after highly acclaimed music for Blue Note (including ”Harlem River Drive”) and Epic (“The Good Life”). She also recorded for Duke Ellington and Stevie Wonder. Out of the two versions of this record, the instrumental has gained particular notoriety over the years. Both the original 7” and 12” are extremely rare, the music production from Bobbi, Roy Ayers and his team in their element.

Imagine driving with the top down next to that new lover you can't quite understand just yet. The salty air, sun-kissed skin - and dare I say - some seaweed in their hair. Now imagine six songs playing on repeat, which sound weirdly familiar but also damn fresh at the same time.

Chances are you're listening to Kraak & Smaak's new EP - Scirocco - whilst driving along in all white, all linen through the French Riviera.

The package has an undeniable ambiance méditerranéenne to it; take for instance the EP opener The Cypress Garden, which feels as if you're entering a small Sicilian village with just a tad too many Celsius tapping the meters.

In turn, French Shuffle sounds as if AIR and Danger Mouse came together and drank Albariño until the early hours, whilst Cul de Sac keeps reminding me of that gorgeous person on the train I'll probably never see again.

Moreover, focus track and EP name giver Scirocco, with Fred Nevché, is a true testament to Kraak's ability of tastefully incorporating influences from any chosen direction. In this spoken word track we can hear the Marseillais poet reciting a highly descriptive and tangible story; inspired by Death In Venice, Nevché guides us through the art of seduction and connection.

The boys have done it again; they've made a classic genre sound vibrant and have crafted a rich and emotionally pleasing record. Across all the tracks we feel as if we're immersed in a different place and time and in doing so Kraak & Smaak might have just have made one of their most visually rich pieces of sound to date.

'Kraak & Smaak – Scirocco' will be digitally available from 10-09-21 onwards via Boogie Angst. The vinyl version, which includes a bonus track, will be released asap afterwards.

Total classic two-step soul / rare groove double-sider from Brief Encounter. Officially reissued and widely distributed at long last.

'Human' is an epic, banging, mid-tempo rare groove stepper with super-high production values and hooks for days. In our opinion, it's one of the best of this type of sound ever made and sits next to the likes of Bobby Womack, Don Blackman, RAMP, Leon Haywood, Rufus & Chaka and the other gems of that late 70's period. We mean every word – a classic.

'Total Satisfaction' retains the incredible production and song writing, on a more mellow tip. Once again it happily sits alongside the finest rare groove and soul music ever recorded.

The mega-rare original and promo versions, originally circulated from 1977, fetch up to around $500 now.

Artwork based on the original 45. Licensed from High Fashion / Beacon Copyrights LLC.

Disco Reggae Funk & Punk sensibilities are effortlessly fused in these classic recordings from the undisputed masters of rhythm - Sly & Robbie.

These Compass Point recordings became the bed for some iconic songs, however the backing tracks themselves were missing in action.

Washed up on a distant shore, the original tapes have revealed these previously unheard Instrumentals, showcasing the talents of Shakespeare, Dunbar, Badarou & crew.

Catch these legendary heavyweight grooves on 180g 12" Vinyl Limited Edition EP.

Every once in a while, a record comes along which resonates in a special way, stands the test of time, and brings the same reaction to the dancefloor now as it did all those years ago. 'Groovejet (If This Ain’t Love)' is one of those records, a classic in every sense of the word. Originally released in 2000, Defected are, re-releasing this club essential for new and original fans alike in a special, limited edition deluxe remix reissue.

This unique two vinyl pack comes in full colour gatefold sleeve with augmented reality cover that will come to life once you scan the mask image on your phone accompanied by a four page 12” insert written by Spiller detailing the full story of ‘Groovejet’; from original production, early reactions, chart success and new 2021/22 remixes.

The releases features the original versions plus new mixes Purple Disco Machine & Lorenz Rhode, Riva Star, Breakbot & Irfane and Harvey Sutherland. Exclusive to the vinyl are Riva Starr’s Skylight Mix and the Harvey Sutherland Instrumental version.

For many Disco and House music producers and listeners, Leroy Burgess might be one of the most important figures and inspiration, however being clearly quite unknown to the mass. Born and raised in Harlem, his musical knowledge was picked up informally through his mother (a classically trained soprano) and the infrequent family reunion with his mom's cousin, legendary Philly soul arranger/producer Thom Bell. It resulted in a 50 years musical career, which started in the late 60s within the Black Ivory band, under the shoulder of famous producer Patrick Adams. The list of project and artists he’s contributed to whether as a singer, musician, arranger, writer or producer is then incredible: Inner Life, Dazzle, Logg, Aleem, High Frequency, Change, Universal Robot Band, Rick James, Ben E. King, Eddie Kendricks, Narada Michael Walden are just a few of them. His influence to the Disco and Boogie musical movement is quite unequaled, and in the 90s he became also part of the Garage and House movement, ollaborating with acts such as Blaze, Glenn Underground, and Cassius. Since 2016 and a special gig at the festival “Nuits Sonores” in Lyon (France), where he was invited
by MCDE, Leroy Burgess started touring Europe, backed by a band composed of musicians from the French city. He says himself that it’s part of “the best musicians he had the honor to play with live”.
In 2018 at the New Morning in Paris, Pascal Rioux from Favorite Recordings, could confirm this feeling, while he also realized knowing most of these musicians, who collaborated to project from the label such as Mr Day or The Dynamics. There was not much more needed to launch the idea of some Leroy Burgess’ new recordings with the band, reviving the 80s analog production golden-age. Today Favorite Recordings is thrilled to present Work It Out / Til I Found You, new 2 tracks single by Leroy Burgess & Saving Coco, produced and composed by The Bernard Brothers and Bruno “Patchworks” Hovart. The Bernard Brothers is a Paris/London based production duo comprised of Elliott and Nevil Bernard. Elliott (aka Seiji Ono) and Nevil (aka Koji Ono) are also involved in running London reissue label, Melodies International. Bruno “Patchworks” Hovart, is a famous French producer, who’s proven over the past 15 years, his place amongst the finest producers of groove music in all genres through various projects such as Voilaaa, Mr President, or Uptown Funk Empire to name just a few.

Nuovo Testamento is the Los Angeles & Bologna-based trio featuring members of Horror Vacui, Sheer Mag, Tørsö, Terremoto and Crimson Scarlet.

With the addition of Chelsey Crowley on vocals, synthesists Andrea Mantione & Giacomo Zatti found that their initial coldwave tracks, originally written for the male voice, took on an undeniable synthpop feel. While still recording these songs for the debut Exposure EP in 2019, the band leaned into this evolution and their shared love of Italo disco, beginning to write what would become the New Earth LP.

Recorded in isolation during a global pandemic, New Earth is a dark Italo record dappled with light. For eight new tracks, dancing synths perfectly balance the rich dream of a charmed life with melancholy. Guitars have taken a step back, allowing disco beats to flood the floor and joyful fun to prevail. The record anticipates a return to dance spaces, imagines shared experiences and celebrates personal power.

Produced by sound engineer Maurizio Baggio (The Soft Moon, Boy Harsher and many more), with vocal recording by Riki and featuring guest vocals from B. Sven Gustavson (Spectres, Nouveaux), New Earth reflects international influences from the goth club scene to Hi-NRG classics, reminiscent of Italian Baby Records, Mute Records and the spaces in between.