Techno Vinyl New Releases - News

Opak records alkyle series is a indépendant music label owned by Seq9 & Eeror303.

The music selected on the label is a melting pot between Techno, House, Minimal, Chicago, Détroit, Electro, Pop, Uk funky and Abstrakt Hiphop.

Since 1988, Todd Sines has released experimental house, techno, electro and post punk on Carl Craig's Planet E, Daniel Bell's 7th City, Andy Vaz's YORE + Background Records, Titonton Duvanté's Residual, Archetyp's 21/22 Corp, Dego's Reflective UK, in addition to Frankie, Circus company, Philpot, Morris Audio, Rawax, Moto Music and many more. In addition to music, he's also an accomplished director, photographer and designer, working with Sisley, V Magazine, GE, Nokia, Express, DVF, HBO, and The Weinstein Co.

On this Ep we have three cuts of modular goodness that each bring a different flavor to the party or the after hour .

For home & club listeners

Keplar presents the first-ever vinyl edition of the 2003 album »From Tokyo to Naiagara« by Tujiko Noriko. This reissue with new artwork by Joji Koyama is an abridged version of the album as Tomlab label owner Tom Steinle and producer Aki Onda had originally intended to publish it alongside the original CD version. Written by the France-based Tujiko while she still lived in Japan, »From Tokyo to Naiagara« followed up on her two seminal Mego albums and marked a turning point in both the artist’s career and personal life: While she was preparing to leave Japan behind, she succinctly connected the dots between her experiments in pop music and her interest for more abstract sounds. Tujiko worked primarily with a Yamaha synthesizer and an MPC sampler while also incorporating contributions by other musicians such as Onda, Riow Arai and Sakana Hosomi into the pieces. Sometimes approaching an IDM and clicks’n’cuts-style production or working with trip-hop and hip-hop beats while using conventional song structures in the most unconventional of ways, the album showcases her multifaceted influences and skills as a singer and musician to full effect.

Tujiko fondly remembers the time when she made the album. »I had a lot of time for myself back then and I didn’t even feel like I was very busy,« she says today. She describes producing it in close collaboration with Onda, who would relocate to New York City shortly after, as »quite Tokyo and very local.« They explored parts of the city that they hadn’t yet been to for a photography project (finding, among other things, a coin laundry called Naiagara—a transliteration of Niagara). This left its mark on a record that mixes melancholia with joy. The driving opener »Narita Made,« named after one of Tokyo’s airports, already makes this clear: Tujiko’s wistful vocals and lyrics like »I miss you terribly« emphasises the sense of bittersweetness that forms the common thread for a sonically diverse and stylistically open-ended album—this music is looking back while moving forward. It is probably no surprise that its reissue too evokes tender memories of Onda and Steinle in Tujiko, while also reminding her of what lies ahead. »I have so much more to do and not enough time for that,« she muses, before quickly adding: »But I also feel less alone having that album again.«

Influenced in equal parts by the experience of strolling through previously unknown Tokyoite back alleys and thinking about the paths not (yet) taken, »From Tokyo to Naiagara« is precisely that: the perfect travel companion for a journey that leads its listeners from past to future.

Platipus needs no introduction for anyone in the dance music business. Still going strong after 30 years, the label boasts loads of classics in the trance and progressive firmament. To celebrate this anniversary a special series of 12 collectible vinyls will be released over the next year. The 3rd release opens with the mighty Album 12 Inch Mix of Chab featuring JD Davis’ Closer To Me classics, which is very much sought after, topped with Ferry Corsten’s great remix of Art Of Trance’s Madagascar classics. The B-side is blessed with a more recent Torsten Fassbender release named Skychayu in addition to Indiana featuring Jana Kuma - In My Veins in the Adam Dived Remix. Another great vinyl release from the illustrious UK label Platipus.

Loing time awaited first LP on the Kabal Soundsytem records label. 8 powerfull Speedcore/Hardocre/noisecore tunes. Everything was done for it to be a miracle, sound is loud... even visual have been worked properly : Printed Cover and printed Undercovers.

After the release of DISSIDÆNCE Episode 1, warmly met with both critical and popular success, Vitalic keeps his promise and returns with a second instalment, darker and more techno than the first, and this time with a marked industrial aesthetic - cold and minimal. The composition and production style have a post-cold wave heritage, something that has always been part of the artist's DNA but is now brandished with renewed pride.

DISSIDÆNCE Episode 2 opens with Sirens, a towering tornado of synths and sweat, followed by Dancing in the Street, The Void and Light is a Train, sparse techno boiled down to its essence - mechanical, cold and alarming. Tempering this hostility are moments of grace and poetry like Marching, Friends & Foes and Winter is Coming, both melodic and melancholic.

A two-pronged project masterfully orchestrated by Vitalic, a strange cosmic voyage of implacable energy.

Pieces of debris washed up on a coastline shrouded in mist. Gratification comes from an eternal search for solace. Locked away at the top of a lighthouse somewhere on an unnamed isle, Grady Steele broadcasts to those within the beacon’s reach. A soundsystem built of driftwood and salvaged car stereos is pieced together with precision and laboriously dragged to the top of the obelisk. A timeless fugue state spent playing arpeggios on a Spanish guitar, the PA system ebbing out phasing loops across benevolent waters. Layering, occasionally faulting, stopping, recording, starting again. The phosphorescent glow atop the obelisk is ever-present.

Perhaps the first release on Archaic Vaults to feature (at least prominent) use of the guitar, these six compositions feel sketch-like and yet burned into the retina, like that of a passing car’s headlights leaving an impressionistic imprint of the source material. To mention this is Grady Steele’s debut release is not to imply he is new to working with sound, having been the proprietor of one of London’s most important soundsystems for the last decade. An obsession with fidelity can be heard and and at times deliberately perverted amongst the body of work. The warm and melancholic tones of the Spanish guitar evident in almost all songs are juxtaposed with various collaged material, including what sounds like hastily captured iPhone recordings and drum machines neglected at the back of the studio, dragged out for one or two stubborn, lurching takes and then once more committed to storage. The 90s voice-imitator pads glowing with undulance are reminiscent of John T. Gast’s early studio takes, and the synergy and precision in guitar layering could lend a clue as to what Fuck Buttons would have sounded like had they sold off their studio equipment for a couple of wooden 12-stringers. Stare long enough at those Windows 95 screensaver-esque rolling hills, and one might witness some miniscule movement in the growth.

Music composed and arranged by Grady Steele Painting by Antoine Larrera Mastered by Owen Pratt Design by Severin Black

The Berlin based Russian artist Alexey Volkov appears on Sacred Court with a mesmerising 4- Track EP after his previous releases on Planet Rouge and Jealous God. Broken beats, voices and strong rhythms stand out on this wax.

Hand-Numbered

Incl. Legowelt, Younger Than Me, Hardway Bros & DJ Squid Remixes

ASC's brand new imprint, Diode, kicks off with 3 techno tracks. Full of vibrance and the usual production nuances we've come to expect from ASC over the years. Solenoid is the lead track and gets straight down to business with no messing about. Heavy kicks, keys laden with fx, and snappy percussion make this a firm floor tune. On the flip, we have the moody and sinister Release, which flirts with darkness, and backing it up is the essential Carrier. 3 standout tunes from a name synonymous with quality electronic music.

The second part of the Blue Channel Session completes the bundle. Steve O Sullivan crafted an additional, stripped-down version of “Complete With U” under his Bluetrain alias, as featured in the original release on the first vinyl. Limited coloured vinyl.

Blue Channel is a brand-new dub-roots collaboration between Bluetrain aka Steve O Sullivan, and Another Channel - two titans in the dub techno scene. They are accompanied by Prince Morella, who adds his smooth vocals on top of the scapes of chords and delays. If you are into legendary labels like Maurizio, Burial Mix, and Rhythm & Sound, then this one is for you. Limited coloured vinyl.

After levelling up with our last outing, the SPZL team return with 4 heavyweights on remix duty of tracks from Sifar by Das Spezial.

Low Jack, Bruce, Lakker, and Etch all tame and rework the original EP to produce four moments of magic in their own unique style.

Hold tight for the heaters, this one is coming in strong!!!

Killer electro anthems. Der Panther and die Gestalten! As always no repress here, no games, no faces no bling bling! Vinyl only.

Strong limited Box set contains: 3x 190g 12Inch / 1x 1000g/sqm Box with UV Spot Finish / 2x Screen printed Slipmat / 1x 24 Pages booklet / 1x A2 Poster / Stickerset / Heavy Underground Resistance and Detroit infected electro anthems! Die Gestalten! Made by a completely unknown source out of nowhere. vinyl only! No promotion, no digital, no social media, no faces, no games!

Monster split from the OS XXX crew.. Gnarly Acid Wielding Techno-Houz bombs from E.S.S.D & Raw Ambassador AKA Antonio - also on on the cut!

With Echoes of Ego, the debut 12” on fleet.dreams’ newly formed Vinezza Records, the aim was to create an eclectic tapestry of magnetic rhythms that satisfied the listener equally in the club, a mix or at home. Insisting on sacrificing the mentality that dance music must follow a certain formula to be well received & instead pushing the envelope to challenge conventional notions of genre.

Semioptila sets the stage with a distinctively layered, percussive discussion. A repetitious rhythm is tethered loosely by a breathy, calmative vocal before introducing a lucid soft synth that shifts the narrative into a deep & tranquilizing sonic progression. Tan Gallant follows suit with a feverish, conga driven conversation. Intoxicatingly narrated by a meditative mantra & a stutterstepping, trance inducing melody that lines the velvet fabric with an effervescently galloping bass.

B side opener Deep Respire initiates a new chapter in this aural odyssey defined by dub adjacent mixing and instrumentation. Vaporous chords strike and drift across an ethereal landscape of hand drums and scattered hi hats, materializing in a lush and delirious environment. Title track, Echoes of Ego, bestows a celestial assemblage of kaleidoscopic textures with a rolling sub bass that pulsates in perpetual fervency. Gaining momentum at a meticulously calculated pace, wind chimes crescendo, making way for a sensual and spiritual harmonic consummation.

In a world of musical conformity, fleet.dreams stands as a beacon of creativity and a testament to the boundless possibilities of electronic music, ensuring that listeners remain captivated and curious. Written & inspired while traveling Mexico in the summer of 2023, Echoes of Ego is an introspective reflection of self via hypnotic percussive rhythms, resulting in a seductive ballad of tech meditation.

Flug is back with a super deep 4 tracker on Andre Kronerts ODD EVEN. Flug, as his name suggests, allows his audience to take a trip back to their roots, back to their inner self and what it is to really feel techno. Do not miss this one!

Japanese industrial-experimental-synth outfit formed by Tommi Tokyo (synths, drum machines, vocals) and Sayaka Botanic (violin, sampler, tapes). They create a unique mixture of dark minimal synth and avant-noise with striking visuals and stage performances. Group A carries on the very breath of early pioneers such as Throbbing Gristle, Cabaret Voltaire and the Japanese underground scene from the early 80’s. This is the vinyl edition of group A's 2nd self-produced album released in October 2013 only in CDR format. 9 tracks of genuine experimental minimal electronics.

After a decade of releasing house and techno records on the labels of others, Jozef K presents his new label, Dreaming Forever. The first release offers 2 original tracks, 'Loveparade 2096' and 'Astrophel'. The flip contains 2 remixes from Skudge & Tin Man. Jozef declined to comment on the music, stating he'd prefer listeners held their own natural perceptions.

Kombinat 100, the suspiciously band-like live act from northern shores, are set to unleash their eagerly awaited debut album ‚Wege Übers Land’ (ways across the land). Here, everything we know and love about these notorious dancefloor smashers reemerges from the studio, squeaky clean and freshly rinsed, polished and arranged. An irresistible retrospective of Kombinat 100’s countless live gigs, there is no other way this album could have come about: All of the four Mecklenburgers’ tracks have their origins on stage.

So don’t be surprised if you find yourself moshing along from beginning to end! Kombinat100’s eclectic mix and match of influences touches on more genres than you could possibly think of, from techno, house, dub and pop to jazz and beyond, interspersed with plenty of lovingly crafted moments of homemade bliss. And it is precisely those moments, when the boys reach for their acoustic sidekicks, from accordion and melodica to congas and hammond organ, that our hearts miss a beat. Unafraid to flaunt grand emotions, melancholic opener ‚Flieg kleine Taube’ (fly away, dove’) and the sun-drenched sounds of ‘Hanne Nüte’ meet their match in the rocking grooves of ‘Out Of My Space’. In-between, the boys invariably return to their gig-inspired dancefloor roots – ‘Woterfitz’, ‘Del Maritim’ and ‘Der Pomel’ are set to move your heart, feet and mind. So, finally: a breath of fresh, Open Air for your living room!


Kombinat 100, der bandverdächtige Liveact aus dem Norden, veröffentlicht nun mit "Wege übers Land" sein lang erwartetes Debüt- Album. Das, was bisher den Dancefloor zum Einstürzen brachte, bekommen wir nun sauber im Studio aufpoliert und arrangiert. Dabei handelt es sich um eine Retrospektive der unzähligen Live-Gigs der vier Jungs aus Mecklenburg. Ihre Tracks entstehen auf der Bühne, sind für die Bühne konzipiert. Deshalb muss es auch niemenaden verwundern, wenn man von Anfang bis Ende mitgeht. Kaum ein Genre wird ausgelassen, wenn Kombinat 100 seine Einflüsse aus Techno, House, Dub, Pop und Jazz reflektiert. Aber auch die heißgeliebten handgemachten musikalischen Augenblicke dürfen natürlich nicht fehlen. Denn genau dann, wenn sie ihre akustischen Instrumente, wie Akkordeon, Melodika, Conga`s und Hamond Orgel zum Einsatz bringen, schlägt unser Herz am höchsten. Diese Tracks stehen zu ihren großen Gefühlen, wie der melancholische Opener-Track "Flieg kleine weiße Taube" oder das sonnenverwöhnte Stück "Hanne Nüte". In der Mitte wirds dann mit "Out Of My Space" shufflig und rockig. Dominiert wird das Album jedoch durch die Tracks "Woterfitz", "Del Maritim" oder "Der Pomel", welche ganz klar für den großen Floor zugeschnittenen sind. Endlich: Kombinat 100 gibt uns ein Stück Open Air-Feeling für's Wohnzimmer!

repressed !

7" flexidisc vinyl

Dub Tree is a sine wave heavy bass line trip. Pads and light rave pianos keep this track both heavy and light at the same time, delivering a track with serious punchy kicks that'll keep any raver stomping wildly thru from beginning to end.

Pads and light rave pianos keep this track both heavy and light at the same time, delivering a track with serious punchy kicks that'll keep any raver stomping wildly thru from beginning to end.

Repress!

Western Lore is proud to present 'We're All Disturbed', the debut long player from Mancunian brothers, Response & Pliskin.

Throughout a dreamlike sequence of 10+ minute epics that further blur the boundaries of jungle & techno, the duo explore themes of violence, corruption, tyranny & propaganda; Painting a stark vision of a present day dystopia lurking within the cracks of society.

3 x heavyweight (180g) black vinyl, shrink-wrapped & housed in a full art gatefold sleeve.

The seventh release on DJ Seinfeld’s Young Ethics imprint, sees Danish electronic music producer and multi-instrumentalist Sorenious Bonk, put forward an enrapturing LP of electronica and techno.

Originally classically trained in guitar and piano, Soren spent many years working to a strict regime, until he shifted into the electronic sphere and unlocked a new appreciation and direction with sound. He cut his teeth in the world of musical composition for film and television, notably contributing to the soundtrack of hit Netflix series “Sex Education” and has now turned his attention to a more electronically focussed output.

Touching on elements of ambient, electronica, indie-dance and techno, Soren shows an adept range throughout the LP, approaching electronic music from a new stand point and delivering a unique listening experience.

Young Ethic’s are pleased to present Sorenious Bonk’s debut LP.

Sometimes, things "just happen". For months, we’d been working away on various projects and then, without really thinking about it, The Black EP just happened. It seemingly appeared from nowhere.

We’d been talking about the old days; making music with friends and dodgy kit, renting small practice rooms and using makeshift recording studios. It was such a common thing back then, you could pick a dusty space in a half-derelict building for as little as £25 a month. In those days, the Cabs and Human League had studios with posh-sounding names, but in reality, they were the same old workspaces long abandoned by the industries they were built for. Nevertheless, the grand names made them sound magical.

Sheffield had thousands of these spaces, and some still exist today, but their abundance and low-cost made Sheffield a very active place. Someone was always doing something. They’d exploded onto the scene in a flurry of excitement before disappearing just as quickly.

There’s something about these little mesters (workshops) that we believe lives in the very consciousness of Sheffield. It’s one of the reasons we never really had big scenes like Manchester or Leeds. The Hacienda would've never been built here.

We don’t really do big gangs or have that kind of mentality. We tend to exist in little pockets, often leaving each other alone. It would be 30 years before any member of The Black Dog talked to Cabaret Voltaire. Sure, we’d stood outside their practice room as kids, trying to listen in, but never felt any reason to approach. Sheffield is like that.

Once we had the first two tracks of the Black EP, we set off to see Jon at Do It Theesen, where he manually cut the tracks to an extremely limited set of 7" singles using a vinyl lathe. It just felt right to go back to the old ways; a small gang creating something special in workshops and sheds. There’s something very satisfying about it, a perfect circle, if you will.

We pushed further by adopting old practices, working with one synth per person and limiting the use of our computers. We only stopped short of putting everything on beer crates. It seems like madness these days, but there is raw creativity within these confines. Pretty much every band started this way. Depeche Mode travelled to the studio on the London Underground for their first appearance on Top Of The Pops, all lugging a synth each. That's how we approached the creation of this album; stripped back, raw and minimal - it just felt so right.

And then there’s the competitive element that was influenced when the original Human League split and became Human League MK II and Heaven 17. Both continued to use the same studio to write what became the albums "Dare" and "Penthouse and Pavement". There is something about that drive that is very Sheffield, just making stuff and hoping everything falls into place.

In Sheffield, we do things differently, because that’s how we are built. away on various projects and then, without really thinking about it, The Black EP just happened. It seemingly appeared from nowhere.

The Tonja Holma name has been around for over a decade now, but no song has ever been released under it, that is all about to change as Prydz releases the first ever EP under this alias, LTD copies.

The Bird Flew High Through The City Between The Tall, Towering Buildings. It Could Not See The Mess Which Lay Down Below Amidst The Streets For It Was Surrounded By The Deep Blue Glow Of The Morning Light And The Mirrored Reflections Of The City Skyscrapers Which Stood Tall Like Monsterous Dinosaurs Atop The Sprawling Landscape. There Was Not A Cloud In The Sky Today As The Smacky Dove Left London For The Last Time. It Would Travel South Above The Sea To A Place Of Warmth Far, Far Away.
Trinity Carbon Continues The Breakbeat And Rave Revival With A Four Track Ep In What Makes Up The First Art-e-fax Release. This Was Our Favourite Cut From The New Release Which Features Beautiful Strings And A Rugged But Steady Beat.
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Dj Support
Ltj Bukem, Laurent Garnier, Doc Scott, Dario Zenker, Octo Octa, Ruf Dug, Silva Kastel, Deadboy, Ratpack, Bleid, Chaos In The Cbd, Adam Shelton, Barely Legal, James Zabiela, Hrdvsion, Candy Pollard, Tom Trago, The Maghreban, Anastasia Kristensen, Photonz, Extrawelt, Rsd, Ciel, Nick Craddock, Kornel Kovacs, Dj Guy, 2 Bad Mice, Soundbwoy Killah, Addison Groove, Etch, Qzen, Franklin De Costa, Asok

Cantina Cuts welcomes Eruption FM's DJ Uplift to the label with four heavy jungle and hardcore tracks.

Nach dem Erfolg der ersten TechnoBase.FM-Vinyl schickt ZYX Music die zweite Ausgabe ins Rennen, um die Herzen der Musikliebhaber des HandsUp-Genres zu erobern. Auch dieses Mal begeistert die Doppel-Vinyl mit vielen Hits und Ohrwürmern, so zum Beispiel „God Save The Rave“ von Scooter und Harris & Ford, „Total Eclipse Of The Heart“ von Jan Wayne sowie „Tell Me Why“ von Prezioso feat. Marvin. Zur idealen HandsUp-Party animieren Songs wie „The Biggest Party” von Claude Lambert und Cloud Seven, „Tricky Disco” von Discotronic sowie „Richtung Sonne” von Timster & Ninth und den Seaside Clubbers. Mit insgesamt 14 HandsUp-Songs eine starke Vinyl-Edition des Webradiosenders TechnoBase.FM!

On the 4th installment of Bazovoe Techno branded vinyl only VA series this time there are two UK veterans Inigo Kennedy and Joe Far together with the label heads Keyser and Dawn Razor and their friend Hyperia.

Long-cherished underground stalwart Claus Voigtmann finally serves up his long-awaited new album Life Miles after many years of essential sounds on labels like Assemble and Intermission. He really shows his range here with a record that draws on his experiences of playing around the world in all sorts of different settings.

'Pinfire' and 'Transitory Moments' open up and take you to the heart of fabric, a club he has played so often, while 'North of the Sun' heads off into space on sleek electro rhythms while the likes of 'Abundance' bring cosmic melodic fun to a lively and inventive rhythm. Elsewhere there is the high-speed electro-funk of 'Flight Of Fancy' and the introspective downbeat trip 'Send Love To The Future' making this a varied and vital affair.