The discovery continues by exploring mystical areas around the moon. SPT006 contains four galactic tracks by Lucinee, Blue Hour & Alpha Tracks, a_000 as well as co-labelhead Frank Heise.
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Can you hear the hoofs? For their first Various Artist Compilation, Espace Noir is proud to bring to its stables some of the most daring riders in the scene. All the way from Canada come Unknown Mobile and Maara. They join Melbourne (Naarm) favourites Mabel and Reflex Blue. The result? Stomping 303 lines, spaced out vocals and punching breaks that might just knock you off your saddle. Giddy up cowboy, these equine beauties are gonna take you for a real gallop.
c B1 | Reflex Blue - Floating Down Stream Virtual Mix
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The third KRI Records release features the infamous Italo Moderni label boss Adrian Marth joining forces with the Italian EBM master Diana Berti (Violet Poison) and it’s a belter. Warm and punchy analog beats are spiced with haunting melodies and sinister pads that will break even the toughest of ravers. Sturdy EBM-ish and Wave production is cushioned with Adrian’s mysterious vocals adding yet another layer to a diverse EP accompanied by two heavy-weight remixes. Magic Fantasia is reimagined as a dirty electro firecracker by Chupacabras (L.I.E.S.) while Panoramix Forest is transformed into a commanding EBM march by Chino (Pinkman).
Think of Dario Argenti walking into a dark club at 3 AM…
Machines used for composing this EP: Roland Juno 106, Korg Polysix, Korg M1, Sequential Circuits One, Formanta Polivoks, Oberheim OB-X8, Ensoniq esq-1 Korg poly 800 modded, Simmons and 808 drums.
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Warg Records proudly welcomes its second release of the year with Arnaud Le Texier.
We are honoured to have French born and London based Arnaud on the label again as he was the very first artist to release on Warg Records. Arnaud's career dates back to the nineties when he began managing record shops, producing and building what is now a huge archive of knowledge, taste and musical dedication to his name. This release features four energy driven original tracks. The wild baselines and rhythmic low ends bring Warg's idea of techno to life.
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Hardware-led dancefloor jams are the order of the day for the new 'Circuits' series from Lisbon's Carpet & Snares Records, and who better to kick things off than the circuit-master himself, Berllioz.
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Bertram debuts on Dutch cult label Pinkman Records.
Fueled by nostalgia, 'Lights Out' aims to execute industrial old school dancehall and dub within a raw electronics framework. It combines old drum machines, vintage synths, acid bass lines, Sherman-laced vocals by Bertram and the people in his life, and clever approaches to the creative process and production.
He believes in a ''it takes a village" approach and worked closely with label head Marsman to iterate the project. The release is blessed by remixes courtesy of C.L.A.W.S. and Chris Mitchell.
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Carpet & Snares Records in Lisbon continues its analogue series Circuits with a welcome return for Rawax alumnus Brother G. Each of the four tracks here has its own afternoon mood – the lazy, hazy, almost kick-less pastoralism of 'Stress Relief' contrasts with the wakeful buzzing of 'Give It A Try', whose steps and spirals in turn give way to slick and focussed microhouse on '10ml Bottle Please'. Finally, 'Xanax' is nothing but a daydream, its detuned IDM pads and broken beats the perfect soundtrack for self-medication and a cup of tea. Limited to 150 copies
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"Brule" is the new EP from the band CONTREFACON, featuring techno, rave, and acidcore influences, with nods to iconic acts like Daft Punk, The Prodigy, and Miss Djax. The EP retains the eclectic blend of sounds that defines CONTREFACON. The project takes its name from the lead track, "Brule", which opens the EP with a groovy and acid-infused homage to the sounds of the 90s. This is followed by a deep, ravy anthem titled "Z.A.T.", and the EP culminates with the more intense and powerful acid music of "Cluster 303" and "Vega".
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Berlin's Monnom Black is back again with the King of The Sewers EP; four cuts of pulsating techno from two of electronic music's most uncompromising young figures, DAX J & UVB. Already well-known for its more fundamentally rugged take on modern electronics, the label's 19th release is another intense transmission deep from the underworld.
The menacing tone of the EP hides the friendship that's developed between these adopted Berliners, two young men who met in the city and discovered a shared passion for raw analogue audio and electronic sounds that marry starkness with depth. Although they began DJing at the same warehouses since 2014, the duo have waited until the right moment to bring together their mutual love of unique mechanised noisescapes and the high-end production values they ve developed over years of experience and experimentation. The King of The Sewers is that record, a gritty soundtrack inspired by forgotten lives beneath eastern-bloc cities.
For Monnom Black this latest release continues a run of unmistakable techno records that challenge the mainstream with a non-conformist philosophy. The label's ethos is to push boundary-testing music by artists who are unafraid to explore a chaotic, divided world in the belief that distinctive music can still create moments of grace and community. This is music for the deepest, darkest parts of the night, breaking beyond the dancefloor and into the liminal spaces where analogue and digital, body and mind meet. The King of The Sewers EP represents another step forward in the development of a record label pressing at the borders of what contemporary techno can be.
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DJ ARG is back on Dream Ticket and once again he is Not. Fucking. Around. Four headmelters from the master himself that traverse breaks, house, techno and booty. Hardware was indeed harmed in the making of this record. Live with it!
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cybertek cyborg DJ Wachita China takes his signature glitch-craft 2 cyberspace 4 a computerized ride 2 the virtual rave. an intergalactic menage a trois of sleazy electro, horny A.I. techno, and after-hours sex-bot erotica.
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London-based, Australian-born Teneil Throssell, aka HAAi, is known for a strain of sonic psychedelia that metabolises precise sound design, melodic techno, electronic pop and thundering beats. Following the release of her acclaimed 2022 album, Baby, We"re Ascending, HAAi has reached what she calls "another career milestone" - an invitation to steer the next edition of !K7 Records" acclaimed DJ-Kicks series.
XLR8R: "great release as one would expect"
Hunee: "everything is going up in smoke and descending lightly and gently like black feathers falling on snow"
Sven Vath: "catches my heart"
Ame: "great”
Esther Duijn: "outstanding”
Darko Esser: "mindboggling EP”
Pitchfork: "nice apocalyptic vibes”
Black smoke coming from the chimney; we have a blast off! Intergalactic Gary launches massive 4 tracker from his his lab.
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Jdotbalance is a Chicanx producer from Texas currently based in Chicago. They run the GUD4U newsletter, party and mix series and have been featured for mixes on DAISYCHAIN, BIZAAR BAZAAR, PAPI JUICE, JEROME, RUMORS, and NEW WORLD DYSORDER. Here they are with a backboard smashing vinyl debut dunk full of a futuristic mix of sexy, raucous club and fast techno propulsions that showcases just how varied the energy palette of North American club music is.
“Let’s” opens up the A side with a fast techno kick and panned static flickers. Wonky pings wander left and right. This track is a true traveler…start to finish this will have the dancefloor wishing this condensed fantasy epic, inexhaustibly traversing moods and instruments, would swallow up the club and continue the stomping ride down down down the devil’s gut. A2 has a different boom but the same amount of bump. Claps dance around the 2s and 4s, showing you how to move to Jdot’s vision of gyrating, high-energy club music. A vocal sample swells like a siren. The kick moves in triplets. The peak is psycho. The track comes down just in time to pick its energy back up with big bass melodies that take it to a sonar underwater close.
Flip to the B side. “Wilin’” brings the club kicks and undulating melody that floats on top together in rhythm. Interesting rhythmic changes make you rethink your body. One can hear shimmers of the UK wobbling in to snuggle up with the ever-evolving contemporary US club landscape. “Whippit” closes out the whole shabang with a spinning, up-tempo jaunt that packs a dense punch, all bringing home the point that Jdotbalance is not messing around. CAUTION! HIGHLY FLAMMABLE TRACKS!
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It's a big pleasure for us to welcome back Mario to the label after a long while. He delivers four raw cuts of harsh techno, crude, direct to the bone but always with a wise use of the elements to make things intelligent and intrincated.
First cut "Pattern execution" proves all this as a statement. Obsessive sequences, distorted groove elements, tension all over an ever changing arrangement.
"Path of authority" reminds the early Birmingham days, again using distortion as weapon. Bringing the heritage of the best records from the nineties to this dystopian present we live in.
"Balance of power" runs over similar parameters than the previous two, increasing the BPM rate and delivering more intricate sequence lines and paranoia.
"Frontline" closes this crude exercise, still fast, still hard but yet mental and futuristic.
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We wanted to celebrate the music of integral Samurai family member Last Life by revisiting his Samurai contributions with remixes from artists Mauro saw as best candidates for adding a new perception.
The first in this 2 part series enlists two fellow Samurai Music family members and titans of the Techno / wider electronic musical sphere - Donato Dozzy & Reeko.
Donato flips Hidden into a driving 4/4 170 terse wind out, while Reeko rebuilds Tensor into a serpent-like groove around a thunderous kick.
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Lean’s debut EP on Libertine Industries. All the tracks have been written during the first lockdown, inspired by late 80’s - early 90’s cartoons. The EP showcases the young Italian's style, a blend between EBM, Industrial, Acid and Italo Disco.
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Lazy Reflex Complex lands their second release with a split EP by Clone's techno-ambassador Lenson and Sculpturism / Miller & Keane; two collaboration projects of Dave Miller that were produced back in 2003. Tranquilizer, originally released on the Schenk1 compilation (Onderwereld), has been remastered for vinyl and is exclusively available for the fitting format. Label head 543ff reworks Tranquilizer in an ominous and hypnotic fashion. Big room beats built to shake floors and move crowds. Mastered by Audiosculpture.
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Lon debuts on Arketip Discs with 'A Dead Body Falling EP', showing up an intense manifestation of his true belief. The batch is completed along with two expertly forged reworks. 'A Dead Body Falling' lays down an intense and deep, meticulous, melodic venture, exposing his highly addictive modular sounds. A four-by-four workout marked by an intense flavour that repeats throughout the entire track and spiced with spatial sounds that make it an energetic tool destined for non stop dancing.
'The Shape of My Drum' is a complex mesh of syncopated industrial rhythms and emphasised soundscapes. It's a multilayered exercise where percussions make a powerful passage. Doubtlessly Reeko is a cult name, the Spanish DJ/Producer delivers a mesmerising remix that immerses in the creation of a multidimensional effects narrative. Everything in this track is highly precise, where floating patterns shaken by driving saturated drums lead us in a hefty mental experience.
Temudo's remix is a modern approach to techno, that includes rude and repetitive rhythms. The Portuguese mastermind eliminates any melodic passages and emphasises a devastating architecture specially designed for the dance floor.
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The sixth UFOs outing is another intergalactic adventure in sonic form and this time at the buttons it's New Balaance, a Mexican artist at the heart of a new wave.
Space Jungle though is an apt title for this EP, which kicks off with some stylish breaks and nimble basslines overlaid with lush cosmic arps. 'Space Jungle' (feat Parallax Modulators brings a more pensive mood thanks to the sustained chords and deeper grooves, but subtle acid and chattery perc bring it to life.
'Grantourismo' is a lively and dynamic cut with more swirling synth work while 'Redemption' closes down this quartet of excellent explorations with a mix of 90s prog, techno and breakbeats all imbued with plenty of colour.
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After making his mark on TWDIG01, the enigmatic artist Noamm from Northern Greece makes his return on Tiger Weeds with a solo 6-track EP. Featuring stripped-down, back-to-basics sound, which truly showcases his mastery of minimalism. Each track has been thoughtfully composed to emphasize the raw and unadulterated essence of electro. In today's complex world, Noamm's music embraces the 'less-is-more' aesthetic.
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Very few electronic music artists can boast of spanning a wide musical spectrum as the UK producer Calum Lee aka Paleman / Fresnel Lens.Always emphasizing the percussive side (advantage of being a jazz drummer), and always with an innovative spirit, the releases of this authenticsound designer oscillate between the most abstract / experimental electronica and minimalist club focused techno, from atmospheric andintrospective works to the sickest dubstep / bass music.
As at 30D we declare ourselves absolute fans of Calum's music, we had a clear obligation to ask him to join our catalogue, specifically for the EyesHave It sub-label (we had especial interest in his interpretation of broken, dark and industrial techno). His answer was direct and unmistakable:"I've sent you a lot of pieces that fit with your label vision and the imagery that we love.. I've been studying existentialism a lot recently, so thesetunes are a reflection of my headspace at the moment!".
A true declaration of intent!And here it is, five perfect examples of obsessive tribal madness, overexciting synthetic broken beats and a lot of rawness. A pure musical gem.
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Marbled Vinyl
In the wake of Portable’s acclaimed album My Sentient Shadow comes a trio of remixes which expand on his unique slant on techno and synth-pop. Finding three artists who reflect his own experimental
tendencies within dance music, Alan Abraham’s original productions head into unexpected new places while retaining the physical, club-ready energy he manages to instill in his own creations.
A true auteur within techno, DJ Qu brings a sense of poise and drama to ‘The Spacetime Curvature’ as he patiently builds the track into a fierce peak time monster driven by snarling bass and his signature sizzling, shuffled percussion.
Patrice Scott has a reliably smooth, immersive approach to deep Detroit house, and it lends itself beautifully to Abraham’s melancholic vocal on ‘I Feel Stronger Now’.
Leaning in on the jazz dimension of his wide-ranging electronica, Call Super revels in the sweetness of ‘Ripple Effect’ and places delicate piano playing upfront before slipping into a relaxed, sentimental kind of garage and eventually edging towards an uplifting, off-centre strain of house music.
Individual in their own right and yet naturally entwined with the emotional intention of the original versions, this is a set of remixes which pay full credit to the source material while offering something
you won’t expect, like a great remix should do.
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After flexing his more functional dj-tool approach on the previous Rod20 releases, ROD goes full on Detroit Techno on the Hood Spirit EP with four 1 take hardware jams filled with colour and light.
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Rassvet records is back with a bangin EP made by Mirabella Karianova aka Shadowax who is famous by her outstanding appearance on Nina Kraviz's Trip label. Here she delivers a brilliant cover version of a song by a Russian old school hip-hop band. Nasty lyrics about Russian 90's reality performed with her subtle voice sounds really obscure and at the same time very fresh. This EP is also featuring a powerful dancefloor remix by Rassvet records head Buttechno, longer b-side version and acapella.
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Art-Aud is back with some hot new tunes! Five mesmerizing modern dancefloor tunes by talented new artist Shai FM, straight outta Philadelphia who is dropping his debut record called "Motion Blur". Comes with a remix by one of our Japanese favorites, T5UMU5UMU! Art designed by Leoxdema. Forward-thinking stuff from the folks who brought you the Secret Raves series. Limited supplies!
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It's all aboard for Stasis' second 12" on De:tuned. Steve Pickton is widely regarded as one of the pioneers of the early UK techno scene. Here he returns with a new 3 track EP of carefully selected and previously unreleased DAT tape tracks from the heyday of 90s electronic music. On offer a uniquely lush and sentimental style that resonates with the 313 Motor City sound. Sweet memories are the greatest kind of nostalgia!
Kevin Foakes (Openmind, DJ Food, Ninja Tune) created all the graphic work. Mastered by Matt Colton at Metropolis and pressed on 180 gr vinyl. A separate digital release will also be available at the usual digital shops. Stay tuned!
Originally released between 1995 and 1999 on his green imprint, 'green trax' is steve o'sullivan's signature take on minimal techno. The album on trip is a compilation of best works with several previously unreleased tracks that steve found on data tapes in his archive.
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Sparks Leks kind of a best of represses from Architek 17, 19 & 26, Free Style Listen 100, Les Oreilles Libres HS, Da Fonky Pump 09, Op System 13, Tactical Synopsis 04, Mizadisk 01...
A selecta of his best tunes on Various Artists releases...
With a visual by EXPEXP, released by Vstee FDB, a cut from Simon Davey at The Exchange...
Blue vinyls, of course !!!
nit is the genius underdog of the current French chanson scene. After playing along with Sébastien Tellier or Juliette Armanet (a huge success in France), after remixing Phoenix, Myd, Dita Von Teese, Cola Boyy, Tony Allen or Jane Birkin, here he comes with his debut album. The balearic sound is always a big nit influence, feel good electronics & lush acoustic chords.
Spotted by French label Record Makers (Sébastien Tellier, Kavinsky, AIR, Cola Boyy) with his 2017 “Dessous de plage” first EP, nit has since grown from funky DIY library music to a lush and complex groovy sound. The magic of this debut album “Big Bang Puzzle” is a keen sense of composition and an innate affinity for 90’s European electronica.
It’s a playful album, the work of an artist at the peak of his craft, determined to twist styles and references (Daft Punk, Ennio Morricone, Robert Miles, Vangelis...) in order to give them a new form.
“Big Bang Puzzle” is a tangle of psychedelic and cartoon-esque pieces, an abstract modernist painting of sounds inspired by vintage pop music. The cover, created by Swiss artist Flora Mottini, offers a first glimpse of his brand new universe.
But it’s also by collaborating with French iconic design studio H5 that nit suddenly enters the French Touch genealogy. nit takes the shape of an n that grows legs and arms to become a cheeky cartoon character traveling through a real space-time continuum. Parisian H5 studio has been involved since the end of the ‘90s in the design of strong visual concepts for French Touch’s elite (Etienne de Crécy, AIR, Mirwais). French music at its best from which nit is a direct descendant. And one who expands and opens even further: pop, italo-disco, trip-hop impulses, Morriconian cavalcades, lo-fi aesthetics, Caribbean music. Producer and mixer Lucien Krampf (Oklou, Ascendant Vierge, Casual Gabberz, CRYSTALLMESS) was the person in charge of mixing this ambitious record.
nit is both a question and an answer, and a musical enigma that pushes us to explore the far reaches of our imagination…