Techno Vinyl New Releases - News

RAWAX presents the very talented DUBFOUND aka Dima Kulakovsky on the Llimited Series. The "Secret For Granny" EP is a great functional post modern electro record - worth to check!

Roughly two years after their triumphant return to our label, our close friends, the mighty Extrawelt are back with the corresponding remixes to their seminal „Jetzt Neu: Alles Wie Früher“ EP with quite the lineup of remixing artists! First up we have KMYLE, wo graced our label with an outstanding EP recently and worked his magic on this remix for Extrawelt, an act he´s been admiring for a long time! Next up, we have our good old friend Lars Sandberg aka Funk D´Void. Lars and Gregor have been friends for a long time, so it´s long overdue to have him finally deliver one of his trademark productions! Next up, we have quite a surprising collaboration, as Gregor teamed up with an absolute legend in the world of electronic Music: DJ Hell! Expect the unexpected! To round off the Vinyl, we have a remix by Artrik, hailing from Vienna and spicing things up for the bigger floors! So, dear friends - enjoy the remixes of one of our biggest releases recently!

Classic nineties hardtrancer 'Dream Mission' by Global Trance Mission (produced by Frédéric De Backer) vinyl re-release on the Serious Beats Classics label, including Fontaine & Vern remix and a brand new progressive remix by Jake Grace, tailor made for this summer's mainstages.

Australian live hardware-based duo Hybrid Man join On Rotation for a 4 track EP - ‘Overgrown Echos’ exploring their signature dreamy acid-tinged sound.

Fusing dub-style mixing and effects with technical finesse, their complex blend of sonic ingredients draw from ambient soundscapes, IDM, 90s trance, dubbed-out house, techno and more. Sprinkled amongst the immersive grooves, left-field sonic artifacts, environmental recordings and live improvised melodies provide filigree sonic detail, with each subsequent listen revealing new layers.

Hybrid Man are a special live act to witness and have already released some incredible records on Butter Sessions, Paper-Cuts & Wax'o Paradiso.

On Rotation is a Leeds based label, event & mix series run by Chris I’Anson, Lisene & Adam Pits. Artwork illustrated and designed by Patch D Keyes.

300 handstamped and numbered copies, vinyl only, Schnittstelle mastering and cutting

YARN-Records invited the next special guest - the Romanian Artist iPca who is well-known for his spiritual grooves! For our fourth EP he created a complete cosmos of laid-back groove-patterns and mystic sample sounds. Oblong is rife with jazzy, African ritual music and oriental music samples - all combined with small accents of street musicians. Grab yourself a copy of this next spheric and ambient joint from YARN Records. YARN Records' fourth release comes hand stamped in a recycled paper bag with a sticker and a length of almost 30 minutes. Strictly limited to 300 copies.

For SPACEDUST7, we welcome Jay Gadian to the label, who steps up 4 forward-thinking electro cuts for 'The Mispress' EP.

On side A, murmurs from beneath the warbling top line of 'Sensory' evoke memories of dark, heady corners of the dance floor, whilst the fog clears with the sharp percussion work of Green Dimension.

The flip opens in a more subdued manner with the circuitry of '20 or More' gently weeping, before 'East' closes off the record with laser beam synths cutting through washes of tense strings alongside further crisp drum work.

Jay Lumen is back with his "Galactic series". "Orion" is the next episode of his space journey tracks with massive dark techno elements and his well known bassline sign. The B side track "Chord in Eight" is a fat dancefloor filler as well. Its a groovy new school techno-tribe sound with Detroit techno elements and a tastefully created chord section on energetic kick and bassline. Enjo!"

For the 5th release Future Tones release a Jorge Gamarra EP and his new alias Ecstatic. The co owner of SUR released at some various labels before like Eya, Sur or Part of the gang.

For this new project mix an old tracks with new tracks from him. The A face comes with Tricky and Illapa, techno, spooky and mystic sounds. The B face comes with

Reissued on vinyl for the first time, Juno Reactor’s 1997 ‘Bible of Dreams’, also newly mastered and available of
double black vinyl.
‘Bible of Dreams’ was Juno Reactor's fourth album. It had a very different sound from the group's previous albums,
and moved away from the traditional dance beats by implementing tribal influences. The band collaborated with
Amampondo, a traditional South African percussion act, on the single ‘Conga Fury’. Watkins and Amampondo went on
a five-week tour of the US, opening for Moby.
Featuring music from the film soundtracks The Matrix Reloaded, Animatrix, Mortal Kombat Annihilation and Beowulf.
Composer, producer, musician and performer Ben Watkins is an essential innovator of modern electronic music and a
pioneer of Trance. Over the course of nearly 30 years, Watkins has created a unique driving fusion of electronica,
orchestral and global music executed on an epic & symphonic scale.
Juno Reactor was formed as an art project in 1990. Ben Watkins wanted to collaborate with other artists, producing
exciting projects that were not commercially driven. He wanted to create experimental music and non-musical
soundtracks that would work with installations, art pieces, and film projects.
As well as releasing a string of influential albums as Juno Reactor, Watkins’ tracks have been placed in numerous highprofile feature films, television programmes and computer games and Ben Watkins composed large sections of the
original score for the films The Matrix Reloaded and The Matrix Revolutions, as well as composing the entire orchestral
score for Japanese anime feature film Brave Story.

repressed !

Superluminal cult continues beyond time, this very last catalog ends the Re-Discovery series as a perfect trilogy established by deejay and producer Matthias. These four pieces were composed in the same period where the 961 Studer mixing console was added to the artist studio, summoning their low-ending drum patterns blended into epic polyphonic strings and pads.

The artist gives a wide open glimpse of more dancefloor-oriented materials, the complex and alternate disco-funk synth orientation is well orchestrated without indulgence and most certainly gives birth to four songs of extreme versatility and DJ functionality. Once more the use of the vocoder is largely influential over the arrangements, adding romantic stratified atmospheres of riverbed nostalgia. A retro & modern territories alignment was the catalyst element of the artist's musical style orientation, outletting its sound into a unique musical genre.

~ IN THE BEGINNING WAS SOUND
~ SOUND CREATED VIBRATIONS
~ VIBRATIONS CREATED ELEMENTS

MOONGLADE SOUND is a soundtrack for life. Collaborative independent music and video artists join together to create.

We invite you to take your time and ride the wave of deep electronics.

Dutch synth-wizard Nadia Struiwigh brings her eclectic live approach to Blueprint Records.á On the "Voxis Ohlun EP", Struiwigh reflects her profound command over synthesis and sequencing, crafting upfront techno with a vigorous, nostalgic feel.

Nadia Struiwigh, the Dutch artist rooted in Rotterdam and currently based in Berlin, has carved a unique niche in the electronic music scene.á Her genre-defying compositions, blending ambient, techno and electro, exhibit her signature ethereal and melodious production style, with a discography gracing acclaimed labels like Central Processing Unit, Nous'klaer, Dekmantel, Clone and InFinÒ.á Inspired by the Warp school of electronica, her live performances (ranging from immersive ambient to kinetic techno) are a testament to her technical prowess and emotional connection with her audience.á A versatile DJ and live act, she graces both concert halls and strobe-lit club sessions, curating sets that span from driving techno to deeper, emotive realms, earning her residencies at venues like Tresor.á Her versatile expertise extends beyond music; she collaborates with pioneering music brands such as Roland, Korg, Teenage Engineering, Arturia and others, embodying her reputation as a leading tech enthusiast within the industry.á Her contributions to esteemed platforms like Resident Advisor, Phantasy, Bleep, Slam Radio and Red Light Radio underscore her adaptability and prowess across a wide spectrum of electronic music, further solidifying her multifaceted presence in the field.

"Voxis Ohlun" invites you into a mesmerizing journey through the enchanting landscapes of the '90s, blending diverse musical influences seamlessly.á The focus here is on 4x4 dancefloor music, adorned with a tantalizing hint of breaks and pulsating rhythms, and a sprinkle of fairyland allure.á Crafted using only hardware, predominantly the beloved Korg Electribe MX, the sounds resonate with the essence of that era.á Each track unfolds like a chapter in a wondrous tale, interweaving nostalgia with a contemporary energy, ensuring an immersive experience.

Italian artist Raffaele Attanasio kicks off the New Year for Mutual Rytm with his superb 'South Signatures' EP, channelling multiple techno styles into one potent package.

Landing as Raffaele Attanasio's second outing on SHDW's Mutual Rytm label, following his incredible debut 'Quasar' and recent appearance on the third instalment of the label's Federation Of Rytm compilation, the EP is a showcase of an exciting artist with a new school take on techno while bringing real respect for the roots of his sound. He has played live on stage with the legendary Jeff Mills, and is involved in several other musical projects in different genres but reserves his finest techno for his own name.

'Madrigal' opens the EP, with Attanasio crafting an apocalyptic anthem composed of one sound, the Nord Wave 2 synthesizer and a pumping groove. It is pure dance floor heat with unrelenting drums that lock in the crowd. The brilliant 'Heat' then brings tribalism, with a powerful rolling groove peppered with chord stabs that bring it to life. 'Aogiri Tree' features rousing drums that emerge from the undergrowth and accompany the macabre lead synth. Its mischievous notes hint at hidden danger and keep you on your toes.

Keeping the energy high, 'Stratford Fog' delivers a battle between drums and the constantly pulsing bass. Edgy chord stabs and raw percussion make for a breathtaking groove that never lets up and keeps you utterly engaged. The title track is a laser-focused production that harks back to the golden age of Neapolitan techno with a perfectly designed groove, before digital bonus 'Eleven' brings hints of stylish Detroit techno with its lush chords and arpeggiated saw bassline, creating a continuous flow right to the last beat.

Sisko Electrofanatik's Gain Records recently had a chart-topping hit with the label boss’ track “Only One”, and is back with a new collaborative EP by Roberto Pagliaccia and Dubskull.

Along with the three original tracks, the EP also features a remix from T78 who in addition to releasing on his own label Autektone Records has also featured on Filth on Acid, Intec, and Suara.

Roberto Pagliaccia and Dubskull are both Italian artists. Dubskull whose dark and atmospheric style has been a feature of labels like Reload and Riot, and this is their third time featuring on Gain. Roberto Pagliaccia is an exciting new talent, and this is only his 3rd release after a recent debut on Lapsus Music, Blackboard with AudioJack remix.

T78 has had a recent hit track made in collaboration with Space92, and in addition to his many hard-hitting solo releases, he has also worked with A*S*Y*S, Raito, and Maxie Devine.

With brooding tension and twisted euphoria, this release has a peak time energy with acid tones.

“Skil” opens the release with a slow-building tension before the uplifting energy of the lead synth, then T78 lifts the tempo of Skil with his explosive remix. “Loris” has a dystopian atmosphere filled with dark suspense, and “Acid Jungle“ closes out the release with its rubbery lead synth and modulating tones.

RVDMNTL's first release, composed of energetic and functional cuts in which textures, the distortion of some elements and a sound synthesis coming from modulars and analog devices seek to push the tracks to the limit and provoke their disfigurement.

Previously protected under other artistic names and owner of the INCENSE label, the artist definitively adopts this pseudonym after some years exhibiting his sets in booths and in charge of productions that seek to shape the genre through his own conception. Now, he will go into a more personal, complex and focused on the dancefloor. Non-conformism, independence, originality and forcefulness remain a common element in the artistic figure and label he runs."

Mastered at Koschitzky Studio
Artwork by Malsombra

Grinding industrial Acid mental Tekno... 2 tunes loud cut, with a sweet story telling...

Are you ready for this ?

Mastered by Stefan ZMK
Cut by Simon The Exchange

Cheap Things is the latest record by New Haven guitarist and C/Site label-owner, Stefan Christensen. It's a challenge to list exactly where Cheap Things numbers in Christensen's extensive catalogue, which at over a decade long has seen him issue countless records under his own name and across both his own imprint and a host of international labels, as well as performing in underground noise trio Center and in the heavenly psych act, Headroom. Crucially and somewhat impressively, his work has remained as singular as it has been productive, cultivating a distinct style of playing that is unmistakably his own even when in collaboration with others.

In many regards, Cheap Things represents an apex of the universe Christensen has fostered over the last decade, both collaborative and highly personal. Indeed, many of the key names from the C/Site and adjacent world contribute to the record in some capacity - David Shapiro (Alexander/Center/Headroom), Kyrssi Battalene (Mountain Movers/Headroom), who takes a lead and has repurposed the final track for Headroom, Ian McColm (Heart Of The Ghost) and Rick Omonte (Mountain Movers/Headroom) sit in on drums and bass, respectively, while John Miller (formally of Mountain Movers) recorded a couple of the songs at his home studio. Cheap Things is a record labeled with Christensen's name, but it's certainly also one born of community and like-minded creative enquiry, longtime characteristics in his increasingly dense catalogue.

Though the work that comprises this catalogue has always remained engaging, there comes a sense of event with Cheap Things not necessarily present in some of the more off-the-cuff experimental cassette releases issued in both this and past years. This may be in part attributable to the time invested in recording these five songs: starting in mid 2018 and finishing throughout the various periods of lockdown in 2020, this is the longest amount of time Christensen has spent working on a record. Recording itself is an integral aspect of the way in which Christensen creates his sound, relying on the freedom of home studios, the analog limitations of four and eight tracks, and the unique results gained from tape loop manipulations. Such processes add an element of both warmth and spontaneity to the work, though one crucial difference is that much of Christensen's other work is written with, what he calls 'little pre-planning', whereas Cheap Things is defined by a much more precise and pre-formulated vision. The result does feel strangely and more obviously definitive.

There's a life to these songs beyond their recording, the roots in fact stemming all the way back to Christensen's first solo release in 2015, the record on which the title track first appeared, albeit in rudimentary form. Written in response to the death of a friend from an overdose, Christensen was motivated to re-record the song when hearing that at the start of lockdown another friend from the same circle had died in similar circumstances. Over the years the song has grown in length and intensity, and reaches its ultimate form here, an acoustic drone that pulses with a near-spiritual reverie. It's fitting testament to the people it commemorates, and sets the tone for the remainder of Cheap Things, which through its unique melding of folk, noise, experimental and avant blues traditions appears to provide a cathartic release from the various experiences of grief, illness and stress. Much like the music of Tomokawa Kazuki, Mikami Kan and Neil Young, who have informed the album in various ways, the intent here seems to be to communicate big ideas with modest means. Cheap Things, then, is unusually titled, if not expressing the infinite and the eternal, at least suggesting that in striving for the bigger ideas we might find truth, or perhaps just some piece there of.

area127 brings a fresh collab between Tadan and V2 - exemplifying the label's ethos of bringing artists together for raw live sessions.

This release is the result of one deep-night experimental session. Made without a plan, but expect some sssshhhhaakers throughout.

If "Forgiveness of Blood" | KR3.009 was marked by a modern vision of techno voiced by Tensal's sound, this remixes EP chronicles the tension that shapes the sound of the artists involved: SHED, Anthony Linell, Alessandro Adriani and Tensal himself. Static and hypnotic waves of strain recur, even though the 4 tracks represent 4 different major expressions of what techno explicitly and implicitly stands for.

Forgiveness of Blood Remixes - is a distillation of the modernist and nostalgic sound capable of impacting both on the dancefloor and mentally.
Four strongly evocative tracks that narrate not only the artists' but also the label's path.

Lab Experience Vol.2 Limited Edition White Vinyl, Hand stamped.

NO REPRESS.

Hey ! Uzi specialist start the record with his Tribe du sud killa !
Dismatik, phase neuralizer pure jus teknoidal.
John start the B side with an original ragga bomba, fire !
Trizia Close, a very good mental sound from another time, the file is closed
TRIBE DU SUD !
Poster & sticker

Hey ! Uzi specialist start the record with his Tribe du sud killa !
Dismatik, phase neuralizer pure jus teknoidal.
John start the B side with an original ragga bomba, fire !
Trizia Close, a very good mental sound from another time, the file is closed
TRIBE DU SUD !
Poster & sticker

Having stepped into fourth year of existence the factory of Depth.Request manufactures an article in form of an EP titled "Night Wounds Time" produced by British-born underground scene veteran Mahk Rumbae under the guise Antechamber, which - in slight contrast to his arguably better known alias Codex Empire - he ostensibly reserves for a more dysfunctional brand of electronic music intended as much for frantic terpsichorean participation as for contemplating the inevitable under the gloom of moonless nights. In line with offbeat nature of sounds presented, the release gives a subtle nod to Tod Phillips' literary work "A Humument", borrowing its name and
track titles from the lines within the idiosyncratic book.

From techno to classical, and back again - the Versus project continues to morph and evolve, with the release of four remixes from the eponymous album.
As InFiné Records' ten-year anniversary gift to itself Versus was conceived as a platform to continue the label's genre-bridging mission statement. After all, Carl Craig's canonical techno has always lent itself particularly well to hybridization with modern classical, jazz and classic rock forms - even muzak. From an initial 2010 recording, the project birthed a full-length containing two original Francesco Tristano compositions alongside symphonic versions of Carl Craig classics, reworked in the studio by the man himself.
Hot on the heels of a live synth-only tour that hit Sonar, Detroit's Movement and S4W Festival London in 2017; and celebrating the reprise in 2018 at more mythical venues (London's Barbican and Berlin's Funkhaus), we hand-picked a clutch of up-and-coming producers to push the project further into techno territory.
Known for classic remixes of everyone from Pat Thomas & Ebo Taylor to Mari Boine, his collaboration with Bugge Wesseltoft, jazzy-house renaissance man Henrik Schwarz brings his horn- and piano-heavy world music influence to The Melody, keeping everything as uplifting as it is banging.
Always kinetic and just a bit dark, French producer Antigone lightens it up a tad with his version of At Les, built on a vintage beat reminiscent of the early days of IDM, when the genre was still bridging "dance" and mind-melting ambient washes.
Fellow Red Bull Studios collaborator (and founder of Berlin-based label Love Pain Sunshine & Rain) Benedikt Frey brings his pastoral birdsong to a half-driving, half-ambient rendition of Dominas that retains enough strings to keep fans of Tri Repetae-era Autechre blissing throughout.
The EP is book-ended by The Melody, for the final track another version of in the form of a harder slice of functional, dancefloor-ready techno by Dutch producer Tom Trago. We're out of synonyms for "banger", but this one will definitely please the DJs - and crowds.

solid white vinyl

This release is fully occupied by dark-disco champion Disco Morato. Here you find two expressive electo-shaped hits previously supported by Dave Clarke. Together with another two straightforward synth poems the record is finished as white color 180gr and underline deep dark sound of the artist.

DJ VALENTIMES & DRAAG arrive on Voight-Kampff Records with an intense split EP, characterised by 4 driving noisy techno tracks with sinister undertones. Exploring intense modern hard techno sounds and euphoria, the EP is sure to be a peak time dancefloor staple.

Three individuals carefully designed in harmony. She blooms, each step uncertain.

Frogs 11 A side 'Studios, Squats and Trucks' is an epic 'Frogs' classic. You can only wiggle and smile once the fanfare driven groove starts. This tune will take you from a cabaret gipsy step to a hektic jungle knees up banger and finally wrap its cushty dub vibes around you. This progressive yet cohesive anthem nails the definition of Clown-Step once and for all.

This huge dance floor killer is the result of the collaboration between Ed Cox (Accordion/Prog), DJ Stivs (Drum Prog), Bang Crosby (Vox), Freddyfrogs (Prog), Waynes Maslin (Trombonne), Carl Davies (Clarinette/Sax) Frogs 11 B side 'Fucked up with you' will convince any raver to stand up and dance! This hard techno banger rests on its bassline to deliver the mighty vocal 'Get Get Get fucked up with you'. The huge drop transitions from the DnB beat tand tips your rave into its darkest hours.... Frogs 11 B side 'The way to go' offers a radically different atmosphere from the other tunes on this release. Freddyfrogs explores here the tribal force of an emotional heart beat. The nagging build up reaches it's climax to fall into death itself and rebirth into the light. Let your mind wonder into its deepest corners....

Repress

Humanoid invades De:tuned with a new and highly anticipated 7 song album of classic acid cuts. Flashback to the '88 acid-house spirit! Brian Dougans embarks on another journey of 303 breakbeat euphoria followed by fast, frantic and beat driven productions. The additional 10" completes the hallucinating trip with 2 floating acidic corkers.

Kevin Foakes (Openmind, DJ Food, Ninja Tune) created all the graphic work. Mastered by Matt Colton at Metropolis and pressed on 180 gr vinyl. A separate digital release will also be available at the usual digital shops. Stay tuned!

It took a while, but Coincidence is back on vinyl. And how: Serbian producer and DJ Lag teams up with Belgian BEOT on the 'Patience EP' - a title that turned into a bit of a prophecy as vinyl production seemed to take ages to cut through the red tape and production issues spiralled out of control. The EP is conceptualised around two original tracks from each artist. And in return, they remixed each other's work. Four tracks, four vibes, one EP. Get you some of that!

'Rokenrol' opens the A side with a massive drumroll infusion. Unbelievable funky, wild, distorted and straight to the feet of anyone standing on the dance floor: Lag delivers his signature dish. The second track by BEOT, titled 'Problem of Conduct', is dark, slow, dirty and nasty. Almost minimalistic although beneath the surface, an absolute belter lurks an snaps at anyone daring to venture too close.

On the other side, the remixes take the originals to a completely different vibe. Lag's remix of 'Problem of Conduct' keeps the dark vibe, but thrives on a massive broken beat and eerie atmosphere. This sounds brutal on a big sound system. BEOT's remix of 'Rokenrol' on the other hand dumps the funky drums and goes for the heavy straightforward approach. The result is an absolute growling distorted noise monster that simply is amazing and effective.

We hope you like the EP as much as we do.

Moenstertime !!!! Finally Lexy & Gunjah hooked up their own label for your dancefloor pleasure. Directly starting with a Boom-Collabo with Soffy O (well-known from their work with TokTok in the past). Chronicles is a real earworm with hot remixes coming from David August (Stil vor Talent, Diynamic) and End of Tape (Bar25, Microtonal, WBA, Etui).

"The commonest axiom of history is that every generation revolts against its fathers and makes friends with its grandfathers." - Lewis Mumford, The Brown Decades

Sound archeology,
Silex Device.

Red Vinyl

"Urban Hell" is the latest endeavour from Mass-X-odus, the hard-power-tech-noise side project of Adam X. A sound track set to the urban blight of America's inner city neighborhoods. Adam's third release under this rough and tough street techno alias bulldozes it'a way through the decay.

Grey Vinyl

Filter Union's first in a series of vinyl only releases, consisting 5 rhythmic psychedelic techno through the first 4 tracks followed by a jazzy deeper techno. Payam and Ramtin present their unique sound and taste with their debut "Lone Kat" EP. The Tehran based record label is introducing the sound of underground electronic music scene, that is hard to find nowadays.