Techno Vinyl New Releases - News

Terrace Trips is presenting their first release by Anatol. Terrace is a minimalistic positive house cut with some trippy synths which lets you fade away. James Dexter (Inermu/Poker Flat) comes up with a percussive and intelligent remix which always brings the crowd forward with his multiple kicks. Samu Rodriguez (Serkal), moves the track in a more technoid direction and changes the mood to a darker atmosphere.

Hearing like when half asleep is a bit weird and beautiful.

'Bad Computer' was originally released in 1995 on Temple Records NYC and is now the first 12' on TEMPLE TRAXX. Produced by brother Jammin' Unit, who also signed for re-mastering, and myself as Bizz O.D. in wild pitch matters.

Cube 40 was always meant to be The Ramones of techno by repeating the same track idea over and over. Compare with 'You Make Me Function' and you'll get the idea.

Orlando 'Format' Voorn erweckt sein enorm einflussreiches 'Solid Session' von 1991 zu neuem Leben. Zusammen mit Joris Voorn schreiben die beiden Amsterdamer Legenden die Geschichte dieses Klassikers neu. Neben Original & Joris Voorn-Remix gibt es auch einen überragenden Trip von 14 min Länge, mit dem 'Solid Session' der Soundtrack 2023 zu einer Million glücklicher Dancefloor-Erinnerungen und ein Sammlerstück für diejenigen wird, die sich dem Vinyl verschrieben haben.

BLUE-BLACK COLOURED VINYL! LIMITED TO 100 UNITS
Irakli’s new album is due to come out October 2023 on Live at Robert Johnson. Mechanical Moon is a retrofuturistic adventure of beautiful compositions and pulsating rhythms which are weaved together over the span of eight tracks.

We are immersed into evocative atmospheres, full of intricate textures. This is techno where you close your eyes and board an ocean liner that slowly rises and floats towards the moon.

Happy human with sad eyes roamed the neon-lit streets of the artificial island. This section of the metropolis had been designed as a necessity more than any other amenities. It had been allocated a budget surpassing the one for waste management in a city housing over a billion inhabitants.

Society had managed to eradicate love, yet it still grappled with untamed primal instincts such as dancing, sex, or violence. The island provided a discreet haven, away from the prying eyes of telescreens that silently stared into all souls. Similar to Las Vegas centuries ago, it was a safe space where anything was fair game.

Once there, night time lasted all day. Everything retained an analog essence. Music emanated from vintage record players. Amidst the laughter and tears, the artificial glow of the mechanical moon had become the last reminder of life outside.

A life so repetitive that he had been consumed by the desire to transform into a machine or a human satellite. Yet, breaking the cycle in such a manner remained impossible. And so, he wandered for hours on the island, among the weary faces.

Happy as one could be.

At the very coalface of the UK rave/breakbeat/techno/call it what you like scene since the 1990s, Jerome Hill is something of a hidden treasure amongst the plethora of DJs and producers to have dropped both bangers and bloopers over the ensuing three decades. With minimum of fuss and fanfare, Hill has steered record labels like Super Rhythm Trax, Don’t, Fat Hop and Hornsey Hardcore to revered acclaim, as well as firing out a consistent stream of releases for imprints such as Matthew Herbert’s Accidental Jr, Exalt Records, and I Love Acid, to name but a few.

Surprisingly, ‘Flow Mechanics’ is Hill’s debut album after a production career that kicked off in 1998 as one half of Groove Asylum. And its collection of unabashed acid and rave bangers is a perfect fit for the Hypercolour label, whose personnel over the last few years has included Luke Vibert, DMX Krew, Shelley Parker and Gary Gritness. Tracks produced directly for club play; the album features 8 cuts destined to fit in cross-genre sets.

With pumping electro cuts such as ‘Deafening Lull’ and ‘Knob Jitter’, four to the floor acid stompers like ‘Walk The Plank’, the mutant garage of ‘Brought Up Badly’ and the house groover ‘Stax Had The Funk’, ‘Flow Mechanics’ is a joyous romp through rave’s sound palette, replete with playful samples and skits (featured on the vinyl LP version), and a mischievous demeanour that affords the listener an lively album that doesn’t take itself too seriously.

In 2021 Nijs and Smolders started a series of free improvisations. Each came from a different background (see bio’s) and wanted to explore musical horizons that they were not used to. As a next step they decided to record an album of composed tracks. The experimental platform shifted from long improv sessions to composition and structure, with the work of Delaere as a source of inspiration. The material of his work, the unevenness, the detail of pigments clashing, superimposing on the canvas served as a metaphor and inspiration for sonic canvases that they constructed.

The result has become a record full of surprises. Rhythm, drone, dynamics, timbre, notes, tones, all have been thrown in the tumble dryer and during the process many times led the two musicians towards an outcome they couldn’t have possibly foreseen. But here we are. Our own experience is that the music works best when it’s played loud. Crank up the level of your amp and dive into these 35 minutes of colorful sounds.

Dancefloor Prophecies for humanity delivered by Detroit based spoken word artist Mike Ellison. Features a DJ tooled acapella to further spread the True meaning of Detroit Techno around the Galaxy.

'The next release on Modern Hypnosis introduces Melbourne based producer Mystik with his debut solo 12'. Two psychedelic dub techno tracks that have made the jump from dub plate after smashing the dance in Melbourne's vibrant sound system scene in 2017.

180g vinyl only.'

Blue Marbled Vinyl

The final chapter in the RATS: INFEST series adds a left-field twist. Mike Parker is one of the most important historical Techno artists for us and has recently released two halftime EPs for Donato Dozzy & Neels Spazio Disponibile label which have been some of our favourite releases by another label in the last few years. Once we heard these EPs, we were on the hunt for some Mike Parker music on Samurai.

Mike Parker creates music live on an all-hardware setup and has done so since the mid-'90s. There is not really anyone that sounds like Mike and we're excited to have him on board at Samurai.

Mike has recalibrated his machines and created an all-new halftime sound specifically for this remix of 'Mainliner' and his upcoming EP for Samurai. Slightly more quirky and less dense than his usual approach, the machine pulses wind around a steadfast step. An unexpected, but perfect mood shift to re-imagine the Mainliner sinisterism.

Baby T makes a welcome return to the label following on from her debut EP Portra. This time the versatility of the Baby T sound is on display with a 140 Breakbeat killer re-sculpture of 'The Spell'. Dealing out euphoric vibe peaks with 4/4 punctuations and Reese/break combinations, this one is a guaranteed peaktime dancefloor weapon. We love Baby T!

SLINK NYC’s rrao arrives on DJ Python’s Worldwide Unlimited label with a tight, rhythmically fluid triptych that assembles bouncy, tuneful tabla pats, harmonium drones and levitational raga vocals into foot-stomping, club ready structures.

Echoing foley clacks open rrao’s debut EP ‘hara’, tumbling into snatched bass womps that signal Bristol’s soundsystem culture before a willowy South Asian vocal and subtle tablas shuttle us to the subcontinent. The DJ and producer has established a solid reputation over the last decade working sound across New York City’s club scene, performing regularly and heading up the SLINK NYC event series and label. If you’ve been looking closely, you might have spotted their characteristic productions on SLINK’s ace compilation EPs, and ‘hara’ picks up where those tracks left off, working experimental sounds into three tracks that never stray too far from the ‘floor.

‘ramanujan prime’, presumably named after Indian mathematician Srinivasa Ramanujan, is the EP’s most propulsive track, snipping choppy chatter and inserting into a beat sequence that’s part wiggly NYC club and part dissociated Bollywood dream. But rrao saves the best for last, weaving tonally rich tabla sounds into stuttered kick sequences and xenharmonic gong sounds that’d give Donato Dozzy or Batu a run for their money. Never tipping into over-complication, it’s smart, futuristic club music that’s restrained, dubby and refreshingly open-hearted. Fans of DJ Python won’t wanna miss this.

Shine Grooves (Hanagasumi, ФАКТУРА) is a specialist in live and experimental electronic music, blending software and hardware in his studio in Yekaterinburg, Russia. On this sophomore full-length he cultivates an otherworldly Space Garden on a distant planet, populated by alien organisms that move to their own extraterrestrial groove. Dawn breaks and the garden slowly comes to life on ambient opener ‘Morning Mood’, setting a promising tone for the day ahead. A kick shuffles in to work on the dubby ‘Tribal Acoustic’, which builds and builds before leading us into the industrious bounce of ‘Japan Sequencer’. This latter, first optimistic and later frenetic, ends the A-side’s warm-up and primes us for action on the B. ‘Tool’ is self-explanatory, a refined, stripped-down dub techno weapon honed for an afternoon’s hard work. After that exertion, ‘Evening Radio’ is the perfect cool-down, its delicately skittering percussion contrasting with sweet, improvised synth melodies. Finally, the ambient ‘Night Reverberation Jam’ is the sound of darkness falling, our garden’s lifeforms settling down to rest before the cycle begins afresh.

Vinyl Only - First edition of Shiver Records club focused series.

Handstamped 180g whitelabel with outersleeve Logo stamp on one side + graphic stamp on the other 4 tracks in total - techy grooves, IDM’ quirks & a chugging bassflute.

Another Acid Synthesis slammer is here. 4 tracks of acid with 90's trance feel, get your strobe and smoke machines out!

We are a vinyl-only label based in Miami, FL.
Our first release comes from label boss, Feph.

Steady rhythms, captivating grooves. An ebb and flow of energy throughout every track.
Catered to DJs and meant for the club.
Extended DJ tools that will serve a place in any record bag.
300 copies

OUTRÉ comprises of Detroit natives Joshua Harrison and Joe Sousa.

Joshua Harrison has released on Psychothrill Records, Beretta Music, DeepLabs Detroit, and currently runs the digital music label NONCOM Records.

Joe Sousa has released on Blank Code Records, and worked with labels Detroit Underground and Acid Friend. He has forthcoming releases on Detroit Underground and Clan Destine Records.



OUTRÉ is an entity that has come forth since 2017. Risen from a portal into the more existential rifts in consciousness, a mirror from the abyssal realm of the minds’ eye.


OUTRÉ 01 is it’s inaugural expression. With focus on live extraction and textural abrasives, chapter one presents ominous weight and forebodeing chaos, yet embraced with melancholic atmosphere and ethereal release.

After the 14 track debut album from Setaoc Mass in 2022, he returns now in '23 back to his usual guise and home label SK_eleven to release a 4 track EP entitled "Satellite".

Transmigration launch their new white label edits series with three tracks covering haunting down tempo grooves, fried kosmiche drum jams and a Mediterranean progressive trip. Designed to turn heads - tried and tested from the forests of Brandenburg to the darkest corners of Berlin club land.

Rekids Special Projects, the no-nonsense techno-focussed sub-label of Radio Slave, aka Matt Edwards’ Rekids, launched in 2017 releases a 4-track vinyl sampler from the recent compilation RSPX presents Actualize Pt.1. Featuring absolute barnstormers from Mark Broom, Dustin Zahn & Marcal, Klint and Hemka. Watch yer Bass bins.. I’m telling ya!

2023 repress
Ion Ludwig teaming up with Franky Greiner. Hypnofunk!

White Vinyl

The 25th release on Auxiliary is a remix 12" by ASC. Featuring four remixes of the EP of the same name, released in 2014, Return Of The Emissary Remixes is an inventive and creative re-imagining of the original tracks.

Inverse Ratio is transformed into a more uptempo Grey Area affair, while Fenris gets a heavier workout on its remix. Flipside sees a sparser approach to Zoning, while Night Clouds notches up the intensity somewhat. A statement of intent from Auxiliary and ASC.

Cardiff based producers Blap have gained a reputation for their live acts with slamming kick drums and rattling drums that find a sweet spot between dark, mysterious and roaring techno. They’ve been steadily gaining notoriety over the past years with this release having seen support from the likes of Dax J, Kuetzal, Esther Duijn, Samantha Togni, Ian Void, Raymundo Rodriguez and Cristian Varela to name a few.

‘Paradox’ EP is a heavy techno cut presenting three original tracks by Blap and a remix by OUT OF CTRL label boss ALNA. It’s a mixture of fast-paced kick drums, glitchy synth textures, loopy percussions and warehouse-ready sounds that will turn any club into a groovy rave party.

The incredible artist CASUAL TREATMENT landed on Eclectic Limited with his solo ep called "Discipline". 4 stunned tracks representing the real character of the artist.

This project signed the last chapter of "wired cube" concept that was our fantastic mission for 2 years.

Melbourne based DJ & producer Dead Memories stands tall in the shadows, crafting his own blend of introspective techno with clear nods to Acid and IDM. Reigniting a once lost love with electronic dance music, the eclectic and enigmatic producer brings his unmistakable sound signature back to Subsist Records with a new 12 inch EP entitled ‘Zen’

A star in ascension and a masterful engineer, the Zen EP showcases his love and use of the classic machines used by the pioneers of house and techno. This is a release full of ambivalence, walking between hard and velvet, he treads these two opposites with a light hand and ingenuity, including all of the sonic nuance he is known for.

In his own words: ‘The idea behind Dead Memories was to strip everything back and work with only a few select machines. To challenge myself and see how far I could stretch these classic machines. After all, this is what the pioneers of early electronic music had to work with. In many cases, there was a drum machine, a synthesizer, a mixer, a recording device, and a couple of effects units, and maybe one compressor. They didn’t have the luxury of large studios full of gear, or endless collections of plugins, software, and samples. To me, a lot of the most exciting electronic music was written with these restrictions. That’s not to say that incredible tracks haven’t been made without these restrictions, but for me, this is what keeps me the most creative.’

On the A side of the release, Dead Memories is joined by one of his longtime influences and pioneering electronic producer Tobias. who provides his own take on his remix of ‘Zen 88’. The remix is a journey all unto itself. While staying true to the original, Tobias. provides a classic electro approach with all of the groove, shimmer and subtle movement he is known for.

After recent releases on Truncate and Ben Sims’ Hardgroove, the Italian producer Elisa Bee returns to Balkan Vinyl with her new EP, Sample Minds. 3 cuts of peak-time jacking techno and acid with a proper edge of funk, plus a remix from Neville Watson taking it into slower, deeper blissed out territory. Out on a hand-numbered edition of 303 copies, on translucent blue 12” vinyl.

Experiential Assist is a multidisciplinary project based in Slovenia. Our 10th release features him surfing through genres and showing the old school in his new way. Enjoy the ride!

“friends-making-music-for-friends-so-friends-can-dance-with-friends-to-make-more-friends”

This is the third release on the “For Playful Manners” label, a split record by Gwenan and Camiflage. Originally from Wales and living in Berlin, Gwenan Spearing is an algorithmic coder during the day and a DJ and producer by night. Gwenan presents on For Playful Manners 03 some of her first club music compositions (and there are plenty more to follow!). Camiel Hermans aka Camiflage takes charge of the flipside. Based in Brussels/Belgium, Camiel is a movie animator during weekdays and a producer, label owner (Snaretrade Records) and DJ during the wee hours of the weekend.

Track ? and ? written and produced by Gwenan Spearing in Berlin, Germany
Track ? and ? written and produced by Camiel ‘Camiflage’ Hermans, recorded at home, Altitude 100, Brussels, Belgium

InnerCore Project brings us two 2 brand new 12" releases 'Innercore Project Dubs' Vol 1 & 2

"You will find a nice vary of styles in my Dubs Volume releases, ranging from Jungle Techno, Old Skool Hardcore, Jungle, Rave and anything in between. Big shouts to all that made these tunes possible! Respects to you all, I hope you enjoy these tunes." - InnerCore

InnerCore Project brings us two 2 brand new 12" releases 'Innercore Project Dubs' Vol 1 & 2

"You will find a nice vary of styles in my Dubs Volume releases, ranging from Jungle Techno, Old Skool Hardcore, Jungle, Rave and anything in between. Big shouts to all that made these tunes possible! Respects to you all, I hope you enjoy these tunes." - InnerCore

Nous'klaer Audio presents Martinou - Chiral, the follow full-length up to his 2021 album Rift. This time nine tracks across two vinyls. An album flowing 'in a way' like Rift, but it's different: More outspoken, heavier sound design and it peaks on a blissful note. ''Open up the blinds and take me there. We'll break the surface tension. We'll dive in. I'm locked in your devotion. You give an inclination to our demise. It will be our exit. To bliss, we'll be its guardian. Once there was love. Clear as glassy water. No ripples, no waves. I followed while you led. Our arrival was warm. Hot, even. Stunning to a startling degree. Hands intwined, frolicking towards the blue. Hours passed, and white heat cede to an orange hue. We cooled down. Red. We rallied. Black. It began. Into the deep darkness we ran. White sand, it has a tendency to get everywhere. Salt water will only dehydrate you more. Shriveled and dry. Scratchy and coarse. More. And then we were lost. Fingers once locked grew distant. Morning, dear. Where have you gone? We looked. A glimpse from afar. Red. We rallied. Shall we share a bottle of wine? Black, lost again. Afternoon, friend. Where were you? Red. Alone. Black. We rallied. Shall we try somewhere new? Sand and salt. Evening, sir. Reservation for one? Reservations a plenty, I say. Evening, miss. Dining alone? Aren't we all? Dining, miss, not dying. Oh, yes, alone. Black. Sand and salt. I found you. No. No. Wait, do I know you? You feel like a dream. Don't touch me. Move along, sir. Who are you? Leave. Who are you? Where did you go? Keep moving. I am, I will. Time to move on. I'm moving! Leave. Don't touch me. Leave. Why are you? Exit. Purple. Orange. Yellow. White. Blue. Morning, dear. Shall we have breakfast? I think I'll sleep some more. But it's our last day. I know. See you downstairs when you're ready. OK. I open up the blinds. A bird breaks the surface tension. Locked in. To Devotion? No. Demise. An inclination. Reverie. Take me there. Where? Exit (To Bliss) '' Text by Gregory Markus

2023 Repress

Stephan Bodzin: a classically trained musician, vastly experienced producer and master of melody. He has built a reputation through countless releases under many aliases, and through his dramatic and dynamic live set capturing the hearts of fans worldwide. For Afterlife, Bodzin bottles the infectious energy of these shows into two epic, colourful landscapes of sound, 'Strand' and 'Catamaran'.

2022 Red Vinyl Repress

A re-issue of the highly sought after CORROSIVE 002 with all 3 original tracks, plus a bonus 2020 remix of Acid Corrosion by PUNKY JUNX (aka Tassid and label boss Austin Corrosive). Classic Acid Techno!

Tyresta's Small Hours album (a direct follow-up to 2020's All We Have) comes on beautiful 180-gram splatter green vinyl via Past Inside The Present and is another majestically subtle and intimate ambient work that explores "impermanence, grief, loss, healing, and growth". It's an album that reveals more with each listen as the carefully layered-up synths and melodies intertwine harmoniously to make for a perfect late-night soundtrack. There's plenty of soul searching to be done while lost in the midst of this album, but it will be a rewarding task as you cannot fail to find "solace, rejuvenation, and a rekindling of the unfettered spirit," as the label puts it.

Indeed, it happened again. My vision is completely blurred and all I am able to see are vague moving shapes. Although, it seems I can hear perfectly fine. The manifestations I am seeing are moving, curiously synchronized with the sound I can hear. I wonder if those shapes are pulsating because they are hallucinations of my brain or real things dancing to the rhythm I hear. I am myself vibrating too and I cannot remember when it started. It is curiously pleasing to feel connected to these fluctuations, but suddenly the music stops and I start to feel dizzy. I can’t see anything anymore! In fact, I do not even feel my body. Did I ever have one ?

Spatial Mental Techno... Definitely related to planets...

Those with sparkling little asteroids, those with gigantic volcanos or those with big rings of ice...

Enjoy !

The first in a string of 2023 releases from Liverpool based, Brent, comes in the form of four club-ready cuts. ‘Digital Karma’ opens with the nominal track – a dubby, 80’s riddled piece which sets the stall for the remainder of the record. With progressing melodies and an Edith Piaf cameo, it’s a colourful & creative way to start your engines. ‘Don’t Call the Doctor’ answers back as the most atypical house track of the four, taking a surprise twist in the form of rolling triplets and robotronic vocals. ‘Liquid Gold’ launches the B Side with a standout bassline/vocal combination which allows simplicity to do the talking. ‘SOM’ rounds off proceedings with a vocoder-led ode to Liverpool.