Vexed Sphere is proud to present its first vinyl release, 'VS4 - Various Artists', featuring four techno producers based in North America. On the A side, Müzmin (San Francisco) delivers 'Acid Sag', a peak-time, twisting, mental, stomping frenzy, and JX-216 (San Francisco) provides a thunderous, percussive drum workout with 'Argenteum'. FadeFace (NYC) opens the B side with 'Dispatch', an infectious, intercosmic groove, and Sone (Seattle) closes the record with 'Serriform', a thick, tension-building, subterranean roller.
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With "ERROR101" System Error introduces not just itself as a new label but gives us a hint of whats to come next as the V/A will be followed up by 4 individual releases by the artists featured on this record. "ERROR101" presents 4 well crafted dance-floor tunes that will expose any nearby glitch in the matrix.
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“History repeats itself, first as tragedy, second as a farce” -Karl Marx
Uun returns for his fifth entry in the Ego Death series. This EP was created in solidarity with the global leftist movement that has risen to fight fascism around the world. Tonally the record stays intense throughout, which expresses the passion and immediacy of this coalition. For if we do not understand the past, we are doomed to
repeat it.
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The Melting Point series strikes again on Dame-Music as Bloody Mary invites Skudge for a label debut under his Splice alias, whilst also welcoming back imprint favourite Thomas P. Heckmann.
Launched in late 2017, The Melting Point concept sees label founder Bloody Mary invite a selection of her favourite and most respected producers to offer up an exclusive cut that represents their own take on the acid sound. Following Volumes 1 and 2, which featured cuts from heavy hitters such as KiNK, Josh Wink, Hardfloor, Alien Rain and more, Dame-Music now presents Volume 3 of the V/A acid series as she welcomes two new guests to share the record with her this October to mark the imprints’ 40th release – three tracks made for and by acid lovers.
Up first, Bloody Mary contributes ‘Acetic’, a warping acid heavy production fusing hefty kicks and crunchy hats that has been doing damage across dancefloors worldwide for a number of months, before unveiling Skudge aka Splice’s label debut ‘Tactile’, an up-front peak-time offering that channels frenzied percussion and soaring leads throughout. Rounding out the package, Thomas P. Heckmann returns to Dame-Music for the second time after featuring on The Melting Point Vol. 1, with ‘The Space Between’ revealing a hypnotic, chuggy mind-melter that looks set to become a must have production for the dancefloor.
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Modest techno for mindful people, second edition. Luise is glad to present Arutani‘s newest album, a true evolvement of its prodecessor. Still true to the artist‘s handwriting, with a minimal and subtle character, hinting details and bold elements. However even more a unique listening experience and a sta- tement on its own.
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Sampler for the debut LP from Paraguayan producer P. Lopez, ‘Asunción,’ featuring the triumphant, ‘Emulation feat. Vera Brothers.’ Up-tempo brain bouncing techno, power-house, washes of electronic-soul, and Latin American tribalism.
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Never Sleep present Paula Temple 'Live from the Mill".
Recorded live in the UK's oldest rave capital Preston in the beautiful summer of 1995.
One of Paula Temple's earliest gigs, this mix was recorded at a rave in Preston 27 years ago when she was 18 years old.
Vinyl only at the time, this mixtape embodies the style she is consistently known for, a mix of raw relentless techno and rave.
In 1995 making mixtapes was the only way to go, so Paula would make mixtapes to give to her friends at clubs around the North of England such as Bugged Out (Manchester), The Orbit (Morley) and Voodoo (Liverpool).
Paula submitted this mixtape to MUZIK magazine to spend a day with techno artist Dave Angel.
Triumphantly she spent the day with Dave in his studio, was featured in the magazine and was just a young girl chasing her dream.
When we asked for this possible collaboration she dug deep and found a forgotten tape from long ago that had been lost but recently found, Archivio has brought it back to life for you to hear the younger Paula Temple's passion for the underground.
All proceeds go the amazing Womenonweb charity which supports women rights across the globe and provides abortion care for the most in need.
We are truly honored to put out a small testament in time and help those in the future.
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With 'D & N's' Rolando releases his second 12' for Ostgut Ton following his impressive label
debut, the '5 to 8 EP' which featured two tracks that also appeared on the Berghain 04 Mix
CD. Now he serves up 3 new tracks that solidify his reputation as someone who is still
pushing forward not content to rest on his laurels.
The title track 'D & N's' prooves that the loop-master is still true to his Detroit heritage even
though he resides in Scotland now. Pacing kicks and timid hi-hats take care of the hypnotic
build-up you might expect from Rolando. Then deep sub bass and planar synths step in and
create a firework that relentlessly winds itself deep into the subconscious, regardless of
whether the listener is already dancing or just about to.
- We Will' embodies a mantra-like magic, but bleeping extensions and 4/4 severity create a
sweeping unrest. Nervous, penetrating and restless, it's a stirring techno gem.
- Filthy' demands attention from the go. While a titanic beat unleashes a severe rhythm,
tambourine delays and helicopter synths awaken the semiconsciousness - alarming chirrups
inclusive. An elaborate devil of a club track that puts a deep final marker onto this well
rounded EP.
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Depth.Request sees a new hat being thrown into the techno ring. The hat in question is the label's first EP Anvil—a post-tech five-tracker, and the person throwing it is Blasted—an Italian producer with a number of solid EPs to his name. Having had previously shared release credits with him on a number of occasions, Berlin's renowned noisemaker Unhuman fits into the picture as well, being the one charged with remixing duties regarding the titular track.
Setting common tact aside for a moment, the opener showcases Blasted indulging in esoteric inclinations by the means of concentrating on slick, abrasive sound design, cutting the number of kicks in half and utilizing a vocal sample to add a pinch of EBM into the mix. Unhuman's slowed-down rework in turn evokes gears' incessant grind at the backdrop of steam pressurizers going up and down in alteration, producing arrays of heavily plodding, whamming kicks. Breaking free of esoterism and leftfield production, the EP continues with Jawbreaker—a peak-time affair wherein the lows are ravaged by constant sub-bass pressure and ruthlessly striking, syncopated kicks, laid under the neatly-synthesized, impenetrable hats, pertaining to Blasted's signature sound. On Filthy Goat, the assault continues with a renewed strength as anxious synths and panning hats gradually invade the scene shortly before the devastating kicks storm down in a hail of obliterating projectiles, creating a battlefield-evocative environment within this decimating, explosive stomper. Lastly, demonic closer Belial bids its fair digital-only-money's worth of adieu with magnificent ambiance interwoven within the spectrum alongside meticulously arranged drumwork presented through plethora of varied, carefully picked samples.
After his contribution to the "Lifesaver Compilation 4 - 21 (Dedicated To Andrew Weatherall)" last year with the pumping "Let's Hide Away", Damiano von Erckert presents his first proper full four tracker on LARJ. Expect dreamy moments with a lot of punch and great vocal snippets as Damiano dominates the bass drum in his masterful way.
A1 "MOONS" sucks you in with light and groovy bongo patterns which build the foundation for an uplifting track that's a bit dark around the sunnier side of things, yet still keeps the positive message: You and I can make it!
A2 "A MONSTER TO LOVE" sounds a bit like a modern take on the "Captain Future Theme", yet much deeper and darker. Atmospheric but built on one hell of a monster groove.
B1 "THESE ARE THE MOMENTS (FOR ZIMNI)" has epic qualities and is full of the uplifting moments we all need - not only Zimni … It does have a certain British sound to it and will definitely rule on a lot of dancefloors with its majestic bass line and whipping hi-hat.
B2 "WISHES" is reminiscent of yet more British sounds from the early 90ies (think Warp and early Nightmares On Wax). The beautiful vocal sample helps build up the tension here before a driving 303 bass line kicks in and takes no prisoners. You better wish for moments like these indeed … and relish them.
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Colombia born / Berlin based David Gtronic joins SCI+TEC with his first solo EP 'Kshama' following remixes for JSPR and a collaboration with Hector on the labels 10th anniversary compilation.
A foray into deep, organic, cinematic dance music. Subterranean bass, intercepted alien transmissions, and stripped down dance-beats meld with sheets of sounds that roll over the listener like waves lapping up on the shore. Shimmering, watery, brain hemisphere synchronization tones caress and melt stress away. Dance floor friendly tracks that work equally well in one s private listening space. Immersive music with a distinctive aquatic quality. Inspired by Detroit & Berlin s dance genres, but tempered by more ambience / atmosphere than one would expect from those genres. Music without harshness or rough edges. Fuzzy, out-of-focus, soft-sounds that slip in and out of the listener's consciousness. Uniquely melds current dance rhythms with lushness and spirituality. Synesthetic sounds that trigger sensory experiences in cognitive pathways other than hearing smells of perfumes, thoughts of colours, and altered perception of time and space. Psychoacoustic, cerebral, electronic listening music for those wanting a different experience than the current harsher, darker dance trends are offering. Responsibly made gentle music designed from the ground-up to have a positive effect on the nervous system and leave the listener invigorated and recharged. Chi-building sonic balm. Timeless, exotic dance tracks for a new school of electronic music enthusiasts who are searching for beautiful sounds, crafted with a higher purpose in mind.
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"About a year after the drop of his latest studio effort ‘Roses and Aliens’ on EMTY, Swedish producer Emotional Ty follows up with a new four-tracker, ‘Purest Blue’ EP, due out for release in the spring. Working in the gap between spaced-out abstraction and no-nonsense floor dynamics, Edgar Ariza has shaped and polished a sound both ethereal and physical, cosmic and down-to-earth. Undoubtedly following that very path he’s forged for himself with previous releases, his newest iteration sweeps the spectrum wide and far, from hypnagogic electronica to acid-infused techno, via Italo-laced house rhythms; all sharing that trademark ability to get your
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While we continue to dig into our archives, techno stalwart Insider came up with 3 massive tunes from the 90’s. Boots On The Run was once remixed by Thomas P. Heckman and made the dancefloors go nuts with it’s driving tribal beats, backed with Trial Bells with a similar sound and feel. In addition as a third bonus track we’ve added What You’re About To Hear, which is a rework of one of his old Music Man classics. A must have for every Bonzai record collector coming on a 10" black wax package.
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Techno Parade Vinyl is saddened and honored to release our beloved friend Tim Baker. Tim was this good-hearted and cheerful person who lighted our souls and this white vinyl, Last Dance, is meant to perpetuate his light. His music will be played for generations to come.
Tim was a friend and a mentor to Van. They created sounds and crafted ideas which will forever remain in their hearts and their timeless music.
We also have a special guest CUBR1K who is the a.k.a created in 2006 by well-known Techno artist Cristian Varela, focused on curated melodic sounds which can be listened on his very own weekly Radio Show on Ibiza Global Radio of the same name. This great premiere can be exclusively offered thanks to this very special release in memory of the great TIM BAKER, besides to commemorate the 15th anniversary of our dear CUBR1K!!
Early support from Cristian Varela, Joseph Capriati, Robert Armani, Michel De Hey, Giuseppe Ottaviani, Dimitry Kneppers, Sven Thomschke Radio Z 95.8 Nuremberg, Stéphane Chambord (Radio Résonance), DJ Brian D, Sam Divine (D-Vine), Pablo Mombo, Antonio Grassia, The Abyss radio show, Marco Molinari Dj, Mirko Hensel, Graham Robson, Erik Bruce, anthony piercy, MISTERAMD, major K, Padhme, Dj Akira, Carmelo Carone, Claudio Ferrone, DJPoldi, Neil Craven, Mind2damax, DJ Sigvaldason, Salvatore Lo Giudice, Jim Star (Monique Musique / No Sound Music Group Owner), Ceaz Amaze, DJ Geri, Dj MarQ, Peter Byles, DjCandyCox, Werner Maxximixx Play, DJ TALLO, Marius Rypdal, Tariq Ziyad, gwenael louvet, G-Prod, Rüdiger Born, Lemon8.
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Invisible Menders are back. After a long hibernation, the duo of Jane Fitz and Dom finally release their long-awaited return to Animals On Psychedelics, the Dream Forest EP. Opening track Dārukā is deep trip to the heart of the forest floor. It comes backed with a pure trance remix from good friend SYO (aka S.O.N.S). Also included Weather Obsessives, remixed by in-demand Dutch producer Eversines, who twists the original into break-fuelled bliss.
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For the first drop of 2021 on Glasgow's Full Dose, Lvcchesi offers a strong & varied 12" with elements of the producer Actress, early US Electro & melancholic soundtrack, presented in an upbeat/make-you-move tempo. There's also a tasty remix of the track Ominino inclvded.
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A Queer Anthology of Drums - "a percussive collage of low-fi frequencies documenting a journey that never took place" (Takuroku), a home recording capturing Valentina's ritualistic free-improv essence, is now being presented to audiences across the world by bié Records, via both streaming services and vinyl for the first time.
*A Queer Anthology of Drums was originally released on Cafe Oto's label “Takuroku” with 8 tracks solely in MP3 format. The new version by the Beijing-based bié Records, whose associate acts range across Hualun, Yu Su, Lim Giong, Gong Gong Gong and many more, is specifically remastered for vinyl format and expanded to 9 tracks with the previously unreleased “She/Her/Gone”.
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Belgium's 'Raving George' dispenses of her alias on her debut ep for Turbo Recordings as Charlotte de Witte.
The 23 year-old Studio Brussel resident DJ has quickly made a name for herself following EPs on Bad Life and a massively successful collaboration with Oscar & The Wolf (which actually sold 15k copies in Belgium alone). Shedding her alias here, Charlotte shows she's ready for prime-time with this expertly crafted EP of big-room techno.
Lead track 'Weltschmerz' sounds like an instant Berghain classic; dark, massive, trippy, and with an emotional character all too rare within the genre. The kicks are banging, the verbed out percussion is fierce, and it all moves around a haunting melodic breakdown that artfully dances on the right side of 'progressive.' It's a killer track that perfectly sets the tone for the whole record.
'Damage Control' is a straightforward flex-a-thon, a housier rhythm that struts along confidently. The technical term is 'floor-filler.' 'Lonesome' brings the emotion back, with it's super-tense, unresolved melodies, this is perfect for all your mega-club yearning & gurning needs. 'Relatives of None' is the nastiest of the bunch, and probably the most at home on Turbo, built around a screechy synth hook. Finally, 'Weltschmerz (Melodic Theme)' provides an epic ambient outro, crystallizing the emotional tones of the EP and establishing a sense of artistic vision that ascends well beyond the pedestrian.
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How about some bright groove fighting the dark winter days? Clark Davis will light up your ears and mind with an energizing interaction of house tunes, funk and techno beats. Together with two remixes by Lucinee and Syntax Error, the Hamburg connection is perfect.
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Gui's fresh hip-swinging Techno goes directly into the interface of experimental Minimal & catchy Tech House.
this is the long-awaited, highly-anticipated debut full-length release from architect, producer, musician and composer, gui boratto, born in sao paulo, brazil. those who have followed his steady stream of 12" singles are already well acquainted with his remarkable ear for coming up with emotive, savvy dance music. whether it be his minimal-techno burners for kompakt's k2 imprint, energetic house for steve bug's audiomatique recordings and plastic city, and of course, there was "like you," the sensational pop-techno anthem that broke him wide open on the international circuit early last year. though he recently began producing under his real name (debuting with a remix for the film city of god), what many don't know about gui boratto is that for over 10 years he has been one of brazil's most in-demand producers having worked with such consecrated artists/bands as pato banton, steel pulse, desiree, manu chao and many, many others. with chromophobia, boratto surpasses all experience and expectation with infinite catchy hooks, lazy synths, romantic vocals, and so many shimmering techno-colors, it'll make your eyes squint in the sunshine. many scribes spoke that last year was the year techno learned how to make a proper artist album. well, boratto very well could be the first to perfect the art with this momentous release. it's easy to coin gui boratto as "varied" and "eclectic," however, gui brings a vast spectrum of influences together with an uncanny sensibility to make arguably the seminal kompakt record filled with all the grace and roar in the world to shake the bottoms of the biggest dance haters out there, and get our fans so excited they'll feel like they're on their fifth caipirinha raving on top of the sugarloaf
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Re-issue of this sought after Kumulus rarity originally released as a one-off on Electric Soul in 1992. Belgium pioneer Jan Van den Berghe is responsible for some all-time classics such as Wet's That's The Game, Liaison D's He chilled Out and Mappa Mundi's Sexafari, to name just a few. Under the Kumulus guide, he produced an unforgettable and mesmerizing take on Detroit-ish techno. Inspired by all the great tracks that he licensed for the excellent Buzz label releases and compilations during the early 90's. Timeless!
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The second drop in a limited run of vinyl editions from Talismann's Percussion project. Talismann continues to unleash the percussion. Drums summoned from ancient times echo over the ruthless beats that pound harsh into your soul. Percussion is a multi-release album, and will provide a complete experience. Offering a multitude of unified tracks which all share a synergy with one another. A synergy that will invite for others to play and create one's own within the universe called PERCUSSION.
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First VA release from Norwegian deep techno label inspired by the seasonal changes of the nordic sun. This is four techno cuts for the body, the mind and the spirit.
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+++ Breaking News +++
Snork Enterprises goes back to the future. For this one-of-a-kind
release we decided to skip a few catalogue numbers and go straight to #1000'. Because nothing less than those four big blocky letters could describe the boldness of this record
containing the most groundbreaking tracks of the 1990s underground techno scene by one of the most snorky and most famous artists:
MR. NEIL LANDSTRUMM.
Quoting him: It's an ep of some of the most influential tracks of the alternative UK techno sound from the 1990s. The UK school of techno was wildly different to the more accepted Detroit techno imports of the time, gnashing its teeth to an altogether more alternative and cracked out beat. The whole point of it was to sound as different and unique as possible. Standing out was the 'thing' then, not the business techno of today.'In the spirit of a time, which was bursting with energy, Snork Enterprises was founded. And
exactly those tracks have had a major impact on the further development of the unique snorky label sound. The following statement by the label owner CHRISTIAN SCHACHTA makes it
crystal clear:
For me this release is highly emotional because it reflects the very roots of Snork Enterprises. Neil was one of the artists who have influenced the sound of the label the most, and especially those four tracks have always belonged to my top favorite ones. As soon as I sensed there was a chance of putting them altogether on one record as a re-release, I could not withhold myself but give it a try and finally and fortunately publish one of the most important Snork Enterprises releases of all times - for the label and for me personally.
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This release is a promise from Micron Audio to provide only carefully crafted and curated electronic music from progressive minded artists. Nothing friendly... Period. Galaxian: An intelligent, intricate composition of titanium android parts and artificial intelligence. LOKA: Sidewalk cracking, body moving waveforms, that strongly reflect the title of the track. Ctrls: Like listening to an audio book on neuroscience except you can dance to it and raise your IQ at the same time. 6SISS: This sonic blast gives you fair warning that you're going to travel about 20 years into the future. DJS 313
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Leeds based party On Rotation launches it’s record label with a LP from resident Adam Pits. His debut album ‘A Recurring Nature’, draws inspiration from time spent in nature with friends during a year when clubbing was an impossibility. Over the course of 8 varied tracks, Adam moves between club slammers and spaced-out introspective downtempo with ease, showing off the production skills that have made him one of the most talked about names of late.
Combining the unique style of his previous club EPs with organic sound design and his own classical cello background, the psychedelic sonic palette is reminiscent of long summer days foraging for mushrooms and other treats from the undergrowth.
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With the first tune you'll get a splendid mental Techno grower. Acid and trippy. Dubby ?
Then genese will drive you into a Mental kick call frustrator. Deep Esthetic.
The flip is again superb and shines for acid bleepers !
A superb OPUS ! NEEDED !
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