With the first tune you'll get a splendid mental Techno grower. Acid and trippy. Dubby ?
Then genese will drive you into a Mental kick call frustrator. Deep Esthetic.
The flip is again superb and shines for acid bleepers !
A superb OPUS ! NEEDED !
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Founded back in 1997, Trax Magazine is the pionneer of Electonic Music and soon became the referent for this movement. Please find the finest selection of three genres of the Club Culture with artists and tracks that forged these styles : House,Techno and Drum'n'Bass. From the start in Detroit to the endless nights of Berlin, go through the greatest Techno Hits. From Dave Clarke to Josh Wink or Laurent Garnier, all the main names of Techno on a double vinyl.
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Dark techno EP by the prolific and versatile Finnish producer Empath. Four hard and distinctive tracks inspired by cold cyberpunk fiction and built for sweaty warehouses.>
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Hi, this is Remco, who made the music for this record. These tracks are my take on techno and electro cuts with an experimental twist. But I’d rather share a bit on the underlying theme of what this record means to me.
Digital Plant System, Solvation, Labyrinth and Altar all touch upon the subject of not always being able to change difficult situations that you encounter. It has occurred to me that the more you seek, the more you will keep looking. Digital Plant System for me symbolizes how it can feel very hard if not impossible to understand the world and how it works, while Solvation and Labyrinth as you might guess by their titles, feel like dwelling on certain problems and getting stuck in thought loops about them. The final track Altar is all about surrendering to the fact that a solution might not come by working ever so hard on analyzing it, but simply yielding to something bigger, and stop resisting.
This record feels very personal to me even though it’s one of the clubbier projects I’ve put out, which is why I like to share some of the symbolism these tracks hold for me. I really hope you enjoy them.
Sincerely,
Remco
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Debut Release From SISmo´s new artist Qasio, Chilean artist Based in Berlin, his release is a mixture of dark,serious and hypnotic sounds, a complete EP with 4 tracks Club Oriented, Including one Remix from OMAR.
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Reptant has caused a bit of a stir recently and on this latest outing, he has joined Craigie Knowes to show his more experimental colours. New advancements in sound for sure - and they are absolutely excellent.
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CALLING ALL FRENETIC LOONS - cursed to strut on thy toes, or to point them to the sky. Has a lack of dance based activity made you weary? The deprivation of bass inflected oxygen surging thru your body resulted in a euphoric fatigue? Well rise and shine all you
Spiritually Deluded kinder, the hit parade is back, with Roza T & D. Tiff tip-toeing in with 8 tracks high in kinetic synergy and low in “bOriNGG!!”. The sound of 2 artists; serious in their intent yet blowing raspberries at the cork sniffers/snobs, obstinate to the world of industrial decay press shots + plastic ravers.
Instead they straddle the Edge of Innocence. Residue of lines once written, now your own personal tightrope. You wobble to and fro as part of a troupe of ethereal jesters, composed of Lil’ Drummer Boi’s pitter pattering on Gravity Bongo’s. Both tracks repping and following the rhythm of the ozone bounce house. With enough elasticity you’ll ^^break thru^^, experiencing Possession by momentary ascension. The weightless sensation of falling in a circle; catch yourself if you please. Such transcendence is lucrative, the Paparazzi on hand to flash and burn the retina, providing instant short-circuit delusions of grandeur. Sonically every hard knock is met with a “bOinKK!!”, illuminating the dark yet cartoonish nature of the practice - guaranteed to make u skip, achieve the perfect sly pout. You and your gang can terraform into bodacious bass-bins, and cast your personal Redemption Arc onto the ether.
Inhibitions are to be absolved, and fat kickdrums to be followed. In this hyper-informed yet unknowing present tense, who can ignore the beat based intrinsic incentive to fuck up the circadian rhythm - the music becoming a byte-based silkworm, spinning its digital silk from synapse to synapse, until your brain is a translucent cocoon playfully ricocheting, the cranium its pleasure dome. Call the drum dealer.
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After exploring some of the UK’s house music heritage, Late Night Burners’ reissue offshoot Still Burning struck gold closer to home; the Dutch have always been adept at crafting club sounds and Marcel Franke’s contributions are no exceptions.
Between 1992 and 1998 he was moving freely between house, progressive, trance, and techno under various guises leaving behind a trove of serious dancefloor 12-inches. One of these was “Tinnitus” released in 1995 under his single-use alias Timelock, containing four menacing party cuts straddling ravey house and deep techno. The Late Night Burners guys took two of them, had them faithfully remastered for the modern dancefloor from the original DATs, and added two remixes; one by the label bosses themselves and one by Youandewan, who has had the original record in his bag for so long it only seemed fitting to ask him.
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Revered bossman Nonentity takes the Source Material back to its roots with this firing new EP on hand-stamped and numbered 10". 'Denzel' is the visceral opener and one that sounds as if its synths have been fired by the hadron collider they are so fierce and fast. The drums too are hefty and the squelchy bass rounds out this instant electro classic. 'Equilibrium' on the flip takes a deeper tact, with moody chords hinting at unease as the slapping drum funk powers onwards. It's a two-tracker that is well worth adding to your aural assault arsenal.
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After a hugely successful first vinyl run of the superb Bart Skils Remix of Universal Nation, alongside the Original Mix of course, we’re delighted to announce a special Gold Edition repress to celebrate the record achieving gold status. This is a huge achievement, thanks to you, our fans.
The repress will be a limited run and we will also be introducing our newly designed Bonzai branded inner sleeve, so keep your eye on our websites and socials for more info about how you can own this wonderful piece of history.
To honour the creator and musical genius behind Universal Nation, M.I.K.E. / Push will receive a specially commissioned gold record in recognition of all-time sales, which is a testament to his overall contribution to electronic music.
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clear red viny
Tensal K is already here with a special sound and visual design for the occasion, 4 tracks of fiery rhythms and explosive textures ready to pulverize the dance floor, excitement for your senses.
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Your favorite Heresy bangers are now available on this Limited Edition 2x12" Vinyl. Part I holds tracks by Sei2ure, I:Gor, DJIPE, The Outside Agency and more... High quality pressing on Solid Silver coloured vinyl.
b A2 Igneon System & KRTM - Jack Nº7
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Happiness and Sacrifice is based on an audio-visual work by IOM. Sampling images from different historical moments and rituals, it questions the need for giving up personal gratification in order to obtain happiness, and also serves as a critique to the catholic church as it reveals the perversion of this thought.
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Tape
The occasional electronic duo KePESLAP is a joint project of Makina Girgir from France and ImiAFan from Slovakia. This month, their cassette "HyteParade" is being released on their own labels Falco Invernale Records and 4mg Records. It contains 5 new songs on the A side and on the B side there is a remastered edition, by today a rare 4 tracker EP of "Random Generator" remixes released back in 2010. The remixes at that time were contributed by Charles Kent, Click Click and Legowelt. It is a limited edition of 100 cassettes. Each cassette contains a unique code on the included card to get the digital edition with a bonus track.
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Tape
Limited edition of only 30 copies.
C-30 Black tape, pink fluor and white spray on it, each one is different.
Includes download code.
Tracks written and produced by : Juan Camilo Betancur
Mastered by : Soj
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RAWAX proudly welcomes Mr. Paul Johnson to the Family. We're very proud to present you the Paul Johnson Traxx Series on our CHIWAX CLASSIC EDITION. The first release will be the former Relief Records 720 "Stop Trippin' " and it includes an unreleased track! The complete series will be remastered.
More releases to come!
Paul Johnson began DJing in Chicago in 1985, and started working as a producer in 1990, doing tracks for Chicago house labels Dance Mania, Relief, Cajual, Nite Life, Undaground Therapy, Defected, DJax Up Beats, Peacefrog, and Moody. His tune "Get Get Down" became an international house hit, sustaining airplay for several years in clubs and was a top 5 hit in the UK Singles Chart. The song reached number-one on the Billboard Hot Dance Club Play chart in December 1999, and remained on the survey for 18 weeks. Johnson started the Chicago house label Dust Traxx, and has worked with Robert Armani under the name Traxmen and with Gant Garrard as Brother 2 Brother. His 2004 track, "Follow This Beat", hit # 8 on the US Dance chart.
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RAWAX is very proud to present the 5th release of the "Paul Johnson Traxx Series" on Chiwax!
We're celebrating the 20th Anniversary of Paul's legendary album "Second Coming".
True To The Dna Of Luke Slater's Imprint, Rene Wise Fires Off A Throbbing Combination Of Big Room-ready 4/4 Mechanics, High-velocity Bass And Hypnotic Acideries On A Dopey, Dubby Flex - Engineering The Tools Of Chaos For A Highly Immersivedive Into The Basement's Teeming Underworld And Its Nocturnal Fauna.
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A collection to celebrate the label’s 20 years in the business of releasing timeless techno and house tracks from the crème de la Crème of the artist roster.
“We like our bike, it is made for 3. Our Mike sits on the back you see. We like our Mike and this is why, Mike does all the work when the hills get high.”
Timeless words from the great Dr. Seuss, and in considering the 20 year history of Mike Shannon's Cynosure label, there could be no truer sentiment. From it's humble beginnings in a sleepy Canadian town formerly known as New Berlin (Kitchener, Ontario) to it's current home in Berlin proper, the label has grown to become a nurturing launch pad for artists from around the globe, and one of the most dependable and consistent providers for those in search of deep minimal funk of the house and techno persuasion. Much like Shannon himself, each and every release in the label's now vast catalog reveals itself with unhurried, confident class, and always with a wink and a wry smile.
In celebration of the label's 20th anniversary, Shannon has amassed another peerless collection of tracks from his nearest and dearest which, much like every banger in the back catalog, are certain to become permanent fixtures in record bags of DJs with an ear for taking dance floors straight down the rabbit hole for many years to come.
Featuring contributions from fellow Canadians Mathew Jonson, The Mole, and Deadbeat, Shannon's frequent collaborator Dewalta, and American legends Ryan Crosson and Brett Johnson to name but a few, Cynosure 20 is a testament to Shannon's stalwart commitment to the music he loves, and the incredibly talented group of merry pranksters he's brought along with him for what, it's safe to say has been one hell of a journey... may it continue for many years to come.
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The sixth part of the Wave Earplug series vinyl compilation LPs promoting synthpop, cold wave, electro, EBM music from around the world. This time from Greece, Hungary, Slovakia, France, USA, Belgium and Holland.
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Part of the new brigade of artists making their mark on the label, Veerus lands his fifth release in two years on Drumcode.
With a pair of EPs and numerous contributions to the coveted A-Sides compilation under his belt since his debut in 2018, Veerus has established himself as a talented go-to producer for Adam Beyer; from his stirring cut ‘Hypnosis’ that highlighted the Drumcode founder’s Cercle performance, to the killer ‘System’ that provided an early 2020 moment for the label.
His consistent vein of form will result in a coveted spot at Drumcode Festival Malta 2021 in September.
‘Recovery’ continues the Italian’s talent for crafting powerful melody-led techno projections.
The title track is an ace. What begins as a smoky atmospheric cut is quicky elevated to beast status as intergalactic robot stabs shatter the mist, while an acid-underbelly adds to the mood. ‘Dysfunction’ brims with a distinct 90s synth aesthetic, propelled by a crisp and classy bottom end.
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Bolam is back on Space Dust with the 'Lost In Time' EP, a continuation of the journey started with the widely acclaimed 'Suspended Animation'. Another well-rounded and diverse record dives into the wormhole with ’Moving Lights’, a high-energy affair propelled by filtering resonators and a haunting vocal. ’Ozone’ breaks through the stratosphere of a new world, a huge track with electro-inspired groove, booming kicks and a razor-sharp lead melody, creating a feeling of uncertainty and delirium with swelling pads and arpeggiators.
The B-side begins with the mysterious and epic, genre-defying anthem ’Air Tension’, enticing the listener into the strange new world with a chugging rhythm, tantalising textures and an indescribable melody that keeps you on the line between paranoia and euphoria. ’Bioluminescence’ descends into an alien jungle, with a hypnotic, dreamy, downtempo beat and iridescent synths and chords. Finally, as you lay down in the otherworldly glade, the record wraps up with the ethereal, ambient finisher, ‘2 Parsecs From Home’.
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Kerrie makes her debut for DBA with four tracks devised originally for her high impact live sets. Other than a cut on highly regarded London label I Love Acid's 10th anniversary comp Kerrie is a relative newcomer but the ten years she has put in honing her style immediately shine through in her music. The EP ranges from Before Calm's bug-eyed, angular swagger replete with a hair raising distorted hook, to Orb Weaver's peak time techno roll via Acid8 Slider which is one of the most original 303 tracks to come out of the UK in some time and Curveball, a bolshy electro leaning stepper.
Her influences range from current UK artists like Blawan to Japanese artists such as NHK yx Koyxen & Hiroaki Iizuka and pioneers like X101, Joey Beltram and Surgeon. The running thread in her taste is a penchant for high energy, raw banging grooves with a machine funk flavour, and a love of analog sound both as a producer and DJ. No doubt this stems from her time spent working at legendary Manchester shop Eastern Bloc Records where she joined in 2013 and has worked ever since. Honing her skills through her DJ residency for EBloc Kerrie has gone on to become a regularly booked act for the UKs most prestigious underground club nights. As a live performer she has also toured the UK since 2017 with the live show being met with high acclaim. Her live set for Freerotation 2019 has been one of the festival's most talked about debuts.
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Malgorzata Dygasiewicz, who was born in Poland, moved to Berlin in 2006. Before that, Margaret lived in London where she consolidated her dj skills in such famous clubs like "Fabric" or "The End".
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Third EP from Raar on his own label, it features his signature dreamy techno. From the brain melting percussions and vocal of A1 to the more experimental breakbeat rhythms and modular rumbles of the B2. Four tracks that will fit any deep and emotive moment on the dance floor.
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Remora, an alias of Maroje T, one of the main forces in New York Electro, returns to Kraftjerkz with raw, distorted drums, deep filters, and a profound mood adapted to the dance floor.
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