Techno Novedades

First shot of this label came out from the same demo at Petit Gris 01. Long tracks easy to mix... This label planned to issue a 02, from EPC, that never came out... Fuck that.

3 x dance-floor oriented tecno slayers on Juju & Jordash's new label, SLACK TRAX

repressed !

Proposed that searching for evidence of the existence of Dyson Sphere structures might lead to the detection of advanced intelligent extraterrestrial life.

Videosphere, the debut album by Kompakt’s latest signing, the London-based artist Lake Turner (aka Andrew Halford), swoons into focus with “The Sunbird”, a teasing drift of lilting, ambient tones, riding out a submerged piston-pulse rhythm. Across its brief 109 seconds, it manages to traverse evocative terrain – something mythopoetic, something both humble and grandiose, a glimpse of the other behind the sky’s curtain. “I wanted to conjure up something resembling an ancient ceremony or death procession,” Turner nods. “Like a hymn to the surroundings of a faraway hill.” It’s both sky-bound and earthen, a ritual incantation to call in the music of the spheres.

Turner was introduced to the Kompakt family by his sometime collaborator Yannis Philippakis of Foals. He’d previously made music in post-punk and indie groups Great Eskimo Hoax and Trophy Wife, but Videosphere is the first time he’s fully articulated his own vision of electronic music, aside from one limited lathe-cut 12”, 2018’s Prime Mover EP, on Algebra. The lush ambient-disco-techno dreams of Videosphere were constructed and completed in his London studio and at his parents’ arable and sheep farm in Worcestershire, which might help explain the hazy, unhurried pastoralism of the album.

“There was a slight bittersweetness in finishing the record (in Worcestershire) as my parents were in the middle of selling my childhood home,” he sighs, before quipping, “on the plus, I ended up shearing a lot of sheep over the summer.” A student of archaeology and ancient history, Turner is no doubt carefully attuned to the twisting cogs of history and memory, and it’s no surprise that Videosphere has a nostalgic, melancholic cast; much of its beauty rests in the way it tugs, gently, at the heart strings – see the tear-stained cheeks of the lush, dappled “Honeycomb”, or the sweetly sad electro-roundelay of “No Way Back Forever.”

It’s not all drift-dream hypnosis, though – Videosphere is very much grounded in the now. ““No Way Back Forever” is a nod to the linear nature of time,” Turner explains by way of example, “and the tipping point of the world climate crisis that scientists have now declared.” Jayne Powell’s vocals are sent spinning through the song, wound like candyfloss; she takes centre stage on the techno hymnal title track, too. Throughout, there’s a sense of forward movement, despite the life stasis we find ourselves collectively bound by in mid-2020; there’s also a yearning for the communal, for community, that’s captured in the album title, a nod to an object Turner encountered at London’s Geoffrey Museum, “a television set in the shape of a spaceman’s helmet from the 1970s.”

“The vision I loosely had was to make an electronic record that had a communal warmth and almost ceremonial or ritual feel. I wanted to examine the relationship of our archaic minds in the trappings of the modern world,” Turner concludes. “What the Videosphere also symbolizes for me is the oneness of humanity and community, prevailing.”
Eröffnet wird "Videosphere", das Debütalbum von Kompakts jüngstem Signing, dem in London ansässigen Künstler Lake Turner (alias Andrew Halford), mit "The Sunbird" - einem herausfordernden Strom aus Ambient Sounds, die zu schweben scheinen, um sich dann in einen subtilen, maschinellen Rhythmus zu verwandeln. In gerade mal 109 Sekunden gelingt es dem Stück, ein gewaltiges Terrain abzuschreiten - etwas Mythopoetisches, bescheiden und grandios zugleich, gibt uns eine Ahnung davon, was sich hinter dem Himmel verbirgt. "Ich wollte etwas heraufbeschwören, das einer alten Zeremonie oder Totenprozession ähnelt", sagt Turner, "wie eine Hymne an die Umgebung eines weit entfernten Hügels." Himmlisch und irdisch zugleich, eine rituelle Beschwörung von Sphärenmusik.

Der Kompakt Label-Familie wurde Turner von dessen zeitweiligen Mitarbeiter Yannis Philippakis (Foals) vorgestellt. Zuvor hatte er in den Post Punk- und Indie-Bands Great Eskimo Hoax und Trophy Wife gespielt. Bis auf eine limitierte lathe-cut 12", der "Prime Mover EP" auf Algebra von 2018, artikuliert Turner mit "Videosphere" zum ersten Mal seine eigene Vision von elektronischer Musik.

Die üppigen Ambient-Disco-Techno-Träume von "Videosphere" hat Turner in seinem Londoner Studio und auf der Schaffarm seiner Eltern in Worcestershire produziert, was den nebulösen, gemächlichen und beinahe pastoralen Charakter des Albums erklären könnte.

"Es gab einen bittersüßen Moment als ich mit der Platte (in Worcestershire) fertig geworden war, da meine Eltern gerade dabei waren, das Haus meiner Kindheit zu verkaufen", seufzt er, bevor er witzelt, "das Positive war, dass ich im Laufe des Sommers eine Menge Schafe geschoren habe". Als Student der Archäologie und der Geschichte des Altertums ist Turner zweifellos mit den sich unaufhörlich drehenden Rädern der Geschichte und der daran geknüpften Erinnerungen vertraut, und es ist keine Überraschung, dass "Videosphere" einen nostalgischen, melancholischen Einschlag hat; viel von seiner Schönheit liegt in der Art und Weise, wie es einem sanft ans Herz geht - die Tränen benetzten Wangen von "Honeycomb" oder der ambivalente Elektro-Reigen von "No Way Back Forever".

Trotz allem hypnotischen Driften und Träumen - Videosphere ist sehr stark im Jetzt verankert. "`No Way Back Forever`ist eine Anspielung auf die lineare Natur der Zeit", erklärt Turner beispielhaft, "und auf den Wendepunkt der globalen Klimakrise, den Wissenschaftler gerade ausgerufen haben". Jayne Powells Gesang wirbelt dabei wie Zuckerwatte durch den Song und steht auch im Mittelpunkt des technoid hymnischen Titelstücks. Überall ist ein Gefühl der Vorwärtsbewegung zu spüren, trotz der Stagnation, in der wir uns Mitte 2020 kollektiv befinden; trotzdem existiert eine Sehnsucht nach dem Gemeinsamen, nach Gemeinschaft, die im Albumtitel eingefangen ist - eine Referenz an ein Objekt, dem Turner im Londoner Geoffrey-Museum begegnete, "ein Fernsehgerät in Form eines Raumfahrerhelms aus den 1970er Jahren".

„Die lose Vision, die ich hatte, bestand darin, eine elektronische Platte zu machen, die eine soziale Wärme und eine fast zeremonielle oder rituelle Atmosphäre ausstrahlt. Ich wollte die Beziehung unseres archaischen Geistes in den Fallstricken der modernen Welt untersuchen", so Turner abschließend. "Was `Videosphere` für mich auch symbolisiert, ist die Einheit von Menschlichkeit und Gemeinschaft, die am Ende obsiegt".

The return of the original palingsound from Rotterdam.. The Paling Trax imprint continues in 2016 with two fresh releases.

Paling Trax 2 is a split EP featuring one of the label's curators, Lenson, who has invited 'koperen koos' Coastdream from Brazil. Fresh, raw club techno cuts! Support by Ben Sims, Bodyjack, Charlton, Stranger among others.

Having returned last year with a flurry of releases, Transparent Sound Recordings returns in 2020 with an overdue reissue of Atmosphere/Remanisance.

Originally released in 1996, the A1 offers a raw, no nonsence acid electro workout.

The B1 gives us a taste of that unforgettable Transparent Sound Groove and features dreamy synths and lush pads alongside an effective drum workout. The B2 features a hard hitting four to the floor remix featuring an unforgiving acid line throughout.

1 per customer, 180g, vinyl only

A power Split release straight up into our vinyl catalogue. First we've got two original Prodot tunes, a majestic producer from Cordoba Argentina with releases on Re.Face and Blind Vision, Prodot delivers concrete sequences of beats and lows, perfect for extreme club situations.

On the Other Side from France "Only Slave Nation" part of Def Raw Music Concept group (DRMC) and releases on HighPath and signatune, sending us the closure for this record, a couple of deep sounding tracks that resemble France popular way of music making.

Spiritual Peanuts Sorting Priorities

051 Destroyer is back on Lunar Orbiter Program with his first LP.
Once again 051 Destroyer put his hands on a range of largely hard-wired electro-related styles.

Dark electronix and electro from Assimilation Process. A vivid mix of digital processed sounds in combination with field recording and other analogue sound sources. These 6 tracks draw their energy from the severe contrast between melancholy and noise intensified by the rhythmic structures and the instantaneous sound pressure. Heavy!!

Refreshingly new oldskool techno tracks by Bornek Nowec, a project by a Rotterdam based dj/producer known for his long tied connections with the local techno scene. This release is the first outing from his large archive of techno tracks produced over the years. 4 cuts full of character that reminds us of the long nights at the Nightown basement in the 90's where he was dj'ing with guys such as Dj T!M aka Frame Six and Paul Du Lac.

The first in Wormhole Wisdom's trio of Grumptronix / Diode represses contains two highly sought after cuts from Diode and on the B-side, a previously unheard and unreleased Grumptronix cut. As Diode's efforts spell out over the A-side, Omar's hypnotic sound prove that they also have the ability to pack a punch. With spine-tingling industrial & artificial intelligence influences, both '06Funk' & 'Waterhole' swing mechanical with a firm nod to the future. This unique sound is what's had people reaching deep to own a copy for themselves. On the flip, 'The Witching Hour,' the first of 5 unreleased tracks in the series, takes an even deeper, mysterious turn, bringing things down a notch. It's an intoxicating sound, packed full of nostalgia, space and energy - prepare to glide over your dance floor, living room or stratosphere in the proceeding 9+ minutes as you soak up one of the most uncompromising, emotive and relevant electro cuts to never see the light of day - until now. All tracks have been mastered from the original DATs with care and love by the ears and hands of Simon?@?The Exchange.

1997. 'Drexciya don't have no phone. They're too busy to do your remix'. Mad Mike's response was short and to the point, enough to put off some; but not Vincent Koreman. Addicted from an early age, the dutch producer dug deeper and deeper into the mythology and mystery of James Stinson and Gerald Donald. The sounds, images and ideas conjured up by the Detroit electro duo pulled Koreman in, his "fascination" growing ever more "intense" as the underwater dwellers sonically prospered. Fast forward twenty years and that fascination has not diluted one drop, in fact the aquatic dream of the wavejumpers is the inspiration for "Recolonization". These tracks "would have never had existed," says Koreman, "if it wasn't for Stinson and Donald creating that great, energetic, abstract electronic music and coupled it with an original vision on the African diaspora, art and culture." This music is an homage to the enigma of Drexciya, a tribute to the machine marine men who pioneered electro and a vision. Drvg Cvltvre continues that vision, one of "an underwater race" that has reconquered Earth, overcoming "big business, corporate greed and water pollution" to reclaim the surface from man. Forget mankind. Our time is over, 'Recolonization' is here.

Emma DJ delivers a class palette of sounds on his 13 track debut for the Brothers From Different Mothers catalog, ever blurring the lines between club music and lush / torturous psychedelic explorations with his trademark offbeat distortion and cavernous rave stabs, giving body and minds more than they can chew on whilst lacing together some of his most innovative material to date.

Cologne's Feines Tier is delivering their first label compilation, Including 23 exclusive tracks by a lot of friends and recent guests of their well known party series. Spreading vibes from slow chuggers and hip-shaking house to uncompromising techno - this is versatile electronic music for making the occasional narcotized convolutions of your brain feel much better. The double CD contains not only twenty three exclusive tracks, but a sweet 28 page booklet. On the double vinyl edition you'll find four slower tunes on the first disc, and four tunes to make the crowd go wild on the second one. Silk printed and numbered vinyl covers. Cover art by Zoologne

Operating as a new series to his longstanding dement3d imprint, founded back in 2011 alongside co-founder hbt, the project will serve as a cultural platform for artists to share visions and expansive productions not confined within the worlds of house and techno, enabling the freedom to explore genres across the electronic sphere. This approach stems from Francois X' own personal approach to music production and djing, with a key emphasis on warm, emotive and sensual cuts at its core. The inaugural ep comes from Francois X with the four tracks featured on '001' bridging the gap between his earlier and forthcoming work as well as his future vision for the imprint, incorporating broken arrangements, captivating soundscapes, and immersive textures to reveal a warmer, more house-focused side to x's sound across slower, entrancing tempos. Whilst zoumenou's productions remain centred around his own personal vision of the night, highlighted by the track titles across the package, the cuts explore and delve deep into the idea of open expression within landscapes heightened through the sense of both obscurity and mystery, returning back to ideas explored within his IRREGULAR PASSION LP released in 2018.

Tbilisi-based artist Gacha Bakradze creates cinematic soundscapes on his Die Orakel debut entitled 'Western Arrogance' – a genre-transcending exploration of electro, breakbeats, trance and IDM

After a prolific career releasing on platforms such as Audio Assault, Token, PercTrax, Stroboscopic Artefacts and the HueHelix imprint Go Hiyama is back with an astounding piece of work that dictates its own path. 'I Am Goodbye' graces us with wondrous sound-design and drum patterns that are just as menacing as they are intricate. Based on the concept of denial this full-length takes a steep dive into what here at Parachute we cherish the most - individuality. Steering away from what are his canonic approaches to producing he chooses to leave behind sequencers and synths to further explore the nature of instruments such as piano and vibraphone as well as an array of field recordings. The end result is remarkable proof of the concept behind this album, interpreting denial in an unusually positive course of action allowing him to explore areas of sound he had previously never visited. A definite highlight here at Parachute and an exemplary release to kick off our 2017 schedule. The year couldn't have started any better! ‚I Am Goodbye' is designed by Atilla Fidan and released on LP and digital formats.

A distillation of cultural memory through electronic process, James Place - the creative guise of New York native Phil Tortoroli, returns with his third release for Umor Rex. The sonic realization of love and loss, re-sculpted for the Post-Modern age, pursuing his glacial take on techno into newly intimate depths.

Departing from a line in TS Elliot's Four Quartets the moment in and out of time', its works take form through the haze of a dream. Over the course of several months Tortoroli tracked heaps of live stereo jams at home, jamming on his drum machine, sampler, polysynth, and effects setup. Poring over these hours of hazy jams, Tortoroli heard himself straining for an additional voice to further emote. Rifling through a vast library of old bounces and experiments, Tortoroli rediscovered the music of Sam Sally to complete Voices Bloom, resampled live and again subdued into explorations of an old practice'.

Voices Bloom is the musicality of cultural collage, immensely personal and intimate, arms stretched out, gathering diverse sonic worlds. The artist and his craft as a self-reflexive lens for an electronic age - a sonic patchwork heard from afar - impressions of memory, drawn close to the heart. Within the album's cool displaced tones, rise nostalgic romances, drifting rhythmic works which defy the beat. A world where time enters multiple frames, those possible, literal, implied, forgotten, and remembered anew. The final results on Voices Bloom are the most reflective yet from James Place. The hopeful kosmische beats and hauntological synth music on previous albums, and more delicate melodies, riding crisp minimal rhythms that flow elegantly from vignette to vignette. Rhythms of abstract techno with glistening melodic lights.

Jodey Kendrick joins the Clone Dub recordings roster!

Jor-El making his Be As One debut with a smooth and well crafted spacey Techno EP (including Jay Clarke Remix).
A must have release for those closing your eyes moments when its time to deep dive and get lost into "dark places".

This year Kevin Saunderson, Ann Saunderson and Paris Grey, collectively known as the legendary band Inner City, release 'Future', their first entirely new material since parting company in 2001, written and produced in collaboration with another Detroit legend, namely Kenny Larkin.

The track marks a welcome return for a group that combined the tough, futuristic grooves of the Detroit scene with the vocal energy of R&B and gospel and helped to define the period in which house and techno moved from underground phenomena to top 10 material, paving the way for hundreds of dance hits to come.

'Future' is devastatingly catchy and highly emotional, exhibiting all the soulful flavours and qualities you would expect from these celebrated producers and singers. Masterfully re-edited by Carl Craig this track ascends to a higher place whilst Kenny Larkin is on remix duties, beautifully reworking the original into a techno infused monster with intoxicating staccato vocals.

Killer 4 track EP of refined electro, off kilter techno and emotive house tied together by a playful and alternative feel.

“EP is super good, love it” - Radio Slave
"Feeling this one massively. Beautifully elegant and futuristic music." - Photonz (Dark Entries / Naive)
"Oh yes! Big stuff for sure!!! Thanks!” - Peder Mannerfelt
"Solid music per usual from Matt." - Santiago Salazar (Rekids / Dublab)

TJ Hertz's first original release since 2014's critically acclaimed Flatland LP comes in the form of Objekt #4, a continuation of his club-focused white label series and a tribute to the sadly now defunct Basement Q, a formative and beloved haunt in Berlin's Schöneberg district which quietly but profoundly shaped the musical identities of Hertz and several of his contemporaries until its final closure in 2012.

There really was no place quite like it,' remembers Hertz. Even in the later years when Joe (Call Super) and I would go, the sense of vitality was palpable, you had all these regulars who must all have been pushing 50 years old but still had more energy and passion than any 25 year olds we knew at the time. God only knows what it must've been like in the 80s when it opened. I think it changed a bit over the years but I know the horse fresco on the ceiling was there from the start and the custom-built soundsystem too. Bogdan, the sage and amiable but somehow kinda unhinged old Bulgarian dude that owned and built the place, he had this obsession with right angles, he hated them, said they were fascist or something. So everything was slightly askew and you never quite knew which direction was up, much less when he or Emil or one of the other residents were playing. It was disorientating and beautiful and in the midst of such an experience your eyes would offer your brain no valid explanation for the wonderful confusion of sound that your ears were reporting. Meanwhile this old, fabulous, rave-weathered crowd of 40 to 60 people would be gradually losing their shit, feet glued to the floor but bodies flailing as if caught in a hurricane. It was something else.'

The two tracks on Objekt #4 pay tribute to two of the many musical facets of Basement Q in its later years. A-side Needle and Thread' aims to condense several hours of a Thursday night in the Basement into 9 minutes and 26 seconds, embellishing a hypnotic rolling techno backbone with hyper-detailed atmospherics, enchanting melodies and tight, strident breakbeats. B-side Theme From Q' is Hertz's reinterpretation of a Basement Q anthem, owner and founder DJ Bogdan's own Love Inna Basement (Morning Dub)', which never saw an official release despite providing the soundtrack to over 20 years of late morning love-ins in the cellar underneath the Sattler & Söhne glue factory. Together, the two tracks offer an incomplete but nonetheless seductive illustration of one of the most idiosyncratic and overlooked clubs in Berlin's recent history.

Peter Kadergard has been active in the Helsingborg (Sweden) electronic music scene since the early 1990's. He was involved in various collaborations during the 90's and appeared on a few cassette releases under the names Grodans Fodelsedag, Marchentraum and Mannix System. Peter released his first Rittowski record on the Borft sub label Djuring Phonogram in 2004. Apart from this electro project Peter is a member of the bands Goz Mongo Alliance and Inyurmania, who has made a few releases on the Ufo Mongo, Pripuzzi and Skiboy record labels. This is new Electro!

Work in Progress is a new vinyl only label focused on underground house music.

First release comes with 2 original tracks from ROAR and 1 remix from Levi Verspeek.

supported and played by Dewalta, Alexkid, ViD, Jef K, D'Julz, The Willers Brothers, Pheek...

Rough, rugged and raw Techno two tracker from Dublin producer Sias on his return to Jheri Tracks.
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Kicking off with 'May 1932' - a screeching, relentless funk driven jam backed with the offbeat electronics of 'Of Cotton' - a trippy skittish techno headnodder.

What happens when you stick two audiophiles together in alpine seclusion? The answer is given over the two intense and brilliantly built tracks of Eiger Nordwand, the new EP by Stimming and Marcus Worgull.

Suzanne Ciani is a true electronic music pioneer. The five Grammy nominated Italian-American neoclassical composer is unquestionably one of the greatest minds that contemporary music has ever witnessed. After an incredible career spanning forty years, Ciani’s accomplishments have become a benchmark when discussing the origins of musical synthesis. For more than four decades she developed a body of work that transcends the music industry, composing for film, video games and famous advertising campaigns that have impacted popular culture. On December 14, 2019, after six years of sound experimentation, Lapsus Festival bid farewell to Barcelona’s Centre for Contemporary Culture. Its final event was entitled 'A Sonic Womb' and was dedicated to the musical roots of the synthesizer, with Suzanne Ciani headlining on the night. Ciani performed an exclusive show accompanied by her modular Buchla 200e synthesizer and enveloped in a specially designed multi-channel sound environment by Intorno Labs. It was a sonic voyage to the very heart of her beloved machine and a tribute to improvisation through an instrument that is said to possess its own soul. Suzanne described the night as ”an improvisation that I began using in the ’70s and continue to use now as raw material. Each performance based on this material has its own expression and one could liken it to jazz." Lapsus Records is therefore extremely honoured to present 'A Sonic Womb: Live Buchla Performance at Lapsus', a unique live recording of this extra special concert.

Here it is! Appearing first time on vinyl. The film tells the story of six mental cases, trying to get rid of society's norms and values by kidnapping, a well-known TV host. Delivering the soundtrack, The Conservatives (I-F & Intergalatic Gary) are setting down the perfect mood for this cult classic.

Darko Esser returns with two powerful, finely crafted techno pieces on the eighth installment of his Trip series, 'Eighth Trip' his first release since 2015.

'Untitled #15' drives forward with sullen aggression, eerie morphing synths gaining strength and swaying atop aggravated deep-hitting drums, all constantly meandering in space and energy. On the flip side 'Untitled #16' is forged with less aggression, but just as much tension, a morose cowbell sounds, offset from a moody drum pattern that beats beneath an extra-terrestrial synth, creeping, and probing, throughout the whole piece.

Altogether 'Eighth Trip' is yet another rich-sounding release from a champion of the darker, deeper realms of techno.

incl track by Agents Of Time, François X, Voiski, The Hacker, Orbe, Abstract Division, Roberto & Amandra) Obscura, the Italian based imprint run by Agents Of Time, present their second release.

The highly anticipated EP, 'WHAT HE SAYS', written and produced by French techno artist, VLAYSIN, with remixes by Italian producer AYARCANA, along with Los Angeles artist, AXKAN, is finally here. This is the first release for OMEN Recordings and it effortlessly chronicles the chaotic, dark, and raw characters of cutting edge techno.VLAYSIN performs live using pure hardware to capture his raw analog sound. His music is dark experimental with soul and substance. The energy and vigor it brings captures the listener and takes you to a place you never have been. Strong bass lines fasten to the developmental, noise melodies in a cohesive way that gets the dance floor moving. With previous releases under his Octave moniker which leans towards a cleaner and traditional techno path, Vlaysin opts for the 'no holds barred' route. The title track, 'What He Says', goes straight in with industrial strength distortion led by glitchy, moody and deep melodies. The second track, 'Rising Anger', is off to the experimental races with abrasive analog screams and 'in your face' explosive noises. AXKAN is a leader in creating industrial and haunting synth work. His wildly different approach and dedication to the classic sounds from a SCI Pro-One and Roland System 100m amongst others make his remix of 'What He Says' very unique. His tribal break-beat kick drums around a distorted dark vocal breakdown add to this brutal ride. AYARCANA is also a producer at the forefront of the industrial techno movement that has been taking the darkest warehouses by storm worldwide over the past few years. His remix of 'Rising Anger' marches forward with upfront, harsh, factory machine melodies and then eventually rolling kicks ascending to a fast speed finish.This EP is rooted in anxiety and provides serious energy. Sonically all the tracks on the EP work together in a cohesive fashion that, without a doubt, will rip loudspeaker systems to shreds. It draws you in and takes you on a unmerciful, but yet trippy ride, before it mauls you in the face with submarine deep kicks and chainsaw melodies. It employs some of the craziest and experimental sounds that makes this record definitely worth listening.

A new member entered the Voitax imprint and crafted this massive three track EP with raw tripping tools and a stripped down ambient track that fits perfect into the labels identity and leads you to your ruins.

Z@p's expedition into ideal acoustic universes of 'Sonic Utopia' continues on Melliflow with a two-part special sequel, 'Vapors of Utopia'. Part One features 4 intercosmic sweepers doing all the right things in all the right places.

Z@p's expedition into ideal acoustic universes of 'Sonic Utopia' continues on Melliflow with a two-part special sequel, 'Vapors of Utopia'. Part One features 4 intercosmic sweepers doing all the right things in all the right places.

Download Code + Stickers

Second album of Madre Larva edited in Faith Disciplines. Once again he surprises us with sound landscapes where experimentation gives way to sensations. Great album
credits

New Furthur Electronix off shoot label, limited hand
stamped pressing

Second part of Machine Funk project. Machine Funk is a twelve vinyl records project created by Cygnus and Alek Stark, the mind behind Fundamental Records, 808 Box, Electric Eclectics and now Electro Records. Machine Funk is based on the classic cyber-punk comic book created by Barry Windsor Smith. Essential electro music full of vocoders and analog machinery, produced by Cygnus!

Third part of Machine Funk project presented as a nice picture disc! Machine Funk is a twelve vinyl records project created by Cygnus and Alek Stark, the mind behind Fundamental Records, 808 Box, Electric Eclectics and now Electro Records. Machine Funk is based on the classic cyber-punk comic book created by Barry Windsor Smith. Essential electro music full of vocoders and analog machinery, produced by Cygnus!

Fixon returns home with a brand new and powerful EP, after his release in collaboration with DJ Saint Pierre on our latest No Boundaries Series number Two in split EP with DJ Surgeles, Fixon it’s back with ‘Destroyed Landscape’ which contains four Original Cuts, three of them on Vinyl and a bonus track for the digital release, as usual quality music from the Mexican Producer. For this release we also counting with outstanding remixes from two great Producers who we give a warm welcome to the label, first remix from the Italian Distant Echoes who has brilliant releases on labels such as Dystopian and Non Series and for the second and last remix the British Producer BNJMN who is an active contributor of the legendary Tresor Records.

Cassette (Pink recycled )+ Download Code

Here is INDEX:007 by Ike, featuring two original compositions and a remix by GOD69.

The A Side: lazuline blueness, with perforations of laser lemon
(pressed at 45rpm, it complements percussive electro textures, that intricately mesh into sub-flecked breakbeat arrangements)

The B side: a cameo of pale pink, with roasted umber tones
(pressed at 33rpm, it accompanies acidic electro wobbles, accessorised by futuristic drum patterns)

After his stellar debut on the label Kitkatone is back giving a nice spectrum on his music. This is Sareet, a deep immersion in his world and the way he see the groove and his colored melodies

Rhythm Buro's fourth release is a much anticipated EP from one of it's co-cofounders, Na Nich aka Alexander Pavlenko. Pavlenko has been making music for nearly 20 years, most notably under the alias Sunchase. With the latter project, he was known in the drum and bass world as something of a child prodigy, but more recently Pavlenko started applying his artistry towards soundscapes that can be filed into the techno category. In the last four years he's been first and foremost involved with Rhythm Buro, a techno initiative, party series and label from Kiev, Ukraine, that has since become well-regarded among DJs and dancers internationally.

This EP marks Na Nich's first solo EP, following a track featured on Semantica Records' anniversary compilation 'Arquitectura del Sueno', along with a few tracks appearing on Rhythm Buro's previous VA releases.

RB004 opens on the A1 with a track entitled 'The Key' which is one of the first tracks made by Na Nich. The listener is gently introduced to an ambient wonder wall before some percussive elements open up and synths set the mood: a transportive journey led by a kalimba-infused melody which swells with a certain ambiguity that seems to lend a shamanistic touch. A2's 'DVA' is a more four-to-the-floor dubbed-out gentle fist pumper, with melting synth melodies and foggy layers backdropped by steady reaching high-hats and a consistently wise kick drum. A strong element of the psychedelic and inquisitive is much present.

The B side of the record is another part of the story: B1's 'Log' is an epic night-finisher dreamscape, a strong element of space seems to be the focus here as beats play less present in this foggy cinematic soundtrack to a film that has yet to be made. The remix version by Luigi Tozzi on B2 reminds us how deep this prolific Italian artist can take us down the rabbit hole. For fans of danceable, groove-centered and thought provoking tunes to loose one's and find one's mind to.

Reissue of this mesmerizing record including an unreleased alternate mix of "Subterranean Zappa Blues". Hypnotic rhythms made of slow minimal beats, industrial textures, intoxicating drones and repetitive voices that seem to merge from dreams. Everything built by two of the most brilliant industrial music minds: Steven Stapleton and Colin Potter.

"This album arrived somewhere after a dream meeting of several individuals, Graham Bond, Joe Meek, Jacques Berrocal and myself. After a few beers and a heated disscussion of puncture repair we all lay down in a circle and point our penises at Venus, telepathic messages are sent out to Colin saying he can use the two golden microphones. He did, and here we are." Steven Stapleton, 17.1.94.

Rock 'n Roll Station began life with Steven Stapleton asking engineer Colin Potter to remix some of the more rhythmic elements of 'Colder Still' from 1992's Thunder Perfect Mind. As Potter gradually warped these sections into weirder and weirder pieces, a new album began to emerge. Potter himself explained it to David Keenan in England’s Hidden Reverse: “What I sometimes did in the studio was to ‘over-use’ effects and processors to totally mutate a piece into something completely different” while Stapleton observed how “it was almost as though telepathic messages were sent over to Colin. We’d started an album together at IC Studio that was never finished. He then sent me some vague mixes, which were just what I had in mind. So, from that basis, I started putting the album together.”

Potter would quickly become a key player in Nurse With Wound’s productions, a position he continues to fulfil to this day. He was first credited as a member on 1992’s Thunder Perfect Mind, a tour-de-force of cold, at times hostile, machined atmospheres, but considers Rock ‘N Roll Station from the following year to still be his favourite.

Building on percussion and drone elements, Stapleton and Potter throw in a huge range of bizarre and atmospheric elements: didgeridoos, chanting voices, and their usual selection of unidentifiable sounds.

Its strong focus on rhythm was erroneously surmised by some as an attempt to join the then rising electronic dance music scene. But it was Stapleton’s recent obsession with the music of ‘King of the Mambo’ Pérez Prado that was beating at the heart of Rock N’ Roll Station’s heady rhythms.

The album’s title alluded to two specifically rock-related stations of influence: the song of the same name by Jac Berrocal, of which a surprisingly straight cover opens the album in homage; and the tragic life of the Sixties British R&B organist Graham Bond who influenced bands such as Deep Purple and Cream. Beset by mental health problems (at one point believing he was the son of Aleister Crowley), Bond died under a train at a Tube station in 1989 and it is this tragic scene that Rock ‘n Roll Station’s closing track, ‘Finsbury Park, May 8th, 1:35 PM (I'll See You In Another World)’, sets in sound.

Repress with alternate label-art!

Valuable set of sought after tracks for those who know.. From the early Detroit days, before techno was techno.. Programming (original 12-inch version), Joy One Mile (original 7-inch TP version), Techno World (previously unreleased on vinyl), This Is My Beat (original 12-inch version). Discogs insanity so to speak...

All music composed, produced and recorded by The Jaffa Kid
Mastered by Andrea Merlini
Artwork by Conor Walker
Printed at Good Press

No5 means a lot for our label. The new release comes with eight tracks of multiple styles, genres and textures signed by various artists, showcasing once again, the true identity of the label. From Spain to Russia, UK and The Netherlands, the artists that are part of this release are both promising and experienced. This compilation brings together, for the first time, Scape One, Cignol, Low Tape, Garçon Taupe, Promising/Youngster, Ochre and Rec_Overflow in an electronic trip between extreme sensitivity and balanced sounds.
This new album has a vinyl exclusive track by Ochre that won’t be distributed in digital platforms. Only for vinyl lovers !

Peckham basement trax. Our friends heard the call and delivered. Simply the West vol 1.2

Copenhagen’s Percy Records affiliate and nom de plum factory DJ Pollen comes with a p-bar certified slammer (look out for more from him this year elsewhere wink wink)

Medlar teams up with Tom Unlikely with the electro anthem (made entirely from the show) about nothing.

Also 4 u, blissed out breaks from The Soft, some 150 biz from the AKA Boys (Fyi...) And two delicate soundscapes from Sierra to end. Play at unnecessary volumes.

First release of Malmos Electro Label. Stunning 5 track VA record with loads of stiff Electro from the scandinavian parts of the mind. Eargoggle, Obergman, Dip Shim, SPH Alliance and Babylon Barseback delivers a mix between classic Electro sounds, club bangers and Breaks and neo-trance atmospheres!

DESCRIPTION

FALK Records will be releasing 'Spaces' from Icelandic experimental producer AAIIEENN this August.

AAIIEENN is the solo project of electronic musician Hallmar Gauti Halldórsson. Halldórsson first came to
music though being a mover and shaker in Iceland's punk and hardcore scene where he was the 'harsh
noise guy' with local band Distill the World. With AAIIEENN however, Halldórsson moved away from the
guitars and screaming to a fully electronic world of experimental synth music and gorging on the
mathematical possibilities and expanses of arpeggio/sequencer driven ambient music.

'Calab-Yau' and 'Continuous Property 1' drip shards of pure crystalline sound into deep crevasses as
harmonic droplets ping of gleaming surfaces coated with spongiform bass. The light and effervescent
'Euclidean' evokes classic Ambient Works Aphex Twin, while 'Manifold' is more direct with a muscular and
sturdy bassline. Spaces closes with the fluttering and lush ambient sounds of 'Zariksi' that are carried into
the skies by a pulsing and gliding techno beat.

A new talent is added to our roster, this time the argentinian Alderaan, after several releases in labels such as Animal farm, Mindtrip, Planet Rhythm and our very own Aine.

He offers five slices of modern techno, heavy percussive based but whit a lot of intelligent elements inside.

First cut is Ancient Particles, multiple drum layers, heavy reverberation and obsessive sequences as sound palette.

Parallax follows in the same style but adding more drone action and bell like lines in a clever arrangement.

Oscar Mulero remixes Retina getting rid of the textures and focusing in rhythm and repetition in a minimalistic remake.

Retina is a cosmic exercise, with galactic resonant bleeps, atmospheres and ambiental components in a dreamy structure.

No quarter returns to percussive territories, again with drones and atmospheres floating over the beat in an hypnotic travel thru deepness.

Timeless techno for the mind and for the body, soul as a weapon.

First part of Machine Funk project. Machine Funk is a twelve vinyl records project created by Cygnus and Alek Stark, the mind behind Fundamental Records, 808 Box, Electric Eclectics and now Electro Records. Machine Funk is based on the classic cyber-punk comic book created by Barry Windsor Smith. Essential electro music full of vocoders and analog machinery, produced by Cygnus!

The term 'cruelty' is so limiting according to our cultural expectations of it, an act may give perceived 'good' to the perpetrator and 'bad' to the victim. It may give good in the long run and bad in the short run or vice versa. The unifying factor to all forms of cruelty is GHOULIA.

Semi live machine sessions riddled with heavy kicks, breaks samples, distortion buzz & pedal hums all fed through a 1970s Pioneer SA-7500 Amp & recorded onto cassette tape before being pressed to 100 x 12" for Palais de Danse's fourth EP.

Earthen Sea adds to the Kimochi Sound with a soulful examination of indistinct margins, suffused with dusky haze. It's a heady atmosphere and has a palpable heaviness throughout. Starting the record are the concrete reverberations of You Don't Never Know, followed by the murky ebb and flow of Fly. 13 Beat(less) is diffused ambience.
Shielding fittingly closes the record, and weaves Earthen Sea's many textures with intricate syncopation.

Our fight is not against flesh and blood, but against the rulers, against the authorities, against the powers of this world's darkness, and against the spiritual forces of evil in the heavenly realms.

LA-4A returns to Delft for his first release on the label since last year's Phonautograph LP. The A side comprises two beatdown acid house jams, with two versions of the raucous electro cut "Snake Eyes" on the flipside. Heavy and uncompromising tracks that are not for the faint of heart. Sick release!

Selected dj feedback:

Josh Wink - Raw and diverse, just like LA-4A
Vin Sol - Kevin is killing it love the vibe on this
Peggy Gou - Nice
Avalon Emerson - dig it!
Physical Therapy - jeeeeeeeeeez!!!!! these are incredible!!! possibly your best work!! will be playing all 4!!!!!!
Kornel Kovacs - Ecstasy! E is the key.
DJ Bone - Every track is great actually! Full support.
BTraits (BBC R1) - Nice! Really digging Panic & Snake Eyes!
Rodhad - Ecstasy is cool, thanks!
Truncate - Dope!
Skream - 10000% SUPPORT FROM ME!!
Mosca - These just sound so good. Can't argue with the crunch of those Panic drums and the Beaten version of Snake Eyes is right up my street
Jimmy Edgar - Can't wait to play it
A Made Up Sound - Still playing out Resistor off the LP a lot, this sounds banging too. Panic is my pick!
Danny Daze - Damn! This is fresh!!
Huxley - Ecstasy is wicked!
XXXY - slammers
Markus Suckut - Nice one! hopefully I get to play it out loud!

Mark Broom should need no introduction, a legend on the UK electronic music scene, he is internationally renowned for both his production capabilities and outstanding DJ skills. It’s no wonder that his tracks have graced the likes of Mo-Wax, Warp, R&S, Bek Audio, Ifach (with Baby Ford), Blueprint, Bpitch Control, NON Series, M-Plant, Material and more. Not to mention his collaboration with James Ruskin as The Fear Ratio which has seen releases on both Blueprint and Skam. And over the years he has added to this legacy by self-releasing on his own labels, Pure Plastic, King Of The Snakes and the current chapter, Beard Man.

Now for the first of three EPs, Mark Broom brings his sound to EPMMusic and the ‘One Sound / Myth EP’ sees Broom in pure Techno mode. ‘One Sound’ is highly effective in its simplicity; nothing is superfluous on this grooving, bass-laden beast, while ‘Myth’ is a revolving stomper that’s primed for the dancefloor with its layered beats and shining cymbals.

Adding another dimension to the EP are remixes from Chicago’s DJ Hyperactive and the Antwerp based DJ/producer, Absent.

DJ Hyperactive is an underground Techno hero, honing his skills in the early 90s, he has produced over 100 original tracks and remixes, played at most of the legendary techno clubs across the world and still finds time to run his own 4Trk Recordings. His remix of ‘One Sound’ is deep down and dirty, adding that raw Chicago touch to great effect.

Absent started his musical journey at an early age, when his Father introduced him to vinyl and his extensive record collection ranging from early Jazz to Classical to Rhythm and Blues. At the age of 15, he attended his first Techno party and from that day his journey into the genre began. With African blood running through his veins he has a passion for rhythm and melody, which is clearly evident on his stellar Tech-funk remix of ‘Myth’.

A sense of endless motion characterizes the EP, with every bar taking the listener further and further into Ru ng's world where his unique soundscapes, textures, and harmonies reside. These already shine on a beatless track, so when they are layered over either straightforward or broken beats, they become absolutely compelling and irresistible. The producer is sur ng between in uences while never forgetting himself. Already standing out with an accomplished and distinctive sound, Ru ng takes his sound to the next level on this record. Hybrid, relentless and hallucinogenic, in true Banlieue fashion.

The Matter Of Time’ is a pure dedication to Richard Serra - an artist that inspires me with his challenging and innovative work.

For this release, I wanted to focus exclusively on Serra’s installation, commissioned by the Guggenheim Museum in Bilbao, comprising eight pieces of torqued ellipses made of weathering steel.

Noisebreakcoregabberoldschoolamericanspeedcoresplattered !

10"

Vinyl Only, 12 Inch White label, Hand stamped

Dubby Minimal Deep And Techno Tracks By Guido Nemola, Synkrone, Herr Spiegelhauer and Luca Ferrari

Support from Danny Tenaglia, 2000 And One, Gel Abril, Satoshi Fumi, I-Robots, Eric Cloutier, Marcos in Dub,
Luciano Esse, F.E.M, Tronik Youth, Noah Pred, Jonny Cruz, Jamie Stevens, Anil Aras and more!

HELLCAT is a new series from bbbbbb records focusing on club-ready dance floor driven tunes. The first edition, HELLCAT VOL.1 welcomes VTSS and Cadency on the A side, juxtapositioned by the Icelanders Bjarki and Kuldaboli on the B side.

Berlin-based Polish producer, DJ and live act VTSS is a regular at Warsaw-based club Jasna1 and her visceral productions and energetic performances join the dots between hard techno, acid, rave and EBM. ‘Sober Raving’ sees her once again in her finest form with rumbling bass, mean melodies and a cacophony of percussion.

Cadency is the moniker of OAKS and KAOS founder Héctor Oaks. He is one of the most exciting names in today’s thriving techno scene and is a regular at the likes of Berlin’s infamous Herrensauna and Tbilisi’s nightclub institution Bassiani.

‘Eating Steel’ is an example of how twisted Oaks can get, combining reverberating kicks with oscillating atmospherics and murky vocal samples.

Bjarki needs little introduction as the founder of bbbbbb and one of the most versatile electronic music producers and live acts out there, creating high quality techno, electro, IDM and even ambient. Meanwhile, Kuldaboli is another Icelandic electronic music producer based in Berlin who specialises in stone cold electro.
Together they team up for ‘Hrái Hötturin’: a fast paced and mesmerising cut with sci-fi stabs and intricate warps before the blistering solo outing from Kuldaboli entitled ‘Hefurðu einhvern tímann hugsað um það’ warps listeners through outer
space at 160 bpm.

Another release with foggy minimal dubby techno sound of Berlin. Montreal based Atheus delivers a hot record that will make you move your ass in a very gentle way.

Remastered golden era Jungle Techno EP from Ruff Guidance Records

And the story goes on... welcome to dubtechno neverland... More of those ambient dubby deeep techno groves from Bvdub!

Two new highlights by one of the leaders of the dubtechno-newskool.

Remixes of Too Much by Aston and Ray Keith remastered.

Deep driving & pounding dubbed techno where E-GZR's chorded patterns are all segued with its simple palette of wavering EQ'd beats & sonics. Each separate track is like a dub of the previous one and the basic skeleton allows some kicks to hide while others punch the sound system to a 3D outlet box. Or in short: Solidly banging 4 tracker by E-GZR. Loud & heavy cut, beware of needle weight!

After releasing a successful 'Archives Vol.1' in 2017, Italian DJ and Producer Luca Vollaro, aka Electrorites, is back again with the fresh follow-up 'Archives Vol. 2' via his own label Structure Records.
The EP is a hurricane of industrial stained energy, demonstrating a rather free and open musical inspiration and direction. The thick, dense grinding groove define the four tracks.
It starts with "Archive 004" which features powerful repetitive sub-kicks and ends with extremely strong bangs just as if the track is exploding. Distorted and mixed mechanised sounds style Ctrls' remix resulting a very dark adrenaline- charged techno track. In "Archive 005", the sequences and bass loops are stunning and the last-minute banging drum shots will leave you wanting and dreaming for more. To finalize the EP, Endlec remixes "Archive 005" where the listener fully absorbs all the harsh petite details

Upon the arrival of our third release, we are welcoming a Romanian producer who delivers a unique combination of House and Breakbeat with a hint of grooviness. The EP Is signed by Andrei Bumbu aka Hansel! and it contains 3 track's, one on the A side and other two on B side

Very early Rave Techno / Hardcore music from Ron Wells. All four tracks are corkers, Carefully restored by The Music Preservation Society and Remastered from Mint vinyl as the masters are lost. The end result sounds better than the original pressing

Following his debut contribution to the label's catalogue this year via the Midnight Shift x Voitax ,"Mothership" compilation, (a contribution saw the artist paired with Veronica Maximova) the Brighton based producer L/F/D/M, also known as Richard Smith, is the latest to join the catalogue on Voitax. Having pushed the boundaries of his own music, Smith managed to release an impressive amount of records throughout the last years and has perpetuated his sound on cult labels such as Cititrax, Midnight Shift, Optimo Trax, Ecstatic and Clan Destine Records. The British producer now returns to Voitax with his "Mutual Autopsy" EP - a strong four-tracker that is characterised by Smith's undenably grainy lo-fi signature. The whole package is armed with heavyweight kicks, bloating basslines and crunchy, percussive patterns, that he perfectly crowns with some memorable and catchy synth lines. The former art student, as well as one half of Bronze Teeth, shows once again his ability to modulate his way into the abstract, while keeping it groovy and warm and firmly secures himself in the ranks with the techno avant-garde.

Essential analog acid album! Includes remastered versions of "Dry Ray" and "Acid Inhaler" from the "Anti Static EP" released in 1995 on Drop Bass Network. Limited pressing of 200 copies..

Side label for Millions Of Moments with deep chords and big dubby basslines and everlasting echo's getting lost in space. 4 tracks by Bvdub, SF100, Masafumi Eno and Shinsuke Matsumoto. Futuristic vintage techno on this fine label from Berlin.

Russia's finest purveyors of brooding dub influenced techno music. A must for all Basic Channel afficianados.

With releases on the likes of Organic Music, Housewax and (djebali), plus a string of stand-out EP’s via their own labels Sintope and Sintope Digital, Timisoara’s NTFO have established themselves as key names within the realm of minimal and deep house since making their production debut back in early 2008. Having released their ‘Esperantza’ EP on the label last year, here we see the pairing return to Bondage Music in fine form to open their account in 2019 with the impressive ‘Dobr’.
Title cut ‘Dobr’ opens the EP as the duo quickly go to work, introducing a slick blend of sharp drum shots amongst snaking bassline patterns, whilst ‘Blissed Out’ combines organic percussion licks, punch low end tones and warping synth leads to great effect. Next, the first vinyl only track on the package ‘Riddin’ welcomes dubby pads and crisp hats before flowing steadily into the slinking, metallic tones and 303-tinged bass stabs found throughout ‘Standers’.

Ohrwert Continuity MOMf02 12inch € 4.99
New release on Millions Of Moments by a unknown artist (or maybe not so unknown~ )All we know is that this is ddelivered to us under the name of Ohrwert). Comes as no info orange labels and has 4 deep, deeper dubby techno tracks cut into the delicious black vinyl by the people of Dub Plates and Mastering in Berlin.

talo-Iranian producer Sciahriar Tavakoli, commonly known as Sciahri, after releasing on renowned label as Ilian Tape, Mord, Opal Tapes/Black Opal and MANHIGH finally presents his first long playing record “Double-Edged”, and he does it on his own imprint, Sublunar Records.

The LP is an extended, carefully compiled exploration of the many facets of his signature sound, where emotional melodies collide with dense and rasping basslines.

The artist aims to express emotions with unsettling simplicity, showcasing techno compositions that are both thoughtful and primal.

Within the space of ten tracks, Sciahri’s sound design reveals his structure, pushing the listener through a labyrinth of textures and rhythms.

Spacetravel on Hearing Colors, Miami-Berlin based label.

Flash! Bang! Wallop! A NEW Tasty Treat from wannamarchi.club!

Join Freedom Club! Join Team Fruity! Remember what Cathode Ray taught ya - if it feels good, do it!
This is the age of Occidental Psychedelia - All Your Thoughts are belong to us!
This is Your Brain on Porn (Extra Crunchy!) ... Turn it on and tune it in!

All ingredients have been quarantined for 72 hours - wannamarchi.club Guarantee!
Side effects may include nosebleeds, earaches, stomach cramps, nausea. Sometimes other symptoms of a similar nature.

Mother Approved

Purveyors of contemporary electronic music Anagram return with their second remix EP that calls upon some of the scene's most compelling and uncompromising names. Coalescence, the next chapter from the label, will unfold as a series of remix EP's reinforcing the labels core values of community, togetherness and growth. The first instalment reflects on their previous three releases reimagining four titles under the controls of Drugstore resident Tiljana T, Ostgut Ton legend Ryan Elliot, Klockworks artist Newa and the Tel Aviv based Yotam Avni. Orchestrating the rework of Elad Magdasi's 'Liquid Dreams' is Serbian talent Tiljana T who runs with the cinematic ideas behind the original but uses snapping hits, ebullient bass notes and plenty delay to fuel the cut with a new lease of life. The accompanying A-side sees Ryan Elliott do what Ryan Elliot does best by keeping things straight up four to the floor transforming 'Sound of the Siren' by Barbara Ford into pulsating peak hour material. On the flip side are two remixes taken from label co-founder Sinfol's latest solo EP 'Pull Back'. First up, Newa gets the blood rushing injecting breaking beats and furious energy into 'Life Of Measure' resulting in a high tempo no-nonsense techno affair that embodies the sound of the bustling Tbilisi scene. Tying together Coalescence Vol. I is arguably the most dynamic choice of the four remixes in Yotam Avni's 'Final Push' Remix. With a meticulous assortment of intricately crafted synth lines and sequences, he manages to deconstruct Sinfol's title cut of its acid workouts and replenish it with an equally rivalled amount of energy. Four artists, four remixes, Coalescence Vol. I!

The Noir Music sub-label is back with a mysterious double A-sider.
Short Vocal Cuts meets bassheavy & dubby Techno.

Repress

Supported by Claudio PRC, Ness, Svreca, TM404, A Sacred Geometry, Amandra and Etapp Kyle to name a few.

Hypnus is pleased to present the first solo EP by the talented Primal Code. Following their much appreciated debut album "La Via della Seta"; "Caimano Tribe" takes their sound and the label's visual expression to a new level as we dive deep into quirky terrains.

The record is divided into four cuts with beats broken and speed altered in varying degree. From the suggestively alluring dance floor entrancer "Caimano Tribe" to the sparse, jungle prowling "Mutara Speech" and onward to the B-side which guides the listener deeper into the caiman swamps.

It comes sheathed inside one of Hypnus' signature custom cut sleeves, adorned by an evocative illustration by Reza Afshar. Released under the September full moon, 2019.

Two previously unreleased 1992 tracks by jungle techno pioneer Ron Wells under one of his many pseudonyms. Side A featured on Fantazia's iconic "The First Taste album, and "Free My Soul" was an unused track from the same project. This release is limited to just 80 copies!

clear red marbled vinyl

Support so far from:
A.P., Acid Chochi, Chris Liberator, D.A.V.E. The Drummer, DJ's Present, Dep Affect, Different Grooves, Discarnate, Drumsauw, Esther Duijn, Ghost In The Machine, H! Dude, Hidden Reflection, Hioll, Hxist, I Hate Models, Ike Dust, Jacidorex, Jack Wax Flatlife, Johan DI.FM, Les Elsten Lab4, Louk Hidden Identity, Manni Dee, Mark Neenan, Mem3si$ aka Alici, Patrick DSP, Paula Temple, Perc, Pete Morton [Harderfaster], Pzylo, Raymundo Rodriguez [Jaded / London Techno], Ryan Dallas [DSNT], Samantha Togni, Scot Project, Sept, SPFDJ, Sterling Moss, Cynthia Spiering [Courtoisy], Umwelt, Underground Assault, Vendex, Vishscale, and many more...

Three old school Rave tunes from the Killerhertz archives remastered and pressed to a Ltd Edition (300) Marbled Colour Vinyl. Includes the most wanted Angelraw Mix of "Distant Dream"

Broox is back for this 5th release with the talented producer MJOG / Vinyl only

2x12" Second album coming from the late Rhys Celeste by Fundamental Records, who are helping to release his unknown works.

Each track is a dose of the original analog synth and drum machines created by Roland almost 40 years ago. You can feel the twisting of the knobs in real time in every track, making this record a real space jam that deserves a good listening. This version is released in a high quality cardboard sleeve printed in reverse?

We took the picture for the cover this summer, that beautiful location is a very special place in Malta called Xaghjra, a meeting point for Rhys and his friends? As with all Fundamental releases, this is a limited release and will not be repressed.

Fierce kick drums, expertly cut up breakbeats and brain dance influenced melodies. 6 tracks of proper intelligent rave fuel by Ryan James Ford on this leftfield techno mini album for the Clone Dub Series.

New imprint Distrito 91 emerges from its base located in Madrid to deliver a fluid transmission from the label head Fabio Vinuesa.

Side A offers two highly deep electro dancefloor cuts and Side B follows with the electro-funk vibe of Multilevel to the acidic darkness of Infected System. A perfect four-track EP of solid electroish sounds