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Techno Новости
Все
Lucidflow make a ninth journey onto wax with label co-owner Nadja Lind's 'Tribe Dub', and no punches have been pulled with the array of top drawer remixers on board - featuring Brendon Moeller, Tigerskin & Jack Jenson, and Terry Lee Brown Jnr. Nadja's original fires on all cylinders with a frantic sub-bass assault that isn't going to be happy unless your lungs have been thoroughly bruised by a main room's speaker stack. As the bass tumbles, phasing dub stabs gracefully arc into the stratosphere and back again.
Production veteran Brendon Moeller steps up first on the mix with an interpretation that plays on the dancing dub elements of the original. A bare percussive anchor runs through the track allowing the rest of the elements to waltz around it in a shimmying and synchronised display.
Usually present under the Dub Taylor guise, Tigerskin adopts his main identity in tandem with Jack Jenson to bring a bit of dreaminess to the dance floor thunder of the original. Here, the elements are whispered, like the hush of walking out on a first light and frost covered morning. As the frozen pads thaw out, you emerge from the countryside into the hustle and bustle of the city, with apt field samples layering over the subtle and insistent groove.
Plastic City head honcho Terry Lee Brown Jnr is given the task of tackling Nadja's stellar 'Ignore And Block'. Like Tigerskin & Jack Jenson before it, the theme here is frozen melodies over precisely deployed percussion. Anyone familiar with his work will immediately find them at home in the deep-but-tech groove laid out over the track.
Coming out in 2017, the release will surface on smouldering orange marbled vinyl.
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- A1: Bezier - Anathema
- A2: Andy Butler - Vlaamsekat!
- B1: Adriano Canzian - Kiss Me So More
- B2: Hard Ton Ft. Popsimonova - Dark Star Crashes
- B3: Eddy De Clercq & Friends - Sea Sex & Sun
- C1: This Cold Night - Gay Goth Dance Machine
- C2: Jean Petitjean - Doom Alarm (Rude 66 Edit)
- C3: Gaytron - Mannerliebe 2017
- D1: Venderstrooik - Poisoned Apple
- D2: Skeleton Head - Beaten, Bloody, Bruised (Pink Mix)
- D3: Jorge Socarras & Pierre Klein - Story Ends (Rude 66 Mix)
After the Lost Tapes, the Found Tapes and the Hidden Tapes, Electronic Emergencies releases the Closet Tapes - a compilation of queer electronic music on pink vinyl. Spacemaker and Leather E have rounded up an unorthodox and fierce combination of queer legends, contemporary queer heroes and future queer stars. These include Andy Butler from Hercules & Love Affair, Eddy De Clercq, Bezier from the Honey Soundsystem and Hard Ton together with our own Popsimonova. We are proud to be queer and this is what we love.
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FINA WHITE continue to enhance their reputation as an imprint of exceptional quality with another impeccable release.
A debut release on FINA WHITE from one of the most influential UK acid pioneers, Affie Yusuf.
Hailing from Southampton on the south coast of England, Affie has been producing techno, acid, and house music for over two decades. Launching his career in 1993 on Ferox Records with Russ Gabriel, this was to be the first of many record labels to be run by Affie. He has gone on to grace heavyweight labels such as Force Inc. Music Works, Superstition Records, Inertia as well as founding 909 Perversion, House of 909 and now FINA WHITE.
The lead track, 'Roland Hardware', builds in energy from its intro of dark distorted vocals into trippy, acid fueled masterpiece. With its looping hooks it steadily increases in intensity to a crescendo of the kind of distorted bliss that makes the hair on the back of your neck stand on end. An underground floor filler that harks back to a golden age of acid house.
Taking things a little deeper, 'Shinkantuiisu' beautifully combines infectious funky grooving percussion with a dream esque melody. An elegant track with an enticing refrain and a rhythm that will have feet tapping and get any party started.
'Spirit Acid' rounds off this EP in fine style. This is acid house in its purest form with 909 beats, piano and a driving baseline. A psychedelic journey that is bound to get a great reaction in peak time sets. With this EP it is evident that Affie's passion for acid house is as strong as ever. A talented producer making the music he loves.
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Aphrohead's first full-length album, Resurrection, in over decade has recently been released, one of the standout tracks 'Grown Man Cryy' sees a single release complete with a superb Carl Craig 'Brainy Grimlin' rework.
A heavy Detroit influence can be heard in the Aphrohead classic 'Grown Man Cryy', fittingly reworked by the master of the techno scene Carl Craig into a pulsating anthem suspended in time. The original cut (as put into words by DJ Mag) acts to 'remind the world of the depths of talent and personality that made Aphrohead such a perennial force previously.'
Aphrohead created a precedent in 90's techno on halcyon labels Bush, Global Cuts, Power Music, Thee Black Label & Radical Fear. His Felix Da Housecat alias went on to form the epicentre of the electro-clash scene and it was through this alias his friendship began with Crosstown Rebels pioneer Damian Lazarus, then at City Rockers. Carl Craig is a key player in Detroit's techno sound, recently releasing 'The KMS remixes' and consistently delivering on his own Planet E label. He began recording at the turn of the 1990's, using a number of aliases to release innovative ambient, techno, breakbeat and future jazz sounds including BFC, Psyche, Paperclip People, 69, Designer Music and Innerzone Orchestra. He is also the co-creator and artistic director for the widely successful Detroit Electronic Music Festival.
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a megaphat record !!! already supported by oscar mulero, james ruskin, surgeon, jim jones, ...
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The legendary Bonesbreaks serie started back in 1988 on Underworld Records and are elaborated irresistible sample-based tools for the working D.J.'s and reflects the artist deep love for dope breaks and dirty techno sounds. Eight most wanted classic cuts that will bring you back in time inside a sweaty hangar where fresh nasty stabs and acid hypnotic basslines are ruling the night forever Musique Pour La Danse welcomes celebrated Brooklyn DJ Frankie Bones and is thrilled to announce the release of 2 new exclusive vinyl EPs in the long lasting Bonesbreaks serie in collaboration with the artist own imprint Bangin Music. Spinning records since the early 80's, Frankie Bones imported Rave culture in the USA after he played Energy in UK in front of +25K. His Brooklyn Storm Raves and unique sound signature were the foundation of the rave movement in the whole United States of America. Frankie Bones had classic releases on Nu Groove, ESP-Sun, Logic, Rave Age, Underworld, Trax, XL, ran the successful Sonic Groove Records shop with brother Adam X aka Traversable Wormhole and Heather Heart and collaborated with Lenny Dee, Nico, Tommy Musto, Joey Beltram, KLF and the The Moody Boys to name a few.The legendary Bonesbreaks serie started back in 1988 on Underworld Records and are elaborated irresistible sample-based tools for the working D.J.'s and reflects the artist deep love for dope breaks and dirty techno sounds.
Eight most wanted classic cuts that will bring you back in time inside a sweaty hangar where fresh nasty stabs and acid hypnotic basslines are ruling the night forever
- Composed by Cult Brooklyn DJ Frankie Bones (Nu Groove, Trax, XL...)
- First vinyl releases after a break of 16 years for the legendary Bonesbreaks serie initiated in1988.
- 5th release from old school archival imprint Musique Pour La Danse (Orlando Voorn, Ro Maron, Olivier Abbeloos ...)
- Strictly limited edition of 300 vinyl copies.
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The Troika´s Horse' by the the anti - Austerity activists (George K, Lucretio, Js and Grienkho)is a set of haughty chants and marches
of freedom coming from the southern suburbs of the Union for the weary dance floors of the Old Continents.From the raw tech-house
incendiary beats of Unemployment' (featuring sample of a speech of the Great Dragon itself), to the industrial fluctuations of Unpolies'
and the heavy breaks of Dj Octopus´s edit of the Greak Team, the EP flows into the nostalgic shores of The Return of Dylan Dog'.
The Troika´s Horse' is a call for a paradigmatic shift in the Union from a market centered commitee to a social shelter of free movement
of people and ideas. Written, Mixed and Produced by George K, Lucretio, Js, Grienkho @ Kitchenstudio3.
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Chopped and bemused electronics from Italian beat randomiser, Herva.. more soon!
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Since its birth in 2002, Truesoul has grown into a solid, dependable label. Known as Drumcode's little brother, Adam Beyer has taken Truesoul and twisted it into a platform for new and emerging talent to be thrust into the world of electronic music. Each release has its own unique identity and each track brings something new and unique to the label. The quality of each track is paramount and that has been proven with previous releases from some of the finest talent within the industry.
With future releases from the likes of Reset Robot and Geddes, Truesoul is positioning itself as a label to be reckoned with. After a storming 2014 with releases on VIVA, Quartz and Snatch Off, ONNO is back with his first EP for 2015 on Adam Beyer's acclaimed Truesoul label. For this 3 track EP, ONNO explores the more techno focussed part of his sound, while retaining that bottom heavy, hip hop inspired groove that he is renowned for.
The title track, aptly named "Techno Jam" kicks off proceedings with a bang. Straight up heavy techno beats are broken up by a processed vocal snippet before bringing everything back full force. On the flipside we find "Come On". For this track, ONNO follows a less-is-more approach, focussing on just one hypnotizing melody line and blending this with a looped hip-hop vocal to create a dancefloor cut.
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Kubic Records present the new vinyl release , 100 limited copies"Spindle" by Robert Feedmann, a sound track deep minimal with a large defined environments under which together with the atmospheres make a great piece of music.The track "Built In End Date" is produced by Lewis Ryder great and dense dark sounds.
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Played by Ben Sims, Marcel Dettmann, Rolando, Marcel Fengler, Roberto, Truncate, DJ Pete aka Substance, Echoplex, Mr Jones, Marco Bailey, Arnaud Le Texier, Progression, Amelie Lens, Johannes Volk, Unbalance, Turbo Turbo...
After his very successfully remix for David Carretta, S-File is back with his new own double A-Side record. His last release Digital Disorder' and "Transmission" was a charted in all digital and vinyl shop sales charts and was supported from artists around the globe. His new record is a real Weapon for every DJ!
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We are pleased to present you the debut release on Vi Tva Records from Ukrainian musician with a bright name Saint Nicolas!
This release was named "In The Tunnel" by one of his works, which was represented by the lead track and included to this 12".
The script itself, the content of the release by and large sets a somber or dark mood. Along with this, release has a mystical power, sounds absorbs in atmosphere... Dark magic! A dark tunnel with a mass of abnormal, dark sound make this release is compelling and unique!
The second track "Fun It" of this release is not less original and tempting...
Words are words... Listen, to penetrate into the script and enjoy it all! That's what I want to wish!
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This remix EP shows two tracks from the album Dilate transformed into three stunning remixes. Berghain residents Barker & Baumecker have done their dark minimal thing with Vessels' calling card 'Elliptic' to devastating effect, while Swiss house/techno legend Ripperton has worked his magic on
recent single 'Echo In'. 'Elliptic' has also undergone a sumptuous transformation at the hands of Mon-keytown's Alex Banks.
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Walrus has no fear!
By taking care of the maiden release on his newborn label 'Basic Moves' he shows the spiritual direction and marks the blueprint for future offerings.
The concept is simple: a 12' always has two different sides.
One track on each side, each track a different mood.
'Full Of Feeling' resonates like the synthesis of an endless night encoded in washes of sounds. Twisted, alienated vocal signals communicate in deep space to form a teasing, never-ending, spine-tingling groove. The weekend lingers on, the dream is not over.'Among the Thugs' is stripped down music for abandoned warehouses. A distorted vision of bleep techno and druggy Chicago acid house hides deep in the quirky waves of this wobbly and moody crowd mover.The ghosts of after hours haunting sweaty warehouse clubs from the past seem to float over these excellent tracks. Walrus refers to the best of all eras but forges his own unique stamp of modern dance music.
Underground clubs are where his music comes alive.
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A-side of GWEP11 include original tracks produced by DJ Nobu who have been reigning as the top DJ among Japanese underground techno scene since 2000, and he have been played gigs all over the world such as Berghein, Concrete, Dekmantel Festival, Oval Space(as resident DJ), and so on. so now he is respected by many people. And B-side include detected remix (using method of recording in realtime) by Stanislav Tolkachev who are known as genius talented techno producer from Ukraine. by challenging groove, this EP must be the novel work in the modern techno scene. Thomas P Heckmann's mastering process breathed new life into and provided strength to the tracks, so it must be the best and strongest 12' vinyl.
Play&Support
Minilogue aka Son Kite, Eric Cloutier, Mike Parker, Developer, Takaaki Itoh, and many DJ
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Femur Rec makes its debut as a recording label with a 12' by the Scandinavian trio, Frak. There is not much we can add about these three brilliant Swedish artists, as their decade-long careers begin in the mid-eighties and is full of references in well-known labels as Börft Records, Lux Records or Dark Entries.The first reference we are now presenting is a 12' called Diseases. It consists of three tracks: side A begins with Span Clarity, a luminous and evocative track responded on the B side by Cromos Fraction. A dark, sullen and percussive track followed by Imagined Rush, which closes this first reference as a phantasmagorical delight
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1x each customer! Frankfurt's favourite Roman Flu¨gel returns to Phonica Records with the 'Black Acid EP', a four tracker of Flu¨gel's signature black magic.
Roman needs no real introduction. Let's just say this prolific producer has a hugely varied discography stretching back to the early 90s, putting his hand to Techno, House, Acid, Electro, Ambient, Bass music... you name it, he's done it. It goes without saying that Phonica are extremely proud to present a brand new release from one of electronic music's truest talents!
The 'Black Acid EP' began life way back in 2013 as Phonica sourced material for their 'Ten Years Of Phonica' compilation. Roman's hypnotic, restrained percussion jam 'Giant Talking Vegetable' was one of the understated highlights of the release. A few years and countless email discussions later, London's leading independent record shop happily unveil a 12' with four new tracks of pure Flu¨gel black magic.
The ominous 'Too Hot To Sleep' begins proceedings and holds the listener in suspense, never quite giving way before the mood deepens even further with 'Troubled Mind', its tense melodies teasing then finally succumbing to long-awaited release midway through.
On the flip, title track 'Black Acid' continues the record's dark ritual, an off-kilter drum workout over a sea of uneasy pads with a needle sharp synth line eventually piercing through the murk. Finally, the clouds begin to lift for the beautiful and otherworldly chords of 'Work & TV'. Light at the end of the tunnel after all...
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Sergio SP has created a diverse selection of tracks to offer up as the debut release on Canadian imprint, Slivers. Since his relocation to the ever growing center of Toronto, Sergio has been focused on building a sound that connects his previous habits and passions with newly acquired skills and findings from his new home city. Loosely named and curated through findings in and around his new studio space, this EP marks the beginning of a new chapter in his production career. **Vital Sales Points: - This 12' is packed with a mood for every situation, reaching from hard hitting dance floor tracks to late night vibe compliments and many zones in between. - Sergio is currently working on a split EP with one of Edmonton's finest up and comer's 'Fraser'. The release is set for physical production on a heavy weight deep groove 12' forthcoming on Heart to Heart records.
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Lucifer & Lust is a 10-inch mini album by Dmitry Distant, showcasing the diversity of his talent. The 6 tracks by the Russian-born artist who currently resides in Latvia reflect the atmosphere of the Baltic and the mystic sides of electronic music. Showing where his devotion lies, Dmitry experiments on the verge of techno, wave and industrial. On this mini album, he grasps our attention with minimalistic trance-like rhythms covered in fluctuating painful melodies, using wonderful analogue sounds and exotic instruments such as the electric violin.
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'In Spaces', composed by the Brussels based producer Haring, talks about what is living between several spaces and places, the feeling of having several homes and the ability to appropriate these spaces. Haring has indeed composed this album between Brussels, Paris and Istanbul. The encounters, the anchoring and the discovery of these cities come together in these ten titles which are each in their own way an ode to these cultures which opened new musical perspectives for him."
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Jesse Siminski otherwise known by his DJ name Heartthrob and as label boss of imprint ISNISNT, returns with a fierce 4 track EP (5 tracks Digital) of jacking modern acid funk. Heartthrob has been producing for over a decade and his innate ability to create cutting edge and propulsive techno grooves has kept him busy with a touring schedule that takes him across the globe, as well as a new party series named after the label. His third release titled 'Haus Arrest' begins with the track 'Never Wanted One.' This track builds upon a solid manifold of thick arp bass, dusky synth melodies and sharp TR 909 drum work. Midway, a complex and funky bass line propels things forward, working with the jacking drums and spare synths. The release continues with 'Hours Lost.' This track fuses codes of Detroit techno with spinning Latin tinged drums and a rough funk tinged arrangement. Industrial stabs bounce and build until the main melodic theme rises and burns. 'A Fete Worse Than Death' moves through swinging drums, steady pulsing synths and a growling bass that builds to a crescendo of warped cosmic techno. The last track on the Vinyl 'Does Your Car Know' is a straight and steady drum led jack track. The pitch mutates, shifting through acid bass and more Detroit reminiscent pads. Finally, a bonus for those buying digital is a stripped down version of 'Does Your Car Know' which cements the infectious impact of the EP.
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- Golden Gate
- A Wolf In Unix
- The Scenic Route
- First Day On The Job
- It Speaks
- Reverse Engineering
- Security Is A Myth
- The Morning After
- Rooftop Fireworks
- I Need A Little Timewestern Arrivals
- The Slingshot
- 10Broad36
- The Way In
- Run Time
- Last Nerve
- Gordon Steals A Cabbage Patch
- The Cost Of Doing Business
- Joe's Truth
- Go Get The Bike
- The End Of Donna's Day
- It's Not Right
- Macmillan Utility
AMC's hit series 'Halt And Catch Fire' captures the rise of the PC-era during the early 80s and the technology revolution. Nominated by Vox as the best show in 2016, it's a potent look back at the earliest days of the internet that also glimpsed, through some hazy curtain, the world we live in right now.' Acclaimed for its exceptional soundtrack by former Tangerine Dream musician and award winning composer, Paul Haslinger has created a period-appropriate synth score that admirably sets the mood and tone of the bygone era. Revisiting his time in the pioneering electronic band during the mid-80s, the Austrian composer writes with a uniquely knowledgeable yet less overtly nostalgic ear that keeps the show's current audience in mind. Acknowledging the time in which the series itself has been created alongside when the show is set, Haslinger's bold and innovative scores have seen his Hollywood career escalate over the last two decades. The man behind the music for Blow, Resident Evil and Death Race has become one of the industry's most sought after composers.
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- Golden Gate
- A Wolf In Unix
- The Scenic Route
- First Day On The Job
- It Speaks
- Reverse Engineering
- Security Is A Myth
- The Morning After
- Rooftop Fireworks
- I Need A Little Timewestern Arrivals
- The Slingshot
- 10Broad36
- The Way In
- Run Time
- Last Nerve
- Gordon Steals A Cabbage Patch
- The Cost Of Doing Business
- Joe's Truth
- Go Get The Bike
- The End Of Donna's Day
- It's Not Right
- Macmillan Utility
AMC's hit series 'Halt And Catch Fire' captures the rise of the PC-era during the early 80s and the technology revolution. Nominated by Vox as the best show in 2016, it's a potent look back at the earliest days of the internet that also glimpsed, through some hazy curtain, the world we live in right now.' Acclaimed for its exceptional soundtrack by former Tangerine Dream musician and award winning composer, Paul Haslinger has created a period-appropriate synth score that admirably sets the mood and tone of the bygone era. Revisiting his time in the pioneering electronic band during the mid-80s, the Austrian composer writes with a uniquely knowledgeable yet less overtly nostalgic ear that keeps the show's current audience in mind. Acknowledging the time in which the series itself has been created alongside when the show is set, Haslinger's bold and innovative scores have seen his Hollywood career escalate over the last two decades. The man behind the music for Blow, Resident Evil and Death Race has become one of the industry's most sought after composers.
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LTD 200 copies
Solaxid, ex-member of Tripsykore sound did some quiet good prodz as Jaja Solo , Arret D'Urgence with Jaja Solo.
Recently with Psychosomatik records, or Physical records.
Part of these Open-Air-Rave scene from France, and pretty active since 1998, Solaxid offers here a total Banger, straight and mental... with a dark melodious feeling and a superb sound builded up with hardware. (Elektron Analog 4, TB303, Se-1X,Virus T1, modulars sent through Abelton and VSTs.
Vinyl Only, finally repressed
Embryonic EP by Columbus, OH artist Titonton is brought back to the forefront exactly 20 years after its original release on Metamorphic Recordings. 4 tracks of that warm and deep Midwest Techno like nobody else can do it. Titonton's totally unique style has definitely withstood the test of time, and like most music created independently of trends it will always sound fresh. We're living in the times that this music was created for and later on down the road when space DJs play these cuts from the Orbital Terrace, it will be for their times too. Out of print since the initial pressing it has now been remastered from the original studio tapes for optimum sound quality.
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Deconstructed EBM from the Nous affiliate Spoiled Drama kicks off the new Science Fiction compilation - 10 tracks of crazed machine grooves further diversifying the Science Fiction's exploration into synthetics. The opener driven simply by an obnoxiously saturated digital drum machine and a mechanical body music bass loop simultaneously hints to late 80s darkside Chicago roots with hard flanged hi-hats and a detuned string machine.
Analogical Force drops the third and last part in the voiceless series taking no prisoners. For this EP AF mastermind Pervert has teamed up with incendiary friends to deliver a must for the collectors of the label. Heavy line up that includes the Hamburg's well respected Helena Hauff, Zurich's acid lover CCO (50% of Savage Grounds), the legendary UK techno imprint B12, Canada's Suction Records co-funder Lowfish and Utrecht based Endfest. Stunning 5-track record with loads of acid-drenched techno, super wide basslines, melancholic pads, slamming 808's...enough to fill brains as well as floors. This release is dedicated to Rhys Celeste. Limited and handnumbered.
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Following his recent credits on Frank Ocean's Blonde and Endless, Vegyn steps out of a two year hiatus with a new 12" single on his 'PLZ Make It Ruins' label. 'Phone Phoneys', the title track, immediately delves into familiar and focused textures backed by woozy synths, dancing between glitzy euphonious melodies. The drums and rhythm section channel the energy of prior dance classics but still feel eager and original in their deployment. On the flip side, 'PLZ XX' diverts listeners expectations by jumping between several frenetic moods, all whilst maintaining an energetic frivolity found throughout the record as a whole.
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A relative newcomer, Antigone joined Token in 2015 after a succession of releases on well-respected imprints such as Concrete and Construct Re-Form. His first Token record was a 2LP statement of purpose, with hints of neo-classical ambience in the opener into decisive, utilitarian mesmerism for the dancefloor in later tracks. He returned again earlier this year with the Saudade EP for TOKEN59; an overall heavier offering that still manages to retain some of the delicacy of the first.
Now he's back with a 3 tracker for TOKEN68. Antigone employs an advancement on his usual sonic vocabulary to produce yet another record of surprising techno tracks. Static's lead is woody as it begins, then evolves with gradual accents - a confident off-beat hi hat and detailed highlights varying in aggression.
Shadow Play starts out more panicked than playful, then straightens out under the driving percussion. This track is all about noisy atmospherics, confusing our sense of space through masterful panning.
Where the A-side is staunchly anti-melodic, Walking Distance is dulcet in comparison. Amusing hi-end synth work captivates over a practical but absorbing bassline, gradually building just enough to keep us gripped without succumbing to extravagance.
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Exciting remix project of Canadian/French duo Hey Mother Death's track Deranged My Love. Connecting artists from across genres, each with their own unique take on the original. MR TC, Donald Dust, Sweet Dieter and premier track from Jacuzzi General
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Boston meets Brooklyn in a pretty ruff and sometimes dark ep. Isabella side starts with a technoid house track to follow by the experimental a bit faster and ruffer second track. Bergsonist (Selwa) side starts with a heavely distorted beat and bassline to follow up with a jacki'n swirvel.
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Footwork label boss Jay Lumen is back on board with two massive Techno bangers."Warehouse Trip" is a rolling peak time ride with some nice old school elements.You can hear special dusty stabs in the break to add the right balance for the track."Search" is a chord oriented anthem with great bass synth sprays on a fat kick and bass line.It has a nice contrast and leads you to the dance floor step by step.
New Granulart release, pressed on limited coloured vinyl. GLTD005 is a split ep from label boss Kessell and emerging artist Eric Fetcher with recent releases on Aine and Children Of Tomorrow.
Early feedbacks from Oscar Mulero, Luke Slater, DVS1, Pfirter, Jonas Kopp, Peter Van Hoesen, Paul Mac, Angel Molina, Eric Cloutier, Shlomo, Blawan, Truncate, Jeroen Search, Kwartz, Birth Of Frequency, Ben Sims, Samuli Kemppi, Vince Watson, Answer Code Request, Dimi Angelis, Marcel Dettmann, Tommy Four Seven, Alexander Kowalski, Slam, Raiz, Developer, James Ruskin, Francois X, Zadig, Kirk Degiorgio..
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Across four bristling cuts, he is the first to represent the label's dedication to classic techno with a modernist twist. Human Image further refines Manni's flair for constructing hypnotic techno that surges with detail. The four tracks provide a vivid dip into the dancefloor, placing you firmly in front of the speakers, head first into a manic dance. With previous releases on Black Sun Records and Perc Trax, as well as support from the likes of Surgeon, himself an inspiration for the label, Manni is the perfect artist to launch Leyla into the world. From the blistering roll out of 'Symbiotic' to the hypnotic pound of 'Bring The Brave In', the swung rhythm of 'Pascal's Gambit' to the cavernous inferno of 'I Was Desire', Human Image is a reflection of the bodily pleasures of techno. It is what you'd see if you could hold a mirror up to dancing devotees at any rave worldwide. It is, like Leyla's own occult origins, both light and dark. Leyla is a brand new label dedicated to recapturing the authentic feeling of techno from a specific era while retaining a modern touch. It's a platform for the music to grow with inspiration from a wide range of styles - industrial, folk, electro. Leyla brings it all together for a new generation.
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Oscar's Blood is Peter Van Hoesen's tenth solo EP for his own Time To Express label. It features four new tracks, composed and refined in the producer's Berlin studio and properly tested during several shows in late 2016 and early 2017. Both Oscar's Blood and Circumference 12 feature Van Hoesen's take on driving and hypnotic techno. He applies a different approach to Unit Prep and Theoretical Terminal. Both compositions take their cue from subtle yet vibrant percussive patterns, extending into blissful atmospheres.
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PILO makes his full-length debut on BNR with the pure dance-floor grit of his Original 'Flourishes' EP. Following his breakout Boys Noize collaborative single 'Cerebral' and Miami Noize 2016 highlight 'Break Me Down', the rising star has hit full stride with a four track assemblage packed with his signature textures and ethereal mesh. 'Flourishes' brings out PILO's full range as it puts forward both the relentless darkness seen in past
productions coupled with a fresh emotive momentum exemplary of a year locked away in his Los Angeles studio. The result is a new direction for PILO and an evolving soundscape far beyond his years. And his mom loves it.
- CD1-01: Ethersonic
- CD1-02: Always Dreaming (Unreleased Mix)
- CD1-03: The Advent Of Babylon (1996 Original 12" Mix)
- CD1-04: Soul Rotation (Unreleased Tape Mix)
- CD1-05: Culture (Original 12" Mix)
- CD1-06: Etherscapes
- CD1-07: Oscillation Range
- CD1-08: Tranversewaves
- CD2-01: Ethersonic (Cv313 Reshape)
- CD2-02: Always Dreaming (Cv313 Reshape)
- CD2-03: Etherscapes (Cv313 Reshape)
- CD2-04: Soul Rotation (Cv313 Reshape)
- CD2-05: Culture (Cv313 Reshape)
- CD2-06: Ethersonic (Cv313 Reprise)
- CD2-07: Oscillation Range (Cv313 Reshape)
- CD2-08: Transversewaves (Cv313 Reshape)
An unreleased classic from the vaults emerges with beautiful reshapes by cv313 (recorded and reshaped from 2007-2016) This is where the sound of cv313 was realized, culled from cassette tapes recorded live (1995-2000) with nothing but analog/digital hardware, no computer in sight (excluding our Commodore 64 midi sequencer, which is still alive and well today). The radius project has been absent since the final release in 2001, the first 12" appearing in 1996 (limited white label run of 100 copies pressed at Acme pressing in Canada) after revisiting these works we realized there was truly some magic here. This project was initially sent to Rod Modell & Mike Schommer shortly after they launched their brilliant deepchord label in 2001. They were incredibly kind in saying it was the best demo they had ever heard and passed it on to Octal records for release, sadly, that didn't materialize and since then these masters have been collecting dust in our cassette rack for nearly 20 years now. We've spent months doing our best to restore the old tapes from our Tascam 688, an 8 track cassette recorder purchased and abused since 1992 and to our ears still sounds quite impressive even by modern standards. (that is of course, if you can get past the tape hiss) We've had nearly every component replaced and re-calibrated to bring this obsolete machine back to life, it's been a truly nostalgic experience re-visiting these masters.
Written and produced by radius (1994-1999) restored from analog tape. reworked and reshaped by cv313 (2006-2016) mastered in echospace. We truly hope you enjoy reliving these magical times of music, very inspired by all that was happening in those years, there was just something in the air, an undeniable energy, long may it live on...
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extreme-orient, technoïd and abstract shades.
New outgrowth of the Blaník research program, the young Korean artist Seaen Lee offers a four tracker speculative/experimental hybrid techno research. It's about fierce and heading forces, flashing shades coming out of nowhere. These aquatic and abyssal hummings, among other technoïds and abstract blushes, have no other choice but to take out for real. Must be used with wise hands.
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After DJ Red's successful 'Raw Cacao' EP last year, that included a remix by the mighty Ricardo Villalobos, Darko Esser's Wolfskuil Limited now presents a solid four-tracker from the Dutch newcomer Circular Vector Patterns.
After DJ Red's successful 'Raw Cacao' EP last year, that included a remix by the mighty Ricardo Villalobos, Darko Esser's Wolfskuil Limited now presents a solid four-tracker from the Dutch newcomer Circular Vector Patterns.
'Be' inaugurates the A-Side with a mellow opening, gradually evolving to a more upbeat club pulse, a dynamic combination, followed on the B-Side by 'Dawn', a track which delivers rhythmic beats, balanced with a placid sensation. "Eclipse" reveals its mysterious morphing pads, reflecting the artist's spaced-out facet & the EP's digital bonus track, "Total Bliss" concludes this sonic exploration with a more settled groove, yet perfect to move any dancefloor.
A very promising debut from Circular Vector Patterns, who combines moody atmospheres & flowless production throughout the EP.
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Bouq. founder and family head Amir is extremely proud about the new family member Fabio Neural from Italy. With his bouncing sound and great releases on Sci+Tec, Intacto and Intec these 4 demos just came right in time for a release after the hot summer 2014. Curious to hear which track you prefer.
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Introducing the second release from Southern Lights. Dedicated to releasing high-end hypnotic tracks from close friends and family from Australia and around the globe.
The Sink EP is by Melbourne artist Ground Loop, featuring low slung magnetic grooves on the A-Side in the form of the title track Sink' and Don't Slip'.
On the B-Side, Sink' and Don't Slip' both receive hedonic workouts courtesy of remixes from PVS and Fabrizio Lapiana.
For lovers of fine art and fine techno. Limited to 300 copies, 180 gram vinyl.
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n 2013, Andres Zacco's imprint Greener presented three terrific records by J.C., Psynote (aka Franco Cinelli) and Zacco himself. The label then made a pause, until today.
Greener Records returns with a new string of records, starting with a fully-blown EP from Argentinean national and Berlin-based Nico Purman. Exploring dimensions in sound familiar to the forms of deep-techno and dub nuances developed on Greener.
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From his days organising free parties in and around Northwest France during the early 2000s, Oniris has risen the classical way: years of DJing have given him an innate understanding of dancefloor dynamics and a firm crew and label to create with: Astropolis. Since breaking through in 2011, his tracks have rapidly picked up support from all the right corners: Agoria, Laurent Garnier, John Digweed, Marc Romboy and Josh Wink have all lent their support. Having already released some of his finest work on Bedrock and Systematic, its now Ovum's turn to play host to Oniris' latestwork, the Nightwalk EP. Eschewing his penchant for the peak time, Oniris steers away from the euphoric's of previous outings and, whilst retaining his melodic moves, creates a selection of deep, warm and groovy cuts with a spiky electric edge. Head-nodders, shoulder-droppers & hip-swingers rejoice, these slinky dancefloor numbers are for you. Support Coming from: Pete Tong, Hernan Cattaneo, Guy J, Lane 8, Matthias Mayer, Christian Smith, Till Von Sein, Luca Bacchetti, Marc Romboy and more!
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First lp release. Recorded live on 23th october 2015
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3TH records is a Berlin based Techno and Electronic imprint founded in 2013 by Ascion, D. Carbone and Lucindo.
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Hard, deep, hypnotic Techno !
Plus one Ambient thrill ! Vinyl only, get your copy !
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Following critically acclaimed releases from Eduardo De La Calle, Refracted, and Monomood, Connwax returns with another exceptional offering of bold and original techno. For this release, they have enlisted the help of a rising young talent in Berlin's underground scene: Akme. The producer and resident DJ of renowned club ://about blank demonstrates his uncommon technical precision and emotional depth with this debut EP, drawing on his vast array of influences and experiences across all genres. In ''Elements'', the bass drum takes centre stage. The engine room relentlessly driving everything forward. Yet as the track develops, a fine lattice work of detail starts to unfold. Meticulous percussive elements imbue the piece with an enigmatic depth as a sombre melody sweeps through the rough rhythmic landscape. We are allowed a brief moment to reflect before the bass drum continues its inexorable path forward. Akme takes a more reduced approach in ''Black Matter''. Space is left for the interplay between the understated acid bassline and delicate hi-hats to lock the track into a hypnotic groove. Here, the statement is defined by what is left unsaid. For the final track ''Concealing'', Akm
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From the same people in charge of Shabu Recordings (releasing the likes of Avus, Norwell, Vaghe Stelle, Sigward and many more), we are introducing Heard Island. Inspired by the unique and inhabitable nature of the eponymous island, Heard Island creates a dichotomy with previously released material, focussing on more Techno, Ambient and abrasive sonorities.
*As sometimes it is the case, birth might also bring the end of something else. For its first release, Heard Island introduces the last release of Canadian Jesse Somfay under his Borealis persona. To complete his legacy with his Voidness and Glittervoice albums released on Origami Sound, Vivipary consists of throbbing Techno pieces while keeping the same techniques and textures from Borealis' previous work. Heartshell comes out as a perfect sum of Borealis work, joining lush vaporous string pads to pulsating and harsh percussions, somehow bringing it close to an abstract idea of early 90's Trance, while Wild Blue Rose puts out an ominous voice and psychelic percussion, making it reminiscent of older cuts of Tribal Techno. Remix-wise, Mondkopf takes the more abrasive aspects of Wild Blue Rose and adds power chords and relentless melody, turning it into a more industrial cut of the original. Heard island's head Axel Helios made two different remixes of Hearshell. The first one, exclusive to the 12' of the release, takes the melodies of the original and turns it into an Acid Break jam. . This conclusion to the Borealis alter ego creates the foundations on which Heard Island will build.
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Brassica's turn for Vivod in 2017 see's him on top form following his release on feel my bicep late last year. His Blue Function ep is a mixed affair with opener Coco Diaz starting procedeengs as a weirdo acid burner. We then have a u turn with splash, more of a new age type track but still with that unmistakable Brassica touch. On the flip Nothing to say is an unsettled beast with horror vibes and things are rounded off with title track Blue Function, a more laid back shroom opus. Quality material as per usual from Kents number one viking megalad. Don't sleep
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* Seance presents its fourth EP of quality underground Techno.
* Original material from Dutch duo Monoline.
*This release features Flug as the main remix artist. The Argentinean born Spain based artist has an impressive body of work featured on labels such as CLR & Sleaze and delivers a fine rework of the title track 'Speech Cobras'.
Vices is the first ever record from Separation Anxiety, continuing the Horo quest to expose the untouched underbelly of electronic music. Separation Anxiety mixes gothic tinged ambience with metallic beats and contained distortion.
Early support from Samuel Kerridge, Ancestral Voices, Pact Infernal, Grebenstein, Sam KDC.
One dead marine through the hatch
Scratch and scrape this Heavenly body
Every inch of winning skin
There's junk in honey's sack again
Drink to me my Heavenly body
Scratch, scrape, scratch this winning skin
Hack hack hack hack this heavenly body
Yack yack yack yack yack goes junk-face
There's garbage in honey's sack again'
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Sexazoid keep using his pheromones to triggers social response in members of his species. So follow the dog walker in to the metal chamber now dripping with zoid sweat. Ace, dusky, metallic house sleaze!
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- A1: Untitled
- A2: Untitled
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As our label is born from the need of telling something new, No time For Love first vinyl comes with four superbs tracks Deep, and groovy vibes fill the four track package that is this first vinyl only release. Defining clearly the sounds of our new born label Iuly.B, Third Child, Kaitaro and Silat Beksi do what they know best: create long deep journeys with mind-blowing harmonies and solid grooves.
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Hardcore Session at Son2Teuf annual sound tournament ! Some solid Free style Hardcore, agressive and metallik... My fgave tune here is the The Clashmaker track... A bloody good dry kick dancefloor, full of breaks and tricks, just like a fresh sound where i can feel some influences No-Tek and Napalm... Killa tune !
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The MATHEMATICS reissue campaign continues with a long out-of-print and sought-after EP from JAMAL MOSS aka
HIEROGLYPHIC BEING's I.B.M. alias. "MY LIFE AS A SKINNY PUPPY" is 6 tracks of industrial grade techno, pressed up on limited color vinyl 15 years after the original release!
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The White House The Office of Music and Alien Affairs / April 05, 2017 For immediate release
The White House is announcing the ban of I/Y008, the first official ban concerning an alternate techno record in the history of the United States. 'I am honored to see my husband protecting our children and serving my country, and I look forward to banning more music on behalf of the American people over the coming years,' The First Lady said.
'From climate change to aliens to personal investments and to music, we are keeping our promises in methodically overturning regulations and sounds adopted by reptilians.'
The impeachment of alternate artists is expected to gain massive support from the Country scene for up to two years, 542 people would be directly related to the issue.
- I/Y008 consists of 4 tracks by the I/Y duo, and reportedly destroyed the ears and minds of our White House Press Secretary and President.
- As a candidate, Mr. president said 'I am going to bring back the music and melodies that have been stripped away from you, the people.' This starts now.
- 'Mental Music! Wrong!' Twitted the President.
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Vanta 004 comes from Alex Cortex, an artist who has been producing music for over 20 years now and who has been featured on many Killekill releases already.
For this release he delivers two monumental tracks in his very own aesthetics: although both tracks are straight at first sight, their complex beat structure makes them shift and drift. And also their sound is distinctive: crystal clear and without any of the reverbs that you hear so often in modern techno they still have an incredible depth and sound more psychedelic than most of the other stuff that you hear nowadays. Killer!
The first chapter of All Off Tape story is curated by Bakked inc. remix from Voigtmann. 180 Grams.
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Sebastian, Simon and Ixy joined their forces to create a new studio based on the original mobile spiral studio... From this studio will come many tunes in the future.Here is the first complete batch. You with easily recognize each style : Sebastian and his Dub spirit of the grooves, Crystal and his vacuum breakbeat attack and Ixy with her Cat-funk Groove... Enjoy !
The bags were dragged from field to stage, the gear representing the modern age, a handful of snippets were committed to tape, and the speakers and punters all stood agape. Performers were gobsmacked as ravers alike, the hi viz clad piggies said 'go on, on yer bike', so off we all went to jam this again, and here's the results..
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FOUR313 is a Detroit group of Deejays, musicians and producers from the 1st wave of the Detroit techno dance movement. Blake, Eddie, Santonio & Thomas have joined forces as the unit FOUR313, a group name with meaning and purpose, and that is to preserve Detroit's "true" history in dance music and support the DJ culture through vinyl releases. The debut album of FOUR313 will be released with the launch of their new record label called "Ther Label". FOUR313 will collectively release special limited edition vinyl of brand new recordings starting at the beginnning of 2017.
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Inspired by a french 19th century etching, Nicolas Chaix (a.k.a I:Cube under his moniker ICOLA) made these 4 diabolical percussion driven tracks during the hot summer of 2016.
Ultra heavy and trippy music for the body and the mind.
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- A1: Razz - Kill Yourself Dancing
- A2: Ben Mays - Lover Man
- B1: White Knight - It Could Be Acid
- B2: Boom Boom & Master Plan - Face The Music Dub Mix
- C1: Modern Mechanical Music- Persia
- C2: Master Plan - Electric Baile (Commercial Mix)
- D1: Hex Complexx - I Want You The Transcontinental Mix
- D2: Matt Warren - Rock The Nation Remixed By Kenny Jason
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"I want them to hate me for putting this out" says Jackmaster Hater, referring to tracks once possessed by a mere handful of Chicago House DJs. These recordings, traded secretly on tape, were exclusive to the likes of Ron Hardy and Frankie Knuckles.
Here is the new compilation by Jerome Derradji with Kevin Starke, aka the infamous Jackmaster Hater and owner of Kstarke Records in Chicago. It is one of the sickest slice of Chicago House Music ever released.
This compilation features ultra rare and lost Chicago classics paired with a nice selection of newer tracks produced by Jackmaster Hater and his friends, all nicely laid out on a DCD and 2 DLPs. The DLPs come with a killer poster and the DCD features a booklet about Kstarke records and Kevin Starke and a few more surprises.
It includes rare tracks by Ron Hardy, James "Jack Rabbit" Martin, Terrence Woodard, Traxmen and many more.
This is the real sound of Chicago.
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We're not done celebrating our 10th Anniversary at the Still Music headquarters and we've decided to continue diggin' for some treats from our vaults.
After we've released the critically acclaimed "Kill Yourself Dancing! The Story Of Sunset Records Inc. 1985-89", a lot of our friends were asking us for some specific 12"s to be repressed. We felt obliged to comply and here we go with three of the most significant 12"s from Sunset Records Inc.
Let's start at the beginning with a one of the first house 12" released in Chicago in 1985 by Razz aka Matt Warren & Ralphi Rosario.
This 12" was mixed by the mighty Farley Jackmaster Funk and recorded at the seminal Chicago Trax studios where legendary Chicago classics records were produced. Matt and Ralphi where childhood friends and this is what they wanted to do in '85, a 12" that they could play out at their parties... The result is stunning and is one of the rarest document to the birth of House music in Chicago.
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Label boss Sasha Carassi showcases his constant evolution in this three-track EP and 'Soundsphere' kicks things off with unmistakeable, mutating stabs intertwined with haunting background synths. 'Starchild' picks up from there with its rubber-band bassline and streamlined electronics, and introduces what can only be described as mutant sci-fi chords. For the closer, Mr. Carassi has put together the aptly-titled 'Drop Of Soul' in which trademarked synths pave the way for nostalgic arpeggios and dissonant electronics.
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- A1: Orlando Voorn - The Tunnel - Original Mix
- A2: Orlando Voorn - Fruitflies
- B1: Orlando Voorn - The Tunnel - Steve Lorenz Remix
- A1: Apllescal - The Critics
- A2: Apllescal - Ghost Season
- B1: Apllescal - Life Of Chen
- B2: Apllescal - The Critics - Steve Lorenz Remix
- A1: Steve Lorenz - Tresor 5 Am - Original Mix
- A2: Steve Lorenz - Tresor 5 Am - Krenzlin & Diego Hostettler Remix
- B1: Steve Lorenz - Amnesia 5 Am - Original Mix
- B2: Steve Lorenz - Amnesia 5 Am - Syntax Error Remix
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Absorbing limited vinyl only VA for the Romanian imprint's third release, carrying on the exceptional quality of first two releases. Rich NxT (Fuse - London) gives 'Penchant' for the A1, his first original material outside FUSE London and INFUSE for 5 years. The track is strong, laid heavy with bass and groove. Throughout the pace is kept and atmosphere whipped up with heady sounds that breeze through the listeners mind. Following on A2, Iar (Pleasure Zone - Romania) and Panni (Hund - Italy) continue their cross country alliance and raise the tempo with a skippy and dubby roller, whose insistent rhythms give a fully locked groove, interspersed with vocals and strings to pull you this way and that. Flipping over, Japan's Standard Fair, yet again demonstrates his elegant and sophisticated style with a beautiful piece of original house music, with a lush synth playing tag with tight percussion and uplifting bass. Bringing this stunning release home on B2 is Andrea Biana, a trusted colleague of Panni (Hund - Italy) , who projects a sunkissed track of melody and bubbling sub bass, layered over precise drum stabs and snatches.
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- 1: Dopplereffekt - Scientist
- 2: Alex Cortex - We Run Your Life
- 3: Kris Wadsworth - Infiltrator
- 4: Christopher Joseph - Mind At Sea
- 5: Silent Servant - Dissociation
- 6: Adam Jay - Lexic
- 7: Herva - Slam The Laptop
- 8: Gesloten Cirkel - Submit X
- 9: Professor X - Professor X (Saga)
- 10: Nrsb-11 - Nationalised
- 11: Luke Eargoggle - I Belong To The Past
- 12: Drexciya - Lost Vessel
- 13: Dynarec - Moving Corridors
- 14: Syncom Data - Musik Politik
- 15: Creepy Autograph - Night Stalker
- 16: Drexciya - Aquabahn
- 17: Faceless Mind - Ocean Movers (Vcs2600 Science Remix)
- 18: 065 Dj Dijital - Bang
- 19: Drexciya - Running Out Of Space
- 20: Illektrolab - Overdrive
- 21: Anna Meredith - Vapourised (Lonelady Remix)
- 22: Drexciya - Dr. Blowfins' Black Storm Stabilizing Spheres
- 23: Dj Di'jital - Mind Of The Master
- 24: Morphology - Vector Plant
- 25: Luke Eargoggle & Kan3Da - Night Smoker
- 26: A-F-X - Serge Fenix Rendered 2
- 27: Drexciya - Cascading Celestial Giants
To feel the future is to feel the fall into time.
For the fourth instalment in Tresor's 'Kern' mix series, DJ Stingray (Urban Tribe/Drexciya) presents a device for decoding time in all directions, a sonic prism that refracts our senses into auxiliary components of a total future-rush.
With a far-reaching selection that has been worked into his own unique form, DJ Stingray wraps our vertigo around a gritty pneumatic bump with high-velocity swing. His mixing style, prepared for hostile engagements as it is, throttles techno into counter-gravity forces. Wading through a specialised cross-section of Detroit's own dance-floor contagions as well as the contaminated feedback signals from across the global aqua plains, the mix can be summed up in just one word: hectic.
Raw, caustic, synthetic rhythm-code pumps frenzy itself through a cascading geothermal fog. Never giving away the cryptographic keys, DJ Stingray works you harder than your heart, adapting your biology to a fractal timeline of viscous systems.
Discovery, or uncovering, has to do with what already exists actually or virtually; it is therefore certain to happen sooner or later with enough sweat in the club. And as Kern Volume 4 attests to, DJ Stingray has the access codes and the stealth sense to make a place of a space, and to let it fall into time.
Accompanying the mix is a double vinyl. The leading manoeuvre comes from the collaborative efforts of DJ Stingray and Heinrich Mueller under an exclusive NRSB-11 piece. Seven more key titles of the covert assault make up this vinyl edition.
[Q] 17 | Faceless Mind - Ocean Movers (Vcs2600 Science Remix)
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industrial, dark and dirty electro & Techno sounds... Deep rought sound !
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After a 3 year hiatus from his Avatism moniker, Thomas Feriero, one half of CW/A and owner of Parachute records, returns with an EP for his home label Vakant. A rough yet refined release, unassuming in its effort, Thomas channels both his previous solo work and his CW/A project into a tightly wound package with 4 solid cuts. Various influences converge yet a straight line is etched for all to follow. These are up-front, hard working tracks. Body Music with an undercurrent of breakbeat. His first EP on Vakant since his album. File under need / want.
Widely regarded as pioneers of PC Music, Blacknecks are proud to unveil their final and most shambolically cobbled-together record to date. After 6 half-arsed releases, a couple of half-arsed gigs and a brutally honest interview in a popular far-right culture pamph, all while managing to maintain their stellar UK garage careers, Blacknecks are now dead.
This final release contains seven new tracks, plus one which wasn't quite good enough to go on any of the first five EPs. It features toe tapping minimalism, knee jerking industrial, tear inducing melodies, fist clenching hoovers, a novelty track that really shouldn't have made it onto the record and a whole mess of shite that they would be ashamed to release under their own names. Packed with obscure literary references from one of those books that they saw for sale somewhere, Blacknecks tread the delicate line between the Apollonian and Dionysian, by throwing any old bollocks together and sucking up the acclaim. It is, to put it simply, the single most important record of the 21st century. If you disagree, you are wrong.
Goodbye.
Blacknecks
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Planet Rhythm is steadily working its way towards a respectable 70 releases. During the last couple of years the label has brought some of the best underground techno and the future is still pretty bright.
Again its time for the Spanish connection in the form of Exium! These guys are known for their extremely well crafted work on Nheoma and Audio Assault. This is no exception, deep spaced out techno that works perfect on the dance floor.
Audio Assault label boss Bas Mooy has shown to be a talented producer over the last few years. The man from Rotterdam has stayed true to the darker sound of pure techno. This stuff is the result of the fact that Bas was born and raised in one of the worlds most technoid cities - molten metal and gallons of raw oil seem to be pumping thru this mans blood vessels..!
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After Jonas Kopp's well received recent Ep, EarToGround quickly returns with our second release of 2015 this time round in the form of label boss, Gareth Wild's first Ep on the label.
ETG014 features two original tracks backed by remix work from two prominent new names in Techno, Aiken and UVB. This release covers a full array of light and dark solid impact, dance floor Techno. Track name inspiration comes form American graffiti artist Duster and crew MSK. Full sleeve artwork on classic black wax.
Mastered by Matt (The Alchemist) Colton / Graphic design Leiras Santos / Copyright and publishing 2015 EarToGround Records London
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Elliot project 003moves towards a selection of interesting pieces with two orignals by Greek artist Hemo. The first original, entitled 'Clouds' is a moving electro journey with powerful pads and subtle basslines. 'Dogman' turns a corner delivering a cosmic styled disco flight with catchy riffs and resonating bass leads.
S. Crosbie from the Dark Arts imprint also joins the project remixing 'Clouds' into stripped back techno and Frazer Campbell closing off the release with an emotion fueled version of 'Dogman'.
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A timely reissue of one of Blueprint's greatest releases
Full colour label sleeve to celebrate the 20th anniversary of this classic techno label !
Continuing Blueprint's 20th anniversary, which has already seen the release of the 'Structures and Solutions' compilation featuring 17 exclusive tracks from an excess of talent including Regis, Planetary Assault Systems, Truss, Tessela, Lakker, Steve Bicknell, Randomer and more, brand new EPs by Surgeon, Oliver Ho and O/V/R, plus the re-release of Oliver Ho's 1999 EP 'Awakening The Sentient', Blueprint take another trip back in time to 2002's 'Conspiracy EP' by label boss, James Ruskin.
This new release not only features the 3 original tracks re-mastered, but also includes the remake of 'Take Control' by Surgeon taken from BPLTD001,
the first release on Blueprint's limited sub-label...
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We welcome a new artist on Echocord Colour, the super talented Roberto Clementi from Italy.
Roberto is one of the most inventive and creative electronic music artists currently making his name known in the underground scene at the moment.
Roberto is mostly known for his releases on Soma, eps + recently he released his first album. He has also been releasing on Brendon Moeller's label Steadfast Records.
The track Bonton is a super powerfull Techno track full of deepness, heavy staps and dubby elements. Concolor is a heavy Dub-Techno trip also perfectly for the peaktime hour.
This ep also comes with a heavy monster Marcel Dettmann Remix.
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* The first vinyl of the year is the first step towards knowledge, after the last step we had moved into the darkness.
We've fallen many times and we reacted, we moved forward. For this reason the forthcoming release is called 'La Caduta Di Lucifero' ( The Fall of Lucifer) as homage to the white energy to come and the end of all evils.
* Produced by the acclaimed Codex Empire and the young, talented artist Unconscious.
* A dark and obscure texture with melodies to touch the inner places of the soul. A record designed for vinyl collectors as much as DJs
* The EP comes with a Codex Empire remix which gives the missing dance attitude to the vinyl.
* 'If God listened to the prayers of men, all men would quickly have perished: for they are forever praying for evil against one another'. Epicurius
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Umek reprises his Zeta Reticula moniker for a welcome return to Billy Nasty's Electrix label with an innovative EP comprised of 4 new tracks, split between the two spheres of Electro and Techno.
The Slovenian-born DJ and producer should need no introduction, boasting more than two decades of experience, playing the world over, producing music for labels like Toolroom, Spinnin', Great Stuff, Intec or his own imprint, 1605 to name just a few, or presenting his hugely popular weekly radio show, Behind the Iron Curtain.
It's been some time since a Zeta Reticula release on Electrix, with 'EP 1' to 'EP 4' surfacing on the label between 2000 and 2003, although Umek has continued the project more recently with tracks on 1605.
The A-Side of 'EP 5' delivers some Electro flavour, opening with the serious Electro-funk of 'Electric Blood Complete', before the vintage sci-fi electronics and playful rave stabs of 'Euphonious'.
Over on the B-Side the Techno takes over with the deep and dub-drenched 'Encroach' followed by the tough Housey grooves of 'Radiate' to complete this bold package.
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- CD 1-1: Droplex - Crainum (Original Mix)
- CD 1-2: Fritz Fridulin, Whisperer & H3Lmet - Chaos Category (Beats Sounds Remix)
- CD 1-3: Adamillar - Relax (Original Pills Mix)
- CD 1-4: Ende - Direct (Martin Lacroix Remix)
- CD 1-5: Corner - Apollo (Original)
- CD 1-6: Plastik B - Color (Original Mix)
- CD 1-7: Dj Aleks Nikolov - Dark Day (Original Mix)
- CD 1-8: Hard Plex - Cruzada (Edmnml Remix)
- CD 1-9: Jordan B - Dirty Job (Original Mix)
- CD 1-10: Maguta - Terrorist (Original Mix)
- CD 2-1: Lucent - Move (Sam U.l Remix)
- CD 2-2: Dj Westbeat - Mainland (Tex!No Relmix)
- CD 2-3: Astra Teck - Digital Music (Bass Monta Remix)
- CD 2-4: Beats Sounds - The Gold (Hsu Remix)
- CD 2-5: Whisperer, Joe Maleda - Italian Gulash (Original Mix)
- CD 2-6: Alex Sounds - Energy (Original Mix)
- CD 2-7: Gottlieb - Satanic Snake (Original Mix)
- CD 2-8: Dario Cantarella - Rondo' Minimal (Original Mix)
- CD 2-9: Chabud - Puto (Original Mix)
- CD 2-10: Martin Lacroix - A Little Minimal Piano (Original Mix)
Minimal - der elektronische Tanz-Sound der 2000er und der frühen 2010er Jahre, der quasi die konsequente Antwort auf die Überladenen und hektischen Rave-Monster der 90er war.
Auf 2 CDs mit insgesamt 20 Tracks bekommt ihr aktuelle Minimal-Banger, teils direkt aus den Beatport Top 100 Minimal-Charts zu einem unfassbaren Tiefpreis! Alle Titel gibt
in DJ freundlichen, nicht-gemixten Extended Versions!
2 CDs, 20 Titel, 140 Minuten Spielzeit
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Der britische Ausnahmeproduzent Darren 'Daz' Cunningham, besser bekannt als Actress oder neuerdings AZD (Acid ausgesprochen), ist mit einem neuen Album auf Ninja Tune zurück! Spätestens seit seinem 2014 veröffentlichten Album 'Ghettoville' welches auf dem von ihm mitbegründeten Ninja Tune Sublabel Werkdiscs erschien wird er als einer der größten Innovatoren elektronischer Musik gehandelt. Das Album vereint Komplexität spielend mit Eleganz und verschmelzt zusammenhanglose Wortkonstruktionen und elektronische Klangwelten mit Hilfe neuester 'Ghetto Cut Up' Technologie.
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Eduardo makes his return to Nonplus with the Sensitive Compartmented Information EP. Eduardo is one of techno's most dedicated underground legends and continues on a path unaffected by fads or fashions. Following on from his Sequoia Symposium in April last year again we have a 4 tracker exploring the deep realms of techno.
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Since the beginning we can see an evolution in Jose Rico ´s music. His sound is now more powerful than ever and the structure of his tracks have gained in complexity. The rhythms of his tracks, highly influenced by Chicago House and Detroit in his earlier releases, now are looking at the European 90 ´s electro´nica and dub music, slowing down (even more) the tempo.
We can say that the his last releases on Into the the Deep and Off Minor are probably his best works and most mature, so far.
De´ja` Vu', the 11th Downbeat installment, continues to explore this route. Here we find four emotional and spacey tracks, made by old synths and samplers which takes us back to the early 90 ´s.
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- A1: Lorentz - Hwip
- A2: Lorentz - Psin
- B1: Lorentz - Hwip (Gianluca Meloni Remix)
- B2: Lorentz - Hwip (Owl Remix)
- C1: Lorentz - Madicosa
- C2: Lorentz - Choose In It
- D1: Lorentz - Madicosa (Mattia Trani Remix)
- D2: Lorentz - Madicosa (Damien Schneider Remix)
- E1: Vasco - Ntc
- E2: Vasco - Imex Ordes
- F1: Vasco - Ntc (Agazzi Remix)
- F2: Vasco - Ntc (Valent Remix)
Vinyl Only!
Here we are with our first release, Liltte Hill 001, two original bouncing techno tracks from Lorentz, well remixed by Gianluca Meloni (Prologue) with drifting-techno rework and Owl (bpm-family) with more dubby-atmosphere remix.
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Lorentz back in action for Little hill !
With a long side (14.58) where there are two original tracks, 'Madicosa' and 'Choose in it', lorentz show us his gentle sounds, with homesick tracks.
If you flip records you can find two great works made by Mattia Trani, label-head of Pushmaster discs, with his '909' remix and Damien Schneider, Apologue recordings, with more effective techno remix.
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Little Hill goes dark!
A mysterious artist on the hill for this release named Vasco serving us, on Roman label, an ep with deep and glacial techno sounds; the two original tracks take us to the universe of the artist, cold and dark.
On other side the first remix is produced by Agazzi and follow the musicline of the originals so pulling out a paranoid march, other remix on bside is made by Valent and it's a peaktime modern 3x12" techno percussive device.
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Marquis Hawkes sound ranges from club-ready weapons of slamming and sleazy to swinging and acid-laced, beholden to vintage US house music and jacking dance floor jams.
After the monumental success of his debut album 'Social Housing', a recent live Boiler Room appearance, Resident Advisor mix and a 9/10 album review in Mixmag, Marquis Hawkes returns with an absolute beauty of a package alongside the indisputable queen of RnB & Soul, Jocelyn Brown.
The release also includes two remixes from producers at the top of their game, house legend Paul Woolford and close friends, Polish duo Catz 'N Dogz, each tackling the crystal clean house anthem 'I'm so Glad' turning in monumental dance anthems which will be heard across dance floors for some time to come.
Cut and Mastered by Matt Colton at Alchemy Mastering.
Insane hyper hybrid combo of wave/house/techno by Murray CY of Glasgow. The CY stands for "Contort Yourself" the label he runs which bridges the gaps between lost sounds of the past and contemprary noise makers, this ep displaying the producers take on the sound perfectly. All four tracks move in their own way from mid-tempo heaviness to more peak time fare. This is the rough back alley stuff you've been warned about!
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Marko De Gregorio & Tommy Paone aka Neverdogs are an Italian duo on the rise, over the past five years the pair have released material via the likes of Tenax Recordings and Oblack and this year has seen them hold a residency at Music On (Ibiza) held at the infamous Amnesia night club on the island. Here the duo return with some new original material for Decay Records, a blossoming British imprint home to music from the likes of Ed Davenport, Jay Tripwire and DJ W!ld, following their 'Hall 9000' release.
Title track 'This Is Not The End' opens the EP and sees Neverdogs deliver an eerie, hypnotic number with dubbed out synth flourishes, sparse rhythms and gradually blooming, ghostly vocal stylings. Morris Audio's Julien Sandre steps up to remix 'This Is Not the End' next and in typical fashion from the French producer he reshapes the original number into a groove-led house workout with crunchy drums, an unfaltering bass groove and sporadic glitched out synth licks.
On the flip side Neverdogs are back with 'September Time' taking things deeper with bright bell chimes, meandering bass notes, bright stab sequences and bubbling atmospherics, Canada's Nathan Barato then steps in round off the package with his take on 'September Time', delivering a more direct, loop driven interpretation on things.
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Andreas Tilliander (Mokira, TM404) returns with a plunging set of skewed techno dubs for the mightily on-form Ideal label, his first new release for the label since the Bias Line 7' in 2010, and the
Hateless album released a decade ago.
Andreas Tilliander has gone some way to making his studio a bastion of dub music within his home city, Stockholm ever since emerging with the Cliphop for Raster-Noton in 2000 and
subsequently releasing a whole slew of influential releases for labels including Mille Plateaux, Type, Kontra and Skudge. With the heady churn of Compuriddim dispensed under his own name, Tilliander returns to the site of some of his earliest outings, Joachim Nordwall's iDEAL with a clutch of warped and murky
dub ecologies firming up as some of the most absorbing iterations of his adroitly smoked-out sound.
iDEAL were first turned on to Tilliander's music via his Ljud (2001) LP for Mille Plateaux, and have established an occasional yet crucial relationship ever since, resulting in highlights such as the
Dutty & Digital (2004) 12' and the Bias Line (2010) 7'. The Compuriddim set is the newest and most intoxicatingly textured addition to that collection; six tracks strong in pursuit of a elusive electro-acoustic geist that lives between the wires of his classic hardware, in the late night air of his studio.
In keeping with the classic tenets of dub production - less-is-more efficiency, constant movement within space - he executes a sort of psychoacoustic telekinesis with the 6 parts of Compuriddim,
skanking from the spiralling loops of drip bass and drums overlaid with windswept melodica in Twilight Circuit, to a grumbling but charming dub techno stepper on Mokirian Tekno Trak, then
letting it all go loose and floppy with the sloshing Afracid deviation of FR777 Skank.
Open Up The CV/Gate meanwhile kicks off the B-side at a bendy slow/fast bent lodged somewhere between Tin Man and AFX's slow mo Analords or Cheetah tracks, followed up by the ragged dub chord stagger of Return Of The Super Tape, and the EP's sweetest number, a bottom-heavy but dainty whorl of 303 dialogue seemingly detained for the most squashed and strange corners of the night or morning after.
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Following the release of their previous single 'Guess What' (featuring Smerz) today Copenhagen's Code Walk announce news of their debut EP 'Doubler' - out on Friday 5th May on Ex-Local.
Code Walk consists of friends Søren Gregersen and Jesper Nørbæk. After garnering praise from radio tastemakers such as Benji B, Phil Taggart, Nemone, Julie Adenuga & Jamz Supernova, Code Walk are well on their way to establishing themselves as a staple part of the burgeoning electronic scene that is rising in Copenhagen. Like recent collaborators Smerz, the duo create evocative techno infused electronica, that swells with escalating emotion and energy.
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A leading figure of the contemporary electronic world, Jamie Odell aka Jimpster sets his sights firmly back on the album format with this beautifully crafted long-player; Silent Stars. A self-confessed creature of the night, the Freerange Records and Delusions Of Grandeur boss taps into his nocturnal and escapist impulses to deliver a superbly executed modern-day fusion album.
His seventh studio album and first since 2013's highly-acclaimed Porchlight And Rocking Chairs, this is an album dedicated to the nocturnal hours. Silent Stars is a richly textured ride through the tapestry of house, from jazz-infused opener 'Migrations' through to the dense, orchestral euphoria of 'Tau Tona' and the minimal, percussive bounce of title track 'Silent Stars'. The listener edges a touch closer to the dancefloor on tracks like 'Yansa' and 'Power of the Doof' - yet the grooves stay subtle with intricate percussion, dense sound design and a mischievous streak being palpable throughout.
A range of guests are welcomed by Jimpster across Silent Stars. Hotly-tipped Londoner Florence Rawlings adds her vocals on 'Crave' and 'Everytime'. Past collaborator and member of Kirk Degiorgio's The Beauty Room, Jinadu weaves emotional soul on album centerpiece 'The Sun Comes Up'. Khalil Anthony lends his vocals on 'Where You Are' and leading session drummer Andy Gangadeen (Massive Attack, Chase & Status, The Bays) lays down his immense beats on 'Tau Tona'.
Jimpster is a true veteran of the global house scene, a custodian of the authentic deep house sound and a producer who has quietly created some of the most reflective and sophisticated electronic music of the past two decades. 20 years on from his album debut, Jamie Odell continues to impress.
The LP will be accompanied by two singles including remixes from Peggy Gou, Atjazz, Flabaire and Urulu.
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Luciano Lamanna & Cosimo Damiano, known together as Assalti Industriali, release a split EP on Love Blast. Four tracks of heavy acid techno, an assault to the dancefloor on 4/4 to put your head into the speakers.
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NS001: The First EP coming from London's brand new label No Speakers. Eman & El Prevost go in with 'Wise Man' set for release mid-Spring on limited 12" and on digital stores. Featuring cuts from South London's very own Rob Perry, Kore Vex and the aclaimed Mark Broom. Mark Broom is a man that needs very little introduction, a truly prolific artist, with a myriad of production credits to his name. Mark draws influence from the Chicago's Acid House sounds of old bringing a classic feel to his 'Wise Man' remix.Kore Vex's blend of dark twisted sounds will take you on a journey of deep dubby techno and house filled beats. He continues to push his music production for a unique and distinctive, high-quality sound which comes to the foreground in this Deep Soul mix of 'Wise Man.Rob Perry takes a new step in this production, putting a spin on his signature style of deep tech house with a new underground direction.
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Echoe returns for its first outing of 2017 and fifth release since starting in earnest last year. ECHOE005 marks the first remix package in the label's discography, offering up four stellar remixes of Francesca Lombardo's "Remembrance" song. A clear stand-out in the label boss's inimitable repertoire, "Remembrance" has been given the rework treatment by house and techno stalwarts: Cassy, Laura Jones, Jade and La Fleur.
Cassy offers up the first remix, focussing her reinterpretation around an enormous and insistent bassline, murky and dense in equal measure, that rolls from start to finish. Undulating hats inject further energy, doubling in pace strategically whilst complimenting the 4/4 groove. Utilising the originals' emotional resonance, Cassy creates soft textures and refined arpeggiated patterns, adding a further dimension to the track's impassioned narrative.
Laura Jones's remix comes in the form of a low-slung, jazzy drum work-out, adorned with sub-heavy kicks and a snarling low-end that offers much of the track's sonic weight. Gentle bell-like keys float alongside modulated synth stabs that filter in and out of focus, whilst Jones's drum programming becomes progressively more and more frenetic.
Jade's reimagining sees a broken beat take the reigns, leaving space for soft percussive rhythms and an earth shaking low-end that pushes the song into ghetto house territory. Hi-hat pick-ups and jittery vocal cuts provide further momentum before the groove lands on sturdy 4/4 terrain. Jade's deftly arranged breakdowns, punctuated by panned drum fills and granular FX, adds welcome tension to the track, making a return to rolling drum-patterns and buzzing bass-sequences all the more rewarding as they come back in.
The final remix comes courtesy of La Fleur who delivers the most peak-time, club focussed material on the package. Staying true to the original's hook, La Fleur brings melody to the fore, whilst deploying snappy drums alongside chilling atmospherics and tech heavy stabs, set to keep dancers moving into early hours and beyond.
Suction Records presents a new split-12-inch by label alumnus June and Lowfish - 'C.D.S.N.' (suction038) is 4 tracks of classic Suction-style melodic analog electro. 300 copies on ORANGE vinyl. Berlin's June first appeared on Suction Records with his 2015 debut album of wave-inspired electro, 'Dominion.' Here, June opens the 12' with 'Cynthia 84,' a a lush, beatless Tangerine Dream-scape, thick with analog arpeggiations and gorgeous melodies. 'Navigation' closes proceedings with a driving, dark electro/wave dance track. Toronto's Lowfish co-founded Suction Records in 1997, and has been a staple of the label ever since. Lowfish appearances have been few and far between in recent years, but he's returned here in finest form. 'Dead Specimen' is clinical and pounding electro, while side B's opener 'Scarborough Brutalist" is a prime example of Lowfish's patented melodic electro style, with catchy, melancholy analog melodies cascading over slow but slamming 808 beats.
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Michele Pinna presents a new LP under a fresh moniker and alter ego, Time Traveler, representing a direct confrontation of the artist's own fear of time as an unrelenting force. The LP, titled 'I'm Made Of Stars / Journal', takes inspiration from conversations between Pinna and his father on the topics of galaxies, space and of course, time. These converstions were the starting point for the abstract, futuristic and dark work presented on the new LP. The release also draws on Pinna's artistic interests outside of music, presenting a work not just of sound, but one with a coherent visual aesthetic spanning the physical releases of the LP. This visual aesthetic has taken shape through multiple collaborations with the photograpers, stylists and designers Nicolas Mazzei, Danila Tkachenko, Khourianbeer and Cinzia Araia.
The resulting album is a twisting sci-fi journey invoking images of a dystopian galactic future. Pinna takes techno and filters it through his own imagination, dismantling it and rebuilding it with an unheard palette of textures, timbres and rhythms. At times disorientating and chaotic and at others, restrained and delicate, the LP has one foot in dance music and the other in emotional and visionary experimentation. The album will arrive on Pinna's new label, Chronicles Diary, set up specififically for this release which can be considered much like a diary or journal of Pinna's emotions and imaginings of the future. A limited edition vinyl release will come with a fitting physical package much like a real black diary. Inside the sleeve can be found prints that are the product of Pinna's several collaborations, and serve to provide a visual reference point to the futuristic vision of Time Traveler. The standard vinyl release, aimed more at DJs, will come in paper moleskine packaging. Alongside these, there will be a cassette published followed by a digital release in the next months.
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After the first two successful releases from Thomas Muller and Mike Wall, it's time for a new release. We are proud to present to you the first ever Hell Beat Limited Various Artist Compilation on Vinyl.
The boat to hell is occupied this time by no other than: LISS C., Angel Costa, Unam Zetineb, Pepe Arcade, Daegon, Mike Wall, Forest People and Grieche.
Now go on your way to explore the unique Hell sound and be part of this exclusive Hell Beat Limited release.
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'Divination' is the second LP to come from Liam Blackburn's Ancestral Voices project. Where his debut LP 'Night of Visions', reconstructed his rhythmic approach into a primal framework, 'Divination' sheds the beats almost entirely and focuses on soaring drones and Liam's refined approach to ambience. There is moments of tempered elation (Revelation, Inscriptions, Cleromancy), contrasted with black hole soundtracks (Geomancy, Hieratic) with the overall feel of 'Divination' becoming a gently traversing voyage through a revolving mood-scape. With 'Divination' following more beat oriented EP's for Samurai Music and Horo, Liam redefines the sound of Ancestral Voices with every release. 'Divination' is a glistening example of the singular voice he provides to electronic music.
'Divination' is pressed on crisp white vinyl 3x12" housed in a deluxe full artwork sleeve with spot varnished runes exclusive to the LP version.
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Following last year's 'Galaxies Compared' album, Belgium's Dany Rodriguez shows he is not a man to rest on his laurels as he prepares the follow up this summer, 'D'Visions'.
Recording for over a decade and having released a series of EPs for labels such as Kombination Research, MBR, Bush, MB Elektronics, Bulletdodge and Phobiq, Dany Rodriguez now runs his own RMR label, where his techno and electronic sound has developed and flourished into new collaborations and larger projects.
Whilst much 'big room' techno can deliver a punch devoid of feeling, Dany Rodriguez builds his tracks around warmth and emotion. For example, the album is book-ended by the subtle ebb and flow of the opening 'Natural Symphony' and the closing Detroit string-inspired 'December'. Both are full of delicate, synapse-tingling triggers that highlight his ambition as a producer to work both on and off the dance floor.
Of course, Dany's natural territory lies in the rhythm and groove of a sweaty club where we can find the majority of the album. 'Acid Tribute' builds into a bubbling 303 refrain that pushes and pulls between the twisted bassline, 'D Funk' takes a staccato house beat and asks 'Where's the New Jack' whilst bringing in glorious jazz motifs and the minimal, dirt trodden rawness of 'Texture' gives a healthy nod to Robert Hood's stripped-down aesthetic.
Then we have the bizarre spaced-oddity that is 'Oscilo 8' where Dany pushes furthest to the outer reaches, delivering something truly strange and unique whilst 'D Visions' takes us back to the driving intensity of the dance floor. Dany tips his hat to the realm of electro on 'Tell Me When You Are Ready' and the shimmering pads on 'Deep Morning' are a perfect 6am moment from the master of melody.
Dany Rodriguez also manages two party concepts: Pure Electronic and The Link Festival, while he also runs two successful labels: RECODE MUSIK which has released artists such as Space DJz, Tom Hades, mcj, xentrix, Jay Denham, Frank Valon Roel Salemink and Mark Broom and RMR (vinyl & digital) with releases from himself and additional remixes from James Ruskin, The Advent and Marco Bailey, Chris Tietjen, Oliver Way, Ben Long & more to come. His 'Intergalactic Frequencies Chapter 002' collaboration with Ben Long follows soon but in the meantime we have a wonderful new 'vision' to embrace.
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Perth, capital of Western Australia, sits where the Swan River meets the southwest coast. Sandy beaches line its suburbs giving purpose to hot summer days, but after sundown, the city is where it's at... if you know where to look. It's possible that this double-life is what inspired the deep, melodic, futuristic sounds of one of Australia's most mysterious electronic dance music labels of the 90's - Red Ember Records.
Helmed by Ewan Jansen and along with Justin Zerbst (with contributions from Steb Sly and Andrew Carpenter) this micro label powered through the latter half of the 1990's with a slew of back-room productions; barely existent releases that were mainly pressed onto poly-plastic discs and hand distributed at a handful of near mythical live performances and local record spots in their hometown. Suffice to say it's the unique quality of the music contained on these lathes (chiefly produced by Jansen and Zerbst) and the sheer rarity of the physical items that has driven Red Ember firmly into the minds of vinyl fiends the globe over.
Deep. That is one word that can be safely used when discussing the sonic bounty contained on a Red Ember record. Ewan Jansen's loose, harmonic style sits perfectly next to Justin Zerbst's faster paced, frenetic Techno sounds. The two's styles complimenting each other perfectly. The two producers have their very own unique vision of what House and Techno are and "Embers Only: Selected tracks 1997 - 1999" offers an overview of a selection of very carefully curated tracks taken from a handful of their early EP's and lathes. Never reissued before and almost exclusively out of print for the most part, these tracks have been some of the most closely guarded pieces of electronic music going around. Full access was granted to the Red Ember vault and working in conjunction with Jansen and Zerbst this phenomenal compilation was brought to life.
"Embers Only: Selected tracks 1997 - 1999" - An insight into the extremely exotic sound world of Red Ember Records, now available on double vinyl, fully remastered from all original DAT tapes and compiled with the full cooperation of both Ewan Jansen and Justin Zerbst. Remastered by Curved Pressings, London. Artwork and design by Atelier Superplus.
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White Marbled Vinyl, Vinyl Only
Sweet first 12 by J.C. and NX1! // Untitled - Coloured vinyl - Vinyl only -
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Spatial Cues is a series of split singles sounding out main(void)'s and Kon Janson's shared musical space. Operating out of Berlin and London, the two artists join forces to showcase their mutual vision of techno music.
CUES001 starts off the series with two immersive yet driving tracks, both built upon breathing and soughing atmospheres that wrap themselves around clear-cut, straightforward rhythms.
Guided by bleepy accents, CUES001 A takes you on a stormy 10 minute ride through subtly shifting layers of sound, revealing its hidden depths in two slowly climaxing breaks.
Steadily evolving towards its floating finale, CUES001 B contrasts a mesmerising percussion pattern with a steaming machine sound that loses itself in endless feedback cascades.
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- A1: Retina.it - Reflection In A Symmetric Space
- A2: Retina.it - Cellular Structures
- B1: Retina.it - Reflection In A Symmetric Space (Acronym Remix)
- B2: Retina.it - Cellular Structures (Ntogn Interpretation) (Ntogn Remix)
- C1: Kalos - Daily March
- C2: Kalos - Appearance Of Freedom
- D1: Kalos - Daily March (Lakker Remix)
- D2: Kalos - Appearance Of Freedom (Yves De Mey Remix)
Deep and innovative sound designed by two artists, unique in the music scene, who give us another of their work full of maturity and obscure nuances intertwined with mystical rhythms.
Entering in the musical vision of the artists we are faced with the concept of an octagon and then correlate number 8, with its direct symbolism and numerology indefinitely. As history teaches us 8 is one of the ancient symbols, it is the symbol of infinity, where nothing is over, but there is only a continuous cycle that produces a reflection of the spirit in the created world, immeasurable and indefinable.
In addition we find two more version, recorded by different musicians, that capture the character and the essence of the entire production.
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The structure and the essence of this release, focuses on a current argument in which more and more people
in this society are found to be the early protagonists, often without even realizing it.
The artist wants to tell and convey through his work, a point of view towards this theme.
As can be deduced from the title of the EP, the project is to express and represent a war of colors, which fight
the monotony of everyday, always flat and dark.
The first track, "Daily March", wants to criticize this monotony through a full-bodied sound that recalls a real
daily march, which many people are facing every day. All accompanied by a setting of hypnotic sounds that
capturing the attention of the listener, carrying in a vicious circle in which one perceives the focus of the
concept that the artist wants to communicate.
The second track, "Appearance Of Freedom" is the soundtrack for those who are trapped in slavery everyday
life, believing to be free or at least trying to able to escape from the monotony, but then realizing that it is only
an appearance. The sound of this second soundtrack fully embraces with the first, almost as if it were a single
story that is going to evolve, arguing the rebellion that the artist wants to express in this state of being of the
person in the present life.
To accompany the two original works of Kalos, there are two remixes by great artists, the first made by the
Irish duo Lakker, which are able to communicate their idea of daily march through their strong version, being
able to also expose them a very clear message.
The second remix is made by the Begian artist Yves De Mey, for the track "Apperance Of Freedom" where he
captures in full the message of the track and re-edited, bringing attention to the full-bodied bass carefully
distorted, creating a trip hypnotic evolving.
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Mindtours and Freerotation boss Steevio releases his first album for 10 years on his own imprint.
The album was recorded live during practice for recent gigs on Steevio's modular synthesizer, and is entirely improvised. Animistas follows on from his Modular Techno series, and the recent collaboration with Move D, Juju and Jordash, and Soulphiction (as The High-on-Wye Quintet) on the new Freerotation label, and continues his progression into deeper, jazz tinged techno territory.
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