Techno Novedades

Abayomi is back with with some strong and heavy Techno tracks.

'Repetition Reinforcement' is a chilling reminder of Consumer Electronics' brute, incisive force and reaffirms their unique position in today's extreme electronic music.The long-running alias of former Whitehouse agitator, Philip Best, and now featuring vocals and music by Sarah Froelich & n0!se pioneer Russell Haswell, Consumer Electronics hold steadfast to an unflinching observation of, and reflection on, contemporary British culture, recently exemplified in the coarse noise techno rants of 'Estuary English' (Dirter Promotions, 2014). On both these new songs, though, Best's lyrics and delivery distil his bracing vitriol to nerveshredding degrees, trading the explicit rage of 'Estuary English' for hushed, under-the-skin implication, aided by Sarah Froelich's deadpan vocal and Haswell's streamlined, but ever visceral, frequency fxxkery. 'Murder The Masters' cuts right to the bone, (w)rapping a disaffected tirade in deeply unsettling, over-the-shoulder tones, skeletal techno kicks and clammy atmospheres. You can practically smell Best's breath on your neck.'Alien Existence' follows suit, swapping volume for skin-crawling intimacy. Here he shares vocals with Froelich in a probing dialectic of sexual politics smeared against sagging kicks and looking glass synth discord.Put simply, few other c*nts have the balls to broach this topic: best left to Best and co..

Limited One Sided 12". Jamie XX returns with a new single from his upcoming solo album. 'All Under One Roof Raving,' samples British artist Mark Leckey's 1999 documentary Fiorucci Made Me Hardcore and contains a groovy steel drum sample as well.

Tin Man Acid Mix

Nasty Boy House Mix

Bastian Wegner Downtempo Mix

300 copies edition

SWING REPUBLIC began life as the side project of a platinum selling Danish songwriter and producer, Per Ebdrup. In love with the sound of swing, Per remixed old and obscure vintage gems in his spare time. Following the success of the 2010 album 'Electro Swing Republic' Freshly Squeezed Music, (debonairs of all things swing) and Swing Republic are both proud to present the album Midnight Calling.

This album is an amazing assortment of all of the best elements of electro-swing. There is an amazing flow between each track with each one as catchy as the last. The album features the stunning vocals of Karina Kappel which lifts the sound and makes the album much more accessible with the catchy melodies and top lines sung by such a well rounded vocalist.

The new, highly commercial sound will put them right alongside contemporaries such as CARAVAN PALACE and CARO EMERALD. This is a band to watch in 2013 and beyond. The album also comes packaged in an elegant digipack displaying some of the most eye-catching artwork we have seen in a long time!

* Following up swiftly from the fantastically wide screen Forgetting EP, is a killer slice of Djrum dancefloor pressure. Over two tracks, we hear his classic combination of tough drums over ladened with colour, texture and attitude.

* 'LA' is dominated by its off kilter melody motif, a minor key piano line which evokes classic rave with all of its euphoric intonation and impact. But there is more, a big fan of strings in his music, in comes a superb violin line rich with melancholy and yearning but with a tist of hope at the end of its phrasing, once again adding another dimension to a track which is some much more than a sum of its parts.

* 'Abandon Me' is a superb mixture of classic rave, jungle and dusty techno, 3 sounds you'll always find in his notorious DJ sets. The track twists and turns throughout, shifting drum patterns combine perfectly with otherworldly synths lines, before really settling into a tough, driving groove 3 and half minutes into pulse on until its conclusion.

* On artwork duties is a unique and compelling artist from Tel Aviv. We stumbled across the bold and challenging abstractions of Klone Yourself on Instagram, immediately connectiong with this visionary and confornatational artist who's surreal tone is often offset pefectly by his simple yet striking imagery.

PRSPCT RVLT 013 !

Puzzle Recordings is a record label set up to release collectable vinyl, limited edition vinyl runs and no represses.

First release on the label is from U.S ALLIANCE with a slab of broken beat acid goodness in the form of BOX and a prolific bit of underground in the form of BLACK ALAN.. PLAY LOUD!!!!

A secret weapon from London featuring a remix from Bleaching Agent.

Möd3rn is a global project from 3 wellknown artists who wanted to give a side project from their own solo career. It's a band, producing, playing live but it's also a label created only for the trio productions. Each releases will propose 3 tracks from the 3 artists. For that first one the famous trio propose 3 huges bombs Mö4, Mö5 and Mö6, 3 huge techno killer using rough skins with raw edit. Speech less and listen to that we can call Pure TEchno.
While carefully handling their respective careers, postponing then their obvious collaboration, Möd3rn trio's members have capitalized its desire and now deliver its mere substance, in the rightest moment, where, simply, all the distant forces converge.
The six daring, expert hands merge now into a unique entity, unanimously moving within the same effort towards techno music. Of the distinct identities merely remains the ethereal, synthetic essence devoted to the group, and the common musical passion that leads it. The formula is elaborated freely: each one's adjunctions -subtle keys, nervous chords, underground blows, rhythmical uproars- pour into a thick maelstrom, opaque, condensing Detroit's grieving sensibilities as well as last decade's bewildering cacophonies. The potion obtained is irresistible, an ecstatic hybrid, prodigiously actual, that renders all the genre's diversity and dynamism.
Chance intertwined their paths and now the three companions celebrate both the friendship that resulted and the good fortune that has driven it, by improvising live together as one faceless, solid body agitated by the urge of dance and music, composing the material that shall be processed later on to form their eponym label's releases.

For Record Store Day 2016 , We thought of what to release to be special and decided a remix ep would be something good So here are four remixes that made some noise.

Cirkutry - EP1 is a big fucking record. It that knocks about like Probe's discography when it has just has fallen off your record shelf and splintered into three-hundred thirteen pieces. Once melted back together with a soldering iron, the resultant techno is as disorienting as it is devastating, perfect for easing into the deep late of night when all that remains on the agenda is a total dissolution of self. With classics like "The Hez", "Bleans", and "Guy Calls", and a special remix by the Ypsilanti overlord of evil genius, Mr. Todd Osborn. This one truly deserves the ketamine voice-mail cum cooking class record of the year award, 2016. Our advise: get it before it gets U

The rise of Lehar continues. Together with his brothers in mind Musumeci and Olderic, he has recently formed a highly visible team closely connected to Connaisseur and reinforced by their new weekly radio-show "The Sound Of Connaisseur' on Ibiza Global Radio. Now it is time for new music. After his tremendous debut EP "Sargas' and his uber-remix for Of Norway feat. Linnea Dale's "Spirit Lights', he presents his next strike with the 4-tracker "Flora & Zephyr'. Named after the mythological love couple Flora, the Sabine-derive goddess of flowers and of the season of spring and her husband Zephyr, son of the titans Astraios und Eos, Lehar wanted to transport this passion- and romantic-laden story into his new release. With the beatless intro track "In Ipnosi' Lehar kicks off the release. A wonderful hypnotic affair with strong synths and shimmering percussions. Next up is the majestic "Zephyr", a real titan of a track, with a strong groove and demanding chords. It has a cleansing and meditational impact, letting you dream while triggering an inner and outer movement. On the flip-side, with "Horizon' Lehar presents a collaboration with Musumeci, who just got ennobled as "The future of Italian House Music' by Kristian from Âme for his other project combo "Human Machine'. From the beginning you can make out Musumeci's influence on this track, as his music never overladen. It has a clear
Lehar - "Flora & Zephyr EP" (feat. Musumeci) approach with a strong recognition value, which may be the secret to his success. Each element of "Horizon' remains in your mind after having listened to it. A guarantor for this summer, for sure. The closing title of this EP is "Flora", a timeless and alluring cut with a dub-techno approach. Its subtle power comes from its deepness. It is simple but full of universal brilliancy. Lehar - "Flora & Zephyr EP" (feat. Musumeci).

Support by:
Tassilo, Vince Watson, Chymera, Maceo Plex, Sasse, Dave Seaman, Markus Kavka, Estroe, Matthias Vogt, John Digweed, Joel Mull, Butch, Ilario Alicante, Matthias Schaffhäuser, Karotte, Tiefschwarz...

Monika Kruse enjoys a very productive year so far with releases in collaboration with Gregor Tresher (as GTMK) and Pig&Dan but now it's time for her first solo single in 2014.

With such an infectious and spherical melody her original definitely demands for the big festival plays this summer. Mendo, Uner and Nicole Moudaber all deliver great new interpretations in their respective styles. A big release!!

Thanks to german wonderboys Pelé & Shawnecy for keeping their best tracks for Monika Kruse's label Terminal M!! After great releases on Cecille, Cocoon and Get Physical, this 4-track EP is definitely a true masterpiece. Their fine blend of rocking grooves, clever vocal bits and sophisticated samples is the perfect ingredient to spice up your vinyl box.

Played by Kaiserdisco, Riva Starr, Karotte, Thomas Schumacher, Butch, Gregor Tresher, Carlo Lio, Super Flu, Zombie Disco Squad, Martin Eyerer.....

Jordan Peak's Rogue Society imprint gets straight back into action after taking a year off with a seriously heavyweight package. London producer and dj Sam Russo known for his outings on respected house and techno labels such as Leftroom, Vitalik, Fear Of Flying and air london provides us with three stellar tracks that showcase his impeccable production skills.

The release also comes backed with high quality remixes from Fachwerk head honcho and Delsin regular Mike Dehnert, who takes a tougher approach and turns Therapy into a thundering techno tool while Chicago born Malmö native Amir Alexander changes the tone of That's What He Did On Sunday' into something much deeper and emotive than Sam's original adding variety and depth to another impressive release from the label.

Features four organic, Improvised modular synth works and ambient collaborations with Albrecht La'Brooy.

Releasing our sixth vinyl release we came to a conclusion that Fresh Juice and Lunar Station are profiling themselves into two strong vinyl releases thematics on Baile Musik.
After last Lunar Station edition with Marko Nastic, Luca Doobie, Glico and Adrianho we are back to our roots. Fresh Juice Part 2 is produced by some of the finest and everlasting Baile Musik residents.
It all started with first Fresh Juice edition by Crocodile Soup, Lilith, Jessica Diaz and Monika Ross, well recognised by our big fresh eye cover.
Max J and Coockies, Thomas A.S., Battric & MIVU and Sonartek are all very well known names of underground tech house and minimal techno scene, selected to be producers of Part 2.
Always inventive, always fresh and always diverse and interesting sounds by each of them.
Each track presents unit for itself, from house variation by Max J and Coockies, to intelligent Minimal by Thomas and strong dance floor killers by Battric & MIVU and Sonartek.
Our 94th edition offers plenty of interesting moments combined with dance floor fillers and top quality final processing by Rob Small.

* Blackwater Label proudly presents on its Digital Channel the release number 10. To celebrate this important moment, we have decided to produce this Various Artist Compilation both on digital platform and a limited audio cassette, reflecting the past and the forthcoming Ep's from Artists that have come before on the digital channel from first to last and with subsequent releases in the pipeline. Perhaps the most intimate and personal release that Blackwater is about to propose.

* To open the dances as he did in his time for Blackwater Digital is Phorm with an hypnotic piece with clear references to darkness and depth that characterise the label so far. Spygeist follows with a brilliant piece, complete and mature from which you can clearly taste the capacity and versatility of this great Artist. Shkedul, Emanuele Onorato, Michal Jablonski, Istigkeit and Polanski create together the core of the cassette with an intense musical crescendo of high workmanship and calibration. One piece after another to fall into the depths of Techno, disclosing all the emotions that the industrial music, dark and deep can offer.

* The joint occurs with one of the most beautiful pieces produced by the Blackwater Society with the jewel track from Unconscius who releases a dizzying piece, a hit without end. Rounding out the dancing come the fantastic productions of Flaminia and Train. Closing track comes from the owner of the label Devianza with a techno punk piece, an arrogant and belligerent sound to declare war to music industry.
( Dedicated to Giulia )

"City Stellar" by Yan Kaylen is our first artist EP release following up to our debut VA album "Setting Forth" released in the fall 2015. Yan Kaylen is an electronic music artist from Paris, inspired by the Berlin techno and London bass-music scenes. His musical universe focuses on a tribal and minimalistic approach for rhythms as well as ambient, atmospheric, industrial and evolving textures. As a member and resident of the Exploration Music crew in Paris he started playing his own productions live in the summer 2013. He has since played in clubs such as Tresor, Concrete, La Machine du Moulin Rouge or Le Batofar, and has shared the stage with established artists such as Sigha, Skudge, Shifted, Clouds, Paula Temple, Objekt, Truncate, Goldie or Positive Centre. He is also part of the cinematic audiovisual project trio Dasein."City Stellar" is a six track, forty minute, journey through an ominous imaginary city. It starts off with the beatless ambient title track "City Stellar" setting the tone for the entire EP. It is followed by the 125 BPM dub techno-meets-dubstep sub heavy "Suspension Of Disbelief", while "Ancients Colony" concludes side A with an introspective tribal beat. "_Field" offers a moment of cautious rest in an imaginary playground with the sound of children playing in the distance. The pace picks up again with the epic "Mirage X84", a broken beat and lush pads filled techno number which then leaves us in the gloomy "Last Quadrant" not far from where we'd arrived in the Stellar City on the intro track.

Abdulla Rashim with the first solo release since last years well received album Unanimity. Eight psychadelic techno statements for a generation in despair.

Centrifuge EP Part 2 is the second vinyl release on this hardgroove techno German label. One more time with Creme de la Creme of hardgroove's best music producers. Second part of Centrifuge EP contains remixes from F.Tek, DJ Brutec, Eric Sand and Mark Malle. Mr. F.Tek is bringing to our ears a really good hardgroove beat with heavy kicks and nice percussions. DJ Brutec remix sounds as always great. Heavy kicks, heavy hihats and dark percussions for a real good hardgroove sound, definitely a club burner. Eric Sand's remix is one of the best remixes on Centrifuge EP's. His killer bass and hihats are destroying every sound system, definitely one great track for every hardgroove fan. Mark Malle's remix is more progressive and with his bpm under 130 perfect for afterpartys or chillin. Centrifuge EP is for all people, who love Hardgroove Techno and we from KickMaSomeAss label will bring you only the best from the best. Hope you all will appreciate our work and will support our label in the future too. May the Hardgroove be with you.

the 3rd and last part of the cocoon morphs tokyo series !!! this time it is sven väth, the guru himself together with Anthony Rother and another hot Tracks by Ricardo villalobos !!!
Väth vs Rother / Ricardo Villalobos

Overlord of Polish techno, FOQL, drops 2 originals and 2 remixes on this tape. Slabs of heavy, doomed out techno get complimented by remixes by Tapirus (aka CHARLTON) and the mighty German techno duo Fallbeil. Peak hour madness.

Martin's Escape From South Warren LP will arrive on October 5th on the label operated by Frank Juncaj, AKA DJ 3000. Juncaj calls Martin an "unsung hero of Detroit techno" and cites his label, Teknotika Records, which has been running since 1993, as a key influence. The first remix EP, due out September 21st, features reworks by Robert Hood and DJ 3000 in addition to two original cuts. Mark Broom and Rolando contribute to the second EP, which arrives on October 12th.

Roit Recordings continues to bring you the most unique sounds in dance music with its new release, which is also the 1st vinyl release for the label!

The latest discovery by Roit Recordings is Heat Vibes, the talented Mexican duo behind the release. The duo has some sick beats up their sleeves to make you move: The dirty sound with tweaked vocals floating over will be what you will love about the Mexican upcomers, as well as the banging remixes by Jacob B (PL) and Ovis (NL). Make sure you grab a copy to save this gem in your collection!

Tripping, raw deep techno from Berlin's Grounded Theory main man.

Imagine you are being invited to the studio of a visionary, and get to discover some brand new futuristic experiments along with tracks made 25 years ago that sound as if they've been made yesterday. Well that's what the careful listener who plunges himself in the album from start to finish should feel like. It is not very common to display a tracklisting that ranges through three decades, and call it an album. However, all of the music here is unpublished, exclusive, unreleased... It is also extremely rare to encounter artists that have never taken a break from studio creation, and this unbroken continuum is probably the reason why there is no relevance to any chronological classification of his work. The intent in the beginning, was to focus on the more recent, experimental side of In Aeternam Vale's work, and to look at his work through an angle that would be complementary to some recent techno releases on Jealous God or 80's gems on Minimal Wave. Only, a few visits to his studio in Lyon were decisive. Imagine seeing the history of 30 years of electronic music flash through your ears, just in a few hours. 'IAV' has been exploring new grounds and sometimes even pioneering new styles and subgenres several times, with literally hundreds of tracks to listen to. Words are not enough to describe this record's digger absolute dream : the discovery of a secret parallel universe where so much music has been created and kept under the radar. Playing live, IAV is quite notorious for hoisting his modular cases above his head in fiery resonant solos, as if an electric guitar. Rumor has it, a few live performances have gone absolutely wild lately. Laurent has lost nothing of the raw punk energy of his youth.

"When we all were one... when we were able to build something that could still stand forever, contemplating the passing of time with dignity" - Leiras returns to his mother platform, Ownlife, on his favorite format. Four tracks that play with sharpness: Influenced by cyclical "ebm" techno to the darkest and primitive acid. "Ruins of Dignity" is a look into the psyche of men, a tribute to our ancestors' capacity of symbolism and abstraction.

Tribe acidification performance with a ultra spped pumpin tune from les Enfants Sages. And a nice JMF style OVNI by Tricheur.

special 3x12" pack for all you MAXIMUM PUNISHMENT lovers out there - contains 3 classic releasesmaximum02 / maximum07 / maximum08

Official Reissue of the 1992 Mystic Record classic !
After "Stolen Moments" by Onirico, Flash Forward delivers another gem produced by Emanuele Luzzi , under the Oneiric name.
The four-track 12" that made the history of Techno-House scene worldwide. "A Tone Colour Of Onirico", including "Emphasis" and "Blue Envelope" was picked up also by Luke Vibert, Derrick May and Steve Rachmad.
Limited Edition 300 copies black vinyl + 100 copies Marbled vinyl!
Really Big Tune!

Roberto finally debuts on Be As One after having recently joined the label booking agency and main core, and he does it with style. For those that have been keeping an ear on the UK techno sound Roberto should not be a new name by now, having released a series of well received EPs on Artform and Affin, and being a resident at London's legendary Fabric club. 'Hi Tek", a collaborative effort with his pal Chris Page, opens the EP and subtly warms things up for the energy delivered on the B Side. 'Spring Times' is that kind of tune that dropped at the right moment create mayhem on the dark, sweaty floors. Calling Card closes bringing things down into deep territories. Techno is back on Be As

cool phunky tracks!!

Cristi Cons and Vlad Caia are household names that really need no further introduction. Their dj sets are techno stories well told and their live act is already making waves worldwide. Amphia is first and foremost the platform they use to broadcast their finest works. Such is the case of Sideways, their latest LP, containing more than a dozen tracks coming your way trilogy style.
The first part reveals six tracks on two heavyweight discs. Although most of the tracks fit the usual SIT musical approach, the listener is greeted with a wide pallete of rhythms. Assemble is an atmospheric dub infused with violins and orchestral echoes. Permissive starts things up with a playful bass progression and continues with lush pads and cryptic voices. Brooklyn's deep moody synths and monster groove render it broken poetry at it's best. For sure it will resemble those early danceable mornings. On a more joyful manner we are presented next with Bootcamp's sturdy baseline and playful modulated vocals.
Mandatory claims a whole side of the second disc and so does Come Around. While the first is almost experimental but danceable and warm due to the occasional driving percussions and 303 sounds the latter is the star of the show. Come Around is 15 minutes long and comes with a story too. A great collection of tracks, a great story that backs each one of them makes the first part of the Sideways LP trilogy a treat to listen and dance to.

Second EP on MATHEMATICS from JAMAL MOSS aka HIEROGLYPHIC BEING and DEVIERE "GHETTO SKETCHES EP" is an experimental fusion of Jazz/Deep House/Black Noise Art Rebellion that will invoke mental incantations of fever.

Part 8 in the Nonnative series featuring Abstract Division, Volte-Face, Wata Igarashi and Echologist bringing A-level techno.

- Follow-up to the much-loved first volume that compiled 79 - 84 productions and remixes by the legendary Adrian Sherwood, this second instalment charts a path through electro, industrial, noise, hip-hop, afrobeat and dub.
- Includes 5 completely unreleased tracks, and 4 that have never been heard since their original vinyl release.
- Features Lee Perry, Ministry, Tackhead, and KMFDM
- Extensive sleevenotes that tell the story of each track alongside archival photos, label scans and more.
Adrian Sherwood is an artist, producer and founder of the cult On-U Sound label. Much-loved by other musicians, as well as pioneering his own unique take on dub reggae, he's also worked with everyone from The Slits to Nine Inch Nails, Depeche Mode to The Fall, Blur to Einstürzende Neubauten. Still very active in the studio and as a touring artist, he has recently released a collaborative album with Bristol dubstep don Pinch, remixed Peaking Lights, and produced albums by Roots Manuva, Nisennenmondai and Coldcut.

French producer Anetha delivers four hypnotic techno cuts in her debut EP on Spencer Parker's Work Them Records.
Resident at monthly Parisian party series BLOCAUS when not gracing the likes of Concrete Paris, Weather Paris, Tresor Berlin and London's Corsica Studios, Anetha has become a core member of the thriving French techno scene in recent years.
'Black Widow' begins with a syncopated kick and chugging synth line, before 'Orchid's Curse' delivers piercing percussion and an infectious 303. 'Last Evening' then ventures into mesmerising territories with its tantalising atmospherics, until 'Drive With A Dead Girl' conjures a sullen vibe through the use of arpeggiated notes and poignant moans. DJ Support:
Dan Beaumont (Dalston Superstore / Disco Bloodbath Recordings) p.u.m.p black widow for me best label
Press & PR
DJ Mag
nice one!
B.Traits BBC Radio 1 Thanks, will consider for the show!
Clubbing Spain (Reviewer): Awesome piece of timeless music as always on this imprint.

DJ Support from: Claptone, Orde Meikle, Shadow Child, Martin Landsky, Ardalan, Danny Tenaglia

* Debut EP from young North Londoner Bard. Neuro Scientist by day, maker of deep, loopy techno by night, occasional creator of centre label images : synesthetic multi tasker.

* Early plays from associate Scuba via his R1 residency + dj sets WW, encouraging noises elsewhere, and plans for a long player before the year's out. Not much more is known yet.

Dustin Zahn has gained over 10 years of experience a unique musical diversity as a producer and as a performer. After his recent release on Drumcode he is on Suara with this enormous EP. "Calm Like A Bomb" is a constant and regular bomb dropping that if you start dancing it will leave you exhausted. It's such a powerful track! This amazing track comes backed with two remixes from two of the best producers in the worldwide scene: Paco Osuna and Slam. Osuna does an incredible groovier and darker production while Slam brings the cut to another techno level. This is definetely one of the EPs of the year!

Sweet first 12 by J.C. and NX1!

Jaques Chez Laques, is the pseudonym of a truly "Cosmic Disco" veteran.

He has reworked seven handpicked tracks from his amazing record collection.

Top leftfield disco action ranging from synth - electronic to balearic beats.

Following a string of well-received outings for the project on his own Black Catalogue label, Monty Luke debuts his Mandingo alias on Matt Edwards' Rekids with the 'Parallel Universe EP'.

Firmly establishing himself as a brightly talented producer, DJ and A&R over the past eight years with releases on Planet E and Mothership in addition to his own Detroit-based imprint, the San Franciscan's three tracks offer alternate perspectives on his richly honed sound, drawing on influences from his homes old and new as well as further afield, such as the hybrid electronic sounds of London and Bristol.

Gynoid Audio maintains it's LTD Series with a new split EP containing much character, coarse-grained attitude, thrilling sequences and delightful soul. On one side we have the follow up of the "Procurators" by Mattias Fridell, exquisitely paired with a mechanically grooving remix by Tomohiko Sagae. Turning the plate reveals the minimalistic and focused purist techno cut by Future 16, the "Filaments PT4". Who else would be better suited to put a soulful and zealous twist on the latter than Zadig Obviously no one. Hopefully you'll enjoy this package of music as much as we did assembling it!

Big with Dubfire, Bodzin, Beyer, Joris Voorn, Anja Schneider, Magda, Joseph Capriati, Fabrizio Maurizi, Paco Osuna, Jesse Rose, Jonas, Someone Else and many others!!!

Dark Entries Editions is venturing into new waters with a remix EP of Psychic TV's classic Acid House song 'Alien Be-In'. Psychic TV was formed by Genesis P-Orridge and Peter Christopherson after the breakup of Throbbing Gristle in 1981. After various line up changes, the band shifted direction to dance oriented songs influenced by the Acid House scene in America. By 1988 experimental electronic musician Fred Giannelli, of Turning Shrines, joined the band and over the next 2 years started to record songs for 'Toward The Infinite Beat'. The album was a mix of deep, multilayered tracks full of bright and hypnotic dance numbers, providing the soundtrack to the rave culture that sprung up in the UK in the 90s.

'Alien Be-In' was written in early 1989 on an E-mu Emax Sampler and an Alesis MMT-8 sequencer. Vocal samples were taken from a tape American investigative reporter Don Bolles sent to Genesis. A didgeridoo rides throughout the song, heavily modulated by a Gristleizer creating a hypnotic effect. Near the end of the song the breakbeat slides out of time yet the band chose to leave this in because it sounded strange and fit the concept of the track. Genesis played a spaced out Echo Violin and the band used 360 degree panning rotation devices. For this reissue Fred Giannelli takes a stab at remixing the mono mix of the original sequence sourced from the Emax floppy discs. On the flip are two brand new mixes, the first from Los Angeles based producer, Silent Servant, who updates the classic with his modern brand of driving EBM techno. The second remix is a team effort from Silent Servant and veteran producer John Tejada, that re-creates the original melody using a Roland TR-808 and TB-303, paying homage to early Chicago Acid House artists like Lil Louis and Robert Owens.

All songs have been mastered for vinyl by George Horn at Fantasy Studios in Berkeley. The 12' is housed in a mind-alerting, metallic silver die-cut sleeve and a neon green label that pops through, featuring the psychic skull transformed into an alien cone head label all designed by Eloise Leigh. Each copy includes a 2-sided 11x11 square insert with black and white photo of the band from 1988 and liner notes by Fred Giannelli.

This second sampler from the Ralph Lawson Content album features three of the most in demand DJ cuts.
2020Vision celebrates it's 20th anniversary in style this year. As ever, the UK label will do things differently - no dwelling on times past and no back catalogue rehash. Instead, 2020Vision will release 'Content', a compilation mixed by Ralph Lawson featuring 20 exclusive new original tracks and remixes from a dizzying array of arch collaborators. This album will be augmented by a series of parties across the planet including Fabric, Sonar, Hideout, Ibiza, Berlin, New York, Los Angeles, Milan, Munich, Zurich, Glasgow, Leeds and beyond.

You can tell a lot about a label by the friends it keeps, especially when those friends include Matthew Herbert, Eats Everything, Simian Mobile Disco, Groove Armada, Cassy, Matthias Tanzmann, Psychemagik, Dense & Pika, Tom Trago, Huxley, Waze & Odyssey, Ejeca, PBR Streetgang, Doc Daneeka and Citizen among them. A formidable assembly of the world's top electronic music talent by anyone's measure, but put in the context of one album, it makes 'Content' a strong contender for compilation of the year from the tracklist alone.

Hardfloor A side and Hardtek acid B Side... A great Kicker proof. Dancefloor pearl bringing a Hardcore kick in a Tribe ambience... A true Mentalcore EP.

Seit ihn vor rund 20 Jahren der Techno-Virus infiziert hat, kommt Sammy Goossens vom ewig treibenden Beat der großen Bass Drum nicht mehr los. Unter dem Alias Sierra Sam veröffentlicht der gebürtige Belgier regelmäßig kompromisslos zwischen Chicago, Detroit und Berlin hin und her marschierende Tracks. Schon in
jungen Jahren dockte er 1997 beim legendären Brüsseler Label R&S an. 2003 brachte Goossens als CoProduzent mit James Pennington aka Suburban Knight dessen bei Peacefrog erscheinenden Klassiker "My Sol Dark Direction" auf den Weg. Weitere Singles, EPs und Remixe für das Londoner Label sowie Dirt Crew, Supplement Facts, Serialism, Upon.You und Souvenir folgten. Unlängst veröffentlichte Sierra Sam eine Digital-Retrospektive mit 32 exklusiven Tracks, die in den letzten Jahren via Upon.You, Sound Of Vast und Holic Trax in Umlauf kamen. Fünf Highlights davon finden sich auf der 12'' "Retrospective, Vol. 1" wieder. Das
Vinyl erscheint bei Best's Friends.

Phosphor(e) is mainly Acid based. Phosphor(e) contains more than sixty different standard types and his variant as many as in music styles. Phosphor(e) parallel between molecule and music can be draw. Phosphor(e), is a substance that exhibits the phenomenon of luminescence. Phosphor(e) must be played in dark. Sometimes it glows

Natural Rhythm celebrates its 13th release with a super vinyl only techy , darker , monsterish ep from the italian super producer Giuseppe Cennamo who is wellknown for his releases on : Desolat , 8 bit , Leftroom or Monique Musique . His fans ranged from Loco Dice, Marco Carola , Luciano to the greatest one Mr.Carl Cox himself and his music is an open door to all people are truly loyal to the underground sound.

Sound and rhythm are effective means of individual's self-defence in face of chaotic steamroller of everyday life. Hiding in a familiar yet simultaneously hardly recognisable parallel space does not have to result from the need of escaping the world or nurturing one's ego. Too many times to mention, music appearing under Recognition imprint served as a peculiar type of a vehicle of survival and a tool for internal transformation. Hideland, new record by Polish electronic music producer Jacek Sienkiewicz is released precisely year after Drifting, which largely explored tropes of classical club techno sound. Eight (nine in extended CD version) tracks comprising this album go beyond easy-to-pigeonhole genres, creating a microcosm of utopian sound constructs. Surprisingly unobvious and precisely composed release could be fascinating both for loyal fans and for new listeners looking for threads of experimentalism. It's another intriguing proposal in Jacek Sienkiewicz's growing discography, but above all - a laboratory where dreams and artistic visions metamorphose into concrete reality.

Following the release of his critically acclaimed album, Crossed Paths, Shifted's next release on Mote-Evolver is the incendiary Razors EP.

The EP opens with title track 'Razors' a six minute odyssey. Sounds are layered one on top of another and create a strictly cyclical structure. Shaking, rattling sounds helicopter overhead, syncopated noise unfurls in the mid-ground and underneath hypnotic beats are laid down relentlessly. It's a dizzying combination.

Following on from this disorientation 'Over' ratchets up the BPM and rules it with an iron fist. This is merciless techno that's full of intelligent details. Out of nowhere jangling blips and bleeps collide with feral bass. Shifted is no stranger to creating dance floor optimised cuts and 'Over' is the sound of a producer with a very finely honed craft.

The flip side begins with 'Bloodless' a title that suggests cold hearted, zestless deeds and a track that is ironically anything but bloodless. Rendered in twisted beats and synthesised noise there's a cautionary tale to be heard, a warning about shiny surfaces that conceal deadening agendas.

The EP closes with the unsettlingly 'Trouble'. It's just as likely to have you listening reclined, with your eyes closed, as it is to leave you slightly paranoid looking over your shoulder. The palette is stripped back giving rise to psychologically charged atmospherica. 'Trouble' leaves you with far more questions than it answers.

Across the 'Razors EP' Shifted displays the range and diversity of his productions with
refined electronic experiments next to broken beats and strange atmospherica aside
lethal dance cuts.

2016 sees Label boss Aubrey release his first full ep on Solid Groove since 2003. A1-Time level bypass is a peak time 12 min long bass groove with alien noises throughout. B1 Rangoose, is a unreleased track originally made by Aubrey in 1998, heavy in nature for the purists. B2-Mf-104 is a 120bpm deep house track more suited for a 7am play, with lush echos from the rare Moogerfooger MF-104 delay limited to just over 500 units made.

As label bosses of Lucidflow and Klartraum themselves, Nadja Lind and Helmut Ebritsch are afforded the luxury of dictating their music vision as they wish. This culminated in last year's Secret Moon, the second studio album of the pairing, focussing on their fluid dub laden house grooves. This year has the other major benefit of being label bosses come in to play, with the Secret Moon remix project seeing friends and inspirations drafted in to contribute.


Along with the immense digital package (which sees huge talent in the shape of Of Norway, Saytek, Trinity & Beyond, UGLH, Corrie Loi, G. Pal, Mirza-Zadeh, Weisses Licht, Ricciciomoto and The Messenger chipping in), Lucidflow are releasing vinyl only editions from the remix LP. Joining Alexi Delano, D. Diggler and David Alvarado from the first 12', are Ian Pooley, Weisses Licht and Vince Watson.


Diving Deep sees a downtempo deep dub interpretation from Weisses Licht, retaining the warmth of the original rather than choosing to be alien and gaseous. While Ian Pooley continues with the deep theme, his version is more direct, each dub twang on the beat driving the track on and acting as a firm foundation for the easy going keys.


Emotive electronic maestro Vince Watson is tasked with tackling Map Of Truth, turning in a balearic coastal groove, reminiscent of Chicane's seminal reworking of Furry Freaks. Finally, the original of the deep as you like Sell Your Soul is included; cunning looped vocal snippets and warm undulating textures provide the setting for an 80's influenced keyboard solo.


Part one of the wax edition has already seen huge support from major entities such as Laurent Garnier, Ivan Smagghe, Black Strobe, Dubfire, Seth Troxler, Luciano, Slam and Hernan Cattaneo. Part two seems certain to continue this trend, and whet the appetite for remaining parts of the package.

The new album by Akiko Kiyama, consisting of 2 vinyl records, has become the long-awaited debut for Nervmusic Records, to at once fully demonstrate the musical philosophy and vector of the label. Deviation is
not just a random selection of tunes, but a whole theatre act, made of sound patterns and melodies, a fantastic journey into a subspace of inner images and memories. The story of 'Deviation' begins with 'My Day and Erasers Talk' a classical show for Akiko; with deep and enveloped base; ideally accurate percussions on the trippy background of strings covered with the fog of delays and reverbs. Straight after that appears 'Gabriel'
- a touching minimalistic allegory on tango with the shivering fans of shakers and the polyphonic accords of an invisible piano. The second record plate includes 'Nothing's Left Besides Iron And Chef' - a bouncing
construction of ragged rhythms and crunchy hi-hats. It is also an interpretation of the track 'You Are Pinocchio', which was released on Nervmusic Records previously with the single 'If I Had a Pair Shoes' powered by such remixers as Benjamin Fehr, AlkaRex, Laurine Frost and
Alexkid. 'Go For A Walk' concludes the first vinyl record. The genre classification of 'Der Wald Erzählt Geschichte' and 'Whereabouts', from the second vinyl, are not to be described. But if you have a strong desire
to do so, then you could consider it as a mixture of trip-rock and click'and'cuts. .

This isn't a time-lapse,' he said, breathlessly. 'This is time...collapsed.' His eyes glazed over for a moment as he retreated deep inside himself. 'Don't you see' He exclaimed, wild-eyed, looking as though possessed by some silent anomaly of his own making. 'Don't you see what this means

finally repressed

ORPHAN SWORDS is a Brussels-based duo that crafts some of the most menacing modern electronics in the game, according to Electronic Beats. Their music - that has recently been described as "a brutal hypnosis" by Ransom Note - is widely critically acclaimed. It has been released on Idiosyncratics, Desire Records and Clan Destine. They have played alongside Vatican Shadow, The Body, Black Rain, Extreme Precautions, Kyoka and more. New EP WEEHAWKEN, their first proper release on Clan Destine after being part of the Dark Acid V compilation, features both brand new and classic Orphan Swords material that hadn't been released on vinyl yet.

For its 35th release, Be As One continues to keep its unique trademark sound,
and this time the israeli imprint has looked in its own backyard to find the
goods.

Hot on the heels of Redshape's bone-shattering 'Bonuz Beatz Vol.1, Ypsilanti's whiz kid (or grown man for that matter) Todd Osborn serves some beat tools of his own for Running Back's official unofficial bonus-beats-sublabel. 'T-Rhythm Trax Volume 1 contains five of the finest DJ helpers you always dreamed to possess. From the frantic 'Beat B' to the frenzy 'Beatapella' and the uptempo 'Beat A' or the house inclined rest, the man also known as Osborne lightens the heavy load that comes with the monotony of everyday DJ life. Ain't no rocket science Surely enough to take you and your audience over the moon. For DJ use only!

Limited White Vinyl!

The 5th album of Boris Brejcha is coming with special 500 copies limited serialized white colored vinyl. Additionally the pakage contains 22 songs on a 4 GB USB stick with mp3's & wave files and a 8 pages booklet with infos about Boris Brejcha and his album

Only 1x per customer
North American noise techno juggernaut, Ren Schofield, a.k.a. Container, hits Diagonal with full force on a blistering label debut that finds him in excellent company amongst like-minded freaks and dancefloor demolishers.
Delivered with a loony, snaggle-toothed grin, DIAG030 extracts five fanged and venomous 'floor tools that make few concession to notions of 'progress' or 'refinement' in his process: each bite is as downright nasty and feral as anything in a catalogue that spans Spectrum Spools, Morphine and Liberation Technologies
No bones about it, this is dance music for noisy minds and feral bodies, a gnashing and virulent session that gets under the skin and up your nose with the inorganic, metallic tang and skidding patterns of Vegetation before thwacking about with gleeful abandon to the gush curdled acid tones and salty, spattered drum machines of Soak.
Funnel is the EP's strangest, canniest creation - stepping with a militant wonk that sounds like nothing out there; Radiator consolidates suspension-testing electro with lacquer-bubbling noise; and Insulation wrests grimacing gremlinz from a battered array of non-standard, possibly-illegal hardware.
This is one for the gurners. You know the feeling — and Container nails it.

Idriss D's second installment in his Dib series on Memento comes with an original track backed by a remix from Spanish maestro Eduardo De La Calle. Titled Alger', it's a heartfelt dedication to the Algeria capital, a city that was a key factor in Idriss growing up and formative teenage years. The feeling and mood of his youth are the inspiration behind this superb piece of music, a diverse work touching on several levels of composition. The Original opens with a field recording intro followed shortly after by heavy bass shots and a pulsating kick drum. Snare patterns and an underwater synth melody hit the speakers with an abstract touch, while halfway through the pace changes with a new bass coming in. An experimental and brave track, it reflects Idriss' DJing style and his long sets, going into different mental spaces, a wavelike combination of beats and up&down rhythms. Eduardo De La Calle's trademark analog sounds fill his Tribute remix with acid keyboards, rim shot grooves, industrial noises and metallic vibes, swinging with a rolling bass line and bringing the original percussions to the fore.

John Shima is a prolific electronic music producer. He has a sound maybe best described as futuristic & intelligent, with a hint of quarkiness at times. He brings true depth and emotion into his productions, usually illustrated by using spacey pads, electrofunk basslines and intelligent drum programming. This EP contains two tracks, carefully selected from his archive to compliment one another and to bring you his productions of highest quality.

A glassy-eyed triptych of techno variations from Terriers. Check 'Aqua On My Mind'. Raw to the floor like Reservoir Dogs. Mastered by Helmut Erler at D&M, out on 12' only.

A-TON ist eine neue Edition und Plattform des Berghain-Inhouse-Labels Ostgut Ton und konzentriert sich auf Ambient-, Archiv- und andere Musiken, abweichend von den
clubfokussierten Veröffentlichungen des Hauptlabels. Darüber hinaus markiert das erste Release auf A-TON - Chronicles | - den Beginn einer Serie von Veröffentlichungen Luke Slaters unter dessen Alias The 7th Plain und präsentiert geremastertes, zuvor veröffentlichtes als auch bislang ungehörtes Archivmaterial.

Zuerst erschienen auf General Production Recordings zwischen 1993 und 1996, lotete Slaters The 7th Plain die sich stärker ausbreitenden Facetten von Ambientmusik aus und trieb sie gleichzeitig an die Genregrenzen, indem sich The 7th Plain nicht auf beatbefreite Synthflächen beschränkte, sondern treibende Progressionen, nuancierte Rhythmen und raffinierte Melodien mit einbezog. The 7th Plains außerweltliche Musik entzog sich somit der genauen musikalischen Einordnung, nachzuhören auf den beiden Alben The 4 Cornered Room und My Yellow Wise Rug (beide GPR, 1994) - emotionale, gespenstische und eskapistische Musik, bei Erstveröffentlichung vorwärtsdenkende Alben, die in Rückbetrachtung die Zeit besiegt haben.

Ursprünglich aufgenommen in Slaters Spacestation Ø, nun für A-TON komplett geremastert, zeigt Chronicles | die futuristische Ästhetik und musikalische Agenda der Neunziger in einem zeitgenössischen Kontext, ohne Nostalgie aber mit dem Wissen um die Zeitlosigkeit dieser Musik. Mit sieben originären Stücken und einem unveröffentlichten Ken Ishii-Remix klingt The 7th Plain so beseelt und relevant wie eh und je.

Während "Boundaries" (von My Yellow Wise Rug), "Grace" und "Surface Bound" (beide von The 4 Cornered Room) Slater-Aficionados bekannt sein dürften, sind "The Super 8", "T Funk States", "Slip 7 Sideways" und "Chords Are Dirty" bislang ebenso unveröffentlicht wie der zuvor erwähnte Remix von Ken Ishiis "Extra".

Mit Chronicles | erweitert The 7th Plain die Wärme und Kälte analoger Synthesizermusik auf das digitale Zeitalter: Während A-TON Chronicles | als Doppel-LP und CD
veröffentlicht, wird die Musik selbst in verschiedenen Digitalformaten zum ersten Mal überhaupt erhältlich sein - wodurch The 7th Plain einer neuen Generation von Hörern zugänglich wird, die die Vielfalt elektronischer Musikgeschichte erst für sich entdecken.

"The Girl and the Chameleon" will probably fall under the genre tags of acid, electro and techno but it is so much more. Witschkowski has been responsible for exemplary electronics throughout his career and this latest is undeniably some of his best. The album sees The Exaltics don a dust mask. Warehouse parties, strobe lights and fog machines and the 90s underground acid scene are definite influences. But there's more. Across thirteen tracks and two slabs of wax the Jena artist takes you on a journey into his world. Gnarled and clinical grooves, caustic 303 encounters, depraved dancefloor destroyers and soothing machine music. A sonic trek through tough and taut textures with touches of tenderness. An album that shows a depth of ability, an enviable talent and a knowledge of how to break floorboards.

New EP from Alka Rex with a remixes from Melchior Productions and Kamran Sadeghi.

Tenbreuse Musique & Narcosis alltogether in harmony... Acid Tribe, progressive, psychedelic and efficient.

Bas Amro can be quite the chameleon as he has acquired a mastery over various sub genres of electronic music. Already a veteran of Wolfskuil Limited, Bas Amro returns for his sophomore EP on the label with 'Dissociation' which will be released on January 15. His sound is deep, profound and delicately crafted with the serious groove always residing in the underlying pulsating bass. 'Imposter Persona' opens the EP with a melancholic energy exuding from its pores as the jumpy baseline provokes fancy footwork on the dance floor. On the flip side 'Dissociation' unfolds gently, building slowly into a stride of quivering dub inspired chords, while the rhythmic pads of 'Defensive' on the other hand emanate vampy undertones which toy with the percussions of house track. All in all a contrastive energy from the Wolfskuil norm yet enthusiastically diversifying the label as a whole.

Psychedelic Acid tirbe, with a nice little Bonzaï hardcore spirit in the backyard.

14 Jahre nach dem ersten Monstermix und pünktlich zu seinem 30-jährigen DJ-Jubiläum, haucht der
Berliner DJ, Produzent und Labelbetreiber Dr. Motte dem Projekt wieder neues Leben ein:
Dr. Motte Monster Mix Vol.2
Bekannt für seine Ideen, lud der Loveparade-Erfinder dafür alte Hasen, junge wilde DJ-Kollegen und
Produzentenfreunde ein.
Heraus kam eine facettenreiche Sammlung von 24 Tracks wohlbekannter Namen der internationalen
elektronischen Musikszene.
Funkiger Techno aus den USA von Octave One, AUX 88 und DJ Rush. Techno aus Frankreich mit
The Hacker. Holland ist mit Secret Cinema und Miss Djax vertreten, für Japan ist Ken Ishii dabei.
Acid ist ein Muss und so kommen Robert Babicz, Hardfloor, sowie Jam & Motte hinzu.
Berliner Sound mit spanischem Akzent steuerten Monika Kruse meets Pig&Dan bei. Weitere
Hauptstadtjünger: Joachim Spieth, DJ Emerson und Daniel Boon.
Getreu dem Motto - remember the roots wird auch die Berlin-Frankfurt-Connection weitergeführt,
mit Gabriel Le Mar und Thomas P Heckmann sowie Eric Sneo und Sven Schaller.
Eine erstklassige Compilation aus dem Techno-Kosmos von Dr. Motte.
Magazine wie Faze, Mixmag, Groove und andere haben bereits jetzt eine massive redaktionell
Unterstützung angekündigt... stay tuned

This is the last episode of Antimatter trilogy. Two dancefloor killer and hypnotic techno tracks by the label owner Fabrizio Lapiana on A side, and a powerful, hard, distorted, industrial remix by Voices From The Lake (Donato Dozzy & Neel) on B side...VFTL as you've never heard before!

A bleeding ears CLUSTER with s**t hot techno gems from Ganez, Tassid and Tiktok n Dilks

DSP mental tribe sound... Progressive and space sounds for a sweet sensation. The Legend goes on !

Organic Failure is the title of the latest release on Injected Poison.

On this release we have 2 original tracks and 2 remixes from two of the most important producers in the techno scene at the moment.

Jose Pouj named, his first two tracks SIRIS and FMO, two tracks produced through hardware and software with a thick bass, synth and deep atmospheres.

Christian Wunsch is responsible for the first remix, with a more forceful and direct dancefloor approach.

Orphx delivers his version of metamorphosis, keeping the original sounds and shifting forward Orphx trademark sounds.

FAR OUT RADIO SYSTEMS VOL. II is the second vinyl only release by Belgium based record label TANZBAR RECORDS.

Far Out Radio Systems, a project by Kiani & His Legion (WPH, Eskimo, Defected) showcases the new musical territories Tanzbar Records wants to venture in: a techno sound that lays somewhere between big rooms and basements. On the A side, you'll find 'I See Squares', a functional slice of techno music, heavy on the 909 drums, resulting in immediate dance floor gratification. The flip has two tracks, with 'LV--426' which focuses on a distinct 303 pattern combined with floating vocals and 'Ways To Fuck With Your Mind', a very dark, vocoder--based weapon for the daring DJ's and equally adventurous crowds

Kopf Artefakt presents a new 12" single, driving rhythms, bouncy bass line and bright synthesizer fanfares are the ingredients of this release.

In the first place the Chilean "Larry Peters", his productions distinguish themselves through colourful synth work that is sometimes retro- sometimes future, 'Swing' is a inner romantic by a poppy deep house framework, an echoing glides through the arrangement and slowly drives the dance floor into ecstasy without ever being obtrusive a bright synth melody and fine groove house music.

Rounding off the package is turn of Spanish "Manu Vulcano", winner of the first edition of the Burn Studios Residency Ibiza in 2012 and big friend... presents us 'Teide' comes with dubby, rawness in his deep house, lets vocals fly to chords plunging the track into warm takes the front seat and sheds some light into of the club.

Berlin-based producer and DJ Mike Wall is back for his next
release on his own Imprint Wall Music. Already well-known in his hometown for the
legendary Walls events at Suicide Circus Berlin, Mike had a massive
year 2015. For his return to Wall Music, Mike delivers two original tracks
with a sense of depth and dark Chord Sounds. His newest Ep is called Inkognito / If only i Could. Listen to the secrecy of the true name or identity of this tracksThe Ep comes with two massive Remixes by Keith Carnal & Wall Music Artist Michael Schwarz

PRSPCT XTRM !

Acid techno, from Dancemaker 02 2 new Noisebuilder techno tunes.

Balans welcomes back Swedish-born Staffan Linzatti for his second release on the Dutch imprint with Dividing in Two, an energetic two-track EP keeping consistent with the labels vision of delivering classic techno rhythms. 'Dizziness' opens the EP with a hypnotizing yet airy signal that captivates upon overture. Combined with a rolling bass and quintessential claps it is sure to enchant any listener. On side B, 'Clarity' takes a whole new direction opening straight into a fullblown kick and hihats that persist throughout the track.

"Step forward André Abel and Joana da Conceição, the Portuguese duo behind the long-running experimental act Tropa Macaca who had a brush with the alt-mainstream a few years ago in the shape of the Ectoplasma single for Daniel Lopatin's Software label. Seemingly absent since their 2013 LP, Praga De Urubu Só Pega Em Cavalo Magro, Abel and da Conceição have been coaxed into appearing on The Trilogy Tapes. Given the tone of Vida, it should come as no surprise that Tropa Macaca are also set to perform at the upcoming Meakusma festival"

"Simple Enough To Come True" (LAG005) is the debut solo E.P. from L.A.G. label boss Arthur Kimskii. The E.P. contains 3 cuts. Simple Enough is the emotional Big Room cut with trippy vocals and rolling bass and big kicks. She Survived playfully uses noise elements and reverb. The producer's NY/NJ influences really shine through in this deep house/techno cut.

A super Mystical ambiance 142 BPM track opens this EP. Downtempo tribe sound, with a hardcore stucture... Second tracks digs the reberbless tribe back home with a solid pumpin sound. The B side opens with some electric fruiy machine LSDF style. ... Last track is a bloody good Akrosound music : dancefloor energyfull and very apreciated humble structure. A very good record. Probably the ebst from the Label.

Nach seinem vielgelobten Kollabo-Album "They!Live" mit Doc Daneeka von Anfang 2012 (u.a. Album des Monats De:Bug & DJ Mag) gehen die beiden Künstler nun ihren Solokarrieren nach. Die 12" "Swarm/Headache" ist das erste Statement von Benjamin Damage, ein echter UK Technokiller als Referenz an glorreiche Technotage mit einem frischen und lässigen Ansatz und Vorbote des Soloalbums, das Anfang 2013 erscheinen soll.

Beuns Hardfloor sound : repressed from Full Bass 11, Red Hot Babes 00 and his Digital album + 2 unrealesed tunes.

As usual Bruce's familly bring the smile in a too serious style. And this is ORANJE !

Record opens with a good techno acid digger... FKS : you're Hard and unexcusable !! Predator Tekno brings Hard Moving mental pumpin style... dark. B side starts HS... A Modular style track. Last Tune, from Mo Ogwai (yes another way to write) it is a Banging joyfull dancefloor efficient !

Jeff Derringer's Ballorama E.P. is the fourth release from Brooklyn Born and now Berlin based label L.A.G. run by Arthur Kimskii. The E.P. contains two original tracks the from Chicago based techno producer/ Smart Bar resident with an additional dub version from the duo Cassegrain. Ballorama is the big room techno bomb with hints of 90's rave and house like chords and chops. Work Ethic is an emotional sci-fi roller with restrained emotional melodic tension anchored by rhythmic percussion. The Ballorama dub version strips down the original and expertly pans various noise and textures which bounces with tension.

Ah, yes! Finally some real flavours to sink our teeth into.

The nose is truly a work of art. First the classic peaty smoke but so distinctly understated.

Confident in it's maturity. The salty pineapple citrus is next coupled with a refined lemon- lime toffee tartness. And finally a whiff of fresh cucumber sprinkled with the loveliest of white pepper. Oh, yes. This is what we've been waiting for!

The creamy mouthfeel is laced with intense black peppers but then mellows out to give you honey, lemon and chocolate with a dash of tobacco. The long peppery finish is fruity with a hint of limestone.

These are the classic flavours that made Linkwood one of the top distilleries and Expressions should be on your list of malts to try before you die.

* Eagerly awaited Linkwood LP
* Screen printed by House Of Traps
* Triple vinyl!

Old School Tribe music, with a discret acid groove. NoMad records production exploring the dry LowFi acid sound. Very Okupe & Caspule style... Dancefloor rules.

Alle Farben meets Rainer Weichhold. Die zwei Künstler trafen sich, tauschten sich und ihre neuesten Kreationen aus und versprachen dem anderen einen Remix. Dabei rausgekommen sind 4 Songs, die nicht nur den heutigen Berliner Sound repräsentieren, sondern auch die Arbeit von jemandem, der diesen mit KLING KLONG RECORDS schon eine Weile beeinflusst hat.

Alle Farben meets Rainer Weichhold. The two artists connected, exchanged tracks they have been working on and remixed one another. What you hear is 4 songs which represent not only todays sound of Berlin but also the work of someone who has been influencing it with KLING KLONG RECORDS for quite a while.

NORD Records is welcoming DJ Guy on the label for their ninth record. The release is a double 12 inch with tracks produced in 1993-1997. DJ Guy was able to find and restore these tapes which results in a vinyl release from NORD.

Ressort Imprint label founder Ekserd finally steps out of the shades and delivers a more than hefty statement about his vision of Techno's sound.

Not only is 'The Hidden Documents' the debut of young Berlin-based artist Ekserd, it also marks the beginning of a new chapter for the label. More focused on it's own artist's output now, the two original productions follow the concept without the slightest hint of an excuse: 'Our Ressort is set to the dancefloor and nowhere else.' This being stated, I/Y and Svreca both add the final touch to this release with their very own takes on Ekserd's game-changing material.

Ibiza based Francisco Allendes makes a welcome return to Desolat for his next release, a fine EP that marks something of a new direction for the man across its four great tracks. First up, 2Agility Queen' is a raw bit of jacking house with clipped vocals offered up by Dance Mania's DJ DMC, bulky drums and classic cow bell tinkles all making for a sweaty and heavy house kicker . The rapped vocals that come in add plenty of flair to an already firing track. The brilliant Groundhog Day' is an off kilter, rave influenced tune with wordless voices, militant snare patterns and blasts of frazzled bass frequencies that cannot fail to energise any floor. On the flip, Flea Allergy' is another anxious cut of coarse hi hats, robotic and wordless vocals and slamming dreams that works you into a frenzy, then Aroa Leon' gets even more unhinged, lumpy and ghetto fried with its sleazy drums, jittery perc and kinetic sense of energy. This lively, arresting new EP is a fine new direction and sound for Francisco Allendes that never stays too far from the chunky Desolat blueprint we all know and love.

"Charlie Janiaut opens up a third way between physical energy and experiments on sound textures. The producer originally from Franche Comté has dusted his fingers on battle scratch and his playing with computer is totally instinct driven. Playing techno from the viewpoint of rap music, qoso's music is entirely based on samples and feeds on mistakes, frequency translation and a piling up of effects leaving space to randomness. The tracks on Printemps Ete were composed all at once and speak more to the body than the head - they're rhythm tracks as stated by Emotional, which opens the record where most electronic albums like to put a nice ambient track."

2015 is a groundbreaking year for Barem. New music, new live performances and the launch, together with Alexis Cabrera, of his very own record label, FUN, will see the Argentinian producer thrust back into the musical limelight. 

Circles is a full SCI+TEC debut for Barem and a release that perfectly encapsulates his current sound and style, as it evolves from the serious minimal soundtrack of previous years to a more emotive and smoother blend of house and techno. 

This combination is evident from the off with the fluid, pulsing and atmospheric title track Circles' and continues with the ambient cinematic tones of 'Break Me'.The groove-heavy 'A', a track that originally featured on Barem's 2011 Minus album 'After The Storm', delights as the digital exclusive on a package that's topped to perfection by a rare and epic rework of 'A' from label boss Dubfire, that centres around its wonderfully subtle, yet powerful bassline. 

A fine SCI+TEC debut for Barem and a big step in his exciting new journey. 

It's been just over a year since Cale Sexton emerged out of Melbourne's suburban sprawl into the centre of its thriving club scene, in which time the sets he's delivered from behind a nest of wires and hardware have gained recognition as some of Melbourne's most compelling and sought after. Moving across a vast terrain of reference points, Sexton constructs dense soundscapes held together by tight programming, all of this culminating in the powerful live delivery he's become known for. These four songs mark an impressive debut EP, and the second release on Melbourne imprint Temporal Cast.

repress on stock ! After the release of their debut album earlier this year, the two Berlin-based producers André and Mirko also known as Channel X get their first full-on remix package on Stil vor Talent.

A key member of the Minus family for almost a decade, Jon Gaiser is to release False Light, his third artist album on Richie Hawtin's label in autumn 2014. The ten-track affair shows the American born, Berlin based techno innovator to have continued to evolve since his last full length and again is a very complete and contemporary techno tale. Since 2005, Gaiser has been at the heart of the minimal techno movement. His hugely atmospheric EPs and LPs have always explored the darker, more stripped back and abstract edges of the dancefloor and have often done so in conjunction with immersive and complimentary live visuals. Says Gaiser of his working methods: 'I've always been a big fan of analog gear, both old and new. I'm also a big fan of new digital technologies that create sounds that have never been heard before. I prefer to have the best of both analog and digital worlds working together, to make the most creatively flexible production environment as possible.' As well as working as VOID, Gaiser is also a revered live performer who creates immersive on-the-fly soundscapes using Ableton MIDI controllers and Maschine, and regularly performs at some of the world's best festivals and club nights, including Hawtin's own ENTER. nights at Space Ibiza. A trained percussionist and sometime punk rock drummer, around the age of 15 Gaiser discovered the underground techno scene in Detroit and 'was completely intrigued by the energy of the music' and so began collecting drum machines, synthesizers and FX units to build a studio in his teens. Before long he impressed techno innovator Richie Hawtin, was signed to Minus and soon began releasing on the seminal label.

PAN return with their first vinyl release in almost a year, racking up excellent Beatrice Dillon and N1L remixes of Helm's Olympic Mess for the dancefloor.
Beatrice Dillon follows a killer run of appearances over the last twelve months with one of her most straightforward but engrossing productions to date, turning Helm's source elements into a rolling and stepping House play coiled with limber grooves and measured dancefloor pace.
Fresh off his debut for Lee Gamble's UIQ label, N1L hacks into the ambient environment of Olympic Mess to wrest a spacious but physically tense and lushly chaotic reflection o the same London stomping grounds which influenced Helm's piece in the first place. The template here is open-ended yet highly, incomparably distinctive, like hearing some hyper new cyborganism of bony drums, scaly electronic flesh and abstract, noisy guts coming into shape, yet never quite resolved.

Everything comes in its own time: a wordly wisdom that Marcus Henriksson and Sebastian Mullaert aka Minilogue take for granted. Since their foundation in the year 1997 they emerged to one of the most respected and hard to pigeonhole electronic music acts world-wide. And that not only because in each of their artistic expressions you can feel their effortless passion for what they do - whether live or magnetized on a medium. Also because they do not stick to any stylistic niche to mark their territory. House, techno, ambient, trance, and lately jazz are equal parts in their creations. The most effective bunched proof for their musical universalism was marked in 2008 with the release of their debut album 'Animals"' on Cocoon. Since then a string of Ep's on labels like Mule, Wagon Repair, Traum Schallplatten, and their own imprint Minilogue continued their story in sound in which everything is made out of the present moment. Also the jazz infused album 'Bring Out The Imps' that they recorded under the alias IMPS with two jazz musicians and a heartfelt collaboration album with the Japanese producer Kuniyuki entered their discography. And between all their work they constantly performed their intense improvised live shows all around the globe. Privatly they formed themself a life far beyond the big city lights, out in the Swedish woods in the north of Malmö. Here they live a life where the inner gets the outer and where their way of creating is far away from Zeitgeist zones in which musical trends pass by like seasons. In the past five years they met every now and then when it felt like hooking up in the studio, jammed on their equipment without a clear goal in mind and recorded each unique moment that was guided by the experience of the single day of l

repressed !Möd3rn is a global project from 3 wellknown artists who wanted to give a side project from their own solo career. It's a band, producing, playing live but it's also a label created only for the trio productions. Each releases will propose 3 tracks from the 3 artists. For that first one the famous trio propose 3 huges bombs Mö1, Mö2 and Mö3, 3 huge techno killer using rough skins with raw edit. Speech less and listen to that we can call Pure TEchno.
While carefully handling their respective careers, postponing then their obvious collaboration, Möd3rn trio's members have capitalized its desire and now deliver its mere substance, in the rightest moment, where, simply, all the distant forces converge.
The six daring, expert hands merge now into a unique entity, unanimously moving within the same effort towards techno music. Of the distinct identities merely remains the ethereal, synthetic essence devoted to the group, and the common musical passion that leads it. The formula is elaborated freely: each one's adjunctions -subtle keys, nervous chords, underground blows, rhythmical uproars- pour into a thick maelstrom, opaque, condensing Detroit's grieving sensibilities as well as last decade's bewildering cacophonies. The potion obtained is irresistible, an ecstatic hybrid, prodigiously actual, that renders all the genre's diversity and dynamism.
Chance intertwined their paths and now the three companions celebrate both the friendship that resulted and the good fortune that has driven it, by improvising live together as one faceless, solid body agitated by the urge of dance and music, composing the material that shall be processed later on to form their eponym label's releases.

supported by :

jonas kopp, pfirter, electric indigo, kr!z, hermanez, chris liebing, alex bau, gregor tresher, Richie hawtin, ed davenport, ame, rebekah, kobosil, guy j, sasha carassi, luigi Madonna, speedy j, pig & dan, angel Molina, perc, slam, alan Fitzpatrick, bary beck, shifted, truncate, dubfire, Rolando, and many others ...

Spencer Parker's ever reliable Work Them imprint unleash the remixes of Radio Slave's "Werk" track from label stalwart Sven Von Thülen as well as stand out mixes from London's own Dan Beaumont and White Materials DJ Richard.

Repress (2016): Black vinyl in brown cardboard discobag. Hand-stamped and -numbered.

Though I suppose that the Japanese duo Steven Porter was not behind the four previous anonymous releases on Weevil Neighbourhood, their music fits very well with what this Berlin label has released so far. Pressed onto red vinyl in a hand-numbered edition of 300 copies are three tracks mixing background noise, gritty drones and, at times, a driving but modest dub techno beat. The result is quite mesmerizing, a lot deeper and more interesting that what you would expect by only reading this description, and confirms Weevil's acute hear for this kind of sound." (Nicolas Chevreux/ Ad Noiseam)

"Sterling Techno abstractions from Japanese duo Katsunori Sawa and Yuji Kondo for the enigmatic Weevil Neighbourhood. Judging from this debut single, we'd triangulate their sound somewhere between older Chain Reaction and Berlin Techno experiments but with a more squashed sense of pressure. The A-side is a bruised and oddly syncopated Dub-Techno groove at 116bpm, where swollen subs buoy creepy, creaking atmospheric space in churning, aqua-tech roll. Flipside is a grand and visceral piece of tempered digital noise a la Pan Sonic, plus a drowned and offbeat slab of sludgy, atmospheric suffocation, in the best possible sense, recalling recent Andy Stott moves." (boomkat)

"(...). Finally we have one Steven Porter, of whom I never heard. He has three untitled pieces here, of which the first one is all about digital drone distortion that comes like a violent cascading wave. It's quite loud and menacing despite the occasional drop down in sound. An odd piece. In total contrast, the second piece, still on side A, sees Porter going for an ultra minimal beat, with some minimal synth backing. With the rhythm you could think Pan Sonic/Goem, but you're not likely to find that kind of sweetened synth in their music. A curious mixture of a minimal beat back drop and cheesy synth. Another oddity. The third and final piece we find on the other side, and this is where the minimal rhythm meets up with a more Pan Sonic/Goem like synth playing - sturdy, loud and a bit noisy. That's how we like them best. Twice odd, once really good." (Frans de Waard/ Vital Weekly)

Red vinyl in white inner sleeve, handstamped and -numbered. Limited to 300 copies world wide.

"BLUMOOG MUSIC" is a brand new label that lays out its vision in fine style with a first release from boss man M.R.E.U.X. The new outlet promises to be a platform where artists can express themselves without any musical limitations.M.R.E.U.X is Luke Mreux and is someone who runs his own studio in Italy. He has been involved in the industry since the 90s, has a background in punk and has worked in many clubs. As well as this he has played high profile gigs like Love Parade, runs a number of other labels and has a dark and psychedelic sound.My inspiration comes from the electronic music of the 80's and 90s when producing still meant research, ideas and passion says the artist. Here he works with analog machines and vintage gear that lends his music a great sense of character.First up is The Return, which is eight minutes of inventive techno nailed to a kinked groove. Gurgling machines, dark claps and trippy synths all stay busy throughout and keep you on your toes as the freaky atmosphere keeps you sucked in.The perfectly all consuming "Dark Culture" is rich with corrugated bass and rooted drums. It is a groove full of shady corners and menacing moods and only the most subtle synths join the fray to add more layers of unsettling intrigue.These two devastating tracks mark out this label as one to watch right from the off.

Berlin based Mark Henning continues a series of self released 12's on his own imprint Swing Recordings. Next up is a re-issue of two of his most famous bassline-heavy tracks to date - Trojan and Sin City plus a new unreleased track.

Trojan sold out very quickly, was never repressed and can only be found on Discogs for silly money these days. Meanwhile Sin City, co-produced with Japanese Producer Tokuto Denda a.k.a Den, was never pressed on to vinyl in the first place.

Henning fans now have the chance to get these two tracks on wax as well as a bonus track Bang Bang, a Juno bass inspired slab of techno funk.