Techno Novedades

Third times a charm, Plush III is presented to you by our fav Underground Popstar™ Regularfantasy, casting her web out to friends all over the globe in the name of lavish collaboration. First up, in cahoots with fellow Canadian icon Big Zen, the quintessential hit - Call U When I’m Done, a phone talk fantasy with a bonus beatdown remix from living legend Priori.

Plush royalty Chrysalis returns with regfant, a jam Down Under manifesting as a flirty kiss on the cheek to Aqua, Life in Plastic. The B side raises the roof back to Montreal with larger than life references and partnerships for tried and tested chart toppers Sweet Emotion & Sucks To Be You.. Kristian North, D. Tiffany, Steven Tyler, Prozzak and Oprah to name a few. A crowded house party at Le Chateâu; make sure you’re on the guestlist!

2024 Repress
In early 2023, Tresor Records will reissue the sole output from Shifted Phases entitled The Cosmic Memoirs Of The Late
Great Rupert J. Rosinthrope. Initially released in 2002, soon after James Stinson passed away, this LP plays a mysterious and
compelling role in the Drexciya journey. While other records of Drexciya and related projects have received numerous reprints
and editions, The Cosmic Memoirs... has remained out of print since its release. This rarity leaves it more open to
interpretation with its place in the Drexciyan storm series, as it became increasingly hard to find and underexplored.
Track titles Solar Wind, White Dwarf, and Lonely Journey of the Comet Bopp reveal a focus on cosmic realms, suggesting a link
with the Drexciya LP Grava 4 that moves from the underwater to the galactic. As it launches with mechanical blows on a
precise orbit, each repetition entrenches the gravitational pull in the galaxy of Shifted Phases. In many places, it sounds like
the readout of frequencies harvested from outer space, pockmarked with packet loss from the millions of kilometres distance
travelled.
The music is hard to contain, intuitively restless in motion through its unfolding universe and achingly resonant. It shapeshifts
across aectedly melodic sequences such as in Lonely Journey..., to the sparse, hard-hitting timbres found in Alien Vessel
Distress Call and the mangled reverse vocals in The Freak Show, somewhat reminiscent of another Drexciya side-project, Glass
Domain. The mythology of Drexciya is evident in how keenly James Stinson and Gerald Donald created their imaginary worlds.
In Crossing Of The Sun-Ra Nebula, there is an undisputable reference to another Afro-futurist who delved deep into a galaxy of
their own making.
This reissue does not merely close the loop on Tresor's reissue series of the Drexciya catalogue but brings Shifted Phases to
fresh ears more than other records. Accompanied by newly commissioned artwork from Matthew Angelo Harrison, the 3xLP
vinyl reissue also features the tracks Crossing Of The Sun-Ra Nebula and Alien Vessel Distress Call, which were previously only
on the original CD release.

Emerging Belgian DJ/producer STEYA shares her debut EP on IMF, becoming just the ninth artist to release a full body of work on Marcel Fengler's influential label.
The Berlin-based artist has stamped herself as one to watch since breaking through in 2022, a regular at RSO Berlin and Grelle Forelle in Vienna, she's also played Tomorrowland, Exhale, Rex Club andBasement in NYC.
Her first forays into production reinforced her quality, with 'Neon Reecho' featuring on RAW's Third Eye compilation in 2021, followed by the release of 'Elysian' on BCCO's second V/A as well as the excellent 'Prototype X' on the '10 Years of IMF' that dropped in 2022, followed by a standout contribution to the label's new HARDPROOF V/A series in 2023 with 'Trigger Me'.
Her debut EP crystalises 20 years of devotion to techno, presenting abroad palette of sonic influences formed since her early days as araver in Antwerp. At the same time, it continues the label's philosophy of pairing a next generation artist with one of the greats of the genre, with STEYA's hero Rolando featuring on her 'Dopamine EP' with a remix of the incandescent 'Things You Never Said'. Growing up in Belgium where the 'Knights of the Jaguar' was a staple childhood anthem, it was "one of her biggest wishes to have him as a remixer".
An EP borne through two years of dedicated studio time, 'Dopamine EP' kicks off with the electric title track, a gritty tribal outing marked by dynamic shifts in tempo throughout. 'Fast Life' is a slick bass-led cut with plenty of bottom-end kick before a punchy synth melody get sadded to the brew. Swedish producer Hertz - a favourite of STEYA's ("I've played one of his tracks in every set since the beginning of my career") joins the project to re-work the title track, upping the energy ofthe original. 'Things You Never Said' begins life centred around energetic rolling grooves, before warm synth rushes give it a distinct Motor City vibe. Rolando fittingly steps up for remix duties to close out the EP, delivering a masterclass in deep simmering techno, extending the original by two minutes.
"It's a big honour to release my debut EP on such an amazing label like IMF, which is very close to my heart. I poured my heart and soul into this project. It showcases the artistic direction I've developed overthe last few years and is an important milestone in my artist journey." - STEYA
"After experiencing many of her stunning DJ sets, it's wonderful to seeher thriving also as a producer. What really excites me is witnessing her continuous growth, always fuelled by her deep passion for music. So, I'm thrilled to release STEYA's debut EP on IMF, featuring three original dancefloor anthems and two stellar remixes by Rolando and Hertz." - Marcel Fengler

Unwonted is a recently founded Electro project by the Techno veterans Alexander Johansson & Mattias Fridell, providing us with a massive 5 track EP called Analog Astronauts. This record marks the ¬rst part of a two-EP series.

2022 Repress pink vinyl

4 killer tracks from System Rejects, Tik Tok & Brentus Maximus, Austin Corrosive & Tassid. Keep your eyes peeled cos these are gona go quick

Repress!

Dskonnect Booking Agency is celebrating during 2023 its 20 years in the industry by launching a new label: DSK RECORDS, with the support of the agency´s most relevant and exciting acts. After 20 years working worldwide with bookings, events, and management, now it’s the moment to see the birth of a new angle of the company and keep contributing to the scene with releasing the music we love.

The Vinylbox includes DSK001, DSK002, DSK003 and DSK004

The Moon projects only a portion of its shadow on the Sun. While the densest shadow of the Moon, the umbra, does not reach the Earth, only the partial shadow, the penumbra, is projected onto the Earth. During this event, a gust of wind approaches, hiding within it a mysterious and palpable energy. This natural phenomenon serves as the inspiration to launch the first chapter of the Thama Series titled "Eclipse of Existence."

Eight tracks of deep and energetic techno, divided into two episodes, woven by talented artists. A sonic journey, a dance of rhythms.

Islenskur turbonutter, Volruptus, contorts your expectations for the third and final 12" on International Chrome in 2023, basssalina yeee, reciprocating 2021's huge collaboration with Jensen Interceptor on the former's Sweaty Records imprint.

Endlessly inventive, the five tracks on the EP stretch and warp the concept of electro and bass music into new dimensions by adding just the right amount of odd, whether in the form of spaced out filters, unexpected pauses, or non-repetition.

From the space shanty of Ibex (which unsurprisingly for a track at 160bpm slaps just as hard when slowwed riiiiiiight dowwn) to the slightly more traditional hardcore of Brain Computer Interface, Volruptus wrings new sounds out of the traditional warp and weft whilst never forsaking the dancefloor.

INTRODUCING OAKS23, FROM HAVEN'S LABEL BOSS KEEPSAKES. AFTER YEARS OF PLAYING HIS RECORDS, I AM PROUD TO INTRODUCE THIS SPECIAL RELEASE FROM HIM. IT DIVERGES FROM HIS USUAL INDUSTRIAL CONTEXT AND BRINGING IT MORE TO THE OAKS STYLE, SURE WEAPON FOR DISC-JOCKEYS.

EXPLORING NEW DIMENSIONS TO HIS SOUNDS WITH A FOCUS ON FUNK AND GROOVE, SPRINKLES OF EUPHORIA, ZANY ACID AND HIS USUAL DARK ATMOSPHERES.

Sindh kicks on with a third release here, a second in the Komudo Series. It features four original tracks "focusing on mind and body movement." 'Senses' opens up with a trippy blend of sleek minimal rhythms and paranoid vocal loops and 'Gataka' then layers up curling synths and jacked drums with some eerie late-night menace. 'Vulcan' then picks up the pace with another lithe and classy techno pumper then gets you into a hypnotic state and 'Sky Fusion' brings things to a close with some silky loops and funky rhythms.

Yearly compilation series RADAR KEROXEN return with its fifth volume of themed based albums showcasing the talents and misfortunes of carefully selected musical projects based or connected with the Canary Islands.
With its first volume released in 2020 aiming to introduce and divulge adventurous Island based music, the Keroxen imprint now presents Vol.5 with a collection of tracks born out of an in-situ collective performance at the Keroxen Festival iconic venue - a massive disused gasoline tank near the harbour of Santa Cruz de Tenerife.
The Radar Drone Ensemble, as it was named for that night only, took advantage of the tank’s natural reverb to perform an improvised piece exploring the cavernous resonance corners inherent to the locale. The four artists then took a few months to compose a 9 track LP inspired by the site’s peculiar sound.
Gonçalo F. Cardoso kicks opens up the proceedings with two broody new tracks, in a style not heard since his 2015 album A Study of 21st Century Drone Acoustics. Doomed and menacing atmospherics brush shoulders with creepy and ethereal chants creating the perfect opening for this drone themed edition of Radar Keroxen. Eduardo Briganty (also from MINIATURa) follows with two equally deranged feedback based compositions letting his guitar riffs and distortions roam free. Afgan aka Mladen Kurajica (from GAF, Lagoss and Tupperwear) takes things further to an Angus MacLise inspired drone collage of mystic percussions, field recordings and electronic modular storms. Resonance aka Javier Perez wraps up the journey with his now trademark soothing synth compositions full of warm tones and blissful melodies.
The album comes, as always, wrapped into a dizzying post-tropical collage artwork by Pura Marquez.

Mental banger !

White Vinyl

Italian Alessandro Cordoba (a.k.a. Neurorbital) returns on Zodiak Commune Records and brings you an adventurous acid-techno four-tracker that fits the label's style perfectly.

Ben Pest debuts on Berlin's Mechatronica with four lethal electro cuts, built to morph minds and move bodies.

Warehouse Find!

Warehouse Find!

Old school electro produced by one of the Furious member

ICYKOF ANNOUNCES LIMITED-EDITION VINYL RELEASE OF DEBUT EP ‘ZERO SUGAR’

“For ICYKOF, fashion is out, music is in.” - Hypebeast UK

“Euphoric, free, and firmly planted on the gritty warehouse dancefloor, the project is a far cry from Kofi’s high-flying fashion world – ego-death never sounded so funky.” - Dazed
Electronic music fans and vinyl collectors, take note: ICYKOF’s debut EP, ‘ZERO SUGAR,’ is coming as a limited-edition vinyl on April 3 via RAVE NUIT. The pressing captures ICYKOF’s gritty blend of Detroit techno and Chicago house, with influences from pioneers like Underground Resistance and Robert Hood.

The vinyl features standout tracks such as the acid-infused ‘PAYDAY,’ the hypnotic ‘SHE KNOWS’ (remixed by MoMa Ready), and ‘BRING IT BACK’ (+ Bambounou remix), praised by heavyweights like Josh Wink, DJ Bone, and HAAi.

Having transitioned from creator of The Unknown Vlogs to one of London’s most exciting new DJs and producers, ICYKOF brings a fresh perspective to underground music. This exclusive vinyl is a must-have for fans of raw, warehouse-ready techno.

T?t 41 is the latest record by modular synthesist and Berghain resident JakoJako (Sibel Koçer), marking her album debut for Mute.

Recorded during a trip to Vietnam and bookended by field recordings from T?t Lunar New Year celebrations, the album is illuminated by references to Koçer's heritage. The melodic palette breaks away from traditional Western scales, drawing instead from the tonal intricacies of the Vietnamese language, inspired by overheard conversations. The album and track titles further honour the vibrant T?t festivities, shrines, and landmarks she encountered during her travels.

This album is, in many ways, a distillation of ideas she has been exploring for years. Tapping into a deep understanding of machine-based music, crafted with a minimalist setup consisting of a Eurorack and Waldorf Iridium Core, T?t 41 reflects on notions of rebirth, and the pursuit of a sonic core. From this simplicity emerge some of her most expansive, unworldly compositions to date.

T?t 41 is available on vinyl in a limited run of just 500 copies worldwide.

Perc Trax is proud to unleash the first full EP by London based producer Million. Initial contact with Perc during lockdown led to the collaborative track 'Rotopod'; released in late 2022 as part of the 'Forever 3' vinyl EP. Next was Million's dance floor destroying remix of Perc's own 'Fire In Negative' which came out last June and was one of Perc Trax's biggest selling tracks of 2025.

Now Million delivers his debut EP. Six tracks of high velocity, rapid fire club music layering classic elements of jungle and drum & bass on top of a rock solid 4/4 techno foundation. From the cut up vocal hooks of 'MA2' and 'Hyper' to driving stabs & breaks of 'Move01' and 'Step' this is an EP with the full range of UK club culture in its DNA, whilst staying true to Perc Trax's techno roots. Expect this release to establish Million as a key UK name to watch in 2025 and beyond.

Despite the title sounding like an archive collection, 1994 is actually the debut album from OKRAA. It has an emphasis on live performance and makes for a gorgeously immersive and even evolving listen from the aways excellent A Strangely Isolated Place label. All four pieces are over with minutes but they are worthy of their playing time for the way so much unfolds in such engaging fashion. Synths are cold and innocent on 'Ola De Luz' while 'Heartless' is more textural, dark, heavy in its mood. The title track is another heavy and introspective one while 'Plasma' has a more optimistic feel that lifts the spirts.

Om Unit’s ‘Acid Dub Studies’ series continues to unfold. This latest instalment of the project comes in the form of 10 brand new remixes which form the second volume of ‘Acid Dub Versions’, featuring remixes from Yushh (Pressure Dome/Wisdom Teeth), Hodge (Houndstooth / Livity Sound), Double O (Rupture), Amy Kisnorbo (Pineapple), Tapes (Jahtari / Good Morning Tapes) V.I.V.E.K (System), Versa (System / ZamZam), Frenk Dublin (Echo Ltd. / Dub Communication), Surgeon’s Girl (Inside Out / Livity Sound) and Nadia Struiwigh (Nous’Klaer Audio / Central Processing Unit)

The eclectic ‘Acid Dub Versions II’ LP comprises of the smouldering cerebral scapes of Yushh’s take on ‘Camo’ as well as Hodge’s own pounding club version. Double O transforms the classic ‘Tempo’ rhythm into a kind of future-retro rave stepper, and Amy Kisnorbo walks the ‘Strange Brew’ track into a eased-back but confident new territory.

The dub aspects are also enforced and re-shaped by prolific legend ‘Tapes’ who turns the ‘Tempo’ back towards it’s more dancehall roots, V.I.V.E.K takes the Bristol Theme in to 140 territory featuring System Sound’s in-house MC Dego Ranks. Bristol’s own enigmatic dubwise adventurer Versa turns ‘Valium Tempo’ into something akin to a Cosmic Bridge release, paying homage to the classic tropes of the ‘UK Bass’ sound and Rotterdam’s Frenk Dublin turns in a seriously deep basic channel-esque dub tech take on ‘Ghosts’

The album is finished with 2 ambient cuts featuring the beautiful chaos of Surgeon’s Girl’s remix of ‘Tapped’ and the Dusky brooding reflective tones of Nadia Struiwigh’s version of ‘Electroacidspringwater’.

‘Acid Dub Versions II’ serves as a logical progression to Om Unit’s best-selling series of well-respected works, allowing for community input on a concept which has of late been travelling far and wide via Om Unit’s live shows and continued DJ support.

Rebecca Delle Piane launches her new imprint called EXTRASENSO with a four-track ep full of hypnotic and punchy sounds that clearly define the direction of the label. Bringing and keeping her techno vision as the highest form of expression, with leads, vocals and fat percussions, she again writes her trademark.

Vinyl only

After travelling clubs, festivals and live-streams worldwide in the bags from Sven Väth or Kölsch since 2018, the highly sought-after single „A3LL0X“ finally gets a special limited single-sided vinyl release on „A Damn Fine Side“! It's the first single after the debut album „Jenni“ by Rico Friebe aka Rico Puestel...

3 collabs between Fifth Era and 14Anger, and a remix from Murmuur...

Dark Hardcore, downtempo from the Doom creator.
Superb second venue on Call of The Void !

Acid techno, Electro too... Free 2.0

With a superb collection of stickerz, fanzine, etc....

2024 Repress

Forest Drive West delivers the ‘Parallel Space’ EP via Copenhagen’s Echocord this December, backed with a remix from Conforce.

London’s Forest Drive West has gained widespread recognition as a purveyor of raw and emotive techno over the past few years, releasing material on the likes of Livity Sound, Hidden Hawaii, Neighbourhood and Whities. Here though see him returning to Echocord following his recent remix of Babe Roots on the imprint earlier this year. ‘Creation Dub’ leads, fusing echoing dub chords and off-kilter drums with cavernous atmospherics and pulsating low-end tones before ‘Drift’ edges into darker territories with murky synth textures, glitched out percussion and tension building drones creating a hypnotic and subtly nuanced six and a half minutes. Title-track ‘Parallel Space’ then opens the B-Side, bring the rhythmic aspects into the spotlight this time as bumpy broken drums, a rounded sub line and oscillating percussion ebb and flow amongst hazy pads, fluttering echoes and expansive reverbs. Conforce’s take on ‘Parallel Space’ rounds out the package next and the Delsin regular delivers a typically classy interpretation with choppy bass stabs dynamically driving the composition as snippets of the original’s ethereal textures and spiralling percussion are weaved within.

Mary Yuzovskaya’s vinyl-only, Berlin-via-Brooklyn Monday Off label continues to explore techno’s shadowy depths; where the music’s subtle dynamics unfurl in intensely cerebral and psychedelic ways.

The rising Roman producer Hoedus, who’s previously contributed to one of the Various Artist compilations, offers three exquisite new tracks on this latest edition to MOFF’s catalogue. The propulsion of opening track Frames rolls in like a summer’s evening thunderstorm; fresh and unrelenting as its elements swirl around the listener, while ever-crescendoing in subdued intensity.

Moving Up Slowly follows suit, but unlike its namesake, it dives straight into peak time energy with ravey drones that slowly evolve into an array of tripping tones that tunnel straight into the brain. The following side begins with MOFF fave Spanish artist Orbe remixing Moving Up Slowly; its energy further increased tenfold as otherworldly sounds dance around the main motif with frenetic intensity.

Gravity Zero closes out the EP by simmering away with body-centric rhythms and a heady afterglow that’s reminiscent of an extended sunrise moment. racks written and produced by Hoedus. Remix by ORBE. Mastered by Giovanni Conti at Artefacts Mastering Studio. Artwork by Liza Shutova.

Mary Yuzovskaya’s vinyl-only, Berlin-via-Brooklyn Monday Off label continues to explore techno’s shadowy depths; where the music’s subtle dynamics unfurl in intensely cerebral and psychedelic ways.

The rising Roman producer Hoedus, who’s previously contributed to one of the Various Artist compilations, offers three exquisite new tracks on this latest edition to MOFF’s catalogue. The propulsion of opening track Frames rolls in like a summer’s evening thunderstorm; fresh and unrelenting as its elements swirl around the listener, while ever-crescendoing in subdued intensity.

Moving Up Slowly follows suit, but unlike its namesake, it dives straight into peak time energy with ravey drones that slowly evolve into an array of tripping tones that tunnel straight into the brain. The following side begins with MOFF fave Spanish artist Orbe remixing Moving Up Slowly; its energy further increased tenfold as otherworldly sounds dance around the main motif with frenetic intensity.

Gravity Zero closes out the EP by simmering away with body-centric rhythms and a heady afterglow that’s reminiscent of an extended sunrise moment. racks written and produced by Hoedus. Remix by ORBE. Mastered by Giovanni Conti at Artefacts Mastering Studio. Artwork by Liza Shutova.

JG OUTSIDER is returning to Oráculo to once again deliver his unique blend of twisted modern EBM, advanced industrial, and power electronics. This time, he’s joined by Nightcrawler and Spammerheads with two dancefloor-filling remixes.

Presented in a ONE-OFF truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid BLACK vinyl. All tracks have been specially mastered for vinyl by Daniel Hallhuber at Young and Cold Studios (Germany)

ntroducing World of Rubber 4, a bold compilation featuring five cutting-edge tracks from trailblazing artists who push the boundaries of sound and embrace the label's signature non-conformity. This collection showcases a wide sonic spectrum, from experimental vocal pieces to club ready floor killers. With work of Indonesia's Senyawa, where vocalist Rully Shabara's electrifying range blends with Wukir Suryadi's processing of (handmade) instruments. Hailing From the UK, MAP 71 offers hypnotic poetry layered over pulsating electronics, driven by Lisa Jayne's surreal lyricism and Andy Pyne's ritualistic rhythms. Swedish experimental techno producer Peder Mannerfelt brings his raw energy and genre-defying sound. Dutch techno pioneer Unit Moebius Anonymous takes a second stab at Juzer, a project by Beau Wanzer and Dan Jugel, delivering heavy hitting industrial-tinged rhythms. Lastly, The Modern Institute brings their avant-garde, deconstructed take on techno, blending industrial noise and playful experimentation to create a truly unpredictable sonic experience. Cut by Simon - The Exchange, pressed on opaque white vinyl, Limited to 200 copies.

dBridge, is well known for his excellent hybrid, genre bending, fusion between advanced drum&bass, dubstep, electronica and beyond. A true game changer and again he shows this on his new EP Violence of positivity on Candy Mountain with 3 fast paced modern steppers and a dark driving electro bombs!!!

2022 VINYL REPRESS….

Waveform Transmission Vol.3 initially came out in 1994 on Tresor Records.
The eight titles on the album marked a turning point for Jeff Mills. It indicates a transition from the straightforward sound he had created through the early 1990's, into the different facets and sound pallet he will develop through the remainder of the decade. It is a significant piece within Jeff Mills' masterwork.

Renowned producer Danny Wolfers, better known as Legowelt, brings his legendary sound to the still-emerging Portuguese label, All Nice Records, launched in early 2024. Following their initial Chicago House-inspired releases, the label now shifts its focus to the vibrant Dutch West Coast scene. ‘Netherworld Sonomosis’ is a captivating and melodic electro EP that showcases Danny’s passion for his craft and his unique production style. This versatile four-track release is perfect for spinning at any hour of the night, inviting listeners to immerse themselves in its dreamy soundscapes.

'Deus Ex Machina'. Unexpected intervention from the machine, a three act masterclass. Force Reaction lends their hand remixing the Second Act.

TASSEL is an emerging industrial punk trio from Phoenix, Arizona. Oráculo Records is proud to present their first vinyl EP to date, featuring the two singles from their acclaimed debut album A Sacrifice: Unto Idols, along with remixes by Kontravoid, Plack Blague, Black Light Smoke, and Lana del Rabies..

Presented in a ONE-OFF truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid BLACK vinyl. All tracks have been specially mastered for vinyl by Daniel Hallhuber at Young and Cold Studios (Germany).

Gifted & Blessed is back again, this time with his first full-length album as The Abstract Eye, bearing his soul through his arsenal of analogue and mostly vintage drum machines, synthesizers, and effects processors. You Can't Unsee Me consists of 8 pieces recorded live and in one take at different moments over the last 10 years. Throughout the album, AE exhibits simple-yet-complex sequencing and processing while emphasizing depth, warmth, and heart. Whether you're looking for music to dance to, music to relax and vibe to, or music to think deeply to, this has it all. One thing that's for sure about The Abstract Eye...once you've experienced what he brings to the world through his signature brand of electronic music, you simply can't unsee him.

Prolific Ukrainian purveyor of the weird and modern, Yaroslav Lenzyak comes heavy with a new vinyl outing for Body Parts Mind Series. Island of Being EP showcases a range of his ripe and sturdy club-sounds, easily suited for both cracking peak-time and balmy afterhours moods. Yaroslav blends meticulously the functionality we need with the artistry we love- not to be missed!

Allumynd emerges from the shadows with a project that feels as though it has been excavated from the farthest reaches of electro history.

Fresh from a summer spent deeply immersed in analog gear, Allumynd's debut album delivers 8 raw and electrifying tracks that capture the essence of an era yet speak boldly to the future. Each track, recorded live, surges with an intense energy and is crafted with both mechanical precision and an emotional undercurrent.

Steeped in the legacy of pioneers like Drexciya and Cybotron, the album pushes forward with an unmistakably modern edge. The result is a sonic journey that captivates, paying homage to the past while redefining what electro can become.

second relese of hamburg based producer "audision" on mule electronic. original version is dark,detroitish tech house and mark august (who have released from cocoon,connaisseur, curle,innervisions) made a modern minimal house remix.

An ethereal world cast into a dark night, with fireflies of sound adding nuance and light to the darkness... Textures and atmospheres that are even deeper and more hypnotic... Azu Tiwaline has chosen 4 producers to delve into the tracks on her album The Fifth Dream, released by I.O.T Records just over a year ago, for a unique and masterful reinterpretation of the opus.

Forest Drive West, Cinna Peyghamy, Kangding Ray and Polygonia each present their vision of one of the tracks on the album, with all the strong sonic identity that characterizes them.

For this 29th release of the Acid Avengers series, we invited two cult electro projects well-known by all braindance lovers. On the A-Side, the italian duo D'Arcangelo, who released some beautiful electronica cuts on Analogical Force, Further Electronix and the legendary Rephlex Records. On the B-Side, the danish artist Karsten Pflum, known for his strong releases on Hymen Records, Ad Noiseam, CPU or Further Electronix. Prepare your brain, these 5 tunes will take you on a groovy mental trip - from shiny IDM to melancholic acid !

The latest signee to the Kniteforce stable is DJ Semah, and he makes his vinyl debut on Knitebreed Records. He is one of the best of the new generation of producers who were born in the new millennium yet manage to fully embrace the original sound and style of the 90s!

2025 Reissue

Arpanet is BinarySound's newest project. A new baby born of the past, built on reissues and unreleased tracks for tomorrow's parties.

The first EP features our Hossegor based friend DJ Speep and his brother Fab, bringing back to life their timeless Sensitive EP.

Beware of the high and keep your eyes peeled for our upcoming goodies, or you might find yourself launched back into the future.

Drivetrain, a.garcia & M.Kretch are techno monsters. Our music is what we eat, sleep, and drink. Our passion is our uncompromising style. This E.P. is a dedication to those artists that know and bet on themselves.

Cryovac #29 starts off the A side with Drivetrain’s 3am; an electro bass smoothie that claps waves of funk to warm a sexy spine. Track 2 “Discipline” is a dark fantasy, slapping bottom bass breaks pinch and twist synth to climax receding into an afterglow of rhythm.

Garcia and Kretsch open the B side with an epic tale of lost souls howling behind a spiritual synth devining a path for rocking minimal percussion progression. It is a heart felt yearning that rocks through pain that defines this track’s soul. B2 squeaks into a raucous groove of rhythms acting as one and defining themselves throughout a deforming heroic classic techno stomp.

Saint Petersburg, Russia based producer Gradient has been steadily making his mark on the modern dub techno scene over the past decade and here we see him returning to grad_u’s Greyscale with more classy, dub-infused and atmospheric material. A study in landscapes exploring the pathways between the concrete jungles of the cities we reside in and the natural landscapes we visit to reconnect and find inner peace.
‘Landscape Two’ leads, employing choppy chord stabs, fluttering low-end pulses and dusty drums in an unfaltering, subtly modulating and evolving fashion before Fluxion offers a master class in restrained atmospherics, slowly teasing elements of the original into the depths of an ethereal, murky groove.
‘Landscape One’ leads the flip-side, taking a more upfront feel this time via robust drums and am amalgamation of spiraling dub chords ahead of grad_u’s ‘Landscape Two’ remix which lays focus on off-kilter, bumpy drums, fluttering subs and intricately modulating cuts from the original chords.

Released on 12’’ white 180gram vinyl, mastered and cut @ dubplates & mastering, Berlin.

Figure is excited to welcome IGLO to the roster, a promising new talent in techno. With a background in classical music, IGLO began his journey with the renowned Thomanerchor Leipzig before moving on to play guitar in bands. His diverse musical experience informs his unique approach to techno, merging classical influences with modern electronic production.

On his debut EP for Figure, IGLO presents a collection of tracks that showcase his skill in blending solid rhythms, deep atmospheres, and rich textures. The opening track, Neverplace, introduces the EP with dubby chords and rave-inspired vocals, setting a late-night tone with emotional depth. Recovery follows, featuring a groovy bassline and a spoken word sample that enhances the track’s immersive feel. In Tell Me Everything, IGLO moves into snappier rhythms, with looping elements and a distant vocal that adds a mysterious edge. Introspection stands apart with IGLO’s own singing voice, paired with analogue rhythms that create a smooth, reflective flow while maintaining steady momentum.

The two digital bonus tracks, Dispersity and Solitude, close the EP with steady, rumbling beats and tight rhythms, keeping the energy grounded and focused while engaging the dancefloor. IGLO’s debut on Figure reflects his ability to merge emotional depth with forward-thinking techno, marking a strong start for this exciting new artist.

“Deep Meaning” is the debut album by Maria Wildeis, a Cologne-based artist and expert in real-time sound design for installations.

The tracks on “Deep Meaning” oscillate between club and experimental music and are characterized by a lightness unique to debut works. Particularly notable is the inventive use of synthetic, organic, and sampled vocal elements. Voices constantly morph into melodies and back; words become notes, chords turn into text. Maria’s real-time approach to composing is evident throughout, making this album an unscripted adventure. Before you uncover the deep meaning, it has already swept you away.

Maria Wildeis researches spatial aspects in art and music, working with digital sound modeling and procedural sound synthesis. She also runs Gemeinde Köln, an art space in Cologne, Germany, which she founded in 2018.

Recorded in Cologne. Music by Maria Wildeis. Tracks 2,4 co-written by Daniel Ansorge. Additional production by Daniel Ansorge and Jens-Uwe Beyer. Mixed and mastered by Daniel Ansorge at Magazine Studio Cologne. Supported by the Cultural Office Cologne.

2023 Repress

Greyscale is extremely proud to bring Martin Schulte to its long growing and talented roster.
Not only is this a double-single but each track is supported with a remix from a top-tier artist in Vril and our very own grad_u! Dancing Street & Skyscraper Street is special in many ways!
On 'Dancing Street', Martin gives your equilibrium a real test with its off-axis beat structure and fantastic chord definition. As the track releases the pressure nearing the end is nothing short of genius. This is not for the faint of heart! 'Skyscraper Street' is the ideal counterpoint to 'Dancing Street'. A perfectly tempoed tech masterpiece, it soars over a city soundscape riding a confident beat. For the B side, grad_u on the remix gives us a wall-shaker! A serious
main floor sound and the only relief from the intense bass is the beautiful chord work. The word epic comes to mind from our label leader! There is a handful of names that are buy on site when you see them and VRIL is no doubt one. This remix of 'Skyscraper Street' is drenched in layer upon layer of shimmering and fractured melodies. This experimental and almost dreamlike state of consciousness is auditory sensory overload of the highest order! Martin Schulte, VRIL and grad_u on the same EP!
Mastered at the legendary Dubplates & Mastering in Berlin on white 180 gram vinyl. The depth of these should not be understated!
Analogue photography by Rima Prusakova

Dutch electronic music duo Polynation returns to Atomnation with Bloom, a new EP featuring guest appearances from Itai Weissman and Eric Vloeimans.

Polynation has always employed a wide range of gear to make their music, from synths, bass, guitar, and pedals to their unmistakable use of acoustic drums. This time, they have guest musicians Eric Vloeimans on trumpet and Itai Weissman playing saxophone and EWI — a digital wind instrument. The EP is their investigation into the symbiosis between electronically generated sounds and acoustic wind instruments. It finds them playing wind instruments in unconventional ways to mimic the language of a synthesizer and contrasting them with electronic sounds that breathe and feel alive, as if acoustic. "We are particularly interested in the sonic world where the boundaries between electronic and acoustic sounds begin to blur," they explain. They now take that concept one step further on this latest outing.

Bloom is another deep dive into the adventurous sonic alchemy of the continually innovative Polynation.

Thirteen EPs and several VA's make up the story of Marcel Fengler's IMF label, and the music continues to go from strength to strength. The latest addition to the release catalogue may be one of the strongest to date, featuring a generous number of individual inputs inside a six-track EP. Delivering the goods this time, Stuttgart-based Rove Ranger serves up two sublime stompers, with enigmatic London local The Advent serving up a thumping remix for the first half of this split release. Madrid's Rodiaz supplies another duo of weighty originals on the second side, backed up by legendary Scottish techno titans Slam.
Rove Ranger's 'Workout' opens proceedings energetically, revolving around a rolling acid bassline, swirling tonal percussion, offbeat licks, catchy vocal chops and crisp, driven hat grooves to churn out an impressive opening track before The Advent puts his own deeper, darker spin on it, pulling the original track around through a series of envelopes and creative modulations, giving it an entirely different persona. Rove Ranger closes off his side of the release with the breakbeat-laced sounds of 'Unforgotten', implementing endless audio width alongside pensive chords, thumping industrial grooves and hollowed-out sub-bass.
Rodiaz kicks the second half of the EP off with a bang, coming in brutal and fast on 'Space Methods' through an array of thudding drum grooves and rattling percussive toppers to for man unconventionally gripping beat structure - subtly accented with minimal melodic components to add endless character to this peak-time bomb. Slam follows up with an archetypally hard-hitting rendition, firing off a relentless assault of weighty kicks, rattling hat grooves and coarse industrial fills, leaving very little room for a breather throughout this tirade of hair-raising tenacity before Rodiaz distils the EP into a close with the groove-focused
'Output Methods', playing on detuned tonal elements alongside tribal-infused percussion and eerie pads from start to finish.

repressed !

Much has been said about Nami Shimada's JPop Bubblegum Deep House anthem. Produced by Soichi Terada in 1989, Larry Levan used to bang it in he Paradise Garage, ressurected by Creme in 2004, over a decade before the hype. What more credentials do you need? Here's all the versions that matter, including a beautiful and haunting Legowelt remix that's rated amongst his best work (by experts that is).

This new one from our favourite US ambient outlet takes the form of a selection of long-form compositions from artists who are close to the label. As such it's a perfect reflection of its signature sound - deeply immersive soundscapes, slowly shifting synths and meditative moods made with a mix of hardware tools, guitars, pedals and even baritone vocals. It's named after a Norwegian term for warmth and intimacy, which certainly plays out from the evolving loops of 'A Whisper' to the textured melancholy of 'Canaan' and the reverberant drift of 'Coronation Ring'.

An absolute classic of the era - both tracks were battered back in the day and these were huge tracks at Madisons in Bournemouth around this time as they were originally released on Adrenalin Records in 1992, which was Stu J's label, a south coast rave DJ. Shaun from Aurora went on to form Mad Dog and Fugitive after this project.

Double B is Barry from 2-X-Treme and these tracks were written at the same time as that infamous 2-X-Treme EP. Pressed by Barry on a white label and mostly hand-distributed to local south coast record shops. This is a very rare record from a Pompey rave don!

One for the heads as they say ... this deep Detroit Techno inspired 12" by UK Techno veteran Paul Mac was supposed to be released on Ben Sims' infamous Theory sub label Navite in 2003, but apart from 5 test pressings with the catalogue number NTV 04 it never made it to a proper release. When asking Paul about this 12" we were very happy that he agreed to release it on Mojuba sub label a.r.t.less. Some of his most soulful and deeper organic Techno EPs finally available and remastered by Redshape to current standards.
For illustration duties we are super grateful to have the one and only Kilian Eng on board for the next releases, showcasing some of his sketch work in a new context, some of you might remember his stunning artwork from the Sam McQueen album "Dreams In Sepia" for a.r.t.less. Enjoy! Limited edition in hand-pulled screen-printed cover.

Oyster ass is back with their Italian brothers for the 3rd round.
Sea correction is a retreat into alter worlds—rigidly organized, timeless, often inescapable trancelike states of mind-body dislocation.
Hope your mind and body are ready because Public Request and WAS will take care of the correction.
Salty kisses and happy correction!

Collecting orders for repress

Part 4 of Ricardo's latest album.

Fletcher and Steve O'Sullivan have often worked or appeared together in the past so it makes sense that the former now invites the latter to be the first person to release on his newly minted and always sure to be worth checking Social Currency imprint. They take the reins together across floor-focussed cuts that are marbled with deep pads and introspective sounds. 'Cold Calling Blues' is warm and airy with smoky vocal sounds and precision dub techno drum loops, 'Midnight At 1:30' hits a little harder but is still zoned out and serene and 'Shatner's Groove' takes on subtle deep space moods with deft pads and spoken word additions.

All his decisions. With tracks by Nina Kraviz, ANTIGONE, Kittin, u.r.trax, PTU, UFO95, Jurek Przezdziecki aka Praecox, Izolenta, Roma Zuckerman, Vladimir Dubyshkin, K-HAND.

Bárbara Salazar aka Barbarelle is an experimental multidisciplinary artist from Buenos Aires, known for her conceptual work as a DJ, creative director, and curator.

‘Celesta’ marks Barbarelle first foray into composing and producing her own music; a debut that reveals the intimate, heartfelt territories of her creative universe. The culmination of years of composing for herself - ‘behind closed doors’ - ‘Celesta’ is a deeply personal, self-guided masterstroke of beguiling, free-flowing ambient soundscapes and DIY electronics. With ‘Celesta’, Barbarelle artfully transitions from ardent music aficionado to fully-fledged artist, unveiling an enchanting sonic world that has quietly matured over time.

‘Celesta’ is an exquisite odyssey of sound, assembled from fifteen tracks recorded between 2022 and 2024 in Buenos Aires and Los Angeles. Conceived as spontaneous and intuitive explorations, many of these tracks were recorded in one take without technically-minded premeditation. The product of organic experimentation rather than concrete intention, ‘Celesta’ is an authentic, candid record of emotions, memories, and profound interiorities.

Over time, the pieces in this tapestry found a common thread: a conversation with the ethereal, defined by emotional intensities and softly spoken utterances. ‘Celesta’ is an invitation to immerse yourself in soundscapes that merge to the point of dissolution, evoking the transparency of water and the lightness of a dreamlike world that transcends matter. Like the song of a siren, the voice becomes just another instrument, beyond language yet full of significance. A collection of songs that feels like opening a secret diary; a direct pathway to the centre of the heart.

In addition to her work as an artist, Barbarelle is the founder of Atlas, a platform dedicated to active listening through radio, live performances, listening sessions and more. She is also known for her radio show of the same name on Dublab, where she shares her unique approach to sound with eclectic selections and interviews with the likes of Air, BADBADNOTGOOD, Lucrecia Dalt, Juana Molina & more.

Introducing Risorsa Elettronica 002, featuring the exceptional talent of Agostino Casillo, a distinguished music producer and our esteemed friend.

This EP showcases a fusion of diverse styles, ranging from techno and electro to progressive and breakbeat. Limited to just 300 copies, each track promises a captivating journey

press reviews

Resident Advisor - 4.5/5
Spin - Album Of The Week
Albumsoftheyear.org - Currently at number 3
Exclaim - 9/10 Review
New York Times - Feature review (Nov 18th Print Issue)
All Music - 4/5 Review
Spex - Review 10th NovAndy Stott returns with his first new album since 2012's 'Luxury Problems', no.55 in Pitchfork's 'best albums of the decade so far'

- It also featured high in numerous year-end charts in 2012; including The Wire, Resident Advisor, Pitchfork, The Quietus, Tiny Mixtapes,

PopMatters, XLR8R and more

- Includes vocal contributions from Alison Skidmore on six tracks

- The album straddles analogue club music and vocal pop songs - somewhere between Ron Hardy, Prefab Sprout, Dome, Actress, Cocteau Twins and Arthur Russell

- Mastered and cut by Matt Colton at Alchemy 'Faith In Strangers' was written and produced between January 2013 and June 2014, and was edited and sequenced in late July this year. Making use of on an array of instruments, field recordings, found sounds and vocal treatments, it's a largely analogue variant of hi-tech production styles arcing from the dissonant to the sublime. The first two tracks recorded during these early sessions bookend the release, the opener 'Time Away' featuring Euphonium played by Kim Holly Thorpe and last track 'Missing' a contribution by Stott's occasional vocal collaborator Alison Skidmore who also appeared on 2012's 'Luxury Problems'.. Between these two points 'Faith In Strangers' heads off from the sparse and infected 'Violence' to the broken, downcast pop of 'On Oath' and the motorik, driving melancholy of 'Science & Industry' - three vocal tracks built around that angular production style that imbues proceedings with both a pioneering spirit and a resonating sense of familiarity. Things take a sharp turn with 'No Surrender'- a sparkling analogue jam making way for a tough, smudged rhythmic assault, while 'How It Was' refracts sweaty Warehouse signatures and 'Damage' finds the sweet spot between RZA's classic 'Ghost Dog' and Terror Danjah at his most brutal. 'Faith in Strangers' is next and offers perhaps the most beautiful and open track here, its vocal hook and chiming melody bound to the rest of the album via the almost inaudible hum of Stott's mixing desk. It provides a haze of warmth and nostalgia that ties the nine loose joints that make up the LP into the most memorable and oddly cohesive of Stott's career to date, built and rendered in the spirit of those rare albums that straddle innovation and tradition through darkness and light.

The prolific, virtuosic original Bjarki Sigurðarson returns to the concept album format, with ‘A Guide To Hellthier Lifestyle’. It’s the first LP to be released on Differance.

‘A Guide To Hellthier Lifestyle’ explores the psychological landscape of contemporary social issues, offering a sideways rumination on lifestyle dilemmas and wellness obsessions, presenting itself as a response to the modern condition. It combines storytelling with innovative sound textures – encouraging listeners to pause and contemplate the absurdities of contemporary life. Neither a critique nor an endorsement, it represents an honest exploration of our world through Bjarki’s sonic lens, gleaming a heart of darkness, but eventually finding light.

The album utilises hyper-stereo techniques, soothing melodies, complex audio structures, AIgenerated voices and sampled vocals – influenced by Coil, Genesis P- Orridge, and Paul Lansky. Bjarki investigates how specific frequencies can impact consciousness, awareness, mood, and mental state, thereby influencing our perception of reality. His vaporous sound design provides a listening experience that bridges the physical and imaginative realms; sometimes placing the listener in contemplative sanctuary, and at others making them lost – somewhere strange, uneasy, disconnected.

Bjarki on his Guide To Hellthier Lifestyle

“This new album has been two years in the works. It’s sort of my take on all the social weirdness and wellness obsessions happening right now. It kicked off with a track I started in California – the story of a soul that got born into the wrong womb. During that time, I was noticing more and more of this whole ‘wellness religion’ everywhere – people trying to sell you ‘good vibes’ and random people offering you life coaching sessions on Instagram who maybe have less life experience than a houseplant. All these apps that track our every move; it’s like they’re repackaging control and calling it ‘self care’. Capitalism in yoga pants. Thats when I started putting ‘A Guide To Hellthier Lifestyle’ concept together. A never ending, self improvement rabbit hole. We are all being sold this idea that we are not quite enough and we need to buy our way out to being better.

At one point, I took a break from the album and started working on another album full of satirical speeches, AI generated voices, where I create my own voices and type in some ideas of speeches, taking the piss out of wellness gurus and life coaches. I messed a lot with these AI voice generators, creating these deep, faux serious monologues. Proper weird stuff, but it cracked me up. Reminded me of the early days, when I was 13, making tracks on Fruity Loops, mucking around with text-to- speech generators. After the break I came back to finish ‘The Guide’ on a much deeper level.

I moved part of my studio to Latvia and continued in the countryside for few months. I realised that I just wanted something beautiful. So, yeah, this album is all of that. It’s spiritual, bits and pieces from the past, all these weird cultural moments, and whatever strange places my head goes. It’s a reflection, a rebellion, a bit of a piss take. But mostly, it’s just me, doing what I do.” - Duncan Clark

The album will be released only in its entirety, December 13th digi, with no advance singles.

Strong collab on 3 tracks - highy recommended!

Tuning the Wind was created in 2022 as an installation piece. Since then, it has been adapted into multichannel, 4DSOUND, and stereo installations, as well as performed live on numerous occasions around the world. The piece has a duration of 36 minutes and 15 seconds. For the vinyl pressing, it has been divided into two parts.

Composer Aimée Portioli, known professionally as Grand River, recorded various types of wind and then reworked them through layering and pitch adjustment to create a musical piece where the wind itself becomes a prepared instrument. At times, the sound of the wind is tuned to the 440 Hz reference, while at other times, the instruments are tuned to the sound of the wind. In Tuning the Wind, nature and music merge seamlessly. Synthesizers and wind recordings become indistinguishable, blending natural sounds with human-made instruments. The boundary between a gust of wind and an instrument-generated sound fades away. Human artistry and nature’s symphony merge to become one.

Wind is air in motion. It makes no sound until it encounters an object. The sounds it produces depend on the strength of the wind and the shape and material of the object it touches. When the wind blows, trees sway, buildings rattle, materials move, and sound waves are generated. Some believe that temperature changes create layers of air, and that the friction between them forms a unique sound—perhaps the true voice of the wind, which birds may be the only creatures capable of recognising. Sometimes the wind howls; at other times, it sings or whistles, shifting from a gentle murmur to an angry roar. The wind’s range of frequencies, tones, and timbres is vast and varied. Tuning the Wind is a piece about the wind, made with the wind—an abstract expression of our ongoing conversation with nature.

Concept, composition and production by Aimée Portioli. Wind recordings by Aimée Portioli and Pablo Diserens.
Mastered by Rafael Anton Irisarri. Front cover photo by Bárbara Cameán and Aimée Portioli. Back cover photo by Maria Louceiro. Design by Daniel Castrejón.

Konerytmi's upcoming release is a captivating blend of retro charm and futuristic allure. Each track resonates with the spirit of the 80s, where the pulsating rhythms of old-school drum machines intertwine with the evocative tones of vintage synthesizers.

Drawing inspiration from the hooks and melodies that defined a generation, Konerytmi skillfully weaves a tapestry of sound that is both timeless and contemporary. These tracks are not just made for dancefloors, they are crafted to evoke emotions and stir memories, inviting listeners into a realm where past and present converge seamlessly.

These tunes were written in a former Shadwell hospital. Unlike some of London's occupied spaces, this studio-bedroom wasn't filled with dirty laundry and broken dreams, but instead with buttons and flashing lights. Here, Liam Sinigoi gifts us 'Steels HC', the debut release on his own imprint nonsono Records. A dance floor ready four track EP influenced by London's club scene and all of the early mornings that come with it.

Born as Max Decibel in a quaint, sonically vibrant town called Beatville, Mr. Mad Compressor had an unconventional entrance into the world. His parents swore that his first cry was in perfect pitch with the family’s piano. An ability he soon lost. An insatiable curiosity marked Maximillian’s teenage years for all things audio. He spent countless hours in his bedroom rearranging his parents' vinyl collection and experimenting with their vintage recording equipment. He was always poor, due to the compulsive gear acquisition syndrome and the insane electric bill. He never liked the fame and despised DJs raising hands to excite the crowd and touching knobs as they’re burning. There is a lot of good music that has not been promoted, there are very few tracks that haven’t been compressed, he said.

Mr. Mad Compressor continues to push the boundaries of music and comedy, proving that the line between genius and insanity is best experienced with a pair of good speakers. His legacy will be a testament to the power of embracing one’s unique sound and making the world a little louder, and a lot more fun.

May your god bless dynamic reduction.

Cindys petrochemical plant managed by her husband Norbert
He’s just half-eaten a sandwich, he’s got a little dino friend, a couple perhaps.
Surrounded by strange industrial structures and debris he’s quickly animated by inhuman images and sounds.
Fearful over a dream she had about sinking in quicksand she quickly remembered Pasolini’s words.
‘In a dense fog’ they read, no it was perhaps another instance.
She used to live on an island and swim off a beach at an isolated cove. She orders pizza often. Of all the rocks in the cove it seems that only one comes alive and sings to her.
In the voice of the core.
The factories wide consumption continues.
Twenty-two minutes per side.
Something good.

Metal position returned after 7 years with a reunion ep from Lucretio, Steve Murphy and DJ Octopus with the signature focus on kick drum and bass line

The infamous Retro-Vert label returns with rare & sought after Rave flavoured cuts & reworks from the elusive Barrow Boy aka Ben Sims. Limited Yellow Vinyl.

For the hotly anticipated third release on her critically acclaimed new record label Uppers and Downers, Dr. Rubinstein has tapped one of her favorite producers--Yerevan's Dave N.A.--to take the helm and deliver a smart and stunning rave EP pitched at the intersection of acid and jungle. A prolific producer, adventurous DJ, and co-founder of the ABC Community, Yerevan's collective hub for amplifying breakbeat,jungle, and drum & bass sounds in the Armenian rave community, Dave N.A. is no stranger to Uppers and Downers, just having contributed a vivacious, jungle influenced reinterpretation of Rubi's track "Extacid" to the label's second release, Rubi's Acid Spa Remixes. For the past decade, Dave N.A.'s productions have reliably offered a fresh, frenetic yet finely tuned take on classic rave genres and their acid-drenched antics while exploring the cutting edge of international experimental bass and hard rave idioms. 'XLSoundwaves' proves to be no exception, taking listeners on a boisterous yet atmospheric, tight yet sprawling sonic journey that combines acid, jungle, hard trance, breakbeat, and IDM influences amid a striking wash of captivating, high-definition ambient studio sound design.
'XL Soundwaves' kicks off with "BFLY," an expansive track that features tunneling hard trance 303 lines deftly weaving through bouncy jungle breaks at a sprightly 165, all emerging from and ultimately fading back into an ethereal plenitude of ambient pads punctuated by a soulful, resonant vocal refrain. Next up, "Radiance" offers an infectiously groovy, sidewinding jaunt through cheeky acid breaks that evolves into a crescendo of lush, eyes-to-the-sky ecstasy. "XL," the EP's third offering, brings the heat with fat basslines, frequent turntablist rave licks, and a freaky sense of humor, almost cinematically projected onto a vast horizon of sumptuous strings. The EP comes to closewith "A.I.R.," a thoughtful banger with a mischievous IDM sensibility that sets acid jungle adrift on an ocean of shimmering orchestral sampladelia and ambient synth radiance.
To some, Dave N.A.'s acid jungle opus might seem like an unexpected plot twist in thecuratorial trajectory of Uppers and Downers. Much to the contrary however, the 'XL Soundwaves EP' is a perfect early release, helping to establish the mission of Uppersand Downers as continuing the search across diverse international rave genres, traditions, and communities for producers and productions that resonate with Dr.Rubinstein's lifelong pursuit of soundtracking her ideal rave: one that offers ravers access to an ecstatic, joyful, affirmative, and inclusive sense of home, of feeling at homewith both oneself and one another through the music.

Collecting orders for repress.


MUSEK is the new label created by legendary Italian DJ and producer Francesco Farfa and upcoming producer Hamsa.
For the first release the two have compiled a Various Artists that sees Farfa himself coming back to the production desk with “Zacido” on the A1, while Hamsa takes over the rest of the vinyl with “Helios”, co-produced with Dan Beaven, on the A2, and with two solos productions, “Chronus” and “Hades” on the flip side side.

A record with an original and intelligent mix that incorporates Acid and Progressive influences with Psy-Trance and Goa elements.

Sundance presents four tracks from Fumiya Tanaka.
These tracks are fresh after his 5th Album “Right Moment” release.
Enjoy super lights!

Recorded in its entirety using just a laptop, a pair of headphones and a midi sampler, Indentations is the debut full length album from New York based percussionist and producer Grant Chapman.

Indentations draws deeply on Chapman's personal experiences surrounding loss and betrayal. An intimate work reflecting the struggle of dealing with traumatic experiences, the album makes the case for equilibrium following life-altering experiences.

‘’The album is a meditation on the sheer weight a broken relationship can have on two people. A personification of the stages of grief one feels when growing apart from someone they love, for reasons they can’t seem to reckon with or comprehend.’’

Working from his East Village apartment, Indentations is a rich amalgam of intricately layered found sounds, almost all of which were found on YouTube, taking in influences that range from ASMR to acapella choral performance.

The effect is dizzying in its depth and scope. Chapman has created a boundless emotional musical journey that can feel both deeply intimate and cosmically vast.

Full out 160/170 BPM Acid Tribe and mentalcore... A new label from BNelgium bringing out some noth free acid techno sounds ! BIG UP !
Vive les normands de bretagne belge

“Growing up has always been a solitary journey, marked by forward-looking anticipation, anxiety, unripe potential, aspirations, and closures.”

London based Chinese composer and multi-instrumentalist Li Yilei returns to Métron Records with NONAGE, their second full length release following 2021’s OF. An introspective reflection on the journey through childhood, this new work brings together samples from old Chinese TV shows, mechanical children’s toys and an array of acoustic and electronic instruments - some of which were designed and built by Li themselves.

The Chinese title for "NONAGE" is "垂髫", which translates to “childhood” or “disheveled hair”, and refers to the carefree phase of life when children let their hair down, both figuratively and literally. For Li, nonage is a place that they always revisit - to learn about fear and fearlessness, love and despair, grief and glee, curiosity and mistakes.

“I remember pressing piano keys like touching flowers, reading scores like looking at paintings, writing like how I would talk to myself, greeting death like how I would greet life.”

Initially conceived as an archiving project, the record retraces and reimagines fractions of Li’s childhood memories through smell, location and colour, and brings to life the lingering feelings that remain into adulthood.

Compositions are built around a variety of unusual sources: damaged instruments such as a toy piano, a hand cranked music box, bird whistles, a broken accordion and anything else Li could find that evoked nascent recollections. Interspersed throughout are samples from Li’s childhood piano jams, moments of contemplative transmigration where previous incarnations of self and memory meet the present.

RAWAX welcomes Sepp to the Family! We're happy to present you the "Ritm Timpan EP" as it's one of the most wanted releases this year. Many people heard it for the first time at Sunwaves last month where it was on massive support by Petre Inspirescu & Raresh as one of the festivals key tracks!

3 Acid hard and speed Total Output 100% pure style !!

Drumcode’s beloved A-Sides compilation makes a welcome return after a two-year absence, with a mammoth 25-track feast covering every shade of the techno spectrum split across seven, 12 inch parts. The project was devised in 2012 as a way of showcasing the wealth of strong material Adam Beyer receives each year, which due to Drumcode’s busy release schedule, might not otherwise find a home on the label. Since then, it’s grown to become an essential fixture on the techno release schedule and a marker for where the genre stands in any given year.

No holds barred for part 7's opener from A.D.H.S. – Razor, acid arps and monster synthwork a plenty, before an oscillating peaktime stormer courtesy of Julian Jeweil – Pulsation. Flip it for Marco Faraone’s ever intensifying head spinner ‘Dream’ before Gary Beck closes it out with a swirling warning call ‘Ship Went Down’.

Repress!

5 Years Anniversary Release - Red Marbled Vinyl

DDM is back !!! Four superb tunes, with fresh newcommers from the band !
A definitely good WELCOME BACK !!!

180 gram press !

There are some parties that create new movements... or awake a movement shall i say...
here are musicians you can hear in such parties !!

Big experimental and core collaboration (more than compilation...).

SUPERB !

An absolute banger melting hardcore, tribe and Hardtek...
Massive collabs !

One long bloody travel to velcro your brain :)
And a flip with a brilliantVerdure banger and an epic acidcore RNZ Raving tune !

For once Funk Rebels goes Hardtek, with a banger A-side up to 170 BPM !
The flip comes back to the regular sound from FNK : Electroswing Free Bangerz !

Veyl is pleased to welcome Velvet May for his debut LP on the label. Enchanted By The Muse marks a new and exciting direction for the Italian-born, Berlin-based artist whose aesthetic focuses on post-punk, techno and industrial music. This album embodies May’s exploration and experimentation of various musical directions, reflecting a fusion of industrial, rock and electronic elements. It also symbolizes a new approach, spanning genres and styles and exploring his sound from every angle.
Conceptually, the album reflects a realm of emotional dissonance in an industrial desolation - where harsh electronic textures mingle with gritty industrial and rock elements. Also present are echoes of punk's raw energy and adrenalinic drive, a musical journey through shifting moods and atmospheres, serving as a soundtrack to different aspects of life and capturing the essence of its high and lows.
From the opening track, “Now That You Have Left It All”, we are lured into a thrilling sonic dimension with a shot of energy that sets the stage for journey ahead. “Keep On Falling” injects a dose of rock which we find throughout the record fused with the artist’s signature blend of postpunk, industrial and techno strains. Tracks like “The Outsider” and “Slithering Serenade” conjure raw, distorted rhythms and a menacing fuzz which bleeds out of the speakers while “Scales of Gold” traverses back through infectious body and wave. “Illusion In Control” is the perfect climax, a musical assault that shatters boundaries and blurs the lines between reality and fantasy.

A superb italian Newskool tribe EP, offering some collabs and a superb sleeve !!!
ENJOY !!!